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Giuseppe Donato Papers, 1897-1965, undated (inclusive)

Extent:
6 linear feet
Abstract:
This collection consists primarily of personal correspondence between the French sculptor Auguste Rodin (1840-1917) and his former student Giuseppe Donato (1881-1965), who became a noted Philadelphia sculptor. There are approximately one dozen original items written by Rodin, and photocopied versions of the 30 pieces of correspondence sent by Donato. Letters from a few other individuals associated with Rodin are also included, as well as a small portrait photograph Rodin autographed to Donato and a clip of Rodin's hair. All 20 pieces of correspondence, including the notated calling cards, are in French. The 1965 obituary of Donato published in the Philadelphia Bulletin is also included.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Gloria Braggiotti Etting Photographs, 1935-1994, undated (inclusive)

Extent:
0.75 linear foot
Abstract:
Born in Italy's Tuscan region, author and photographer Gloria Braggiotti Etting easily made her home among Philadelphia's high society upon her marriage to artist Emlen Etting. Her photographs, taken primarily from the 1960s to 1980s, record some of the most prominent citizens, as well as noted artists, authors and celebrities the world-over. While some of the subjects Etting photographed are formally posed in portrait fashion, many are more candid as they casually mingle at black-tie dinners and other social gatherings. Etting did not take all of these photographs, although it is unclear how many. For many of the photographs, Etting identified each person. Few, however, are dated. Several pieces of correspondence are also included. Most are from American composer Ned Rorem, as well as a published score of his 1970 composition "Gloria."

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Graham Hood Papers of Bonnin and Morris Porcelain Manufactory, 1965-1976, undated (inclusive)

Extent:
1 linear foot
Abstract:
This collection consists primarily of correspondence curator and scholar Graham Hood generated during his 1965 to 1970 research of America's first porcelain manufactory, and during and after the publication of his book regarding the same. The work, entitled "Bonnin and Morris of Philadelphia: the first American porcelain factory, 1770-1772," was published in 1972. The collection also contains photographs, which include those used in the book, reports and other writings. The folder-level inventory included with the collection was created in 2002.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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FOCUS Archives, 1972-1975 (inclusive)

Extent:
2.0 linear feet (2 containers)
Abstract:
"FOCUS: Philadelphia Focuses on Women in the Visual Arts" was a city-wide arts program that occurred in April and May of 1974 and featured mostly East Coast artists and scholars. Initiated by Philadelphia painter Diane Burko, the two month program included art exhibitions, juried shows, panels, lectures, workshops, demonstrations and film viewings, all organized by Philadelphia-area women who were involved with the arts. The central event of the FOCUS program was “Women’s Work: American Art, 1974,” a contemporary art exhibit financed by and held in the Museum of the Philadelphia Civic Center. Other FOCUS events focused on topics such as race, history, and the realities of being a female artist.The records in the FOCUS collection date from 1972 to 1975 and include meeting minutes from various FOCUS committees, outreach and advertising documents, correspondence, and records of the grant application process. Despite the relatively brief existence of the initiative, the deliberate...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Community Programs and Urban Outreach Records, 1970-1980 (bulk) 1951-1984 (inclusive)

Extent:
18.0 linear feet (18 containers)
Abstract:
The Department of Urban Outreach (DUO) of the Philadelphia Museum of Art was established in 1970 as an effort to reach new audiences by bringing art and art programs directly into Philadelphia’s inner city neighborhoods. In 1977, it became the Department of Community Programs, hereafter referred to as the Department. This collection documents the activities of the Department. The records date from 1951 to 1984, the bulk dating from 1970 to 1980, and include correspondence, exhibit planning documentation, photographs and scrapbooks, information concerning artists involved in various projects, and some general research files concerning related events and initiatives in the art community. While the collection does not provide comprehensive documentation of all aspects of the Department, it does include a wide variety of resources that demonstrate the Department’s intentions of appealing to culturally, economically and ethnically diverse communities. Of particular interest are the...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Marketing and Public Relations Department Records, 1960-1995 (bulk) 1927-2006 (inclusive)

