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Painting and Sculpture Department Records

Notifications

Held at: Philadelphia Museum of Art Archives [Contact Us]Philadelphia Museum of Art, PO Box 7646, Philadelphia, PA 19101-7646

This is a finding aid. It is a description of archival material held at the Philadelphia Museum of Art Archives. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.

Overview and metadata sections

When the Painting and Sculpture Departments were allied, the Painting curators were Arthur Edwin Bye from 1922 to 1928, and Henry Clifford from 1929 to 1965, while the Sculpture curators were Horace H. F. Jayne and Francis H. Taylor from 1927-1930. Of special interest is Bye's bibliography and Clifford's participation with the American Committee for the Restoration of Italian Monuments.

Henry Gardiner was Assistant Curator in the Painting Department (under Henry Clifford) from 1960 to 1968. From 1968 to 1971 John L. Tancock was Associate Curator of Sculpture and there was no official Curator of Painting. In 1972 Anne d'Harnoncourt was named Associate Curator of Twentieth Century Painting and Joseph J. Rishel was Associate Curator of Painting before 1900. In 1973 the Department was split, with Anne d'Harnoncourt as Curator in the newly established Twentieth Century Art Department, and Joseph Rishel became the Curator of Painting in the new European Painting before 1900 Department. Peter Sutton came in 1979 as Assistant Curator, was named Associate Curator in 1982 and left in 1984 to join the Boston Museum of Fine Arts.

The records consist of departmental and exhibition records. The former is comprised of general correspondence and subject files. Documentation of exhibitions primarily consists of lender files, artist and object research files, photographs, draft catalogue writings and files of other subject peritinent to planning an exhibition, such as budget, labels and installation, travel, publicity, promotion and special events.

Currently, this record group documents the curatorial office during its years of operation as the Painting and Sculpture Department, and as the Department of European Painting before 1900, the title it assumed in 1974 and under which it continues to operate.

These materials were arranged and described by Alice Lefton, Bertha Adams, Megan Finn and Leslie O'Neill. Funded by a grant from The National Historical Publications and Records Commission.

Publisher
Philadelphia Museum of Art Archives
Finding Aid Author
Finding aid prepared by Alice Lefton, Bertha Adams, Megan Finn and Leslie O'Neill
Finding Aid Date
©2011
Sponsor
Funded by a grant from The National Historical Publications and Records Commission
Access Restrictions

The collection is open for research. Access to institutional records less than 10 years old is at the discretion of the Archivist.

Use Restrictions

The Painting and Sculpture Department Records are the physical property of the Philadelphia Museum of Art, Archives. The Museum holds literary rights only for material created by Museum personnel or given to the Museum with such rights specifically assigned. For all other material, literary rights, including copyright, belong to the authors or their legal heirs and assigns. Researchers are responsible for obtaining permission from rights holders for publication and for other purposes where stated.

Collection Inventory

Bye correspondence, 1924-1928. 1.25 linear feet.
Scope and Content Note

Included here is the correspondence of the Painting Department under Arthur Edwin Bye, arranged in two alphabetical sets.

Physical Description

1.25 linear feet

Clifford correspondence, 1929-1965. 1 linear foot.
Scope and Content Note

Eight alphabetical sets: 1929-1932, 1933-1937, 1938-1939, 1940-1941, 1942, 1943-1944, 1945-1946, 1960s, of Henry Clifford's Painting Department correspondence.

Physical Description

1 linear foot

Taylor correspondence, 1927-1930. 2 folders.
Scope and Content Note

The Sculpture correspondence of Francis Taylor is included here.

Physical Description

2 folders

1967-1977 departmental records, 1967-1977. 8.25 linear feet.
Scope and Content Note

Most of this series consists of the correspondence files of Gardiner, Clifford, Tancock, and Rishel. There are also two subgroups of files arranged by subject and by exhibition. The "Subjects" subgroup includes records pertaining to loans, and "Exhibitions" lincludes shows that were proposed but rejected. Draft folder-level inventories for these two subgroups are available in the Archives.

Physical Description

8.25 linear feet

1977-1983 departmental records, 1977-1983. 9.5 linear feet.
Scope and Content Note

These records were generated by Joseph Rishel and Peter Sutton and consist of general correspondence and subject files combined in one alphabetical arrangement. The exhibition records, filed under "E," pertain primarily to "possible" shows. Other documentation includes loans agreed to, refused, and cancelled, the Museum's Painting and Sculpture Committee, and the public program "Show and Tell." A second subgroup consists of records for a proposed, and later cancelled, exhibition of the 18th century French painter Jean Baptiste Oudry. A third subgroup pertains to several other exhibitions, including "Sports in Art" (1980), "Treasures of Ancient Nigeria," (1982) and a cancelled show featuring Lucas van Leyden. Folder-level inventories for the first and second subgroups are available in the Archives.

Physical Description

9.5 linear feet

Object reference files, 1967-1980. 6.5 linear feet.
Scope and Content Note

Most of this material consists of photographs, along with some correspondence and ephemera. It appears that art dealers were the primary source of this material offering objects for purchase to the curators. The files are identified by artist or by dealer and are roughly in alphabetical arrangement.

Physical Description

6.5 linear feet

1983-1992 departmental records, 1980-1992. 15.5 linear feet.
Scope and Content Note

There are two subgroups to this series. The first consists of general correspondence and subject files combined in one alphabetical arrangement. The primary creators of these records are Joseph Rishel and Carl Strelkhe, and their files consist of general correspondence as well as specific activities such as lectures and travel. This subgroup also includes a significant number of folders pertaining to the John G. Johnson Collection and to a number of departmental volunteers. Some files include papers dating as early as 1980. The second subroup pertains to loans that were approved or considered possible as well as those refused or cancelled. Folder-level inventories of both subgroups are available in the Archives.

Physical Description

15.5 linear feet

Publications, 1977-1988. 6.5 linear feet.
Scope and Content Note

These records pertain to Museum publications that are collection, rather than exhibition, catalogues. The two publications documented here are " Northern European paintings in the Philadelphia Museum of Art: from the 16th through the 19th century," (c. 1990) written by Peter Sutton. Files for each catalogue entry make up the bulk of documetation to the latter publication. There are also correspondence folders and topical files such as finance and grant information, photography rights, publications, conservation and purchase requisitions. For documentation of "British painting in the Philadelphia Museum of Art: from the 17th through 19th century" (1986), which was another comprehensive survey of location-specific works in the permanent collections, please refer to "From the Collections: British Paintings" (1986-1987) in the exhibition records.

See Also:

Painting and Sculpture Department Records / XI. Exhibition records / O. "From the Collections: British Paintings." Oct. 14, 1986-Jan. 18, 1987

Physical Description

6.5 linear feet

Other projects, 1982-1990. 1.25 linear feet.
Scope and Content Note

Included here is material pertaining to the disposition of certain works of art in the Henry P. McIlhenny estate and to "Show and Tell" a public service program the Museum offered annually during the 1980s.

Physical Description

1.25 linear feet

To be processed, 1985-1999. 18 linear feet.
Scope and Content Note

This series consists primarily of exhibition records (1989-1999), as well as departmental records (1985-1989). The exhibitions featured the collections of Charlotte Dorrance Wright (1989) and the Barnes Foundation (1995), and to individual artists such as Pisarro (1993), Cezanne (1996), Van Eyck (1998), and Delacroix (1998-1999). Other departmental activities documented include gallery reinstallations and its participation in "The Age of Rubens," a 1993-1994 catalogued exhibition organized by Boston's Museum of Fine Arts and curated by Peter Sutton, a former PMA associate curator.

Physical Description

18 linear feet

Scope and Content Note

In 1966 the Philadelphia Museum of Art, in cooperation with the Art Institute of Chicago, organized a comprehensive retrospective of works by Eduoard Manet. Comprising over 200 paintings and watercolors, the exhibition was the largest display of Manet's work since a Paris exhibition organized in memorium a year after his death in 1883. Due to the number of loans needed for the retrospective, the bulk of the exhibition records relate to loan forms and correspondence. The administrative files also include planning materials from the exhibition catalogue, publicity and attendance records, and documentation of a symposium that was held in conjunction with the exhibition.

Arrangement

Records are organized by loans, institutional correspondence, and administrative files.

Scope and Content Note

The included files contain loan forms and letters between the Philadelphia Museum of Art and potential lenders. Information regarding insurance, packing, and shipping is also filed here.

Arrangement

Loan files are arranged alphabetically by subject.

Insurance, packing and shipping, 1965-1966.
Loan forms and photographs. Individuals, A-L, 1965-1966.
Loan forms and photographs. Individuals, M-Z, 1965-1966.
Loan forms and photographs. Institutions, A-L, 1965-1966.
Loan forms and photographs. Institutions, M-O, 1965-1966.
Loan forms and photographs. Institutions, P-Z, 1965-1966.
Loan letters and replies. Individuals, A-G, 1965-1968.
Loan letters and replies. Individuals, H-O, 1965-1968.
Loan letters and replies. Individuals, P-R, 1965-1966.
Loan letters and replies. Individuals, S-Z, 1965-1968.
Loan letters and replies. Institutions, A-C, 1965-1967.
Loan forms and photographs. Institutions. Art Institute of Chicago, 1965-1966.
Loan forms and photographs. Institutions. Baltimore Museum of Art, 1965-1966.
Loan letters and replies. Institutions, D-O, 1965-1968.
Loan forms and photographs. Institutions. Library of Congress, Rosenwald Collection, 1966.
Loan letters and replies. Institutions, P-Z, 1965-1968.
Loan forms and photographs. Institutions. New York Public Library, 1966.
Loan forms and photographs. Institutions. Philadelphia Museum of Art and Johnson Collection, 1966.
Arrangement

Correspondence is arranged alphabetically by city.

Baltimore, MD. Baltimore Museum of Art, 1965-1966.
Berlin, Germany. Staatliche Museen -- Nationalgalerie, 1965-1968.
Chicago, IL. Art Institute of Chicago, 1965-1968.
London, England. The National Gallery, 1965-1968.
New York, NY. Metropolitan Museum of Art, 1965-1967.
New York, NY. New York Public Library, 1966-1967.
Washington, D.C. The National Gallery and The Library of Congress, Rosewald Collection, 1965-1966.
Arrangement

Files are arranged alphabetically by subject.

Budget, 1966.
Catalogue, 1966.
[Exhibition checklists], 1965-1966.
[Exhibition checklists. Preliminary], 1965.
Hanson, Anne, 1965-1966.
Images. Drawings and watercolors, undated.
Images. Paintings, undated.
Images. Prints, undated.
Opening, 1966.
Photographs and transparencies, 1966-1968.
Publicity and attendance, 1966-1967.
Purchase requests, 1965-1967.
Symposium. Nov. 12, 1966, 1966.
Miscellaneous, 1965-1967.
Scope and Content Note

Frederick Cummings and Allen Staley jointly organized an exhibition British romantic art for the Philadelphia Museum of Art and the Detroit Institute of Arts. The curators focused on the period between 1760 and 1860, beginning with works by Reynolds and Gainsborough and exploring the evolution of romantic art through the Pre-Raphaelites. Due to its focus on British art, the majority of exhibition records related to loan correspondence with international institutions and private collectors. These records also include administrative files related to preparing the exhibition catalogue, planning the installation and opening in Philadelphia, and shipping loans internationally.

Arrangement

Exhibition records are organized into correspondence files for institutions and individuals, which account for the bulk of the records, and administrative files.

Scope and Content Note

The included files contain correspondence between the organizing institutions and potential lending institutions located worldwide.

Arrangement

Files are organized alphabetically by city with miscellaneous institutional correspondence appended at the rear.

Amherst, MA. Amherst College, 1966-1968.
Baltimore, MD. The Walters Art Gallery, 1966-1967.
Birmingham, England. City Museum and Art Gallery, 1967-1968.
Birmingham, England. Barber Institute of Fine Arts, 1967-1968.
Bologna, Italy. Various institutions, 1967-1968.
Boston, MA. Museum of Fine Arts, 1966-1968.
Brighton, England. The Art Gallery and Museums and the Royal Pavilion, 1967-1968.
Bristol, England. City Art Gallery, 1966-1968.
Cambridge, England. Fitzwilliam Museum, 1967.
Cambridge, MA. Fogg Art Museum, 1967-1968.
Cambridge, MA. The Houghton Library, 1967.
Carlisle, England. City Museum and Art Gallery, 1967.
Chapel Hill, NC. Ackland Memorial Art Center, 1967.
Chicago, IL. Art Institute of Chicago, 1967-1968.
Cincinnati, OH. Cincinnati Art Museum, 1967-1968.
Cincinnati, OH. Taft Museum, undated.
Cleveland, OH. The Cleveland Museum of Art, 1966-1968.
Compton, England. Watts Gallery, 1967-1968.
Concord, MA. Concord Free Public Library, 1967.
Derby, England. Derby Museum and Art Gallery, 1967.
Detroit, MI. The Detroit Institute of Arts. Correspondence. (folder 1 of 2), 1965-1967.
Detroit, MI. The Detroit Institute of Arts. Correspondence. (folder 2 of 2), 1967-1968.
Detroit, MI. The Detroit Institute of Arts. Loans, 1968.
Edinburgh, Scotland. National Galleries, 1967-1968.
Fitchburg, MA. Fitchburg Art Museum, 1967-1968.
Halesowen, England. Halesowen Grammar School, 1967-1968.
Hamburg, Germany. Hamburger Kunsthalle, 1967-1968.
Hartford, CT. Wadsworth Atheneum, 1967-1968.
Indianapolis, IN. Herron Museum of Art, 1967-1968.
Kansas City, MO. Atkins Museum of Fine Arts, 1967.
Leeds, England. City Art Gallery, 1967-1968.
Leicester, England. Leicester Museum and Art Gallery, 1966-1968.
Liverpool, England. Walker Art Gallery, 1967-1968.
Lodi, Italy. Collegio delle Grazie, 1967.
London, England. The British Museum, 1966-1968.
London, England. Courtauld Institute of Art, 1967.
London, England. Kenwood, 1967.
London, England. Leighton House, 1966-1968.
London, England. National Maritime Museum, 1967.
London, England. National Portrait Gallery, 1967-1968.
[London, England. The National Trust (Petworth House)], 1967-1968.
London, England. Royal Academy of Arts, 9167-1968.
London, England. Royal Institute of British Architects, 1966.
London, England. Royal Hospital, 1967-1968.
London, England. Royal Society of Arts, 1967-1968.
London, England. The Tate Gallery, 1966-1968.
London, England. Victorial and Albert Museum, 1967-1968.
Los Angeles, circa Los Angeles County Museum of Art, 1967-1968.
Louisville, KY. The J.B. Speed Museum, 1967.
Mancheseter, England. City Art Gallery, 1967-1968.
Manchester, England. The Whitworth Art Gallery, 1967-1968.
Melbourne, Australia. National Gallery of Victoria, 1967-1968.
Memphis, TN. Brooks Memorial Art Gallery, 1967-1968.
Montreal, Canada. The Montreal Museum of Fine Arts, 1966-1967.
New Haven, CT. The Beinecke Rare Book and Manuscript Library, 1966-1967.
New Haven, CT. Yale University Art Gallery, 1967-1968.
New York, NY. The Gallery of Modern Art, 1967-1968.
New York, NY. The Metropolitan Museum of Art, 1967-1968.
New York, NY. The Pierpont Morgan Library, 1967-1968.
Northampton, MA. Smith College Museum of Art, 1966-1967.
Nottingham, England. City of Nottingham Museum and Art Gallery, 1966-1968.
Oberlin, OH. Allen Memorial Art Museum, 1967-1968.
Ottawa, Canada. The National Gallery of Canada, 1966-1968.
Oxford, England. Ashmolean Museum, 1966-1968.
Philadelphia, PA. Pennsylvania Academy of the Fine Arts, undated.
Philadelphia, PA. Philadelphia Museum of Art, 1966-1968.
Philadelphia, PA. Rosenbach Foundation, 1967.
Philadelphia, PA. Rosenwald Collection and The National Gallery in Washington, D.C, 1967.
Ponce, Puerto Rico. Museo de Arte de Ponce, 1967-1968.
Poughkeepsie, NY. Vassar College, 1966-1968.
Preston, England. Harris Museum Art Gallery, 1966-1967.
Princeton, NJ. The Art Museum, Princeton University, 1967-1968.
Providence, RI. Museum of Art, Rhode Island School of Design, 1966-1968.
Saint John, Canada. The New Brunswick Museum, 1967.
Saint Louis, MO. City Art Museum of St. Louis, 1965-1968.
Sheffield, England. Sheffield City Art Galleries, 1966-1968.
Springfield, MA. Museum of Fine Arts, 1967.
Toledo, OH. The Toledo Museum of Art, 1966-1968.
Toronto, Canada. Art Gallery of Ontario, 1967-1968.
Vienna, Austria. Graphische Sammlung Albertina, 1967.
West Palm Beach, FL, undated.
Worcester, MA. Worcester Public Library, 1967.
Worcester, MA. Worcester Art Museum, 1966-1968.
Miscellaneous. Correspondence, 1967-1968.
Miscellaneous. Correspondence with other institutions, 1965-1968.
Miscellaneous. Notes on other museums, undated.
Scope and Content Note

The included files contain correspondence between the organizing institutions and private collectors who were identified as potential lenders.

Arrangement

Arranged alphabetically by last name.

Agnew, 1966-1968.
Askew, 1967-1968.
Barne, 1967-1968.
Batchelor, 1967.
Beit, 1968.
Bowes Lyon, 1967.
Brandt, 1967-1968.
Buccleuch, 1967-1968.
Cavendish, 1967.
Clarke, 1967-1968.
Cooper, 1967.
Croft, 1967-1968.
Dick, 1967.
Duke, 1967.
Fitzwilliam, 1967.
Gabriel, 1967.
Forbes-Leith, 1967.
Galway, 1967-1968.
Gowing, 1967-1968.
Handley-Read, 1966-1968.
Jaffé, 1967-1968.
Jones, 1967-1968.
Lee, 1967.
Leggatt, 1967-1968.
MacEwen, 1967.
Mansel Lewis, 1967.
McCormick, 1967-1968.
McIlhenny, 1967-1968.
Mellon, 1966-1967.
Moore, 1967.
Mountbatten, 1967-1968.
Northumberland, 1967-1968.
Noyes, 1966-1967.
Oppé, 1967-1968.
Portland, 1967.
Prasse, 1967.
Preston, 1967-1968.
Rosenbloom, 1967.
Rosenblum, 1966-1967.
Royal collection, 1966-1968.
Scott, 1967-1968.
Sherfield, 1967.
Spark, 1967.
Speelman, 1967.
Thomson, 1968.
Ward, 1967.
Scope and Content Note

The bulk of the administrative files pertain to packing and shipping works of art on loan to the organizing institutions, preparing the exhibition catalogue, organizing the opening at the Philadelphia Museum of Art, and documenting press and publicity following the opening.

Arrangement

Files are arranged alphabetically by subject.

Attendance, 1968.
Budget, 1966-1968.
Catalogue, 1967-1968.
Catalogue. Color transparencies, 1967.
Catalogue. Comments, 1968.
Catalogues sent, 1968.
Condition reports, 1968.
Exhibition lists, 1965-1968.
Friends colloquium, 1967-1968.
Index card files. American. Museums, 1967.
Index card files. American. Private collections, 1967.
Index card files. American. Others, 1967.
Index card files. English. Museums, 1967.
Index card files. English. Private collections, 1967.
Index card files. English. Others, 1967.
Index card files. Refusals, 1967.
Index card files. Unidentified, undated.
Installation, 1966-1968.
Opening, 1967.
Opening. Dinner, 1967-1968.
Packing and shipping. Air freight, 1967.
Packing and shipping. English shipping, 1967-1968.
Packing and shipping. English shipping returns, 1968.
[Packing and shipping. International], 1967-1968.
Packing and shipping. Insurance, 1967-1968.
Photographs. (folder 1 of 2), undated.
Photographs. (folder 2 of 2), undated.
Photographs, unique, undated.
Private collectors, 1966.
Prospectus, 1965.
Publicity. Clippings, 1967-1968.
Publicity. Correspondence, 1967-1968.
Purchase requests, 1966-1968.
Refused offers, 1967.
"RIBA Architectural Drawings." Exhibition of the Division of Education, 1967.
Schedule, undated.
Special requests, 1967-1968.
Staley, Allen. Articles and lectures, 1967-1968.
Symposium, 1967-1968.
Scope and Content Note

This exhibition of gifts in honor of the Museum's centennial anniversary, installed by Assistant Director for Art Arnold H. Jolles and Curator of Medieval and Renaissance Decorative Arts David DuBon, ranged from European masterworks of painting to American furniture and decorative arts, as well as treasures from India and the Far East. Records maintained in the Painting and Sculpture Department relate to Joe Rishel's participation on the Centennial Committee and research regarding certain and potential gifts.

Arrangement

Files are arranged alphabetically by subject.

Catalogue, 1976-1977.
Centennial committee, 1972-1976.
Centennial gift fund, 1976-1977.
Centennial gifts, 1976.
Certain centennial gift. The Henry Clifford Memorial Fund. Leighton, 1976-1977.
Certain centennial gift. Anna Warren Ingersoll. Goya, 1976.
Certain centennial gift. Mr. Anthony W. Ridgway. Troubetzkoy, 1976-1977.
Certain centennial gift. Prof. Philip Rieff. Raeburn, Fry, and Watts, 1977.
Certain centennial gift. Mrs. Wharton Sinkler. Gainsborough, 1976.
Deinstallation, 1977.
Grace, Priscilla, 1976.
Local collections, 1976.
Promised gifts, 1976.
Regrets, 1976.
Research. Potential Centennial Gifts. Mary Cassatt, 1972-1977.
Research. Potential Centennial Gifts, 1977.
Research. Miscellaneous notes, undated.
Scope and Content Note

Joseph J. Rishel and Kathryn Bloom Hiesinger co-curated this exhibition in cooperation with the Detroit Institute of Arts and the Galeries Nationales du Grand Palais in Paris, France. The Museum brought together a variety of works created in France during the Second Empire, including paintings, scultpure, architectural elements, and decorative arts for the largest exhibition that had yet been organized. Administrative files, catalogue materials, loan documentation, and artist and subject files are included in the subseries. Because the department of European Decorative Arts after 1700 also participated in planning the exhibition, related records may be found in that record group as well.

Arrangement

Sub-subseries are maintained in the original order arranged by the Paintings and Sculpture Department.

See Also:

European Decorative Arts after 1700 Department Records / I. Exhibition records / A. Second Empire: Art in France under Napoleon III

Scope and Content Note

The administrative files pertain to the various aspects of planning and implementing the exhibition from initial research trips to installation and visitor services. Budget and funding materials are included here along with insurance and indemnification documentation and various contracts.

Arrangement

Files are arranged alphabetically by subject.

[General], 1977-1978.
Article/lecture. Agulhon, 1982.
Article/lecture. Boime, 1982.
Audio-visual presentation, 1977-1979.
Budget. (folder 1 of 2), 1975-1980.
Budget. (folder 2 of 2), 1979-1982.
Condition reports and claims, 1979-1980.
Contracts. Philadelphia Museum of Art, Detroit Institute of Arts, and Galeries Nationales du Grand Palais, 1977-1979.
Correspondence, general, 1975-1979.
Friends events, 1977-1978.
Indemnification. Correspondence, 1978-1979.
Indemnification. Original application, 1976-1977.
Indemnification. Reapplication, 1977.
Indemnification. Third application, 1977-1979.
Installation. Cases, undated.
Installation. Lulu Lipincott, 1978.
Installation. Cleo Nichols, 1976.
Installation. Pedestals, 1978.
Insurance, 1976-1979.
Lectures, 1977-1978.
Memoranda, general, 1977-1979.
National Endowment for the Arts grant, 1976-1979.
Object lists, 1977-1978.
Organization, general, 1974-1978.
Pennsylvania Academy of the Fine Arts. Possible special loan, 1978.
Personnel, 1974-1978.
Personnel information. Suzanne Lindsay, 1972-1977.
Photography, general, 1980.
Print show. "A Graphic Side of the Second Empire.", 1977-1979.
Public relations. (folder 1 of 2), 1978-1979.
Public relations. (folder 2 of 2), 1975-1979.
Research, general, 1973-1976.
Research. Kathy Hiesinger notes, 1974-1975.
Research. Joseph Rishel notes, 1973-1978.
Research trip. Joseph Rishel and Richard Dorment, 1974-1976.
Reviews, 1978-1979.
Shipping and insurance, 1975-1979.
Summary of exhibition, 1975.
Trip to Paris. Joseph Rishel, Sep.-Oct. 1977, 9177-1978.
Trip to Paris. Joseph Rishel, winter 1977, 1976-1977.
Trip to Paris. Joseph Rishel, 1978 and 1979, 1978-1979.
Visitor's Guide, 1979.
Visitor's survey, 1978.
Women's committee, 1977-1978.
Scope and Content Note

The making of the exhibition catalogue is documented here from its initial planning phases and early correspondence to final sales. The bulk of the materials pertain to artist files and drafts of individual entries and essays.

Arrangement

Files are arranged alphabetically by subject.

Artists, A-D. (folder 1 of 3), undated.
Artists, A-D. (folder 2 of 3), undated.
Artists, A-D. (folder 3 of 3), undated.
Artists, F-M. (folder 1 of 3), undated.
Artists, F-M. (folder 2 of 3), undated.
Artists, F-M. (folder 3 of 3), undated.
Artists, N-Z. (folder 1 of 3), undated.
Artists, N-Z. (folder 2 of 3), undated.
Artists, N-Z. (folder 3 of 3), undated.
Artists' bibliographies, undated.
Bibliography cards. Format, 1977-1978.
Biographies. Format, undated.
Budget, 1977.
Catalogue discussion, 1976.
Chronology chart, 1977.
Contract, 1977-1980.
Correspondence. (folder 1 of 2), 1975-1979.
Correspondence. (folder 2 of 2), 1975-1979.
Correspondence. Letters to be answered or written, 1977.
Cost estimates, 1977.
Duret, undated.
Editorial procedure, 1977.
Entries for painting, drawing, sculpture, and photography. (folder 1 of 3), 1977-1978.
Entries for painting, drawing, sculpture, and photography. (folder 2 of 3), 1977-1978.
Entries for painting, drawing, sculpture, and photography. (folder 3 of 3), 1977-1978.
Entries. Completed tentative list, 1977.
Entries. Model for decorative arts, painting, and sculpture, 1975-1977.
Entries. Translations of Joseph Rishel's model entry, 1977.
Essay. Architecture, 1977.
Essay. General introduction, 1978.
Essay. Introduction, 1977.
Essay. Painting, 1977.
Medals, 1977.
Photographs received, 1977-1978.
Sales, 1978-1979.
Schedule, 1977.
Sculpture. General, 1976-1977.
Sculpture. Biographies and entries, 1976-1978.
Structure, 1975-1977.
Style sheet, 1977.
Translation, 1976-1977.
Scope and Content Note

The bulk of these materials document objects lent to the museum from institution in France, across the United States, and in Europe. Correspondence regarding loan refusals, and problems encountered in transit are also included.

Arrangement

Files are arranged alphabetically by subject and hierarchically by location.

Loans. Europe and Canada, 1977-1978.
Loans. Europe. France. (folder 1 of 2), 1977-1978.
Loans. Europe. France. (folder 2 of 2), 1977-1978.
Loans. Europe. France. Paris. Louvre loan forms, 1977-1978.
Loans. Europe. France. Paris. Private loan forms, 1977.
Loans. Europe. France. Paris. Public loan forms, 1977-1979.
Loans. United States. (folder 1 of 3), 1977-1979.
Loans. United States. (folder 2 of 3), 1977-1979.
Loans. United States. (folder 3 of 3), 1977-1979.
Loans refused. Europe, 1977.
Loans refused. Europe. France, 1977-1978.
Loans refused. Europe. France. Paris, 1977.
Loans refused. United States, 1977-1978.
Problems, 1977.
Problems with returned loans, 1979.
Thank-you letter and lists, 1979.
Scope and Content Note

The bulk of these materials include black and white photographs of objects considered for the exhibition along with curator's notes and related research.

Arrangement

Files are arranged alphabetically by artist's last name.

Amaury-Duval, undated.
Barye. "Tiger Rolling on Its Back", undated.
Baudry, undated.
Bazille, undated.
Benouville, undated.
Bida. "Dalia (Song of Calvary)" and ""Religious Fanatics, Cairo", undated.
Bonheur, 1977-1978.
Bonnat, undated.
Bonvin, undated.
Boudin, undated.
Bouguereau, undated.
Boulanger, undated.
Breton, 1977.
Brown. "Bataille du 17 Juin 1815", undated.
Cabanel, 1977.
Carolus-Duran. "L'Homme Endormi", undated.
Carpeaux, 1975-1978.
Chaplin, 1978-1979.
Chasseriau, undated.
Chifflart. "Les Remords", undated.
Chintreuil. "L'Espace", undated.
Cibot. "Vue Prise a Bellevue pres Meudon", undated.
Corot, undated.
Courbet, undated.
Couture, 1976-1978.
Curzon. "A Dream in the Ruins of Pompei", 1979.
Daubigny. "A Gathering under the Trees" and "Saint-Cloud", undated.
Daumier, undated.
Decamps, undated.
Dedreux, undated.
Degas, undated.
Delacroix, undated.
Delaunay, undated.
Delessert. "Olive Trees near Sassari", undated.
Desgoffes. "L'Ecueil", undated.
Detaille. "Grenadiers au Camp de Saint-Maur", 1977.
Dore, undated.
Fantin-Letour. "Les Brodeuses", undated.
Flandrin, undated.
Francais. "Paysage Idyllique", undated.
Fromentin, undated.
Gendron, undated.
Gerome, 1979.
Glaize, undated.
Gleyre, undated.
Gonzales, 1976.
Guigou, undated.
Guillaumet, undated.
Hamon. "Frise de Figures Classiques", undated.
Harpignies, undated.
Herbert, undated.
Henner. "La Chaste Suzanne", undated.
Heim, undated.
Hervier, undated.
Hugo. "Marine Terrace", undated.
Ingres, 1977.
Jalabert. "Orphee", undated.
Jongkind, undated.
Lazerges, undated.
Legros. "Vocation de St. Francois", undated.
Lehmann. "Panneau Decoratif", undated.
Leroux. "Offrand a Hygie", undated.
Levy. "Jesus dans le Tombeau", undated.
Manet, 1975-1979.
Meissonier, undated.
Merle, undated.
Millet, undated.
Monet, undated.
Monnier. "Monsieur Prud'homme", undated.
Moreau, undated.
Muller, 1977.
Penguilly. "Le Combat des Trentes", undated.
Pichon. "Annonciation", undated.
Pissarro. "Sur les Bords de la Marne -- l'Hiver", undated.
Puvis de Chavannes, 1977.
Ravier, undated.
Regnault, 1977.
Renoir, 1976.
Ribot, undated.
Tassaert, 1977.
Rousseau, Philippe, 1977.
Rousseau, Thomas, undated.
Sisley, undated.
Stevens, 1977.
Tissot, undated.
Troyon. "Chien d'Arrot", undated.
Voillet-le-Duc, undated.
Vollon, undated.
Winterhalter. "L'Imperatrice Eugenie et ses Dames d'Honneur", 1978.
Miscellaneous paintings, 1977.
Scope and Content Note

These records include correspondence, object lists, photographs, and research organized by architecture, decorative arts, drawing, painting, photography, and sculpture. Conservation reports and internal correspondence are also included here.

Arrangement

Files are arranged alphabetically by subject.

[General]. (folder 1 of 2), 1975.
[General]. (folder 1 of 2), 1975.
Architecture. Correspondence, 1974-1977.
Architecture. Object lists, 1974-1977.
Conservation memoranda and condition reports, 1978-1979.
Decorative arts. Correspondence, 1973-1979.
Decorative arts. "History of the Great Exhibition" reprint, undated.
Decorative arts. Object lists, 1974-1977.
Drawing. Correspondence, 1977-1978.
Drawing. Object lists, undated.
Drawing. Photographs (miscellaneous), undated.
Interior views. Object lists, undated.
Paintings. Alba Collection, 1975.
Paintings. Alternative list, 1977.
Paintings. Correspondence, 1975-1978.
Paintings. Object lists, 1977.
Photography. Correspondence, 1977-1978.
Photography. Object lists, 1977.
Photography. Photographs, undated.
Sculpture. Correspondence, 1973-1977.
Sculpture. List of potential donors, undated.
Sculpture. Notes on Falguire's "Tarcisius", undated.
Sculpture. Object lists, 1977.
Sculpture. Object lists. Commentary, undated.
Sculpture. Photographs (miscellaneous), 1977.
Sculpture. Public monuments, 1975.
Sculpture. Xeroxed information, undated.
Scope and Content Note

This small-scale exhibition was arranged in the Director's Corridor during the winter of 1980. Selected works depicted olympic sports and related athletic activities as captured by artists from antiquity to the twentieth century. The exhibition opening coincided with the arrival of the Olympic flame in Philadelphia on February 3, 1980.

General. (folder 1 of 2), 1980.
General. (folder 2 of 2), 1979-1980.
Scope and Content Note

Joseph Rishel, curator of European Art, and Richard Ormond, deputy director of the National Portrait Gallery in London, organized a major exhibition of the works of Sir Edwin Landseer that sought to reveal the artists as a major figure in the romantic movment. The show relied upon generous loans from public and private collections throughout the United Kingdom, Europe, and North America; thus, the bulk of the exhibition records are comprised of lender files. Following its debut in Philadelphia, the exhibition also traveled to the Tate Gallery in London. Administrative files pertain to exhibition planning and execution among curatorial and support departments at the Philadelphia Museum of Art with a few folder dedicated to the later exhibition at the Tate Gallery. Correspondence and exhibition catalogue materials are also included in this subseries.

Arrangement

Sub-subseries are maintainted accordingly to the original order in which they were transferred to the Archives.

Scope and Content Note

These files include budget and funding records; contracts, insurance, and indemnification documents; shipping and installation files; and publicity generated by the museum along with clippings reviewing the exhibition.

Arrangement

Files are arranged alphabetically by subject.

General, 1979-1981.
Budget, 1979-1982.
Budget. Purchase requisitions, 1979-1982.
[By-Word Audio Tour], 1981.
Contract, 1980.
Adjunct exhibition, 1981.
Expenses. Joe Rishel and Richard Ormond, 1979-1980.
Fact sheets, 1980.
Fellowship, Winston Churchill Traveling, 1979.
Film, 1979-1981.
Film. Presentation binder. (folder 1 of 3), 1979.
Film. Presentation binder. (folder 2 of 3), undated.
Film. Presentation binder. (folder 3 of 3), 1980.
Fundraising, 1980-1981.
Grant, 1980-1983.
Illustrations. Comparative illustrations for essay, 1981.
Indemnification, 1979-1981.
Installation, 1981.
Labels, 1981.
Maps, undated.
Newsletters, 1981.
Opening events. Dinner, 1981.
Opening events. Members' opening, 1981.
Photography requests, 1980-1981.
Planning, openings, etc, 1980-1982.
Programs, education, 1981-1982.
Promotion, 1981.
Proposal for exhibition, undated.
Publicity. Clippings. (folder 1 of 3), 1981-1982.
Publicity. Clippings. (folder 2 of 3), 1981-1982.
Publicity. Clippings. (folder 3 of 3), 1981-1984.
Publicity. Marketing and communications plan, 1981.
Publicity. Tyson Ketchum, 1981.
Rejected works, undated.
Shipping, 1980-1982.
Tate Gallery, 1979-1982.
Tate Gallery. Landseer discussion, 1979-1981.
Tate Gallery. Lecture by Joseph Rishel, undated.
Scope and Content Note

Correspondence files contain letters between lenders, curators, catalogue contributers, and the director of the Philadelphia Museum of Art.

Arrangement

Files are arranged alphabetically by last name with two folders of general fan mail and reference questions appended at the end.

A-B, 1980-1984.
Bell, Enid, 1981-1982.
Boggs, Jean, 1979-1981.
Browse and Darby, Ltd, 1979.
C-G, 1981-1983.
H-O, 1979-1986.
Hamlyn, Robin, 1980-1982.
Ormond, Richard, 1979-1982.
P-T, 1979-1982.
Rattenbury, Ruth, 1980-1982.
Tancock, John, 1979.
U-Z, 1979-1982.
Fan mail, 1981-1982.
Questions for Richard Ormond, 1981-1982.
Scope and Content Note

Exhibition catalogue materials include serveral general files filled with planning and administrative documents, Joseph Rishel's research and contributions submitted for the catalogue, and photographs that were chosen for inclusion in the publication.

Arrangement

Files are arranged alphabetically by subject.

[General]. (folder 1 of 3), 1980-1981.
[General]. (folder 2 of 3), 1979-1981.
[General]. (folder 3 of 3), undated.
Joseph Rishel's catalogue work. (folder 1 of 2), 1979.
Joseph Rishel's catalogue work. (folder 2 of 2), undated.
"Landseer and America", undated.
["Landseer and Americirca" Research], 1981-1982.
Photographs, 1981.
Photographs. Essay, undated.
Scope and Content Note

A variety of lender lists in this sub-subseries represent changes throughout the planning phase of the exhibition. Loan forms, loan letter drafts, and condition reports are located here, and individual lender files contain correspondence, loan forms, internal notes, and images of requested objects.

Arrangement

Files are arranged alphabetically by subject. Individual lender files are organized by country of origin according to the original departmental organization schema.

