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Marcel Duchamp Exhibition Records
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Held at: Philadelphia Museum of Art Archives [Contact Us]Philadelphia Museum of Art, PO Box 7646, Philadelphia, PA 19101-7646
This is a finding aid. It is a description of archival material held at the Philadelphia Museum of Art Archives. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.
Overview and metadata sections
The Twentieth Century Art Department of the Philadelphia Museum of Art, now called the Department of Modern and Contemporary Art, was established in 1971. Museum Director Evan Turner appointed Anne d'Harnoncourt, a Marcel Duchamp scholar and curator, as the first department head. In this capacity, d'Harnoncourt oversaw the development of the new department's acquisitions, installation and other programs, and, in conjunction with Kynaston McShine and others from The Museum of Modern Art, organized its first exhibition, the seminal 1973 retrospective "Marcel Duchamp." This was a fitting inaugural exhibition for the Department given the Museum's unparalleled collection of Duchamp's work, most of which was acquired through the 1950 gift of the Louise and Walter Arensberg Collection. Following her appointment as the Museum's Director in 1982, d'Harnoncourt continued to work with the staff of the Department of Modern and Contemporary Art to produce original Duchamp scholarship and exhibitions, most significantly the Museum's 1987 "A propos of Duchamp" exhibition, celebrating the 100th anniversary of Duchamp's birth, in which virtually everything by Duchamp which the Museum owned at that time was displayed.
In addition to organizing exhibitions internally, the Department of Modern and Contemporary Art supports outside institutions in their preparation of Duchamp exhibitions, most commonly through loans and advice. In the past thirty years, the Museum has lent works to several important shows, including those at the Musee national d'art Moderne (France), the Seibu Bijutsukan, the Fundacio Joan Miro, and the Palazzo Grassi. In addition, d'Harnoncourt and other department curators have contributed scholarship and advice. For example, d'Harnoncourt's essay "Before the Glass: reflections on Marcel Duchamp before 1915" was published in the Seibu Bijutsukan "Exhibition of Marcel Duchamp" catalog, and she traveled to Japan to present a slide lecture.
The Marcel Duchamp Exhibition Records contain correspondence, planning and installation records, clippings, ephemera, photographs, reference material, and other institutional records generated by the Department of Modern and Contemporary Art (formerly the Twentieth Century Art Department), during the course of organizing and/or participating in seven exhibitions concerning Marcel Duchamp: "Marcel Duchamp" (Philadelphia Museum of Art, The Museum of Modern Art, and The Art Institute of Chicago, 1973-1974); "Marcel Duchamp" (Musee National d'Art Moderne (France), 1977); "Exhibition of Marcel Duchamp" (Seibu Bijutsukan, 1981); "Marcel Duchamp" (Fundacio Joan Miró, 1984); "A propos of Duchamp" (Philadelphia Museum of Art, 1987); "Marcel Duchamp at Blainville" (Blainville-Crevon, 1991); and "Marcel Duchamp" (Palazzo Grassi, Venice, 1993). The collection also inlcudes limited and primarily registrarial information concerning the loan of two paintings to the "Duchamp Memorial Exhibition" (American Academy of Arts and Letters, 1970).
Documentation related to each exhibition comprises a series. The title of each series is based upon the name of the primary organizing institution, the official name of the exhibition and its year. Series are arranged chronologically in ascending order.
2003. The following items related to the 1987 "Apropos of Marcel Duchamp" exhibition were given by Conrad C. M. Arensberg on Feb. 18, 2003. Photocopies of one ALS from Anne d'Harnoncourt to CCMA dated Oct. 5, [1987], an invitation to the opening, a clipping regarding the Duchamp shower curtain from the Wall Street Journal dated Oct. 9, 1987, an article regarding Walter and Louise Arensbergs' art collection from the Philadelphia Inquirer dated Oct. 4, 1987, and an undated clipping of an exhibition review.
Transferred from the Department of Modern and Contemporary Art to the Philadelphia Museum of Art, Archives, July 2001.
These materials were arranged and described by Katherine Stefko, Katy Rawdon, Adrianna Del Collo and Vicky Rodner. Funded by a grant from The Andrew W. Mellon Foundation.
