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Start Over Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Subject Art Year 1970 to 1974

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Don Stacy correspondence with Vilém Flusser, 1966-1976 (inclusive) 1973-1976 (bulk)

Extent:
0.2 linear feet (1 box)
Abstract:
Donald L. Stacy (1925-2008), known primarily as Don Stacy, was an artist and art teacher born in New Jersey, who lived and worked for most of his life in New York City. Vilém Flusser (1920-1991)-- a Czech-born philosopher who lived for a long period in Sao Paulo, and later in France-- wrote on media and technology, and on communication and artistic production, among other concepts. The correspondence between Don Stacy and Vilém Flusser in this collection was collected by Don Stacy and takes place primarily between 1973 and 1976. The letters from Don Stacy are either handwritten draft letters to Flusser or reprographic copies of the sent letters, while the letters from Flusser are originals. The two men discuss art and philosophy, taking pleasure in sharing ideas and theories and debating opposing positions, and also address issues surrounding their friendship.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Alan and Lois Fern collection of Leonard Baskin and Gehenna Press material, 1957-1971 (inclusive)

Extent:
0.2 linear_foot (1 box and oversized folder)
Abstract:
Leonard Baskin (1922-2000) was a figurative sculptor, graphic artist, poet, printer, and founder of the Gehenna Press. This collection documents the printed works of Leonard Baskin and his Gehenna press through announcements; cards; exhibition advertisements; invitations; printing examples, bookplates, and keepsakes; printed complete works; and prospectuses and catalogs.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Carl Zigrosser papers, circa 1891-1971 (inclusive)

Extent:
48.5 linear feet (116 boxes)
Abstract:
The Carl Zigrosser Papers comprise personal and professional records including correspondence, writings, notes, printed material, subject files, photograph album, and diaries relating to Zigrosser's work as an authority on print s and printmaking and his personal relationships with artists. The Papers are particularly rich in correspondence with the major artistic and cultural figures in America during the first half of the twentieth century.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Institute of Contemporary Art records, 1963-2007 (inclusive)

Extent:
109 linear feet (283 containers)
Abstract:
The Institute of Contemporary Arts is a University of Pennsylvania museum displaying contemporary art. This portion of the collection documents the exhibition files of the Institute of Contemporary Arts from 1963 to 2000.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Charles Blum, Jr. papers, 1925-1988 (inclusive)

Extent:
1.1 linear feet (4 boxes)
Abstract:
Charles William Blum, Jr. (1925-1991), an artist known for magical realism, lived and worked in New York; San Miguel, Mexico; and Spain. His papers, dating from 1925 to 1988, document his personal life through letters, journals, photographs and memorabilia. In particular, Blum's papers cover numerous topics including his work as an artist; his relationships with Robert Davison and Salvatore Saraceno; his opinions on love, romance and homosexuality; expatriate life in San Miguel de Allende in Mexico; and his opinions on the literary, theatrical, and modern dance scenes of the 1950s.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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William H. Helfand collection of artwork and printed ephemera, 1790-1990 (inclusive)

Extent:
0.5 linear feet (1 box and 7 oversized folders)
Abstract:
William Helfand (1926-2008) was a scholar of the histories of medicine, pharmacy and art, and a collector of prints and ephemera related to all three. This collection contains a fairly diverse set of artwork and printed ephemera collected by Helfand, which, for the most part, relates to pharmacy and medicine and/or the fine arts.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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ELM Press collection of Enid Mark lithographs, photographs, and ephemera, 1971-2008 (inclusive)

Extent:
5.3 linear feet (13 boxes, 1 drawer)
Abstract:
Enid Mark (1932-2008) was the founder of ELM Press and an American editor, publisher, and artist specializing in handmade books. The ELM Press collection of Enid Mark lithographs, photographs, and ephemera measures 5.3 linear feet in thirteen boxes and one drawer and dates from 1971 to 2008. It primarily documents Enid Mark's work on limited-edition art books with ELM Press and exhibitions featuring this work.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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John Milton Fogg, Jr. collection of letters and papers relating to Albert C. Barnes and the University of Pennsylvania, 1925-1984 (inclusive)

Extent:
0.4 linear_foot (1 box)
Abstract:
Albert C. Barnes (1872-1951), an art collector and founder of the Barnes Foundation, had an uneasy relationship with the University of Pennsylvania, despite efforts on both parts to establish a collaboration in art education between the Barnes Foundation and the University. This collection contains primarily correspondence between Barnes (or the secretary of the Barnes Foundation, Nelle E. Mullen, on Barnes' behalf) and University of Pennsylvania officials, largely related to an effort to establish a joint Penn-Barnes course, which met for only a few sessions in 1946 before being called off by Barnes.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Edward F. Fry papers, circa 1947-1992 (inclusive)

