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Maurice the Maestro Rotenberg record collection, circa 1928-1952 (inclusive)

Extent:
2.5 linear feet (6 boxes)
Abstract:
Maurice Rotenberg (1897-1952) owned Maurice's, an "Old World" style restaurant wired by technicians from Philco to pipe classical music throughout the dining rooms from 1948 until about 1962. Popular with musical celebrities, the restaurant was run for ten years following Rotenberg's death. This collection consists of sixteen recordings that were probably among the 30,000 classical records that were played in the Rotenberg's restaurant.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Bessie B. Dennis scrapbook, 1876-1894 (inclusive)

Extent:
1 box (0.2 linear foot)
Abstract:
A scrapbook made by Bessie B. Dennis comprising programs and newspaper clippings regarding her singing performances. The book spans the years from 1876 to 1894.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Fanfare for a festive occasion : for antiphonal brass choirs with percussion, circa 1981 (inclusive)

Extent:
0.33 linear_foot (1 box)
Abstract:
Richard Wernick (1934-) is an American composer and professor of music composition who spent most of his career teaching at the University of Pennsylvania. Fanfare for a festive occasion : for antiphonal brass choirs with percussion is a manuscript score written by Wernick for the inauguration of University of Pennsylvania president Sheldon Hackney, circa 1981.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Der Doktor und der Patient: komisches Duett für 3 Baesse mit begleitung des Pianof, 1845 (inclusive)

Extent:
1 volume
Abstract:
Johann Vesque von Püttlingen (1803-1883) was an Austrian lawyer, diplomat, author, composer, and singer. Der Doktor und der Patient: komisches Duett für 3 Baesse mit begleitung des Pianof is a music manuscript by Vesque von Püttlingen, written in 1845.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Journal of the American Musicological Society records, 1931-1995 (inclusive)

Extent:
60 boxes
Abstract:
The records primarily consist of correspondence with authors, editorial staff, employees of the William Byrd Press, and officers of the American Musicological Society; copies of many issues of the Journal at various stages in th e publication process; and business records. The most prominent figures in the collection are the editors of the Journal; musicologists Oliver Strunk, Donald Grout, Lewis Lockwood, James Haar, Martin Picker, Don Randel, Lawrence Bernstein, Nicholas Temperley, Ellen Rosand, and Richard Kramer are also well represented.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Eugene Ormandy photographs, 1880-1992 (inclusive)

Extent:
16.75 linear feet (76 volumes and boxes)
Abstract:
Eugene Ormandy served as the conductor/musical director of the Minneapolis Symphony Orchestra from 1931 to 1936 and the Philadelphia Orchestra from 1937 to 1980.This collection of photographs documents the career and life of Eugene Ormandy from the early 1880s to the early 1990s, with the bulk of the photographs dating from the 1940s to the 1970s. Many of these photographs are available online

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Leopold Stokowski collection of orchestral transcriptions, circa 1905-1977 (inclusive)

Extent:
12 linear feet
Abstract:
Leopold Anthony Stokowski was born April 18, 1882 in London and become one of the best-known conductors of the 20th century. Stokowski conducted symphony orchestras across the world from 1909 until his death in 1977. This collection consists of more than 200 scores that often include markings for dynamics, articulations, tempo indications, and otherr revisions of orchestration made by Stokowsi.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Oliver Daniel research collection on Leopold Stokowski, 1945-1995 (inclusive)

Extent:
90 boxes
Abstract:
Research files, cassette tapes, and transcripts for Daniel's biography of Leopold Stokowski titled Stokowski: A Counterpoint of View (1982). Includes the author's correspondence, photocopies of Leopold Stokowski's correspondence, programs, reviews, clippings, photographs, and the completed manuscript submitted for publication; plus preservation and service copies of the oral history sound recordings.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Musical Fund Society of Philadelphia supplementary records, circa 1820-2004 (inclusive)

Extent:
58 boxes
Abstract:
Correspondence and business records supplementing the main collection of records. These supplementary records include applications for membership; minutes for the committees on admissions and relief and for the Musical Fund Hall; programs and other materials related to the history of Musical Fund Hall (1848-1982), including material relating to performances of soprano Jenny Lind; financial records; correspondence; histories; memorabilia; and late 20th-century records of annual meetings, special and standing committees, and the Musical Fund Society Foundation. The supplementary records cover the same years as and should be used in conjunction with Ms. Coll. 90, Musical Society Fund of Philadelphia Records.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Mahler-Werfel papers, 1880-2004 (inclusive) 1898-1975 (bulk)

