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Frank Carey papers

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Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]3420 Walnut Street, Philadelphia, PA 19104-6206

This is a finding aid. It is a description of archival material held at the University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.

Overview and metadata sections

Frank Joseph Carey (1933-1984) was a PhD student in music, who researched 16th century vocal music at the University of Pennsylvania from 1969 to 1984. Carey was born in Cowiche, Washington, and graduated from Highland High School in 1951. He obtained a Bachelor of Science degree from The Juilliard School in 1956 and a Master of Music degree from the University of Colorado in 1960, after having served with the U.S. Army for two years. In 1967, he was appointed a teaching fellowship at Penn. He took classes until 1969, and then from 1969 to his death in 1984 he worked on his dissertation. Carey's dissertation, left unfinished due to his death, was focused on vocal music from the 16th century that was written for equal voices, or voices in the same range.

Carey's collection documents his sixteen years of doctoral research from 1969 to 1984, with notes on music theory, analysis, musical transcriptions, and drafts of his dissertation. The collection has two series: the first is "Research notes", with three subseries within. These subseries are "Notes on musical styles," "Notes on composers," and "Notes on years." These subseries feature notes and studies of certain composers, such as Josquin des Prez and Giovanni Pierluigi da Palestrina, among others, as well as notes on compositional styles like madrigals and motets, and years that Carey felt were notable in musical development relevant to his area of research. The second series is "Drafts and notes," which consists of versions of Carey's dissertation chapters with revisions and notes in margins, and associated notes. His research notes are focused on common musical modes, important years, and prominent composers, while the drafts series provides a sense of Carey's writing process. The notes are admittedly scattered, and the handwriting difficult to decipher at times. Researchers may find Carey's musical transcriptions and analysis of sheet music to be of most use. It should be noted that this is not a comprehensive overview of the subject of 16th century vocal music, instead a focus on a specific composition technique called equal voices.

I. Research notes A. Notes on musical styles B. Notes on composers C. Notes on years II. Drafts and notes

Gift of Lawrence Bernstein, 2019

Publisher
University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts
Finding Aid Author
Ryan Jensen
Finding Aid Date
2023 May 17
Access Restrictions

This collection is open for research use

Use Restrictions

Copyright restrictions may exist. For most library holdings, the Trustees of the University of Pennsylvania do not hold copyright. It is the responsibility of the requester to seek permission from the holder of the copyright to reproduce material from the Kislak Center for Special Collections, Rare Books and Manuscripts.

Collection Inventory

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Chansons: studies of Antoine Brumel, Josquin des Prez, transcriptions, musical analysis, note cards, 1969-1984.
Box 1 Folder 1
Frottole: Bartolomeo Tromboncino, Marco Cara, table of frottole composers, note cards, transcriptions, printed articles, drafts, 1969-1984.
Box 1 Folder 2
Madrigals: list of madrigals, transcriptions, 1969-1984.
Box 1 Folder 3
Motets: notes, transcriptions, 1969-1984.
Box 1 Folder 4
Odes: transcriptions, 1969-1984.
Box 1 Folder 5
Jacques Arcadelt: musical analysis, 1969-1984.
Box 1 Folder 6
Pierre Certon: transcriptions, 1969-1984.
Box 1 Folder 7
Francesco Corteccia: notes, 1969-1984.
Box 1 Folder 8
Giovanni Matteo Asola: musical analysis, notes, transcriptions, 1969-1984.
Box 1 Folder 9
Pierre Moulu: music scores, 1969-1984.
Box 1 Folder 10
Jan Nasco: transcriptions, notes, 1969-1984.
Box 1 Folder 11
Giovanni Pierluigi da Palestrina: transcriptions, musical analysis, notes, 1969-1984.
Box 1 Folder 12
Giordano Passetto: transcriptions, notes, 1969-1984.
Box 1 Folder 13
Matthaeus Pipelare: notes, musical analysis, drafts, 1969-1984.
Box 1 Folder 14
Costanza Porta: notes, 1969-1984.
Box 1 Folder 15
Josquin des Prez: music scores, lyrics, musical analysis, drafts, 1969-1984.
Box 1 Folder 16
Pierre La Rue: notes, musical analysis, 1969-1984.
Box 1 Folder 17
Claude de Sermisy: notes, transcriptions, musical analysis, 1969-1984.
Box 1 Folder 18
1521: notes, transcriptions, 1969-1984.
Box 1 Folder 19
1530: notes, transcriptions, 1969-1984.
Box 1 Folder 20
1534: notes, musical analysis, 1969-1984.
Box 1 Folder 21
1536-1945: transcriptions, 1969-1984.
Box 1 Folder 22
1540: transcriptions, 1969-1984.
Box 1 Folder 23
1541: transcriptions, musical analysis, 1969-1984.
Box 1 Folder 24
1542: transcriptions, musical analysis, notes, drafts, 1969-1984.
Box 1 Folder 25
1543: musical analysis, transcriptions, notes, 1969-1984.
Box 1 Folder 26
1543-1549: musical analysis, transcriptions, notes, drafts, 1969-1984.
Box 1 Folder 27
1544: transcriptions, notes, 1969-1984.
Box 1 Folder 28
1560: transcriptions, notes, 1969-1984.
Box 1 Folder 29

Article: "Voce mutate, voci pari", 1969-1984.
Box 1 Folder 30
Chapter one, folder 1/3, 1969-1984.
Box 1 Folder 31-33
Chapter two, 1969-1984.
Box 1 Folder 34
Chapter three, 1969-1984.
Box 2 Folder 1
Chapters five and six, 1969-1984.
Box 2 Folder 2
Chapter six, 1969-1984.
Box 2 Folder 3
Chapter seven, 1969-1984.
Box 2 Folder 4
Miscellaneous: conference notes, sheet music, list of madrigals, list of musical prints, 1969-1984.
Box 2 Folder 5

Print, Suggest