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Institute of Contemporary Art records

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Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]3420 Walnut Street, Philadelphia, PA 19104-6206

This is a finding aid. It is a description of archival material held at the University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.

Overview and metadata sections

Founded in 1963 by the visionary dean of the school of architecture, Holmes Perkins, who wanted to expose students to what was "new and happening" in art and culture, ICA has developed an international reputation as a preeminent venue for contemporary art and culture. A non-collecting museum, ICA is also one of the only kunsthalles in America. As part of the University of Pennsylvania, the artist-centric program is complemented by the intellectual rigor of a premier academic institution.

Since its founding, ICA exhibitions have aimed to bring under-recognized artists to the attention of the broader world. This was true in 1965 when ICA organized Andy Warhol's first ever solo museum show, helping propel him to superstardom; when ICA presented early shows of artists like Laurie Anderson, Richard Artschwager, Vija Celmins, Karen Kilimnik, Charles LeDray, Barry Le Va, Glenn Ligon, Robert Mapplethorpe, Agnes Martin, Damian Ortega, Pepon Osorio, Tavares Strachan, and Cy Twombly; and it remains true today.

It is this continued commitment to both accessibility and risk-taking that prompted New York Times art critic Roberta Smith to declare ICA "among the most adventuresome showcases in the country where art since 1970 is concerned…"

History taken in its entirety from Institute of Contemporary Art website.

This portion of the collection documents the exhibition files of the Institute of Contemporary Art from 1963 to 2007. The material is arranged chronologically and files may contain exhibition announcements, catalogues, checklists, clippings, correspondence, invitations, notes, photographs, and press releases. Correspondence frequently includes the artist featured in the exhibition.

Publisher
University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts
Finding Aid Date
2015 May 13
Access Restrictions

This collection is open for research use.

Use Restrictions

Copyright restrictions may exist. For most library holdings, the Trustees of the University of Pennsylvania do not hold copyright. It is the responsibility of the requester to seek permission from the holder of the copyright to reproduce material from the Kislak Center for Special Collections, Rare Books and Manuscripts.