People
- Duchamp, Marcel, 1887-1968
- Armbruster, John
- Brown, Jean (Mrs. Leonard)
- Bry, Doris
- Burnett, David
- Calder, Alexander, 1898-1976
- Copley, William Nelson, 1919-
- Cornell, Joseph
- Davis, Curtis
- Davis, Julie
- Duchamp, Alexina, 1906-1995
- Edmiston, Edward
- Geist, Sidney
- Golding, John
- Hamilton, George Heard
- Hanks, Nancy, 1927-1983
- James, David E.
- Janci, Edward
- Janis, Carroll
- Johnson, Ray
- Levitt, Alfred
- Levy, Julien
- Mercie, Jean Luc
- Meyer, Ira
- Molinari, Fernanda Saint-Martin
- O'Hara, Mary
- Roth, Moira
- Russell, John
- Salus, Herbert W.
- Soby, James Thrall
- Solomon, Joseph
- Wilson, William
- Wood, Beatrice
- Woodward, Hiram W.
- Antin, David
- Ashbery, John
- Avedon, Richard
- Hamilton, Richard, 1922-
- Hopps, Walter
- Iliopoulos, Mrs. Nicholas
- Karpel, Bernard, 1911-
- Lebel, Robert
- Lippard, Lucy R.
- McShine, Kynaston
- Paz, Octavio, 1914-
- Peterson, Elmer
- Phillips, Rachel
- Ray, Man, 1890-1976
- Sanouillet, Michel
- Schwarz, Arturo, 1924-
- Seitz, William Chapin
- Steefel, Lawrence D.
- Tancock, John L.
- Thomson, Virgil, 1896-
- Apollinaire, Guillaume, 1880-1918
- Arakawa, Shusaku
- Arman, Armand P.
- Brecht, George
- Breton, André, 1896-1966
- Cage, John
- Cartier-Bresson, Henri, 1908-
- Cunningham, Merce
- Dalí, Salvador, 1904-
- De Kooning, Willem, 1904-
- De Maria, Walter, 1935-
- Dibbets, Jan, 1941-
- Ernst, Max, 1891-1976
- Ferrer, Raphael
- Flavin, Dan, 1933-
- Hare, David, 1947-
- Janis, Sidney, 1896-
- Jean, Marcel, 1937-
- Johns, Jasper, 1930-
- Kaprow, Allan
- Matta (Roberto Sebastian Antonio Echaurren Matta)
- Miró, Joan, 1893-
- Motherwell, Robert
- O'Hara, Frank
- O'Keeffe, Georgia, 1887-1986
- Oldenburg, Claes, 1929-
- Ono, Yoko
- Rauschenberg, Robert, 1925-
- Reutersward, Carl Fredrik, 1934-
- Richter, Hans, 1888-1976
- Spoerri, Daniel, 1930-
- Stein, Gertrude, 1874-1946
- Sweeney, James Johnson, 1900-
- Takiguchi, Shuzo, 1903-
- Varese, Louise, 1890-
- Warhol, Andy, 1928-
- Weiner, Lawrence, 1932-
- Wiley, William
- d'Harnoncourt, Anne, 1943-2008
- Quinn, John
- Hahn, Otto
- Leiris, Michel, 1901-
- Winter, Julie
- Ukeles, Mierle
- Unidentified
- Roché, Henri Pierre, 1879-1959
- Bizot, Irene
- Craig, Libby
- Jolles, Arnold H., 1940-
- Kotik, Petr
- Raffray, Andre
- Varon, Malcolm
- Roeder, Marguerite
- Moure, Gloria
- Adcock, Craig E.
- Ardle, David
- Arensberg, Conrad Maynadier
- Baldwin, Neil
- Baum, Timothy
- Blanken, Tamara
- Bohan, Ruth L.
- Bonk, Ecke
- Camfield, William A.
- Cizek, Judith
- Clemente, Francesco, 1952-
- Doepel, Rory T.
- Donati, Enrico, 1909-
- Dube, M Jean
- Ekstrom, Arne
- Feigen, Richard L., 1930-
- Gough-Cooper, Jennifer
- Howard, Seymour, 1928-
- Kirsh, Andrea
- Kolodny, Frank
- Koshalek, Richard
- Krewal, John
- Lavine, Dorothy
- Lippy, Thomas Edward Jr.