Condition reports, 1981.
Lender list, old, undated.
Lender list, possible, 1979.
Lender list, running, 1981.
Lenders. Australia. National Gallery of Victoria, 1980-1981.
Lenders. England. London, public and private. Birley, Mark, 1979-1981.
Lenders. England. London, public and private. John Dewar Sons (Distillers House), 1980-1982.
Lenders. England. London, public and private. British Museum, 1981-1982.
Lenders. England. London, public and private. Guildhall Art Gallery, 1980-1981.
Lenders. England. London, public and private. Hazlitt, Gooden, Fox (Miss Quilter), 1980-1981.
Lenders. England. London, public and private. The Iveagh Bequest, 1980-1981.
Lenders. England. London, public and private. Jeannerat, Pierre, 1980-1981.
Lenders. England. London, public and private. C/O Peter Oscar Johnson (Anonymous), 1980-1981.
Lenders. England. London, public and private. Leggatt, Hugh, 1979-1982.
Lenders. England. London, public and private. Nasseri, N, 1980-1981.
Lenders. England. London, public and private. The National Portrait Gallery, 1980-1981.
Lenders. England. London, public and private. Royal Academy of Arts, 1979-1981.
Lenders. England. London, public and private. Rothschild, Jacob, 1980-1981.
Lenders. England. London, public and private. Sabin, Sidney F. (Sabin Galleries), 1980-1981.
Lenders. England. London, public and private. The Tate Gallery, 1979-1982.
Lenders. England. London, public and private. Victoria and Albert Museum, 1979-1981.
Lenders. England. London, public and private. Wills, Catherine, 1979-1981.
Lenders. England. London, public and private. The Royal Library, Windsor Castle, 1980.
Lenders. England. London, public and private. Royal Collection. Balmoral, Windsor Buckingham, 1980-1981.
Lenders. England, public. Birmingham Museum and Art Gallery, 1980-1982.
Lenders. England, public. Bury Art Gallery and Museum, 1980-1981.
Lenders. England, public. Fitzwilliam Museum, 1980-1981.
Lenders. England, public. Graves Art Gallery, 1979-1981.
Lenders. England, public. Laing Art Gallery, 1980-1981.
Lenders. England, public. City Art Gallery (Manchester), 1980-1982.
Lenders. England, public. Royal Pavillion, National Loan Collection, 1979-1981.
Lenders. England, public. Walker Art Gallery, 1980-1981.
Lenders. England, private. Duke of Beaufort (Badminton Park), 1981.
Lenders. England, private. The Viscount Camrose TD (Hackwood Park), 1980-1982.
Lenders. England, private. Davidson, Duncan (Lilburn Tower), 1980-1981.
Lenders. England, private. Duke of Devonshire (Chatsworth Settlement), 1979-1981.
Lenders. England, private. Lord Dulverton (Batsfor Park), 1979-1981.
Lenders. England, private. Lord Fairhaven (Anglesey Abbey), 1980-1981.
Lenders. England, private. Innes, David (Hensill House), 1981.
Lenders. England, private. Earl of Lichfield (Shugborough House), 1979-1980.
Lenders. England, private. Buchanan, John MacDonald (Lower Sewell), 1979-1981.
Lenders. England, private. MacDonald-Buchanan, Reginald (Cotesbrook Hall), 1980-1982.
Lenders. England, private. Malcolmson, I.D. (The Chestnuts), 1980-1981.
Lenders. England, private. Earl of Malmesbury (Greywell Hill), 1980-1981.
Lenders. England, private. Duke of Northumberland (Alnwich Castle), 1979-1981.
Lenders. England, private. Pittaway, C.H. (The Glebe House), 1979-1981.
Lenders. England, private. Postgate, I.R. (Badgemore Grange), 1980-1981.
Lenders. England, private. Proby, William (Elton Hall), 1979-1981.
Lenders. England, private. Lord Rockley (Lytchett Heath), 1979-1981.
Lenders. England, private. Royal Holloway College (Egham Hill), 1979-1982.
Lenders. England, private. Marquess of Tavistock (Woburn Abbey), 1980-1981.
Lenders. Ireland. The Earl of Iveagh (Farmleigh), 1979-1981.
Lenders. Ireland. National Gallery of Ireland, 1979-1981.
Lenders. Ireland. Duke of Abercorn (Barons Court), 1981.
Lenders. Scotland. Aberdeen Art Gallery Museum, 1980-1981.
Lenders. Scotland. Duke of Atholl (Blair Castle), 1979-1982.
Lenders. Scotland. Marquess of Lansdowne (Meikleiou House), 1979-1982.
Lenders. Scotland. Perth Kinross District Council Museum and Art Gallery, 1979-1981.
Lenders. Scotland. National Gallery of Scotland, 1979-1981.
Lenders. Scotland. Countess of Sutherland (Dunrobin Castle), 1980-1981.
Lenders. Scotland. Duke of Sutherland (Mertoun), 1979-1980.
Lenders. Scotland. The Honorable Colin Tennant (The Glen), 1980-1981.
Lenders. Scotland. Yerburgh, John (Castle Douglas), 1980-1982.
Lenders. South Wales. Mansel-Lewis, D.C. (Stradey Castle), 1979-1982.
Lenders. United States. Anderson, Robert, 1979-1981.
Lenders. United States. McIlhenny, Henry P, 1979-1981.
Lenders. United States. Milwaukee Art Center, 1979-1981.
Lenders. United States. Westervelt Warner, John (Gulf States Parper Corp.), 1979-1981.
Lenders. United States. Wintersteen, John, 1979-1980.
Lenders. United States. Yale Center for British Art, 1980-1982.
Lenders. Wales. Conran, Ann (Tycanol Farm), 1979-1981.
Lenders. West Germany. Humburger Kunsthalle, 1979-1981.
Lenders, rejected. Belgium. Schepens Ontiek, 1979.
Lenders, rejected. Canada. Beaverbrook Art Gallery (Ian Lumsden), 1979-1981.
Lenders, rejected. England. London, public and private. Courtauld Institute Galleries, 1980-1981.
Lenders, rejected. England. London, public and private. Ormond, Richard, 1980.
Lenders, rejected. England. London, public and private. Owen Edgar Gallery, 1979.
Lenders, rejected. England. London, public and private. Pharmaceutical Society, 1980.
Lenders, rejected. England. London, public and private. Russell, Gilbert, 1979-1980.
Lenders, rejected. England. London, public and private. Russell, John, 1979.
Lenders, rejected. England, public. Wolverhampton Art, 1979.
Lenders, rejected. England, private. Grey Egerton, John (Little Oulton), 1979-1980.
Lenders, rejected. England, private. Earl of Bathurst (Cirencester Park), 1979.
Lenders, rejected. England, private. Berkeley, R.J. (Berkeley Castle), 1979.
Lenders, rejected. England, private. Henniker-Major, R.A.O, 1979-1981.
Lenders, rejected. England, private. Wills, Robert (Farminton Lodge), 1979.
Lenders, rejected. England, private. Fitzherbert, John (Tissington Hall), 1979.
Lenders, rejected. France. Cameron, Roderick (Les Quatre Sources), 1980.
Lenders, rejected. Ireland. Hill, Derek (St. Columb's), 1979.
Lenders, rejected. Scotland. Lord Forteriot (Dupplin Castle), 1979.
Lenders, rejected. Scotland. Lord Kinnaird (Rossie Priory), 1979.
Lenders, rejected. United States. Atkins Museum of Fine Arts, 1980-1981.
Lenders, rejected. United States. Detroit Institute of Arts, undated.
Lenders, rejected. United States. The Dodge Collection, 1979.
Lenders, rejected. United States. Guest, Raymond R. (Powhatan Plantation), 1979-1981.
Lenders, rejected. United States. Johnson, Dudley, 1980.
Lenders, rejected. United States. Lohf, Kenneth, 1979.
Lenders, rejected. United States. Los Angeles County Museum of Art, 1980.
Lenders, rejected. United States. Rowland, Lucy, undated.
Lenders, rejected. United States. Schweitzer Gallery, 1979.
Lenders, rejected. United States. Stanford University, 1980-1981.
Lenders, rejected. United States. Museum of Fine Arts (Springfield, MA), 1979.
Loan form notes, undated.
Loan letter drafts, undated.
[Maps of the United Kingdom], undated.
Notes on Landseer. Joseph Rishel, undated.
Possible drawings, 1980.
Proposed loan lists and comments, 1979.
Requests, 1980.
Sotheby's and Christie's, undated.
Scope and Content Note

An exhibition of 100 objects in terracotta, bronze, ivory, and stone -- ranging in date from the fifth century BC to the nineteenth century AD -- was organized by Michael Kan, Deputy Director of African, Oceanic, and New World Cultures at the Detroit Institute of Arts in cooperation with Dr. Ekpo Eyo, Director of the Department of Antiquities, Nigeria. Peter Sutton, Assistant Curator of Painting before 1900, installed the exhibition when it traveled to the Philadelphia Museum of Art in 1982. The bulk of the exhibition records relate to the installation process, opening, press, and related programming along with a sizable set of catalogue photographs.

Arrangement

Files are arranged alphabetically by subject.

Acoustiguide scripts, 1980-1982.
Adjunct University of Pennsylvania exhibition, 1981-1982.
Advisory committee, 1981-1982.
Boggs, Jean, 1981.
Budget/contract, 1981.
Catalogue, 1981.
Catalogue photographs. (folder 1 of 5), undated.
Catalogue photographs. (folder 2 of 5), undated.
Catalogue photographs. (folder 3 of 5), undated.
Catalogue photographs. (folder 4 of 5), undated.
Catalogue photographs. (folder 5 of 5), undated.
Correspondence, 1980-1982.
Detroit, 1981-1982.
Education/guides, 1981-1982.
Film, 1979-1980.
Funding, 1981.
Grant proposal, undated.
Indemnification, 1981.
Label copy, 1982.
Newsletters, 1981-1982.
Opening, 1981-1982.
Programs, 1981-1982.
Promotion, 1981-1982.
Shipping, 1981-1982.
Scope and Content Note

Peter Sutton, Associate Curator of European Painting, organized a review of the full range of Dutch painter Jan Steens work in this exhibition, comprised of 10 paintings from the permanent collection. In conjunction with the exhibition, Sutton and Marigene Butler co-authored "Jan Steen: Comedy and Admonition." Records include the original catalogue grant proposal and preparatory materials. Preliminary researc, photography requests, and correspondence are also included in this subseries.

Arrangement

Files are arranged alphabetically by subject.

[General], 1981-1984.
Catalogue, 1982.
Correspondence, 1982-1983.
Catalogue. Grant proposal, 1981.
Lecture, 1982.
Photograph requests, 1982.
[Preliminary research], undated.
Scope and Content Note

Joseph Rishel, Curator of European Paintings before 1900, worked closely with the Barnes Foundation and several local private collectors to bring 45 works by Paul Cézanne to the Philadelphia Museum of Art. This exhibition, which celebrates the extensive collections of Philadelphia-area institutions and individuals, revealed the city as one of the most impressive gathering places of the Cézanne's work. Records in this subseries are broken down into local collections and administrative files. Local collections document works included or considered for inclusion in the exhibition, and administrative files pertain to exhibition planning and implementation.

Scope and Content Note

The collections of Dorrance, Madeira, McIlhenny, and Rothberg were prominently featured in this exhibition along with contributions by Blackburn, Grace, Salz, De Schauensee, and Weber. Files contain correspondence, images, loan information, and research relating to individual works on loan. Additional files include a selection of refused loans from the Annenberg collection.

Arrangement

Files are primarily arranged alphabetically by lender with a folder listing prints help by the Philadelphia Museum of Art located at the front and a small group of refused loan files appended to the back.

Philadelphia Museum of Art. Prints, undated.
Blackburn. "Guillaumin au Pendu" (etching), 1982-1983.
Dorrance. "Flowers in a Rococo Vase", 1983.
Dorrance. "Effect of reflections", undated.
Dorrance. General correspondence, 1982-1983.
Grace. "Paysage du Midi", 1983.
Madeira. "La Montagne de l'Estaque", undated.
Madeira. "La côte du Galet á Pontoise", undated.
Madeira. "La Montagne Sainte-Victoire", undated.
Madeira. General correspondence, 1982-1983.
McIlhenny. "Mme. Cézanne", undated.
McIlhenny. "Sucrier, Poires et Tapis", undated.
McIlhenny. "La Montagne Sainte-Victoire", 1983.
McIlhenny. "Jeune Paysanne", undated.
McIlhenny. General correspondence, 1983.
Rothberg. "Hamlet and Horatio", 1983.
Rothberg. Sketchbook page with "Mme. Cézanne" and "Horse", 1983.
Rothberg. General correspondence, 1983.
Salz. "Le cache-pot bleu", undated.
De Schauensee. "Bathers" (color lithograph), 1983.
Weber. "Portrait of Victor Choquet", 1983.
Refused. Annenberg. "Le Plat de Pommes", undated.
Refused. Annenberg. La Montagne Sainte-Victoire, undated.
Refused. Annenberg. La Montagne Sainte-Victoire (w/c), undated.
Refused. Annenberg. "Baigneurs", undated.
Refused. Annenberg. "Nature Morte" (Melons and Pomegranates), undated.
Refused. Annenberg. General correspondence, 1982.
Scope and Content Note

The efforts of curatorial and support departments are documented here through records ranging from the initial planning phases (NEA grant, exhibition lists, and conservation) through to the final implementation of the exhibition (opening events, news clippings, deinstallation).

Arrangement

Files are arranged alphabetically by subject.

Catalogue, 1982-1983.
Clippings, 1983.
Conservation, 1982-1983.
Correspondence, 1982-1984.
Deinstallation, 1983.
Dinner. Associates, lenders, VIPs, 1983.
Exhibition lists, 1979-1983.
Labels, 1983.
Labels. Final version, 1983.
Lectures, 1982.
NEA grant, 1979-1984.
Park House guides -- tour in connection with Cézanne exhibition, 1983.
Photograph requests, 1983.
Programs, 1983.
Public relations, 1983.
Purchase requisitions, 1983.
Rewald, John, 1983-1985.
Shipping/insurance, undated.
Slides of PMA objects, undated.
Scope and Content Note

In 1984, the Philadelphia Museum of Art collaborated with the Gemäldegalerie, Staatliche Museen Preussischer Kulturbesitz of West Berlin, Germany and the Royal Academy of Arts in London, England to organize and exhibit an exhibition of 118 Dutch genre paintings. Peter Sutton, Associate Curator of European Paintings before 1900, installed the exhibition in Philadelphia and wrote the award-winning catalogue that accompanied the show. The majority of the works featured in this exhibition were lent to the Museum, and a large portion of these records relate to lending institutions and works on loan. Correspondence, lectures, and materials relating to the exhibition catalogue constitute another prominent aspect of the exhibition records along with research relating to individual artists. Administrative files pertain to all aspects of exhibition planning and implementation from the originating curatorial department and various support departments.

Scope and Content Note

Due to the nature of this exhibition, institutions and private collectors throughout Europe and North America generously lent works by Dutch genre painters to the Philadelphia Museum of Art. Each file contains correspondence and loan agreements with institutions and individuals regarding one or several works on loan.

Arrangement

This sub-subseries begins with a list of loans from the John G. Johnson Collection, a list of directors of lending institutions, and set of lender files from the Philadelphia area. All other files are listed alphabetically by country of origin followed by the name of the lending institution or of the last name of an individual lender with related correspondence files appended at the end of the alphabetical run.

John G. Johnson Collection loans, 1984.
Genre "numbers"; list of directors of lending institutions, undated.
Philadelphia. Brekelenkam, "The Tailor", 1983.
Philadelphia. Van der Burgh, "Interior", 1983.
Philadelphia. Duyster, "Guardroom", 1978-1983.
Philadelphia. Dirck Hals, "Woman Seated in Chamber", undated.
Philadelphia. Maes, "Woman Plucking a Duck", 1983.
Philadelphia. Terborch, "The Despatch", 1984.
Austria. Akademie, Vienna, 1982-1984.
Austria. Akademie, Vienna. Van Dellen, Dirck and Hals Dirck. "Merry Company", 1984.
Austria. Akademie, Vienna. Vinckboons, David. "Merry Company Making Music", 1983.
Austria. Kunsthistorisches, Vienna. Steen, Jan. "In Weelde Siet Toe", undated.
Austria. Kunsthistorisches, Vienna. Vrel, Jacobus. "Woman at Window", undated.
Belgium. Museé Royaux, Brussels, 1983-1984.
Belgium. Museé Royaux, Brussels. Bega, Cornelius Pietersz. "Interior with Twelve Figures", undated.
Canada. Hornstein Collection, Motreal, 1983-1984.
Canada. Hornstein Collection, Motreal. Codde, Pieter. "Merry Company", undated.
Canada. Hornstein Collection, Motreal. Dou, Gerard. "The Artist's Studio", 1983.
Canada. Hornstein Collection, Motreal. Man, Cornelius de. "The Gold Weigher", 1983.
England. City Art Gallery, Manchester, 1983-1984.
England. City Art Gallery, Manchester. Ochtervelt, Jacob. 'Merry Company", 1984.
England. Mrs. Dent-Brocklehurst, Cheltenham, 1983.
England. Fack Collection, London, 1983-1984.
England. Fack Collection, London. Sorgh, Hendrick. "Musical Company", undated.
England. Green Gallery, London, 1983-1984.
England. Green Gallery, London. Palamedesz, Anthonie. "Elegant Company", undated.
England. Green Gallery, London. Van der Werff, Adriaen. "Two Boys with a Mousetrap", undated.
England. Morrison Collection. Steen, Jan. "Prayer before the Meal", undated.
England. National Gallery, London, 1983-1984.
England. National Gallery, London. De Hooch, Pieter. "Woman Drinking with Two Men...", undated.
England. National Gallery, London. Metsu, Gabriel. "Stable Scene", 1984.
England. Nottingham Castle Museum, Nottingham, 1983-1984.
England. Phillips Collection, London, 1983-1984.
England. Phillips Collection, London. Koedijck, Isaack. "The Foot Operation", undated.
England. Queen's Gallery, London, 1983-1984.
England. Queen's Gallery, London. Dou, Gerard. "Girl Chopping Onions", undated.
England. Queen's Gallery, London. De Hooch, Pieter. "Coutyard in Delft Evening", undated.
England. Queen's Gallery, London. Van Ostade, Adriaen. "Peasant Family", undated.
England. Queen's Gallery, London. Schalcken, Godfried. "Slap hands", undated.
England. Queen's Gallery, London. Steen, Jan. "Interior of a Tavern", undated.
England. Queen's Gallery, London. Vermeer, Jan. "Lady and Gentleman Standing at Virginal", undated.
England. Royal Academy, London, 1982-1984.
England. Stewart Collection, London, 1983-1984.
England. Stewart Collection, London. Verkolje, Jan. "Elegantly Dressed Couple", undated.
England. Wellington Museum, London, 1983-1984.
England. Wellington Museum, London. Steen, Jan. "Dissolute Household", undated.
France. Louvre, Paris, 1983-1984.
France. Louvre, Paris. Hooch, Pieter de. "Woman Drinking with Soldiers", undated.
France. Musée des Beaux-Arts, Lille. Rejected, 1983-1984.
France. Musée des Beaux-Arts, Lille. Codde, Pieter. "Young Smoker", 1983.
Germany, West. Alte Pinakothek, Munich, 1983-1984.
Germany, West. Alte Pinakothek, Munich. Elinga, Pieter Janssens. "Woman Reading", 1983.
Germany, West. Alte Pinakothek, Munich. Mieris, Frans van. "Young Woman Standing before Mirror", 1983.
Germany, West. Alte Pinakothek, Munich. Netscher, Caspar. "Musical Company", undated.
Germany, West. Berlin-Dahlem, Berlin, 1982-1984.
Germany, West. Berlin-Dahlem, Berlin. Contract, 1983.
Germany, West. Berlin-Dahlem, Berlin. Dou, Gerrit. "The Young Mother", undated.
Germany, West. Berlin-Dahlem, Berlin. Hals, Frans. "Boy with a Flute", undated.
Germany, West. Berlin-Dahlem, Berlin. Hooch, Pieter de. "Woman Lacing Bodice beside Cradle", undated.
Germany, West. Berlin-Dahlem, Berlin. Terborch, Gerard. "Parental Admonition", 1983.
Germany, West. Berlin-Dahlem, Berlin. Terborch, Gerard. "The Stone Grinder's Family", 1983.
Germany, West. Berlin-Dahlem, Berlin. Velde, Esaias Van de. "Party on a Garden Terrace", 1983.
Germany, West. Bischoff Collection, Bremen, 1983-1984.
Germany, West. Bischoff Collection, Bremen. Schlacken, Godfried. "Doctor's Visit", 1983.
Germany, West. Doll Collection, Bad Godesberg, 1983-1984.
Germany, West. Doll Collection, Bad Godesberg. Brouwer, Adriaen. "Peasants Drinking", undated.
Germany, West. Doll Collection, Bad Godesberg. Dou, Gerrit. "Old Woman at Spinning Wheel", undated.
Germany, West. Doll Collection, Bad Godesberg. Terborch, Gerard. "Drinking Woman and Sleeping Soldier", 1984.
Germany, West. Herzog Anton Ulrich, Braunschweig, 1982-1984.
Germany, West. Herzog Anton Ulrich, Braunschweig. Werff, Adriaen Van der. "The Chessplayers", undated.
Germany, West. Mittelaheinesches, Mainz, 1984.
Germany, West. Mittelaheinesches, Mainz. De Jongh, Ludolf. "Messenger...in Tavern", undated.
Germany, West. Niedersachsisches, Hannover, 1983-1984.
Germany, West. Niedersachsisches, Hannover. Bloemaert, Abraham. "Shepherd Scene", undated.
Germany, West. Schloss Grunewald, Berlin, 1983.
Germany, West. Staatliche Kunstsammlungen, Kassel, 1983.
Germany, West. Wallraf-Richartz Museum, Köln, 1983-1984.
Germany, West. Wallraf-Richartz Museum, Köln. Terbrugghen, Hendrick. "Bagpipe Player", undated.
Hungary. Szepmuvezeti Muzeum, Budapest, 1982-1984.
Hungary. Szepmuvezeti Muzeum, Budapest. Buytewech, William. "Merry Company", undated.
Hungary. Szepmuvezeti Muzeum, Budapest. Netscher, Caspar. "Presentation of a Medallion", undated.
Ireland. National Gallery, Dublin, 1983-1984.
Ireland. National Gallery, Dublin. Steen, Jan. "Schoolmaster", undated.
Italy. Galleria Borghese, Rome, 1982-1983.
Italy. Galleria Borghese, Rome. Honthorst, Gerrit van. "Musical Company", undated.
Italy. Palazzo Corsini, Rome, 1983-1984.
Netherlands. Boymans van Beuningen, Rotterdam, 1983-1984.
Netherlands. Boymans van Beuningen, Rotterdam. Steen, Jan. "Soo Gewonne, Soo Verteert", undated.
Netherlands. Boymans van Beuningen, Rotterdam. Witte, Emanuel de. "Woman at Clavier", undated.
Netherlands. Dienst Verspreide, The Hague, 1983-1984.
Netherlands. Dordrecht Museum, Dordrecht, 1983.
Netherlands. Dordrecht Museum, Dordrecht. Maes, Nicolaes. "The Eavesdropper", 1983.
Netherlands. Frans Halsmuseum, Haarlam, 1982-1984.
Netherlands. Frans Halsmuseum, Haarlam. Sweerts, Michael. "Artist's Academy", undated.
Netherlands. Frans Halsmuseum, Haarlam. Velde, Esaias Van de. "Party in a Garden", undated.
Netherlands. Historisch Museum, Amsterdam, 1983-1984.
Netherlands. Historisch Museum, Amsterdam. Victors, Jan. "The Dentist", 1983.
Netherlands. De Lakenhal, Leiden, 1982-1984.
Netherlands. De Lakenhal, Leiden. Brekelenkam, Quirin. "Woman Combing a Child's Hair", undated.
Netherlands. De Lakenhal, Leiden. Mieris, Frans van. "Peasant Interior", undated.
Netherlands. De Lakenhal, Leiden. Naiveu, Matthijs. "Clothshop", 1983.
Netherlands. Mauritshuis, The Hague, 1983-1984.
Netherlands. Mauritshuis, The Hague. Mieris, Frans Van. "Teasing a Pet", undated.
Netherlands. Mauritshuis, The Hague. Vinckboons, David. "Kermes", undated.
Netherlands. P.L. Galjart Collection, Soesterberg, 1983-1984.
Netherlands. P.L. Galjart Collection, Soesterberg. Leyster, Judith. "Merry Company", undated.
Netherlands. Rijksmuseum, Amsterdam, 1983-1984.
Netherlands. Rijksmuseum, Amsterdam. Boursse, Esaias. "Woman with Spinning Wheel", undated.
Netherlands. Rijksmuseum, Amsterdam. Diepraam, Abraham. "Barroom", undated.
Netherlands. Rijksmuseum, Amsterdam. Metsu, Gabriel. "The Hunter's Reward", undated.
Netherlands. Rijksmuseum, Amsterdam. Ostade, Adriaen van. "Fishmonger", undated.
Netherlands. Rijksmuseum, Amsterdam. Sorgh, Hendrick. "Vegetable Market", undated.
Netherlands. Rijksmuseum, Amsterdam. Verkolje, Jan. "Musical Company", undated.
Netherlands. Stedelijk, Eindhoven, 1982-1984.
Netherlands. Stedelijk, Eindhoven, 1982-1984.
Netherlands. Stedelijk, Eindhoven. Molenaer, Jan Miense. "Children Teasing a Dwarf", undated.
Netherlands. Visser Collection, Wassenaar, 1983-1984.
Netherlands. Visser Collection, Wassenaar. Codde, Pieter. "Masked Ball", 1984.
Scotland. National Gallery, Edinburgh, 1983-1984.
Sweden. Nationalmuseum, Stockholm, 1983-1984.
Sweden. Nationalmuseum, Stockholm. Dujardin, Carel. "Standing Shepherd and Milkmaid", undated.
Switzerland. Offentliche Kunstsammlungen, Basel, 1981-1983.
Switzerland. Thyssen Bornemisza, Lugano, 9182-1984.
Switzerland. Thyssen Bornemisza, Lugano. Loo, Jacob Van. "Musical Company", 1983.
United States. California. Purdy, Burlingame, 1983-1984.
United States. California. De Young Memorial Museum, San Francisco, 1983-1984.
United States. California. De Young Memorial Museum, San Francisco. Hooch, Pieter de. "Mother and Child", undated.
United States. Connecticut. Wadsworth Atheneum, Hartford, 1983-1984.
United States. Connecticut. Wadsworth Atheneum, Hartford. Miel, Jan. "Carnival in Piazza Colonna, Rome", undated.
United States. Connecticut. Yale University, New Haven, 1983-1984.
United States. Connecticut. Yale University, New Haven. Dujardin, Carel. "Story of a Soldier", undated.
United States. Illinois. Art Institute, Chicago, 1983-1984.
United States. Illinois. Art Institute, Chicago. Ochtervelt, Jacob. "Musical Company", undated.
United States. Massachusetts. Abrams, George, 1983-1984.
United States. Massachusetts. Museum of Fine Arts, Boston, 1983-1984.
United States. Massachusetts. Worcester Art Museum, Worcester, 1982-1984.
United States. Massachusetts. Worcester Art Museum, Worcester. Brekelenkam, Quirin. "Interior of a Tailor Shop", undated.
United States. Massachusetts. Worcester Art Museum, Worcester. Duck, Jacob. "Card Players and Merrymakers", undated.
United States. Massachusetts. Worcester Art Museum, Worcester. Eeckhout, Gerbrand Van den. "Party on a Terrace", undated.
United States. Michigan. Detroit Institute of Arts, Detroit, 1983-1984.
United States. Michigan. Detroit Institute of Arts, Detroit. Jongh, Ludolphe de. "Hunting Party in Courtyard of Country", 1983.
United States. Michigan. Detroit Institute of Arts, Detroit. Terborch, Gerard. "Lady at her Toilet", undated.
United States. Minnesota. Nordlie Collection, Wayzata, 1983-1984.
United States. Minnesota. Nordlie Collection, Wayzata. Dusart, Cornelius. "Interior with Pipe-smoker", undated.
United States. Missouri. St. Louis Art Museum, St. Louis, 1982-1984.
United States. Missouri. St. Louis Art Museum, St. Louis. Maes, Nicolaes. "The Housekeeper", 1983.
United States. Missouri. St. Louis Art Museum, St. Louis. Ochtervelt, Jacob. "Street Musicians", undated.
United States. New Hampshire. Dartmouth College, Hanover, 1983-1984.
United States. New Hampshire. Dartmouth College, Hanover. Saftleven, Cornelius. "Barn Interior", undated.
United States. New York. Gutterman Collection, New York, 1983.
United States. New York. Gutterman Collection, New York, 1983.
United States. New York. Gutterman Collection, New York. Dou, Gerrit. "Astronomer", undated.
United States. New York. Lowenthal Collection, New York, 1983.
United States. New York. Lowenthal Collection, New York.Weeniz, Jan Baptist. "Mother and Child", undated.
United States. New York. The Metropolitan Museum of Art, New York, 1981-1984.
United States. New York. The Metropolitan Museum of Art, New York. Metsu, Gabriel. "Musical Company", undated.
United States. New York. The Metropolitan Museum of Art, New York. Vermeer, Jan. "Girl with Lute", undated.
United States. New York. Schickman Gallery, New York, 1983-1984.
United States. New York. Schickman Gallery, New York. Bega, Cornelius Pietersz. "The Alchemist", undated.
United States. New York. Schickman Gallery, New York. Duck, Jacob. "Soldiers in an Interior", 1983.
United States. New York. Wunsch Collection, New York, 1983-1984.
United States. Ohio. Toledo Museum, Toledo, 1981-1984.
United States. Ohio. Toledo Museum, Toledo. Molenaer, Jan Miense. "Vrouw Wereld", undated.
United States. Texas. Sarah Blaffer Campbell Foundation, Houston, 1983-1984.
United States. Washington. Seattle Art Museum, Seattle, 1983.
United States. Washington, D.C. Mittendorf Collection, 1983-1984.
United States. Washington, D.C. National Gallery of Art, 1983-1984.
United States. Washington, D.C. National Gallery of Art. Ostade, Adriaen Van. "Cottage Barnyard", undated.
United States. Washington, D.C. National Gallery of Art. Vermeer, Jan. "Woman Holding a Balance", undated.
Wales. Labia Collection, Cardiff, 1983-1984.
Other lender correspondence. England. Fattorini Collection, Liverpool, 1983.
Other lender correspondence. England. Graham Collection, London, 1983.
Other lender correspondence. Liechtenstein. Prince of Liechtenstein, Vaduz, 1983.
Other lender correspondence. Switzerland. Galerie Bruno Meissner, Zurich, 1983.
Scope and Content Note

The museum published "Masters of Seventeenth-Century Dutch Genre Painting" in conjunctions with the exhibition. Contributors include Christopher Brown, Jan Kelch, Otto Naumann, and Bill Robinson with Peter Sutton listed as primary author. Files include drafts and final copies of essays, illustrations and photographs, acknowledgements, bibliographies, and biographies along with a separate file for each author.

Arrangement

Files are organized alphabetically by subject.

[General]. (folder 1 of 2), 1983.
[General]. (folder 2 of 2), 1982-1983.
Acknowledgements, undated.
Artist's biographies, undated.
Author correspondence, 1981-1984.
Author. Brown, Christopher, 1982-1984.
Author. Kelch, Jan, 1983-1984.
Author. Naumann, Otto, 1982-1983.
Author. Robinson, Bill, 1979-1984.
Bibliography, undated.
Comparative illustrations, undated.
Comparative illustrations. Photograph orders, 1981-1983.
Essay. Burghers, Beggars, Bordellos, 1983.
Essay. Foreign life. Christopher Brown, 1983.
Essay. Low life. Bill Robinson, 1983.
Essay. Origins of Genre, undated.
Essay. Professions. Otto Naumann, 1983-1984.
General introductory essay. (folder 1 of 3), undated.
General introductory essay. (folder 3 of 3), undated.
General introductory essay. (folder 2 of 3), 1983.
Photographs with annotations on verso. (folder 1 of 6), undated.
Photographs with annotations on verso. (folder 2 of 6), undated.
Photographs with annotations on verso. (folder 3 of 6), undated.
Photographs with annotations on verso. (folder 4 of 6), undated.
Photographs with annotations on verso. (folder 5 of 6), undated.
Photographs with annotations on verso. (folder 6 of 6), undated.
Scope and Content Note

Correspondence files include letters to exhibition collaborators, catalogue contributors and translators, and various other individuals who helped with aspects of planning and implementation. There is a separate file for director's correspondence, president's correspondence, and internal memoranda between employees. Lecture files include transcripts of four lectures presented in conjunction with the exhibition.

Arrangement

Files are arranged alphabetically by subject.

Correspondence. A-K, 1982-1984.
Correspondence. L-S, 1980-1984.
Correspondence. Schaap, Ella, 1983.
Correspondence. Scott, Robert Montgomery (President), 1984.
Correspondence. T-Z, 1981-1984.
Correspondence. Miscellaneous, 1983-1984.
Director's correspondence, 1981-1984.
[Internal correspondence]. Conservation, 1982-1984.
Lecture. "Begone Base Dirt", 1984.
Lecture. "Limits of Interpretation", 1984.
Lecture. "True Genre Painting", 1984.
Lecture. "Two Pictures by Jan Steen", 1984.
Scope and Content Note

The administrative files pertain to the various aspects of planning and implementing the exhibition from initial grant applications to the National Endowment for the Arts to opening events and publicity. Due to the nature of the exhibition and the number of loans on display, several files relate to indemnification, insurance, couriers, packing and shipping, and related expenses.

Arrangement

Files are arranged alphabetically by subject.

Adjunct show, 1984.
Adjunct show. Labels, undated.
Budget, 1982-1984.
Catalogues sent out, undated.
Color transparencies, 1983.
Contract, 1984.
Couriers, 1984.
Dutch organizations, 1981.
Education programs, 1983-1984.
Films, undated.
Friends, 1984.
Fundraising, 1982-1984.
Guides programs, 1983-1984.
Indemnification, 1982-1984.
Insurance, 1979-1983.
Insurance. Huntington T. Block, 1983-1984.
Labels, 1983.
Label copy, undated.
Lenders' opening, 1984.
Loan form, 1983.
Loan letter form, 1983.
Locations, undated.
Members' preview, 1984.
Mobil (corporate sponsor), 1983-1984.
NEA grant. Proposal, 1981-1983.
NEA grant. Budget, 1981-1983.
NEA grant. Final report, 1986.
Newspaper clippings, 1984-1985.
Packing and shipping, 1983-1984.
Personnel, 1983.
Pew grant. Budget, 1982.
Posters, 1983.
Press releases, 1984.
Proposed exhibition. Dutch tiles, 1981.
Radio interviews, 1984.
Rights and reporductions, 1983.
Schenker, 1983-1984.
Selection list. By location. Priority A, 1982.
Selection list. By location. Priority B, 1982.
Selection list. By preference, 1982.
Selection list. By subject, 1982.
Selection and entries lists, 1982-1983.
Shared costs budget, 1982.
Speakers, 1983-1984.
Symposium, 1984.
Symposium tapes, 1984.
Travel expense reports, 1982-1984.
Travel expenses, 1982-1984.
Travel expenses. Memoranda of Peter Sutton's trips, 1983-1984.
Vitrines, 1983.
Scope and Content Note

Each files is dedicated to an artist whose work was included in the exhibition and may contain biographies, original research, and images of the artist's work.

Arrangement

Files are arranged alphabetically by artist's last name.

Barburen, Dirk Van, undated.
Bega, Cornelius, 1983.
Berchem, Nicolaes, undated.
Berckheyde, Job, undated.
Bloemaert, Abraham, undated.
Borch, Gerard ter, 1983.
Borch, Gerard ter. "Curiosity", undated.
Boursse, Esaias, 1983.
Brekelekam, Quiringh van, 1983.
Brouwer, Adriaen, 1983.
Brugghen, Hendrick ter, undated.
Brugghen, Hendrick ter. "Flute Player," Kassel #GK179, undated.
Brugghen, Hendrick ter. "Flute Player," Kassel #GK180, undated.
Buytewech, Willem, undated.
Codde, Pieter, undated.
Codde, Pieter. "Merry Company", 1983.
Codde, Pieter. "Dancing Party", undated.
Delen, Dirck van, 1982.
Diepraem, A, undated.
Dou, Gerard, undated.
Duck, Jacob, 1983.
Duck, Jacob. "Guardroom", undated.
Dujardin, Karl, undated.
Dusart, Cornelis, undated.
Duyster, Willem, 1983.
Eeckhout, Gerbrand van den, undated.
Elinga, Pieter Janssens, undated.
Hals, Dirck, 1983.
Hals, Frans, undated.
Hals, Frans. "Peecklhaering", undated.
Honthorst, Gerrit van, undated.
Hooch, Pieter de, undated.
Jongh, Ludolf de, 1983.
Kick, Simon, undated.
Kick, Simon. "Guardroom", undated.
Koedyck, Isaac. "The Empty Beaker", undated.
Laer, Pieter van, 1983.
Leyster, Judith, undated.
Leyster, Judith. "The Proposition", undated.
Lingelbach, Johannes, undated.
Loo, Jacob van, 1983.
Maes, Nicholaes, 1983.
Man, Cornelis de, undated.
Man, Cornelis de. "Goldweigher", undated.
Metsu, Gabriel. (folder 1 of 2), 1983.
Metsu, Gabriel. (folder 2 of 2), 1983.
Miel, Jan, undated.
Mieris, Frans van, 1983.
Mieris, Willem van, undated.
Molenaer, Jan Miense, 1983.
Musscher, Michiel van, undated.
Naiveu, Matthijs, 1983.
Neer, Eglon van der, undated.
Netscher, Caspar, 1983.
Ochtervelt, Jacob, undated.
Ostade, Adriaen van, 1983.
Ostade, Adriaen van. "peasants before an Inn", undated.
Ostade, Isaack van, undated.
Palamedesz, Anthonie, undated.
Palamedesz, Anthonie. "Merry Company", undated.
Saftleven, Cornelis, undated.
Saftleven, Herman, undated.
Schalcken, Godfried, 1983.
Sorgh, Hendrik Martensz, undated.
Sorgh, Hendrik Martensz. "Market Scene", 1983.
Steen, Jan, undated.
Steen, Jan. "School", undated.
Steen, Jan. "Prayer before the Meal", undated.
Sweerts, Michael, undated.
Velde, Esaias van de, undated.
Venne, Adriaen van de, undated.
Verkolje, Jan, undated.
Vermeer, Jan, 1983.
Victors, Jan, 1983.
Vinckboons, David, undated.
Vrel, Jacobus, undated.
Weenix, Jan Baptist, undated.
Weenix, Jan Baptist. "Sleeping Shepardess", undated.
Werff, Adriaen van der, undated.
Werff, Adriaen van der. "Nocturnal Scene with Sleeping Woman", undated.
Witte, Emanuel de, undated.
[Unidentified. Notes on various artists], undated.
[Various. Artist biographies], 1983.
Scope and Content Note

These files contain information on artists and lending institutions whose works were considered, but ultimately not selected, for inclusion in the exhibition.

Arrangement

Files are arranged alphabetically by subject with artist files organized by last name and lender files organized by country of organization followed by the name of the institution.

Artists. Backer, Jacob, undated.
Artists. Bisschop, Cornelis, undated.
Artists. Both, Andries, undated.
Artists. Brakenburgh, Richard, undated.
Artists. Burch, Hendrik van der, undated.
Artists. Cuyp, Benjamin, undated.
Artists. Cuyp, Jacob, undated.
Artists. Fabritius, Carel, undated.
Artists. Gelder, Aert de, undated.
Artists. Haarlem, Cornelis Cornelisz van, undated.
Artists. Hoogstraten, Samuel van, undated.
Artists. Heemskerk, Egbert van, undated.
Artists. Knüpfe, Nikolaus, undated.
Artists. Noort, Jan van, undated.
Artists. Olis, Jan, undated.
Artists. Pot, Hendrick, undated.
Artists. Potter, Pieter Simonsz, undated.
Artists. Quast, Pieter, undated.
Artists. Rembrandt Harmenszoon van Rijn, undated.
Artists. Rembrandt Harmenszoon van Rijn. Old Man Weighing Gold", undated.
Artists. Slabbert, K, undated.
Artists. Slingelandt, Pieter, undated.
Artists. Wttewael, Joachim, undated.
Lenders. England. Dulwich Gallery, London, 1982-1983.
Lenders. Scotland. Marquess of Bute, Isle of Bute, 1983.
Lenders. United States. Massachusetts. Clark Art Institute, Williamstown, 1981-1983.
Lenders. United States. Massachusetts. Museum of Fine Arts, Springfield, 1981.
Scope and Content Note

J. M. W. Turner's paintings documenting the burning of the Houses of Parliament on October 16, 1834 were featured in an exhibition organized by the Cleveland Museum of Art in association with the Philadelphia Museum of Art to commemorate the 150th anniversary of the fire. The bulk of the exhibition records include images documenting the works on display and gallery installations. A general file also includes correspondence, planning, and research.

[General], 1983-1984.
Cleveland installation, undated.
Photographs, undated.
Scope and Content Note

Joseph J. Rishel, Curator of European Painting before 1900, selected some 35 paintings, watercolors, drawings, and sculptures from the Museum's holdings and private lenders in the Philadelphia area for an exhibition featuring local holdings of the artist's work. The bulk of these records relate to loans, photograph requests, and purchase requisitions. Exhibition planning records are comprised of preparatory materials for the Museum Bulletin, correspondence, exhibition lists, installation information, and labels. Administrative information, such as budget, opening events, and public relations are also included.

Arrangement

Files are arranged alphabetically by subject.

Budget, 1984.
Bulletin, 1984.
Clippings, 1985.
Correspondence, general, 1984-1985.
Dinner. Lenders, VIPs, etc, 1984-1985.
Exhibition lists, 1984-1985.
Installation, undated.
Labels, undated.
Loan correspondence. (folder 1 of 2), 1984-1985.
Loan correspondence. (folder 2 of 2), 1984-1985.
Loans refused/out, 1984-1985.
Photograph requests. (folder 1 of 2), 1984-1985.
Photograph requests. (folder 2 of 2), 1984-1985.
Public relations, 1985.
[Purchase requisitions], 1984-1985.
Scope and Content Note

Mary Cassatt, Philadelphia-born artist, was the only American ever invited to exhibit with the French Impressionists. Eventually, she settled in Paris, but Philadelphia remains the largest repository of her work, and she played a pivotal role in encouraging Philadelphia-area collectors to acquire Impressionist paintings despite the critical attitudes taken by her contemporaries. Suzanne G. Lindsay, a guest curator and specialist in 19th-century art, organized the exhibition selected 52 paintings, drawings, and prints for display, each chosen to emphasize the artist's connections with the city that she considered her American home. This subseries includes loan files and records relating to the planning and implementation of an exhibition that explored Cassatt's relationship with the city of Philadelphia.

Arrangement

This subseries is broken into two sub-subseries according to the order in which records were originally received from the curatorial department. Loans are arranged first, followed by a more general sub-subseries of administrative files.

Scope and Content Note

A number of individuals and institutions lent works by Cassatt for this exhibition. In addition to lender files, there are also drafts of loan letters and list of potential loan candidates that were never location or not pursued.

Arrangement

Files are arranged alphabetically by name and subject with files of lenders who wished to remain anonymous appended at the end.

Breeskin, Adelyn, 1984-1985.
Boue, Peter, 1984-1985.
Bryn Mawr College Library, 1984-1985.
Cassatt, Robert K, 1984-1985.
Klein, Raymond, 1984-1985.
Maguire, J. Robert and Polly, 1984-1985.
Meigs, Mrs. H. H, 1984-1988.
Metropolitan Museum of Art, 1984-1985.
Newbold, Clement (refused), 1984.
Private Asset Management Group Inc., New York, 1984-1985.
Preliminary information, loan letters, letters not sent, 1984.
Scott, Mr. and Mrs. Edgar, 1984-1985.
Thayer, Edmund. Estate of Jean Thompson Thayer, 1984-1985.
Unlocated loan candidates, 1984.
Potential loans, not pursued, 1984.
Anonymous, 1984-1985.
Anonymous, 1984-1985.
Anonymous, 1984-1985.
Anonymous, 1984-1985.
Anonymous, 1984-1985.
Anonymous, 1984-1985.
Anonymous, 1984-1985.
Anonymous, 1984-1985.
Anonymous, 1984-1985.
Anonymous, 1984-1985.
Scope and Content Note

Originally labeled as correspondence files, this sub-subseries includes all records relating to planning and implementing the exhibition at the administrative level. In addition to correspondence, other materials include budget and funding records, catalogue materials, exhibition lists and labels, installation documentation, and publicity.

Arrangement

Files are arranged alphabetically by subject.