Collection Inventory

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Clyfford Still, 1963.
Box 1, 267, and 273
David Smith, 1964.
Box 1, 267, and 273
The Atmosphere of '64, 1964.
Box 1 and 267
3rd Annual College & University Show, 1964.
Box 1
The Zero Exhibit, circa 1964.
Box 1 and 267
Decisive Years, 1965.
Box 1 and 267
Andy Warhol, 1965.
Box 1 and 270
Current Art, 1965.
Box 1 and 267
7 Sculptors, 1965-1966.
Box 1 and 270
The Other Tradition, 1966.
Box 1 and 270
Atmosphere of '66, 1966.
Box 1
New Art in Philadelphia, 1966.
Box 1
Tony Smith, 1966.
Box 1
Art for the City, 1967.
Box 1
A Romantic Minimalism, 1967.
Box 1
Selected works from the collection of Mr. and Mrs. H. Gates Lloyd, 1967.
Box 1
Bruce Connor, 1967.
Box 1
Jules Olitski: Recent Paintings, 1968.
Box 1
Robert Indiana, 1968.
Box 1
Christo: Monuments and Projects, 1968.
Box 1
Al Held: Recent Paintings, 1968.
Box 2
Plastics and New Art, 1969.
Box 2
Visionary Architects of the 18th Century, 1969.
Box 2
Between Object and Environment: Sculpture in an Extended Format, 1969.
Box 2
Old Master Drawings, 1969.
Box 2
The Spirit of Comics, 1969.
Box 2
Space Diagrams: Will Insley, 1969.
Box 2
The Highway, 1970.
Box 2-3, and 263
A Laser Environment, 1970.
Box 3
Robert Rauschenberg/Graphics, 1970.
Box 3
Two Generations of Color Painting, 1970.
Box 3
Against Order: Chance and Art, 1970.
Box 3
Fritz Glarner, 1971.
Box 3
Paintings 1963-1970, 1971.
Box 3
The Big Auction, 1971.
Box 3
Rafael Ferrer, 1971.
Box 3
William T. Wiley, 1971.
Box 3
Grids (located amongst 1992 files), 1972.
Box 3-4 and 279
The Topography of Nature-Microcosms & Macrocosms, 1972.
Box 4
Graduate Student Showing, 1972.
Box 4
Nancy Graves: Sculpture & Drawing, 1970-72, 1972.
Box 4
Inside Philadelphia, 1972.
Box 5
Six Visions, 1973.
Box 5
Agnes Martin: A Retrospective, 1973.
Box 5-9, 261, and 269
Made in Philadelphia, 1973.
Box 10
A Selection of American & European Paintings from the Richard Brown Baker Collection, 1973-1974.
Box 10
Made in Philadelphia: 2, 1974.
Box 10-11
Mark di Suvero, 1974.
Box 11
Robert Morris: Projects, 1974.
Box 11-12
Philips Simkin: Displacement Projects, 1974.
Box 12
Video Art, 1975.
Box 12-20 and 268
Cy Twombly, 1975.
Box 20-23 and 272
Painting, Drawing, and Sculpture of the 60s and 70s from the Herbert Vogel Collection, 1975-1976.
Box 23A-23B and 278
Made in Pennsylvania: Amish Quilts, 1976.
Box 23B-24 and 278
George Segal: Environments, 1976.
Box 25-26 and 278
Poetry III: Three Poets Read, 1976.
Box 27
The Philadelphia/Houston Exchange, 1976-1977.
Box 28-30 and 278
Joan Jonas: Stage Sets, 1976.
Box 31
Pieces and Performances, 1976.
Box 31-32 and 278
The Substance of Light, 1976-1977.
Box 32
Improbable Furniture, 1977.
Box 33-37 and 278
Books by Eugene Feldman, 1977.
Box 38, 262, and 278
Paul Thek: Processions, 1977.
Box 39-42 and 278
Towards an Urban Utopia, 1977.
Box 43-44
Architecture: Seven Architects, 1978.
Box 44-46
Eight Abstract Painters, 1978.
Box 46-48 and 278
Night Marks, 1978.
Box 49
Masters of Modern Sculpture, 1978.
Box 49
Louis I. Kahn, 1978.
Box 49
Dwellings, 1978.
Box 49-52 and 278
Some Twenty Odd Visions, 1979.
Box 52-53
Soundings, 1979.
Box 53-54
Rainforest, 1979.
Box 54-55
Late 20th Century Art, 1979.
Box 56
The Decorative Impulse, 1979.
Box 56-58 and 278
Material Pleasures: The Fabric Workshop at the ICA, 1979.
Box 59-60 and 278
Richard Artschwager's Themes, 1979-1980.
Box 60-61, 264, and 278
Masks/Tents/Vessels/Talismans, 1980.
Box 61-62 and 264
Urban Encounters, 1980.
Box 63-68, 248, 266, and 273
Made in Philadelphia: 3, 1980.
Box 69 and 278
ICA Street Sights, 1980.
Box 69-70, 267, and 278
Fleeting Gestures: Treasures of Dance Performances, 1980.
Box 71
Video Views, 1980.
Box 71
Drawings: The Pluralist Decade, 1980.
