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Women's Committee of the Philadelphia Museum of Art Records, 1883-1989, undated (inclusive)

Extent:
14.5 linear feet
Abstract:
The collection documents the role of the Women's Committee of the Philadelphia Museum of Art in support of the Museum, its affiliates, and the Philadelphia arts community. The records illustrate approximately one hundred and twenty five years of successful service and leadership in planning various events and programs, and provide insight into the Women's Committee's untiring efforts, dedication, and expertise. The collection consists of minute books, scrapbooks, financial records, reports, and plans of events, marketing strategies, public relations, and special projects such as publishing a cookbook.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Christian Brinton Research Collection, 1902-1926 (inclusive)

Extent:
1 linear foot
Abstract:
Through his writings and the exhibitions he curated, Christian Brinton (1870-1942) promoted modern and contemporary art, particularly from the areas outside of the traditional western European school, and has been credited with introducing Nordic, Slavic and Teutonic modernism to Americirca This collection consists of material compiled by Brinton pertaining to two contemporary artists, namely the Spanish painter Ignacio Zuloaga and the Russian sculptor Prince Paul Troubetzkoy. Files pertaining to Zuloaga make up the first series and consist primarily of correspondence, 1904-1922, from the artist to Brinton. There are also clippings about the artist and many photographs of his works, as well as some of Brinton's notes and draft writings. The second series pertains to Paul Troubetzkoy, and consists primarily of Brinton's research notes and photographs and prints of the artist's objects, as well as reference files of newsclippings and other journal writings about Troubetzkoy.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Hollingsworth Pearce Papers, undated (inclusive)

Extent:
1 linear foot
Abstract:
Approximately 60 black and white photographs comprise this collection, documenting the work of Hollingsworth Pearce (1878-1936), Philadelphia designer, metalsmith and engraver. There is also a hand-written inventory of the photographed objects, which are primarily silver or pewter items Pearce crafted for several churches and chapels, such as altar and processional crosses, sanctuary lamps and a baptismal bowl. Tablets, trophy cups and bowls are also illustrated.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Mary Curran Papers, 1891-1958, undated (inclusive)

Extent:
10.5 linear feet
Abstract:
Mary Curran (1885-1976) devoted most of her professional life to some of the most progressive practices in social reform and relief during the first half of the 20th century. Her papers primarily document the significant role she played in the education of young working women, which segued into the promotion of modern art in the city of Philadelphia, Pennsylvania, and the management of the federal relief programs for artists in that state during most of the 1930s. The material is arranged in four series: I. Working women's clubs; II. New Students League and the Little Gallery of Contemporary Art; III. Federal Art Project and earlier relief programs; and IV. Personal papers. The bulk of documentation consists of correspondence, clippings, photographs, artist application forms and related reports for federal relief work, and 15-years' worth of bulletins, catalogs and ephemera, primarily from Philadelphia and New York museums, galleries and art alliances. Correspondents include...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Yasuo Kuniyoshi Papers, 1931-1932, undated (inclusive)

Extent:
0.5 linear foot
Abstract:
This collection consists of approximately five months worth of letters written by the artist Yasuo Kuniyoshi (1889-1953) in which he describes his 1931-1932 journey back to Japan in vivid detail. Writing to his wife Katherine (Schmidt) in New York, Kuniyoshi details every experience, particularly the social and media activities surrounding his one-man exhibitions in Tokyo and Osaka, and his visits to Okayama to spend time with his dying father. A few photographs of Kuniyoshi's train stop in Montana and an original writing in Japanese, laid out in a scroll format, are also included.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Henri Gabriel Marceau Director Records, 1955-1964 (bulk) 1933-1980 (inclusive)