Abrams-Matthews book, 1984-1985.
Acknowledgements, 1984.
Audio-visual, slides, 1984.
Bibliography and chronology, undated.
Budget, 1984.
Catalogue negotiations, 1984-1985.
Conservation, 1984-1985.
Contracts. Payment, 1984.
Corporate funding, 1984-1985.
[Correspondence, A-L], 1984-1985.
[Correspondence, M-Z], 1984-1985.
Degas/Cassatt [lists], undated.
D'Harnoncourt, Anne (correspondence), 1984-1985.
Didactic labels, 1984.
Education, 1984.
Education programs, 1985.
Essay. First draft, 1984.
Essay. Master first draft, 1984.
Essay. Second draft, working copy, 1984.
Exhibitions lists, undated.
Genealogy, undated.
General, 1984.
Goldberg, Caroline (correspondence), 1984.
In-house working manual, undated.
Installation, undated.
Lectures, tours, and interviews, 1984-1985.
Matthews, Nancy (correspondence), 1984.
Members' opening, undated.
New information, new Cassatts, etc, 1985.
Opening. Lists, 1984-1985.
Pennsylvania Academy of the Fine Arts, non-photographic, 1985.
Photograph requests, 1984.
Photographs. Drawings/pastels, undated.
Preface, undated.
Public relations. Local articles. (folder 1 of 2), 1985.
Public relations. Local articles. (folder 2 of 2), 1985.
Publication permission, 1984.
Registrar, 1984-1985.
Rishel, Joseph (correspondence), 1984-1985.
Scott, Robert (correspondence), 1984-1985.
Travel, undated.
University of Pennsylvania copy, 1984-1985.
Volunteer guides, 1985.
Women's committee, 1985.
Workbook number one. (folder 1 of 3), undated.
Workbook number one. (folder 2 of 3), undated.
Workbook number one. (folder 3 of 3), undated.
Workbook number two. (folder 1 of 2), undated.
Workbook number two. (folder 2 of 2), undated.
Scope and Content Note

Benjamin West (1738-1820) was the first American artist to win international acclaim. This exhibition of 37 paintings and 50 drawings served as a comprehensive survey of his career and included two of the earliest known portraits by West, painted in his native Pennsylvania, a version of his first historical commission in England, and one of his best-known history paintings, William Penn's Treaty with the Indians. Darrel L. Sewell, the Robert L. McNeil Curator of American Art; Joseph J. Rishel; and Ann Percy, Curator of Drawings collaborated to organize this exhibition in celebration of the publication by Yale University Press of the catalogue "Paintings of Benjamin West", by Helmut von Erffa and Allen Staley. Records in this subseries pertain to the catalogue, loans, and a related symposium. Correspondence, exhibition lists, and administrative materials are also included.

Arrangement

Files arranged alphabetically by subject.

Budget, 1985-1986.
Catalogue, 1985.
Clippings, 1986.
Correspondence, general, 1985-1986.
Correspodence, early general, 1978-1984.
Exhibition lists, 1985-1986.
Labels, 1986.
Loan correspondence, 1985-1986.
Loan forms (signed), 1985.
Loan letters. Drafts, etc, 1985.
Opening, 1985-1986.
Photographs, undated.
[Related research and publications], undated.
Symposium, 1985-1986.
Symposium. Barra Foundation grant, 1985-1986.
Scope and Content Note

To complementthe publication of Richard Dorent's comprehensive catalogue, "British Painting in the Philadelphia Museum of Art from the Seventeenth Through the Nineteenth Century," Joseph Rishel organized an exhibition of representative paintings selected from the permanent collections and described within the pages of Dorent's book. This subseries is divided into artist files, object files, and catalogue and correspondence files.

Arrangement

Files are maintained in the order in which they were transferred from the originating department.

See Also:

Painting and Sculpture Department Records / VIII. Publications

Scope and Content Note

A separate file was created for each artist represented in the collection that includes images, research notes, and entry drafts.

Arrangement

Files are arranged alphabetically by last name.

Alma Tadema, Lawrence, 1982-1983.
Barker, Thomas, 1983.
Beach, Thomas, undated.
Beechey, William, 1983.
Bigg, William Redmore, undated.
Blake, William, 1983.
Bonington, Richard Parkes, 1983.
Chamberlain, Mason, 1980-1984.
Constable, John, 1981.
Constable, John. Photographs, undated.
Cotes, Francis, undated.
Cox, David, 1983.
Crome, John, undated.
Crome, John. Photographs, undated.
Dance, Nathaniel, 1985.
Dowling, Robert, undated.
Egley, William Maw, 1983.
Gainsborough, Thomas, 1983-1985.
Gainsborough, Thomas. Photographs, 1983-1985.
Gordon, John Watson, undated.
Harlow, George Henry, 1983.
Hogarth, William, 1985.
Hogarth, William. Photographs, 1985.
Hopper, John, 1986.
Kneller, Gottfried, 1984.
Laszlo, Philip, undated.
Lawrence, Thomas, undated.
Leighton, Frederick, undated.
Lely, Peter, undated.
Linnell, John, 1981-1983.
Marlow, William, 1981.
Marshall, Ben, undated.
Morland, George, 1985.
Opie, John, 1985.
Raeburn, Henry, undated.
Raeburn, Henry. Photographs, 1985.
Romney, George, undated.
Romney, George. Photographs, undated.
Reynolds, Joshua, 1984.
Reynolds, Joshua. Photographs, 1985.
Russel, John, 1989.
Sandby, Paul, undated.
Scott, Samuel, undated.
Scott, William Bell, undated.
Shayer, William, undated.
Stark. James, undated.
Stubbs, George, 1980-1985.
Swan, J. M, 1984.
Turner, J. M. W, undated.
Turner, J. M. W. Photographs, undated.
Watts, Fredrick, undated.
Wheatley, Francis, undated.
Wilson, Benjamin, undated.
Wilson, Richard, undated.
Wright, Joseph, undated.
Scope and Content Note

For works by unknown artists, object files were created and organized seperately. Folders primarily contain images, research notes, and entry drafts.

Arrangement

Files are arranged in a numerical order supplied by the curatorial department.

English school. 18th century. Woman with a Cittern, undated.
English school. Follower of Ricci. Landscape with Cattle and a Horseman. 83-101, undated.
English school. Follower of Canalette. Northumberland House. 46-36-2, undated.
English school. Follower of Canalette. Old Somerset House from the Thames. 46-36-3, undated.
English/Norwich school. Ringland Hall. G24-3-43, undated.
English/Norwich school. Imitator of Crome. W06-1-4, undated.
English school. Landscape. 43-50-1, undated.
English school (formerly attributed to John Constable). Landscape (Overshot Mill). 24-3-1, undated.
English school (formerly attributed to Bonington).Landscape. 70-76-1, undated.
English school (style of Gainsborough). Portrait of a lady. 23-59-13, undated.
English school. River scene. 24-3-42, undated.
English school (formerly attributed to David Cox). Off Flushing. 74-160-1, undated.
Scope and Content Note

Richard Dorment compiled " British Painting in the Philadelphia Museum of Art from the Seventeenth Through the Nineteenth Century," a major catalogue surveying works from the permanent collections. Records include correspondence files, documentation of the publication reception and the complementary exhibition in Philadelphia, and grant-related materials from the John Paul Getty Foundation and the National Endowment for the Arts.

Arrangement

Files are arranged alphabetically by subject with correspondence files divided chronologically.

Catalogue. Celebration, 1986.
Catalogue. London reception, 1986.
Catalogue correspondence, 1987-1988.
Catalogue correspondence, 1986.
Catalogue correspondence, 1985.
Catalogue correspondence, 1984.
Catalogue correspondence, 1985.
Catalogue correspondence, 1983.
Catalogue correspondence, 1982.
Catalogue correspondence, 1981.
Catalogue correspondence, 1980.
Catalogue correspondence, 1979.
Catalogue correspondence, 1977-1978.
Exhibition, 1986.
Grant. Getty, 1983-1985.
Grant. NEA, 1987.
List of English paintings at the PMA, 1978.
Scope and Content Note

By bringing together works from the permanent collection at the Philadelphia Museum of Art combined with paintings from private collections in the Philadelphia Area, Joseph J. Rishel curated an exhibition exploring Claude Monet's prominence and popularity in the Philadelphia area. The bulk of the records in this subseries are lender files along with exhibition lists, installation materials, and news releases.

Arrangement

Files are arranged alphabetically by subject.

Acoustiguide, 1987.
Bailey, Colin. Notes and information, 1987.
Exhibition lists, 1987.
Installation, 1987.
Installation photographs, 1987.
Label copy, 1987.
Lenders. Dorrance. (folder 1 of 2), 1987.
Lenders. Dorrance. (folder 2 of 2), 1987.
Lenders. Haas, Mrs. John, 1987.
Lenders. Haas, F. Otto, 1987.
Lenders. Hamilton, 1987.
Lenders. Simmons, 1987.
Lenders. De Spoelberch, 1987.
News releases, 1987.
[Object locations?], 1986-1987.
PMA collection and private, 1987.
Proposed exhibition, 1986.
Scope and Content Note

Henry P. McIlhenny, former Curator of Decorative Arts and Chairman of the Board of Trustees, was an avid art collector who bequeather the entirety of his collection to the Philadelphia Museum of Art upon his death in 1986. Joseph Rishel, Curator of European Painting before 1900, organized this exhibition of McIlhenny's collection in conjunction with the Director and the curatorial staff. The bulk of the exhibition records in this subseries pertain to the accompanying publication, "The Henry P. McIlhenny Collection: An Illustrated History," which was written by Joseph Rishel with the assistance of Alice Lefton. Additional materials include conservation records, installation documentation, photography, opening events, and publicty. Label copy is included for both this exhibition and "Henry P. McIlhenny: Photographs by Gloria Braggiotti Etting," a corresponding exhibition of photographs by an artist and personal friend of McIlhenny.

Arrangement

Files are arranged alphabetically by subject.

General files. (folder 1 of 2), 1982-1987.
[General files]. (folder 2 of 2), 1986-1988.
Catalogue/PMA, 1985-1987.
Catalogue. First draft, undated.
Catalogue. Draft of Aug. 7, 1987, 1987.
Catalogue. Draft of Aug. 20, 1987, 1987.
[Catalogue. Disbound copy of final publication], 1987.
[Catalogue. Bound first draft], 1987.
[Catalogue. Bound second draft], 1987.
[Catalogue. Research and articles]. Chapter one, undated.
[Catalogue. Research and articles]. Chapter two, undated.
[Catalogue. Research and articles]. Chapter three, undated.
[Catalogue. Research and articles]. Chapter four, undated.
[Catalogue. Research and articles]. Chapter five, undated.
[Catalogue. Research and articles]. Chapter six, undated.
[Catalogue. Research and articles]. Chapter seven, undated.
[Catalogue. Research and articles]. Chapter eight, undated.
[Catalogue. Research and articles]. Conclusion, undated.
[Catalogue. Research and articles. Footnotes], undated.
Clippings, 1987.
Conservation/framing, 1986-1987.
Dinner. List/problems, 1987.
Etting, Gloria. Photographs, 1987.
Label copy, 1987.
Lectures, 1987.
Nichols, Cleo. Installation and design, 1987.
Opening. Guest lists, etc, 1987.
Photographs. Glenveagh, undated.
Photographs. Parkgate, undated.
Photographs. 1914 Rittenhouse Square, undated.
Photography, 1987.
Press kit, 1987.
Provident National Bank, 1987.
Provisional entries and notes. (folder 1 of 2), 1984-1987.
Provisional entries and notes. (folder 2 of 2), 1984-1987.
Purchase requisitions, 1986-1988.
Quotes, undated.
Responses to exhibition and catalogue, 1987-1988.
Rittenhouse Square Memorial, 1987.
Sachs, Paul, 1988.
[Works offered as gifts], 1986.
Scope and Content Note

Peter Sutton and Joseph J. Rishel brought together some 100 master paintings from public and private collections in eleven countries for an exhibition of Dutch naturalisting landscape painting of the seventeenth century that first opened at the Rijksmuseum in Amsterdam and later traveled to the Museum of Fine Arts, Boston before closing at the Philadelphia Museum of Art. Contents include budget and funding, exhibition lists, loan records and insurance/indemnification, correspondence, installation documentation, publicity, and records relating to a symposium held in conjunction with the exhibition.

Arrangement

Files are arranged alphabetically by subject.

Acoustiguide, 1988.
Budget, 1987-1988.
Catalogue, 1987.
Catalogue. Draft of introduction. (folder 1 of 2), 1987.
Catalogue. Draft of introduction. (folder 2 of 2), 1987.
Catalogue. Draft of essay by S. Schama, 1987.
Clippings. (folder 1 of 2), 1988.
Clippings. (folder 2 of 2), 1988.
Conservation, 1986-1987.
Contracts, 1986-1988.
Correspondence. General, 1987-1988.
Courier/takedown, 1988.
Delftware/exit gallery space, 1988.
Finance/expenses, 1986-1987.
Funding. General, 1985-1988.
Installation design, 1987.
Insurance/indemnification, 1987.
Label copy, 1988.
List. Mar. 20, 1987, 1987.
List. Mar. 3, 1987, 1987.
List. Jan, 7, 1987, 1987.
List. Dec. 9, 1986, 1986.
List. Sep. 17, 1986, 1986.
List. Aug. 18, 1986, 1986.
List. July 8 and 28, 1986, 1986.
List. May 14, 1986, 1986.
List. Feb. 20, 1986, 1986.
List with photocopies of paintings, 1986.
List. Aug. 1985, 1985.
Loans. 1988 correspondence, 1988.
Loans. 1987 correspondence, 1987.
Loans. 1986 correspondence, 1986.
Loans. 1985 correspondence, 1985.
Loans. 1984 correspondence, 1984.
Museum of Fine Arts, Boston, 1988.
NEA application, 1985.
Nichols, Larry. General notes and information, 1987-1988.
Opening events. Guest lists, etc, 1987.
Opening (June 2, 1988), 1987-1988.
PMA loans, 1985-1988.
[Photocopies]. (folder 1 of 2), undated.
[Photocopies]. (folder 2 of 2), undated.
Public relations, 1988.
Publications, 1988.
Purchase requisitions, 1987-1988.
Radio interviews, 1988.
Rijkmuseum, 1987.
Ruisdael ("The Jewish Cemetery"), 1986-1988.
Seghers, H. ("Mountainous Landscape"), 1986-1988.
Symposium. (folder 1 of 2), 1988.
Symposium. (folder 2 of 2), 1987-1988.
Tielman correspondence, 1987-1988.
Scope and Content Note

Joseph Rishel organized a traveling exhibition of the Philadelphia Museum of Art's Charlotte Dorrance Wright Collection that was exhibited at the Society of the Four Arts in Palm Beach, Florida in the spring of 1989 and the State Museum of Pennsylvania in Harrisburg during the fall of that year. While this collection traveled, the Museum hosted an exhibition of some Impressionist paintings from the John T. Dorrance collection. Sotheby's organized the exhibition to attract potential buyers in the weeks preceding an auction that included 43 works from the Dorrance collection. Materials from both exhibitions are collocated in this subseries and include correspondence, checklists and contracts along with records from support departments regarding conservation, loans, and marketing.

Arrangement

Files are arranged alphabetically with records pertaining to the John T. Dorrance collection appended after those relating to the Charlotte Dorrance Wright collection.

Estate of Charlotte Dorrance Wright, 1977.
Catalogue, 1988.
Checklists, 1988-1989.
Conservation, 1986-1989.
Conservation/packing, 1989.
Contract, 1989.
Contract. Harrisburg, 1989-1990.
Correspondence, general, 1978-1990.
Education, 1989.
Exhibition list, 1989.
Financial, 1989.
Label copy and introduction, 1989.
Labels, 1989.
Locations, 1989.
Photographs, undated.
Possible traveling exhibition. Coxe Wright Impressionist Paintings, 1983-1985.
Registrar's information, 1987-1989.
Rishel, Joe, 1989.
Society of the Four Arts, 1987-1989.
The State Museum, Harrisburg, 1989.
Dorrance, J. General, 1989-1990.
Dorrance, J. Clippings, 1989.
Dorrance, J. Correspondence, general, 1989.
Dorrance, J. Correspondence, Sotheby, 1989.
Dorrance, J. Exhibition List, 1989.
Scope and Content Note

The private collection of Mr. and Mrs. Walter H. Annenberg had its first public showing during this exhibition at the Philadelphia Museum of Art. The exhibition provided a comprehensive survey ofhe leading artists of Impressionism and Post-Impressionism. Following its debut in Philadelphia, the show then traveled to the National Gallery of Art in Washington, D.C., the Los Angeles County Museum of Art, and the Metropolitan Museum of Art. This subseries begins with administrative files documenting the exhibition planning and implementation, but the bulk of the contents in this subseries pertain to works by individual artists featured in this exhibition and curatorial research.

Arrangement

Administrative files, artist files, and research files are arranged in the orignial order maintained in the curatorial department.

Scope and Content Note

The administrative files pertain to the various aspects of planning and implementing the exhibition from initial budget planning to opening events. Contents in this subseries include correspondence, exhibition lists, label copy and installation documentation, publicity, and symposium materials. Records of support department activities are included for Conservation, the Registrar, and Rights and Reproduction.

Arrangement

Files are arranged alphabetically by subject.

Acoustiguide, 1989.
Associate events, 1989.
Biography, 1988.
Budget. Fiscal year 1989, 1988-1989.
Budget. Fiscal year 1988, 1988.
Catalogue, 1988-1989.
Clippings/related articles, 1988-1989.
Color photographs, undated.
Conservation, 1989.
Correspondence, general, 1988-1989.
Correspondence. Annenberg, 1988-1989.
Correspondence. Bailey, Colin B, 1988-1989.
Correspondence. Rishel, Joseph J, 1988-1989.
Correspondence. Sunnylands, 1988-1989.
Davidheiser, Laura, 1988.
Dinner/opening, 1989.
Education/programs, 1989.
Events. (folder 1 of 2), 1989.
Events. (folder 2 of 2), 1989.
Exhibition at the Philadelphia Museum of Art in 1963, 1989.
Exhibition at the Philadelphia Museum of Art in 1988/1989, 1989.
Exhibition list, 1988.
Installation, 1989.
Insurance, 1988-1989.
Labels, undated.
Memoranda, 1988-1989.
Museum shop, 1988-1989.
Palm Springs trip, 1988.
Photography, 1988-1990.
Public relations. (folder 1 of 2), 1988-1989.
Public relations. (folder 2 of 2), 1989.
Publication, 1989.
Registrars office, 1989.
Research, undated.
Rights and Reproduction, 1989.
Rishel, Joseph. Notes, undated.
Shipping, 1989.
Slides, undated.
Snider reception. Bryn Mawr, PA, 1989.
Sunnyland lists, 1989.
Supplementary information, undated.
Symposium, 1988-1989.
Symposium. Budget, 1988-1989.
Tate catalogue, undated.
Thielemans, Veerle, 1988-1989.
Titus, Lisa, 1988-1989.
Travel, 1988.
Women's Committee, 1988.
Scope and Content Note

Each file contains citations, descriptions, entry drafts, and photographic reproductions for a particular work of art in the Annenberg collection. Several works have files with complementary information in the research sub-subseries.

Arrangement

Files are arranged alphabetically by artist's last name.

Bonnard, Pierre. "La Prairie Fleurie", 1988.
Boudin, Eugene. "Sur la Plage, Dieppe.", 1988.
Boudin, Eugene. "Sur la Plage, au Soleil Couchant", 1988.
Boudin, Eugene. "Princess Metternich sur la Plage", 1988-1989.
Braque, Georges. "L'Estaque", 1988.
Cezanne, Paul, undated.
Cezanne, Paul. "Les Baigneurs", 1988.
Cezanne, Paul. La Maison Lezardee", 1988-1989.
Cezanne, Paul. "Mont Sainte-Victoire" (watercolor), 1988-1989.
Cezanne, Paul. "Mont Sainte-Victoire" (oil on canvas), 1988-1989.
Cezanne, Paul. "Seated Peasant", 1988-1989.
Cezanne, Paul. "Le Plat de Pommes", 1988-1989.
Cezanne, Paul. "Portrait de Moine (L'Oncle Dominique)", 1988-1989.
Cezanne, Paul. "Still Life with Melon and Pomegranates", 1988-1989.
Cezanne, Paul. "Sketchbook", 1989.
Corot, Camille. "La Petite Curieuse", 1988.
Degas, Edgar. "Chevaux de Courses", 1988.
Degas, Edgar. "At the Milliners", 1988-1989.
Degas, Edgar. "Italian Girl", 1988-1989.
Degas, Edgar. Salle de Danse", 1988-1989.
Fantin-Latour, Henri. "Roses in a Bowl", 1988.
Fantin-Latour, Henri. "Roses and Lilies", 1988.
Gauguin, Paul. "Portrait of a Woman", 1988-1989.
Gauguin, Paul. "La Siesta", 1989.
Guaguin, Paul. "Teapot and Fruit", 1989.
Gauguin, Paul. "Three Tahitians", 1989.
Gogh, Vincent van, 1988-1989.
Gogh, Vincent van. "La Berceuse", 1988-1989.
Gogh, Vincent van. "Les Fleurs en Vase", 1988-1989.
Gogh, Vincent van."Olive Picking", 1988-1989.
Gogh, Vincent van. "Les Oliviers, St. Remy", 1988.
Gogh, Vincent van. "White Roses", 1988-1989.
Manet, Edouard, undated.
Manet, Edouard. "Portrait de Mme. Manet a Bellevue", 1988.
Matisse, Henri. "Odalisque", 1988.
Monet, Claude, undated.
Monet, Claude."Le Banc", 1988-1989.
Monet, Claude. "Les Coquelicots, Argenteuil, 1988-1989.
Monet, Claude. "Les Iris", 1989.
Monet, Claude. "Nympheas", 1989.
Monet, Claude. "Suzanne Hoschede a Giverny", 1988.
Monet, Claude. "Camille Monet dans le Jardin", 1988.
Morisot, Berthe, 1988.
Morisot, Berthe. "La Robe Rose", 1988-1989.
Renoir, Pierre-Auguste. "Bouquet of Chrysanthemums", 1988.
Renoir, Pierre-Auguste. "The Children of Catulle Mendes", 1988.
Renoir, Pierre-Auguste. "Lanscape with Trees", 1988.
Renoir, Pierre-Auguste. "Eugene Murer", 1988-1989.
Renoir, Pierre-Auguste. "Nini in the Garden", 1988-1989.
Renoir, Pierre-Auguste. "Reclining Nude", 1988-1989.
Seurat, Georges, 1988.
Seurat, Georges. "Temps Gris a la Grande Jatte", 1988.
Toulouse-Lautrec, Henri de, 1988-1989.
Toulouse-Lautrec, Henri de. "La Perreuse/Casque d'Or", 1988.
Toulouse-Lautrec, Henri de. "Dame de Maison", 1988-1989.
Toulouse-Lautrec, Henri de. "Henri-Gabriel Ibels", 1988.
Vuillard, Edouard. "The Album", 1989.
Vuillard, Edouard. "Romain Collus and Mme. Hessel", 1988-1989.
Wyeth, Andrew. "Portrait of Walter H. Annenberg", 1988.
Scope and Content Note

Research files contain photocopied articles, curatorial notes, and reproduced images of artwork, along with occassional lists and references.

Arrangement

Files are arranged alphabetically by artist's last name.

Bonnard, Pierre. "Meadow in Bloom", undated.
Boudin, Eugene. "On the Beach, Dieppe", undated.
Boudin, Eugene. "On the Beach, Sunset", undated.
Boudin, Eugene. "Princess Metternich on the Beach", undated.
Braque, Georges. "Boats on the Beach at L'Estaque", undated.
Cezanne, Paul. "The Bathers", 1988.
Cezanne, Paul. "The House with the Cracked Walls", undated.
Cezanne, Paul. "Mont Sainte-Victoire" (watercolor), 1988-1989.
Cezanne, Paul. "Mont Sainte-Victoire", 1988.
Cezanne, Paul. "Seated Peasant", 1988.
Cezanne, Paul. "Dish of Apples", undated.
Cezanne, Paul. "Portrait of Uncle Dominique as a Monk". (folder 1 of 2), 1988.
Cezanne, Paul. "Still Life with Watermelon and Pomegranates", 1988.
Cezanne, Paul. "Portrait of Uncle Dominique as a Monk". (folder 2 of 2), 1988.
Corot, Camille. "The Little Curious Girl", 1988.
Degas, Edgar. "Italian Woman", undated.
Degas, Edgar. "Race Horses", undated.
Degas, Edgar. "At the Milliners", undated.
Degas, Edgar. "The Dancer", undated.
Fantin-Latour. Research notes. (folder 1 of 2), 1988.
Fantin-Latour. Research notes. (folder 2 of 2), 1988.
Fantin-Latour, Henri. "Roses and Lilies", 1988.
Fantin-Latour, Henri. "Roses in a Bowl", 1988.
Gauguin, Paul. Letters, correspondence, general notes, undated.
Gauguin, Paul. "The Siesta", undated.
Gauguin, Paul. "Still Life with Teapot and Fruit", 1988.
Gauguin, Paul. "Portrait of Women", 1988-1989.
Gauguin, Paul. "Three Tahitian Women", 1989.
Gogh, Vincent van. "La Berceuse (Woman Rocking a Cradle)". (folder 1 of 3), 1988.
Gogh, Vincent van. "La Berceuse (Woman Rocking a Cradle)". (folder 2 of 3), 1988.
Gogh, Vincent van. "La Berceuse (Woman Rocking a Cradle)". (folder 3 of 3), 1988.
Gogh, Vincent van. "The Bouquet", undated.
Gogh, Vincent van. "Olive Trees: Pale Blue Sky". (folder 1 of 2), 1988-1989.
Gogh, Vincent van. "Olive Trees: Pale Blue Sky". (folder 2 of 2), 1988-1989.
Gogh, Vincent van. "Vase of Roses", undated.
Gogh, Vincent van. "Women Picking Olives", 1988.
Manet, Edouard. "Mme. Manet at Bellevue", 1988.
Matisse, Henri. "Odalisque with Grey Trousers". (folder 1 of 2), 1988.
Matisse, Henri. "Odalisque with Grey Trousers". (folder 1 of 2), 1988.
Monet, Claude. "Camille Monet in the Garden at the House in Argenteuil", undated.
Monet, Claude. "Camille Monet on a Park Bench", undated.
Monet, Claude. "The Path through the Irises", undated.
Monet, Claude. "Poppy Field, Argenteuil", undated.
Monet, Claude. "The Stroller", undated.
Monet, Claude. "Water Lilies". (folder 1 of 2), undated.
Monet, Claude. "Water Lilies". (folder 2 of 2), undated.
Morisot, Berthe. "The Pink Dress", 1988.
Renoir, Pierre-Auguste. "Bouquet of Chrysanthemums", 1988.
Renoir, Pierre-Auguste. "The Daughters of Catulle Mendes". (folder 1 of 2), 1988.
Renoir, Pierre-Auguste. "The Daughters of Catulle Mendes". (folder 2 of 2), 1988.
Renoir, Pierre-Auguste. "Eugene Murer", undated.
Renoir, Pierre-Auguste. "Nini in the Garden", undated.
Renoir, Pierre-Auguest. "Landscape with Trees", 1988.
Renoir, Pierre-Auguste. "Reclining Nude", 1988.
Seurat, Georges. "Grey Weather, Grande Jatte", 1988.
Toulouse-Lautrec, Henri de. "Henri Gabriel Ibels", undated.
Toulouse-Lautrec, Henri de. "The Streetwalker (Casque d'Or)", undated.
Toulouse-Lautrec, Henri de. "Woman before a Mirror", undated.
Vuillard, Edouard. "Romain Coolus and Mme. Hessel", 1988.
Vuillard, Edouard. "The Album". (folder 1 of 3), undated.
Vuillard, Edouard. "The Album". (folder 2 of 3), undated.
Vuillard, Edouard. "The Album". (folder 3 of 3), undated.
Scope and Content Note

This exhibition, organized by Christopher Riopelle, Associate Curator of European Painting Before 1900, included over fifty paintings, drawings, and sculptures by Renoir with an emphasis on the artist's work from the 1880s. Object files for studies and sketches pertaining to "The Great Bathers" comprise a large portion of this subseries along with a small selection of private lender files. Administrative files documenting the planning and implementation of the exhibition account for nearly half of this subseries.

Arrangement

Object, lender, and administrative files are arranged in the orignial order maintained in the curatorial department.

Scope and Content Note

Each object file pertains to a preparatory work by Renoir in anticipation of the exhibition's titular painting, "The Great Bathers." Works include sketches and studies from international public institutions and private collections. Contents for each folder may include loan forms and correspondence with lenders, label copy and related texts, and photocopies or photographic reproductions.

Arrangement

Each object file is marked with a number, and all folders in this sub-subseries are arranged numerically.

"Etude; Torse, Effet de Soleil". Musée d'Orsay, France, 1990-1991.
"Blonde Bather I". Clark Institute, Williamstown, 1990-1991.
"Seated Bather". Fogg Museum, Cambridge, Mass, 1990-1991.
"Esquisse pour "Les Grandes Baigneuses"". Petrides, Paris, 1990.
"Bathers". Cagnes-Sur-Mer, France, 1990.
"Study of Two Left Nudes". Fogg Museum, Cambridge, Mass, 1990.
"Splashing Nude". Art Institute of Chicago, Illinois, 1990.
"Study, Three Bathers". Private collection, France, 1990.
"Study, Three Foreground Nudes". Cabinet des Dessins, Louvre, 1990-1991.
"Five nudes and Tree". Wadsworth Atheneum, Hartford, 1990.
"Sheet of Eleven Studies". Cabinet des Dessins, Louvre, 1990-1991.
"Study, Flowering Tree". Muriel Francis, New York/New Orleans, 1990-1991.
"Nine Nude Clothed Bathers". Private collection, 1990-1991.
"Deux Baigneuses". Private collection, 1990-1991.
"Study, Right Foreground". Fogg Museum, Cambridge, Mass, 1990.
"Studies, including thigh/woman". National Museum, Belgrade, 1990-1991.
"Study, Central Bather". Museum of Fine Arts, Budapest, Hungary, 1990-1991.
"Study, Drapery". Mrs. Richard Davis, New York, 1990-1991.
"Deux Baigneuses". National Gallery, Canberra, Australia, 1990-1991.
"Study, Left Figure". Private Collection, London, 1990.
"Two Studies, Left Figure". Private collection, 1990.
"Seated Nude". Private collection, London, 1990.
"Study, Left Bather". Wildenstein Co., New York, 1990.
"Study, Three Rt Nudes Foot". Private collection, 1990-1991.
"Study, Left Bather". Private collection, 1990.
"Study, with Drapery". Private collection, 1990.
"Study with Border". Private collection, 1990-1991.
"Study with Floral Figural Borders". Private collection, 1990.
"Study, Figure at Left". Private collection, 1990.
"Study, Two Nudes". Private collection, 1990.
"Study". Private collection, 1990.
"Study, Figure at Right". Private collection, 1990.
"Bust of Right Standing Nude. Bibliothèque National de France, 1990-1991.
Scope and Content Note

Several individuals lent works of art from their private collections, and each folder in this sub-subseries includes correspondence and loan forms relating to the exhibition.

Arrangement

Files were originally labeled A-G, and files are arranged aphabetically according to these labels rather than lender's last name.

Berman, 1990.
Klein, 1990-1991.
Perelman, 1990-1991.
Snider, 1990-1991.
Spoelberch, 1990-1991.
Stroud, 1990.
McDermott, 1990-1991.
Toll, 1990.
Scope and Content Note

The administrative files pertain to the various aspects of planning and implementing the exhibition from initial budget proposals to opening events. Contents include exhibition lists, label copy and manuscript drafts by Rishel and Riopelle, correspondence, comparative photography, and documentation of a symposium held in conjunction with the exhibition.

Arrangement

Files are arranged alphabetically by subject.

Accounts, undated.
Bibliography, undated.
Budget, 1990.
ATOCHEM correspondence, 1990.
Comparative photography. Riopelle, 1990.
Conservation, 1990.
Design and installation, 1990.
Exhibition list, 1990.
Guest lists, 1990.
Indemnity application, 1990.
Label copy. Riopelle, 1990.
Label copy. Rishel, undated.
Loans correspondence, 1990-1991.
Loan forms, 1990.
Loan letters, 1990.
Members' opening, 1990.
Museum shop, 1990.
Photography, undated.
Photography orders, 1990-1991.
Public relations, 1990.
Publications, 1990.
Riopelle, Christopher, 1990.
Riopelle, Christopher. Manuscript, 1990.
Rishel, Joseph, 1990-1991.
Rishel, Joseph. Manuscript, 1990.
Symposium, 1990.
Texts (various). Riopelle, 1990.
Miscellaneous, undated.
Scope and Content Note

Christopher Riopelle organized an exhibition of some 40 paintings drawn from the Museum's extensive 19th-century collections and augmented by important loans from private collectors surveying the relationship between plein-air painters and the sea. The bulk of the records in this subseries pertain to private lenders from the Philadelphia area. Administrative files include budget memoranda, correspondence, installation documentation, exhibition lists and label copy, and photography and publicity.

Budget, 1991.
Correspondence, general, 1991.
Exhibition lists, undated.
Installation, 1991.
Label copy, 1991.
Photography, 1991.
Private loan. Colket, 1991.
Private loan. Haas, 1991.
Private loan. Hamilton, 1991.
Private loan. Snider, 1991.
Private loan. Wolf, 1991.
Public relations, 1991.
Scope and Content Note

Between 1599 and 1602, Hendrick Goltzius created "Without Ceres and Bacchus, Venus Would Freeze," combining pen and ink and brush with oil color. In celebration of the Philadelphia Museum of Art's acquisition of this rare work, Lawrence W. Nichols organized an exhibition featuring a number of works on international loan that provide context for the master work. Contents include loan files, administrative files, and object files with the bulk for the materials dating from 1991 to 1992.

Arrangement

Files are arranged into three sub-subseries in accordance with the order in which they were originally arranged when transferred from the curatorial department.

Scope and Content Note

Loan files include initial correspondence, agreements, and loan forms with lending institutions.

Arrangement

Following correspondence, files are grouped arranged alphabetically first by European city then by American city.

Correspondence, 1990-1991.
Europe. Amsterdam, 1991-1992.
Europe. Brussels, 1991-1992.
Europe. Haarlem, 1991-1992.
Europe. London, 1991-1992.
Europe. Oxford, 1991-1992.
Europe. Paris, 1991.
Europe. Rotterdam, 1991-1992.
Europe. Saint Petersburg/Leningrad, 1991-1992.
Europe. Stockholm, 1991-1992.
Europe. Vienna, 1991-1992.
United States. Bryn Mawr, 1991-1992.
United States. Los Angeles. The Getty, 1991-1992.
United States. Los Angeles. Miscellaneous, 1991.
United States. New York. Metropolitan Museum of Art, 1991-1992.
United States. New York. Morgan Library, 1991-1992.
United States. New York. Private collection -- Koch, 1991-1992.
Scope and Content Note

The administrative files pertain to the various aspects of planning and implementing the exhibition from initial budget proposals to opening events. Contents include perparatory materials for a special issue of the PMA Bulletin, budget and funding records, photographs and color transparencies, and internal correspondence with the Registrar and Special Exhibitions Department. The bulk of these records date from 1991 and 1992.

Arrangement

Files are arranged alphabetically by subject.

Added dimension, 1991.
[Associates annual meeting], 1991.
Budget/purchase requisitions, 1991.
Bulletin. [General], 1991-1992.
Bulletin. Acknowledgements/preface, 1991.
Bulletin. [Budget/funding], 1991.
Bulletin. [Complimentary copies], 1991.
Bulletin. Photography requests, 1991.
Bulletin. Press, 1991.
Color transparencies, black and white photographs, and slides. (folder 1 of 3), undated.
Color transparencies, black and white photographs, and slides. (folder 2 of 3), undated.
Color transparencies, black and white photographs, and slides. (folder 3 of 3), undated.
Conservation, undated.
Couriers/Martha Small, 1991-1992.
Cuts, undated.
Correspondence, general, 1991.
Exhibition lists, 1991.
Events, 1991-1992.
Funding/solicitation, 1991.
Funding. Bohen Foundation, 1991.
Funding. Donors, 1991-1992.
Funding. Kit material, 1991-1992.
[Funding. Presentation materials], undated.
Indemnity, 1990-1991.
Installation (Rubens Gallery), 1991.
Label copy, undated.
Lectures/tours, 1991-1992.
Netherlands-America Association of Delaware Valley, 1991.
Netherlands-America Foundation, 1991.
Netherlands American Amity Trust, 1990-1991.
Opening/reception, 1991.
Photography, comparative, 1991.
Photography, other, 1991.
Print Department, 1984-1991.
Public relations, 1991.
Public relations. Museum shop, 1991.
Publications, 1991.
[Special Exhibitions Department], 1991-1992.
[Special Exhibitions Department]. Opening, 1991.
[Special Exhibitions Department]. Proposal, 1991.
Scope and Content Note

Files for works from lending institutions include correspondence, loan forms, and images. Works from the permanent collection have a complete object file within the curatorial department, and in most cases a reference photograph is the only item in each folder.

Arrangement

Files are organized numerically in an order conceived within the curatorial department according to international number, domestic number, and works from the permanent collections.

"Sine Cerere et Libero Friget Venus." Musée Royaux des Beaux-Arts de Belgique, Brussels, 1991-1992.
"Goltzius's Hand." Teylers Museum. Haarlem, The Netherlands, 1991.
"Mythological Female" (Pomona?). Teylers Museum. Haarlem, The Netherlands, 1991-1992.
"Sine Cerere et Libero Friget Venus." The Hermitage. Leningrad, U.S.S.R, 1991.
"Faith." Hazlitt, Gooden, Fox. London, Great Britain, undated.
"Sine Cerere et Libero Friget Venus." British Museum. London, Great Britain, 1991.
"Sine Cerere et Libero Friget Venus." British Museum (1861-8-10-14). London, Great Britain, 1991-1992.
"Sine Cerere et Libero Friget Venus." Ashmolean Museum of Art and Archaeology. Oxford, Great Britain, 1991.
"Head of Mercury." Ashmolean Museum of Art and Archaeology. Oxford, Great Britain, 1991.
"Study of a Tree." Ashmolean Museum of Art and Archaeology. Oxford, Great Britain, 1991-1992.
"Abundantia." Musée du Louvre. Paris, France, 1991-1992.
"Venus and Cupid." Museum Boymans-van Beuningen. Rotterdam, The Netherlands, 1991-1992.
"Fantastic Figures Before a Wall and a Balustrade." Nationalmuseum. Stockholm, Sweden, 1991-1992.
"Bacchus with a Young Faun." Graphische Sammlung Albertina. Vienna, Austria, 1991.
"Lamentation." Graphische Sammlung Albertina. Vienna, Austria, 1991.
"Self-portrait." Graphische Sammlung Albertina. Vienna, Austria, 1991-1992.
"Sine Cerere et Libero Friget Venus." Kunsthistorisches Museum. Vienna, Austria, 1991-1992.
"Venus, Adonis, and Cupid." Hendrick Goltzius. To Find, 1991.
"Danae." Los Angeles County Museum of Art, California, 1991.
"Mars and Venus Surprised by Vulcan." J. Paul Getty Museum. Santa Monica, California, 1991-1992.
"Young Man Holding a Skull and a Tulip." The Pierpont Morgan Library. New York, New York, 1991.
"Study after Michelangelo's 'Aurora'." The Pierpont Morgan Library. New York, New York, 1991-1992.
"Judgement of Midas." The Pierpont Morgan Library, 1992-1993.
"Sine Cerere et Libero Friget Venus." To Find, undated.
"Sine Cerere et Libero Friget Venus." Matham after Titian, 1991.
"Bacchus and Ceres Abandon Venus." Metropolitan Museum of Art. New York, New York, 1991.
"The Great Stand-Bearer." PMA 1985-52-1432, undated.
"Hercules and Cacus." PMA 1985-52-2085, 1991.
"Bacchus" (from series "Three Deities at Half-Length"). PMA 1985-52-8466, undated.
"Ceres" (from series "Three Deities at Half-Length"). PMA 1985-52-8467, undated.
"Venus" (from "Three Deities in Half-Length"). PMA 1985-52-8468, undated.
"Ceres Honoured by the Peasants." PMA 28-42-4539, undated.
"Lovers and their Mistresses Imploring Venus to their Aid." PMA 28-42-3158, undated.
"Drinkers Asking Bacchus..." PMA 28-42-4538, undated.
"Saint Judas Thaddeus." PMA 1985-52-1432, undated.
"Sine Cerere et Libero Friget Venus." PMA 1985-52-30071, undated.
"Venus and Cupid." PMA 1985-52-1444, undated.
"Sine Cerere et Libero Friget Venus." PMA 1985-52-8470, undated.
"Venus and Cupid." PMA 1985-52-8469, undated.
"Homage to Venus.", undated.
"Sine Cerere et Libero Friget Venus." PMA 1985-52-8428, undated.
"Venus." PMA 28-42-3156.
Scope and Content Note

The Philadelphia Museum of Art, the Kimbell Art Museum of Fort Worth, Texas, and The Réunion des Musées Nationaux coordinated an exhibition of 65 eighteenth-century paintings depicting scenes from ancient mythology. In Philadelphia,Christopher Riopelle selected prints, porcelains, sculptures and tapestries from the permanent collections to complement the exhibition. Contents include budget and funding records, correspondence, photograph and loan requests, exhibition lists and labels, and publicity.

Arrangement

Files are organized alphabetically by subject.

Budget, 1986-1987.
Bailey, Colin B, 1989.
Catalogue, 1991.
Clements, Candace, 1987-1988.
Conservation, 1990.
Contracts/agreements, 1989-1990.
Correspondence, general, 1989-1992.
Correspondence. Colin B. Bailey, 1989-1990.
Correspondence. Kimbell, 1989-1990.
Correspondence. Philadelphia Museum of Art, 1991-1992.
Correspondence. Photography, 1991.
Downing, Roz, 1988-1989.
Education, 1991-1992.
[Entries], undated.
Exhibition lists, 1990-1991.
Exhibition lists with valuations, 1987-1990.
Funding, 1989-1992.
Label information, undated.
Labels, 1991-1992.
Loan letter draft, undated.
Loan requests, 1990-1991.
NEA grant, 1986-1990.
NEA preservation grant, 1990-1991.
Opening/reception (Feb. 20, 1992), 1991-1992.
Permission to reproduce, 1988.
Photograph orders, 1989.
Photograph requests (paid and re), 1987.
Photograph Requests (PMA orders), 1987.
Photograph requests and purchase requisitions 1986. (folder 1 of 3), 1986.
Photograph requests and purchase requisitions 1986. (folder 2 of 3), 1986.
Photograph requests and purchase requisitions 1986. (folder 3 of 3), 1986.
Photograph requests and purchase requisitions 1987. (folder 1 of 3), 1987.
Photograph requests and purchase requisitions 1987. (folder 2 of 3), 1987.
Photograph requests and purchase requisitions 1987. (folder 3 of 3), 1987.
Photograph requests and purchase requisitions 1988, 1988.
Planning meetings, exhibition design, 1991-1992.
[Planning meetings]. Reunion des musees/Kimbell/PMA, 1990-1991.
Public relations, 1991-1992.
Publications, undated.
Scope and Content Note

Stephen Gritt organized an exhibition of seven paintings and several works on paper byfrom the permanent collections to explore the methods and innovations of Eugene Delacroix. This subseries contains a single folder with label copy, installation documentation, and publicity.