Extent:
67.0 linear feet (67 containers)
Abstract:
The Philadelphia Museum of Art was founded in 1876, just after the close of the United States Centennial Celebration. While a Public Relations office has long been part of its organizational structure, the Museum did not designate a formal office of Marketing until 1994. That year's annual report noted for the first time a joint Marketing and Public Relations department operated by a staff of seven. The Marketing and Public Relations Department records houses photographs and documents created and used by the marketing team at the Philadelphia Museum of Art to promote exhibits, events and other activities of the Museum and its various departments. The records were used for external advertising as well as for publication in the Museum’s internally produced and distributed publications, like the annual report or the Bulletin . The collection dates from 1947 to 1999 (bulk: 1970-1995) and includes a wide array of materials, including photographs of events and featured works of art, press...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Evan H. Turner Records, 1964-1978 (inclusive)

Extent:
146.0 linear feet (146 containers)
Abstract:
Evan H. Turner (born 1927), an art historian and scholar, was the Director of the Philadelphia Museum of Art (PMA) from 1964 to 1978, leading the Museum through a period of significant growth and transformation. He created new art departments for American and 20th Century Art, and the innovative Department of Urban Outreach (DUO) to promote art across the City of Philadelphia. These progressive activities were matched by a groundbreaking exhibition in 1973, the Marcel Duchamp retrospective, which drew upon significant scholarship and assembled virtually the entire oeuvre of one of the most important artists represented in the Museum. In 1975, Turner led the Museum in a major construction project to install a new climate control system in the building, and in 1976, he helped plan the United States’ Bicentennial and the PMA’s Centennial celebrations. Turner was an active member of a number of professional organizations, as well as a professor at the University of Pennsylvania. The...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Board of Trustees Records, 1875-1998 (inclusive)

Extent:
20 linear feet
Abstract:
These records consist primarily of meeting minutes of the Museum's Board of Trustees and Executive Committee, from the time of the institution's incorporation to the 1990s. Reports presented at Trustee meetings, resolutions and minutes of meetings of a few of the earliest Standing Committees are also included. Gifts, loans, membership and finances are the most frequently discussed topics. Other material pertains to the exhibitions of 1888 and 1889, held to promote American industrial arts, and the Museum Fund, a fundraising and publicity campaign introduced in the late 1920s. Indexed correspondence from exhibitors documents the former. The latter consists primarily of correspondence, proposal and summary reports, and ephemera.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Conservation and Technical Research Collection, 1932-1969, undated (inclusive)

Extent:
39 linear feet
Abstract:
The collection documents the establishment and early operations of the Philadelphia Museum of Art's conservation laboratory and the use of photographic technology in conservation and curatorial work. While the majority of the material pertains to the activities of Henri Marceau, Curator of Painting and Sculpture, and of the John G. Johnson Collection, and of David Rosen, who served as an adviser to the Museum's conservation and technical research projects, the collection also includes some records of Theodor Siegl, who was hired as the Museum's first full-time conservator in 1955. In addition to correspondence, technical brochures, and educational materials, the collection includes extensive files of prints, negatives, and lantern slides documenting works of art in the Philadelphia Museum of Art and John G. Johnson collections, as well as works sent to the Museum for restoration and/or exhibition purposes.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Daniel M. Williams Biographical Collection of George Grey Barnard, 1863-1969, undated (inclusive)

Extent:
8.5 linear feet
Abstract:
This collection documents the tireless efforts of journalist Daniel M. Williams to refine and publish a biography of the American sculptor and collector George Grey Barnard. While the project never came to fruition, the collection represents approximately 30 years of Williams's accumulated research and writings, and consists of correspondence, including some of Barnard's personal letters to his family, as well as clippings, ephemera and photographs regarding the artist's life and career as a sculptor and important collector of Medieval art and architecture. Works by Barnard documented here include his celebrated commissions, such as the monumental figural group for the Pennsylvania Capitol at Harrisburg, as well as his controversial depictions of Abraham Lincoln and the god Pan. References to Barnard's excursions to the French countryside in search of artifacts include his sale to John D. Rockefeller, Jr. of more than 600 pieces, which would collectively be housed and referred to as...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Marcel Duchamp Research Collection, 1933-2003, undated (inclusive)

Extent:
9 linear feet
Abstract:
The Marcel Duchamp Research Collection is comprised of ephemera, photographs, clippings, writings and correspondence related to the artist Marcel Duchamp, his life, work, and legacy which was collected and compiled by the Department of Modern and Contemporary Art, Philadelphia Museum of Art.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Arensberg Archives, 1905-1957, undated (inclusive)