- Luhring, Augustine
- Martin, Julie
- Miller, Allen
- Moran, Robert, 1937-
- Mosakowski, Susan
- Nova Scotia College of Art and Design
- Paut, M. Boris
- Rosenblum, Robert
- Saligman, Robert
- Sawelson-Gorse, Naomi
- Sawyer, Jack
- Stein, Jonathan
- Stein, Judy
- Tono, Yoshiaki, 1930-
- Toole, Barbara
- Van Hooven, Jorg
- Watkins, Margery H.
- Duve, Thierry de
Organization
- Philadelphia Museum of Art
- American Academy of Arts and Letters
- Eliel & Loeb & Margraff Insurance Company
- REA Transport Company
- United States. Dept. of Justice. Criminal Division. Organized Crime and Racketeering Section. Washington Staff
- United States. Federal Bureau of Investigation
- Stedelijk Museum
- Artforum
- Artservices
- Associazione amici torinesi dell'arte contemporanea
- British Broadcasting Corporation
- Colorado College
- Corcoran Gallery of Art
- Earl Rowland Foundation
- Feingarten Galleries
- Francis Bacon Foundation
- GQ (Graphics Quarterly)
- Group W
- Multiples, Inc.
- Museum des 20. Jahrhunderts (Austria)
- Organization of American States
- Pasadena Art Institute
- Robert Elkon Gallery
- Solomon R. Guggenheim Museum
- Springfield Museum of Art
- St. Louis Art Museum
- Stadtische Kunsthalle Mannheim
- University of California, Irvine. School of Fine Arts
- Yale University. Art Gallery
- New York Free Circulating Library
- State University of New York at Buffalo
- Art & Language Press
- Art Institute of Chicago
- Duncan & Huggins
- Rothschild Plastics Corp.
- Wayne State University
- Galleria Schwarz
- Museum of Modern Art (New York, N.Y.)
- Philadelphia Museum of Art. Division of Education
- Zachary Waller Gallery
- Bain News Service
- Evening Bulletin (Philadelphia, Pa)
- Philadelphia Inquirer and Daily News (Firm)
- France. Ambassade (U.S.)
- Huntington T. Block Insurance
- Musee National d'Art Moderne (France)
- Centre culturel international de Cerisy-la-Salle
- Experiments in Art and Technology (Organization)
- S.E.M. Ensemble
- Nihon Koku
- Seibu Bijutsukan
- Seibu Group of Retail Enterprises
- Solomon R. Guggenheim Foundation
- Galerie Watari
- Takanawa Prince Hotel
- Fundacio Joan Miró (Barcelona, Spain)
- Sala de Exposiciones de la Caja de Pensiones (Madrid, Spain)
- Spain. Direccion General de Bellas Artes y Archivos
- W.R. Keating and Company
- Barcelona (Spain). Ayuntamiento
- Cunningham Dance Foundation
- Daniel Dietrich Foundation
- Fundacao Bienal de Sao Paulo
- Hobbyhorse Project
- J.N. Pew, Jr. Charitable Trust
- Hodes Gallery
- Moderna museet (Stockholm, Sweden)
- Noesis
- Painted Bride Art Center
- Pennsylvania Academy of the Fine Arts
- Rubberwunderz
- Samuel S. Fleisher Art Memorial
- la Societe de Conservation du Present
- University of the Arts (Philadelphia, Pa.)
- Arts League (Philadelphia, P.A.)
- Franklin Furnace
- Galerie Charles Sablon
- Lightworks
- Menil Collection (Houston, Tex.)
- Moore College of Art and Design
- Musee 047259
- Museum Ludwig
- Readymades Belong to Everyone
- San Francisco Museum of Modern Art
- Temple University
- Tyler School of Art
- Institut des Hautes Etudes en Art Plastiques
- Palazzo Grassi
- Publisher
- Philadelphia Museum of Art Archives
- Finding Aid Author
- Finding aid prepared by Katherine Stefko, Katy Rawdon, Adrianna Del Collo and Vicky Rodner.
- Finding Aid Date
- ©2006
- Sponsor
- Funded by a grant from The Andrew W. Mellon Foundation
- Access Restrictions
-
The collection is open for research. Insurance information, condition reports, and loan records, along with associated correspondence, are restricted; excerpts may be made available at the discretion of the Archivist. Because of their condition, documents in the "Restricted Fragile Papers" may only be consulted with permission of the Archivist; preservation photocopies and copy prints for reference use have been substituted in the main files.