[General], 1992.
Scope and Content Note

The Philadelphia Museum of Art collaborated with the Dallas Museum of Art and the Royal Academy of Arts in London to organize an exhibition of works by Camille Pissarro, an Impressionist painter who produced over 300 city views throughout his career. Some 70 works were assembled from collections throughout the world for this exhibition. A large portion of this subseries is comprised of correpsondence and lender files with additional files relating to budget, funding, the exhibition catalogue, and related support department activities.

Arrangement

Files are arranged alphabetically by subject.

Addresses, undated.
Apollo Magazine, 1992-1993.
Budget, 1991.
Catalogue, 1991-1993.
Clark text, undated.
Correspondence. General, 1989.
Correspondence. General, 1990.
Correspondence. General, 1991.
Correspondence. General, 1993.
Correspondence. Dallas Museum of Art, 1989-1993.
Correspondence. Joachim Pissarro, 1991-1993.
Correspondence. Rotal Academy of Arts, London, 1990-1993.
Correspondence. Vanim/Willis, 1991-1993.
Correspondence. Wells, 1990-1993.
Correspondence with owners. Joachim Pissarro, 1990-1991.
Education, 1993.
Events, 1992-1993.
Exhibition design, 1991-1993.
Exhibition lists, undated.
Funding, 1991-1993.
Funding. Northern Telecom, 1993.
Funding. Dentsu, 1991.
General information, 1991.
Guides, 1992.
Johnson Gallery, 1993.
Lenders. General, 1992-1993.
Lenders. Christie's, 1993.
Lenders. Fortabat, 1992-1993.
Lenders. Le Havre, 1993.
Lenders. Isetan Co, 1992.
Lenders. Levy, 1993.
Lenders. Loeb, 1992.
Lenders. Madeira, 1990-1993.
Lenders. Ordrupgaard, 1992-1993.
Lenders. Reims, 1993.
Lenders. Rothberg, 1992-1993.
Lenders. Schiff, 1992-1993.
Lenders. Schwartz, 1993.
Lenders. Toronto, 1992-1993.
Lenders. Winterthur, 1992-1993.
Lionel and Sandrine Privarte, 1993.
Loan letters, 1991.
Loan request update, 1991-1992.
Meetings, 1991-1993.
Museum shop, 1992-1993.
Notes. Joseph Rishel, 1990-1991.
Opening, 1992-1993.
PMA Checklist, 1992.
Photography, 1991-1992.
Private collections, 1991-1993.
Public relations, 1992-1993.
Publications, 1993.
Registrar's office, 1992-1993.
Sales catalogues, 1993.
Slides, undated.
Symposium, 1992.
Travel. Joachim Pissarro/Japan, 1991.
Scope and Content Note

In 1995, eighty masterpieces from the Barnes Foundation were selected for a traveling exhibition that completed its tour at the Philadelphia Museum of Art. The exhibition, "From Cézanne to Matisse: Great French Paintings from the Barnes Foundation," was organized by the Barnes Foundation and curated by Joseph Rishel and Christopher Riopelle. This travelling exhibition was the first and only time that the works were on view outside the Barnes galleries, located in Merion, PA. The records include object files, installation files, and administrative files. While the majority of the files are undated, the remaining records are from 1992 to 1994.

Scope and Content Note

Object files are comprised of object descriptions, images, and research for works by Pierre Auguste Renoir and Pablo Picasso.

Inv. no. 1. Renoir, "Gabrielle in Algerian Headdress," circa 1911, 1995.
Inv. no. 6. Renoir, "Pourville," 1878, undated.
Inv. no. 8. Renoir," Apple Vendor,"circa 1889-1891, undated.
Inv. no. 14. Renoir, "Cup of Chocolate," circa 1912, undated.
Inv. no. 19. Renoir, "Cagnes," circa 1910, undated.
Inv. no. 38. Renoir, "Seated Figure in Landscape," circa 1918, undated.
Inv. no. 39. Renoir, "Fruit and Bonbonniere," after 1914, undated.
Inv. no. 47. Renoir, "Farm House," 1917, undated.
Inv. no. 53, 65. Renoir, "Girl with Basket of Fish," "Girl with Basket of Oranges," late 1880's, undated.
Inv. no. 61. Renoir, "Fruit and Cup," circa 1913, undated.
Inv. no. 68. Renoir, "Bather Drying Herself," circa 1909, undated.
Inv. no. 72. Picasso, "Young Acrobat," circa 1905, undated.
Inv. no. 97. Renoir, "Reclining Nude," 1910, undated.
Inv. no. 102. Renoir, "Figs and Candy Jar," circa 1914, undated.
Inv. no. 106. Renoir, "Garden of the Post Office at Cagnes," 1918, undated.
Inv. no. 108. Renoir, "Woman Crocheting, " circa 1877, undated.
Inv. no. 112. Picasso, "Standing Nude," circa 1906, undated.
Inv. no. 115. Picasso, "The Ascetic," 1903, undated.
Inv. no. 120. Renoir, "Girl with Yellow Cape," 1901, undated.
Inv. no. 126. Renoir, "Red Boot, Argenteuil," 1888, undated.
Inv. no. 128. Picasso, " Child Seated in a Chair," 1901, undated.
Inv. no. 137. Renoir, "Girl with Jump Rope," 1876, undated.
Inv. no. 140. Picasso, "Composition: The Peasants," 1906, undated.
Inv. no. 147. Renoir, "Nude with Castanets," circa 1916, undated.
Inv. no. 150. Renoir, "Gabrielle and Claude (The Writing Lesson)," circa 1905, undated.
Inv. no. 167. Renoir, "Girl with Glove," early 1890's, undated.
Inv. no. 200. "Still Life, Abstraction.", undated.
Inv. no. 201. Picasso, "Woman Seated on Stripped Floor," 1903, undated.
Inv. no. 202. Picasso, "Still Life, Jar and 3 Pieces of Fruit," circa 1908, undated.
Inv. no. 203. Picasso,"Musical Instruments on a Round Table," 1915, undated.
Inv. no. 211. Picasso, "Three Nudes," 1906, undated.
Inv. no. 219. Renoir, "Washerwoman Baby," circa 1886, undated.
Inv. no. 239. Renoir, "Embroiderers," circa 1904, undated.
Inv. no. 251. Picasso, "Three Figures.", undated.
Inv. no. 289. Renoir, "Two Women in Park," 1875, undated.
Inv. no. 288. Renoir, "Montagne Sainte-Victoire," 1889, undated.
Inv. no. 299. Renoir, "Head of Girl with Hat," 1893, undated.
Inv. no. 458. Picasso, "Still Life with Egg Cup," 1924, undated.
Inv. no. 458. Picasso, "Still Life with Egg Cup," 1924, undated.
Inv. no. 478. Renoir, "Tea Time," 1911, undated.
Inv. no. 532. Renoir, "Anemones," 1885, undated.
Inv. no. 542. Renoir, "Green Trees," 1890, undated.
Inv. no. 558. Picasso, "Angles and Curves," 1918, undated.
Inv. no. 565. Renoir, "Misia Edwards with Lap Dog," 1907, undated.
Inv. no. 567. Renoir, "Picnic," 1893, undated.
Inv. no. 587. Renoir, "Two Figures in a Landscape," circa 1915, undated.
Inv. no. 673. Picasso, "Still Life, Violin and Bottle.", undated.
Inv. no. 709. Renoir, "Bathers (Les Baigneuses)," circa 1918, undated.
Inv. no. 712. Renoir, "Portrait of Mademoiselle Marie Murer," 1878, undated.
Inv. no. 714. Picasso, "Letter with Sketch of 'The Blind Man's Meal'," 1903, undated.
Inv. no. 831. Renoir, "Chrysanthemums in a Vase," circa 1919, undated.
Inv. no. 874. Renoir, "Lise," circa 1868, undated.
Inv. no. 884. Renoir, "Woman Gardening," circa 1896, undated.
Inv. no. 901. Renoir, "Bathers in the Forest," circa 1897, undated.
Inv. no. 902. Renoir, "Bathers," 1916, undated.
Inv. no. 908. Renoir, "Woman at Spring," circa 1874, undated.
Inv. no. 937. Renoir, "Grape Gatherers Resting," circa 1884, undated.
Inv. no. 938. Renoir, "Woman with Fan," 1886, undated.
Inv. no. 945. Renoir, "Group of Bathers," circa 1918, undated.
Inv. no. 949. Renoir, "The Henriot Family," circa 1876, undated.
Inv. no. 969. Renoir, "Landscape with..", undated.
Inv. no. 987. Renoir, "Monsieur Charpentier," circa 1879, undated.
Inv. no. 989. Renoir, "Mussel Fishers at Berneval," 1879, undated.
Inv. no. 1000. Renoir, "Head of a Girl," circa 1885, undated.
Inv. no. 1142. Renoir, "Nude on Couch," 1905-1906, undated.
Picasso. General, undated.
Scope and Content Note

These records include photocopied images of rooms, floorplans, and object lists.

Room I. Paintings, undated.
Room II. Paintings, undated.
Room III. Paintings, undated.
Room IV. Paintings, undated.
Room V. Paintings, undated.
Room VI. Paintings, undated.
Room VII. Paintings, undated.
Room VIII. Paintings, undated.
Room IX. Paintings, undated.
Room X. Paintings, undated.
Room XI. Paintings, undated.
Room XII. Paintings, undated.
Room XIII. Paintings, undated.
Room XIV. Paintings, undated.
Room XV. Paintings, undated.
Room XVI. Paintings, undated.
Room XVII. Paintings, undated.
Room XVIII. Paintings, undated.
Room XIX, undated.
Room XX. Paintings, undated.
Room XXI. Paintings, undated.
Room XXII. Paintings, undated.
Room XXIII. Paintings, undated.
Second floor hallway. Paintings, undated.
Director's room. Paintings, undated.
Dutch room. Paintings, undated.
Scope and Content Note

The administrative files include installation records, floorplans, loans considered for the exhibition, and general planning material.

CD-ROM project, 1992-1994.
General, undated.
Installation and floorplans, undated.
Lists, undated.
Loans considered (1 of 2 folders), 1992.
Loans considered (2 of 2 folders), 1992.
Tour, undated.
Scope and Content Note

The Philadelphia Museum of Art collaborated with the Réunion de Musées Nationaux / Musée d'Orsay in Paris and the Tate Gallery in London to organize a retrospective exhibition of works by Paul Cezanne. An unprecedented gathering of some 100 oil paintings, 35 watercolors, and 35 drawings were drawn together from public and private collections. Joseph J. Rishel, Senior Curator of European Painting before 1900 at the Philadelphia Museum of Art, and Françoise Cachin, director of Musées de France, were the primary curators of this exhibition. Contents include files relating to administration, research, lenders, and publicity.

Arrangement

Files are arranged into four sub-subseries in accordance with the order in which they were originally arranged when transferred from the curatorial department.

Scope and Content Note

The administrative files pertain to the various aspects of planning and implementing the exhibition from initial budget proposals to opening events. Contents include correspondence, budget and funding records, preparatory materials for the exhibition catalogue, travel documentation, exhibition lists, meeting notes, and records pertaining to a related symposium.

Arrangement

Files are arranged alphabetically by subject.

Acoustiguide, 1996.
Adriani, Gotz. Tubingen text, 1994.
Advanta, 1993-1995.
Apollo, 1994.
Barnes, 1996.
Bilbliography, 1994.
Bibliography from books, 1994-1995.
Books for research, undated.
Budget, 1992.
Budget, 1995-1996.
Cartoons about Cezanne, undated.
Catalogue, 1991-1993.
Catalogue, 1993-1995.
Catalogue. Comparative illustrations, 1995.
Catalogue. Correspondence with Celine Julhiet, 1995.
Catalogue. Illustrations for essay, undated.
Catalogue. Meetings, 1994-1996.
Catalogue. Notes on early drafts, 1995.
Catalogue. Photo requests, including the Barnes, 1993-1996.
Catalogue. Research, 1994-1995.
Catalogue Raisonne, 1994.
CD-ROM, 1994-1996.
CD-ROM/Corbis, 1995-1996.
Cezanne/Pissarro, 1994.
Chronology. Madrid, undated.
Collectors. Chocquet, undated.
Collectors. Courtauld, undated.
Collectors. Early collectors of early Cezannes, undated.
Collectors. Switzerland collections, undated.
Collectors. Wildenstein, undated.
Complaints, 1996.
Connaissance des Arts, 1995.
Contract. (folder 1 of 2), 1994.
Contract. (folder 1 of 2), 1992-1994.
Correspondence. Armand, Juliette. (folder 1 of 2), 1992-1994.
Correspondence. Armand, Juliette. (folder 2 of 2), 1995-1996.
Correspondence. Cachin, Francoise. (folder 1 of4), 1993.
Correspondence. Cachin, Francoise. (folder 2 of 4), 1994.
Correspondence. Cachin, Francoise. (folder 3 of 4), 1995.
Correspondence. Cachin, Francoise. (folder 4 of 4), 1993-1996.
Correspondence. Cahn, Isabelle. (folder 1 of 3), 1993-1994.
Correspondence. Cahn, Isabelle. (folder 2 of 3), 1995.
Correspondence. Cahn, Isabella. (folder 3 of 3), 1993-1996.
Correspondence. Musee d'Orsay, 1994-1996.
Correspondence. Pissarro, Joachim, 1993-1994.
Correspondence. Reunion des Musees Nationaux, 1993-1996.
Correspondence. General, 1988-1990, 1988-1990.
Correspondence. General, 1991-1992, 1991-1992.
Correspondence. General, Jan.-June 1993, 1993.
Correspondence. General, July-Dec. 1993, 1993.
Correspondence. General, Jan.-June 1994, 1994.
Correspondence. General, July-Dec. 1994, 1994.
Correspondence. General, Jan.-May 1995, 1995.
Correspondence. General, June-Dec. 1995, 1995.
Correspondence. General, 1994-1996, 1994-1996.
Correspondence. General, 1996, 1996.
Correspondence. Japanese (general), 1993-1994.
Correspondence. Russian (general), 1994.
Dealer correspondence, 1993-1996.
Drawings. (folder 1 of 2), 1994.
Drawings. (folder 2 of 2), 1993-1994.
Education, 1996.
Exhibition design, 1996.
Exhibition lists. (folder 1 of 3), 1994-1996.
Exhibition lists. (folder 2 of 3), 1994-1996.
Exhibition lists. (folder 3 of 3), 1994-1996.
Feilchenfeldt, Walter, 1993-1996.
Film. (folder 1 of 2), 1993-1995.
Film. (folder 2 of 2), 1995-1996.
Finds, 1993-1994.
Findlay Gallery, 1996.
Frederick, Margaretta, 1994-1996.
Funding. (folder 1 of 2), 1991-1992.
Funding. (folder 2 of 2), 1994-1996.
General information, 1994.
Guides, 1996.
Indemnity. (folder 1 of 2), 1995-1996.
Indemnity. (folder 2 of 2), 1994-1996.
Installation, 1996.
Internet. (folder 1 of 2), 1995-1996.
Internet. (folder 2 of 2), 1995.
Jones, Mari, 1993.
Label copy, undated.
Lenders (general), 1994.
Loan letter correspondence, 1992.
Loan correspondence (miscellaneous), 1994-1996.
Loans denied, 1994-1995.
Meetings, 1993-1996.
Meeting notes, 1992.
Membership, 1996.
Museum shop, 1995-1996.
NEA grant, 1994-1995.
Opening, 1995-1996.
Opening. Paris, 1995.
Opening. Philadelphia, 1996.
Opening. Tate, 1995-1996.
Photography, 1993-1996.
Pissarro/Cezanne exhibition notes and lists, 1991-1993.
Poussin and Cezanne. Articles and symposium, 1990.
Print department, 1994.
Public relations. (folder 1 of 3), 1996.
Public relations. (folder 2 of 3), 1996.
Public relations. (folder 3 of 3), 1996.
Publications, 1995-1996.
Publications (miscellaneous), 1994-1995.
Registrar's office. (folder 1 of 3), 1996.
Registrar's office. (folder 2 of 3), 1994-1996.
Registrar's office. (folder 3 of 3), 1996.
Registrar's office. Loan forms, 1996.
Related events, 1995-1996.
Rewald, John, 1996.
Rewald/Musee Granet project, 1995-1996.
Rights and Reproductions, 1995-1996.
Rishel notes, undated.
Rochester text, 1996.
Russia, 1995-1996.
Scholars (miscellaneous), 1990-1996.
Security, 1996.
Sketchbooks, 1996.
Special exhibitions, 1995-1996.
Symposium. (folder 1 of 3), 1995-1996.
Symposium. (folder 2 of 3), 1993-1995.
Symposium. (folder 3 of 3), 1994-1996.
Tate book, 1995.
Tate Gallery. Correspondence, 1993-1996.
Tate Gallery. Opening. (folder 1 of 2), 1996.
Tate Gallery. Opening. (folder 2 of 2), 1996.
Thank yous. (folder 1 of 2), 1996.
Thank yous. (folder 2 of 2), 1996.
Ticket requests, 1996.
Tours, 1996.
Transparencies for sale, 1993.
Travel, 1995.
Travel notes. Joe Rishel, 1991-1992.
Travel. May-June 1993. Germany and Switzerland, 1992-1993.
Travel. July 1993. France and Switzerland, 1992-1993.
Travel. Oct. 1993. Paris/Germany/Switzerland, 1993.
Travel. Dec. 1993. New York, 1993.
Travel. Feb. 1994. Russia/Germany/Denmark, 1994.
Travel. Feb. 1994. Russia, Paris, Hamburg, Amsterdam, 1994.
Travel. Mar. 1994. Chicago, 1994.
Travel. Mar. 1994. London, 1994.
Travel. June-July 1994. Paris and London, 1994.
Travel. July 1994. Japan, 1994.
Travel. Oct. 1994. Paris and Zurich, 1994.
Travel. Feb. 1995. Paris, 1995.
Travel. Sep. 1995. Cezanne opening, Paris, 1995.
Travel. Nov.-Dec. 1995. Paris, London, Russia, 1995.
University of Delaware symposium. Joseph Rishel's notes, 1992.
Vollard, Ambroise, 1993.
Warman, Jayne, 1989-1996.
Watercolors. (folder 1 od 2), 1993-1994.
Watercolors. (folder 2 of 2), 1994.
Watercolors and drawings. Selection (general), 1994-1995.
Watercolors and drawings. Selection lists and notes, 1995.
Watercolors. London and Paris, 1992.
Watercolors/pigments, 1993.
Xeroxes (miscellaneous), undated.
Yes wall, undated.
Miscellaneous. (folder 1 of 2), 1991-1995.
Miscellaneous. (folder 2 of 2), 1995-1996.
Scope and Content Note

These files contain a large collection of photocopied articles and book excerpts, research pertaining to related auctions and exhibitions dating from 1913-1994, and object files.

Arrangement

Files are organized in the order in which they were originally transferred from the curatorial department. For object files, drawings are identified by Chappuis number, watercolors are identified by Rewald number, and paintings are identified by Venturi number.

Articles. Adhemar, Jean, undated.
Articles. Adriani, Gotz, undated.
Articles. Anderson, Wayne, undated.
Articles. Badt, Kurt, undated.
Articles. Barnes, Albert, undated.
Articles. Bazin, Germain, undated.
Articles. Bernard, Emile, 1994.
Articles. Borgmeyer, Charles Louis, undated.
Articles. Chappuis, Adrien, undated.
Articles. Clark, Kenneth, undated.
Articles. Cogniat, Raymond, undated.
Articles. Cooper, Douglas, undated.
Articles. Denis, Maurice, 1994.
Articles. Faure, Elie, undated.
Articles. Feilchenfeldt, Walter. (folder 1 of 2), 1992-1995.
Articles. Feilchenfeldt, Walter. (folder 2 of 2), 1992-1995.
Articles. Flam, Jack, undated.
Articles. Fry, Roger, 1994.
Articles. Gasquet, Joachim, undated.
Articles. Goldwater, Robert, undated.
Articles. Gowing, Lawrence, undated.
Articles. Greenberg, Clement, 1995.
Articles. Hoog, Michel, undated.
Articles. Huneker, James, undated.
Articles. Huyghe, Rene, undated.
Articles. Jamot, Paul, undated.
Articles. Johnson, Erle Loran, undated.
Articles. Kendall, Richard, undated.
Articles. Kitschen, Fredericke, undated.
Articles. Larguier, Leo, undated.
Articles. Lawrence, D.H, 1994.
Articles. Lawton, Frederick, 1994.
Articles. Mack, Gerstle, undated.
Articles. Meier-Graefe, Julius, undated.
Articles. Merleau-Ponty, Maurice, 1995.
Articles. Morice, Charles, undated.
Articles. Nagai, Takanori, 1995.
Articles. Novotny, Fritz, undated.
Articles. Perruchot, Henri, undated.
Articles. Ramuz, C.F, undated.
Articles. Raynal, Maurice, undated.
Articles. Reff, Theodore, undated.
Articles. Rewald, John, 1994.
Articles. Riviere, Georges, undated.
Articles. Riviere, Jacques, undated.
Articles. Rubin, William, undated.
Articles. Schapiro, Meyer, 1996.
Articles. Shiff, Richard, 1994.
Articles. Spector, Jack, undated.
Articles. Steinberg, Leo, undated.
Articles. Vollard, Ambroise, undated.
Articles. Waldemar, George, 1995.
Articles. Waldfogel, Melvin, undated.
Articles. Warman, Jayne, 1994-1995.
Articles. Weber, Horst, undated.
Articles. Wilenski, R.H, undated.
Articles. Wright, Willard Huntington, undated.
Articles. De Zayas, Marius, undated.
Articles. Miscellaneous articles, 1994-1995.
Artists' opinions of Cezanne, undated.
Critics. Dates and biographies, undated.
Armory show, undated.
Auctions. Reproductions found in Venturi, 1991.
Auctions. 1922-1936, undated.
Auctions. 1936-1950, undated.
Auctions. 1951-1958, undated.
Auctions. 1971-1976, undated.
Auctions. 1977-1981, undated.
Auctions. 1982-1986, undated.
Auctions. 1982-1986. Watercolors, undated.
Auctions. 1987-1989. Watercolors, undated.
Auctions. 1990-1993, undated.
Exhibitions. 1913, 1994.
Exhibitions. 1919, undated.
Exhibitions. 1921, undated.
Exhibitions. 1924, 1994.
Exhibitions. 1929, undated.
Exhibitions. 1930, undated.
Exhibitions. 1932, undated.
Exhibitions. 1933, undated.
Exhibitions. 1933. Vollard Collection, 1994.
Exhibitions. 1934, undated.
Exhibitions. 1936. Magazine articles, undated.
Exhibitions. 1936. Books and reviews, 1995.
Exhibitions. 1938, undated.
Exhibitions. 1939, undated.
Exhibitions. 1946, undated.
Exhibitions. 1947, 1994.
Exhibitions. 1952, undated.
Exhibitions. 1956, undated.
Exhibitions. 1973, undated.
Exhibitions. 1977, undated.
Exhibitions. Lists, 1994-1995.
Timeline. (folder 1 of 2), undated.
Timeline. (folder 2 of 2), undated.
Xeroxes, undated.
Object files. C273. Paysanne coiffee d'un fichu, 1873, undated.
Object files. C363, undated.
Object files. C455. Trois naiades d'apres Rubens, 1876-9, undated.
Object files. C489. After Rubens: Bellona, undated.
Object files. C504. After Puget: Milo of Crotona, 1880-3, undated.
Object files. C514. Quatre baigneuses, 1879-82, undated.
Object files. C517. Five women bathers, 1879-82, undated.
Object files. C524. Quatre baigneuses, undated.
Object files. C536. Coin d'atelier, 1877-81, undated.
Object files. C555. After B. da Maiano: Pietro Mellini, undated.
Object files. C556. After B. da Maiano: Filippo Strozzi, undated.
Object files. C569, undated.
Object files. C608. Landscape at the Jas de Bouffan, and Portrait of a Young Man, 1882-5, undated.
Object files. C710. Le jeune Paul endormi, 1878-80, undated.
Object files. C713. Studies and Portraits of the Artist's Son, 1878, undated.
Object files. C792, undated.
Object files. C833. Book on a table, head of a boy, 1880-2, undated.
Object files. C850. The Artist's Son, full length study, 1885, undated.
Object files. C878. Arbres et toit,1882-3, undated.
Object files. C893. Branch of a pine tree, 1885, undated.
Object files. C896. Pine tree and Mont Sainte-Victoire, 1883-6, undated.
Object files. C897. La Montagne Sainte Victoire, 1883-6, undated.
Object files. C916. Allee et maisons du jas de Bouffan, 1884-7, undated.
Object files. C917. Landscape, 1884-7, undated.
Object files. C938. Etudes pour Mardi Gras, circa 1888, undated.
Object files. C940. Louis Guillaume en costume de Pierrot, circa 1888, undated.
Object files. C941. Arlequin, circa 1888, undated.
Object files. C951. Chapeau melon et vetement, 1884-7, undated.
Object files. C957. Nature morte "pain dans mie," 1887-90, undated.
Object files. C980. "L'ecorche", interieuravec une chaise, 1887-90, undated.
Object files. C1065. Portrait de Madame Cezanne, 1887-90, undated.
Object files. C1093. Jouer des cartes, 1892-6, undated.
Object files. C1210. After Michelangelo: young slave, undated.
Object files. Carnets (sketchbooks), 1995.
Object files. R29. Femme piquant une tete dans l'eau, undated.
Object files. R88, undated.
Object files. R89. Le chateau de Medan, undated.
Object files. R113. Le bassin et l'allee des marroniers au Jas de Bouffan, 1878-80, undated.
Object files. R116, undated.
Object files. R134. Baigneurs, circa 1890, undated.
Object files. R145. La Medee, d'apres Delacroix, 1880-5, undated.
Object files. R159. Maisonettes, 1880-5, undated.
Object files. R192. Le cruchon vert, 1885-7, undated.
Object files. R193. Les rideaux, 1885-90, undated.
Object files. R194. Les pots de fleurs, 1885, undated.
Object files. R209. Madame Cezanne aux Hortensias, circa 1885, undated.
Object files. R213. Les pots de geraniums, circa 1885, undated.
Object files. R239. Pin devant la vallee de l'arc, 1883-5, undated.
Object files. R241. La vallee de l'arc, undated.
Object files. R281. La Montagne Sainte Victoire, 1885-7, undated.
Object files. R286. L'etude d'arbre (le grand pin), 1885-90, undated.
Object files. R287. L'etude d'arbre (le grand pin), circa 1890, undated.
Object files. R289. Pot de gingembre et fruits sur une table, 1888-90, undated.
Object files. R295. Harlequin, 1888-90, undated.
Object files. R296. Etude de rideau, 1888-90, undated.
Object files. R313. Le chateau noir, 1887-90, undated.
Object files. R325. Arbres et pont, undated.
Object files. R375. Le garcon au gilet rouge I, 1889-90, undated.
Object files. R377. Joueurs de cartes, 1890-2, undated.
Object files. R379. Joueurs de cartes a la blouse bleue, 1890-2, undated.
Object files. R380. Joueurs de cartes, 1892-6, undated.
Object files. R382. Veste sur une chaise, undated.
Object files. R495. Groupe de baigneurs, undated.
Object files. R502. La Montagne Sainte Victoire, 1900-2, undated.
Object files. R509. Arbres et maisons, circa 1900, undated.
Object files. R516. Le pistachier dans le cour de chateau noir, circa 1900, undated.
Object files. R529. Le parc de chateau noir avec la citerne, 1900-4, undated.
Object files. R538. Groupe d'arbres, undated.
Object files. R551. Etude de feuillage, 1900-4, undated.
Object files. R563. Bouteilles, pots, rechaud a alcool, pommes, 1900-6, undated.
Object files. R567. Pot bleu et bouteille de vin, 1902-6, undated.
Object files. R571. Nature morte ave pot au lait, melon, et sucrier, 1900-6, undated.
Object files. R572. Nature morte au lait bleu, 1900-6, undated.
Object files. R585. La Montagne Sainte Victoire, vue des lauves, 1901-6, undated.
Object files. R587. La Montagne Sainte Victoire, vue des lauves, 1902-6, undated.
Object files. R588. La Montagne Sainte Victoire, vue des lauves, 1902-6, undated.
Object files. R592. La Montagne Sainte Victoire, vue des lauves, 1902-6, undated.
Object files. R595. La Montagne Sainte Victoire, vue des lauves, 1902-6, undated.
Object files. R607. Baigneuses devant une montagne, 1902-6, undated.
Object files. R610. Nature Morte au melon vert, undated.
Object files. R621. La terrasse du jardin des lauves, 1902-6, undated.
Object files. R628. Le chateau du Fontainbleau, 1904-5, undated.
Object files. R630. Moulin sur une riviere, 1904-5, undated.
Object files. R631. Arbres depouilles au bord de l'eau, undated.
Object files. R636. Chateau noir, 1904, undated.
Object files. R644. Le pont de trois sautets, 1906, undated.
Object files. V. Vase de fleurs, undated.
Object files. V. La Montagne Sainte Victoire, undated.
Object files. V83. Le baigneur au rocher., 1864-8, undated.
Object files. V251. La vie de champs, 1875-6, undated.
Object files. V265. Baigneuses, undated.
Object files. V267. Trois baigneuses, 1873-7, undated.
Object files. V284. Portrait de l'artiste, undated.
Object files. V311. Dans la vallee de l'oise, circa 1880, undated.
Object files. V319. La cote du Galet a Pontoise, 1879-82, undated.
Object files. V324. La moulin sur la couleuvre a Pontoise, 1881, undated.
Object files. V325. Le chateau de Medan, undated.
Object files. V329. Route tournante, 1879-82, undated.
Object files. V335. Les peupliers, 1879-80, undated.
Object files. V341, undated.
Object files. V343. Pommes et biscuits, 1879-82, undated.
Object files. V366. Portrait de Cezanne, 1879-82, undated.
Object files. V379. La lutte d'amour, 1875-6, undated.
Object files. V381. Trois baigneuses, 1879-82, undated.
Object files. V385. Cinq baigneuses, 1877-8, undated.
Object files. V391. Garcon couche, 1882-7, undated.
Object files. V396. Le pont de Maincy, 1879-80, undated.
Object files. V397.Maisons a l'Estaque, 1882-5, undated.
Object files. V404. Rochers a l'Estaque, undated.
Object files. V408. La Montagne Marseilleveyre et l'Ile Maire, undated.
Object files. V425. La mer a l'Estaque derriere les arbres, undated.
Object files. V431. Gardanne, undated.
Object files. V433. La Sainte Victoire beaurecueil, 1885-6, undated.
Object files. V443. Ferme normande: le clos, 1882, undated.
Object files. V452. La Montagne Sainte Victoire, 1885-7, undated.
Object files. V454. La Montagne Sainte Victoire, 1887, undated.
Object files. V455. La Montagne Sainte Victoire, 1886-7, undated.
Object files. V460. Maison et ferme du Jas de Bouffan, 1885-7, undated.
Object files. V467. Marroniers et ferme du Jas de Bouffan, circa 1885, undated.
Object files. V468. Maison au toit rouge, le Jas du Bouffan, 1885-7, undated.
Object files. V476. Marroniers du Jas de Bouffan, 1885-7, undated.
Object files. V488. La Montagne Sainte Victoire, undated.
Object files. V490. Montagnes en Provence, undated.
Object files. V493. Le Golfe de Marseille, vue de l'Estaque, 1886-90, undated.
Object files. V494. Pommes, bouteille, et soupiere, 1883-5, undated.
Object files. V512. Le vase bleu, 1889-90, undated.
Object files. V516. Cezanne a la palette, 1885-7, undated.
Object files. V527. Mme. Cezanne aux cheveux denoues, undated.
Object files. V529. Portrait de Madame Cezanne, 1888-90, undated.
Object files. V530. Portrait de Madame Cezanne, 1885-7, undated.
Object files. V535. Portrait de Paul Cezanne, fils de l'artiste, 1883-5, undated.
Object files. V542. Cinq Baigneuses, 1885-7, undated.
Object files. V548. Le grand baigneur, circa 1885, undated.
Object files. V549. Baigneur aux bras ecartes, 1885-7, undated.
Object files. V552. Mardi Gras, 1885, undated.
Object files. V554. Arlequin, 1888, undated.
Object files. V556. Joueurs des cartes, 1890-2, undated.
Object files. V558. Joueurs des cartes, undated.
Object files. V570. Madame Cezanne au fauteil jaune, undated.
Object files. V580. Baigneurs, 1890, undated.
Object files. V594. Table de cuisine, 1888-90, undated.
Object files. V627. Allee a Chantilly, 1888, undated.
Object files. V650. Pigeonnier de Bellevue, 1889-90, undated.
Object files. V663. La Montagne Sainte Victoire au dessus de la Route, circa 1904, undated.
Object files. V665. La Montagne Sainte Victoire, vue du bosquet de Chateau Noir, circa 1904, undated.
Object files. V669. Le grand pin, 1887-9, undated.
Object files. V673. Rochers, 1894-8, undated.
Object files. V680. Le garcon au gilet rouge, undated.
Object files. V681-2. Le garcon au gilet rouge, undated.
Object files. V702. La vieille au chapelet, undated.
Object files. V718. Vallier, undated.
Object files. V719. Grandes baigneuses, 1898-1905, undated.
Object files. V721. Grandes baigneuses, 1894-1905, undated.
Object files. V722. Baigneuses, 1900-5, undated.
Object files. V725. Ebauche des grandes baigneuses, 1898-1905, undated.
Object files. V726. Quatre baigneuses, circa 1900, undated.
Object files. V765. La Montagne Sainte Victoire et le Chateau Noir, 1898-1900, undated.
Object files. V766. La Montagne Sainte Victoire, vue de Bibemus, circa 1897, undated.
Object files. V767. Carriere de Bibemus, circa 1895, undated.
Object files. V789, undated.
Object files. V796. Le chateau noir, 1900-4, undated.
Object files. V798. La Montagne Sainte Victoire, 1904-6, undated.
Object files. V800. La Montagne Sainte Victoire, 1904-6, undated.
Object files. V803. La Montagne Sainte-Victoire, circa 1905, undated.
Object files. V1529, undated.
Object files. V1610. Le jardin des lauves, 1902-6, undated.
Scope and Content Note

Lender files include initial correspondence, agreements, and loan forms with lending institutions.

Arrangement

Files are arranged alphabetically by lending institution with three folders relating to additional loan materials appended at the end.

Albertina, Vienna, 1994-1995.
Annenberg, 1995.
Art Institute of Chicago, 1992-1996.
Australia, National Gallery of, 1994-1996.
Baltimore Museum of Art, 1992-1996.
Basel Kunstmuseum, 1992-1996.
Bayerische Nationalmuseum, Munich, 1993-1995.
Berggruen, 1994.
Berlin, National Gallery, 1994-1996.
Bern Kunstmuseum, 1992-1996.
Bernheim, Andre, 1995.
Black, Herbert, 1994-1996.
Black, Leon, 1994-1996.
MFA, Boston, 1992-1996.
Bremen Kunsthalle, 1994-1996.
Bridgestone Museum of Art, 1994-1996.
British Museum, 1994-1996.
Brooklyn, 1995-1996.
Brown Foundation, 1992-1994.
Budapest, 1992-1994.
Buhrle Foundation, 1992-1996.
Cachin, Francoise, 1995.
Chrysler Museum, 1992-1996.
Christie's, 1995.
Cincinnati Art Museum, 1994-1996.
Cleveland Museum of Art, 1992-1996.
Columbus Museum, 1993-1996.
Courtauld Institute Galleries, 1992-1996.
Cueller, 1993-1996.
Danowski, 1994-1996.
De Galea, 1995-1996.
Detroit Institute of the Arts, 1994.
Embericos, 1993-1995.
Eskenazi, 1994-1995.
Feilchenfeldt, 1994-1996.
Fitzwilliam, 1992-1996.
Folkwang, 1992-1995.
Ford House, 1993-1995.
Geneva Musee d'Art et Histoire, 1993-1995.
J. Paul Getty Museum, 1993-1996.
Glasgow, 1992-1995.
Goulandris, 1994-1995.
Gucci, 1994.
Guggenheim, 1994-1996.
Hahn, Stephen, 1992-1995.
Hahnloser, 1994-1995.
Hamburger Kunsthalle, 1994-1995.
Harris, Neisan, 1994-1995.
Harvard, 1992-1996.
Heinz, 1995.
Hermitage Museum, 1994-1996.
Hillman, 1995-1996.
MFA, Houston, 1992-1996.
Indianapolis Museum, 1994-1996.
Johns, Jasper, 1995-1996.
Karlsruhe, Staatliche Kunsthalle, 1993-1994.
Kass, 1994-1995.
Kimball Art Museum, 1992-1996.
Krugier, 1994-1995.
Kunsthistorisches Museum, Vienna, 1994.
Lambert, Phyllis, 1995-1996.
Lambert, Yvon, 1995-1996.
Lauder, Ronald, 1992-1996.
Loeb, M/M John, 1992-1995.
Los Angeles County Museum of Art, 1992-1996.
Madeira, 1996.
Louvre, 1994-1995.
Malingue, 1993-1994.
Mannheim, 1994-1996.
McCormick, 1994-1995.
Mellon, 1992-1996.
Merzbacher, 1993-1996.
Metropolitan Museum of Art, 1993-1996.
Meyer, Phillip, 1994-1996.
Minneapolis Institute, 1992-1996.
MoMA, 1994-1996.
Morgan Library, 1995-1996.
Musee Calvert, 1994-1995.
Musee Granet, 1994-1996.
Musee de l'Orangerie, 1994-1996.
Musee d'Orsay, 1994-1995.
Musee Picasso, 1993-1996.
Nathan, 1994-1995.
National Gallery of Ireland, 1994-1995.
National Gallery, London, 1992-1996.
National Gallery, Oslo, 1992-1996.
National Gallery, Prague, 1992-1995.
National Gallery, Washington D. C, 1992-1996.
Nelson-Atkins, 1993-1996.
Newark Museum, 1994-1995.
Niarchos, 1992-1996.
Nichido Gallery, 1993-1995.
Norton Simon Museum, 1993-1995.
Ny Carlsberg, 1993-1996.
Osterreichesche Gallery, Vienna, 1994.
Pearlman, 1992-1996.
Petit Palais, 1992-1996.
Philadelphia Museum of Art, 1995-1996.
Phillips Collection, 1992-1994.
Pushkin Museum, 1992-1996.
Rau Foundation, 1994-1996.
Reader's Digest, 1992.
RISD, 1994-1996.
Rochester University Art Museum, 1992-1996.
Rockefeller, 1992-1996.
Rosenthal, 1995.
Rotterdam, 1994-1996.
Sao Paulo, 1992-1996.
Scharf, 1994-1996.
Schiff, David, 1992-1996.
Simon, Lucille, 1994-1995.
Smith College, 1994-1996.
Solomon, Arthur, 1994-1995.
Solothurn, 1992-1995.
Stadelsches Kunstinstitut, Frankfurt, 1994-1996.
Stockholm, National Museum, 1992-1996.
Strolin, 1994-1995.
Stuber, undated.
Tate Gallery, 1995-1996.
Thames and Hudson, 1994.
Thaw, 1995-1996.
Toledo Museum of Art, 1992-1996.
Tubingen, 1995-1996.
UCLA/Hammer, 1993-1996.
Wales, National Museum, 1992-1996.
Walker Art Center, 1993-1996.
Weber, 1992-1996.
White House, 1992-1996.
Whitney, 1994-1996.
Wildenstein, 1994-1995.
Wood, 1996.
Zurich Kunsthaus, 1992-1996.
Additional loan materials. Foundations and private collections, 1992-1995.
Additional loan materials. International museums, 1992-1994.
Additional loan materials. Loan extensions, 1996.
Scope and Content Note

The bulk of these records contain press clippings from the Paris exhibition along with related clippings from London and Philadelphia.

Arrangement

Files are organized in the order in which they were originally transferred from the curatorial department.

Press bindings, RMN, volume 1, 1995-1996.
Press bindings, RMN, volume 2, 1995-1996.
Press bindings, RMN, volume 3, 1995-1996.
Press bindings, RMN, volume 4, 1995-1996.
Press bindings, RMN, volume 5, 1995-1996.
Press bindings, RMN, volume 6, 1995-1996.
Press bindings, RMN, volume 7, 1995-1996.
Press bindings, RMN, volume 8, 1995-1996.
Press bindings, RMN, volume 9, 1995-1996.
Publicity, 1996.
Clippings. London. (folder 1 of 2), 1995-1996.
Clippings. London. (folder 2 of 2), 1995-1996.
Clippings. Paris, RMN. (folder 1 of 4), 1995-1996.
Clippings. Paris, RMN. (folder 2 of 4), 1995-1996.
Clippings. Paris, RMN. (folder 3 of 4), 1995-1996.
Clippings. Paris, RMN. (folder 4 of 4), 1995-1996.
Clippings. Paris. Miscellaneous, 1995.
Magazines, Paris. Miscellaneous, 1995.
Clippings. PMA. (folder 1 of 2), 1996.
Cippings. PMA. (folder 2 of 2), 1996.
Press. Paris and London. (folder 1 of 2), 1995.
Press. Paris and London. (folder 2 of 2), 1995.
Scope and Content Note

"Rodin and Michelangelo: A Study in Artistic Inspiration" was an exhibition featuring the drawings and sculptures of both artists that opened at the PMA on March 27, 1997. The exhibition was organized to suggest what Rodin learned from Michelangelo and how he translated it into his own work. Curated by Christopher Riopelle, the exhibition first opened at Casa Buonarotti in Florence, and then came to PMA. The records are largely administrative, and include loan documentation, correspondence, object lists, and other general plannig material.

