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Perkin-Elmer-Applera Collection, 1943-1998 (inclusive) 1950-1989 (bulk)

Extent:
10 linear feet (21 boxes )
Abstract:
This material offers a broad overview of the Perkin-Elmer instrument Corp. as it prepared to celebrate its 50th Anniversary in 1987. It also includes material from the Perkin-Elmer Corporation mostly concerned with internal and external publicity.

Held at: Science History Institute Archives [Contact Us]

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The Ernest M. May GATT related testimony collection, 1964-1972 (inclusive)

Extent:
.5 linear feet (2 boxes)
Abstract:
This is a small but important collection concerning events critical to the eventual demise of the domestic dye industry. As chair of the ICRC of SOCMA during the Kennedy Round of GATT negations in Geneva, May presented forceful argument against tariff reductions in an attempt to establish an american selling price for dyes and dyestuffs.

Held at: Science History Institute Archives [Contact Us]

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The Papers of Charles M. Judson, incorporating the Papers of Harold F. Wiley and the Records of Consolidated Electrodynamics Corporation, 1918-2000 (inclusive) 1940-1980 (bulk)

Extent:
20 linear feet (46 boxes)
Abstract:
This collection contains professional records of Charles M. Judson, and his former supervisor Harold F. Wiley. Wiley's papers in turn include the surviving business records of the Consolidated Electrodynamics Corporation, a leading American manufacturer of mass spectrometers. The material was amassed by Judson for a never-written history of the commercial development of mass spectrometry.

Held at: Science History Institute Archives [Contact Us]

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The Papers of J. Hartley Bowen Jr., 1938-1981 (inclusive) 1945-1955 (bulk)

Extent:
.88 linear feet (2 boxes)
Abstract:
This is a small collection of primary and secondary source materials detailing work done at the Naval Air Experimental Station in Philadelphia and later in Johnsville, PA during World War II and the Cold War period. Much it concerns the uses of atomic power and the effects of atomic fallout.

Held at: Science History Institute Archives [Contact Us]

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The Papers of John D. Roberts, 1940-1992 (inclusive) 1960-2000 (bulk)

Extent:
109 linear feet (79 boxes)
Abstract:
The collection gives a good overview of the arc of Roberts career as a chemist and educator. It is however weighted slightly more toward his accomplishments as a university administrator and board member of various organizations.

Held at: Science History Institute Archives [Contact Us]

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The papers of Ralph B. Thompson: Karrer lecture notes, 1938

Extent:
.22 linear feet (1 box)
Abstract:
This collection consists of copies of Thompson's notes to Paul D. Bartlett's course, Chemistry 17A taught at Harvard University in 1938, and an unpublished translation by Thompson of Paul Karrer's 1927 textbook on organic chemistry.

Held at: Science History Institute Archives [Contact Us]

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The Papers of Sol S. Jaffe, 1933-1976 (inclusive)

Extent:
.05 linear feet (1 box)
Abstract:
This is a collection of reprints, reports, and product information brochures concerning the history of the storage battery in various forms.

Held at: Science History Institute Archives [Contact Us]

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Julien Levy Gallery records, 1857-1982 (inclusive)

Extent:
19.0 linear feet (46 containers)
Abstract:
Julien Levy (1906-1981) was a pioneering New York art dealer of the 1930s and 1940s. He was introduced to the art world in Paris by Marcel Duchamp, who he met in New York in 1926. In Paris he met photographers and artists, including Man Ray, Berenice Abbot, and his future wife Joella Haweis, daughter of Dadaist muse Mina Loy. Upon his return to the United States, Levy worked briefly at the Weyhe Gallery before opening the Julien Levy Gallery at 602 Madison Avenue. In 1932, Levy mounted “Surrealisme,” an exhibition that introduced the Surrealist art movement to New York. This collection documents the career of prominent art gallery owner Julien Levy. The records date from 1857 to 1983 and include correspondence, exhibit announcements and invitations, scrapbooks, gallery financial ledgers, audio-visual materials, and personal papers such as letters, diaries, appointment books and calendars. The material in this collection reflects the course of Levy’s life, beginning with childhood...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Women's Committee of the Philadelphia Museum of Art Records, 1883-1989, undated (inclusive)

Extent:
14.5 linear feet
Abstract:
The collection documents the role of the Women's Committee of the Philadelphia Museum of Art in support of the Museum, its affiliates, and the Philadelphia arts community. The records illustrate approximately one hundred and twenty five years of successful service and leadership in planning various events and programs, and provide insight into the Women's Committee's untiring efforts, dedication, and expertise. The collection consists of minute books, scrapbooks, financial records, reports, and plans of events, marketing strategies, public relations, and special projects such as publishing a cookbook.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Christian Brinton Research Collection, 1902-1926 (inclusive)