Extent:
134 boxes
Abstract:
The collection comprises the personal papers of Alma Mahler, the personal and professional papers of Franz Werfel, memorabilia related to Gustav Mahler, and the research files of Adolf D. Klarmann concerning Franz Werfel. Materials include correspondence to and from Alma Mahler and Franz Werfel, as well as to and from Adolf Klarmann, sometimes on behalf of Alma; writings of Alma, such as diaries and memoirs, as well as her musical compositions; writings of Werfel, such as poems, plays, novels, novellas and stories, and essays; memorabilia relating to Alma, her parents, Gustav Mahler, and Werfel, such as clippings, programs, and personal documents; photographs (many of which are online); and audio files, such as interviews and songs. Also included are Klarmann's research notes and writings on Werfel, as well as material relating to Klarmann's work as editor of Werfel's writings.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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American Musicological Society supplementary records, 1950-2003 (inclusive) 1980-2003 (bulk)

Extent:
66 boxes and 763.7 megabytes
Abstract:
This collection contains correspondence and administrative records supplementing the main collection of records, focusing on the 1980s and 1990s, with detailed records on committee activities and publications. Several officers of the AMS figure prominently in the collection. The supplementary records overlap chronologically and should be used in conjunction with Ms. Coll. 221, American Musicological Society Records.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Rudolf Serkin papers, 1908-2003 (inclusive)

Extent:
76 linear feet (178 boxes)
Abstract:
Rudolf Serkin (1903-1991) was an American classical pianist known as one of the 20th century's greatest soloists and for fostering a vibrant culture of chamber music via the Marlboro Music School and Festival. The papers consist mainly of materials collected by Serkin himself (including his personal correspondence, performance records, papers relating to Marlboro, Curtis Institute of Music, and the Institute for Young Performing Musicians) as well as a small amount of related material added by his wife and his biographers.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Marlboro Music School and Festival records, 1946-2013 (inclusive)

Extent:
150 linear feet (227 boxes, 3 oversize folders) and 4.1 gigabytes
Abstract:
The Marlboro Music School and Festival Records spans Marlboro's history from 1950 through 2013 and showcases its influence on chamber music in America as it documents its growth from a small and informally organized summer school in the early 1950s to its current status as a prestigious institution that has shaped careers and inspired the formation of numerous renowned ensembles. The school's emphasis is on the intensive study of chamber music where young and senior professionals collaborate in a relaxed atmosphere that is removed from the demanding rehearsal and performance schedules that they face throughout the year. The collection comprises administrative documents, concert programs, printed promotional materials, articles and reviews, photographs, and audio-visual materials relating to the Marlboro School of Music and annual summer festival as well as the related Musicians from Marlboro touring series and the Marlboro Recording Society.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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American Musicological Society oral history collection, 1994-2015 (inclusive)

Extent:
1.5 linear feet (3 boxes) and 29.2 gigabytes
Abstract:
The American Musicological Society, founded in 1943 to promote the systematic study of music, actively documents its history, its members, and, more generally, the history of musicology in North America through its oral history project. This collection contains transcripts, written memoirs, documentation, audio, and video resulting from the oral history project which began in 1996 and continues to the present. Researchers must obtain permission from the American Musicological Society to research the contents of this collection (see Conditions Governing Access note).

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Curtis W. Davis collection on Leopold Stokowski, 1936-1992 (inclusive)

Extent:
6.5 linear feet (17 boxes)
Abstract:
Curtis W. Davis (1928-1986) was a television producer who planned to publish a biography of the orchestral conductor Leopold Stokowski (1882-1977). The biography remained unfinished at the time of Davis' death. This collection consists of his research materials, notes, correspondence, and drafts of the planned biography.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Belle Époque musical concert and opera programs and periodicals collection, 1897-1914 (inclusive)

Extent:
0.2 linear feet (1 box)
Abstract:
The Belle Époque, dating from the end of the Franco-Prussian War in 1871 to the outbreak of World War I in 1914, is described as a period of optimism, regional peace, economic prosperity, and techonological, scientific, and cultural innovations during the French Third Republic. It is particularly known as an era in which the arts flourished in Paris and other European Francophone centers. This collection contains programs, publications, advertisements and tickets which document classical music and operatic performances at a variety of concert venues and music halls.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Broadway sheet music collection, 1918-1929 (inclusive)