Extent:
66 boxes
Abstract:
Comprising documents related to Fry's life and career: correspondence, research, and letters from numerous artists and colleagues, handwritten lectures, typescript essays, over 1000 photographs of artists' works with special interest in Pablo Picasso, Jacques Lipchitz, Henri Laurens, and David Smith. Correspondence with artists (some include slides and drawings), curators, art historians, and museums. Highlights of curated exhibitions include the 1967 5th Guggenheim International Exhibition, the 1969 David Smith retrospective, the canceled 1971 Hans Haacke exhibition, and the 1987 Documenta 8. Materials related to Fry's special interest in cubism, specifically Pablo Picasso, include the book Cubism, lectures, notes, photographs, and research.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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European and American comic books with depictions of India, 1909-1981 (inclusive)

Extent:
1 linear_foot (1 box)
Abstract:
This collection contains European and American comic books depicting adventures in India and India in the 20th century, both before and after Indian independence. There are American, Belgian, French, Italian, Portuguese, and Spanish publications in the collection. There are a variety of formats represented: landscape comics, periodicals, illustrated serials, two blank journals with illustrated covers, a French children's book, a single piece of sheet music, and two image paste-in collection books.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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William Steig papers, circa 1907-2002 (inclusive) 1950-2000 (bulk)

Extent:
21 linear feet (45 boxes)
Abstract:
William Steig (1907-2003) was an American cartoonist, illustrator, and writer of children's books. In 1930, Steig began a long and fruitful relationship with The New Yorker, for which he produced more than 2,600 drawings and 117 covers. When he was sixty-one, Steig began writing children's books, including Sylvester and the Magic Pebble (1969), Dominic (1972), Doctor De Soto (1982), and Shrek! (1990), the basis for the DreamWorks animated film of the same name. This collection includes 45 boxes of material, including correspondence; personal and professional records; drafts of Steig's writings; financial records; press, promotional material, and material from exhibits; awards Steig received; and original artwork, including original ink and watercolor drawings and work that would later appear in the New Yorker. There is also ephemera related to the movie Shrek, as well as personal artifacts, such as Steig's brushes and pens.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Ashley Bryan papers, 1823-2019 (inclusive) 1928-2019 (bulk)

Extent:
85 linear feet (146 boxes)
Abstract:
Ashley Bryan (1923-2022) was an artist and storyteller best known for his award-winning children's book illustrations with particular emphasis on African folktales and African-American spirituals. Bryan authored, illustrated, published, and distributed his first book in Kindergarten, later graduating from Cooper Union and Columbia University, being awarded a Fulbright to study at the University of Freiburg, before becoming a professor at Dartmouth College. The collection documents his lifelong devotion to the arts including sketchbooks, artwork, and especially materials relating to the publication process of over sixty book projects. There is also material relating to his professional engagements; certificates, awards, diplomas, and plaques relating to his many achievements; and personal and family materials, notebooks, photographs, greeting cards and postcards, school children thank you cards and artwork, and research files and ephemera. Also included are foundational...(see more)

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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James Brewton papers, 1902-2014 (inclusive) 1951-1967 (bulk)

Extent:
2 linear feet (7 boxes, 5 oversize folders) and 1.2 gigabytes
Abstract:
James Edward Brewton (1930-1967) was an American painter and printmaker who attended the Pennsylvania Academy of the Fine Arts and exhibited works in Philadelphia and in Denmark. Brewton's early works are said to be expressionist and his later works incorporate graffiti and the influences of "pataphysics." His life was cut short by suicide at the age of 37. The collection is arranged in four series: I. Personal material; II. Artworks; III. Books and audiovisual materials; and IV. Artifacts and memorabilia.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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William H. Helfand collection of ex-votos and devotional paintings on medical subjects, 1868-2002 (inclusive)

Extent:
61 item
Abstract:
A gift of historian of pharmacy and medicine Dr. William H. Helfand, this collection of ex-votos and devotional paintings on medical subjects offers insight into Mexican religious folk practices. Ex-votos are votive paintings usually hung in churches and religious venues as a sign of gratitude for received blessings or healings. The collection includes ex-votos dated between 1868 and 2002 and dedicated to Jesus Christ, the Virgin Mary, Saint Anthony of Padua, Saint James the Moor-slayer, Saint Paschal Baylon, Saint Barbara, Saint Judas Thaddeus, Saint Nicholas, and Saint Cosmas.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Etta Winigrad papers, 1968-2016 (inclusive)

Extent:
4 linear feet (11 boxes)
Abstract:
Etta Winigrad (1936- ) is a Philadelphia-based sculptor who works primarily in clay and mixed media. She earned a Bachelor of Applied Arts from the University Pennsylvania in 1958, and completed postgraduate study at Moore College and at the Philadelphia Museum of Art in 1976. Winigrad's figurative ceramic sculpture combines realistic and fantastical elements, animal-like figures, and humor. This collection, which focuses on Winigrad's life and work as an active artist, includes correspondence, notebooks and sketchbooks, exhibition records, photographs, and negatives. Each of Winigrad's sculptural works is represented in a number of slides, which comprise the bulk of this collection. These images are available online.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Joseph and Yehudit Shadur papers, 1894-2002 (inclusive) 1960-2002 (bulk)