Extent:
33 linear feet
Abstract:
Art collectors Walter and Louise Arensberg amassed a seminal collection of Modern and pre-Columbian art between 1913 and 1950, when they presented it to the Philadelphia Museum of Art. The Arensberg Archives contain correspondence, ephemera, clippings, writings, personal and art collection records, and photographs documenting the couple's art collecting activities as well as their friendship with many important artists, writers and scholars, including Marcel Duchamp, Charles Sheeler, Walter Pach, Beatrice Wood, and Elmer Ernest Southard. The collection also includes some material related to Walter Arensberg's study of Francis Bacon and the founding of his research institute, the Francis Bacon Foundation.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Rodin Museum Records, 1892-1991, undated (inclusive)

Extent:
4 linear feet
Abstract:
The Rodin Museum, located on Benjamin Franklin Parkway, houses Philadelphian movie theater magnate and philanthropist Jules E. Mastbaum's exceptional collection of works by French sculptor Auguste Rodin. Mastbaum amassed the collection between 1923 and 1926 for the expressed purpose of founding a museum for the citizens of Philadelphia. The buiding was designed by noted architects Paul Philippe Cret and Jacques Greber between 1926 and 1929. The Rodin Museum is administered by the Philadelphia Museum of Art. Records in this collection document the administration, maintenance, and renovation of the Rodin Museum.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Anne d'Harnoncourt Records, 1973-2008, undated (inclusive)

Extent:
216.75 linear feet
Abstract:
The Anne d'Harnoncourt Records correspond to the quarter of a century that Anne d'Harnoncourt (1943-2008) served as the George D. Widener Director of the Philadelphia Museum of Art (PMA), assuming the additional responsibilities of Chief Executive Officer in 1997. During her tenure, d'Harnoncourt led the Museum through milestones that transformed its collections, exhibitions, curatorial and educational missions, and physical environment. The records she compiled during that time provide the framework for those transformations and underscore the attention to detail, encyclopedic intellect and interests, community commitment and contagious enthusiasm for the arts that characterized d'Harnoncourt's styles of leadership and life. D'Harnoncourt maintained most of her files in large groups of alphabetically arranged names and subjects. Her exhibition records, however, were kept separate, implying an affinity for a subject she learned well during her earlier curatorial years. Other topics...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Leon Gardiner collection of American Negro Historical Society records, 1860-1890 (bulk) 1715-1962, undated (inclusive)

Extent:
8.5 linear feet (, 15 boxes, 35 volumes)
Abstract:
The American Negro Historical Society was founded in 1897 by a group of Philadelphia blacks to study and preserve materials documenting the American black experience. Among the founders and early members were Robert Adger, W.M. Dorsey and Jacob C. White, Jr., who donated materials to the society, some of which are present in the collection. The collection is composed of administrative records of the society and materials collected by some of its members, including correspondence, minutes, reports, financial documents, membership lists, records of lectures and debates, library catalogues, baseball lineup and scorecards, speeches, printed matter, and portraits of distinguished black leaders and abolitionists.

Held at: Historical Society of Pennsylvania [Contact Us]

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Historical Society of Pennsylvania collection of World War II papers, 1938-1948 (bulk) 1920-1981 (inclusive)

Extent:
46.0 linear feet (97 boxes; 38 volumes)
Abstract:
In late 1942, the Historical Society of Pennsylvania solicited materials to form an artificial collection to document the war effort of a number of community and social service agencies in Philadelphia. The bulk of the material donated came from the Office of War Information, the Committee to Defend America by Aiding the Allies, and the United Service Organization of Philadelphia. Smaller donations were made by other community organizations and volunteers such as Mrs. Weber, a member of St. Mark's church who corresponded with servicemen. The collection, which dates from 1938 to 1948, consists of press releases, administrative records, correspondence, financial records, photographs, newspaper clippings, scrapbooks, posters, and ephemera.