Extent:
1 linear foot
Abstract:
Through his writings and the exhibitions he curated, Christian Brinton (1870-1942) promoted modern and contemporary art, particularly from the areas outside of the traditional western European school, and has been credited with introducing Nordic, Slavic and Teutonic modernism to Americirca This collection consists of material compiled by Brinton pertaining to two contemporary artists, namely the Spanish painter Ignacio Zuloaga and the Russian sculptor Prince Paul Troubetzkoy. Files pertaining to Zuloaga make up the first series and consist primarily of correspondence, 1904-1922, from the artist to Brinton. There are also clippings about the artist and many photographs of his works, as well as some of Brinton's notes and draft writings. The second series pertains to Paul Troubetzkoy, and consists primarily of Brinton's research notes and photographs and prints of the artist's objects, as well as reference files of newsclippings and other journal writings about Troubetzkoy.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Hollingsworth Pearce Papers, undated (inclusive)

Extent:
1 linear foot
Abstract:
Approximately 60 black and white photographs comprise this collection, documenting the work of Hollingsworth Pearce (1878-1936), Philadelphia designer, metalsmith and engraver. There is also a hand-written inventory of the photographed objects, which are primarily silver or pewter items Pearce crafted for several churches and chapels, such as altar and processional crosses, sanctuary lamps and a baptismal bowl. Tablets, trophy cups and bowls are also illustrated.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Mary Curran Papers, 1891-1958, undated (inclusive)

Extent:
10.5 linear feet
Abstract:
Mary Curran (1885-1976) devoted most of her professional life to some of the most progressive practices in social reform and relief during the first half of the 20th century. Her papers primarily document the significant role she played in the education of young working women, which segued into the promotion of modern art in the city of Philadelphia, Pennsylvania, and the management of the federal relief programs for artists in that state during most of the 1930s. The material is arranged in four series: I. Working women's clubs; II. New Students League and the Little Gallery of Contemporary Art; III. Federal Art Project and earlier relief programs; and IV. Personal papers. The bulk of documentation consists of correspondence, clippings, photographs, artist application forms and related reports for federal relief work, and 15-years' worth of bulletins, catalogs and ephemera, primarily from Philadelphia and New York museums, galleries and art alliances. Correspondents include...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Yasuo Kuniyoshi Papers, 1931-1932, undated (inclusive)

Extent:
0.5 linear foot
Abstract:
This collection consists of approximately five months worth of letters written by the artist Yasuo Kuniyoshi (1889-1953) in which he describes his 1931-1932 journey back to Japan in vivid detail. Writing to his wife Katherine (Schmidt) in New York, Kuniyoshi details every experience, particularly the social and media activities surrounding his one-man exhibitions in Tokyo and Osaka, and his visits to Okayama to spend time with his dying father. A few photographs of Kuniyoshi's train stop in Montana and an original writing in Japanese, laid out in a scroll format, are also included.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Henri Gabriel Marceau Director Records, 1955-1964 (bulk) 1933-1980 (inclusive)

Extent:
53.2 linear feet (135 document boxes)
Abstract:
Henri Gabriel Marceau was an internationally known scholar, art historian, and architect, and served as Director of the Philadelphia Museum of Art from 1955 to 1964. R. Sturgess Ingersoll, President of the Philadelphia Museum of Art, made the following comments upon Marceau’s retirement from the post of Director: “Mr. Marceau has been a tower of strength through the period of the development of the Philadelphia Museum of Art…His authoritative publications on Thomas Eakins, Cezanne, William Rush, Benjamin West, Flemish paintings and Corot represent an amazing range of scholarship. He has always been particularly interested in sculpture, and the three international exhibitions of sculpture, - held in 1933, 1940 and 1949 in the courtyard of the Museum, - did much to bring about the present refreshing interest in sculptors and sculpture. He has probably had closer relations with contemporary artists than any twentieth century museum director” (Box 103, folder 4). The Henri Gabriel...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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George Grey Barnard Papers, 1895-1941 (inclusive)

Extent:
19 linear feet
Abstract:
George Grey Barnard was an American sculptor and collector of Medieval art, locating and arranging the pieces that eventually became "The Cloisters," now of New York's Metropolitan Museum of Art. His papers are comprised primarily of correspondence and financial and business records documenting both his collecting and creation of art. The collection includes a significant amount of personal correspondence, biographical information, and family financial records as well.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Francis Bacon Foundation Records, 1936-1997, undated (inclusive)

