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Yasuo Kuniyoshi Papers, 1931-1932, undated (inclusive)

Extent:

0.5 linear foot

Abstract:

This collection consists of approximately five months worth of letters written by the artist Yasuo Kuniyoshi (1889-1953) in which he describes his 1931-1932 journey back to Japan in vivid detail. Writing to his wife Katherine (Schmidt) in New York, Kuniyoshi details every experience, particularly the social and media activities surrounding his one-man exhibitions in Tokyo and Osaka, and his visits to Okayama to spend time with his dying father. A few photographs of Kuniyoshi's train stop in Montana and an original writing in Japanese, laid out in a scroll format, are also included.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Special Format Records: Memorabilia, circa 1920 (inclusive)

Extent:

1 object

Abstract:

None available.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Henri Gabriel Marceau Director Records, 1955-1964 (bulk) 1933-1980 (inclusive)

Extent:

53.2 linear feet (135 document boxes)

Abstract:

Henri Gabriel Marceau was an internationally known scholar, art historian, and architect, and served as Director of the Philadelphia Museum of Art from 1955 to 1964. R. Sturgess Ingersoll, President of the Philadelphia Museum of Art, made the following comments upon Marceau’s retirement from the post of Director: “Mr. Marceau has been a tower of strength through the period of the development of the Philadelphia Museum of Art…His authoritative publications on Thomas Eakins, Cezanne, William Rush, Benjamin West, Flemish paintings and Corot represent an amazing range of scholarship. He has always been particularly interested in sculpture, and the three international exhibitions of sculpture, - held in 1933, 1940 and 1949 in the courtyard of the Museum, - did much to bring about the present refreshing interest in sculptors and sculpture. He has probably had closer relations with contemporary artists than any twentieth century museum director” (Box 103, folder 4). The Henri Gabriel...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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George Grey Barnard Papers, 1895-1941 (inclusive)

Extent:

19 linear feet

Abstract:

George Grey Barnard was an American sculptor and collector of Medieval art, locating and arranging the pieces that eventually became "The Cloisters," now of New York's Metropolitan Museum of Art. His papers are comprised primarily of correspondence and financial and business records documenting both his collecting and creation of art. The collection includes a significant amount of personal correspondence, biographical information, and family financial records as well.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Francis Bacon Foundation Records, 1936-1997, undated (inclusive)

Extent:

18 cubic feet

Abstract:

The Francis Bacon Foundation was formed by Walter and Louise Arensberg in 1938 to promote study in science, literature, religion, history and philosophy with special reference to the works of Francis Bacon. The Foundation also served as the legal owner of the Walter and Louise Arensberg art collection. The Francis Bacon Foundation Records consist of correspondence, administrative and financial records which illustrate the organizational aspects of the Foundation, the Baconian research conducted by its staff, and the art historical research conducted by outside researchers using the Francis Bacon Foundation Library and Arensberg Archives. Because of the Foundation's close association with Walter and Louise Arensberg, the Records also shed some light on their personal lives.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Marcel Duchamp Exhibition Records, 1967-1993, undated (inclusive)

Extent:

18 linear feet

Abstract:

The Marcel Duchamp Exhibition Records contain material created and collected by the Department of Modern and Contemporary Art (formerly the Twentieth Century Art Department), Philadelphia Museum of Art during the course of organizing and/or participating in exhibitions about the artist Marcel Duchamp.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Painting and Sculpture Department Records, 1924-1999 (inclusive)

Extent:

137.08 linear feet

Abstract:

None available.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Beatrice Wood Collection, circa 1921-2001, undated (inclusive)

Extent:

0.5 linear feet

Abstract:

This collection includes archival material documenting the life and work of Beatrice Wood (1893-1998), a central figure in the New York Dada movement and a notable ceramic artist. The archival material comes from two different sources: the artist herself and Conrad C. M. Arensberg. It includes documentation of several exhibitions and events, specifically personal photographs of her 96th birthday.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Henry P. McIlhenny Papers, 1817-1824, 1902-1988, undated (bulk 1934-1986) (inclusive)

Extent:

62.5 linear feet

Abstract:

The Henry P. McIlhenny Papers document the privileged and urbane lifestyle of the man whose tastes and talents earned him a reputation as a distinguished connoisseur of art and antiques, world traveler, host extraordinaire, philanthropist and generous friend. Although Henry McIlhenny (1910-1986) is the primary creator, this collection is very much a family affair, encompassing the art collections initiated by his parents, John D. and Frances P. McIlhenny, which passed, along with the family trust fund, on to McIlhenny and his sister Bernice ("Bonnnie") Wintersteen. Much of the material deals with McIlhenny's activities from the mid-1930s to his final years, with particularly extensive documentation of his art collection and of his homes, the latter of which encompasses his penchant for interior design and his passion for horticulture. Also well documented are his many years of service to and support of the Philadelphia Museum of Art, the Academy of Music, and the Philadelphia...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Fiske Kimball Records, 1908-1955, undated (bulk 1925-1954) (inclusive)

Extent:

94.5 linear feet

Abstract:

From 1925 to 1955, Fiske Kimball served as director of the Philadelphia Museum of Art, steering the institution from what he described as "a minor provincial position to become one of the leading museums of Americirca" The Fiske Kimball Records document Kimball's efforts in achieving this transformation in collaboration with the Museum's officers, staff, and the Fairmount Park Commission, and with the assistance of private benefactors and City funding. Comprised primarily of correspondence, these records also include ephemera, clippings, notes, legal documents, reports, minutes, press releases, publications, floor plans, installation drawings, and photographs, mostly of objects, rooms and architectural elements offered for purchase. Kimball's correspondents include preeminent leaders of art museums, universities, auction houses and professional affiliations, as well as government representatives, private collectors, scholars, and artists. Kimball's often successful courting of...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]