Held at: Historical Society of Pennsylvania [Contact Us]

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Elizabeth Sandwith Drinker diaries, 1758-1807, 1975, undated

Extent:
1.5 linear feet (; 4 boxes, 41 volumes)
Abstract:
The diaries of Elizabeth Sandwith Drinker highlight the life of a Quaker woman living in Philadelphia in the late 1700s and early 1800s. Between 1758 and 1807, Drinker fastidiously wrote in her journals, usually about her family and their health and well being. Occassionaly, she also detailed medical practices and her own moral standards. She discussed major events insofar as they affected her family, such as the Revolutionary War and the 1793 Yellow Fever outbreak. As a member of the famous merchant family, the Drinkers, she also came in contact with many other well-known families, including the Shippens, Whartons, and Rawles, and such encounters are often noted. The collection includes her original diaries, as well as typescripts of excerpts from them and photocopies of the diaries from the years 1797 to 1807.

Held at: Historical Society of Pennsylvania [Contact Us]

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Albert M. Greenfield papers, 1930-1950 (bulk) 1918-1969, undated (inclusive)

Extent:
436.4 linear feet (;1069 boxes, 85 volumes, 22 flat files)
Abstract:
The Albert M. Greenfield papers consist of correspondence, office files, appointment books, photographs, audio-visual materials, and scrapbooks spanning almost fifty years of business and personal records. The collection reflects Greenfield’s career as a real estate mogul, banker, department store developer, mortgage financier, motion-picture theater owner, hotelier, philanthropist, and Philadelphia City commissioner. He also served as delegate to national conventions of both the Democratic and the Republican parties, and was appointed to commissions by Philadelphia mayors and U.S. presidents, keeping thorough records of his involvement in multiple social, political, religious, and business organizations.

Held at: Historical Society of Pennsylvania [Contact Us]

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Fairmount Park Art Association records, 1871-1972 (inclusive)

Extent:
84.0 linear feet
Abstract:
The Fairmount Park Art Association (FPAA) was the United States' first private, nonprofit organization that worked to integrate public art and urban planning. Founded in 1872, the FPAA initially focused on enhancing Philadelphia's Fairmount Park by purchasing and commissioning sculpture, but by 1906 it had embraced a broader goal: "to promote and foster the beautiful in the City of Philadelphia, in its architecture, improvements and general plan." The FPAA supported city planning projects that incorporated outdoor sculpture and advocated the establishment of Philadelphia's Art Jury, which later became the Philadelphia Art Commission. In 2012, the Fairmount Park Art Association changed its name to the Association for Public Art. The Fairmount Park Art Association records span from 1872, when the association was formed, until 1972. The collection includes the association’s constitution, meeting minutes, correspondence, committee files, reports, financial records, contracts, membership...(see more)

Held at: Historical Society of Pennsylvania [Contact Us]

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Morris Milgram papers, 1923-1994, undated (inclusive)

Extent:
188.0 linear feet (; 480 boxes, 3 flat files)
Abstract:
This collection documents the carreer of Morris Milgram, builder and developer of integrated housing. The bulk of the collection consists of Milgram’s office files related to the funding and administration of his housing projects. Also included are records of his involvement with several political and activist groups, correspondence between Milgram and several family members, correspondence with his wives, and papers reflective of his relationship with poet, author, and civil rights advocate Pauli Murray.

Held at: Historical Society of Pennsylvania [Contact Us]

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J.B. Lippincott Company records, 1833-1988 (inclusive)

Extent:
149.7 linear feet (; 93 boxes, 768 volumes)
Abstract:
J. B. Lippincott Company was an American publishing house founded in Philadelphia, Pennsylvania, in 1836 by Joshua B. Lippincott. Joshua Lippincott's company began by selling Bibles and other religious works and then successfully expanded into trade books, which became the largest portion of the business. In 1849, Lippincott acquired Grigg, Elliot and Company, a major book distribution company. The acquisition helped make the company one of the largest publishers in the United States. In the 1950s the company expanded production of its successful line of medical and nursing books and journals. The company was sold to Harper and Row in 1978, but Joshua Lippincott's great-grandson Joseph Wharton Lippincott Jr. remained on the Board of Directors until 1987. In 1990, the company was acquired by the Dutch corporation Wolters Kluwer, which initated a series of mergers. First, Lippincott was combined with Raven Publishers in 1995 to form Lippincott-Raven, which was then merged with...(see more)

Held at: Historical Society of Pennsylvania [Contact Us]

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