Repository: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts / Subject: Art / Form: Correspondence - Philadelphia Area Archives Search Results

Don Stacy correspondence with Vilém Flusser, 1966-1976 (inclusive) 1973-1976 (bulk)

Extent:: 0.2 linear feet (1 box)
Abstract:: Donald L. Stacy (1925-2008), known primarily as Don Stacy, was an artist and art teacher born in New Jersey, who lived and worked for most of his life in New York City. Vilém Flusser (1920-1991)-- a Czech-born philosopher who lived for a long period in Sao Paulo, and later in France-- wrote on media and technology, and on communication and artistic production, among other concepts. The correspondence between Don Stacy and Vilém Flusser in this collection was collected by Don Stacy and takes place primarily between 1973 and 1976. The letters from Don Stacy are either handwritten draft letters to Flusser or reprographic copies of the sent letters, while the letters from Flusser are originals. The two men discuss art and philosophy, taking pleasure in sharing ideas and theories and debating opposing positions, and also address issues surrounding their friendship.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

Clement and Sophie Winston family papers, 1903-1999, undated (inclusive)

Extent:: 9.5 linear feet (11 boxes )
Abstract:: Clement and Sophie Winston lived and worked in Washington, DC from the 1930s to the 1980s. Clement Winston (1902-1986), a Russian Jewish immigrant worked as an economist at the United States Bureau of the Budget. Sophie Zion Winston (1902-1986) was an artist who worked as an art therapist during World War II and exhibited her own artwork from the 1940s to 1960s. This collection documents the couple's personal and professional lives through their creative and professional writings, correspondence, and household accounts, dating from 1903 to 1999.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

Wanda Gág papers, 1892-1968 (inclusive)

Extent:: 40 boxes
Abstract:: Personal papers of Wanda Gág, including correspondence to and from Wanda, as well as letters to and from Alma Schmidt Scott, a biographer of Gág, and letters among Gág family members; writings, such as diaries, children's books, autobiographical works, and juvenilia; notes for talks and for writings; artwork; exhibition catalogs and related publicity material; writings about Gág, including obituaries, biographical pieces, and book reviews; financial records; materials regarding the Estate of Wanda Gág; newspaper clippings; memorabilia; photographs; and examples of Happiwork, a product for children created by Gág.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

Carl Zigrosser papers, circa 1891-1971 (inclusive)

Extent:: 48.5 linear feet (116 boxes)
Abstract:: The Carl Zigrosser Papers comprise personal and professional records including correspondence, writings, notes, printed material, subject files, photograph album, and diaries relating to Zigrosser's work as an authority on print s and printmaking and his personal relationships with artists. The Papers are particularly rich in correspondence with the major artistic and cultural figures in America during the first half of the twentieth century.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

Institute of Contemporary Art records, 1963-2007 (inclusive)

Extent:: 109 linear feet (283 containers)
Abstract:: The Institute of Contemporary Arts is a University of Pennsylvania museum displaying contemporary art. This portion of the collection documents the exhibition files of the Institute of Contemporary Arts from 1963 to 2000.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

Charles Blum, Jr. papers, 1925-1988 (inclusive)

Extent:: 1.1 linear feet (4 boxes)
Abstract:: Charles William Blum, Jr. (1925-1991), an artist known for magical realism, lived and worked in New York; San Miguel, Mexico; and Spain. His papers, dating from 1925 to 1988, document his personal life through letters, journals, photographs and memorabilia. In particular, Blum's papers cover numerous topics including his work as an artist; his relationships with Robert Davison and Salvatore Saraceno; his opinions on love, romance and homosexuality; expatriate life in San Miguel de Allende in Mexico; and his opinions on the literary, theatrical, and modern dance scenes of the 1950s.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

John Milton Fogg, Jr. collection of letters and papers relating to Albert C. Barnes and the University of Pennsylvania, 1925-1984 (inclusive)

Extent:: 0.4 linear_foot (1 box)
Abstract:: Albert C. Barnes (1872-1951), an art collector and founder of the Barnes Foundation, had an uneasy relationship with the University of Pennsylvania, despite efforts on both parts to establish a collaboration in art education between the Barnes Foundation and the University. This collection contains primarily correspondence between Barnes (or the secretary of the Barnes Foundation, Nelle E. Mullen, on Barnes' behalf) and University of Pennsylvania officials, largely related to an effort to establish a joint Penn-Barnes course, which met for only a few sessions in 1946 before being called off by Barnes.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

Charles Mulford Robinson papers, 1831-1932 (inclusive) 1880-1924 (bulk)

Extent:: 2.8 linear feet (7 boxes)
Abstract:: Charles Mulford Robinson (1869-1917) was a newspaper editor, author, and professor celebrated as one of the United States' first urban planners and early proponents of the "City Beautiful" movement. This collection features several of his urban improvement reports delivered to communities which solicited his services as a "civic advisor," as well as the personal correspondence of him and his wife Eliza; newspaper clippings about his life, death, and activities; scrapbooks; poems, prose-pieces, hymns, and plays composed by Robinson in his spare time; photographs; and other personal records from throughout his life.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

Edward F. Fry papers, circa 1947-1992 (inclusive)

Extent:: 66 boxes
Abstract:: Comprising documents related to Fry's life and career: correspondence, research, and letters from numerous artists and colleagues, handwritten lectures, typescript essays, over 1000 photographs of artists' works with special interest in Pablo Picasso, Jacques Lipchitz, Henri Laurens, and David Smith. Correspondence with artists (some include slides and drawings), curators, art historians, and museums. Highlights of curated exhibitions include the 1967 5th Guggenheim International Exhibition, the 1969 David Smith retrospective, the canceled 1971 Hans Haacke exhibition, and the 1987 Documenta 8. Materials related to Fry's special interest in cubism, specifically Pablo Picasso, include the book Cubism, lectures, notes, photographs, and research.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

William Steig papers, circa 1907-2002 (inclusive) 1950-2000 (bulk)

Extent:: 21 linear feet (45 boxes)
Abstract:: William Steig (1907-2003) was an American cartoonist, illustrator, and writer of children's books. In 1930, Steig began a long and fruitful relationship with The New Yorker, for which he produced more than 2,600 drawings and 117 covers. When he was sixty-one, Steig began writing children's books, including Sylvester and the Magic Pebble (1969), Dominic (1972), Doctor De Soto (1982), and Shrek! (1990), the basis for the DreamWorks animated film of the same name. This collection includes 45 boxes of material, including correspondence; personal and professional records; drafts of Steig's writings; financial records; press, promotional material, and material from exhibits; awards Steig received; and original artwork, including original ink and watercolor drawings and work that would later appear in the New Yorker. There is also ephemera related to the movie Shrek, as well as personal artifacts, such as Steig's brushes and pens.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

Search

Search Constraints

Search Results

Main content

Main content

Main content

Main content

Main content

Main content

Main content

Main content

Main content

Main content

Limit your search

Repository

Record Source

Online Content

Subject

Organization

People

Place

Occupation

Form

Creator

Language

Year