Extent:
2 linear feet (6 boxes)
Abstract:
This collection contains sheet music for songs performed in musicals, revues, and vaudevilles on Broadway from 1919 to 1929.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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American and British ballads, circa 18th-19th centuries (inclusive)

Extent:
1.1 linear feet (3 boxes)
Abstract:
Broadside ballads are single sheets of paper printed on one side with song lyrics. These ballads were about love, religion, legends, current events, etc. and were printed and circulated in large quantities. They were popular from the 16th through the 19th centuries in England, Ireland, and North America.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Joseph Castaldo papers, circa 1930s-2000 (inclusive) 1955-1999 (bulk)

Extent:
12 linear feet (20 boxes)
Abstract:
Joseph Castaldo (1927-2000) was a composer of classical music and a teacher of musical composition and music. This collection includes scores, writings and teaching material, correspondence, program notes and programs, clippings and articles, records relating to his professional associations, images, musical instruments and recordings, and memorial material and provides a view into Castaldo's professional life.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Nineteenth-century English broadside ballads, circa 1800s (inclusive)

Extent:
49 items
Abstract:
Nineteenth-century London printers of broadside ballad sheets supplied both traditional and original songs to "hawkers and the trade," as well as selling to customers in their own shops. Most compositions are anonymous (though their authors are sometimes named or identifiable) and they enjoyed a wide audience. This collection contains 49 publications from a variety of printers, including the heirs of John Pitts and James Catnach (Elizabeth Hodges and Anne Ryle, respectively) and Henry P. Such. Researchers interested in nineteenth-century popular song or the London printing trade will find this collection of use.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Robert and Molly Freedman Jewish Sound Archive DVD collection, 1919-2015 (inclusive)

Extent:
354 items
Abstract:
The Robert and Molly Freedman Jewish Sound Archive aims to collect, preserve, and promote musical and spoken-word recordings of the Jewish people. This finding aid represents the Archive's materials on Digital Video Disc (DVD).

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Adalbert Riedl collection of prayer and song leaflets, 1746-1929, undated (inclusive)

Extent:
2.75 linear feet (8 boxes)
Abstract:
Adalbert Riedl (1898-1979) was a teacher, politician, museum director, collector, and folklorist from the Austrian state of Burgenland, a region with strong ties to today's Hungary. The Adalbert Riedl collection contains nearly 700 titles, mostly prayers and religious songs in leaflet or chapbook form. Additionally, there is a collection of 28 printed leaflets bound into a single volume (Sammelband) and a small number of manuscripts in German Kurrentschrift. The bulk of the collection was printed in the 19th century. There are a few pieces from the 18th century and a few from the early 20th century. The items are primarily in the German language, many printed in Fraktur, and a small number are in Hungarian, as well as Croatian, Czech, Slovakian, and Slovenian.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Eugene Ormandy family home movies, 1932-1947 (inclusive)

Extent:
3.58 linear feet (3 boxes)
Abstract:
The Eugene Ormandy family home movies are amateur films shot between 1932 and 1947 by conductor Eugene Ormandy on his own hand-held camera and by others when Ormandy appears in the films. The content of the films includes scenes of Ormandy conducting the Minneapolis Symphony Orchestra, the Philadelphia Orchestra, and the New York Philharmonic. Also included are arrivals and departures at train stations along with musicians from his two resident orchestras. Otherwise, the content of the films is primarily scenes of leisure. The locales include his home in Minneapolis, MN, European cities including London, Vienna, and Stockholm, and several vacations in the Austrian alps, as well as vacations in Florida, Bermuda, and New Hampshire. There are also several scenes aboard passenger ships on his way to or from Europe. The people included in his films are primarily his first wife, Stephanie "Steffy" Goldner Ormandy, as well as her mother, sisters and brother, her sisters' spouses and...(see more)

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Robert Montgomery Bird papers, 1799-1946 (inclusive) 1822-1854 (bulk)