Extent:
18 cubic feet
Abstract:
The Francis Bacon Foundation was formed by Walter and Louise Arensberg in 1938 to promote study in science, literature, religion, history and philosophy with special reference to the works of Francis Bacon. The Foundation also served as the legal owner of the Walter and Louise Arensberg art collection. The Francis Bacon Foundation Records consist of correspondence, administrative and financial records which illustrate the organizational aspects of the Foundation, the Baconian research conducted by its staff, and the art historical research conducted by outside researchers using the Francis Bacon Foundation Library and Arensberg Archives. Because of the Foundation's close association with Walter and Louise Arensberg, the Records also shed some light on their personal lives.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Marcel Duchamp Exhibition Records, 1967-1993, undated (inclusive)

Extent:
18 linear feet
Abstract:
The Marcel Duchamp Exhibition Records contain material created and collected by the Department of Modern and Contemporary Art (formerly the Twentieth Century Art Department), Philadelphia Museum of Art during the course of organizing and/or participating in exhibitions about the artist Marcel Duchamp.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Beatrice Wood Collection, circa 1921-2001, undated (inclusive)

Extent:
0.5 linear feet
Abstract:
This collection includes archival material documenting the life and work of Beatrice Wood (1893-1998), a central figure in the New York Dada movement and a notable ceramic artist. The archival material comes from two different sources: the artist herself and Conrad C. M. Arensberg. It includes documentation of several exhibitions and events, specifically personal photographs of her 96th birthday.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Henry P. McIlhenny Papers, 1817-1824, 1902-1988, undated (bulk 1934-1986) (inclusive)

Extent:
62.5 linear feet
Abstract:
The Henry P. McIlhenny Papers document the privileged and urbane lifestyle of the man whose tastes and talents earned him a reputation as a distinguished connoisseur of art and antiques, world traveler, host extraordinaire, philanthropist and generous friend. Although Henry McIlhenny (1910-1986) is the primary creator, this collection is very much a family affair, encompassing the art collections initiated by his parents, John D. and Frances P. McIlhenny, which passed, along with the family trust fund, on to McIlhenny and his sister Bernice ("Bonnnie") Wintersteen. Much of the material deals with McIlhenny's activities from the mid-1930s to his final years, with particularly extensive documentation of his art collection and of his homes, the latter of which encompasses his penchant for interior design and his passion for horticulture. Also well documented are his many years of service to and support of the Philadelphia Museum of Art, the Academy of Music, and the Philadelphia...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Fiske Kimball Records, 1908-1955, undated (bulk 1925-1954) (inclusive)

Extent:
94.5 linear feet
Abstract:
From 1925 to 1955, Fiske Kimball served as director of the Philadelphia Museum of Art, steering the institution from what he described as "a minor provincial position to become one of the leading museums of Americirca" The Fiske Kimball Records document Kimball's efforts in achieving this transformation in collaboration with the Museum's officers, staff, and the Fairmount Park Commission, and with the assistance of private benefactors and City funding. Comprised primarily of correspondence, these records also include ephemera, clippings, notes, legal documents, reports, minutes, press releases, publications, floor plans, installation drawings, and photographs, mostly of objects, rooms and architectural elements offered for purchase. Kimball's correspondents include preeminent leaders of art museums, universities, auction houses and professional affiliations, as well as government representatives, private collectors, scholars, and artists. Kimball's often successful courting of...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Anne d'Harnoncourt Papers, circa 1927-2012, undated (bulk 1951-2008) (inclusive)

Extent:
31.5 linear feet
Abstract:
Art to Anne d'Harnoncourt (1943-2008) was both a professional and personal passion. Best recognized for her twenty-five year tenure as director of the Philadelphia Museum of Art, d'Harnoncourt collaborated with local, national and international people and organizations, to keep art--and all the arts--relevant and essential in building and bridging communities. Most of the material comprising the Anne d'Harnoncourt Papers traces her professional development in and away from the Museum and consists primarily of correspondence, press clippings, photographs of works of art and events, draft lectures, notes, ephemera and a number of certificates, citations and object awards. Several files of photos and papers pertain to her husband and Museum colleague, Joseph J. Rishel. Family papers and photographs and school records comprise her personal papers. Also made part of the Anne d'Harnoncourt Papers is the significant documentation of the worldwide reaction to her unexpected death on June 1,...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Dorothy Norman Research Collection, 1897-1992, undated (inclusive)

