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French Benevolent Society of Philadelphia records, 1804-1977

Extent:
12.3 linear feet (; 29 boxes)
Abstract:
The French Benevolent Society was founded in Philadelphia in 1793. The society serves indigents of French descent and provides scholarships to local students of French extraction. The records include minutes, correspondence, financial and membership records, case files, histories, and uncataloged photographs.

Held at: Historical Society of Pennsylvania [Contact Us]

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Charles Morice papers, 1862-1970 (inclusive)

Extent:
9.0 boxes
Abstract:
Charles Morice was a prolific spokesman for the Symbolist movement. He was at times a poet, playwright, shipping clerk, literary critic, professor of literature, and lecturer. He collaborated in the founding of Mercure de France, the “organ of the purest Symbolism.” He attended Stéphene Maliarmé’a “Tuesdays,” weekly social gatherings of Symbolist writers and painters. While writing for Le Matin he was assigned to cover the death penalty debate. He corresponded with many famous artists on their thoughts on the death penalty. He also collaborated with the painter Paul Gauguin on his book Noa Noa, and with Auguste Rodin on his book Les Cathedrals des France. Morice wrote and had several unfinished manuscripts when he died on March 18, 1919. The collection of Morice’s papers comprises nine boxes and sixteen volumes. The collection is divided into printed material, his journals and notebooks which were called Petite...(see more)

Held at: Temple University Libraries Special Collections Research Center [Contact Us]

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Belle Époque musical concert and opera programs and periodicals collection, 1897-1914 (inclusive)

Extent:
0.2 linear feet (1 box)
Abstract:
The Belle Époque, dating from the end of the Franco-Prussian War in 1871 to the outbreak of World War I in 1914, is described as a period of optimism, regional peace, economic prosperity, and techonological, scientific, and cultural innovations during the French Third Republic. It is particularly known as an era in which the arts flourished in Paris and other European Francophone centers. This collection contains programs, publications, advertisements and tickets which document classical music and operatic performances at a variety of concert venues and music halls.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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University of Pennsylvania Dental Medicine Library miscellaneous manuscripts, 1841-1995 (inclusive)

Extent:
1.04 linear feet (3 boxes)
Abstract:
This material comprised part of the Dental Library's historical collection. It contains material on the history of the Thomas W. Evans Museum and Dental Institute School of Dentistry University of Pennsylvania, the profession of dentistry, and biographical information on dentist Thomas W. Evans.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Archivo de Idea Vilariño, 1893-2007 (inclusive)

Extent:
3.0 linear feet
Abstract:
La colección consiste de borradores y pruebas de la poesía de Idea Vilariño; correspondencia con sus hermanas/os Numen, Poema, Azul y Alma; fotografías personales de la familia; cuadernos de investigación; material impreso sobre Vilariño y una colección anotada de libros sobre crítica literaria y otros temas, como Shakespeare, Homero, Rubén Darío y Octavio Paz, entre otros.

Held at: Princeton University Library: Manuscripts Division [Contact Us]

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Saqui de Sannes Family Correspondence, 1756-1920 (inclusive)

Extent:
2 boxes and 0.8 linear feet
Abstract:
Consists of professional and personal correspondence of an aristocratic family from Provence. Most of the letters date from 1756 to 1848 and illustrate how the family negotiated its place during France's Revolutionary era.

Held at: Princeton University Library: Manuscripts Division [Contact Us]

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George Grey Barnard Papers, 1895-1941 (inclusive)

Extent:
19 linear feet
Abstract:
George Grey Barnard was an American sculptor and collector of Medieval art, locating and arranging the pieces that eventually became "The Cloisters," now of New York's Metropolitan Museum of Art. His papers are comprised primarily of correspondence and financial and business records documenting both his collecting and creation of art. The collection includes a significant amount of personal correspondence, biographical information, and family financial records as well.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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