Extent:
31 boxes
Abstract:
Comprises personal, business, literary, and family papers. In addition to Bird's own papers, this collection includes papers of his wife Mary E. Bird, his son Frederic Mayer Bird, and his biographer Clement Edgar Foust. The earliest papers (1822) date from Bird's school days at Germantown Academy, and the very latest papers (1946) relate to C. Seymour Thompson's publication of Mary E. Bird's biography of her husband. Correspondents include men and women from Bird's career in medicine; his literary career; his theatrical career (including correspondence with Edwin Forrest, as well as the documentation regarding their legal battle over copyrights and profits); his political career; and his career in publishing and journalism.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Otto Albrecht papers, 1870-1984 (inclusive) 1930-1984 (bulk)

Extent:
27.5 linear feet (28 boxes)
Abstract:
Otto Edwin Albrecht (1899-1984) was an internationally known music bibliographer and professor of romance languages and musicology at the University of Pennsylvania. This collection documents his professional career and contains extensive information on his research relating to the history of music in Boston, New York and Philadelphia, the location of European music manuscripts in the United States, and his work identifying sources for Répertoire International des Sources Musicales; his work with music organizations including the American Musicological Society and the Music Library Association; and his work at and for the University of Pennsylvania's Music Library.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Edgar Meck Dilley writings, 1876-1923 (inclusive) 1911-1923 (bulk)

Extent:
1 linear feet (3 boxes)
Abstract:
Writer, song-writer, and reporter Edgar Meck Dilley attended the University of Pennsylvania from 1893 to 1895 and is known for having written the school's alma mater, "Hail, Pennsylvania." This collection consists mainly of drafts of his writings, including novels and stories, plays and operas, lyrics, poems, and musical scores, as well as a few accompanying miscellaneous items.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Dr. Irvin Stein collection of Eugene Ormandy material, 1953-1990 (inclusive)

Extent:
0.2 linear feet (1 box)
Abstract:
Dr. Irving Stein (1906-2000) was an orthopedic surgeon and professor at the University of Pennsylvania, who also served on the board of the Philadelphia Orchestra. This collection documents his relationship with Eugene Ormandy (1899-1985), the conductor of the Philadelphia Orchestra, and his efforts to memorialize Ormandy's accomplishments following his death.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Frank Carey papers, 1969-1984 (inclusive)

Extent:
2 linear feet (2 boxes)
Abstract:
Frank Joseph Carey (1933-1984) was a PhD student in music, who researched 16th century vocal music at the University of Pennsylvania from 1969 to 1984. This collection documents his sixteen years of doctoral research from 1969 to 1984, with notes on music theory, analysis, musical transcriptions, and drafts of his dissertation.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Lawrence F. Bernstein collection of Leonard B. Meyer papers, 1952-1988 (inclusive)

Extent:
4.42 linear feet (5 boxes)
Abstract:
The Lawrence F. Bernstein collection of Leonard B. Meyer papers contains material American musicologist Meyer transferred to his colleague, Bernstein, upon his retirement from the University of Pennsylvania music department. The collection contains Meyer's correspondence, writings, research and teaching materials, documenting his life's work in music.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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American Musicological Society collection of The Broude Trust for the Publication of Musicological Editions publications, 1977-2023 (inclusive)

Extent:
8.7 linear feet (8 boxes, 37 volumes and 4 flash drives) and 6.5 gigabytes
Abstract:
This collection contains proofs, hard and soft cover volumes, and digital files of musicological editions published by Broude Brothers, Ltd. and The Broude Trust for the Publication of Musicological Editions.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Richard Wernick papers, 1943-2015 (inclusive)

Extent:
22 linear feet (53 boxes)
Abstract:
Richard Wernick (born 1934) is an American composer and professor of music composition, working at the University of Pennsylvania from 1968 to 1996. This collection documents Wernick's professional life and includes scores, professional material, concert programs, articles collected by Wernick, recordings of works by Wernick and others, and photographs.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Martin F. Heyworth music manuscripts and scores, 1966-2018 (inclusive)

Extent:
0.75 linear_foot (2 boxes)
Abstract:
This collection comprises manuscripts and printouts of musical scores authored by Martin F. Heyworth (born 1947), composed between 1966 and 2018 and written primarily for solo piano, instrumental ensemble, organ, woodwinds, and strings. Though some notes written in manuscript throughout offer information relevant to the composition and performance of these works, the collection is almost entirely composed of musical scores.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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American Musicological Society records, 1934-1992 (inclusive)