Extent:
1.4 linear feet (4 boxes)
Abstract:
Joseph and Yehudit Shadur were pioneers of Jewish folk art and the subject of Middle Eastern studies and environmental conservation in Israel. Their collection includes two series, one of the writings, correspondence, book reviews, and research by Joseph Shadur, and the other, published works by or about Yehudit Shadur, or containing images of her paper-cuts. These documents date from 1894 to 2002, with the majority of the documents produced from 1960 to 2002.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Graeme Moore collection of Ian Hamilton Finlay material, 1972-2013 (inclusive)

Extent:
8 linear feet (10 boxes) and 492.1 megabytes
Abstract:
Ian Hamilton Finlay (1925-2006) was a Scottish poet, artist, and landscape and garden designer, best known for his prints and pamphlets and his iconic garden Little Sparta, a collaboration with his second wife, Sue MacDonald-Lockhart. Graeme Moore is an English landscape and garden designer and critic, and former head gardener of Little Sparta. This collection contains material collected by Graeme Moore related to his relationship with Ian Hamilton Finlay and Finlay's work.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Margaret Naumburg papers, 1912-1974 (inclusive)

Extent:
182 boxes
Abstract:
Margaret Naumburg (1890–1983) was an American psychologist, educator, artist, and author. She was one of the first proponents of art therapy and utilitzed art as a method for both diagnosis and therapy. The collection contains materials documenting all the phases of Naumburg's long and productive work life. The materials include correspondence; copies of and materials for Naumburg's writings, lectures, and exhibit catalogs; materials for case studies; lecture notes for the courses she taught and papers her students wrote in those courses; and work by others that she collected and saved. Other media in the collection include slides, photographs, and audio recordings.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Painted Bride Art Center records, 1969-2002 (inclusive)

Extent:
223 boxes
Abstract:
The Records comprise 6 series, the largest and most significant of which is the first: I. Exhibitions, Performances, Readings, and Events, 1970-2002 (125 boxes). Arranged alphabetically by artist/program, this series contains correspondence, publicity material, programs, funding material, and the like for each event or performance. The remaining series entail: II. Business Records, 1970-2002 (40 boxes); III. Grant Records, 1972-2002 (15 boxes); IV. Press Records, 1970-2000 (6 boxes); V. Audio Visual Records & Computer Records, 1970-2001 (29 boxes); VI. Miscellaneous Records, 1976-2000 (6 boxes).

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Doris Samitz papers, 1956-2008 (inclusive)

Extent:
0.4 linear feet (1 box)
Abstract:
Doris Samitz (1923-2008), an art enthusiast, was involved in the Philadelphia art scene. This collection documents her involvement with the Arts Council of the Broad Street "Y" and the Barnes Foundation from the 1950s until her death, but particularly during the 1960s and the 1970s.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Ursula Sternberg-Hertz papers, 1923-2014 (inclusive) 1950-2000 (bulk)

Extent:
23 linear feet (39 boxes)
Abstract:
Ursula Sternberg-Hertz (1925-2000) was a Philadelphia based artist who lived in Germany, the Netherlands, Belgium, England, and Canada before immigrating to the United States in 1971 with her husband, conductor Jonathan Sternberg. The collection documents her artistic career, with artwork ranging from rough sketches to finished pieces, using acrylics, charcoal, markers, pen-and-ink, stamps, watercolor, and other experimental mediums. She produced artwork on paper, metal, fabric, and leather; in sketchbooks; and on objects such as lampshades and boxes. In addition to her artwork, there is also family and personal material; correspondence; diaries, including an extraordinary run of her "visual diaries" from the early 1940s and from the 1970s until her death; and material related to her exhibits.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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J. Patrick and Patricia A. Kennedy collection of Arthur Tress photographs, 1964-2015 (inclusive)

Extent:
3.5 linear feet (11 boxes)
Abstract:
Arthur Tress (born 1940) is an American photographer and collector of Japanese illustrated books and prints. This collection contains photographic prints from fourteen of Tress's series. His style has often been described as "staged surrealism" but his body of work includes a diverse range of approaches. Included in the collection are black and white and color prints, the majority of which were taken in New York City (including Staten Island, Coney Island, the Bronx, Brooklyn, and Manhattan), San Francisco, and San Luis Obispo, California, dating from 1967 to 2015.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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John Jonik papers, 1950-2022 (inclusive)

Extent:
22.42 linear feet (21 boxes, 2 oversize framed artworks)
Abstract:
John Jonik is a postwar and contemporary magazine and political cartoonist from Philadelphia, Pennsylvania whose works have appeared in a wide spectrum of publications ranging from local, independent newspapers, trade and professional journals, to national newspapers and magazines including: The New Yorker, Playboy, National Lampoon, Cosmopolitan, Better Homes and Gardens, Wall Street Journal, and Esquire. His cartoons provide satirical humor and opinions on a range of themes and issues such as social activism, the environment, marijuana use, and healthcare. The John Jonik papers comprise: original published and unpublished cartoons, sketchbooks, tearsheets, printed materials, correspondence, business papers and royalty statements, catalogs, and artifacts.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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