Articles, 1997.
Artificio, 1996-1997.
Attendance, 1997.
Borghi, 1995-1997.
Budget, 1995-1996.
Cantor Foundation, 1995-1997.
Casa Buonarotti, 1994-1997.
Charta (catalogue), 1995-1999.
Complaints and praise, 1997.
Dates, 1995.
Correspondence, 1995-1997.
Florence, 1996.
Funding, 1996-1997.
Indemnity, 1995-1997.
Installation, 1995-1997.
Label copy, undated.
Lamberti, Mimita, 1997.
Loan. Casa Buonarotti, 1997.
Loan. Cleveland Museum, 1996.
Loan. Metropolitan Museum, 1997.
Loan. Musee Rodin, 1995-1997.
Loan. PMA, 1995-1996.
Loan. Queens Museum of Art, 1997.
Loan. Victoria and Albert, 1996-1997.
Loan letter. Draft, undated.
Maxwell, Missy, 1997.
Notes, 1995.
Objects and lists, undated.
Opening. PMA, 1996-1997.
Photography, 1996-1997.
Publications, 1997.
Public relations, 1996-1997.
Ragionieri, Pina.
Registrar, 1996-1997.
Strehlke, Carl, 1995-1996.
Website, undated.
Scope and Content Note

To celebrate the bicentennial of the birth of Eugene Delacroix (1798-1863), the Reunion de Musees Nationaux in Paris and the Philadelphia Museum of Art organized the magnificent exhibition, "Delacroix: The Late Work."The exhibition featured approximately seventy paintings and forty works of art from both public and private collections. Curated by Joseph J. Rishel ( Senior Curator of European Painting before 1900, the John G. Johnson Collection), Arlette Sérullaz (Curator of Drawings at the Musée du Louvre), and Vincent Pomerède (Chief Curator of Paintings at the Musée du Louvre), the exhibition was the first in a decade to study Delacroix. The records for the exhibition include administrative files, lender files, and research files. The bulk of the records date from 1996 to 1998.

Scope and Content Note

These records document the administration and planning of the exhibition, and include collecting files, correspondence, installation records, and other related material. Researchers should note that there is a detailed inventory for the collecting records housed at the beginning of the administrative sub-subseries.

Acoustiguide, 1998.
Budget. Contract, insurance, 1996-1998.
Catalogue. Correspondence and schedule, 1996-1998.
Collecting.The Art Market, undated.
Collecting. Auctions, undated.
Collecting. Avery, Samuel P, undated.
Collecting. Research on collecting (1 of 3 folders), undated.
Collecting. Research on collecting (2 of 3 folders), undated.
Collecting. Research on collecting (3 of 3 folders), undated.
Collecting. Durand-Greville, undated.
Collecting. Havemeyer, undated.
Collecting. Hill, undated.
Collecting. Knoedler, undated.
Collecting. Monagan, Agnes, undated.
Collecting. Museums collecting, undated.
Collecting. Strahan, undated.
Collecting. Sources for essay, undated.
Collecting. Walters, undated.
Correspondence. General, 1996, 1996.
Correspondence. General, 1997, 1997.
Correspondence. General, 1998, 1998.
Correspondence. Gritt, Steven, 1996, undated.
Correspondence. Museo de Sao Paulo, 1996-1998.
Correspondence. Serullaz, Arlette, 1997-1999.
Correspondence. Veerle, undated.
CD-ROM, video, 1997.
Exhibition proposal, 1996.
Exhibitions. List of Delacroix exhibitions, undated.
Exhibitions. American exhibitions, undated.
Exhibitions. Reviews of American exhibitions, undated.
Exhibitions. American reviews of foreign exhibitions, undated.
Gallatin, undated.
Grant, 1996-1998.
Handbook, 1998.
Hunt, William Holman, undated.
Indemnity, 1998.
Installation, undated.
James, Henry, undated.
James, William, undated.
Joseph Rishel's notes and and memos, undated.
Le Farge, John, undated.
Lists. Early selections, 1996-1997.
Lists. Louvre and PMA, 1996-1997.
Loan letter, 1996.
Motherwell, Robert and Barnett Newman, undated.
Opening, 1997-1998.
Photographs of drawings, 1996-1997.
Press, 1998-1999.
Publicity, 1998-1999.
Public relations, 1997-1998.
Registrar, 1998-1999.
Research material, undated.
Quotes and sources, undated.
Slide lists, undated.
Sponsors, 1997-1998.
Symposium, 1997-19998.
Videotape. "Eugene Delacroix a l'Assemblee Nationale.", undated.
Villot exhibition, 1997-1998.
Xeroxes. Color copies of artwork, undated.
Wall labels, final, undated.
Miscellaneous, undated.
Scope and Content Note

The lender files include correspondence between the PMA and institutions and individuals, as well as agreements and loan letters. The records are arranged alphabetically and the sub-subseries is completed by black and white photographs and copies of the loan artwork.

Albertina-Athens, 1996-1998.
Baltimore-Buhrle, 1996-1998.
Canada-Frankfurt, 1996-1998.
Getty-Kimbell, 1996-1998.
Lille-Munich, 1996-1998.
Nathan-Oskar, 1996-1998.
Peretz-Romania, 1996-1998.
Saint Louis-Stuttgart, 1996-1998.
Tokyo-Whitney, 1996-1998.
Black and white photographs and color copies of loans (1 of 2 folders), undated.
Black and white photographs and color copies of loans (2 of 2 folders), undated.
Scope and Content Note

These files contain research material for the exhibition preparation and catalogue. The majority of the records pertain to Joseph Rishel's research for his essay on Delacroix and Americirca Researchers should note that there is a detailed inventory for the records housed at the beginning of the sub-subseries.

Animal entries, undated.
Art Index, undated.
Articles, the Louvre, undated.
Bibliography from books, undated.
Early 20th century books, undated.
Inter-library loan (ILL) books, undated.
Magazine articles (folder 1 of 2), undated.
Magazine articles (folder 2 of 2), undated.
Reviews. Books on Delacroix, undated.
Title pages from books, undated.
Excerpts. Badt, Kurt, undated.
Excerpts. Barr, Alfred, undated.
Excerpts. Baudelaire, undated.
Excerpts. Cachin, Francoise, undated.
Excerpts. Cantaloube, Amedee, undated.
Excerpts. Florisoone, Michel, undated.
Excerpts. Huyghe, Rene, undated.
Excerpts. Russell, John, undated.
Excerpts. Signac, Paul, undated.
Excerpts. Trapp, Frank Anderson, undated.
Scope and Content Note

"Goya: Another Look" was an exhibition organized by the Philadelphia Museum of Art and the Musee des Beaux-Arts in Lille, France. The exhibition featured Goya's tapestry designs, religious subjects, still lives, genre subjects, and portraits. In addition, the exhibition displayed an installation of his original etchings and lithographs, all selected from the PMA's permanent collections. The core of the show is drawn from a group of works that were created following the death of Goya's wife, Josefa, in 1812. This stunning exhibition was curated by Joesph J. Rishel,The Gisela and Dennis Alter Senior Curator of European Painting before 1900 at the Philadelphia Museum of Art, and Arnauld Brejon de Lavergnée, Director of the Musée des Beaux Arts in Lille. The records contain both administrative and planning files, such as exhibition lists, installation documentation, loan files, and research material. The bulk of the records are from 1998 to 1999.

Anne d'Harnoncourt, 1998-1999.
Ann Barbaro, 1998-1999.
Artphone, 1999.
Articles, 1998-1999.
Bareau, Juliet, 1998-1999.
Bizot, Irene, 1995-1999.
Brejon, Arnauld. 1996, 1996.
Brejon, Arnauld. 1997, 1997.
Brejon, Arnauld. 1998, 1998.
Brejon, Arnauld. 1999, 1999.
Budget, 1996-1999.
Catalogue (1 of 2 folders), 1998-1999.
Catalogue (2 of 2 folders), 1998-1999.
Catalogue. Correspondence, 1997-1998.
Catalogue. French, 1998.
Chronology, undated.
Cocheteux, Marie-France, 1997-1999.
Contract, 1998-1999.
Couriers, 1999.
Color transparencies (CT) requests, 1998-1999.
Dates, 1997.
Exhibition lists, 1997-1998.
Education, 1998-1999.
Funding, 1998-1999.
Funding. US Airways, 1999.
General correspondence, 1996-1999.
Handout, undated.
Indemnity, 1998-1999.
Indemnity certificates, 1999.
Indemnity images, undated.
Installation. Large labels, undated.
Installation. Objects (1 of 2 folders), 1999.
Installation. Objects (2 of 2 folders), 1999.
Installation. Photographs, undated.
Installation. Printed wall text, undated.
Installation. Signage, undated.
Installation. Small labels, undated.
Label copy, undated.
Loan correspondence 1997, 1997.
Loan correspondence 1998 (1 of 2 folders), 1998.
Loan correspondence 1998 (2 of 2 folders), 1998.
Loan correspondence 1999 (1 of 3 folders), 1999.
Loan correspondence 1999 (2 of 3 folders), 1999.
Loan correspondence 1999 (3 of 3 folders), 1999.
March 7, 1998 trip, 1998.
Meeting notes, 1998-1999.
Member's calendar, 1999.
Mena, Manuela, 1997-1999.
Museum receipts, 1999.
Opening. Lille, 1998-1999.
Opening. PMA, 1999.
Press, 1998-1999.
Public relations, undated.
Public relations. Lille, 1998-1999.
Public relations. Photographs (1 of 2 folders), undated.
Public relations. Photographs (2 of 2 folders), undated.
Research materials (1 of 3 folders), undated.
Research materials (2 of 3 folders), undated.
Research materials (3 of 3 folders), undated.
Rishel, Joseph. Correspondence (1 of 2 folders), 1997-1998.
Rishel, Joseph. Correspondence (2 of 2 folders), 1998-1999.
Seizure (immunity), 1998-1999.
Shipping, 1999.
Slides, undated.
Website, undated.
Miscellaneous, undated.
Scope and Content Note

"The Splendor of 18th Century Rome" was a spectacular exhibition that opened at the PMA on March 16, 2000, and made its second and final stop at the Museum of Fine Arts, Houston on September 17, 2000. Curated by Joseph J. Rishel (The Gisela and Dennis Alter Senior Curator of European Painting and Sculpture before 1900, the John G. Johnson Collection, and the Rodin Museum), Ann Percy (Curator of Drawings), and Dean Walker (The Henry P. McIlhenny Senior Curator of European Decorative Arts and Sculpture), the exhibition featured approximately 380 works of art by more than 160 artists. Included were paintings, drawings, architecture, sculpture, and decorative arts by artists such as Giovanni Battista Piranesi, Pier Leone Ghezzi, Anton Raphael Mengs, Hubert Robert and Jacques-Louis David. The records include administrative files, artist files, catalogue records, extensive image files, and loan correspondence. The bulk of the records are from 1999 to 2000, and much of the material is undated.

See Also:

Prints, Drawings, and Photographs Department Records / I. Exhibition records / N. "The Splendor of 18th-Century Rome." Mar. 16- May 28, 2000

Scope and Content Note

The efforts of curatorial and support departments are documented here through records ranging from the initial planning stages, such as NEH grant applications and image requests through to the exhibition opening and acknowledgements. Other records include author correspondence, bibliographies, label copies, and meeting documentation. The bulk of the records are from 1999 to 2000.

Acknowledgements, 2000.
AGP, 2000.
Alvar text. Italian, 1999-2000.
Architecture, n.d.
Articles, n.d.
Author correspondence (1 of 3 folders), 1998-2000.
Author correspondence (2 of 3 folders), 1998-2000.
Author correspondence (3 of 3 folders), 1998-2000.
Barroero, Liliana, 1992-2000.
Beddington, Charles, 1996-1997.
Bibliography (1 of 2 folders), undated.
Bibliography (2 of 2 folders), undated.
Bowren, Edgar Peters, 1991-2000.
Budget, 1997-2000.
Buonanno, Vincent, 2000.
Campbell, Malcolm (1 of 2 folders), 1992-1998.
Campbell, Malcolm (2 of 2 folders), 1999-2000.
Cardinal Bevilacqua, undated.
Carraciallo, Giovanni, 1991-1999.
Cavina, Anna Ottani, 1992.
Collins, Jeffrey, 1993-1997.
Color transparency orders. Academia - Avery, 1999.
Color transparency orders. Avery - Bowdoin, 1999.
Color transparency orders. Bowood - Chicago, 1999.
Color transparency orders. Chisea - Forquet, 1999.
Color transparency orders. Franchi - Hermitage, 1999.
Color transparency orders. Holkham - Kunstindustrimuseet, 1999.
Color transparency orders. LACMA - Metropolitan, 1999.
Color transparency orders. Minneapolis - Museo Civico, 1999.
Color transparency orders. Museo di Roma - National Gallery of Washington, 1999.
Color transparency orders. National Museum Stockholm - Nelson-Atkins, 1999.
Color transparency orders. Norwich Castle - RISD, 1999.
Color transparency orders. RMN - San Lucirca, 1999.
Color transparency orders. San Martino - Vatican, 1999.
Color transparency orders. Vetralla - Weld, 1999.
Color transparency orders. Wiener - Young, 1999.
Color transparency orders returned, undated.
Conservation, 1999.
Consultants, 1994-2001.
Corporate funding proposal, undated.
Correspondence, 2002.
Correspondence, 1999-2002.
Correspondence, 1986-2001.
Database, 1999.
Database notes, undated.
Education, 1997-2000.
Entertainment and gifts. Fiscal 1997, 1996-1997.
Entertainment and gifts. Fiscal 1996, 1995-1996.
Exhibition guide and questions for discussion, undated.
Exhibitions, 1997-1999.
Express mails. Fiscal 1997, 1996-1997.
Express mails. Fiscal 1996, 1995-1996.
Family guide, undated.
Funding, 1999-2000.
Fusco, Peter, 1994-1995.
Gagari claim, 2000-2001.
General articles, 1989.
General studies, undated.
Grants (1 of 2 folders), undated.
Grants (2 of 2 folders), undated.
Gross, Hanns, 1991-2000.
Hackert, Phillipp, undated.
Honorary committee, 1998-2000.
Houston, 1999-2001.
Image requests, 1999.
Immunity, 1998-1999.
Indemnity (1 of 2 folders), 1999.
Indemnity (2 of 2 folders), 1999.
Installation, undated.
Interactive Rome, undated.
Italy, 1997-2000.
Jackson, Sarah. Research, 1999.
Jobs, 1999.
Johns, Christopher, 1992-1999.
Johns, Christopher. Photographs, 1999-2000.
Label copy (1 of 3 folders), undated.
Label copy (2 of 3 folders), undated.
Label copy (3 of 3 folders), undated.
Lectures, 2000.
Loans. Progress, 1998-1999.
Lo Bianco, Anna, 1991-1999.
Los Angeles County Museum of Art, 1995-2001.
Marandel, J. Patrice, 1994-2000.
Meetings, 1991-1999.
Meetings. Winter 1998, 1998.
Meetings. March 1997, Rome, 1996-1997.
Meetings. May and June 1995, 1995.
Meetings. March 1994, 1994.
Meetings. May 1993, 1993.
Montreal, 1996-1998.
Munich (Vitali), 1995-1996.
National Endowment for the Arts (NEA) grant, 1997-1998.
National Endowment for the Humanities (NEH) grant, 1999, 1998-1999.
NEH grant. General info, 1999, 1991-1998.
NEH grant. Implementation grant application, January 29, 1999 (1 of 2 folders), 1998-1999.
NEH grant. Implementation grant application, January 29, 1999 (2 of 2 folders), 1998-1999.
NEH grant. Proposal, 1999, 1998-1999.
NEH grant. Interim report, 1997, 1995-1997.
NEH grant. Reviews, 1994, 1993-1994.
NEH grant. Application, 1992 June, 1992-1994.
NEH grant. Final copy, 1992, 1992.
NEH grant. Revisions, Anne d'Harnoncourt, 1991, 1991.
NEH grant. Revisions, Ann Percy, 1991, 1991-1992.
NEH grant. Revisions, Pete Bowron, 1991, 1991.
Nocchi, undated.
Nolli map, Rome, undated.
Objects. Sales and catalogues, undated.
Objects. Sources, 1991-1999.
Opening, 2000.
Osti, Ornella Francisci, 1998.
Outlines, 1991.
Paintings, undated.
Paris (Louvre), 1992-1996.
Paul, Carole, 1992-1998.
Percier, Charles, 1999.
Percy, Ann, 1991-1999.
Periodicals, 2000.
Photographs, undated.
Photographs. Fiscal 1997, 1996-1997.
Photographs. Fiscal 1996, 1995-1996.
Photographs. Fiscal 1995, 1994-1995.
Photographs. Rejected, undated.
Photography and research. Fiscal 1997, 1996-19974.
Photography and research. Fiscal 1996, 1995-1996.
Pinto, John (1 of 2 folders), 1999.
Pinto, John (2 of 2 folders), 1995-2000.
Pixley, Mary, 2000.
Popes, 1998.
Portugal, 1998-1999.
Press trip, 1999.
Promotional binder, undated.
Publications (1 of 3 folders), 1999.
Publications (2 of 3 folders), 1999-2000.
Publications (3 of 3 folders), 1996-1999.
Public relations, 2000.
Question and answer (Q A), 1996.
Registrar, 1999-2000.
Related events, 1990-2000.
Research, 1993-1996.
Research. Fiscal 1997, 1996-1997.
Research. Fiscal 1996, 1995-1996.
Research. General, 1998.
Research. Miscellaneous (1 of 2 folders), undated.
Research. Miscellaneous (2 of 2 folders), undated.
Rishel, Joseph. Notes, undated.
Salatino, Kevin, 1999.
Scholar's Day, 2000.
Scholar's Day letters, 2000.
Sculpture, undated.
Services and fees. Fiscal 1997, 1996-1997.
Services and fees. Fiscal 1996, 1995-1996.
Seydl, Jon, 1997-1998.
Show and tell, 2000.
Special exhibitions, 1994-1997.
Special materials, 1994.
Special purpose. Fiscal 1998, 1997-1998.
Strehlke. Loans, 1998-1999.
Sussino, Stefano and Liliana Barroero (1 of 2 folders), 1999-2000.
Sussino, Stefano and Liliana Barroero (2 of 2 folders), 1999.
Telephone and fax. Fiscal 1997, 1996-1997.
Telephone and fax. Fiscal 1996, 1995-1996.
Thank you notes (1 of 2 folders), 2000.
Thank you notes (2 of 2 folders), 2000.
Time tables, 1999.
Travel. Bowron, 1993-1995.
Travel. Fiscal 1998, 1997-1998.
Travel. Fiscal 1997, 1996-1997.
Travel. Fiscal 1996 (1 of 2 folders), 1995-1996.
Travel. Fiscal 1996 (2 of 2 folders), 1995-1996.
Travel. Staff, 1991-1997.
Turner, Evan, 1987-1991.
Walker, Dean (1 of 2 folders), 1999.
Walker, Dean (2 of 2 folders), 1996-1999.
Wolterstorff, Robert, 1998.
Miscellaneous (1 of 11 folders), undated.
Miscellaneous (2 of 11 folders), undated.
Miscellaneous (3 of 11 folders), undated.
Miscellaneous (4 of 11 folders), undated.
Miscellaneous (5 of 11 folders), undated.
Miscellaneous (6 of 11 folders), undated.
Miscellaneous (7 of 11 folders), undated.
Miscellaneous (8 of 11 folders), undated.
Miscellaneous (9 of 11 folders), undated.
Miscellaneous (10 of 11 folders), undated.
Miscellaneous (11 of 11 folders), undated.
Scope and Content Note

The artist files include biographies and bibliographies for the noted artists, such as Giovanni Battista Piranesi, Pier Leone Ghezzi, and Pierre-Hubert Subleyras.

Adam, Robert, undated.
Albacini, Carlo, undated.
Benefial, Marco, undated.
Bouchardon, Edme, undated.
Bracci, Pietro, undated.
Canova, Antonio, undated.
Cavaceppi, Bartolomeo, undated.
Cavalucci, Antonio, undated.
Clerisseau, Charles-Louis, undated.
Conca, Sebastiano, undated.
David, Jacques-Louis, undated.
Ducros, Louis, undated.
Durameau, Louis, undated.
Flaxman, John, undated.
Fragonard, Jean-Honore, undated.
Fuseli, Abildgaard Sergel, undated.
Ghezzi, Pier Leone, undated.
Giardini, Giovanni, undated.
Giaquinto, Corrado, undated.
Hewetson, Christopher, undated.
Kauffman, Angelicirca, undated.
Labruzzi, Carlo, undated.
Le Gros, Pietro, undated.
Ludovisi, Bernardino, undated.
Luti, Benedetto, undated.
Maini, Giovanni Battista, undated.
Monnot, Pietro, undated.
Pacetti, Vincenzo, undated.
Panini, Giovanni Paolo, undated.
Passeri, Giuseppe, undated.
De Pietri, Pietro, undated.
Piranesi, Giovanni Battista, undated.
Pozzi, Stefano, undated.
Robert, Hubert, undated.
Subleyras, Pierre-Hubert, undated.
Tibaldi, Maria Felice, undated.
Tofanelli, Stefano, undated.
Valadier, Giuseppe, undated.
Della Valle, Filippo, undated.
Vanvitelli, Luigi, undated.
Vernet, Joseph, undated.
West, Benjamin, undated.
Wilson, Richard, undated.
Zoboli, Giacomo, undated.
Zoffany, Johan, undated.
Zoffoli, Giovanni, undated.
Miscellaneous (1 of 3 folders), undated.
Miscellaneous (2 of 3 folders), undated.
Miscellaneous (3 of 3 folders), undated.
Scope and Content Note

The making of the exhibition catalogue is documented here from its initial planning phases and early correspondence to the essay drafts and image selections. The bulk of the material pertains to the catalogue authors and their writings.

Alvar Gonzalez-Palacios, undated.
Bibliographies, undated.
Biographies, undated.
Bowren introduction essay images, undated.
Coach, The Ocean's, undated.
Christopher M.S. Johns, undated.
Drafts. "Vincenzo Belli", undated.
Drafts. "Sebastiano Ceccarini", undated.
Drafts. "Bernardino Ludovisi", undated.
Drafts. "Pierre Subleyras", undated.
Drafts. "Antonio Vendetti", undated.
Drafts. Various authors (1 of 5 folders), undated.
Drafts. Various authors (2 of 5 folders), undated.
Drafts. Various authors (3 of 5 folders), undated.
Drafts. Various authors (4 of 5 folders), undated.
Drafts. Various authors (5 of 5 folders), undated.
General, undated.
General essays, undated.
Italian catalogue photographs, undated.
Liliana Barroero and Stefano Sussino. "Arcadian Rome, universal capital" (English draft), undated.
Liliana Barroero and Stefano Sussino. "Arcadian Rome, universal capital" (Italian draft), undated.
Stefano Sussino, undated.
Miscellaneous (1 of 2 folders), undated.
Miscellaneous (2 of 2 folders), undated.
Scope and Content Note

These records contain image files for paintings, drawings, sculpture, architecture, and decorative arts pieces. They include color transparencies, and requests for color transparencies, as well as photographs for both the catalogue and research purposes, correspondence between lending institutions, and rights and reproductions invoices.

Arrangement

Records are arranged in original order.

Paintings. Abildgaard, Nikolai Abraham. "Wounded Philocetes", undated.
Paintings. Batoni, Pompeo. "Allegory of the Arts.", undated.
Paintings. Batoni, Pompeo."Appearance of the Angel to Hagar in the Desert Galleria.", undated.
Paintings. Batoni, Pompeo."Count Cyril Grigorjewitsch Razumovsky.", undated.
Paintings. Batoni, Pompeo."Benedict XIV Presenting the Encyclical 'Ex Ombibus' to the Count de Choiseul.", undated.
Paintings. Batoni, Pompeo."Cardinal Prospero Colonna di Sciarra.", undated.
Paintings. Batoni, Pompeo."Holy Family with St. Elizabeth and the Infant St. John the Baptist.", undated.
Paintings. Batoni, Pompeo."Holy Roman Emperor Joseph II and his Brother, Leopold I, Grand Duke of Tuscany.", undated.
Paintings. Batoni, Pompeo."Lady Mary Fox, Later Baroness Holland.", undated.
Paintings. Batoni, Pompeo."Louisa Grenville, Later Countess Stanhope.", undated.
Paintings. Batoni, Pompeo."Scarifice of Iphigenia.", undated.
Paintings. Batoni, Pompeo."St. Louis Gonzaga.", undated.
Paintings. Batoni, Pompeo."Marriage of Cupid and Psyche.", undated.
Paintings. Batoni, Pompeo."Senator Rezzonico (Pavanello).", undated.
Paintings. Batoni, Pompeo."Sir Wyndham Knatchbull-Wyndham, 6th Bt.", undated.
Paintings. Batoni, Pompeo."Vigin and Child in Glory.", undated.
Paintings. Benefial, Marco."Christ Appearing to St. Caterina Fieschi Adorno of Genoa Galleria.", undated.
Paintings. Benefial, Marco."Adam and Eve Adoring the Creator.", undated.
Paintings. Benefial, Marco."Pyramus and Thisbe.", undated.
Paintings. Benefial, Marco."Vision of St. Philip Neri.", undated.
Paintings. Bianchi, Pietro. "Mercury and Argus.", undated.
Paintings. Bianchi, Pietro. "Meeting of Cardinal Anton Zonadari and Philip V of Spain.", undated.
Paintings. Blanchet, Louis-Gabriel. "Prince Charles Edward Stuart.", undated.
Paintings. Blanchet, Louis-Gabriel. "Prince Henry Benedict Clement Stuart.", undated.
Paintings. Bottani, Giuseppe. "Armida Attempts Suicide.", undated.
Paintings. Bottani, Giuseppe. "Caterina della Valle with her Children.", undated.
Paintings. Busiri, Giovanni Battista. "Piazza di Bocca della Verita, Looking Toward the Tiber.", undated.
Paintings. Busiri, Giovanni Battista. "View of the Colosseum, Rome.", undated.
Paintings. Cades, Giuseppe. "Meeting of Gautier, Count of Antwerp, and His Daughter, Violante.", undated.
Paintings. Cades, Giuseppe. "Self-Portrait.", undated.
Paintings. Cades, Giuseppe. "Virgin and Child.", undated.
Paintings. Cades, Giuseppe. "St. Peter Appearing to Saints Lucy and Agatha.", undated.
Paintings. Camuccini, Vincenzo. " Finding of Paris.", undated.
Paintings. Cavallucci, Antonio. "St. Bona Receiving the Habit of the Oblate of St. Augustine.", undated.
Paintings. Chiari, Giuseppe Bartolomeo. "Adoration of the Magi.", undated.
Paintings. Chiari, Giuseppe Bartolomeo. "Rest on the Flight into Egypt.", undated.
Paintings. Conca, Sebastiano. "Holy Family in Egypt.", undated.
Paintings. Conca, Sebastiano. "Christ and the Women Taken in Adultery.", undated.
Paintings. Corvi, Domenico. "Madonna and Child Worshipped by Saints.", undated.
Paintings. Corvi, Domenico. "Self-Portrait of the Artist in his Studio.", undated.
Paintings. Corvi, Domenico. "Miracle of St. Giuseppe Calasanzio Rescuscitating a Child in a Church.", undated.
Paintings. Costanzi, Placido. "Monsignor Zondadari Blessing the People Near Rome.", undated.
Paintings. Costanzi, Placido. "Charity (modello for the Palazzo Zondadari Siena).", undated.
Paintings. Costanzi, Placido. "Christ in Benediction.", undated.
Paintings. Costanzi, Placido. "Trinity with Saints Gregory and Romualdo.", undated.
Paintings. Costanzi, Placido. "Virgin Mary.", undated.
Paintings. David, Jacques-Louis. "Hector.", undated.
Paintings. David, Jacques-Louis. "Oath of the Horatii.", undated.
Paintings. David, Jacques-Louis. "St. Roch Interceding with the Virgin.", undated.
Paintings. Drouais, Jean Germain. "Philoctetes on Lemnos.", undated.
Paintings. Fernandi, Francesco (Imperiali). "Hector and Andromache.", undated.
Paintings. Fernandi, Francesco (Imperiali). "Rebecca and Eliezar at the Well.", undated.
Paintings. Gagneraux, Benigne. "Genius of the Arts.", undated.
Paintings. Ghezzi, Giuseppe. "Venus Giving Arms to Aeneas.", undated.
Paintings. Ghezzi, Pier Leone. "Carlo Albani.", undated.
Paintings. Ghezzi, Pier Leone. "Vesting of St. Guiliani Falconieri.", undated.
Paintings. Ghezzi, Pier Leone. "Miracle of St. Philip Neri and Cardinal Orsini.", undated.
Paintings. Ghezzi, Pier Leone. "Miracle of St. Philip Neri for Vicenzo Maria Orsini, undated.
Paintings. Giaquinto, Corrado. "Adoration of the Holy Cross on the Day of the Last Judgement.", undated.
Paintings. Giaquinto, Corrado. "Study for 'The Assumption of the Virgin'.", undated.
Paintings. Giaquinto, Corrado. "Saint Nicholas of Bari Blessing the Warriors.", undated.
Paintings. Giaquinto, Corrado. "The Emperor Constantine presented to the Holy Trinity by his Mother St. Helen.", undated.
Paintings. Girodet-Trioson, Anne-Louis. "Sleep of Endymion.", undated.
Paintings. Hackert, Jackob Philipp. "Beach of Practica di Mare with the Palazzina Borghese Staatlich.", undated.
Paintings. Hackert, Jackob Philipp. "View of Rome with the Villa Albani.", undated.
Paintings. Hamilton, Gavin. "Death of Lucretia.", undated.
Paintings. Kauffman, Angelicirca "John Morgan.", undated.
Paintings. Kauffman, Angelicirca "Self-Portrait Hesitating..", undated.
Paintings. Kauffman, Angelicirca "Cornelia, Mother of the Gracchi.", undated.
Paintings. Landi, Gaspare. "The Meeting of Hector and Andromache.", undated.
Paintings. Lint, Hendrik Frans van. "Landscape with Bacchus and Ariadne.", undated.
Paintings. Lint, Hendrik Frans van. "View of Santa Maria in Aracoeli.", undated.
Paintings. Locatelli, Andrea. "Hilly Landscape with Herdsmen and Animals.", undated.
Paintings. Locatelli, Andrea. "Landscape in Latium with Fishermen at a River.", undated.
Paintings. Luti, Benedetto. "Isaiah.", undated.
Paintings. Luti, Benedetto. "The Education of Cupid.", undated.
Paintings. Luti, Benedetto. "St. Carlo Borromeo Assisting the..", undated.
Paintings. Luti, Benedetto. "Christ and the Woman of Samaria.", undated.
Paintings. Mancini, Francesco. "Virgin Child with Saints Christina, Francis of Assisi, and Felice de Cantalupo.", undated.
Paintings. Maron, Anton von. "Elizabeth Hervey.", undated.
Paintings. Maron, Anton von. "The Return of Orestes.", undated.
Paintings. Maron, Anton von. "Self-Portrait.", undated.
Paintings. Masucci, Agostino. "Ecstasy of the Blessed Caterina de' Ricci.", undated.
Paintings. Masucci, Agostino. "The Judgement of Solomon.", undated.
Paintings. Mazzanti, Lodovich. "The Death of Lucretia.", undated.
Paintings. Mengs, Anton Raphael. "Adoration of the Shepherds.".
Paintings. Mengs, Anton Raphael. "Clement XIII Rezzonico.", undated.
Paintings. Mengs, Anton Raphael. "Semiranis.", undated.
Paintings. Mengs, Anton Raphael. "Dream of Joseph.", undated.
Paintings. Mengs, Anton Raphael. "Johann Joachim Winckelmann.", undated.
Paintings. Mengs, Anton Raphael. "Portrait of John, 7th Earl of Galloway.", undated.
Paintings. Mengs, Anton Raphael. "Penitent Magdalen with a Cross.", undated.
Paintings. Mengs, Anton Raphael. "A Sibyl.", undated.
Paintings. Mengs, Anton Raphael. "Thomas Conolly of Castletown.", undated.
Paintings. Milani, Aureliano. "Madonna del Fuoco, Protectoress..", undated.
Paintings. Nocchi, Bernardino. "Ulysses Abandoning Calypso.", undated.
Paintings. Orizzonte. "View of Rome.", undated.
Paintings. Orizzonte. "Rest on the Flight into Egypt.", undated.
Paintings. Panini, Giovanni Paolo. "Charles III Visits the Basilicirca.", undated.
Paintings. Panini, Giovanni Paolo. "Interior of St. Peter's.", undated.
Paintings. Panini, Giovanni Paolo. "Pope Benedict XIV Receiving Charles..", undated.
Paintings. Panini, Giovanni Paolo. "View of Rome from Monte Mario.", undated.
Paintings. Panini, Giovanni Paolo. "View of Forum Romanum.", undated.
Paintings. Panini, Giovanni Paolo. "View of the Roman Forum.", undated.
Paintings. Panini, Giovanni Paolo. "Preparations in Piazza Navona for..", undated.
Paintings. Panini, Giovanni Paolo. "Interior of a Picture Gallery.", undated.
Paintings. Panini, Giovanni Paolo. "Interior of the Pantheon.", undated.
Paintings. Panini, Giovanni Paolo. "Interior of a Picture Gallery (Ancient Rome.", undated.
Paintings. Panini, Giovanni Paolo. "Piazza del Popolo.", undated.
Paintings. Panini, Giovanni Paolo. "St. Peter's Square, Rome.", undated.
Paintings. Panini, Giovanni Paolo. "View of the Palatine, Arch of Constantine, Colosseum.", undated.
Paintings. Panini, Giovanni Paolo. "Interior of St. Peter's.", undated.
Paintings. Panini, Giovanni Paolo. "View of Rome from Monte Marino.", undated.
Paintings. Peyron, Pierre. "The Funeral of Miltrades.", undated.
Paintings. Pozzi. "Immaculate Conception.", undated.
Paintings. Pozzi. "Immaculate Conception.".
Paintings. Pozzi. "Stratonice and Antiochus.".
Paintings. Pozzi. "Enthroned Emperor in Judgement.", undated.
Paintings. Robert, Hubert. "Garden of an Italian Villa.", undated.
Paintings. Subleyras, Pierre. "Pope Benedict XIV.", undated.
Paintings. Subleyras, Pierre. "Portrait de Madame Subleyras.", undated.
Paintings. Subleyras, Pierre. "St. Camillo de Lelis Saving the Sick.", undated.
Paintings. Subleyras, Pierre. "St. Benedict Reviving a Child.", undated.
Paintings. Tibaldi, Maria Felice. "Feast in the House of Simon.", undated.
Paintings. Tofanelli, Stefano. "The Artist's Brother Agostino and his Father Andrea..", undated.
Paintings. Trevisiani, Francesco. "Cardinal Pieto Ottoboni.", undated.
Paintings. Trevisiani, Francesco. "The Dead Christ with Angels.", undated.
Paintings. Trevisiani, Francesco. "Joseph Being Sold by his Brothers.", undated.
Paintings. Trevisiani, Francesco. "Portrait of Felice Ramelli.", undated.
Paintings. Trevisiani, Francesco. "Olindo and Sopronia.", undated.
Paintings. Trevisiani, Francesco. "Virgin and Child with John the Baptist.", undated.
Paintings. Troy, Jean Francois de. "Judgement of Solomon.", undated.
Paintings. Unterberger, Cristoforo. "Apollo Consigning Achilles to Charon.", undated.
Paintings. Unterberger, Cristoforo. "Painting and Sculpture.", undated.
Paintings. Vanvitelli. "View of the Convent of San Paolo at Albano.", undated.
Paintings. Vernet, Claude Joseph. "Harbor of Livorno in Stormy Weather.", undated.
Paintings. Vernet, Claude Joseph. "Boat Race on the Tiber.", undated.
Paintings. Vernet, Claude Joseph. "Villa at Caprarola.", undated.
Paintings. Vernet, Claude Joseph. "Villa Ludovisi Gardens.", undated.
Paintings. Vernet, Claude Joseph. "Villa Pamphili Gardens.", undated.
Paintings. Vernet, Claude Joseph. "Waterfalls of Maecenas near Tivoli.", undated.
Drawings. Adam, Robert. "Reconstruction Based on Roman..", undated.
Drawings. Batoni, Pompeo. "Allegory in Honor of Pope Benedict.", undated.
Drawings. Batoni, Pompeo. "Academy Nude, Seated.", undated.
Drawings. Batoni, Pompeo. "Sol and Recumbent Male Figure, After.", undated.
Drawings. Batoni, Pompeo. "Study of Hercules for the Choice..", undated.
Drawings. Batoni, Pompeo. "Endymion, after the Antique.", undated.
Drawings. Batoni, Pompeo. "Academy Male, Arm on Head.", undated.
Drawings. Batoni, Pompeo. "Study for the Visitation.", undated.
Drawings. Benefial, Marco. "Academy Nude.", undated.
Drawings. Benefial, Marco. "Santa Giacinta Maresotti on her Deathbed.", undated.
Drawings. Benefial, Marco. "Transfiguration.", undated.
Drawings. Bottani, Giuseppe. "Reclining Male Nude Posed as a..", undated.
Drawings. Brown, John. "Woman Standing Among the Friars.", undated.
Drawings. Cades, Giuseppe. "The Marriage of Alexander and Rosanna.", undated.
Drawings. Cades, Giuseppe. "Achilles in Tent.", undated.
Drawings. Cades, Giuseppe. "Armida Abducting the Sleeping.", undated.
Drawings. Cades, Giuseppe. "Tarquin and Lucretia.", undated.
Drawings. Cades, Giuseppe. "Virgin and Child.", undated.
Drawings. Campiglia, Giovanni Domenico. "Faun.", undated.
Drawings. Camunccini, Vincenzo. "Oath of Brutus," "Plot of Catalina.", undated.
Drawings. Carstens, Asmus Jakob. "Achilles and Heroes.", undated.
Drawings. Cavalucci, Antonio. "Saints Mauro and Placido before Saint Benedict.", undated.
Drawings. Chiari, Giuseppe. "Bacchus and Ariadne.", undated.
Drawings. Clerisseau, Charles-Louis. "Portico of the Pantheon," "Ruin Room in the Convent..", undated.
Drawings. Conca, Sebastiano. "The Adoration of the Magi.", undated.
Drawings. Conca, Sebastiano. "Self-Portrait.", undated.
Drawings. Corvi. "Nude, Standing, Turned to the Left.", undated.
Drawings. David, Jaques-Louis. "Study of the Sabines from Oath..", undated.
Drawings. dell'Era, Giovanni. "Group of People.", undated.
Drawings. Ducros, Louis. "View of the Colosseum.", undated.
Drawings. Ducros, Louis. "Villa di Mecante a Tivoli.", undated.
Drawings. Flaxman, John. "Hector Chiding Paris.", undated.
Drawings. Flaxman, John. "Designs for the Monument to the Poet William Collins..", undated.
Drawings. Fragonard, Jean-Honore. "Gardens of the Villa d'Este at..", undated.
Drawings. Fragonard, Jean-Honore. "Avenue of Cypresses.", undated.
Drawings. Fragonard, Jean-Honore. "God the Father and the Prophet Joel.", undated.
Drawings. Fuseli, Henry. "Edgar, Feigning Madness, Approaches.", undated.
Drawings. Fuseli, Henry. "The Thieves' Punishment (Inferno).", undated.
Drawings. Gauffier, Louis. "Roman Matrons Appealing to the Sons.", undated.
Drawings. Ghezzi, Giuseppe. "Self-Portrait.", undated.
Drawings. Ghezzi, Giuseppe. "Joseph Henry.", undated.
Drawings. Ghezzi, Giuseppe. "Marquis de Vandieres, Abbe Jean..", undated.
Drawings. Ghezzi, Giuseppe. "The Famous Castrato Il Farinelli.", undated.
Drawings. Ghezzi, Giuseppe. "Dr. James Hay as Bear Leader.", undated.
Drawings. Ghezzi, Giuseppe. "Sebastiano Concirca", undated.
Drawings. Giani, Felice. "Christ Casting the Merchants from..", undated.
Drawings. Giani, Felice. "Bacchanal with Dante and Beatrice.", undated.
Drawings. Giani, Felice. "Infant Throwing Pharaoh's Crown.", undated.
Drawings. Giaquinto, Corrado. "Study for Relics of the Saints Actius and Eutychtes..", undated.
Drawings. Grandjean, Jean. "Monsieur Wild Pointing to the Restorations..", undated.
Drawings. Hackert, Jokob Philipp. "View of Rome.", undated.
Drawings. Hamilton, Hugh Douglas. " Frederick Lord North.", undated.
Drawings. Lapiccola, Nicolo. "Joseph Interprets the Dream of Pharaoh's.", undated.
Drawings. Lusieri, Titti. "Baths of Caracalla.", undated.
Drawings. Luti, Benedetto. "Head of a Bearded Man.", undated.
Drawings. Luti, Benedetto. "Pius V and the Ambassador of the King of Poland.", undated.
Drawings. Luti, Benedetto. "Virgin Blessing a Church.", undated.
Drawings. Maratta, Carlo. "Allegory of the Old and New..", undated.
Drawings. Maratta, Carlo. "Mercury Consigning the Infant Bacchus.", undated.
Drawings. Maratta, Carlo. "John the Evangelist..", undated.
Drawings. Maratta, Carlo. "Study for Apollo..", undated.
Drawings. Masucci, Agostino. "Self-Portrait.", undated.
Drawings. Masucci, Agostino. "Portrait of de' Marchis.", undated.
Drawings. Mazzanti, Lodovico. "Romulus and Remus Pursue and Kill the Thieves.", undated.
Drawings. Mengs, Anton Raphael. "Academy Nude, Seated.", undated.
Drawings. Mengs, Anton Raphael. "Personification of Truth.", undated.
Drawings. Mengs, Anton Raphael. "Study for Parnassus.", undated.
Drawings. Mengs, Anton Raphael. "St. Eusebius.", undated.
Drawings. Natoire, Charles Joseph. "View of Santa Sabina.", undated.
Drawings. Natoire, Charles Joseph. "Villa d'Este.", undated.
Drawings. Odazzi, Giovanni. "Martyrdom of Saints Philip and James the Younger.", undated.
Drawings. Panini, Giovanni Paolo. "Drawing of the Lottery in Piazza..", undated.
Drawings. Passeri, Giuseppe. "Cardinal Giovanni Francesco Albani Receiving the Papal Crown.", undated.
Drawings. Passeri, Giuseppe. "St. Peter Freed by the Angel.", undated.
Drawings. Pecheux, Laurent. "Assassination of Julius Caesar.", undated.
Drawings. Piranesi, Giovanni Battista. "The 'Canopus' of the Villa Adriana..", undated.
Drawings. Piranesi, Giovanni Battista. "Architectural Fantasy.", undated.
Drawings. Piranesi, Giovanni Battista. "Fantasy on a Monumental Wall Tomb.", undated.
Drawings. Piranesi, Giovanni Battista. "Grottesco with the Tomb of Nero.", undated.
Drawings. Piranesi, Giovanni Battista. "Jail with Men in Socks.", undated.
Drawings. Piranesi, Giovanni Battista. "Study for the Parte di Ampio magnifico Porto.", undated.
Drawings. Pozzi, Stefano. "Study for Presentation of the Virgin.", undated.
Drawings. Procacinni, Andrea. "Self-Portrait.", undated.
Drawings. Robert, Hubert. "Draughtsman in a Church.", undated.
Drawings. Robert, Hubert. "Fountain in the Piazza del Campido.", undated.
Drawings. Robert, Hubert. "View of the Dome of St. Peter's.", undated.
Drawings. Robert, Hubert. "Villa Madama.", undated.
Drawings. Robert, Hubert. "Wine Press.", undated.
Drawings. Sabatelli, Luigi. "Rinaldo and Armida on a Chariot Drawn by Dragons.", undated.
Drawings. Sabatelli, Luigi. "Ugolino Devours his Children.", undated.
Drawings. Subleyras, Pierre. "Academic Study of a Nude Woman.", undated.
Drawings. Tischbein, Johann Heinrich Wilhelm. "Goethe at the Window of his Apartment.", undated.
Drawings. Trevisani, Francesco. "Self-Portrait.", undated.
Drawings. Valenciennes, Pierre-Henri de. "Rocca di Papa in the Mist.", undated.
Drawings. Vanvitelli. "View of the Country," "Sketch of a Palace and Grounds.", undated.
Drawings. Vanvitelli. "View of Tivoli.", undated.
Drawings. Wilson, Richard. "Circus of Flora.", undated.
Sculpture. Adam, Lambert-Sigisbert. "Dolore.", undated.
Sculpture. Albacini, Carlo. "Flora (After the Antique).", undated.
Sculpture. Angelini, Giuseppe. "Spem Alit Prudentia.", undated.
Sculpture. Banks, Thomas. "Thetis and her Nymphs Rising from the Sea.", undated.
Sculpture. Bouchardon, Edme. "Bust of John, Lord Hervey.", undated.
Sculpture. Bracci, Pietro. "Allegory of Strength.", undated.
Sculpture. Bracci, Pietro. "Bust of Pope Benedict XIII, Pier Francesco Orsini-Gravina.", undated.
Sculpture. Cametti, Bernardino. " Bust of Giovanni Andrea Muti.", undated.
Sculpture. Canova, Antonio. "Love and Psyche Playing.", undated.
Sculpture. Canova, Antonio. "Feeding the Hungry.", undated.
Sculpture. Canova, Antonio. "Stele Giustiniani.", undated.
Sculpture. Canova, Antonio. "Meekness.", undated.
Sculpture. Canova, Antonio. "Hermitage.", undated.
Sculpture. Cavaceppi, Bartolomeo. "Emperor Caracalla.", undated.
Sculpture. Cavaceppi, Bartolomeo. "Faustina the Younger.", undated.
Sculpture. Cavaceppi, Bartolomeo. "Molosso.", undated.
Sculpture. Cavaceppi, Bartolomeo. "Three-bodied Hecate.", undated.
Sculpture. Cavaceppi, Bartolomeo. "Tripod.", undated.
Sculpture. Cavaceppi, Bartolomeo. "Lansdowne Diskobolos.", undated.
Sculpture. Ceracchi, Giuseppe. "George Washington.", undated.
Sculpture. Clodion. "River Rhine Separating the Waters.", undated.
Sculpture. Clodion. "Three Nymphs Dancing, Holding Hands.", undated.
Sculpture. Clodion. "Vase with 5 Women Making a Sacrifice.", undated.
Sculpture. Clodion. "A Vestal.", undated.
Sculpture. Cornacchini, Agostino. "Deposition," "Nativity.", undated.
Sculpture. Doell, Friedrich Wilhelm Eugen. "Minerva Turns Pegasus over to Bellerophon.", undated.
Sculpture. Hewetson, Christopher. "Pope Clement XIV.", undated.
Sculpture. Houdon, Jean Antoine. "Saint Bruno.", undated.
Sculpture. Legros, Pierre II. "St. Luigi Gonzaga in Glory.", undated.
Sculpture. Maini, G.B. "Archangel Michael..", undated.
Sculpture. Marchionni, Carlo. "Presentation Modello for the Bas-Relief of the Tomb of Pope Benedict..", undated.
Sculpture. Mazzuoli, Giuseppe. "Saint Philip.", undated.
Sculpture. Moitte, Jean-Guillaume. "Spoils of the Temple.", undated.
Sculpture. Moitte, Jean-Guillaume. "Triumph of Titus.", undated.
Sculpture. Monnot. "Narcissus and Echo.", undated.
Sculpture. Monnot. "Holy Family.", undated.
Sculpture. Monnot. "Venus and Cupid," "Mercury and Cupid.", undated.
Sculpture. Nollekens, Joseph. "Boy and Dolphin.".
Sculpture. Nollekens, Joseph. "Laurence Sterne.", undated.
Sculpture. Nollekens, Joseph. "Giovanni Battista Piranesi.", undated.
Sculpture. Pacetti, Camillo. "Judith Showing her People the Head..", undated.
Sculpture. Pacetti, Camillo. "Achilles and Penthesilia.", undated.
Sculpture. Penna, Agostino. "Relief of Borghese Fighters.", undated.
Sculpture. Poncet, Francois-Marie. "Holy Family Adorned by Angels.", undated.
Sculpture. Righetti, Francesco. "Young Centaur.", undated.
Sculpture. Rossi, Angelo de. "Alexander VIII Ottoboni.", undated.
Sculpture. Rossi, Angelo de. "Christ in the Garden of Olives.", undated.
Sculpture. Rusconi, Camillo. "Faun in the Guise of Bacchus.", undated.
Sculpture. Rusconi, Camillo. "Giulia Albani degli Abati Olivieri.", undated.
Sculpture. Rusconi, Camillo. "Pope Gregory XIII.", undated.
Sculpture. Rusconi, Camillo. "St. Andrew.", undated.
Sculpture. Saly, Jacques. "Head of a Child.", undated.
Sculpture. Sergel, Jonas Tobias. "Mars and Venus.", undated.
Sculpture. Sergel, Jonas Tobias. "Achilles on the Seashore.", undated.
Sculpture. Slodtz, Michel-Ange. "Nicholas Vleughels.", undated.
Sculpture. Valle, Filippo della. "Temperance.", undated.
Sculpture. Valle, Filippo della. "Blessed Niccolo Albergati.", undated.
Sculpture. Zoffoli, Giacomo. "Roman Matron.", undated.
Architecture. Bouchardon, Edme. "Unexecuted Project for the Trevi Fountain.", undated.
Architecture. Bracci, Pietro. "Allegory of Wisdom.", undated.
Architecture. Bracci, Pietro. "Project for Monument to James III..", undated.
Architecture. Bracci, Pietro. "Project for Monument to Benedict XIV.", undated.
Architecture. Canevari, Antonio. "Project for Arcadian Academy.", undated.
Architecture. Fontana, Carlo. "San Marcello Façade.", undated.
Architecture. Fontana, Carlo. "Possesso Arch of Clement XI.".
Architecture. Fuga, Ferdinando. "Unexecuted Project for the Trevi.", undated.
Architecture. Fuga, Ferdinando. "Santa Maria Maggiore Portico.", undated.
Architecture. Juvarra, Filippo. "Set Design for Tito e Berenice.", undated.
Architecture. Juvarra, Filippo. "Design for a Church.", undated.
Architecture. Juvarra, Filippo. "Perspective of a Façade.", undated.
Architecture. Le Lorrain, Louis. "Chinea Macchina of 1746..", undated.
Architecture. Maini, Giovanni Batt. "Oceanus Figure on the Trevi Fountain.", undated.
Architecture. Michetti, Nicola. " Rospigliosi Pallavicini Chapel.", undated.
Architecture. Michetti, Nicola. " The Second Chinea Macchina of 1733.", undated.
Architecture. Michetti, Nicola. "Interior of Santi Apostoli under..", undated.
Architecture. Nolli. "Plan of Rome.", undated.
Architecture. Pinto. "Palazzo Braschi.", undated.
Architecture. Piranesi, Giovanni Battista. "Trevi Fountain.", undated.
Architecture. Piranesi, Giovanni Battista. "San Giovanni in Laterno, Main Façade.", undated.
Architecture. Piranesi, Giovanni Battista. "Villa Albani.", undated.
Architecture. Piranesi, Giovanni Battista. "Altar for Santa Maria del Priorato.", undated.
Architecture. Piranesi, Giovanni Battista. "Lateran Transept, Section.", undated.
Architecture. Piranesi, Giovanni Battista. "Project for the Attic of the Pantheon.", undated.
Architecture. Piranesi, Giovanni Battista. "Lateran Transept, Elevation.", undated.
Architecture. Pozzo, Padre Andrea. "Study for the Altar of San Luigi Gonzaga..", undated.
Architecture. Salvi, Nicola. "Fireworks Macchina of 1728.", undated.
Architecture. Salvi, Nicola. "Unexecuted Project for San Giovanni..", undated.
Architecture. Salvi, Nicola. "Winning Design for the Trevi..", undated.
Architecture. Specchi, Alessandro. "Port of Ripetta.", undated.
Architecture. Valadier, Giuseppe. "Project for Piazza del Popolo.", undated.
Architecture. Vanvitelli, Luigi. "Jesuit Church in Ancona, Longitudinal.", undated.
Architecture. Vanvitelli, Luigi. "Jesuit Church in Ancona, Transverse.", undated.
Architecture. Vanvitelli, Luigi. "Unexecuted Project for the Trevi..", undated.
Architecture. Vasi, Giuseppe. "Prospetto di Rome.", undated.
Architecture. Vittone, Bernardo Antonio. "Design for a Church with a Twin Bell, Elevation.", undated.
Architecture. Vittone, Bernardo Antonio. "Design for a Church with a Twin Bell, Plan.", undated.
Architecture. Vittone, Bernardo Antonio. "Design for a City Surrounded by the Sea.", undated.
Decorative Arts. Albacini, Carlo and Filippo. "Elephant from the Tablesetting of the Ruins of Paestum.", undated.
Decorative Arts. Anonymous. "Albums with Precious Gems.", undated.
Decorative Arts. Anonymous. "Chair.", undated.
Decorative Arts. Anonymous. "Coach.", undated.
Decorative Arts. Anonymous. "Commode.", undated.
Decorative Arts. Anonymous. "Large Guilded Armchair with Velvet.", undated.
Decorative Arts. Anonymous. "Painted and Gilded Cabinet.", undated.
Decorative Arts. Anonymous. "Table with Papal Arms.", undated.
Decorative Arts. Anonymous. "Vatican Bookbindings.", undated.
Decorative Arts. Belli, Vicenzo. "Ewer and Basin.", undated.
Decorative Arts. Boncampagni-Ludovisi. "Commode.", undated.
Decorative Arts. Boschi, Giuseppe. "Candlesticks.", undated.
Decorative Arts. Carletti, Nicola, Angelo and Alessandro. "Two Chigi Corner Consoles.", undated.
Decorative Arts. Coaci, Vincenzo. "Inkstand and Case..", undated.
Decorative Arts. Cocchi, Filippo and Giuseppe Spagna. "Mosaic with Muse and Bronze Frame..", undated.
Decorative Arts. Daneau, Pierre. "Tables.", undated.
Decorative Arts. Ermans, Giovanni. "Small Commode with Prie Dieu.", undated.
Decorative Arts. Ferloni, Pietro. "Erminia and the Shepherd.", undated.
Decorative Arts. Gagliardi, Leandro. "Altar Set with Four Apostles..", undated.
Decorative Arts. Giardini, Giovanni. "Pax with Pieta.", undated.
Decorative Arts. Giardini, Giovanni. "Project for a Clock.", undated.
Decorative Arts. Giardini, Giovanni. "Project for a Table.", undated.
Decorative Arts. Grandjacquet, A.G. "Amphora.", undated.
Decorative Arts. Landucci, Lucia. "Chair for the Stanza..", undated.
Decorative Arts. Pacetti, Vincenzo. "Villa Borghese Console.", undated.
Decorative Arts. Passerini, Filippo. "Project for a Dressing Table..", undated.
Decorative Arts. Piranesi, Giovanni Battista. "Pedestal.", undated.
Decorative Arts. Piranesi, Giovanni Battista. "Table.", undated.
Decorative Arts. Piranesi, Giovanni Battista. "Candlesticks.", undated.
Decorative Arts. Pozzi, Stefano. "Salvator Mundi.", undated.
Decorative Arts. Raffaelli, Giacomo. "Dove with a Red Ribbon.", undated.
Decorative Arts. Reiffenstein, Johann F. "Pair of Molded Glass Paste Medallions.", undated.
Decorative Arts. Righetti, F. "Candlestick.", undated.
Decorative Arts. Savini, Pompeo. "Table.", undated.
Decorative Arts. Scirman, Pietro. "Pamphilj Chalice and Paten.", undated.
Decorative Arts. Spinazzi, Angelo. "Teapot.", undated.
Decorative Arts. Umani. "Clock.", undated.
Decorative Arts. Valadier, Luigi. "Bacchus and Ariadne, undated.
Decorative Arts. Valadier, Luigi. "Cartagloria.", undated.
Decorative Arts. Valadier, Luigi. "Poniatowski Chalice Case.", undated.
Decorative Arts. Valadier, Luigi. "Pontificial Service.", undated.
Decorative Arts. Valadier, Luigi. "Apollo and Venus.", undated.
Decorative Arts. Valadier, Luigi. "Drawing of a Dressing Table Service.", undated.
Decorative Arts. Vecchis, Nicola de. "Vases.", undated.
Decorative Arts. Volpato. "Dying Gaul.", undated.
Images. Paintings (1 of 5 folders), undated.
Images. Paintings (2 of 5 folders), undated.
Images. Paintings (3 of 5 folders), undated.
Images. Paintings (4 of 5 folders), undated.
Images. Paintings (5 of 5 folders), undated.
Images. Drawings (1 of 3 folders), undated.
Images. Drawings (2 of 3 folders), undated.
Images. Drawings (3 of 3 folders), undated.
Images. Sculpture (1 of 3 folders), undated.
Images. Sculpture (2 of 3 folders), undated.
Images. Sculpture (3 of 3 folders), undated.
Images. Architecture (1 of 3 folders), undated.
Images. Architecture (2 of 3 folders), undated.
Images. Architecture (3 of 3 folders), undated.
Images. Decorative Arts (1 of 3 folders), undated.
Images. Decorative Arts (2 of 3 folders), undated.
Images. Decorative Arts (3 of 3 folders), undated.
Images. Prints (1 of 3 folders), undated.
Images. Prints (2 of 3 folders), undated.
Images. Prints (3 of 3 folders), undated.
Images. Miscellaneous (1 of 3 folders), undated.
Images. Miscellaneous (2 of 3 folders), undated.
Images. Miscellaneous (3 of 3 folders), undated.
Color transparencies, 4x5 (1 of 3 folders), undated.
Color transparencies, 4x5 (2 of 3 folders), undated.
Color transparencies, 4x5 (3 of 3 folders), undated.
Color transparencies, 8x10, undated.
Miscellaneous (1 of 4 folders), undated.
Miscellaneous (2 of 4 folders), undated.
Miscellaneous (3 of 4 folders), undated.
Miscellaneous (4 of 4 folders), undated.
Scope and Content Note