Extent:
53.2 linear feet (135 document boxes)
Abstract:
Henri Gabriel Marceau was an internationally known scholar, art historian, and architect, and served as Director of the Philadelphia Museum of Art from 1955 to 1964. R. Sturgess Ingersoll, President of the Philadelphia Museum of Art, made the following comments upon Marceau’s retirement from the post of Director: “Mr. Marceau has been a tower of strength through the period of the development of the Philadelphia Museum of Art…His authoritative publications on Thomas Eakins, Cezanne, William Rush, Benjamin West, Flemish paintings and Corot represent an amazing range of scholarship. He has always been particularly interested in sculpture, and the three international exhibitions of sculpture, - held in 1933, 1940 and 1949 in the courtyard of the Museum, - did much to bring about the present refreshing interest in sculptors and sculpture. He has probably had closer relations with contemporary artists than any twentieth century museum director” (Box 103, folder 4). The Henri Gabriel...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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George Grey Barnard Papers, 1895-1941 (inclusive)

Extent:
19 linear feet
Abstract:
George Grey Barnard was an American sculptor and collector of Medieval art, locating and arranging the pieces that eventually became "The Cloisters," now of New York's Metropolitan Museum of Art. His papers are comprised primarily of correspondence and financial and business records documenting both his collecting and creation of art. The collection includes a significant amount of personal correspondence, biographical information, and family financial records as well.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Francis Bacon Foundation Records, 1936-1997, undated (inclusive)

Extent:
18 cubic feet
Abstract:
The Francis Bacon Foundation was formed by Walter and Louise Arensberg in 1938 to promote study in science, literature, religion, history and philosophy with special reference to the works of Francis Bacon. The Foundation also served as the legal owner of the Walter and Louise Arensberg art collection. The Francis Bacon Foundation Records consist of correspondence, administrative and financial records which illustrate the organizational aspects of the Foundation, the Baconian research conducted by its staff, and the art historical research conducted by outside researchers using the Francis Bacon Foundation Library and Arensberg Archives. Because of the Foundation's close association with Walter and Louise Arensberg, the Records also shed some light on their personal lives.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Marcel Duchamp Exhibition Records, 1967-1993, undated (inclusive)

Extent:
18 linear feet
Abstract:
The Marcel Duchamp Exhibition Records contain material created and collected by the Department of Modern and Contemporary Art (formerly the Twentieth Century Art Department), Philadelphia Museum of Art during the course of organizing and/or participating in exhibitions about the artist Marcel Duchamp.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Beatrice Wood Collection, circa 1921-2001, undated (inclusive)

Extent:
0.5 linear feet
Abstract:
This collection includes archival material documenting the life and work of Beatrice Wood (1893-1998), a central figure in the New York Dada movement and a notable ceramic artist. The archival material comes from two different sources: the artist herself and Conrad C. M. Arensberg. It includes documentation of several exhibitions and events, specifically personal photographs of her 96th birthday.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Henry P. McIlhenny Papers, 1817-1824, 1902-1988, undated (bulk 1934-1986) (inclusive)

Extent:
62.5 linear feet
Abstract:
The Henry P. McIlhenny Papers document the privileged and urbane lifestyle of the man whose tastes and talents earned him a reputation as a distinguished connoisseur of art and antiques, world traveler, host extraordinaire, philanthropist and generous friend. Although Henry McIlhenny (1910-1986) is the primary creator, this collection is very much a family affair, encompassing the art collections initiated by his parents, John D. and Frances P. McIlhenny, which passed, along with the family trust fund, on to McIlhenny and his sister Bernice ("Bonnnie") Wintersteen. Much of the material deals with McIlhenny's activities from the mid-1930s to his final years, with particularly extensive documentation of his art collection and of his homes, the latter of which encompasses his penchant for interior design and his passion for horticulture. Also well documented are his many years of service to and support of the Philadelphia Museum of Art, the Academy of Music, and the Philadelphia...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Fiske Kimball Records, 1908-1955, undated (bulk 1925-1954) (inclusive)