- Use Restrictions
-
The Marcel Duchamp Exhibition Records are the physical property of the Philadelphia Museum of Art, Archives. The Museum holds literary rights only for material created by Museum personnel or given to the Museum with such rights specifically assigned. For all other material, literary rights, including copyright, belong to the authors or their legal heirs and assigns. Researchers are responsible for obtaining permission from rights holders for publication and for other purposes as stated.
Collection Inventory
Material concerning the theft and recovery of Marcel Duchamp's "Portrait of the Artist's Father" and "Chocolate Grinder, No. 2" during their loan from the Philadelphia Museum of Art to the American Academy of Arts and Letters for a Duchamp memorial exhibition.
Comprised of letters with the borrowing institution, the shipping company, the Federal Bureau of Investigation, and the United States Department of Justice concerning the theft and recovery of two Duchamp paintings. Also contains information on the subsequent trial.
Alphabetical by correspondent.
Newspaper clippings and a radio show typescript concerning the theft and recovery of the two Duchamp paintings.
Chronological.
Material pertaining to the retrospective exhibition "Marcel Duchamp," co-curated by Anne d'Harnoncourt of the Philadelphia Museum of Art and Kynaston McShine of The Museum of Modern Art. In addition to these venues, the show traveled to The Art Institute of Chicago. This exhibition, the third retrospective dedicated to Marcel Duchamp and the first organized following the artist's death, was a fitting inaugural exhibition of the Philadelphia Museum of Art's newly formed Twentieth Century Art Department. The show highlighted one of the Department's and, indeed the Museum's, strengths--its unrivaled collection of Duchamp works, the majority of which came to the Museum through the 1950 gift of the Louise and Walter Arensberg Collection.
The records, particularly those in the "Research," "Reference material" and "Photographs" subseries, document the extensive scholarly research conducted by the organizers, particularly that of Anne d'Harnoncourt who compiled a comprehensive chronology of Duchamp's life and work for the catalog. Of particular interest are several folders of correspondence with Alexina Duchamp, the widow of Marcel Duchamp, who answered research questions and lent several works to the exhibition. Material in the "Loan records," "Planning and installation records" and "Budget" subseries document these administrative and curatorial aspects of the exhibition. The "Catalog" subseries contains drafts of scholarly essays, remembrances, checklists, and other catalog sections, as well as correspondence and contracts with contributors. The "Clippings" and "Ephemera" subseries include published materials, such as magazine and newspaper articles, invitations, press releases, and newsletters related to the exhibition and its programs.
General correspondence primarily from and to the Philadelphia Museum of Art, but also The Museum of Modern Art (co-organizer of the exhibition) and The Art Institute of Chicago (third venue of the exhibition). Topics covered include preliminary exhibition ideas; provenance and biographical research on Duchamp and his works; press coverage of the exhibition; thank-you notes; and visitor responses to the exhibition. Also includes several cover letters from various correspondents forwarding copies of Duchamp's correspondence and other reference material. There is a significant amount of correspondence with Alexina Duchamp, widow of Marcel Duchamp, concerning the planning of the exhibition, as well as her gift of Duchamp material to the Museum.
Alphabetical by correspondence. Visitor responses are filed together and last.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / E. Planning and installation records / f. Programming : films.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / C. Catalog / 1. Correspondence / f. Bry, Doris.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / G. Reference material / 2. Writings / f. Articles about Duchamp from the 1960s. Photocopies and clippings.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / C. Catalog / 1. Correspondence / f. Peterson, Elmer.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / G. Reference material / 1. Correspondence / f. Duchamp, Marcel, 1887-1968. With Arensberg, Walter, 1878-1954 and Louise Stevens Arensberg. (1917-1954).
Marcel Duchamp Research Collection / III. Duchamp inspired artists / f. Johnson, Ray. Mail art. OVERSIZE.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / G. Reference material / 1. Correspondence / f. Duchamp, Marcel, 1887-1968. To Picabia, Francis, 1879-1953. (undated). Includes cover letter from Jean Luc Mercie.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / A. Correspondence / f. University of California, Irvine. School of Fine Arts.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / F. Research topics and notes / f. Joseph Solomon's collection of Duchampiana. Inventory.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / A. Correspondence / f. Roth, Moira.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / F. Research topics and notes / f. Research notes from trip to Beinecke Rare Book and Manuscript Library, Yale University.