This sub-subseries contains image files for objects that were not used in the exhibition.

Abildgaard. "Caracalla Offering a Dagger", undated.
Adam. "Virgin Appearing to Saints Andrea Corsini..", undated.
Aguatti. "Colosseum", undated.
Akerstrom. "Academic Reunion at the Bosco..", undated.
Allen. "Origin of Painting", undated.
Allen. "Continence of a Scipio", undated.
Amorosi. "Girl with Chickens", undated.
Banks. "Caractatus before Claudius", undated.
Barberi. "2 Drawings for Furniture", undated.
Barigoni. "Lateran Façade", undated.
Bartoli. "A Design for a Mitre", undated.
Bartoli. "A Papal Tiara", undated.
Bartoli. "The Tiara of Pope Julius II", undated.
Batoni. "Allegory of the Death of 2 Children of Ferdinand IV", undated.
Batoni. "Charles Compton, 7th Earl of..", undated.
Batoni. "The Continence of Scipio," "Thetis Entrusting Chiron..", undated.
Batoni. "Cupid and Psyche, after the Antique", undated.
Batoni. "Diana and Cupid", undated.
Batoni. "Fall of Simon Magus", undated.
Batoni. "Colonel the Honorable William Gordon", undated.
Batoni. "Academic Nude, Reclining with a Vase", undated.
Batoni. "Academy Study", undated.
Batoni. "Holy Family with Infant St. John the Baptist", undated.
Batoni. "John, Lord Brudenell, later..", undated.
Batoni. "Lady at her Toilet", undated.
Batoni. "Marriage of St. Catherine with..", undated.
Batoni. "Marriage of St. Catherine with..".
Batoni. "Allegory of Painting", undated.
Batoni. "Princess Cecilia Mahony Giustiniani", undated.
Batoni. "Pope Pius VI", undated.
Batoni. "Sacre Famiglia", undated.
Batoni. "Sacred Heart of Jesus", undated.
Batoni. "St. Bartholomew", undated.
Batoni. "Vision of St. Philip Neri", undated.
Batoni. "Ecstasy of St. Catherine of Siena", undated.
Batoni. "Sir Humphrey Morice", undated.
Batoni. "View of the Interior of the Gesu", undated.
Benefial. "Death of St. Margherita of Cortona", undated.
Benefial. "Study for St. Francis", undated.
Benefial. "Hercules and Omphale", undated.
Benefial. "Group Portrait with a Preacher in the..", undated.
Benefial. "John Parker", undated.
Benefial. "Jonah", undated.
Benefial. "Margharite of Cortona Finding..", undated.
Benefial. "Study for Death of Agnes", undated.
Bianchi. "A Fountain Amidst Ruins", undated.
Bianchi. "View of Rome with the Tomb of Cecilia", undated.
Bianchi. "Virgin, St. Francis, and St. Dominic", undated.
Bianchi. "Virgin, St. Francis, and St. Dominic".
Bianchi. "Monk Praying before an Altar".
Bianchi. "Group of Men and Women before..".
Bidauld. "View of the Island of Sora in the..", undated.
Blanchet. "Giovanni Paolo Panini", undated.
Bottani. "Education of the Virgin", undated.
Bottani. "Hagar and the Angel", undated.
Bottani. "Study for Departure of Saints Paula and..", undated.
Bottani. "Bust of Benedict XIII", undated.
Bracci. "Study for Figure of Wisdom", undated.
Bracci. "Monument to Benedict XIV", undated.
Bracci. "St. Michael", undated.
Bracci. "Benedict XIV", undated.
Bracci. "Bust of Francesco Marucelli", undated.
Bracci. "Lateran Façade", undated.
Bracci. "Presentation at the Temple", undated.
Bracci. "Basilica of Maxentius", undated.
Brown. "The Geographers", undated.
Brown. "Three Roman Women", undated.
Bouchardon. "Bust of Clement XII", undated.
Bouchardon. "Philipp von Stosch", undated.
Cades. "Achilles in his Tent with Patroclus", undated.
Cades. "Death of Leonardo da Vinci in the..", undated.
Cades. "The Virgin Immaculate", undated.
Cades. "Design for a Frieze with Two Women Standing by an Urn", undated.
Cades. "Ecstasy of St. Joseph of Cupertino", undated.
Cades. "Gavin Hamilton Leading a Party of..", undated.
Cades. "Mars, Venus, and Cupid", undated.
Cades. "Martyrdom of the Blessed Signoretto", undated.
Cades. "The Proof of the True Cross", undated.
Cades. "A Sabine Warrior Conducting his..", undated.
Cades. "St. Peter Appearing to Saints Lucy and..", undated.
Cades. "Tarquin and Lucretia", undated.
Calandrucci. "Study for the Figure of Christ", undated.
Calandrucci. "Study for the Figure of St. John", undated.
Cametti. "St. James Minor," St. Simon", undated.
Campiglia. "Statue of Antinous", undated.
Campiglia. "Artists Studying the Sculpture of..", undated.
Campiglia. "Self-Portrait", undated.
Campiglia. "Statue of a Roman Woman", undated.
Camuccini. "The Finding of Paris", undated.
Camuccini. "Study for the Finding of Paris", undated.
Canova. "Apollo Crowning Himself", undated.
Canova. "Cupid and Psyche", undated.
Canova. "Kiss of Cupid and Psyche", undated.
Canova. "The Kneeling Magdalene", undated.
Canova. "Love and Psyche Playing", undated.
Canova. "Meekness", undated.
Canova. "Theseus and the Minotaur", undated.
Canova. "Briseus Consigned to the Heralds", undated.
Canova. "Venus and Adonis", undated.
Canova. "Dance of the Sons of Alcinous", undated.
Canova. "Portrait of Pius VI, Braschi", undated.
Canova. "Head of Genius", undated.
Canova. "Religion", undated.
Canova. "Nymph with an Amorino", undated.
Canova. "Monument to Titian", undated.
Canova. "Self-Portrait", undated.
Canova. "Venus and Adonis", undated.
Canova. "Venus and Cupid", undated.
Cardelli. "Tomb of Chiara Spinucci", undated.
Cardelli. "Ajax and Tecmessa", undated.
Carstens. "Embarkation of Megapenthes", undated.
Cavaceppi. "Interior of a Studio", undated.
Cavaceppi. "Meleager", undated.
Cavaceppi. "Amor and Psyche", undated.
Cavaceppi. "Allegory of Winter", undated.
Cavallucci. "Cardinal Romualdo Braschi", undated.
Cavallucci. "St. Peter Converting", undated.
Cavallucci. "Christ in the House of Martha and..", undated.
Cavallucci. "Hector's Farewell to Andromache", undated.
Cavallucci. "Tarpea Providing King Titus Tacitus", undated.
Cavallucci. "St. Benedict Joseph Labre", undated.
Ceccarini. "Allegory of the Five Senses", undated.
Ceccarini. "Cardinal Fabrizio Spada-Veralli", undated.
Ceccarini. "Miracle of Saint Francesca Romana", undated.
Ceracchi. "Bust of Pius VI", undated.
Cerutti. "Martyrdom of St. Anastasia", undated.
Chambers. "Colossal Vase", undated.
Chiari. "Abraham Entertaining the Three Angels", undated.
Chiari. "Adoration of the Magi" (Berlin), undated.
Chiari. "Adoration of the Magi" (Dresden), undated.
Chiari. "Allegory of St. Peter's Barque with..", undated.
Chiari. "Bathsheba at the Bath", undated.
Chiari. "Bathsheba at Her Toilet", undated.
Chiari. "St. Clement in Glory", undated.
Chiari. "Self-Portrait with his Wife and..", undated.
Chiari. "Virgin Swooning at the Tomb with the..", undated.
Chiari. "St. Servulus", undated.
Chichi. "Model of the Portico d'Ottavia", undated.
Chinard. "Apollo Trampling Superstition", undated.
Chinard. "Perseus Rescuing Andromeda", undated.
Chinard. "Venus and Aeneas", undated.
Chinard. "Relief Portrait of Girodet", undated.
Ciuli. "Snuff Box with Head of Bacchus", undated.
Clerisseau. "Architectural Fantasies", undated.
Clerisseau. "Monuments with the Temple of Vesta", undated.
Clodion. "Mary Magdalene Penitent", undated.
Clodion. "Minerva", undated.
Clodion. "Vestal Virgin Sacrificing at an Altar", undated.
Concirca "Aeneas in the Elysian Fields", undated.
Concirca "Allegory of Fame", undated.
Concirca "Apollo and Marsayas", undated.
Concirca "Bacchante", undated.
Concirca "Christ and the Samaritan", undated.
Concirca "Hercules Crowned by Fame", undated.
Concirca "Meeting between Cardinal Zondadari and..", undated.
Concirca "Miracle of St. Toribio of Lima", undated.
Concirca "Studies for the Room of the Muses", undated.
Concirca "Study for Portrait of a Lady", undated.
Concirca "Venus at the Forge of Vulcan", undated.
Concioli. "Self-Portrait in the Act of Painting", undated.
Copley. "Mr. and Mrs. Izard", undated.
Cornacchini. "Judith with Head of Holofernes", undated.
Cornacchini. "Endymion", undated.
Corvi. "Academic Nude, Seated", undated.
Corvi. "Cardinal Giovanni Andrea Archetti", undated.
Corvi. "Gideon and the Fleece", undated.
Corvi. "Gideon and the Fleece", undated.
Corvi. "Sacrifice of Polyxena", undated.
Costanzi. "Alexander VII as Cardinal Chigi..", undated.
Costanzi. "Allegorical Figure", undated.
Costanzi. "The Arts Guided by Mercury to the..", undated.
Costanzi. "Assumption of the Virgin", undated.
Costanzi. "Bust of a Woman", undated.
Costanzi. "Cardinal Zondadari Taking Leave of his..", undated.
Costanzi. "God Reproving Adam and Eve", undated.
Costanzi. "Curse of Cain", undated.
Costanzi. "Young Cleric in a Cape Holding a..", undated.
Cozens. "Monte Circeo", undated.
Dance-Holland. "Conversation Piece in Rome..", undated.
David. "Belisarius", undated.
David. "Funeral of a Warrior", undated.
David. "The Funeral of Patroclus", undated.
David. "The Oath of the Horatii", undated.
David. "Patroclus", undated.
David. "Count Potocki", undated.
David. "Study After an Antique Candalabrum", undated.
de Angelis. "Studies for The Triumph of Galatea", undated.
della Valle. "John the Baptist Preaching", undated.
della Valle. "Bust of Clement XII", undated.
de Marchis. "Landscape with a Bridge and 2 Horsemen", undated.
Desprez. "Gustav III Assisting at Christmas", undated.
Desprez. "The Papal Benediction at St. Peters", undated.
Drouais. "Marius at Minturnae", undated.
Ducros. "Pius VI Braschi Visiting the Pontine", undated.
Ferloni. "Tapestry", undated.
Ferloni. "Tapestries", undated.
Flaxman. "Apollo and Marpessa", undated.
Flaxman. "Drawing for the Illiad or Odyssey", undated.
Flaxman. "Morning, from Pope's Odyssey", undated.
Fontana. "Catafalque of Leopold I of Austria", undated.
Fragonard. "Cypresses of the Villa d'Este at..", undated.
Fragonard. "The Falls at Tivoli", undated.
Fragonard. "Staircase at the Villa d'Este at..", undated.
Fuger. "Heinrich Fuger, the Artist's Son", undated.
Fuseli. "King of Denmark is Poisoned by his..", undated.
Fuseli. "Sergel's Studio in Rome", undated.
Fuseli. "Artist Moved by the Grandeur of..", undated.
Fuseli. "The Madhouse", undated.
Gagnereaux. "Cupid and Psyche", undated.
Gagnereaux. "Pope Pius VI Showing Gustav III..", undated.
Gagliandi. "Torchere", undated.
Gauffier. "Adoration of the Holy Family in Egypt", undated.
Gauffier. "Generosity of the Roman Woman", undated.
Gaulli. "Christ Offering Communion to a Bene..", undated.
Gaulli. "Marcus Curtius Denatus Refusing..", undated.
Gaulli. "Study for an Allegorical Figure of..", undated.
Gaulli. "Study for a Figure of Joseph", undated.
Ghezzi. "Pentecost", undated.
Ghezzi. "Giovanni Battista Piranesi", undated.
Ghezzi. "Am Ecclesiastic Playing the Cello", undated.
Ghezzi. "Giovanni Battista Conca", undated.
Ghezzi. "Abbe Jean-Antoine Nollet", undated.
Ghezzi. "Augustinian Nun", undated.
Ghezzi. "Cardinal Annibale Albani", undated.
Ghezzi. "Caricature of the Sculptor G.B. Maini", undated.
Ghezzi. "Clement XI", undated.
Ghezzi. "Clement XI in Procession", undated.
Ghezzi. "The Death of St. Giuliana Falconieri", undated.
Ghezzi. "Italian Masques of L'Abate Goldini", undated.
Ghezzi. "The Lateran Council", undated.
Ghezzi. "The Michigan Saints in Glory", undated.
Ghezzi. "Martyrdom of St. Ignazio of Antioch", undated.
Ghezzi. "Return of the Prodigal Son", undated.
Ghezzi. "St. John Baptizing the People", undated.
Ghezzi. "Luigi Vanvitelli", undated.
Giani. "Design for Temporary Monument to Pius", undated.
Giani. "Genius of the Arts honors Painting..", undated.
Giani. "Samson and Delilah", undated.
Giani. "Head of Marco Crasso Presented..," "Eumene Betrayed by his Captain", undated.
Giani. "Venus and Psyche", undated.
Giani. "Vestal Virgins Showing the Will of..", undated.
Giaquinto. "Allegory of Strength and Vigilance", undated.
Giaquinto. "Adoration of the Magi", undated.
Giaquinto. "Baptism of Christ", undated.
Giaquinto. "Venus and Aeneas", undated.
Giaquinto. "Moses and the Brazen Serpent", undated.
Giaquinto. "Moses Striking the Rock", undated.
Giaquinto. "Rest on the Flight into Egypt", undated.
Giaquinto. "Study for St. Joseph Presented by the..", undated.
Giaquinto. "Moses and the Brazen Serpent", undated.
Giaquinto. "Trinity with Dead Christ", undated.
Giaquinto. "Story of Aeneas", undated.
Giaquinto. "The Trinity with the Freed Slaves", undated.
Giardini. "Holy Water Stoup", undated.
Giardini. "Dead Christ Mourned by Angels", undated.
Giardini. "Reliquary", undated.
Giardini. "Tabernacle", undated.
Giardini. "Font", undated.
Giardini. "Holy Water Stoup with a Relief", undated.
Giardini. "Papal Mace", undated.
Giardini. "Holy Water Stoup", undated.
Giardoni. "Virgin and Child Triumphing over Evil", undated.
Girodet. "The Sleep of Endymion", undated.
Guidi. "Virgin Annunciate", undated.
Hackert. "Two Men in a Gorge", undated.
Hamilton. "Achilles Lamenting the Death of..", undated.
Hamilton. "Andromache Lamenting the Death..", undated.
Hamilton. "Antonio Canova in his Studio with..", undated.
Hamilton. "Death of Achilles", undated.
Hamilton. "Hebe", undated.
Hamilton. "Venus Presenting Helen to Paris", undated.
Hamilton. "Death of Paris", undated.
Hamilton. "Rape of Helen", undated.
Hewetson. "Anton Raphael Mengs", undated.
Hewetson. "Bust of Frederick Harvey, 4th..", undated.
Hewetson. "Catherine, Viscountess Sudley", undated.
Hewetson. "Gavin Hamilton", undated.
Houdon. "L'Ecorche", undated.
Houdon. "Head of St. John the Baptist", undated.
Houdon. "St. Bruno", undated.
Houdon. "St. John the Baptist", undated.
Imperiali. "Christ in the Wilderness", undated.
Imperiali. "The Continence of Scipio", undated.
Imperiali. "Death of St. Romualdo", undated.
Imperiali. "St. Cecilia", undated.
Imperiali. "Jacob and Rachel at the Well", undated.
Imperiali. "Tobias in his Father's Presence", undated.
Imperiali. "Ventruria and Volumnia before Coriolanus", undated.
Imperiali. "Madonna of the Rosary", undated.
Juvarra. "Set Design for Giunio Bruno", undated.
Kauffmann. "Antonio Canova", undated.
Kauffmann. "Ariadne Abandoned", undated.
Kauffmann. "Self-Portrait", undated.
Kauffmann. "Domenica Volpato Morghen", undated.
Kauffmann. "Johann Joachim Winckelmann", undated.
Kauffmann. "Maddelena", undated.
Kauffmann. "The Sorrow of Telemachus", undated.
Kauffmann. "Telemachus and Mentor on the Island", undated.
Kauffmann. "Woman as Vestal Virgin", undated.
Kauffmann. "Stanislas III Poniatowski", undated.
Kauffmann. "Angelika Kauffmann", undated.
Kuntz. "Scene of Roman Life", undated.
Kuntz. "Apparition of the Virgin to Saint Monica", undated.
Labruzzi. "Giovanni Battista Piranesi", undated.
Labruzzi. "View of Cora", undated.
Labruzzi. "View of Via Appia", undated.
Landi. "Theft of Athena by Ulysses and Diomedes", undated.
Landi. "Sigismondo Chigi a Cavallo nella..", undated.
Le Gros. "The Arts Rendering Homage to..", undated.
Le Gros. "Bust of Sebastiano Conca", undated.
Le Gros. "Heresy Expelled by Religion", undated.
Le Gros. "St. Bartholomew", undated.
Le Gros. "St. Thomas", undated.
Leopardi. "Paris Coming to Mt. Ida to be Cured", undated.
Leopardi. "Priam Consigning Paris", undated.
Lint. "Ideal Landscape with an Antique Altar", undated.
Lint. "Ideal Landscape with Bacchanalian Figs..", undated.
Lint. "Landscape with Diana and Callisto", undated.
Locatelli. "Landscape with Diana and Actaeon", undated.
Locatelli. "Scene of the Market of Piazza Navona", undated.
Locatelli. "View of the Campo Vacchino", undated.
Ludovisi. "St. Matthew", undated.
Ludovisi. "Benedict XIV Lambertini", undated.
Lusieri. "View of the Baths of Caracalla", undated.
Lusieri. "View of Rome from Monte Mario", undated.
Lusieri. "Figures on a Path in the Campagna", undated.
Luti. "Diana and Endymion", undated.
Luti. "Head of an Apostle", undated.
Luti. "Portrait of a Man", undated.
Luti. "Head of St. John the Baptist", undated.
Luti. "Head of a Girl, Seen in Profile..", undated.
Luti. "Head of a Girl, Looking down..", undated.
Luti. "Study of Woman", undated.
Luti. "Venus and Adonis", undated.
Maini. "Death of the Virgin", undated.
Mancini. "Annunciation", undated.
Mancini. "Christ in Glory with Saints Clement and..", undated.
Maratta. "Adoration of the Shepherds", undated.
Maratta. "Appearance of the Virgin and Child to St. Philip Neri", undated.
Maratta. "Baptism of Christ", undated.
Maratta. "Death of St. Joseph", undated.
Maratta. "Hercules in the Garden of the..", undated.
Maratta. "Holy Family", undated.
Maratta. "Study for a Figure of Christ", undated.
Maratta. "Jael Slaying Cicera", undated.
Maratta. "Holy Family" (Toledo), undated.
Maratta. "Immaculate Conception with Saints..", undated.
Maratta. "Madonna and Child", undated.
Maratta. "Madonna and Child" (Vatican), undated.
Maratta. "Madonna and Child" (Vatican".
Maratta. "Madonna of the Rosary", undated.
Maratta. "Romulus and Remus", undated.
Maratta. "Toilet of Bathsheba", undated.
Maratta. "Carlo Maratta and Marchese..", undated.
Maratta. "Virgin and Saints", undated.
Marchioni. "Doorway Surmounted by the Albani Arms", undated.
Marchioni. "A Fat Man, Seated and Standing", undated.
Marchioni. "Villa Albani Interior", undated.
Maron, von. "Cardinal Francesco Caraffa", undated.
Maron, von. "Portrait of a Pair of Gentlemen", undated.
Maron, von. "The Death of Dido", undated.
Maron, von. "Arrival of the Sabine at Talasso", undated.
Maron, von. "Teresa Mengs", undated.
Maron, von. "St. Robert Clive", undated.
Maron, von. "Winckelmann", undated.
Masucci. "Adoration of the Magi", undated.
Masucci. "Annunciation", undated.
Masucci. "Baptism of Christ", undated.
Masucci. "Cardinal Antonio Banchieri", undated.
Masucci. "Pasce Oves Meas", undated.
Masucci. "Pope Clement XII", undated.
Masucci. "Study of a Male Nude/Study of a Youth", undated.
Masucci. "Virgin Appearing at Mass", undated.
Masucci. "Virgin with the Seven Founders of the..", undated.
Mazzuoli. "The Education of the Virgin", undated.
Mengs. "Antony and Cleopatra", undated.
Mengs. "Cardinal Francesco Saverio de Zelada", undated.
Mengs. "The Apostle Peter", undated.
Mengs. "Domenico Annibali", undated.
Mengs. "Giuseppe Franchi, the Sculptor", undated.
Mengs. "Noli me tangere", undated.
Mengs. "John, Marquess of Monthermer", undated.
Mengs. "Male Nude", undated.
Mengs. "Perseus and Andromeda", undated.
Mengs. "Pope Clement XIII", undated.
Mengs. "Self-Portrait", undated.
Mengs. "Self-Portrait", undated.
Mengs. "Study for St. Eusebius in Glory", undated.
Mengs. "Arabella Swimmer", undated.
Michetti. "Sacristy", undated.
Milani. "Market in Piazza Bocca della Verita", undated.
Milani. "Samson Slaying the Philistines", undated.
Monaldi and Anesi. "View of the Campo Vacchino", undated.
Monnot. "Bianca Maria del Pozzo", undated.
Moretti. "Sibyl", undated.
Muratori. "St. Francis Regis Assisting the..", undated.
Natoire. "Casino of Don Maffeo Barberini..", undated.
Natoire. "Entrance to the Capitoline Museum", undated.
Natoire. "Gardens of the Villa d'Este at Tivoli", undated.
Natoire. "Marino", undated.
Natoire. "Naitore's Garden and Villa", undated.
Nocchi. "The Museum of Pio-Clementino", undated.
Odam. "Gem of the Medusa of Solon", undated.
Odazzi. "St. Gregory the Great Interceding..", undated.
Orizzonte. "Ideal Landscape", undated.
Orizzonte. "Idyllic Landscape with Figures", undated.
Orizzonte. "Idyllic Landscape with Figures", undated.
Orizzonte. "Ideal Landscape with a Fantasy View..", undated.
Ortolani and Costanzi. "Scuola Pictorum Capitolina", undated.
Pacetti. "Bust of Marco Benefial", undated.
Pacetti. "Orpheus and Eurydice", undated.
Pacetti. "Pietro Bracci", undated.
Panini. "Adoration of the Magi," "Adoration of the Shepherds", undated.
Panini. "An Apostle Preaching", undated.
Panini. "Arch of Titus in Rome", undated.
Panini. "Banquet under an Iconic Portico", undated.
Panini. "Celebration under an Iconic Portico", undated.
Panini. "The Colosseum, the Arch of..", undated.
Panini. "Expulsion from the Temple", undated.
Panini. "Festival in Piazza Farnese for the..", undated.
Panini. "Fantasy Landscape with Ruins", undated.
Panini. "Sketchbook", undated.
Panini. "Festival in Piazza di Spagna", undated.
Panini. "The French Ambassador in the..", undated.
Panini. "Interior of St. Peter's", undated.
Panini. "Interior of St. Peter's upon the Visit of Cardinal..", undated.
Panini. "Pantheon", undated.
Panini. "Piazza S. Maria Maggiore", undated.
Panini. "Piazza Navona", undated.
Panini. "Piazza Navona Flooded", undated.
Panini. "Piazza del Popolo", undated.
Panini. "Piazza del Quirinale", undated.
Panini. "Pope Benedict XIV Visits the Trevi", undated.
Panini. "Scalinata della Trinita dei Monti", undated.
Panini. "Teatro Argentina on the Occasion", undated.
Panini. "Trevi Fountain", undated.
Panini. "Trevi Fountain" (Museum Fine Arts, Boston), undated.
Panini. "Silvio Valenti Gonzaga's Gallery" (Marseilles), undated.
Panini. "Silvio Valenti Gonzaga's Gallery" (Hartford), undated.
Panini. "View of the Colosseum", undated.
Panini. "View of the Roman Forum", undated.
Parrocel. "Portrait of a Gentleman", undated.
Passeri. "An Army before the Walls of a City", undated.
Passeri. "The Cleansing of the Temple", undated.
Passeri. "Project for a Dressing Table..", undated.
Pecheux. "Dedalus and Icarus", undated.
Pecheux. "The Death of Epaminondas", undated.
Pecheux. "St. Caterina of Siena Returning..", undated.
Pecheux. "Marchese Margherita G. Boccapaduli", undated.
Pecheux. "Venus and Adonis", undated.
Percier. "Gallery of Villa Borghese", undated.
Pietri. "Study of the Head of an Old Man", undated.
Pietries. "Self-Portrait", undated.
Piranesi. "Autograph Letter with a Drawing of the Warwick Vase", undated.
Piranesi. "Capriccio", undated.
Piranesi. "Chimney Piece", undated.
Piranesi. "Design for a Mantlepiece with a..", undated.
Piranesi. "Fantasy on a Magnificent Triumphal", undated.
Piranesi. "Figure Studies", undated.
Piranesi. "Newdigate Candlesticks", undated.
Piranesi. "Reconstruction of the Circus Maximus", undated.
Piranesi. "Ruins at Pozzuoli", undated.
Piranesi. "Preparatory Drawing for Hadrian's..", undated.
Piranesi. "Plan of Hadrian's Villa", undated.
Piranesi. "Two Men Standing Holding their Arms..", undated.
Posi. "Design for the Chinea of 1760..", undated.
Pozzi. "Diana and Actaeon", undated.
Pozzi. "Allegory of Peace and Justice", undated.
Pozzi. "Erminia and the Shepherds", undated.
Pozzi. "Latona", undated.
Pozzi. "Monument to a Painter", undated.
Pozzi. "Venus Disguised as a Huntress," "Venus in the Forge of Vulcan", undated.
Raffaelli. "Sourtout de Table", undated.
Reni. "Holy Water Font..after Guido", undated.
Rentor. "Baptism of Christ", undated.
Riccolini. "Study for Virgin Appearing to St..", undated.
Righetti. "Four Bronze Groups", undated.
Righi. "Jupiter with a Thunderbolt", undated.
Robert. "Architectural Capriccio with the..", undated.
Robert. "The Colosseum Seen from the..", undated.
Robert. "The Fountain at the Villa Conti at..", undated.
Robert. "Gardens of the Villa d'Este", undated.
Robert. "South Façade of the Palazzo Poli..", undated.
Robert. "The Port of Ripetta", undated.
Robert. "Roman Capriccio of the Campidoglio", undated.
Robert. "Ruins of the Palazzo Imperiale at..", undated.
Robert. "Staircase of the Palazzo Farnese..", undated.
Roccirca "Expulsion of Adam and Eve from..", undated.
Roccirca "The Martyrdom of the Four Saints", undated.
Rossi. "Holy Family with Saints Elizabeth, Zacharius..", undated.
Rossi. "Saints Peter and Paul Conducted to..", undated.
Rusconi. "St. Andrew, St. John, St. Matthew..", undated.
Rusconi. "Saints and the Blessed Adoring Jesus", undated.
Rusconi. "Saints Matthew and Andrew", undated.
Rusconi. "St. James Major and St. Matthew", undated.
Sassi, Rusconi. "Façade for San Gionvanni in Laterno", undated.
Sabley. "The English Cemetery", undated.
Salvi. "Section thru the Central Niche, Trevi", undated.
Salvi. "Trevi Fountain model", undated.
Saturni. "Embroidery", undated.
Savini. "Mosaic in Relief with Borghese Hours", undated.
Sergel. "Amor and Psyche", undated.
Sergel. "The Artist in Rome Preparing a..", undated.
Sergel. "Faun", undated.
Servandoni. "Fantasy Among Ruins", undated.
Skirving. "English Tourists in Rome", undated.
Slodtz. "Diana and Endymion", undated.
Slodtz. "Ecstasy of St. Teresa", undated.
Spinazzi and Cornacchini. "Cornacchini Angel", undated.
Subleyras. "Cardinal Silvio Valenti Gonzaga", undated.
Subleyras. "Charon Steering Across the Styx", undated.
Subleyras. "Feast in the House of Simon", undated.
Subleyras. "Mass of St. Basil", undated.
Subleyras. "Maria Felice Tibaldi", undated.
Subleyras. "Mystical Marriage of St. Caterina de'..", undated.
Subleyras. "St. Benedict Saves a Child", undated.
Subleyras. "St. Jean d'Avila", undated.
Subleyras. "Study for The Feast in the House of..", undated.
Subleyras. "St. Ambrose Giving Absolution..", undated.
Subleyras. "The Artist's Studio", undated.
Subleyras. "Academic Study of a Nude Woman, seen..", undated.
Subleyras. "Frederick Christian, Elector of Sax..", undated.
Subleyras. "Two Veiled Women", undated.
Theodon. "Joseph Lending Grain to the Egyptians", undated.
Tischbein. "Goethe in the Roman Countryside", undated.
Tofanelli. "Christopher Hewetson with a Bust of..", undated.
Tofanelli. "The Arts", undated.
Tofanelli. "Saint Margherita da Cortona", undated.
Trevisani. "Apelles, Campaspe, and Alex the Great", undated.
Trevisani. "The Banquet of Cleopatra", undated.
Trevisani. "Dream of St. Joseph", undated.
Trevisani. "Virgin and Child with Virgin Sewing", undated.
Trevisani. "Madonna and Child", undated.
Trevisani. "Rest on the Flight into Egypt", undated.
Trevisani. "St. Francis with an Angel", undated.
Trevisani. "Study for San Silvestre in Capite", undated.
Trippel. "Bust of the Painter Abildgaard", undated.
Trippel. "Daphnis and Micon", undated.
Trippel. "Johann Gottfried Herder", undated.
Trippel. "Odysseus Seizing Astayanax", undated.
de Troy. "Romulus and Remus", undated.
Unterberger. "Apotheosis of Hercules", undated.
Unterberger. "Allegory of Autumn", undated.
Unterberger. "Poetry and Geometry", undated.
Valadier. "Model of Trajan's Column", undated.
Valadier. "Tabernacle", undated.
Valadier. "Cadenas Duke of York", undated.
de Valenciennes. "Italian Countryside", undated.
Valeriani. "Interior of San Lorenzo in Damaso", undated.
Vanvitelli. "Elevation for San Giovanni Battista Chapel", undated.
Vanvitelli. "Piazza del Popolo", undated.
Vanvitelli. "San Giovanni Battista Chapel", undated.
Vanvitelli. "Raising of an Antique Column", undated.
Vanvitelli. "View of the Ripa Grande", undated.
Vanvitelli. "Piazza della Bocca della Verita", undated.
Vanvitelli. "View of the Abbey of St. Nilo", undated.
Vanvitelli. "Panoramic View of Rome from..", undated.
Vanvitelli. "San Paolo fuori le Mura", undated.
Vanvitelli. "View of Castelgandolfo", undated.
Vanvitelli. "View of Tivoli", undated.
Vanvitelli. "Villa Medici", undated.
Vanvitelli. "Piazza Navona: Fountain of the Four..", undated.
Vanvitelli. "View of Tivoli", undated.
Vanvitelli. "View of the Piazza di San Pietro", undated.
Vanvitelli. "Panoramic View of Rome from Villa..", undated.
Vanvitelli. "Panoramic View of Rome from Trinita..", undated.
Vanvitelli. "View of the Colosseum", undated.
Verschaffelt. "Bust of an Englishman", undated.
Vernet. "Seaport at Sunrise", undated.
Vernet. "Seaport at Sunrise".
Vernet. "View of the Castel San Angelo", undated.
Vernet. "View of the Ponte Rotto", undated.
Vien. "Sultan of Transylvania", undated.
Vien. "White Sultan", undated.
Vien. "The Sleeping Hermit", undated.
Vien. "Black Eunuch", undated.
Vleughel. "The Artist's Studio", undated.
Vleughel. "Feast in the House of Simon Pharisee," "Feast of the Cana", undated.
Volpato. "Biscuit Statuette of Pius VI", undated.
Wilson. "Circo di Flora", undated.
Wutky. "Sala a Croce of the Vatican under..", undated.
Zoboli. "The Death of Caesar", undated.
Zoboli. "The Death of Pompey", undated.
Zoffany. "Self-Portrait as David with the Head of Goliath", undated.
Scope and Content Note