Extent:
122 boxes
Abstract:
This collection comprises the administrative records of the Society, reflecting trends in musicological scholarship and academic training through the course of the twentieth century. Included is correspondence with individuals and institutions related to music research, as well as correspondence among officers of the Society and among committees. Also included are minutes, membership records and directories, records of annual meetings, events and chapters, financial and tax records, and miscellaneous administrative records. Publication series contains substantial correspondence with authors and editorial staff regarding scholarly works, including Tischler's Earliest Motets, the Works of William Billings, Ockeghem's Works, and the New Josquin Edition. Administrative correspondents include Presidents Charles Seeger, Curt Sachs, Gustave Reese, Donald Grout, William Mitchell, William S. Newman, Oliver Strunk, Jan LaRue, James Haar, Claude Palisca, Margaret Bent, H. Wiley Hitchcock,...(see more)

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Eugene Ormandy oral history collection, 1969-1997 (inclusive) 1990-1993 (bulk)

Extent:
3.75 linear feet (9 boxes)
Abstract:
Eugene Ormandy (1899-1985) was a Hungarian-born violinist and conductor best known for his association with the Philadelphia Orchestra. Ormandy's characteristic conducting style resulted in the "Philadelphia Sound," which he brought around the world through recordings, international tours, and guest conducting engagements. This is a collection of transcripts of oral history interviews conducted with Eugene Ormandy and others connected to him or to the Philadelphia Orchestra about Ormandy and his influence on the Philadelphia Orchestra.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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James DePreist papers, 1869-2014 (inclusive) 1958-2013 (bulk)

Extent:
98 linear feet (130 boxes, + 2 map drawer folders) and 872.0 megabytes
Abstract:
James DePreist (1936-2013) was an African-American conductor of international renown. This collection primarily documents James DePreist's conducting career, with a focus on the 1980s and 1990s with the Oregon Symphony, including organizational records, concert programs, press coverage, scores, and recordings.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Marian Anderson supplementary papers, circa 1916-2007 (inclusive)

Extent:
48 boxes
Abstract:
Papers supplementing the Marian Anderson Papers, comprising correspondence (general and fan mail); business correspondence, records and contracts; manuscript and typescript biographical materials; some materials belonging to her sisters Alyse Anderson and Ethel DePreist, her mother Anna D. Anderson, and her husband, Orpheus H. Fisher; Anderson's notes, journals, calendars, and financial documents; correspondence and memorabilia from James DePreist; programs and publicity materials; clippings; awards and tributes; and memorabilia.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Ray Evans papers, 1921-2012 (inclusive)

Extent:
155 boxes
Abstract:
The Ray Evans papers comprise materials documenting his career as the lyricist for the songwriting team of Livingston and Evans. The collection contains correspondence, sheet music, lyrics and scripts, press clippings, audio and visual recordings, photographs, programs, awards, memorabilia, and art work. Also included are personal mementoes, including some from his time as an undergraduate at the University of Pennsylvania. Researchers will find online access to selected material via the Ray Evans Resource Guide.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Eugene Ormandy papers, 1921-1991 (inclusive)

Extent:
78 boxes (+ 2 map drawers)
Abstract:
Ormandy served as the onductor/musical director of the Minneapolis Symphony Orchestra (1931-1936) and the Philadelphia Orchestra (1937-1980). His collection includes general and interoffice correspondence; administrative files concerning programming; notes; programs and itineraries; clippings; and awards. The majority of the materials concern Ormandy's tenure at the Philadelphia Orchestra.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Mes vers by Herminie Delavault, 1840-1879 (inclusive)

Extent:
2 volumes
Abstract:
This collection contains two volumes of poems and ballads titled Mes vers by Herminie Delavault spanning the years 1840 to 1879. Written in French, the works also include verse created for the musical compositions by Delavault's husband Germain-Eugène Delavault (1814-1892). In addition, volume two contains a French translation of John Gay's libretto for Handel's Acis and Galatea.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Herman Goldner collection of music programs and ephemera, 1908-1959 (inclusive) 1908-1937 (bulk)

Extent:
1.75 linear_foot (4 boxes)
Abstract:
Herman Goldner (1891-1982) was a businessman of Jewish origins belonging to a musical family from Vienna, Austria. This collection of music programs and ephemera includes more than 400 programs from Vienna (bulk), England, France, Germany, and the United States, as well as about 70 admission ticket stubs, and a small number of clippings and publications.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Livre de Chanson, circa 1920-1930 (inclusive)

Extent:
1 volume (+ 11 leaves)
Abstract:
A volume of eighteenth-century French songs from the Acadian region of Kennebec, Maine compiled by Demerise Cowette between the years 1920 to 1930.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Cuaderno o coleccion de versos, 1838 (inclusive)