Comprised primarily of correspondence with potential and actual lenders of Duchamp art works to the exhibition. Also includes internal curatorial and registrar correspondence, loan forms, condition reports, shipping and insurance information, and other material pertaining to considered or granted loans. Shipping information pertains primarily to the shipment of loans to the Philadelphia Museum of Art, although some material regarding the shipment of loans to The Museum of Modern Art and The Art Institute of Chicago is included.
Correspondence, condition reports, loan forms, memoranda, shipping and insurance records, and other miscellaneous material regarding loans requested and/or granted to the exhibition at the Philadelphia Museum of Art, as well as at The Museum of Modern Art and The Art Institute of Chicago (note that not all objects were shown in all three locations). Correspondence often covers additional topics, most commonly the provenance of Duchamp's works. Several lenders also provided an essay or statement for publication in the exhibition catalog and/or general assistance with exhibition research. As such, there is significant overlap between this subseries and the general "Correspondence" and "Catalog-Correspondence" subseries.
Original order; that is, alphabetical by creator.
Primarily correspondence and some condition reports, loan forms, and memoranda regarding loans requested but either denied or refused for the exhibition.
Original order; that is alphabetical by lender.
Curatorial and registrar correspondence, checklists, condition reports, insurance lists, memoranda, service directorates, and other miscellaneous material regarding loans, specifically their shipment to the Philadelphia Museum of Art. Includes some information on shipment of loans to and from The Museum of Modern Art and The Art Institute of Chicago.
Alphabetical by subject.
Files pertaining to the production of the extensive "Marcel Duchamp" catalog edited by Anne d'Harnoncourt and Kynaston McShine that accompanied the exhibition, as well as material regarding the "Marcel Duchamp" checklist published separately. Includes correspondence with the ten Duchamp scholars and critics who contributed original essays to the catalog, as well as drafts of their essays. Also includes correspondence with the many friends, associates, and admirers of Duchamp who contributed comments and personal statements to the "Collective Portrait" section. Other sections, particularly the preface, introduction, bibliography, chronology, and catalog of Duchamp works, are also documented.
General correspondence related to the catalog such as reproduction requests, solicitation for catalog participation, and requests for catalogs. Also includes extensive correspondence with essay authors and associated material, such as contracts, schedules, and memoranda. For correspondence with those who participated in the "Collective Portrait" section, see that subseries.
Alphabetical by correspondent.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / C. Catalog / 3. Collective portrait / f. O'Keeffe, Georgia, 1887-1986.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / A. Correspondence / f. Bry, Doris.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / A. Correspondence / f. Colorado College.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / C. Catalog / 2. Essays / f. Paz, Octavio, 1914-. "* Water Writes Always in * Plural"
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / G. Reference material / 2. Writings / f. Steefel, Lawrence D. [Untitled lecture]. The Museum of Modern Art. (Jan. 8, 1969). Transcript, with corrections.
Typescript drafts for catalog essays, including many corrected by Anne d'Harnoncourt, Kynaston McShine and/or Francis Kloeppel. Also includes associated memoranda and planning notes.
Alphabetical by author. Internal notes are filed last.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / C. Catalog / 1. Correspondence / f. Phillips, Rachel.
Correspondence with and memoranda about Duchamp's friends, associates, admirers, and other individuals who contributed remembrances and homages to the "Collective Portrait" section of the exhibition catalog. Also includes drafts and reproductions of these statements, as well as one photograph by Andy Warhol.
Alphabetical by author/correspondent.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / C. Catalog / 1. Correspondence / f. Bry, Doris.
Includes drafts of the catalog preface, introduction, bibliography, chronology, and checklist, as well as associated memoranda and correspondence.
Alphabetical by author or by subject.
Memoranda, notes, lists and other material regarding catalog illustrations and captions from the catalog of Duchamp works, chronology, collective portrait, and essay sections. Also includes general lists of catalog plates and slides for possible reproduction.
Alphabetical by subject.
Draft and published version of "Marcel Duchamp," the exhibition checklist published separately from the exhibition catalog. Also includes associated planning memos.
Alphabetical by subject. Internal memos are filed last.
Financial records, such as bills, expense reports, invoices, invoice transmittals, and cost estimates related to the exhibition and its catalog. Also includes information on fundraising and grant applications.
Correspondence regarding cost estimates, invoices and other financial matters.
Alphabetical by correspondent.
Includes cost estimates for exhibition in general, and its catalog and installation in particular. Also includes information on fundraising and grant applications.