The files contain correspondence between the PMA and lending institutions, and also include invoices, images, and other related material. The records date from 1998 to 2000.

General. A - K (1 of 2 folders), 1998-2000.
General. A - K (2 of 2 folders), 1998-2000.
General. I - Z (1 of 3 folders), 1998-2000.
General. I - Z (2 of 3 folders), 1998-2000.
General. I - Z (3 of 3 folders), 1998-2000.
Canada, 1998-2000.
Germany (1 of 3 folders), 1998-2000.
Germany (2 of 3 folders), 1998-2000.
Germany (3 of 3 folders), 1998-2000.
Italy (1 of 6 folders), 1998-2000.
Italy (2 of 6 folders), 1998-2000.
Italy (3 of 6 folders), 1998-2000.
Italy (4 of 6 folders), 1998-2000.
Italy (5 of 6 folders), 1998-2000.
Italy (6 of 6 folders), 1998-2000.
Rome (1 of 3 folders), 1998-2000.
Rome (2 of 3 folders), 1998-2000.
Rome (3 of 3 folders), 1998-2000.
United States. A - L (1 of 2 folders), 1998-2000.
United States. A - L (2 of 2 folders), 1998-2000.
United States. M - Z (1 of 3 folders), 1998-2000.
United States. M - Z (2 of 3 folders), 1998-2000.
United States. M - Z (3 of 3 folders), 1998-2000.
United Kingdom. M - Z (1 of 2 folders), 1998-2000.
United Kingdom. M - Z (2 of 2 folders), 1998-2000.
Vatican, 1998-2000.
Scope and Content Note

On October 22, 2000, the exhibition "Van Gogh: Face to Face" opened at the Philadelphia Museum of Art. A traveling exhibition, it first opened at the Detroit Institute of Arts, followed by the Museum of Fine Arts, Boston. This magnificent show focused on Van Gogh's portraits of both himself and others. Also on display were the initimate portaits he painted during his treatment for epilepsy at the sanitarium he stayed in in Saint-Remy-de-Provence. The exhibition was curated by George Keyes, The Elizabeth and Allan Shelden Curator of European Painting at the Detroit Institute of Arts; George T.M. Shackelford, The Mrs. Russell W. Baker Curator of European Painting, Museum of Fine Arts, Boston; and Joseph Rishel, The Gisela and Dennis Alter Senior Curator of European Painting at the Philadelphia Museum of Art. The records contain administrative files that document the planning and research of the exhibition, as well as loan files. The bulk of the records date from 1998 to 2000.

Scope and Content Note

The administrative files contain records related to the planning, research, and preparation of the exhibition. Included are the records for the exhibition catalogue, installation, correspondence, funding, marketing, and images. The bulk of the records date from 1998 to 2000.

Anne d'Harnoncourt, 1998.
Antenna, 2000-2001.
Art Index, 1931-1971, undated.
Articles, 1998.
Auctions, undated.
Bibliography, undated.
Blackmail, undated.
Books and magazine lists, undated.
Boston, 1998.
Brochure. Detroit and Boston, undated.
Brochure. Philadelphia, undated.
Brochure. Photography requests, 2000.
Brochure. Quotes, drafts, specifics, undated.
Brochure. Research. Early pictures and drawings, undated.
Brochure. Research. Roulin family, undated.
Brochure. Research. Reid, Rey, Zouave, undated.
Brochure. Research. Arlesienne, self-portraits, undated.
Brochure. Research. Mudlark, Staechlin Lady technique, undated.
Brochure. Research. Italian Girl with Two Children; Child with Orange, undated.
Budget (1 of 2 folders), 1999-2000.
Budget (2 of 2 folders), 1998.
Catalogue, 1997-1999.
Catalogue. Chronology. Drafts and research, undated.
Catalogue. Chronology. Photo list and copies, undated.
Catalogue. Drafts. Director's forward, 1999.
Catalogue. Drafts. Essays, undated.
Catalogue. Essay research. Bacon, undated.
Catalogue. Essay research. Close, undated.
Catalogue. Essay research. de Kooning, undated.
Catalogue. Essay research. Early collectors, undated.
Catalogue. Essay research. Exhibition history, undated.
Catalogue. Essay research. Hadler, undated.
Catalogue. Essay research. Kroller-Muller, undated.
Catalogue. Essay research. Miro, undated.
Catalogue. General. Specifications, deadlines, correspondence, 1997-2000.
Catalogue. Illustration list, undated.
Catalogue. Joseph Rishel's essay, undated.
Catalogue. Miscellaneous articles, A-L, undated.
Catalogue. Miscellaneous articles, M-Z, undated.
Catalogue. Photo requests for Joseph Rishel's essay, undated.
Catalogue. Reviews, 2000.
CD. Detroit didactics, 2000.
Checklists and images, undated.
Chicago, 1997-1998.
Color copies of loans (incomplete), undated.
Correspondence, 1998-2001.
Dates, 1997-1998.
Detroit, 1997-1998.
Detroit Institute of Arts facilities report, 1998-200.
Early PMA exhibitions, undated.
Family, 1998.
Funding, 1999.
General correspondence, 1998-2000.
Images (1 of 2), undated.
Images (2 of 2), undated.
Indemnity, 1999-2000.
Installation, undated.
Installation photos (1 of 2 folders), 2000.
Installation photos (2 of 2 folders), 2001.
Installation. Quotes, 2000.
Insurance, 1999-2000.
John Leighton, 1997-1998.
Joseph Rishel correspondence, 1998-1999.
La Placa Cohen, 1999.
Lender thank you letters, 2001.
Lists. Drawings, 1999.
Lists. Drawings with xeroxes, undated.
Lists. Early, 1998-1999.
Lists. Final and provenances, 2000.
Lists. Photographic rights, 2000.
List. Van Gogh and Gauguin, undated.
Literature (1 of 2 folders), undated.
Literature (2 of 2 folders), undated.
Loan justifications, 1999.
Loan letters, 1998-2000.
Loan responses, 1998-2000.
Marketing. Collaboration with Detroit and Philadelphia, 1998-1999.
Marketing. Inquirer supplemental gallery guide, 2000.
Marketing. Miscellaneous, 1999-2000.
Marketing. Press kit, Boston, 2000.
Marketing. Press kit, Detroit, 2000.
Marketing. Press lunch, New York, September 23, 1999, 1999.
Marketing. Reviews. Detroit and Boston, 1999-2001.
Marketing. Reviews. Philadelphia, 2000-2001.
Marketing. Reviews. Other Van Gogh exhibitions, 2001, undated.
Meetings, 1999-2001.
Meeting notes (1 of 2 folders), 1997-1999.
Meeting notes (2 of 2 folders), 1998-1999.
Members newsletters, draft, 2000.
Museum correspondence, 1998.
Museum of Modern Art (MOMA) Postman press release, 2001.
Openings, 2000.
Photographs (color transparencies), undated.
"Pin the Ear on Van Gogh.", 2000.
Planning, 1998-2000.
Printed matter meetings, 2000.
Public planning review sessions, 2000.
Public relations, 1999-2000.
Reciprocal loans, 2000.
Registrar, 1998-2001.
Research, 1999.
Shackelford's book, undated.
Slides, undated.
Slides and lecture lists, undated.
Sponsors, 1998-2001.
Survey, 2001.
Symposium. Amsterdam, 1997.
Symposium. London, 1998.
Travel, 1997-1999.
Trips. Amsterdam, 1998-1999.
Trips. London and Glasgow, 1999.
Trips. Switzerland, 1998-1999.
Visitors. General correspondence, 2000.
Wall in office. Black and white, and color images, undated.
Wall labels. Boston and Detroit, undated.
Wall labels. Philadelphia, undated.
Wall labels. Text and drafts, undated.
Wall labels. Print exhibition, undated.
Wall labels. Final, undated.
Worksheets, 1999.
Wrap-up, 2001.
Miscellaneous (1 of 2 folders), undated.
Miscellaneous (2 of 2 folders), undated.
Scope and Content Note

The loan files include correspondence, agreements, insurance information, and other related material between the PMA and lending institutions and individuals.

Arrangement

The records are arranged alphabetically by lender.

Amman - Art Institute of Chicago, 2000.
Baltimore - Buhrle, 1999-2000.
Carnegie - Cox, 1999-2000.
Folkwang, 1999-2000.
Getty - Guggenheim, 1998-2000.
Hague - Hirschhorn, 1999-2000.
Israel Museum - Jaggli-Hahnloser, 1999-2000.
Kroller-Muller - Lehman, Metropolitan, 1998-2000.
Metropolitan - Museum of Modern Art, 1998-2000.
New South Wales, Art Gallery of - Pushkin, 1999-2000.
Rijksmuseum - Rothschild, 1998-2000.
Sao Paulo - Staechelin, 1998-2000.
Toledo - Victoria, National Gallery of, 1998-2000.
Washington, National Gallery of - Wynn, 1999-2000.
Scope and Content Note

"Degas and the Dance" was a magnificent exhibition of over 140 works that opened on February 12, 2003 at the PMA. The exhibition, which made its debut at The Detroit Institute of Arts, featured Degas's investigation of the dance world through his art. Curated by Joseph Rishel the Gisela and Dennis Alter Senior Curator of European Painting at PMA, Richard Kendall, an independent curator, and Jill deVonyar, Associate Curator of Reader's Digest Association, the exhibition documented Degas's study of ballet and dance which spanned over forty years. The records contain loan files and administrative files. The bulk of the files date from 2000 to 2003.

Scope and Content Note

The loan files include correspondence, agreements, insurance information, and other related material between the PMA and lending institutions and individuals. The bulk of the files date from 2000 to 2002.

Arrangement

The files are arranged in original order.

Argentina. Buenos Aires. Museo Nacional de Belas Artes, 2000-2001.
Folder 1
Austria. Osterreicheische Galerie, 2001.
Folder 2
China. Taiwan. Sherwood Inc, 2001.
Folder 3
Denmark. Copenhagen. Ny Carlsberg, 2001-2002.
Folder 4
Denmark. Copenhagen. Statens Museum, 2000.
Folder 5
England. London. British Museum, 2002.
England. London. Courtauld Institute, 2000-2002.
England. London. National Gallery, 2001-2002.
England. London. Tate Gallery, 2001.
England. London. Victoria and Albert Museum, 2000-2002.
France. Paris. Baroness Alain de Gunzberg, 2000.
Folder 6
France. Paris. Andre Bromberg, 2000-2001.
Folder 7
France. Paris. Comtesse Jean de Polagnic, 2000.
Folder 8
France. Paris. Bibliotheque National de France, 2001-2003.
Folder 9
France. Paris. Galerie du Carousel, 2000.
Folder 10
France. Paris. Huegette Beres, 2000.
Folder 11
France. Paris. Musee du Louvre, 2000-2003.
Folder 12
France. Paris. Musee d'Orsay, 2000-2002.
Folder 13
France. Lyon. Musee des Beaux-Arts, 2000-2002.
Folder 14
Germany. Kunstalle Tubingen (Dr. Gotz Adriani), 2000.
Germany. Frankfurt. Stadelsches Kunstinstitut, 2000-2002.
Germany. Hamburg. Kunsthalle, 2000-2001.
Germany. Wuppertal. Von der Heyst Museum, 2000-2002.
Israel. Tel Aviv. Museum of Art, 2000-2001.
Monaco. David Nahmad, 2000.
Netherlands. H. Verbeek, 2002.
Netherlands. Gallery Belaive, 2001-2002.
Netherlands. Rotterdam. Museum Boymans van Beuningen Rotterdam, 2000-2003.
Norway. Oslo. Nasjonalgalleeriet, 2000.
Scotland. Glasgow Art Gallery and Museum, 2001.
Scotland. National Gallery of Scotland, 2000-2001.
Spain. Museo Thyssen-Boremisza, 2001.
Sweden. Stockholm. Nacionalmuseum, 2000-2001.
Switzerland. Zurich. Burhle Collection, 2000.
Switzerland. Beyeler, 2001-2002.
Switzerland. Private collection via Fichenfeldt, 2000-2001.
Switzerland. Galerie Jean Krugier, 2001-2003.
Switzerland. Berne. E.W. Kornfield, 2000.
Switzerland. Zurich. Galerie Nathan, 2000-2001.
United Kingdom. Birmingham. Barber Institute of Fine Arts, 2001.
United Kingdom. Channel Islands. SG Hambros Trust, 2001.
Yugoslavia. Belgrade. National Museum, 2001-2002.
British dealers and/or private collections. London. Artemis, 2000.
British dealers and/or private collections. London. Private collection care of Christie's London, 2000-2001.
British dealers and/or private collections. London. Private collection, 2000-2002.
British dealers and/or private collections. London. Private collection care of William Darby, 2000-2001.
British dealers and/or private collections. London. Fridart Stitching Amsterdam, 2001.
British dealers and/or private collections. London. Frost and Reed, 2001.
British dealers and/or private collections. London. Richard Green Gallery, 2001.
British dealers and/or private collections. London. Private collection care of Hazlitt, Gooden, and Fox, 2000.
British dealers and/or private collections. London. J. Kasmin, 2001.
British dealers and/or private collections. London. Private collection care of Smith and Gurr, 2002.
British dealers and/or private collections. London. James Roundell, 2000-2001.
British dealers and/or private collections. London. Private collection care of Sotheby's London, 2000.
British dealers and/or private collections. United Kingdom. Private collection, 2000.
United States. New York. Brooklyn Museum, 2001-2002.
United States. New York. Guggenheim Museum, 2000-2002.
United States. New York. Metropolitan Museum of Art, 2000-2002.
United States. New York. Museum of Modern Art, 2000.
United States. New York. New York Public Library, 2001.
United States. New York. Piermont Morgan Library, 2001.
United States. Arkansas Art Center, 2001.
United States. Baltimore Museum of Art, 2000-2002.
United States. Museum of Fine Arts, Boston.
United States. Carnegie Museum of Art, 2001-2002.
United States. Art Institute of Chicago, 2001.
United States. Chrysler Museum of Art, 2000-2001.
United States. Cincinnati Art Museum, 2000-2001.
United States. Clark Institute, 2001.
United States. Cleveland Museum of Art, 2000.
United States. Corcoran Gallery of Art, 2000-2002.
United States. Dallas Museum of Art, 2001-2002.
United States. Denver Museum of Art, 2000-2002.
United States. Peter Findlay Gallery, 2000.
United States. Fogg Art Museum, Harvard University, 2000-2002.
United States. Franklin Industries, 2001.
United States. Getty Museum, 2000-2002.
United States. Ken Griffin, 2000-2003.
United States. Hammer Museum, 2000-2001.
United States. High Museum of Art, 2001.
United States. Hirshorn Museum and Sculpture Garden, 2000-2001.
United States. Museum of Fine Arts, Houston, 2000-2002.
United States. Hyde Collection, 2000.
United States. Isabella Stewart Gardner Museum, 2001-2002.
United States. Scott Johnson, 2001.
United States. Kimball Art Museum.
United States. Larry Lacerte, 2000.
United States. Mrs. Mellon, 2001.
United States. Memorial Art Gallery, 2000-2002.
United States. Miami Corporation, 2001.
United States. Dr. and Mrs. Morton Mower, 2001-2002.
United States. National Gallery of Art, 2000-2002.
United States. Jerrold Perenchio, 2001.
United States. Martin Peretz, 2000.
United States. Philadelphia Free Library, 2001-2002.
United States. Princeton University Art Museum, 2001-2002.
United States. Emily Pulitzer, 2001-2002.
United States. Philadelphia Museum of Art, 2000-2002.
United States. Phillips Collection, 2000-2001.
United States. Private collection care of the Phillips Collection, 1999-2002.
United States. Fine Arts Museum of San Francisco, 2001-2002.
United States. Shelburne Museum, 2001.
United States. Smith College Museum of Art, 2000-2001.
United States. David Straz, 2001-2003.
United States. St. Louis Art Museum, 2001.
United States. Tacoma Museum of Art, 2000.
United States. Alfred Taubman, 2000-2001.
United States. Dick Thune, 2001-2001.
United States. Wadsworth Atheneum, 2001.
United States. Aaron Young Fine Arts, 2001.
United States. Private collection care of Brian Young, 2001.
New York dealers and/or private collections. Aquavella, 2000.
New York dealers and/or private collections. Private collection care of W.M. Brady, 2001-2002.
New York dealers and/or private collections. Leon Black, 2001.
New York dealers and/or private collections. Ron Cordover, 2001.
New York dealers and/or private collections. Cathy Curran, 2000-2001.
New York dealers and/or private collections. Richard Kendall and Jill Devonyar, 2002.
New York dealers and/or private collections. Barbara Mathes, 2000.
New York dealers and/or private collections. Joan Michelman, 2000-2001.
New York dealers and/or private collections.Ivan Phillips, 2000.
New York dealers and/or private collections. Phillips, de Pury and Luxembourg, 2001.
New York dealers and/or private collections. Private collection care of Dickinson Roundell, 2000-2001.
New York dealers and/or private collections. Janet Salz, 2001-2002.
New York dealers and/or private collections. Julie Saul Gallery, 2001-2002.
New York dealers and/or private collections. Max Schmidheining via Gary Tinterow, 2001.
New York dealers and/or private collections. Laura Slatkin, 2002.
New York dealers and/or private collections. Martin Zweig, 2002.
New York dealers and/or private collections. Private collection, 2000.
New York dealers and/or private collections. Private collection care of Sotheby's New York, 2000.
New York dealers and/or private collections. Private collection care of Christie's New York, 2000-2003.
New York dealers and/or private collections. Private collection care of Ruth Ziegler Fine Arts, 2000-2003.
New York dealers and/or private collections. Diana and Andrea Woodner, 2001-2003.
Scope and Content Note

The sub-subseries, "Administration" contains records relating to the planning of the exhibition. The files include budget reports, contracts, checklists, meeting documentation, and research material. The bulk of the records date from 2000-2003.

Aetna Foundation, 2002.
American Federation of Arts, 2002.
American Federation of Arts. Correspondence, 2002.
Articles (1 of 2 folders), undated.
Articles (2 of 2 folders), undated.
Atofina, 2001-2003.
Audio tour, undated.
Ballet correspondence, 2002-2003.
Bibliography, 2002.
Budget, 1999-2004.
Cassatt, Mary, undated.
Catalogue (1 of 2 folders), undated.
Catalogue (2 of 2 folders), undated.
Chargelines, 2002.
Checklist. Final, 2002.
Chrysler, 1999.
Contextual images, undated.
Contextual material and research, 2000.
Contract, 2001.
Contracts, 2002.
Dance history, 2000-2002.
Degas works not in the show, undated.
de Schauensee, Maude, 2000-2003.
Detroit Institute, 2001-2002.
Detriot trip, 2002.
Development, 2001-2003.
Editorial and graphic design, 2002.
Education, 2002-2003.
Exhibition design, 2002.
Exhibition outline, 2002.
Films, Degas, 2002.
Final exhibition material, 2003.
Guides, 2002.
Images, 2002.
Images. Substitutes, undated.
Indemnity (condition), 2001-2002.
Installation notes, 2003.
Joseph Rishel correspondence, 1999-2002.
Joseph Rishel and Danielle Rice write-ups, 2001.
Katowitz, Nicole, 2003.
Labels, undated.
"Little Dancer" info, undated.
Lectures and events, 2003.
Meeting. December 13, 1999, 1999.
Meeting. May 22, 2000, 2000.
Meeting. November 9, 2000, 2000.
Meeting. February 26, 2001, 2001.
Meeting. June 28, 2001, 2001.
Meeting. March 1, 2002, 2002.
Membership and visitor services, 2001-2002.
Multimedia, 2002.
News, 2002-2003.
One venue only lists, undated.
Other Degas exhibitions, 2000-2003.
Other Degas works, undated.
Philadelphia research, 2001-2002.
PNC, 2002.
Press releases, 2003.
Press trip, 2002.
Provenance, 2002.
Public relations, 2001-2003.
Registrar, 2001-2003.
Research, 2002.
Richard Kendall and Jill DeVonyar correspondence, 2001-2003.
Richard Kendall and Jill DeVonyar CV's, 2002.
Rights and reproduction, undated.
Sculpture controversy, 2002-2003.
Schedules and dates, 2002-2003.
Special events, 2002.
Symposium, 2002.
Symposium. Committee letters, 2002-2003.
University of Pennsylvania, 2002-2003.
Visitor sevices and visitor comments, 2003.
Website, undated.
Wells, Suzie, 2000-2001.
Women's Committee, 2002-2003.
Women's Committee, opening gala, 2002-2003.
Scope and Content Note

"Manet and the Sea" was an exhibition of over one hundred paintings, watercolors, and drawings, all drawn from both public and private collections in the United States and abroad. This stunning exhibition explored the marine paintings of not only Manet, but his contemporaries such as Monet and Renoir. "Manet and the Sea" was the first exhibition to study such a theme and each of the works contributed to the sea-related scope of the exhibition. The exhibition was organized by The Art Institute of Chicago, the Philadelphia Museum of Art, and the Van Gogh Museum, Amsterdam. Curators of "Manet and the Sea" included Douglas Druick, Senior Curator of European Painting, Art Institute of Chicag; Gloria Groom, David and Mary Winton Green Curator, the Art Institute of Chicago; John Leighton, Director, the Van Gogh Museum; Joe Rishel, Senior Curator of European Painting, Philadelphia Museum of Art; and John Zarobell, Assistant Curator of European Painting and Sculpture before 1900, the Philadelphia Museum of Art. The records are largely administrative and include files that document exhibition funding, installation, planning, and rights and reproductions. Also included are checklists, chronologies, and outlines. Additionally, users will find that work featured in the exhibition is found in the records in the form of negatives, illustrations, photographs, and color copies of prints. The bulk of the records date from 2002 to 2004.

Bibliography, undated.
Catalogue (1 of 2 folders), undated.
Catalogue (2 of 2 folders), undated.
Checklist, 2003.
Chronology, 2002.
Conservation, 2002.
Contract, 2003.
Comparitive illustrations, undated.
Damaged, undated.
Early works, undated.
Expenses. Press tour, 2004.
Finance, 2002.
Funding, 2002-2004.
General (1 of 2 folders), undated.
General (2 of 2 folders), undated.
Groom, Gloria, 2002-2003.
Howard, Eddie, 2002-2003.
Images (1 of 2 folders), undated.
Images (2 of 2 folders), undated.
Installation, 2004.
Label copy, undated.
Loan forms, 2002-2004.
Loan letters, 2002-2003.
Loan status, 2002-2004.
Metropolitan Museum of Art, 2002-2003.
Mireki, Barbara. Correspondence, 2002-2003.
National Endowment for the Humanities (NEH) application, 2003, 2003.
National Endowment for the Humanities (NEH) grant, 2003-2004.
Negatives, 4x5 (1 of 4 folders), undated.
Negatives, 4x5 (2 of 4 folders), undated.
Negatives, 4x5 (3 of 4 folders), undated.
Negatives, 4x5 (4 of 4 folders), undated.
Notes, undated.
Opening, 2003-2004.
Outlines, 2001-2002.
Philadelphia Museum of Art loans, 2002-2003.
Photography, undated.
Rights and reproduction (1 of 3 folders), 2002-2003.
Rights and reproduction (2 of 3 folders), 2002-2004.
Rights and reproduction (3 of 3 folders), 2002-2004.
Visitors study, 2004.
Scope and Content Note

"African Art, African Voices: Long Steps Never Broke a Back" was an exhibition organized and drawn from the Seattle Art Museum. The exhibition accompanied by video projections, computer interviews, and an audio tour, featured 130 objects, including textiles, jewelry, sculpture, photographs, film, masks, and contemporary art. The exhibition was organized by Pamela McClusky, Curator of African and Oceanic Art at the Seattle Art Museum, and the Philadelphia exhibition was organzied by John Zarobell, Assistant Curator of European Painting and Sculpture before 1900, Philadelphia Museum of Art. Following its run at the PMA, "African Art, African Voices" opened at the Wadsworth Atheneum in Hartford, Connecticut on February 12, 2005. The records for the exhibition contain general planning material that includes correspondence, notes, research supports, press releases, installation images, and other related material. Also found within the records are exhibition DVD's, audio CD's, and videos's. The bulk of the records are dated from 2004 to 2005.

African cinema, 2004.
Folder 1
Bibliography of artists monographs, 2002.
Folder 2
Exhibition video, October 13, 2004, 2004.
Folder 3
Final exhibition labels, graphics, and other, 2004.
Folder 4
General planning (1 of 4 folders), undated.
Folder 5
General planning (2 of 4 folders), undated.
Folder 6
General planning (3 of 4 folders), undated.
Folder 1
General planning (4 of 4 folders), undated.
Folder 2
Installation images, 2004.
Folder 3
Letter from Mayor John F. Street, undated.
Folder 4
Multimedia, 2003-2005.
Folder 5
Pamphlets, undated.
Folder 6
Seattle Art Museum (1 of 3 folders), undated.
Folder 1
Seattle Art Museum (2 of 3 folders), undated.
Folder 2
Seattle Art Museum. Exhibition DVD (3 of 3 folders), undated.
Folder 3
Scope and Content Note

Curated by Carl Strehlke, Adjunct Curator of the John G. Johnson Collection at the Philadelphia Museum of Art, "Pontormo, Bronzino, and the Medici: The Transformation of the Renaissance Portrait in Florence" was an exhibition focused on two portraits by sixteenth-century masters, Pontormo and Bronzino. Bronzino's painting depicted Duke Cosimo l de' Medici, and Pontormo's portrait was of Duke Alessandro. The exhibition featured Florentine art in the form of paintings, drawings, and prints. The forty some works also included coins and medals. The records contain budget reports, research and subject files, images, loan documentation, and other material related to the planning of the exhibition. The bulk of the records are dated from 2003-2004.

American Numismatic Society, 2003-2004.
Articles, 2003-2004.
Art Institute of Chicago, 2003-2004.
Art Resource, 2003-2004.
Biblioteca Marucelliana, Florence, undated.
Boijmans-van Beuningen, Rotterdam, 2003-2004.
Brera, Milan, 2003-2004.
British Museum, London, 2003-2004.
Budget, 2003.
Castello Sforzesco, Milan, 2003-2004.
Catalogue, 2003-2004.
Chatsworth, UK, 2003-2004.
Correspondence. General, 2004.
Correspondence. Strehlke, Carl Brandon, 2003-2004.
Cropper, Elizabeth, 2003-2004.
Events, 2004.
Fondazione Cini, Venice, 2003-2004.
Funding, 2003-2004.
Getty Museum, Los Angeles, 2003-2004.
Houghton Library, Harvard, undated.
Image book, undated.
Images, undated.
Images (1 of 3 folders), undated.
Images (2 of 3 folders), undated.
Images (3 of 3 folders), undated.
Indemnity, 2004.
Installation, 2004.
Lists, 2003-2004.
Loan correspondence. General, 2003.
Loan form. Back page, 2003.
Loan forms. Undesignated locations, undated.
Loan letter drafts, 2003.
Meetings, 2003-2004.
Metropolitan Museum of Art, 2003-2004.
Narodni Galerie v Praxe, 2003.
Narrative, 2003-2004.
National Gallery of Art, Washington D.C, 2003-2004.
Palazzo Mansi, Luccirca, 2003.
Palazzo Pitti, Florence, 2003.
Photo orders, 2003-2004.
PMA loans, 2003.
Rijksmuseum, Amsterdam, 2003-2004.
Royal collection, Windsor Castle, 2004-2005.
San Francisco, M.H. De Young Museum, 2003.
Schedule, 2003.
Slides, 2004.
Stadelsches Kunstinstitut, Frankfurt, 2003-2004.
St. Charles Borromeo Seminary, Wynnewood, PA, 2003.
Toledo Museum of Art, 2003.
Uffizi, Florence, 2004.
Victoria and Albert Museum, London, 2002-2003.
Video, 2004.
Walters Art Museum, Baltimore, 2003.
Scope and Content Note

The exhibition, "Edvard Munch's Mermaid," focused on the PMA's recent acquisition of the Munch painting, Mermaid. Painted in 1896, Mermaid had never been featured in a museum exhibition before and it had remained in private hands until it came to the PMA in 2003. The exhibition, curated by John Zarobell, Assistant Curator of European Painting before 1900, and Shelley R. Langdale, Assistant Curator of Prints and Drawings, included twenty paintings, drawings, and prints. The records include administrative and planning material, such as checklists, packets and excerpts, installation documentation, and general planning files. The files date from 2003 to 2005.

Brochures, undated.
Folder 1
Checklist, 2003-2005.
Folder 2
Checklist and images, 2005.
Folder 3
Installation, 2003-2005.
Folder 4
Invitations, undated.
Folder 5
Labels, undated.
Folder 6
Letters and documents for John Zarobell, 2004-2005.
Folder 7
Notes, undated.
Oslo trip, 2004.
Packets and excerpts (1 of 3 folders), undated.
Folder 1
Packets and excerpts (2 of 3 folders), undated.
Folder 2
Packets and excerpts. Norwegian and French (3 of 3 folders), undated.
Folder 3
Photographs, zeroxes, prints of images, undated.
Folder 4
Planning (1 of 3 folders), 2003-2005.
Folder 5
Planning (2 of 3 folders), 2003-2005.
Folder 6
Planning (3 of 3 folders), 2003-2005.
Folder 1
Research, undated.
Folder 2
Rough draft "Edvard Munch's Mermaid.", undated.
Folder 3
Title pages and publication, undated.
Folder 4
Scope and Content Note

"Tesoros/Treasures/Tesouros: The Arts in Latin America, 1492-1820," was a magnificent exhibition of 250 works of art created in what is today the countries of Argentina, Bolivia, Brazil, Chile, Colombia, Cuba, Dominican Republic, Ecuador, Guatemala, Mexico, Peru, Venezuela, and the Commonwealth of Puerto Rico. The pieces on display were from both public and private collections and were made from various mediums including painting, sculpture, ceramics, textiles, and silver. Also exhibited were maps and manuscripts. The exhibition was curated by Joseph Rishel, who led an international team of scholars and researchers involved in the planning and preparation for the exhibit. After its run at the PMA, the exhibit then went on to Antiguo Colegio de San Ildefonso in Mexico City, followed by the Los Angeles County Museum of Art. Rishel was noted as saying "this exhibition is the first to disregard the boundaries created in the early nineteenth century during the birth of independent nation states in Latin Americirca It is a major reappraisal and gives our visitors an opportunity to make fresh discoveries among a dazzling array of remarkable works of art." The records contain loan files, administrative files, canceled loan files, planning and exhibition records, and the files of Suzanne Stratton-Pruitt. The bulk of the material is from 2002 to 2006.

Scope and Content Note

The included files contain loan forms and letters between the Philadelphia Museum of Art and potential lenders, both institutional and individual. Photographs, insurance records, and other related materials are also found here.

