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Samuel R. Joyner artwork collection, 1947-2005 (inclusive)

Extent:
5.8 linear feet
Abstract:
Samuel R. Joyner is among the small number of African American cartoonists in the United States. Born in Philadelphia in 1924, he received early attention and publication credits. Joyner enlisted in the United States Navy after graduating from high school during World War II. Upon his return to the United States, he enrolled into the Philadelphia Museum School of Industrial Art (now University of the Arts). His experience with racism and discrimination, primarily in the Navy, served as the backdrop for the kind of artwork he desired to produce. Over the years he would become a recognized “visual voice” for African Americans as represented in mass-circulated magazines and newspapers. His work has been published in over 40 different publications. The Samuel Joyner collection includes photographs, original art work and sketches (and photocopies), posters, signs, newspapers and clippings, newsletters, one book of African American illustrations, and ephemera. This collection spans 60...(see more)

Held at: Temple University Libraries Special Collections Research Center [Contact Us]

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Edwin S. Stuart papers, 1884-1937 (inclusive)

Extent:
40.0 boxes
Abstract:
Edwin Sydney Stuart (1853-1937) was a Philadelphia businessman and politician during the late 19th and early 20th centuries. In addition to owning and operating a successful bookstore, Stuart also served as mayor of Philadelphia from 1891 to 1995 and governor of Pennsylvania from 1907 to 1911. The Edwin S. Stuart papers, as received by Temple University, reflect a portion of the files from the Stuart/Emmons family and material stored at Leary & Co. prior to the closing of the firm in 1969. The records date from 1884 to 1937, and reflect both the archives of the Leary firm and the political and social activities of Governor Stuart. His papers document a variety of personal activities and social functions as well as his work with Girard College and the Union League. While the papers do document some of his political functions in Philadelphia and Pennsylvania, this collection does not contain his formal political office files.

Held at: Temple University Libraries Special Collections Research Center [Contact Us]

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St. Peter Claver Roman Catholic Church records, 1980-1994 (bulk) 1904-2009 (inclusive)

Extent:
10.0 linear feet
Abstract:
St. Peter Claver Roman Catholic Church of Philadelphia fills a unique position in the history of the Catholic Church in America. In 1886, African American Catholics from three local Philadelphia churches, having grown tired of the discrimination they faced at their home churches, united together as the Peter Claver Union with the goal of creating a “Church for Colored Catholics” in Philadelphia. The organization was officially recognized by the Archdiocese of Philadelphia in 1889 and found a home for their parish in 1892 in the former Fourth Presbyterian Church located at 12th and Lombard Streets. Due to a perceived lack of continued need for an African American Catholic Church, the Archdiocese of Philadelphia suppressed the parish in 1985. The St. Peter Claver Roman Catholic Church records house the institutional records of the St. Peter Claver Roman Catholic Church of Philadelphia, Pennsylvania. This collection, which dates from 1904 to 2009, with bulk dates of 1980 to 1994,...(see more)

Held at: Temple University Libraries Charles L. Blockson Afro-American Collection [Contact Us]

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Julien Levy Gallery records, 1857-1982 (inclusive)

Extent:
19.0 linear feet (46 containers)
Abstract:
Julien Levy (1906-1981) was a pioneering New York art dealer of the 1930s and 1940s. He was introduced to the art world in Paris by Marcel Duchamp, who he met in New York in 1926. In Paris he met photographers and artists, including Man Ray, Berenice Abbot, and his future wife Joella Haweis, daughter of Dadaist muse Mina Loy. Upon his return to the United States, Levy worked briefly at the Weyhe Gallery before opening the Julien Levy Gallery at 602 Madison Avenue. In 1932, Levy mounted “Surrealisme,” an exhibition that introduced the Surrealist art movement to New York. This collection documents the career of prominent art gallery owner Julien Levy. The records date from 1857 to 1983 and include correspondence, exhibit announcements and invitations, scrapbooks, gallery financial ledgers, audio-visual materials, and personal papers such as letters, diaries, appointment books and calendars. The material in this collection reflects the course of Levy’s life, beginning with childhood...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Women's Committee of the Philadelphia Museum of Art Records, 1883-1989, undated (inclusive)

Extent:
14.5 linear feet
Abstract:
The collection documents the role of the Women's Committee of the Philadelphia Museum of Art in support of the Museum, its affiliates, and the Philadelphia arts community. The records illustrate approximately one hundred and twenty five years of successful service and leadership in planning various events and programs, and provide insight into the Women's Committee's untiring efforts, dedication, and expertise. The collection consists of minute books, scrapbooks, financial records, reports, and plans of events, marketing strategies, public relations, and special projects such as publishing a cookbook.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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