Alphabetical by subject.
Philadelphia Museum of Art expense reports for the exhibition in general, as well as for travel, entertainment, packing and shipping in particular.
Alphabetical by subject.
Invoices, bills, and other financial material related to payment of exhibition expenses.
Alphabetical by subject.
Correspondence, memoranda, notes, schedules, layouts, and other administrative material related to the planning and installation of the exhibition. Most material pertains to the exhibition at the Philadelphia Museum of Art, but some information on Art Institute of Chicago and Museum of Modern Art venues also exists. Includes preliminary drafts of the exhibition plan, checklist, and agreement between Philadelphia Museum of Art and The Museum of Modern Art. Also includes information on exhibition programs, such as lectures, film series, and openings, as well as publicity.
Alphabetical by topic.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / A. Correspondence / f. British Broadcasting Corporation.
Material generated primarily by Anne d'Harnoncourt concerning her exhibition research. Includes inventories of several archival collections related to Duchamp, as well as extensive notes on subjects such as Duchamp's acquaintances, exhibitions, writings, and works of art. Also includes lists of works dedicated or referring to Duchamp and portraits of the artist.
Alphabetical by subject.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / A. Correspondence / f. Solomon, Joseph.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / A. Correspondence / f. Yale University. Art Gallery.
Photocopies and transcripts of lectures, interviews, articles, and correspondence related to Marcel Duchamp from various archival repositories and published sources compiled by the exhibition curators.
Copies and transcriptions of letters between Marcel Duchamp, Walter and Louise Arensberg, Katherine Dreier, John Quinn, Man Ray, and others, the originals of which are in various archives, including the Arensberg Archives of the Philadelphia Museum of Art, the Beinicke Library at Yale University, and in private collections.
Alphabetical by correspondent or by subject.
Marcel Duchamp Research Collection / IV. Correspondence / f. Duchamp, Marcel, 1887-1968. To Arensberg, Walter, 1878-1954, and Arensberg, Louise Stevens. (1953). Photocopy of original in the Huntington Library.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / A. Correspondence / f. Francis Bacon Foundation.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / A. Correspondence / f. Mercie, Jean Luc.
Marcel Duchamp Research Collection / IV. Correspondence / f. Duchamp, Marcel, 1887-1968. To Ray, Man, 1890-1976. (undated). Photocopy and translation of original in collection of Timothy Baum.
Copies of published articles and transcripts of lectures about or by Marcel Duchamp.
Extensive articles are filed alphabetical by author and then title. Short articles about Duchamp follow and are filed chronologically.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / C. Catalog / 1. Correspondence / f. Steefel, Lawrence D.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / A. Correspondence / f. Colorado College.
Copies and transcripts of both published and unpublished interviews primarily with Marcel Duchamp and his friends/associates William Nelson Copley, Merce Cunningham, Richard Hamilton, John Davis Hatch Jr., and Julien Levy.
Alphabetical by interviewee, then by interviewer.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / G. Reference material / 3. Interviews / f. Cunningham, Merce interviewed by Moira and Bill Roth. (Feb. 1971). Also includes interview with John Cage.
Cannot be reproduced without permission of British Broadcasting Corporation.
Cannot be reproduced without written permission of the Arts Council of Great Britian.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / A. Correspondence / f. Levitt, Alfred.
Invitations, press releases, newsletters and other published items related to the exhibition at the Philadelphia Museum of Art, The Museum of Modern Art, and The Art Institute of Chicago. Also includes a few items related to lenders of the exhibition and related events.
Alphabetical by creator and then name of event.
Newspaper and magazine clippings related to the exhibition in all three venues, the catalog, and fundraising.
Alphabetical by subject.
Copy prints, copy negatives, contact sheets and other photographic material documenting the life and work of Marcel Duchamp. Of particular note are five large binders full of copy prints, notes and related material assembled by the curatorial team preparing the exhibition as a visual encyclopedia to Duchamp's works of art. The series also includes installation photographs of the Philadelphia Museum of Art installation.
Photographic prints and negatives of works by Marcel Duchamp and related artists, such as Man Ray.
Alphabetical by artist and then title.
Contact sheets, copy photographic prints, and copy negatives of Marcel Duchamp, Alexina Duchamp, Henri Marceau and others. Images document Duchamp's studio, the installation of his works at the Philadelphia Museum of Art, and his attendance at the Utica Armory Show in 1963.