Argentina. Buenos Aires, Catedral Metropolitana, 2005-2006.
Argentina. Cordoba, Iglesia se San Francisco, 2006-2007.
Bolivia. Alberto Bailey, 2006.
Bolivia. La Paz, Casa de Murillo, 2005-2006.
Bolivia. La Paz, Museo de la Catedral de La Paz, 2005-2007.
Bolivia. Ministry of Culture, 2006.
Bolivia. La Paz, Museo Nacional de Arte, 2005-2006.
Bolivia. Potosi, Convento de Santa Teresa, 2005-2006.
Bolivia. Potosi, Casa Nacional de La Moneda, 2005-2007.
Bolivia. Santa Cruz, Museo de Arte Sacra, 2005-2007.
Bolivia. Sucre, Museo de la Recoleta, 2005-2006.
Brazil. Iphan, 2005-2007.
Brazil. Expomus, 2006-2007.
Brazil. Bahia, Salvador, Collection of Gilberto Sa, 2005-2006.
Brazil. Bahia, Salvador, Museo Carlos Costa Pinto, 2004-2006.
Brazil. Bahia, Salvador, Universidade Federal da Bahia, 2005-2006.
Brazil. Minas Gerais, Mariana, Museo de Arte Sacra, 2005-2006.
Brazil. Minas Gerais, Sabara, Museu do Ouro, 2005-2006.
Brazil. Olinda, Monastery of Sao Bento, 2004-2007.
Brazil. Olinda, Sao Bento, 2004-2006.
Brazil. Olinda, 2006.
Brazil. Recife, Superintendencia Regional do IPHAN, 2005-2006.
Brazil. Rio de Janeiro, Museus Castro Maya, 2005-2006.
Brazil. Sao Paulo, Collection of Beatriz Camargo, 2005-2006.
Brazil. Sao Paulo, Collection of James Li, 2005-2007.
Colombia. Ministry of Culture, 2006.
Colombia. Olga Pizano, 2003-2007.
Colombia. Bogota, Banco de la Republicirca, 2005-2007.
Colombia. Bogota, Museo de Arte Colonial, 2005-2007.
Colombia. Bogota, Navas Collection, 2003-2007.
Colombia. Santo Domingo, Catedral de Santo Domingo, 2000-2007.
Ecuador. Instituto Nacional del Patrimonio Cultural, 2005-2007.
Ecuador. Quito, Collection of Oswaldo Viteri, 2002-2007.
Ecuador. Convento de La Merced, 2005-2007.
Ecuador. Quito, Museo de Arte Colonial (CCE), 2003-2007.
Ecuador. Quito, Museo Franciscano "Pedro Gocial.", 2005-2007.
Ecuador.Quito, Museo Jacinto Jijon y Caamano, 2005-2007.
England. Cambridge, The Fitzwilliam Museum, 2005-2007.
England. London, Victoria and Albert Museum, 2005-2007.
Guatemala. Sofia Paredes-Maury, 2005-2007.
Guatemala. Ministry of Culture, 2006.
Guatemala. Guatelamla City, Archdiocese of Guatemala, 2005-2007.
Guatemala. Antigua, Castillo Collection, 2005-2006.
Guatemala. Guatemala City, Fortin Collection, 2005-2006.
Guatemala. Guatemala City, Museo Popol Vuh, 1999-2006.
Italy. Firenze, Museo degli Argenti, Palazzo Pitt, 2005-2006.
Mexico. Conaculta-Inah, 2005-2007.
Mexico. Ivonne Morales, 2006.
Mexico. Sitios y Monumentos, 2006.
Mexico. Guantajuato, Templo de la Compania de Jesus, 2005-2006.
Mexico. Mexico City, Banamex Collection, 1999-2007.
Mexico. Mexico City, Colegio de Vizcainas, 2005-2007.
Mexico. Mexico City, Daniel Liebsohn, 2006-2007.
Mexico. Mexico City. Fundacion Televisa, 2005-2007.
Mexico. Mexico City, Mercedes Iturbe, 2006-2007.
Mexico. Mexico City, Museo Franz Mayer, 2005-2007.
Mexico. Mexico City, Museo Nacional de Antropologia, 2005-2006.
Mexico. Mexico City, Museo Nacional de Arte, 2006-2007.
Mexico. Mexico City, Museo Soumaya, 2005-2007.
Mexico. Mexico City, Museo Nacional de Historia, 2005-2007.
Mexico. Mexico City, Pinacoteca de La Profesa, 2005-2007.
Mexico. Mexico City, Veyan Collection, 2007.
Mexico. Monterrey, Lydia Sada de Gonzalez, 2005-2006.
Mexico. Monterrey, Tomas Gonzalez Sada, 2005-2007.
Mexico. Puebla, Museo Jose Luis Bello y Gonzalez, 2005-2006.
Mexico. Puebla, Puebla Cathedral, 2005-2006.
Mexico. Queretaro, Museo Regional de Queretaro, 2005-2006.
Mexico. Tepotzotlan, Museo Nacional del Virreinato, 2004-2007.
Mexico. Tlaxcala, Templo de Tlatelolco, 2005-2007.
Peru. Instituto Nacional de Cultura, 2005-2007.
Peru. Nancy-Leigh, 2006-2007.
Peru. Arequipa, Catedral de Arequipa, 2005-2007.
Peru. Lima, Banco de Credito (Casa Goyeneche), 2005-2006.
Peru. Lima, Belmont Collection, 2005-2007.
Peru. Lima, Collection of Isabel Larco, 2005-2006.
Peru. Lima, Collection of Monica Taurel, 2005-2007.
Peru. Lima, Iglesia de San Pedro, 2005-2007.
Peru. Lima, Liebana Collection, 2005-2006.
Peru. Lima, Museo de Arte de Lima, 2005-2007.
Peru. Lima, Museo Nacional de AAH del Peru, 2005-2007.
Puerto Rico. San Juan, Palacio Arzobispal, 2006.
Spain. Barcelona, Alorda-Derksen Collection, 2005-2006.
Spain. Madrid, Collection of Eunice Regioli, 2005-2007.
Spain. Madrid, Collection Marques de los Balbases, 2005-2006.
Spain. Madrid, Collection of Rosa Wagner, 2005-2006.
Spain. Madrid, Monasterio de Las Descalzas, 2005-2007.
Spain. Madrid, Museo Lazaro Galdiano, 2005-2007.
Spain. Madrid, Museo de Americirca, 1999-2007.
Spain. Madrid, Museo del Prado, 2004-2007.
Spain. Madrid, Varez Fisa, 2005-2007.
Spain. Madrid, Catedral de Sevilla, 2005-2006.
United States. Arizona. Scottsdale, Collection of Stephan and Ardie Evans, 2005-2007.
United States. California. Northridge, Collection of Elisabeth Waldo-Dentzel, 2005-2006.
Box 2
United States. Colorado. Denver, Denver Art Museum, 2005-2007.
United States. Colorado. Denver, Jan and Frederick Mayer Collection, 2003-2007.
United States. Connecticut. Hartford, Wadsworth Atheneum, 2005-2007.
United States. District of Columbia. Washington, Dumbarton Oaks Collection, 2005-2007.
United States. Illinois. Chicago, Thoma Collection, 2002-2007.
United States. New York. New York, American Museum of Natural History, 2005-2006.
United States. New York. New York, Brooklyn Museum of Art, 2005-2006.
United States. New York. New York, Hispanic Society of Americirca, 1999-2006.
United States. New York. New York, Huber Collection, 2003-2007.
United States. New York. New York, The Metropolitan Museum of Art, 2005-2007.
United States. Pennsylvania. Philadelphia, Philadelphia Museum of Art, 2005-2007.
United States. Pennsylvania. Philadelphia, University of Pennsylvania Museum, 2006-2007.
United States. Texas. Dallas, Meadows Museum, SMU, 2005-2007.
United States. Texas. San Antonio, San Antonio Museum of Art, 2003-2007.
United States. Texas. San Antonio, Siegfried Collection, 2001-2007.
Venezuela. Instituto de Patrimonio Cultural, 2006.
Venezuela. Sunadcirca, 2006.
Venezuela. Caracas, Jorge Rivas (scholar), 2004-2006.
Venezuela. Caracas, Cisneros Collection, 2004-2007.
Venezuela. Caracas, Fundacion Banco Mercantil, 2005-2007.
Venezuela. Caracas, Boulton Foundation, 2005-2006.
Venezuela. Caracas, Collection of Maria de Legorburu, 2005-2007.
Venezuela. Caracas, Herrera Guevara Collection, 2006.
Venezuela. Caracas, Iglesia de San Francisco, 2005-2006.
Scope and Content Note

The administrative files contain general records. The majority of the material is correspondence and documentation with other institutions and individuals. Also included are travel and financial records. The bulk of the material is from 2002 to 2006.

See Also:

Painting and Sculpture Department Records / XI. Exhibition records / . "Tesoros/Treasures/Tesouros: The Arts in Latin America, 1492-1820." September 20, 2006-December 31, 2006 / 4. Planning and exhibition files

AAMD (Association of Art Museum Directors), 2005.
Africirca New world influence, 2001.
Al Dia, 2005-2006.
Alcala, Luisa Elena (Coco), 2003-2005.
Americas Society, 2001-2006.
Andrade, Dr. Myriam, 2005.
Aparicio, Pamela and Jaime, 2003-2006.
Aronson, Barbara and Ted, 2002-2005.
Ashmolean Museum Oxford "Celebrating Brazil.", 2001-2002.
Bakewell, Susan, 2006.
Bailey, Julie, 2003.
Bargellini, Clara, 2002-2006.
Bercht, Fatima, 2005-2006.
Boone, Elizabeth, 2003.
Botin, Paloma, 2003-2005.
Brodsky, Estrellita, 2004.
Burke, Marcus, 2003-2004.
Bustamante, Judy, 2003-2007.
CAA (College Art Association) 2002, 2001-2005.
CAA (College Art Association) 2005, 2005.
Castro, Mark, 2005-2006.
Cea, Bertha, 2004-2005.
Chriboga, Luis Gallegos (Ambassador), 2005.
Chorpenning, Father Joseph, 1998-2006.
Codding, Mitchell, 2002-2004.
Committee lists, undated.
Committee CV's (1 of 2 folders), undated.
Committee CV's (2 of 2 folders), undated.
Committee correspondence, 2001-2003.
Connelly Foundation, 2005.
Correspondence. Alicia Lubowski, 2002-2003.
Correspondence. Anne Pushkal, 2003-2004.
Correspondence. Joseph Rishel, 2002-2006.
Corsham Court, 2005.
Crespo, Alfonso Ortiz, 2003-2004.
Dachowski, Peter and Victoria, 2003-2005.
Dayton Art Institute, 2002-2007.
Development trip to Mexico City, 2003-2006.
Diaz, Nelson, 2005.
Diplomatic correspondence, 2006.
Elias, Joe, 2005.
Esteras, Cristina, 2003-2007.
Fane, Diana, 1999-2005.
Farriss, Nancy, 2003-2006.
Feliciano, Luly, 2001-2005.
Feliz, Matthew, 2002-2005.
Finance. Contributions, 2002-2006.
Finance. Fundraising background, 2003-2005.
Finance. Fundraising (1 of 2 folders), 1999-2005.
Finance. Fundraising (2 of 2 folders), 2005-2007.
Finance. Reimbursements, 1998-2002.
Fundacion Marcelino Botin, 2002-2004.
General correspondence, 2001-2006.
Getty. Grant basic information, undated.
Getty. Grant application (copy 1), 2002.
Getty. Grant application (copy 2), 2002.
Getty. Grant correspondence, 2002-2005.
Getty. Lecture, November 10, 2005, 2004-2005.
Getty. Rishel Scholar Stay, 2004-2007.
Getty. Work meetings, December 2003, 2003.
Getty. Work meeting, December 2004, 2004.
Guggenheim Museum. "Brazil: Body and Soul.", 2002.
Herrera, Reinaldo, 2006.
Hispanic Chamber of Commerce, 2005.
Job candidates, 2003.
Joslyn Art Museum, 2003.
Kardon, Don, 2003.
Karsan, Safiya, 2005.
Katzew, Ilona, 2002-2006.
Keene, Ana Maria, 2000-2006.
Kien, Alvin Friedman, 2003.
Kislak Foundation, 2003-2005.
Kleburg Foundation, 2003-2005.
Kress Foundation, 2004.
Lake, Rodrigo Rivero, 2000-2007.
Lacerana, Liliana, undated.
Lambarri, Jose Ignacio, 2005.
LeBate, Lynn, 2005.
Locke, Adrian, 2003-2006.
Lorenzo, Sharon, 2003-2006.
Luber, Katie, 2002.
Lubowski, Alicia, 2002-2006.
Maria Nobrega Foundation, undated.
Mariaca, Annabelle, 2005.
McKim-Smith, Gridley, 2005-2006.
Meeting. December 3, 1998, 1998.
Meeting. April 13, 1999, 1999.
Meeting. February 20, 2002, 2002.
Meeting. October 15, 2005, 2005.
Mexican Embassy, 2005-2006.
Mexican objects. Preliminary survey, 2005.
Miscellaneous objects (1 of 2 folders), undated.
Miscellaneous objects (2 of 2 folders), undated.
Mogollon, Diana, 2005.
Motture, Peta, V and A, 2005.
Museo Regional Michoacano, Morelia, 2005-2006.
Nair, Stella, 2003.
National Endowment for the Arts Application, 2001-2006.
Nest, Johanna Van, undated.
Notes, undated.
Perez Simon, Juan Antonio, 2003.
Peyton Wright, undated.
Puerto Rican contacts, 2004-2006.
Pulitzer, Michael and Ceil, 2006-2007.
Rebolledo, Ivan, 2003.
Robertson, Bruce, 2005.
Rockefeller, David, 2004.
Romero, Conchita (Simois), 2003-2004.
Royal Academy of Fine Arts, 2003-2006.
Saiz, Concepcion Garcia, 2003-2004.
San Diego Museum of Art, undated.
Santander, Sovereign, 2005.
Schwartz, Scott, 2001-2001.
Siegel, Felipe, 2002.
Simpson, Sharon, 2002-2005.
Slim, Carlos Helu, 2007-2007.
Soriano, Juan, 2005.
Spanish Embassy (Washington), 2003-2004.
Spanish PMA Handbook, 2003.
Stratton, Suzanne, 2003-2006.
Sullivan, Edward, 2002-2006.
Symposium. Painting a New World (Denver), 2004.
Symposium. University of Pennsylvania, 2005-2006.
Szeliga, Tansy, 2004.
Taller Puertorriqueno, 2005.
Taylor Brown, Valery, 2003-2005.
Tjabbes, Peter, 2003-2005.
Travel. General, 2002-2005.
Travel. Brazil (April 1997), 1997.
Travel. Peru (January 2001), 2001-2005.
Travel. Bolivia (July 2002), 2002-2005.
Travel. Mexico (December 2002), 2002.
Travel. Brazil (March 2003), 2002-2003.
Travel. Ecuador (December 2002), 2002-2003.
Travel. Bolivia (March 2003), 2002-2003.
Travel. Denver (April 2003), 2003.
Travel. Spain (October 2003), 2003.
Travel. Columbia (October 2003), 2002-2003.
Travel. Cuba (December 2003), 2001-2003.
Travel. Cuba (December 2003), 2001-2003.
Travel. Venezuela (February 2004), 2004.
Travel. Puerto Rico (May 2004), 2003-2004.
Travel. Spain (May 2004), 2004.
Travel. Brazil (June 2004) (1 of 2 folders), 2004.
Travel. Brazil (June 2004) (2 of 2 folders), 2004.
Travel. El Salvador and Guatemala (July 2004), 2004.
Travel. Mexico, Monterrey (April 2005), 2002-2005.
Travel. Argentina (March 2005), 2005.
Travel. Mexico (July 2005), 2005.
Travel. Brazil, Pulitzer trip (November 2005), 2005.
Travel. Peru (2005), 2005-2006.
Travel. Mexico (January 2006), 2006.
Travel. Mexico (March 2006), 2006.
Travel. Dallas (May 2006), 2006.
Travel. Chile, 2002-2003.
Trusted, Marjorie, 2004-2004.
Unanue, Carmen, 2004-2006.
Vidal, Teodoro, 2003.
Weinberg, Regina (Vitae), 2002-2004.
Weir, Maria (Spanish services), 2003.
Scope and Content Note

This sub-subseries documents loans for the exhibition that were canceled. The bulk of the records are from 2005 to 2006.

Argentina. Buenos Aires, Basilica de la Merced, 2005-2006.
Argentina. Buenos Aires, Coleccion Hirsch, 2005.
Argentina. Buenos Aires, Iglesia de Nuestra Senora de Pilar, 2005.
Argentina. Buenos Aires, Museo Historico Nacional, 2006.
Argentina. Buenos Aires, Museo Isaac Fernandez Blanco, 2005.
Argentina. Buenos Aires, Museo Nacional de Arte Decorativo, 2005.
Argentina. Buenos Aires, Nelly Arrieta de Blanquier, 2005-2006.
Argentina. San Salvador de Jujuy, Iglesia Catedral de San Salvador de Jujuy, undated.
Bolivia. La Paz, Monica Ballivian de Gutierrez, 2005.
Bolivia. Potosi, Convento de San Francisco de Potosi, 2005.
Brazil. Sao Paulo, Museu de Arte Sacra, 2005-2006.
Brazil. Minas Gerais, Ouro Preto, Museo do Aleijadinho, 2005-2006.
Brazil. Sao Paulo, Palacio dos Bandeirantes, 2005-2006.
Chile. Santiago, Collecion Apelles, Carlos Alberto Cruz.
Chile. Santiago, Museo de San Francisco, 2005-2006.
Columbia. Bogota, Archdiocese of Bogota, 2005-2006.
Colombia. Popayan, Museo Arquidiocesano de Arte Religioso, 2005.
Columbia. Bogota, Museo de Arte Religioso, 2005.
Colombia. Tunja, Catedral de Tunja, 2005-2006.
Ecuador. Quito, Banco Central del Euador, 2006.
Ecuador. Quito, Convento de San Agustin, 2006.
Ecuador. Quito, Convento Santo Tomas de Aquino, 2005.
Ecuador. Quito, Monastery of the Immaculate Conception, 2005.
Ecuador. Quito, Museo de la Ciudad, 2005.
Germany. Nuremberg, Stad Nurnberg, 2005.
Germany. Siegen, Der Ev. Nikolai-Kirchengemeinde Siegen, 2005.
Mexico. Cuernavaca, Cathedral of Cuernavacirca, 2005.
Mexico. Mexico City, Metropolitan Cathedral, 2006.
Peru. Archdiocese of Cuzco, 2005-2006.
Peru. Cuzco, Convento de Santa Catalina, 2005.
Peru. Lima, Congregacion Reigiosa Concepcionista de Copacabana, 2005.
Peru. Lima, Convento de San Francisco, 2005-2006.
Peru. Cuszo, INC (Museo Historico Regional), 2005-2006.
Peru. Lima, Monasterio de Nuestra Senora del Prado, 2006.
Peru. Ayacucho, Monasterio de Santa Clara, 2005-2006.
Peru. Lima, Museo de Arte Religioso Basilica Catedral de Lima, 2005.
Peru. Cuzco, Museo Inka, 2005-2006.
Peru. Lima, Museo de la Nacion, 2005.
Peru. Lima, Orden de San Agustin, 2005-2006.
Puerto Rico. San Juan, Instituto de Cultura Puertorriquena Dra. Teresa Tio, 2005-2006.
Puerto Rico. Ponce, Museo de Arte de Ponce, 2005.
Puerto Rico. San Juan, Museo de Arte de Puerto Rico, 2005.
Puerto Rico. San Juan, Museo de San Juan, 2006.
Spain. Palencia, Catedral de Palencia, 2005-2006.
Spain. Gran Canaria, Telde, Iglesia de San Juan, 2005-2006.
Spain. Madrid, Museo del Ejercito, 2005-2006.
Spain. Madrid, Museo Nacional de Artes Decorativas, 2003.
Spain. Sevilla, Museo-Palacio de la Condesa de Lebrija, 2005-2006.
United States. Florida. Daytona Beach, Museum of Arts and Sciences, 2005-2006.
United States. Florida. Miami Lakes, Jay I. Kislak Foundation, Inc, undated.
United States. Illinois. Chicago, Art Institute of Chicago, 2005-2006.
United States. Texas. Dallas, Dallas Museum of Art, 2005-2006.
Scope and Content Note

The bulk of the planning and exhibition files pertain to preparing the exhibition catalogue, organizing the opening at the Philadelphia Museum of Art, and documenting press and publicity following the opening. The bulk of the records are from 2006.

See Also:

Painting and Sculpture Department Records / XI. Exhibition records / . "Tesoros/Treasures/Tesouros: The Arts in Latin America, 1492-1820." September 20, 2006-December 31, 2006 / 2. Administrative files

Antiguo Colegio de San Ildefonso, Mexio City, 2005-2008.
Audio tour, 2006.
Brochures (1 of 2 folders), undated.
Brochures (2 of 2 folders), undated.
Budget, 2000-2005.
Catalogue. Correspondence and outlines, 2004-2006.
Catalogue. Essay drafts (1 of 2 folders), undated.
Catalogue. Essay drafts (2 of 2 folders), undated.
Catalogue. Image records, 2004-2006.
Catalogue. Joseph Rishel. Essay, materials, drafts, undated.
Centro Cultural, Palacio de La Moneda, Chile, 2007.
Contact sheets. Philadelphia installation (1 of 3 folders), undated.
Contact sheets. Philadelphia installation (2 of 3 folders), undated.
Contact sheets. Philadelphia installation (3 of 3 folders), undated.
Education, 2006.
Final label materials, 2006.
Indemnity, 2004-2006.
LACMA (Los Angeles County Museum of Art), 2006-2007.
Narratives, undated.
Objects presented for review, 2006.
Opening gala, 2006.
Outreach committee, 2006.
Pfizer proposal, undated.
Response letters, 2006.
Reviews, 2006.
Selected bibliography (1 of 2 folders), 2002-2006.
Selected bibliography (2 of 2 folders), 2004.
Staff volunteers, 2005.
Visitors, 2006-2007.
Related exhibitions and events (1 of 2 folders), 2002-2006.
Related exhibitions and events (2 of 2 folders), 2002-2006.
Scope and Content Note

Suzanne Stratton-Pruitt is a scholar of Spanish and Spanish-American art of the 17th and 18th centuries and assisted in organizing the exhibition. This sub-subseries contains her files for the exhibition and they include records such as correspondence, research supports, and planning documentation.

Authors and catalogue entries, 2005.
CLA. Meetings (April 16, 1999), 1999.
CLA. Meetings (December 3, 1998), 1998.
CLA. Object loands from Getty scholars, 1999.
CLA. Scholar's CV's, 1999-2000.
Conference material (1 of 2 folders), undated.
Conference material (2 of 2 folders), undated.
Correspondence (1 of 2 folders), 2002-2004.
Correspondence (2 of 2 folders), 1999-2004.
Esteras, Cristina. Contract, 2004.
Esteras, Cristina. Correspondence, 2004-2005.
Esteras, Cristina. List (1 of 2 folders), undated.
Esteras, Cristina. List (2 of 2 folders), undated.
General (1 of 2 folders), 2002-2006.
General (2 of 2 folders), 2002-2006.
Getty meeting. December 2004, 2004.
Getty meeting. December 2003, 2003.
Getty report. November 1, 2004, 2003-2004.
Getty team, 2003.
National Gallery research, 2000-2004.
Visa Vite Inc, undated.

Scope and Content Note

Occasionally curators begin planning exhibitions that, for one reason or another, never come to fruition. These records provide insight into the preparatory processes of unrealized exhibitions and include correspondence, fundraising information, and subject files that often represents several years of research.

Scope and Content Note

In 1978 the Philadelphia Museum of Art received a grant from the National Endowment for the Arts to plan and exhibition of the French rococo artists Jean-Baptiste Oudry. Working in conjunction with the Louvre and the Nelson-Atkins Gallery, Joe Rishel identified potential lenders for some 150 works, including paintings, drawings, and tapestries. Though scheduled to open in Philadelphia in the spring of 1983, the exhibition was never realized at this location. The bulk of the exhibition records contain correspondence and loan materials. Budget, contract, and funding files are also included along with a lecture Joe Rishel delivered when the exhibition traveled to Kansas City.

Arrangement

Files are arranged alphabetically by subject.

[General], 1981.
Budget, 1980-1981.
Budget. Purchase requisitions, 1980-1982.
Budget and contract, 1979-1983.
Contract, 1980-1981.
Contract. Hal Opperman, 1980-1982.
Correspondence, general. A-B, 1979-1982.
Correspondence, general. Boggs, 1979-1982.
Correspondence, general. Bowron, 1979-1982.
Correspondence, general. C-D, 1980-1981.
Correspondence, general. E-H, 1981.
Correspondence, general. I-L, 1981.
Correspondence, general. Landais, 1979-1980.
Correspondence, general. M-O, 1979-1982.
Correspondence, general. P-R, 1980-1983.
Correspondence, general. Opperman, 1979-1981.
Correspondence, general. Opperman. Travel itineraries, undated.
Correspondence, general. Opperman/Rosenberg, 1978-1980.
Correspondence, general. Rosenberg, 1978-1982.
Correspondence, general. S-T, 1979-1980.
Correspondence, general. U-Z, 1981.
[Follow up correspondence], 1982-1984.
Funding, 1981-1983.
Grant, 1980-1982.
Indemnification, 1981.
Lecture at Kansas City, 1983.
Lenders. Label Key, undated.
Lenders. Algeria. Algiers. Musée National des Beaux-Arts, 1981.
Lenders. Austria. Vienna. Graphische Sammlung Albertina, 1981.
Lenders. Belgium. Prince de Ligne. Château de Belloeil, 1981.
Lenders. England. Cambridge. John Hodgkin, 1981.
Lenders. England. London. British Museum, 1981.
Lenders. England. London. Courtauld Institute Galleries, 1981.
Lenders. England. London. Galerie Speelman, undated.
Lenders. England. Norfolk. Marquise de Cholomondeley, 1979-1980.
Lenders. France. Private collections, undated.
Lenders. France. Agen. Musée des Beaux-Arts, 1981.
Lenders. France. Andouille. Monsieur de la Monneraye, 1981.
Lenders. France. Besançon. Bibliothèque Municipale, 1981.
Lenders. France. Besançon. Musée des Beaux-Arts et d'Archéologie, 1981.
Lenders. France. Caen. Musée des Beaux-Arts, 1981.
Lenders. France. Cherbourg. Musée de la Guerre et de la Liberation, 1981.
Lenders. France. Compiègne. Musée National du Palais de Compiègne, 1981.
Lenders. France. Dijon. Collection de Vogue, undated.
Lenders. France. Dijon. Musée des Beaux-Arts, 1981.
Lenders. France. Fontainebleau. Musée National du Château Fontainebleau, 1981.
Lenders. France. Maincy. Monsieur de Vogue, 1981.
Lenders. France. Marseille. Musée des Beaux Arts, Musée des Enfants, 1979-1981.
Lenders. France. Marseille. Gustav Rau, 1981.
Lenders. France. Montpellier. Musée Atger, 1981.
Lenders. France. Nantes. Musée des Beaux-Arts de Nantes, 1981.
Lenders. France. Neuilly-sur-Seine. Madame Jean Riechers, 1979-1981.
Lenders. France. Orleans. Musée des Beaux-Arts d'Orleans, 1981.
Lenders. France. Paris. Madame de Beaurepaire, 1981.
Lenders. France. Paris. Baron de Beauverger, 1981.
Lenders. France. Paris. Comte H. de Clermont-Tonnerre, 1981.
Lenders. France. Paris. L'Ecole nationale superieure des Beaux-Arts, 1981.
Lenders. France. Paris. Galerie Cailleux, undated.
Lenders. France. Paris. Madame Guest, 1981.
Lenders. France. Paris. Christian Humann, 1981.
Lenders. France. Paris. Paul Jaffard, 1981.
Lenders. France. Paris. George de Lastic, 1981.
Lenders. France. Paris. Serge Makowsky, 1981.
Lenders. France. Paris. Musée Carnavalet, 1981.
Lenders. France. Paris. Musée de la Chasse et de la Nature, 1981.
Lenders. France. Paris. Musée des Art Décoratifs, 1981.
Lenders. France. Paris. Musée National du Louvre, 1981-1982.
Lenders. France. Paris. Mathias Polkavits, 1981.
Lenders. France. Paris. Private collection, undated.
Lenders. France. Paris. Madame de Rougemont, 1981.
Lenders. France. Paris. Ambassade de la Suède, 1981.
Lenders. France. Rouen. Musée des Beaux-Arts et de la Céramique, 1981.
Lenders. France. Sceaux. Musée de l'Ile de France, 1981.
Lenders. France. Strasbourg. Musée des Beaux-Arts, 1981.
Lenders. France. Toulouse. Musée des Augustins, 1981.
Lenders. France. Versailles. Musée National du Château de Versailles et des Trianons, 1981.
Lenders. France. Villeneuve-Saint-Georges. Eglise Saint-Georges, 1981.
Lenders. Germany. Ansbach. Residenz Ansbach mit Keramiksammlung und Gemaldegalerie, 1981.
Lenders. Germany. Karlsruhe. Staatliche Kunsthalle, undated.
Lenders. Germany. Schwerin. Staatliche Museum, 1981.
Lenders. Ireland. Russborough. Sir Alfred Bait, 1981.
Lenders. Italy. Florence. Palazzo Pitti e Giardino di Boboli, 1981.
Lenders. Italy. Turin. Biobliothèque Royale, 1981.
Lenders. Monaco. Monte Carlo. Collection Axilette, 1981.
Lenders. The Netherlands. Amsterdam. Rijksmuseum, 1981.
Lenders. The Netherlands. Haarlam. Teylers Museum, 1981.
Lenders. The Netherlands. Rotterdam. Museum Boymans-van Beuningen, 1981.
Lenders. Scotland. Edinburgh. National Gallery of Scotland, 1981.
Lenders. Sweden. Stockholm. Academie Royale des Beaux-Arts, 1981.
Lenders. Sweden. Stockholm. Château Royale, 1981.
Lenders. Sweden. Stockholm. Drottingholm Teatermuseum, undated.
Lenders. Sweden. Stockholm. Nationalmuseum, 1981.
Lenders. Switzerland. Geneva. Musée d'Art et d'Histoire, 1981.
Lenders. Switzerland. Zurich. Kunsthaus, 1981.
Lenders. United States. Ann Arbor. University of Michigan Museum of Art, 1981.
Lenders. United States. Chicago. The Art Institute of Chicago, 1981.
Lenders. United States. Cleveland. Cleveland Museum of Art, 1981.
Lenders. United States. Detroit. Detroit Institute of Arts, 1981.
Lenders. United States. New York. Cooper-Hewitt Museum, 1981.
Lenders. United States. New York. Douglas Dillon, 1980.
Lenders. United States. New York. Metropolitan Museum of Art, 1981.
Lenders. United States. New York. Morgan Library, undated.
Lenders. United States. New York. Stephen Spector, 1980.
Lenders. United States. Oberlin. Allen Memorial Art Museum, 1981.
Lenders. United States. San Francisco. Fine Arts Museums of San Francisco, 1981.
Lenders. United States. Sarasota. Ringling Museum, 1981.
Lenders. United States. Toledo. Toledo Museum of Art, 1981.
Lenders. United States. Washington, D.C. National Gallery, 1981.
Object lists, 1980-1981.
Object photographs. Period 1. (folder 1 of 3), undated.
Object photographs. Period 1. (folder 2 of 3), undated.
Object photographs. Period 1. (folder 3 of 3), undated.
Object photographs. Period 2. (folder 1 of 3), undated.
Object photographs. Period 2. (folder 2 of 3), undated.
Object photographs. Period 2. (folder 3 of 3), undated.
Object photographs. Period 3. (folder 1 of 3), undated.
Object photographs. Period 3. (folder 2 of 3), undated.
Object photographs. Period 3. (folder 3 of 3), undated.
Object photographs. Period 4. (folder 1 of 3), undated.
Object photographs. Period 4. (folder 2 of 3), undated.
Object photographs. Period 4. (folder 3 of 3), undated.
Possible lenders. France. Paris. Le Comte de Salverie, undated.
Possible lenders. United States. Worcester. Worcester Art Museum, 1979.
Possible loan lists and comments. (folder 1 of 5), 1980.
Possible loan lists and comments. (folder 2 of 5), 1979.
Possible loan lists and comments. (folder 3 of 5), 1981.
Possible loan lists and comments. (folder 5 of 5), undated.
[Proposal, meetings, and progress reports], 1980-1982.
Scope and Content Note

The Philadelphia Museum of Art had planned to host a traveling exhibition of works by Lucas van Leyden and his contemporaries that was organized by Ellen S. Jacobowitz, Associate Curator of Prints at the Philadelphia Museum of Art, and Stephanie Stepanek, Assistant Curator of Prints at the Museum of Fine Arts, Boston. Though slated to open in the fall of 1980, the exhibition was never realized in Philadelphia. In 1983, however, Jacobowitz and Stepanek debuted the exhibition at the National Gallery of Art in Washington, D.C. and it traveled to Boston later that year. Records include the exhibition proposal, memoranda, and research files.

Arrangement

Files are arranged alphabetically by subject.

[Exhibition proposal], 1977-1980.
Master of female half lengths, undated.
[Master of the Morrison Triptych], undated.
Memoranda regarding Johnson Collection participation, 1979-1980.
Object research and photographs. (folder 1 of 7), undated.
Object research and photographs. (folder 2 of 7), undated.
Object research and photographs. (folder 3 of 7), undated.
Object research and photographs. (folder 4 of 7), undated.
Object research and photographs. (folder 5 of 7), undated.
Object research and photographs. (folder 6 of 7), undated.
Object research and photographs. (folder 7 of 7), undated.
Patinir, Joachim, undated.
[Poelemburgh, Cornelius], 1981.
Provost, Jan, undated.
Scope and Content Note

The Philadelphia Museum of Art was originally scheduled to host a traveling exhibition of the painting of Guido Reni from March 10 to May 10, 1989 but withdrew its participation in 1988. The exhibition travelled as planned to the Pinacoteca Nazionale of Bologna and the Los Angeles County Museum of Art. The Kimbell Museum in Fort Worth, Texas arranged to host the exhibition during the time originally planned for the Philadelphia showing. Contents in this subseries include correspondence, catalogue entries, loan materials, exhibition lists, and funding records.

Arrangement

Files are arranged alphabetically by subject.

Budget, 1985-1987.
Catalogue, 1988.
Catalogue text. Dempsey, Charles, 1988.
Catalogue text. Italian, undated.
Catalogue text. Mahon, Denis, undated.
Catalogue text. Pepper, Stephen, undated.
Catalogue text. Schaefer, Scott, 1988.
Clippings, 1987-1988.
Contracts, 1987-1988.
Correspondence. General, 1986-1988.
Correspondence. Bologna, 1985-1988.
Correspondence. Frankfurt, 1987.
Correspondence. Los Angeles, 1985-1988.
Dates, 1983-1986.
Exhibition list. Bologna, 1986-1988.
Exhibition list. Philadelphia, 1988.
Freedberg, S. National Gallery, Washington D.C, 1988.
Funding, general, 1987-1988.
Insurance, undated.
Loan forms. Returned copies, 1987-1988.
Loan letters, 1987-1988.
Loan requests. Europe, general, 1987-1988.
Loan requests. England, 1988.
Loan requests. Italy, 1987-1988.
Loan requests. United States, 1988.
Loan requests. USSR, 1988.
Loan requests, initial. Agreed, 1985-1988.
Loan requests, initial. Declined, 1985-1988.
Loan requests, initial. Pending, 1985-1988.
NEA application, undated.
Pepper, Stephen, 1985-1987.
Private collection, 1985-1988.
Proposal, 1986-1987.
Photocopies, undated.
Purchase requisitions, 1987-1988.
Rishel, Joseph. Notes, undated.
Schaefer, Scott. Los Angeles County Museum of Art, 1983-1987.
Transparencies, undated.
Scope and Content Note

In 1989 Joseph Rishel and Carl Strehlke proposed a monographic exhibition of paintings and drawings by Lorenzo Lotto and identifying possible loans and creating object files. Though the exhibition was never realized, the initial correspondence, proposal, and exhibition lists are included here along with the foundational object files.

Arrangement

Files are arranged according to the curatorial department's original order beginning with alphabetically arranged object files and followed by administrative files.

"Adoration of the Christ Child" 1535-39; Paris, Louvre, 1989.
"Adoration of Shepherds" 1527-8; Brescia, PTM, 1989.
"Agostino and Niccolo della Torre" 1515; London, NG, 1989.
"Allegory with Pluto and Ninfe" 1505; Wash, 1989.
"Allegory with Putto and Satyr in Landscape" 1505; Wash, 1989.
"Altarpiece of Visitation with Lunette" [1532-4?]; Iesi, 1989.
"Angel and Virgin of Annunciation" 1527; Iesi, 1989.
"Annunciation" 1527; Recanti, 1989.
"Charity of St. Antonio" 1542; Venice, Santi Giovanni, 1989.
"Christ and the Adulterer" [1546-55?]; Loreto, 1989.
"Christ and the Adulterer" 1531-33; Paris, Louvre, 1989.
"Christ carrying cross" 1526; Paris, Louvre, 1989.
"Christ at Emmaus" 1546; Oxford, Christ Church, 1989.
"Christ Leaving Mother" 1521; Berlin, SM, 1989.
"Christ Leaving the Prefecture" [1532?]; Milan, private collection, 1989.
"Christ with Symbols of Passion" 1543; Vienna, 1989.
"Couple with Dog and Squirrel" 1523-4; Leningrad, 1989.
"Cupid and Venus" 1513-26; Met, 1989.
"Deposition of Christ" 1516; Bergamo, AC, 1989.
"Domenican Monk" 1526; Memphis Brooks Mem, 1989.
"Domenican St" 1516; Florence, FL, 1989.
"Fra Gregorio Belo di Vicenza" 1548; NY, Met, 1989.
"Gentleman in his Study" 1527; Galleria dell'Accademia, 1989.
"Gian Giacomo Stuer and Son" 1544, undated.
"Head of a Youth" 1505-8; Vienna, 1989.
"Holy Family with the Archangel Gabriel" 1512; Princeton, 1989-1990.
"Lady as Lucretia" 1528-1530; London, National Gallery, 1989.
"Lamentation over Christ" 1545; Milan, The Brera, 1989.
"Madonna and Child Enthroned" 1521; Bergamo, SB, 1989.
"Man with a Book" 1541; NY, Wildenstein, 1989.
"Man with Symbols" [1544-5?]; El Paso, Texas, 1989.
"Martydom of St. Allessandro and Pieta" 1516; Raleigh, 1989.
"Martyrdom of St. Stephen" 1516; Bergamo, AC, 1989.
"Mssr. Marsilio and Bride" 1523; Madrid, 1989.
"Miracle of St. Domenic" 1516; Bargamo, AC, 1989.
"The Pentinent St. Jerome" 1515; Allentown, 1989.
"Portrait of Bishop T. Negri" 1527; Split, 1989.
"Portrait of Bishop de'Rossi" 1505; Naples, 1989.
"Portrait of Gentlemen on Terrace" 1525; Cleveland, 1989.
"Portrait of a Man" 1530; Rome, Borghese, 1989.
"Portrait of A. Odoni" 1527; Hampton Court, 1989.
"Portrait of Laura da Pola" 1543; Milan, The Brera, 1989.
"Presentation in the Temple" 1554-55; Loreto, 1989.
"Putto Crowning a Skull" [1521?]; Northumberland, 1989.
"St. Anthony with Hermit" 1535; Wilton House, Pembroke, 1989.
"St. Christopher" 1531; Berlin, Staatliche Museen, 1989.
"St. Jerome in the Desert" 1506; Paris, Louvre, 1989.
"St. Jerome Pentinent" 1544-45; Rome, Doria Pamphili, 1989.
"St. Peter Martyr" 1516; Florence, FL, 1989.
"St. Peter Martyr" 1548-9; Fogg Art, Cambridge, 1989.
"St. Sebastian" 1531; Berlin, Staatliche Museen, 1989.
"Sleeping Apollo and Muses" 1545-9; Budapest, 1989-1990.
"Triumph of Chastity" 1531; Rome, Rospigliosi Coll, 1989.
"Venus at her Toilet" 1539-40; Bergamo, private collection, 1989.
"Virgin and Child Enthroned" [1518?]; Philadelphia, undated.
"Virgin and Child with St. Catherine, St. James, and Angel"1529; Vienna, 1989.
"Virgin and Child with St. Jerome and St. Anthony" [undated]; MFA, Boston, 1989.
"Virgin and Child with St. Joachim, St. Jerome, and St. Anne" [153?]; Florence, 1989.
"Virgin and Child with St. Roch and St. Sebastian" 1521-2; Ottawa, 1989.
"Virgin of Rosary" 1539; Museo Civico, 1989.
List of drawings. 1-21, undated.
Memoranda, 1989.
Exhibition proposal, 1989.
Exhibition list. Alphabetical, 1989.
Exhibition list. Chronological, 1989.
Correspondence. Joe Rishel, 1989.
Notes and ideas. Joe Rishel, undated.
Purchase requisitions, 1989.
Purchase orders, pending, 1989.
Purchase orders, received, 1989.
Purchase orders waiting to receive number, to be filed, 1989.
Slides to be duplicated, 1989.
Scope and Content Note

The Museum of Fine Arts, Boston originally collaborated with the Philadelphia Museum of Art to organize an exhibition of Northern Baroque paintings by Peter Paul Rubens and his followers Anthony van Dyck and Jacob Jordaens. At the time, the Philadelphia Museum of Art was not able to secure the necessary funding for the show, so the exhibition opened in Boston in 1993 and later traveled to the Toledo Museum of Art.

Arrangement

Files are arranged alphabetically by subject.

Budget, 1991-1992.
Catalogue, 1992.
Correspondence, general, 1992-1993.
Exhibition lists, 1992.
Flemish drawing show, 1991.
Funding, 1992-1993.
Images, 1992.
Information, general, 1990-1992.
[Loan correspondence. (folder 1 of 2)], 1991-1992.
[Loan correspondence. (folder 2 of 2)], 1991-1992.
Loan information, 1990-1992.
Loan letters, 1991-1992.
Meetings, 1992.
Museum shop, 1992.
NEA grant. (folder 1 of 2), 1989-1992.
NEA grant. (folder 2 of 2), 1991.
Notes, 1990-1992.
PMA loans, 1991.
Photocopies. (folder 1 of 2), undated.
Photocopies. (folder 2 of 2), undated.
Public relations, 1993.
Publications, 1992.
Schedule, 1990-1992.
Special Exhibitions, 1990-1991.
Sutton, Peter, 1990-1993.
Toledo Museum of Art, 1993.
Transparencies and slides not included on exhibition list, undated.
Scope and Content Note

Proposals for future exhibitions and possible loans or exchanges that were never realized are inlcuded in this subseries. In most cases, planning for these exhibition is limited to the initial proposal and early correspondence. Some files may also include notes and early drafts of exhibition lists.

Arrangement

General files are arranged chronologically followed by specific proposals arranged alphabetically by subject.

General, 1982-1984, 1982-1984.
General, 1985, 1985.
General, 1986, 1986.
General, 1987, 1987.
General, 1988, 1988.
General, 1989, 1989.
Artists collect Cezanne, 1989.
Basel exchange, 1987.
Joseph Bonaparte, 1983-1989.
Brandon, 1987.
Bridgestone Museum of Art, Tokyo. Anne Townsend, 1989.
Budapest, 1986.
Dutch paintings from American collections, 1986-1987.
Emilian, 1986.
Genoa, 1987-1988.
Sir Alfred Gilbert, 1984-1986.
Heinz, 1989.
Houdon's American Portraits, undated.
Japanese exhibition. Denys Sutton, 1989.
Japanese exhibition. White Public Relations Co., Inc, 1988-1989.
Lotto, 1989.
Louis-Philippe. [General], 1986-1990.
Louis-Philippe. Bibliography research, 1989.
Louis-Philippe. Budget, 1989.
Louis-Philippe. Catalogue clippings, undated.
Louis-Philippe. Correspondence, 1989-1990.
Louis-Philippe. Thielemans, Veerle, 1989-1990.
Louis-Philippe. Thielemans, Veerle. Hours, 1989-1990.
McIlhenny, 1986.
McIlhenny. Museum of Fine Arts, Boston, 1985-1987.
McIlhenny. Columbus Museum, GA, 1986.
Risorgimento/19th century Italy, 1987-1989.
Russian exchange, 1985-1986.
Sargent, 1982-1984.
Tiepolo, 1984-1990.
The Wanderers, 1990.
We the People 200, 1986.
Wright of Derby, 1988.

Print, Suggest