Extent:
4 linear feet
Abstract:
During her twenty-year relationship with photographer and art promoter Alfred Stieglitz, Dorothy Norman, herself a photographer as well as writer, came to know artists such as John Marin, who were defining American modernism during the 1930s and 1940s. Norman published and edited writings about both men, and likely compiled this material in preparation. Documentation pertaining to Alfred Stieglitz consists primarily of exhibition announcements and checklists, and copies of writings published by his gallery An American Place. Equally significant in amount are the copyprints of photographs by Stieglitz, and of works by artists he promoted, such as Georgia O'Keefe, Arthur G. Dove, John Marin and Marsden Hartley. John Marin material consists primarily of photographs and published writings about the artist, including clippings and exhibition catalogues. Material relating to Norman's other endeavors include ephemera of her publication "Twice a Year" and other works published by the same...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Garden Club of Philadelphia Members' gardens lantern slide collection, 1930

Extent:
5.85 linear feet
Abstract:
The Garden Club of America was established in 1913 in Philadelphia, Pennsylvania, when the Garden Club of Philadelphia and eleven other garden clubs met to create a national garden club. Its purpose is to foster the knowledge and love of gardening and to restore and protect the quality of the environment through educational programs and gardening and conservation efforts. This collection consists of 205 glass lantern slides, donated by the Garden Club of America, of Philadelphia area gardens and homes, including Andalusia, Stenton, Highlands, and Ludington. The collection also contains several portraits of notable Philadelphians and horticulturists and landscape plans. Included are 35mm slide reproductions of many of the lantern slides. The lantern slides date from the year 1930.

Held at: Pennsylvania Horticultural Society [Contact Us]

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Pennsylvania Horticultural Society minute books, 1827-2001 (inclusive)

Extent:
7.3 linear feet (27 containers)
Abstract:
The Pennsylvania Horticultural Society (PHS) was founded on November 24, 1827 by fifty-three prominent Philadelphians; among them Horace Binney, David Landreth Jr., William Davidson, George Pepper, Nicolas Biddle and Moses Brown. Emulating similar societies existing in England at the time, the men formed their Society to promote “a highly instructive and interesting science for the purpose of improving the growth of vegetables, plants, trees, fruits and flowers.” Since that time, the Society and its membership has fostered “…an appreciation of plants, acquiring scientific knowledge about them, disseminating horticultural information, and involving the public in gardening and beautifying the City of Philadelphia.” More recently, the Society has worked specifically to beautify the city and help realize William Penn’s founding vision for Philadelphia to be a “greene countrie towne.” This is a collection of meeting minutes of the Board of Directors of the Pennsylvania Horticultural...(see more)

Held at: Pennsylvania Horticultural Society [Contact Us]

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Philadelphia Flower Show slide and photograph collection, 1928-2009 (inclusive)

Extent:
25.0 linear feet (90 containers/volumes)
Abstract:
The Philadelphia Flower Show is the world’s largest indoor flower exhibition and, as of 2010, encompasses thirty-three acres and draws over 250,000 visitors annually. The Philadelphia Flower Show was first held in 1829. From 1927 until the mid 1960s, management of the Flower Show was under the auspices of the Philadelphia Flower Show, Inc., a professional group of nurserymen and growers. In 1964, Philadelphia Flower Show, Inc. decided to halt production of the show for two years because of difficulties locating an exhibition space. Under the direction of Ernesta D. Ballard, who felt that yearly continuation of the show was necessary, the Pennsylvania Horticultural Society hosted the show in the 23rd Street Armory. In 1966, the show moved to the Civic Center, and in 1968, the Pennsylvania Horticultural Society became the show’s official producer. In 1996, the Flower Show moved to its current location in the Pennsylvania Convention Center. This is a collection of photographs, slides,...(see more)

Held at: Pennsylvania Horticultural Society [Contact Us]

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Pennsylvania Horticultural Society Public Relations and Marketing Department image collection, 1958-2005 (inclusive)

Extent:
11.0 linear feet (2 drawers, 11 containers, 8 volumes)
Abstract:
The Pennsylvania Horticultural Society (PHS) was America’s first horticultural society, formed in 1827 as a not-for-profit membership organization. Since its founding, PHS has hosted wide-ranging activities in the name of promoting horticulture and to beautify Philadelphia, with a goal to realize William Penn’s founding vision for the city to be a “greene countrie towne.” The Public Relations and Marketing Department promotes the activities supported by the Pennsylvania Horticultural Society. This collection includes slides dating from 1958 to 2005 that document the operation of the Pennsylvania Horticultural Society, the Harvest Show, the Junior Flower Show, the Philadelphia Flower Show, and Philadelphia Green.