Box 72-77 and 278
Projects/Photography: Made in Philadelphia 4 and 5, 1981.
Box 78-79, 266, and 278
Machine works, 1981.
Box 79-82, 258, and 278
ICA Street Sights: 2, 1981.
Box 82-83 and 278
Wayne Theibaud Paintings, 1981.
Box 83-84 and 278
Photography: A Sense of Order, 1981-1982.
Box 84-88 and 278
Robert S. Zakanitch, 1981-1982.
Box 88-90, 271, and 278
The Shape of Space: The Sculpture of George Sugarman, 1982.
Box 91
Red Grooms' Philadelphia: Cornucopia, 1982.
Box 91-94, 257, and 273
Neil Welliver Paintings, 1966-1980, 1982.
Box 94
Image Scavengers: Painting and Photography, 1982-1983.
Box 95-96 and 278
Connections: Bridges/Ladders/Ramps/Staircases, 1983.
Box 96-98 and 278
Investigations, 1983.
Box 98-99 Box 278
Laurie Anderson: 1969-1983, 1983.
Box 99-103 and 273
Expressions: New Art from Germany, 1983-1984.
Box 104 and 259
Made in Philadelphia: 6, 1984.
Box 105-106 and 278
Investigations 1984, 1984.
Box 107-108
The East Village Scene, 1984.
Box 108-111, 247, 265, and 278
Cindy Sherman, 1984-1985.
Box 112
Still Life: Hollywood Photographs, 1984-1985.
Box 112
Images and Impressions: Painters who Print, 1985.
Box 113 and 256
Investigations 1985, 1985.
Box 114-115 and 278
Sidh Armajani, 1985.
Box 116-119 and 278
Awards in the Visual Arts 4, 1985-1986.
Box 120-121 and 278
Arquitectonica: Yesterday, Today, Tomorrow, 1986.
Box 121-122 and 278
Hollis Frampton, 1986.
Box 122-123
Art in the '80s (lecture series), 1986.
Box 123
Investigations 1986, 1986.
Box 123-125 and 278
David Salle, 1986.
Box 125-132
Italo Scanga: 1972-1985, 1986-1987.
Box 133 and 278
1967: At the Crossroads, 1987.
Box 134-140 and 278
Investigations 1987, 1987.
Box 140-141
Peter Campus: Selected Works, 1973-1987, 1987.
Box 141 and 278
Robert Kushner, 1987.
Box 142-144, 255, and 278
Made in Philadelphia: 7, 1988.
Box 144-146 and 278
Rodney Alan Greenblat's Reality & Imagination, 1988.
Box 146-147 and 278
Past/Imperfect: Eric Fischl, Vernon Fisher, and Laurie Simmons, 1988.
Box 147
Investigations 1988, 1988.
Box 148-149 and 278
The Analytical Theatre: New Art from Britain, 1988.
Box 149 and 278
Robert Mapplethorpe: The Perfect Moment, 1988-1989.
Box 150-154
Daniel Buren: Metamorphoses-Works in Situ, 1988-1989.
Box 154-155 and 278
Investigations 1989, 1989.
Box 155-156 and 278
Success is a Job in New York: The Early Art and Business of Andy Warhol, 1989.
Box 156-158
Investigations 1990: Ilya Kabakov, 1990.
Box 158 and 160
Francesca Woodman, 1989-1990.
Box 159-160
Hiroshi Kariya's One Thing is Everything, Everything in One Thing, 1989-1990.
Box 159
Signs of Life: Process & Materials, 1960-1990, 1990.
Box 159, 161, and 279
Philadelphia Art NOW: Artists Choose Artists, 1991.
Box 162-163 and 279
Helen Chadwick: De Light, 1991.
Box 163-164 and 279
David Hammons 1969-90: Rousing the Rubble, 1991.
Box 164
Interactions: Collaborations in the Visual and Performing Arts, 1991.
Box 165-168
Dorothy Cross: Power House, 1991.
Box 168-170 and 279
Charles Fahlen: Terra Incognita, 1991-1992.
Box 170 and 279
David Graham: Only in America, 1991-1992.
Box 170
Devil on the Stairs: Looking Back at the Eighties, 1991-1992.
Box 170-176 and 279
Robert Arneson: Guardians of the Secret II, 1992.
Box 279
Karen Kilimnik: Escape in Time, 1992.
Box 279
Betty Woodman: Somewhere between Naples and Denver.
Box 279
Investigations 1992 (Jonathan Lasker, Paintings), 1992.
Box 176-178 and 279
Leon Golub: Paintings, 1987-1992, 1992.
Box 178-179 and 279
El Corazon Sangrante/The Bleeding Heart, 1992.
Box 179-180
Bill Viola: A Slowly Turning Narrative, 1992.
Box 180-181 and 279
Eileen Neff: The Mountain, A Bed, and A Chair, 1992.
Box 180 and 279
Sally Mann, 1992-1993.
Box 182
Vija Celmins, 1992-1993.
Box 279 Box 182-187
Beverly Semmes, 1992.
Box 279 Box 187 and 279
