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Francis Bacon Foundation Records, 1936-1997, undated (inclusive)

Extent:

18 cubic feet

Abstract:

The Francis Bacon Foundation was formed by Walter and Louise Arensberg in 1938 to promote study in science, literature, religion, history and philosophy with special reference to the works of Francis Bacon. The Foundation also served as the legal owner of the Walter and Louise Arensberg art collection. The Francis Bacon Foundation Records consist of correspondence, administrative and financial records which illustrate the organizational aspects of the Foundation, the Baconian research conducted by its staff, and the art historical research conducted by outside researchers using the Francis Bacon Foundation Library and Arensberg Archives. Because of the Foundation's close association with Walter and Louise Arensberg, the Records also shed some light on their personal lives.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Marcel Duchamp Exhibition Records, 1967-1993, undated (inclusive)

Extent:

18 linear feet

Abstract:

The Marcel Duchamp Exhibition Records contain material created and collected by the Department of Modern and Contemporary Art (formerly the Twentieth Century Art Department), Philadelphia Museum of Art during the course of organizing and/or participating in exhibitions about the artist Marcel Duchamp.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Painting and Sculpture Department Records, 1924-1999 (inclusive)

Extent:

137.08 linear feet

Abstract:

None available.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Beatrice Wood Collection, circa 1921-2001, undated (inclusive)

Extent:

0.5 linear feet

Abstract:

This collection includes archival material documenting the life and work of Beatrice Wood (1893-1998), a central figure in the New York Dada movement and a notable ceramic artist. The archival material comes from two different sources: the artist herself and Conrad C. M. Arensberg. It includes documentation of several exhibitions and events, specifically personal photographs of her 96th birthday.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Henry P. McIlhenny Papers, 1817-1824, 1902-1988, undated (bulk 1934-1986) (inclusive)

Extent:

62.5 linear feet

Abstract:

The Henry P. McIlhenny Papers document the privileged and urbane lifestyle of the man whose tastes and talents earned him a reputation as a distinguished connoisseur of art and antiques, world traveler, host extraordinaire, philanthropist and generous friend. Although Henry McIlhenny (1910-1986) is the primary creator, this collection is very much a family affair, encompassing the art collections initiated by his parents, John D. and Frances P. McIlhenny, which passed, along with the family trust fund, on to McIlhenny and his sister Bernice ("Bonnnie") Wintersteen. Much of the material deals with McIlhenny's activities from the mid-1930s to his final years, with particularly extensive documentation of his art collection and of his homes, the latter of which encompasses his penchant for interior design and his passion for horticulture. Also well documented are his many years of service to and support of the Philadelphia Museum of Art, the Academy of Music, and the Philadelphia...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Fiske Kimball Records, 1908-1955, undated (bulk 1925-1954) (inclusive)

Extent:

94.5 linear feet

Abstract:

From 1925 to 1955, Fiske Kimball served as director of the Philadelphia Museum of Art, steering the institution from what he described as "a minor provincial position to become one of the leading museums of Americirca" The Fiske Kimball Records document Kimball's efforts in achieving this transformation in collaboration with the Museum's officers, staff, and the Fairmount Park Commission, and with the assistance of private benefactors and City funding. Comprised primarily of correspondence, these records also include ephemera, clippings, notes, legal documents, reports, minutes, press releases, publications, floor plans, installation drawings, and photographs, mostly of objects, rooms and architectural elements offered for purchase. Kimball's correspondents include preeminent leaders of art museums, universities, auction houses and professional affiliations, as well as government representatives, private collectors, scholars, and artists. Kimball's often successful courting of...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Anne d'Harnoncourt Papers, circa 1927-2012, undated (bulk 1951-2008) (inclusive)

Extent:

31.5 linear feet

Abstract:

Art to Anne d'Harnoncourt (1943-2008) was both a professional and personal passion. Best recognized for her twenty-five year tenure as director of the Philadelphia Museum of Art, d'Harnoncourt collaborated with local, national and international people and organizations, to keep art--and all the arts--relevant and essential in building and bridging communities. Most of the material comprising the Anne d'Harnoncourt Papers traces her professional development in and away from the Museum and consists primarily of correspondence, press clippings, photographs of works of art and events, draft lectures, notes, ephemera and a number of certificates, citations and object awards. Several files of photos and papers pertain to her husband and Museum colleague, Joseph J. Rishel. Family papers and photographs and school records comprise her personal papers. Also made part of the Anne d'Harnoncourt Papers is the significant documentation of the worldwide reaction to her unexpected death on June 1,...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Dorothy Norman Research Collection, 1897-1992, undated (inclusive)

Extent:

4 linear feet

Abstract:

During her twenty-year relationship with photographer and art promoter Alfred Stieglitz, Dorothy Norman, herself a photographer as well as writer, came to know artists such as John Marin, who were defining American modernism during the 1930s and 1940s. Norman published and edited writings about both men, and likely compiled this material in preparation. Documentation pertaining to Alfred Stieglitz consists primarily of exhibition announcements and checklists, and copies of writings published by his gallery An American Place. Equally significant in amount are the copyprints of photographs by Stieglitz, and of works by artists he promoted, such as Georgia O'Keefe, Arthur G. Dove, John Marin and Marsden Hartley. John Marin material consists primarily of photographs and published writings about the artist, including clippings and exhibition catalogues. Material relating to Norman's other endeavors include ephemera of her publication "Twice a Year" and other works published by the same...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Ernst Berl Papers, 1899-1970 (inclusive)

Extent:

15.4 linear feet (11 boxes (11 record boxes))

Abstract:

Correspondence, professional files, patent files, financial records, personal files, papers and speeches, and publications of Austrian chemical engineer Ernst Berl.

Held at: Science History Institute Archives [Contact Us]

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Joseph F. Bunnett Papers, 1960-1995 (inclusive) 1967-1986 (bulk)

Extent:

8.4 linear feet (8 boxes (5 record boxes, 2 hollinger boxes, and 1 half-hollinger box).)

Abstract:

Professional files of American chemist and chemistry professor Joseph F. Bunnett, which primarily document his editorship of the scientific journal Accounts of Chemical Research.

Held at: Science History Institute Archives [Contact Us]