Held at: Pennsylvania Horticultural Society [Contact Us]

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Anne Wertsner Wood slide collection, 1940-1960 (bulk) 1940-1983 (inclusive)

Extent:
1.0 linear feet (2 containers)
Abstract:
Anne Wertsner Wood (1907-2004) was a horticulturist, writer and lecturer from the Philadelphia area. She was an active leader in the gardening community at the local, national, and international levels. She is recognized for her participation in numerous flower shows, garden creations, outreach activities, writings and lectures. This collection contains slides compiled and used by Anne Wertsner Wood. There are two boxes of color photographic slides that date from 1940 to 1983, with the bulk of slides dating from 1940 to 1960. The slides document Wertsner’s travels to various local and international gardens, her involvement with the Philadelphia Flower Show, and her involvement in community activities.

Held at: Pennsylvania Horticultural Society [Contact Us]

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The Civil War Museum of Philadelphia records, 1886-2006 (inclusive)

Extent:
26.1 linear feet
Abstract:
The Civil War Museum of Philadelphia was chartered in Philadelphia in 1888 with the goals of “the collection, preservation and maintenance of a free library, more particularly upon military and naval subjects relating to the War of the Rebellion in the United States of America, the formation of a museum of implements, relics and muniments of war, and the erection and maintenance of a building for lectures and meetings.” Rutherford B. Hayes served as the Museum’s first president. The Museum was housed in various rented spaces until 1922, when it was moved to 1805 Pine Street. In 2008, the Museum was closed to prepare for a new building, originally intended to open in 2014. The Civil War Museum of Philadelphia records date from 1886 to 2006. The collection consists of institutional records, including general correspondence, financial records, and minute books; administrative records associated with the Board of Governors, the museum registrar, and exhibition planning; educational...(see more)

Held at: Philadelphia Area Consortium of Special Collections Libraries [Contact Us]

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Union League archives, 1833-2010 (inclusive)

Extent:
1643.0 items
Abstract:
Founded in 1862 as a patriotic society to support the Union and the policies of President Abraham Lincoln, the Union League of Philadelphia laid the philosophical foundation of other Union Leagues across a nation torn by Civil War. From its founding to the present, the League has been a leading civic organization and has played an important role in the history of our country and the City of Philadelphia. Over the past 150 years, this service has ranged from raising troops during the Civil War and lobbying for enforcement of the “freedom” amendments during Reconstruction, to feeding the hungry during the Great Depression, to finding jobs for returning veterans after World War II. The Union League archives houses a wide variety of records related to the general administration of the Union League, its mission, building and history. Additionally, researchers will find a small sampling of papers more generally related to the Civil War, including some letters written by Abraham Lincoln....(see more)

Held at: Union League of Philadelphia [Contact Us]

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Saint Joseph'S University Records, 1851-2019

Extent:
815.92 linear feet
Abstract:
The Saint Joseph’s University Records (formerly Saint Joseph’s College) houses the institutional, and organizational records of Saint Joseph’s University. This collection, which dates from 1851-2019, with bulk dates of 1960-1990, consists of photographs; including negatives and slides, correspondence, documents; including records, minutes, memoranda and reports, ephemera, objects, memorabilia; including audio and video recordings, scrapbooks and yearbooks which document and evidence the history of the administrative and academic units and activities of SJU’s administration, faculty, staff and students. Because of SJU’s association with Old Saint Joseph’s Church and the English and French Jesuits who founded it, this collection not only documents the University’s history and activities but adds to the knowledge of Catholic History in the City of Philadelphia and its surrounding areas. Saint Joseph's University which is currently a Jesuit, Catholic co-educational institution, began...(see more)

Held at: Saint Joseph's University (formerly Saint Joseph’s College) [Contact Us]

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Wagner Free Institute of Science Director's files, 1883-1948 (inclusive)

Extent:
36.42 linear feet (37 containers)
Abstract:
Incorporated by William Wagner (1796-1885) in 1855, the Wagner Free Institute of Science is a natural history museum and educational institution in Philadelphia that is dedicated to providing free public education in the sciences. This collection contains records of the operations of the Wagner Free Institute of Science from 1883 to 1948, including the Institute’s financial records; rental property records; and museum, library and instruction program records. The bulk of the collection is financial material and correspondence.

Held at: Wagner Free Institute of Science [Contact Us]

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