Extent:
1 volume
Abstract:
A volume of Spanish verses and songs compiled by DeWitt in August 1838 while his was living in Guatemala.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Oliver Daniel research collection on Dimitri Mitropoulos, 1905-1995 (inclusive) 1982-1989 (bulk)

Extent:
15 boxes
Abstract:
Research materials, photographs, and sound recordings for Oliver Daniel's uncompleted biography of orchestral conductor Dimitri Mitropoulos, which was later completed by William R. Trotter as Priest of Music: The Life of Dimitri Mitropoulos (1995). Includes Daniel's correspondence, photocopies of some of Mitropoulos's correspondence, other writers' biographical works on Mitropoulos, oral history interview transcripts, reminiscences, research notes, clippings, programs, reviews, photographs, and sound recordings of interviews, radio programs, and musical works.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Frances McCollin papers, 1924-2007 (inclusive)

Extent:
0.4 linear feet (2 boxes)
Abstract:
The McCollin-Arnett family, including Frances McCollin (1892-1960), Edward McCollin, and Edward McCollin Arnett, was influential in the musical community of Philadelphia. This collection documents some of their activities through correspondence, notes, photographs, programs, sheet music, and recordings.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Rose and Ottilie Sutro and Nathan Twining music manuscripts of Max Bruch's Concerto for two pianos and orchestra, op. 88a, 1915-1988 (inclusive)

Extent:
0.75 linear feet (3 boxes)
Abstract:
Much of the unusual and complicated history of Max Bruch's Concerto for two pianos and orchestra, op. 88a, may be traced through this collection of music manuscripts. The collection consists primarily of full orchestral scores, duo piano parts, orchestral parts, and supplementary material for the Concerto for two pianos and orchestra, op. 88a, by Max Bruch. Also some unrelated transcriptions and arrangements. All materials are in manuscript. These materials were heavily altered and used for performance between 1915 and 1917 by duo pianists Rose and Ottilie Sutro. Subsequently, they were collected by pianist Nathan Twining from the auction of the effects of pianist Ottilie Sutro in Baltimore, MD, in 1971, and used in his reconstruction of the piece. Also included are orchestral parts prepared by Twining for his recording of the Concerto with pianist Martin Berkofsky and the London Symphony Orchestra released in 1974.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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William Romaine Newbold papers, 1865-1926 (inclusive)

Extent:
0.4 linear feet (1 box)
Abstract:
William Romaine Newbold (1865-1926) was an American philosopher who served on faculty at the University of Pennsylvania from 1907 to 1926. Teaching both Latin and Philosophy, Newbold is perhaps best known for his work delving into antiquarian mysteries. This collection contains material from two pieces of scholarship by Newbold during his time at the University of Pennsylvania.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Mark Chiacchiere collection of Savoy Company records, 1982-2012 (inclusive) 1998-2005 (bulk)

Extent:
3.4 linear feet ((4 boxes))
Abstract:
The Savoy Company is the oldest amateur theater company dedicated to the production of the works of Gilbert and Sullivan. The donor, Mark Chiacchiere, Esq. served a member of the Savoy company and has held the offices of Treasurer and President. This collection contains materials dating from the years 1982-2012 (bulk 1998-2005) pertaining mostly to matters of finances, performance and rehearsal locations, meetings, productions, social events, and other related functions.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Book of French songs, circa 1904-1914 (inclusive)

Extent:
1 volume
Abstract:
A volume of seventy handwritten French songs along with drawings spanning from circa 1904 to 1914.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Rudolf Serkin and James Heineman correspondence, 1942-1991 (inclusive)

Extent:
0.4 linear feet (1 box)
Abstract:
Rudolf Serkin (1903-1991) was a pianist who is widely regarded as one of the greatest Beethoven interpreters of the 20th century. He was the director of the Curtis Institute of Music in Philadelphia from 1968 to 1976 and founded the Marlboro School of Music in Vermont. James H. Heineman was the director of the the Heineman Foundation from the mid 1960s through the 1980s and was a donor to the Marlboro School of Music and Festival. This collection contains correspondence, ephemera, and newspaper clippings. The correspondence is between Rudolf "Rudi" Serkin, Irene Serkin and James "Jimmy" H. Heineman and dates from 1948 to 1991.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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