Alphabetical by name of photographer and then subject matter.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / J. Photographs / 2. Snapshots and portraits / f. Unidentified; Roché, Henri Pierre, 1879-1959. Contact print with images of Duchamp with comet shaved in his hair and his studio. 1917-1923? Copy print and negative.
Alexina and Marcel Duchamp Papers / X. Photographs / B. Negatives and transparencies / f. Unidentified. "Voici Rrose Sélavy." (1921). Photo of Marcel Duchamp with comet shaved in his hair.
Marcel Duchamp Exhibition Records / II. Philadelphia Museum of Art, "Marcel Duchamp," 1973 / J. Photographs / 2. Snapshots and portraits / f. Unidentified. Marcel Duchamp with comet shaved in hair. Copy prints.
Alexina and Marcel Duchamp Papers / X. Photographs / B. Negatives and transparencies / f. Unidentified. "Voici Rrose Sélavy." (1921). Photo of Marcel Duchamp with comet shaved in his hair.
Alexina and Marcel Duchamp Papers / X. Photographs / C. Portraits and snapshots / 5. Places / f. United States--New York--New York. Marcel Duchamp's 33 W. 67th St. studio showing "The Large Glass," "The Bicycle Wheel," "Hatrack," "Traveler's Folding Item," and other works. Photos by Henri Pierre Roché. Copyprints.
Photographic prints documenting the 1973 "Marcel Duchamp" exhibition during its installation at the Philadelphia Museum of Art.
Alphabetical by name of gallery.
Five binders assembled by the curatorial team containing copy prints, notes, labels and other material related to Marcel Duchamp and his work. The binders also document his book covers, exhibition designs, portraits of Duchamp, and chronological photographs of his life.
Original order.
Contains correspondence, loan records, ephemera and clippings related to "Marcel Duchamp," the inaugural exhibition celebrating the opening of the Georges Pompidou Centre (Beaubourg). The Philadelphia Museum of Art was a primary lender to this retrospective exhibition curated by Pontus Hulten.
Contains letters regarding exhibition loans, catalog and programs. Correspondence with the Musee National d'Art Moderne includes detailed information about exhibition planning.
Alphabetical by correspondent, except for internal memos which are filed last and by date.
Includes loan forms for works owned by the Philadelphia Museum of Art and lent to the exhibition. Also includes shipping lists and receipts for these works, as well as courier trip notes and receipts.
Alphabetical by type of material.
Press releases, brochures, and announcements related to the exhibition and associated programs.
Alphabetical by creator and then by type of material.
Newspaper and magazine clippings regarding the the "Marcel Duchamp" exhibition at the Musee National d'Art Moderne and the opening of the Museum's building, the Georges Pompidou Centre (Beaubourg).
Alphabetical by subject.
Contains correspondence, loan records, ephemera, clippings, photographs and material regarding the exhibition catalog for the "Exhibition of Marcel Duchamp," the inaugural exhibition celebrating the opening of the Seibu Bijutsukan (Seibu Museum of Art) in Karuizawa, a resort town in the Nagono-ken province, and later shown at the Seibu Museum in Tokyo. Curated by Yoshiaki Tono, one of Japan's foremost art critics and authorities on Duchamp, this exhibition, to which the Philadelphia Museum of Art loaned several works, was the first Duchamp retrospective held in Asia.
Contains letters regarding loans from the Philadelphia Museum of Art, the Guggenheim Museum, and John Cage to the Seibu Bijutsukan.
Alphabetical by correspondent.
Condition reports, insurance values, and loan and shipping forms for Duchamp works loaned by the Philadelphia Museum of Art to the Seibu exhibition.
Alphabetical by type of material.
Comprised of material related to Anne d'Harnoncourt's essay "Before the Glass: reflections on Marcel Duchamp before 1915" for the Seibu Bijutsukan exhibition catalog. Includes a final and early draft, as well as research notes.
Alphabetical by type of material.
Comprised of material related to Anne d'Harnoncourt's trip to the exhibition, such as travel itineraries, receipts, and a visa application.
Alphabetical by creator or type of material.
Announcements, invitations and brochures related to the exhibition and associated events and programs. Several items are in Japanese and are unidentified.
Alphabetical by creator and then by type of material.
Clippings on the exhibition and Japanese culture.
Alphabetical by subject.