Extent:
94.5 linear feet
Abstract:
From 1925 to 1955, Fiske Kimball served as director of the Philadelphia Museum of Art, steering the institution from what he described as "a minor provincial position to become one of the leading museums of Americirca" The Fiske Kimball Records document Kimball's efforts in achieving this transformation in collaboration with the Museum's officers, staff, and the Fairmount Park Commission, and with the assistance of private benefactors and City funding. Comprised primarily of correspondence, these records also include ephemera, clippings, notes, legal documents, reports, minutes, press releases, publications, floor plans, installation drawings, and photographs, mostly of objects, rooms and architectural elements offered for purchase. Kimball's correspondents include preeminent leaders of art museums, universities, auction houses and professional affiliations, as well as government representatives, private collectors, scholars, and artists. Kimball's often successful courting of...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Anne d'Harnoncourt Papers, circa 1927-2012, undated (bulk 1951-2008) (inclusive)

Extent:
31.5 linear feet
Abstract:
Art to Anne d'Harnoncourt (1943-2008) was both a professional and personal passion. Best recognized for her twenty-five year tenure as director of the Philadelphia Museum of Art, d'Harnoncourt collaborated with local, national and international people and organizations, to keep art--and all the arts--relevant and essential in building and bridging communities. Most of the material comprising the Anne d'Harnoncourt Papers traces her professional development in and away from the Museum and consists primarily of correspondence, press clippings, photographs of works of art and events, draft lectures, notes, ephemera and a number of certificates, citations and object awards. Several files of photos and papers pertain to her husband and Museum colleague, Joseph J. Rishel. Family papers and photographs and school records comprise her personal papers. Also made part of the Anne d'Harnoncourt Papers is the significant documentation of the worldwide reaction to her unexpected death on June 1,...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Dorothy Norman Research Collection, 1897-1992, undated (inclusive)

Extent:
4 linear feet
Abstract:
During her twenty-year relationship with photographer and art promoter Alfred Stieglitz, Dorothy Norman, herself a photographer as well as writer, came to know artists such as John Marin, who were defining American modernism during the 1930s and 1940s. Norman published and edited writings about both men, and likely compiled this material in preparation. Documentation pertaining to Alfred Stieglitz consists primarily of exhibition announcements and checklists, and copies of writings published by his gallery An American Place. Equally significant in amount are the copyprints of photographs by Stieglitz, and of works by artists he promoted, such as Georgia O'Keefe, Arthur G. Dove, John Marin and Marsden Hartley. John Marin material consists primarily of photographs and published writings about the artist, including clippings and exhibition catalogues. Material relating to Norman's other endeavors include ephemera of her publication "Twice a Year" and other works published by the same...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Ernst Berl Papers, 1899-1970 (inclusive)

Extent:
15.4 linear feet (11 boxes (11 record boxes))
Abstract:
Correspondence, professional files, patent files, financial records, personal files, papers and speeches, and publications of Austrian chemical engineer Ernst Berl.

Held at: Science History Institute Archives [Contact Us]

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Joseph F. Bunnett Papers, 1960-1995 (inclusive) 1967-1986 (bulk)

Extent:
8.4 linear feet (8 boxes (5 record boxes, 2 hollinger boxes, and 1 half-hollinger box).)
Abstract:
Professional files of American chemist and chemistry professor Joseph F. Bunnett, which primarily document his editorship of the scientific journal Accounts of Chemical Research.

Held at: Science History Institute Archives [Contact Us]

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Kenneth R. Shoulders Papers, 1940-2013 (inclusive) 1955-2008 (bulk)

Extent:
37.8 linear feet (27 boxes (20 record boxes, 2 film cans, 1 half hollinger box, 1 audiocassette box, 2 videotape boxes 2 oversized boxes, 4 map tubes, 1 artifacts box, and 1 photographs box) )
Abstract:
Correspondence, research files, personal files, patent files, papers and presentations, publications, audio-visual materials, electronic storage materials, and photographic materials of American electronics engineer, experimental physicist, and inventor Kenneth R. Shoulders.

Held at: Science History Institute Archives [Contact Us]

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