Homer Jackson: High Flying (Investigations 1993), 1993.
Box 187-188 and 279
About Architecture: an Installation by Venuri, Scott Brown & Associates, 1993.
Box 188 and 273
Personal Choice: Selections from 4 Penn Alumni Collections, 1993.
Box 189-190
James Turrell: Works, 1967-1992, 1993-1994.
Box 191
Stuart Netsky: Times Flies, 1993-1994.
Box 190-191 and 279
Marlene Dumas: Miss Interpreted, 1993-1994.
Box 191-192
Mimi Smith: Steel Wool Politics, 1993-1994.
Box 192 and 279
Jose Bedia: De donde vengo, 1994.
Box 192-193 and 279
Conversation Pieces, 1994.
Box 194 and 273
Face Off: The Portrait in Recent Art, 1994.
Box 195-198
Arnold Mesches: Painting, 1983-1993, 1994.
Box 198-200 and 279
Andres Serrano: Works, 1983-1993, 1994-1995.
Box 200-203 and 279
Carrie Mae Weems, 1994-1995.
Box 203 and 279
Judith Schaechter: Heart Attacks, 1995.
Box 204-205
Rachel Whiteread, 1995.
Box 205-206 and 279
Ann Hamilton: Lumen, 1995.
Box 206-207 and 279
Performs: Janine Antoni, Charles Ray, and Jana Sterback, 1995.
Box 207-209
Cho Duck-Hyun, 1995-1996.
Box 209-211
Boris Minailov: After the Fall, 1995-1996.
Box 211-212 and 279
Jeanne Silverthorne, 1996.
Box 212-213 and 279
Gary Hill: Withershins, 1996.
Box 213
You Talkin' to Me?, 1996.
Box 214 and 273
Beyond Belief, 1996.
Box 214-216 and 279
Peter Fischli and David Weiss, Jr.: A Restless World, 1996.
Box 216-217
Video Installations: Maureen Conner and Tony Oursier, 1996-1997.
Box 217-218
Winifred Cut 3, 1997.
Box 218
John Kindness, 1997.
Box 218-219
Photography After Photography, 1997.
Box 220-221
Inside Out: Four Artists from Korea, 1997-1998.
Box 221-222
Glenn Ligon: Unbecoming, 1998.
Box 222-225 and 250
Susan Hiller: Wild Talents, 1998.
Box 225-226
Stacy Levy: Urban Oldfields, 1998.
Box 226-227 and 252
From Warhol to Mapplethorpe: Three Decades of Art at ICA, 1998.
Box 227-228
Stephen Pippin: Laundromat/Locomotion, 1998-1999.
Box 229 and 279
Tacita Dean, 1998-1999.
Box 229-230
Three Stanzas, 1999.
Box 231 and 279
Sticker Shock: Artists' Stickers, 1999.
Box 231-233, 253-254, and 279
Biographies: Philadelphia Narratives, 1999.
Box 234-235, 275-276, and 279
Teresita Fernandez, 1999.
Box 236
Sol Le Witt: New Work (Black and Colors), 1999.
Box 236
Jim Isermann: Fifteen, 1999.
Box 236-237 and 279
Terry Adkins: Relay Hymn, 1999.
Box 237-238
David Graham: All American Boy, 1999-2000.
Box 238
Nancy Davidson: Breathless, 2000.
Box 238-239
Against Design, 2000.
Box 239-242, 251, and 279
Wall Power, 2000.
Box 242-245, 249, and 279
Cornelia Parker, 2000.
Box 245
James Mill: Please, Thank You, 2000.
Box 246
Kristin Lucas: Temporary Housing for the Despondent Virtual Citizen, 2000.
Box 246
Hella Jongerius and Jurgen Bey, 200-2001.
Box 279
Bruce Yonemoto: Disappearance of Memory, 2001.
Box 279
Rudi Gernreich: Fashion Will Go Out of Fashion, 2001.
Box 279
Stratascape, 2001.
Box 279
ICA Ramp Projects: Arturo Henrera, Kimowen McLain, 2001-2003.
Box 279
The Photogenic, 2002.
Box 279
Shoot the Singer, 2002.
Box 279
Project Space: Space 1026, 2002.
Box 279
Charles LeDray, Sculpture, 2002.
Box 279
Edna Andrade: Optical Paintings, 2003.
Box 279
Nadine Robinson (ICA Ramp Projects), 2003.
Box 279
Virgil Marti (ICA Ramp Projects), 2003.
Box 279
ICA 40 Years, 2003.
Box 279
Aleksandra Mir (ICA Ramp Projects), 2004.
Box 279
Judy Pfaff, En Restauro (ICA Ramp Projects), 2004.
Box 279
Ramp Revisited (ICA Ramp Projects), 2004.
Box 279
Trials and Turbulence, Pepon Osorio, 2004.
Box 279
Amy Sillman (ICA Ramp Projects), 2004.
Box 279
John Armleder, About Nothing, 2006.
Box 279
Fertilizers: Olin/Eisenman, 2006.
Box 279
Rodney Grahm: She Stood Up for Herself, 2006.
Box 279
Ensemble, 2007.
Box 279
Miscellaneous newspaper clippings, 1963-1996.
Box 274-275

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