Comprised of color and black-and-white prints of the Seibu Bijutsukan in general, and views of the "Exhibition of Marcel Duchamp" in particular. Includes several installation views as well as photographs of notable individuals, including Alexina Duchamp, John Cage, and Anne d'Harnoncourt, at various exhibition-related events.
Alphabetical by subject.
Contains correspondence, loan records, ephemera and photographs regarding the exhibition held at the Fundacio Joan Miró in Barcelona and later at the Fundacion Juan March in Madrid.
Contains letters with the Fundacio Joan Miró and art critic/guest curator Gloria Moure regarding the preparation of the exhibition and requests for loans. Also includes third-party correspondence regarding transportation of loans.
Alphabetical by correspondent. Internal memos are filed by date and after external correspondence.
Condition reports, facilities reports, loan forms and notes related to the Philadelphia Museum of Art's loans to the exhibition.
Alphabetical by type of material.
Contains a brochure for Joan Miró's 90th birthday celebration and a "Marcel Duchamp" exhibition announcement.
Alphabetical by creator.
Newspaper and magazine clippings regarding the Barcelona exhibition collected by the Fundacio Joan Miró.
In original order.
Black-and-white prints, color prints, and color slides showing installation views of the exhibition.
Alphabetical by type of material.
Correspondence, planning, loan and installation records, photographs, ephemera and newspaper clippings related to the Philadelphia Museum of Art exhibition commemorating the 100th anniversary of Duchamp's birth.
Contains letters related to loans, the planning and installation of the exhibition, and related programs and educational events. Of particular note is the file on Willaim Copley, which includes a draft of his undelivered lecture on his friendship with Duchamp.
Alphabetical by correspondent. Internal memos are filed by date and after external correspondence.
Marcel Duchamp Exhibition Records / VI. Philadelphia Museum of Art, "A propos of Duchamp," 1987 / A. Correspondence / f. Gough-Cooper, Jennifer.
Marcel Duchamp Research Collection / II. Exhibitions and events / f. Baltimore Museum of Art. Audiotape of Marcel Duchamp delivering his lecture "A propos of myself."
Condition reports, conservation records, registrar's expect notices, and shipping information regarding loans to the exhibition. For correspondence with lenders, see the general correspondence series.
Alphabetical by type of material.
Includes information on exhibition development and installation, such as schedules, budgets, checklists, meeting minutes, notes, and exhibition label copy.
Alphabetical by type of material.
Announcements, brochures, invitations, calendars of events, newsletters and other printed material related to the exhibition and associated events at other institutions celebrating the 100th anniversary of Duchamp's birth.
Alphabetical by creator and then by event/exhibition name.
Newspaper and magazine clippings about the exhibition and associated events at other institutions celebrating the 100th anniversary of Duchamp's birth.
Alphabetical by subject matter.
Gallery views showing Duchamp works of art in situ during the exhibition.
Alphabetical by subject matter.
Contains correspondence and loan records related to "Marcel Duchamp at Blainville," the inaugural exhibition held in the house where Duchamp was born in Blainville, France. This exhibition was organized in conjunction with and by the same curatorial team as the "Marcel Duchamp" retrospective held at the Palazzo Grassi in 1993.
Correspondence with exhibition organizers Jennifer Gough-Cooper and Pontus Hulten, as well as internal memoranda.
Alphabetical by correspondent. Internal correspondence and memoranda are filed last.
Comprised of condition and facilities reports, list of insurance value and a draft loan form.
Alphabetical by type of material.
Contains correspondence, loan records, and clippings regarding "Marcel Duchamp," the first retrospective of the artist held in Italy. The exhibition was organized by Pontus Hulten, Jennifer Gough-Cooper, and Jacques Caumont in conjunction with the 1991 show at Blainville.
Contains letters with exhibition organizers Pontus Hulten, Jennifer Gough-Cooper, and Jacques Caumont regarding exhibition loans and research.
Alphabetical by correspondent.
Condition reports, insurance values, checklists, and shipping records related to Duchamp works loaned by the Philadelphia Museum of Art.
Alphabetical by type of material.
Newspaper and magazine clippings regarding the exhibition and its catalog.
Alphabetical by subject.
Marcel Duchamp Research Collection / I. Writings / A. Published / f. Naumann, Francis M. "The Bachelor's quest." Art in America (Sept. 1993): 73-81. Clipping.