Language: English / Year: <span class="single" data-blrl-single="1988">1988</span> - Philadelphia Area Archives Search Results

Women's Committee of the Philadelphia Museum of Art Records, 1883-1989, undated (inclusive)

Extent:: 14.5 linear feet
Abstract:: The collection documents the role of the Women's Committee of the Philadelphia Museum of Art in support of the Museum, its affiliates, and the Philadelphia arts community. The records illustrate approximately one hundred and twenty five years of successful service and leadership in planning various events and programs, and provide insight into the Women's Committee's untiring efforts, dedication, and expertise. The collection consists of minute books, scrapbooks, financial records, reports, and plans of events, marketing strategies, public relations, and special projects such as publishing a cookbook.

Held at: Philadelphia Museum of Art Archives [Contact Us]

Francis Bacon Foundation Records, 1936-1997, undated (inclusive)

Extent:: 18 cubic feet
Abstract:: The Francis Bacon Foundation was formed by Walter and Louise Arensberg in 1938 to promote study in science, literature, religion, history and philosophy with special reference to the works of Francis Bacon. The Foundation also served as the legal owner of the Walter and Louise Arensberg art collection. The Francis Bacon Foundation Records consist of correspondence, administrative and financial records which illustrate the organizational aspects of the Foundation, the Baconian research conducted by its staff, and the art historical research conducted by outside researchers using the Francis Bacon Foundation Library and Arensberg Archives. Because of the Foundation's close association with Walter and Louise Arensberg, the Records also shed some light on their personal lives.

Held at: Philadelphia Museum of Art Archives [Contact Us]

Marcel Duchamp Exhibition Records, 1967-1993, undated (inclusive)

Extent:: 18 linear feet
Abstract:: The Marcel Duchamp Exhibition Records contain material created and collected by the Department of Modern and Contemporary Art (formerly the Twentieth Century Art Department), Philadelphia Museum of Art during the course of organizing and/or participating in exhibitions about the artist Marcel Duchamp.

Held at: Philadelphia Museum of Art Archives [Contact Us]

Painting and Sculpture Department Records, 1924-1999 (inclusive)

Extent:: 137.08 linear feet
Abstract:: None available.

Held at: Philadelphia Museum of Art Archives [Contact Us]

Beatrice Wood Collection, circa 1921-2001, undated (inclusive)

Extent:: 0.5 linear feet
Abstract:: This collection includes archival material documenting the life and work of Beatrice Wood (1893-1998), a central figure in the New York Dada movement and a notable ceramic artist. The archival material comes from two different sources: the artist herself and Conrad C. M. Arensberg. It includes documentation of several exhibitions and events, specifically personal photographs of her 96th birthday.

Held at: Philadelphia Museum of Art Archives [Contact Us]

Henry P. McIlhenny Papers, 1817-1824, 1902-1988, undated (bulk 1934-1986) (inclusive)

Extent:: 62.5 linear feet
Abstract:: The Henry P. McIlhenny Papers document the privileged and urbane lifestyle of the man whose tastes and talents earned him a reputation as a distinguished connoisseur of art and antiques, world traveler, host extraordinaire, philanthropist and generous friend. Although Henry McIlhenny (1910-1986) is the primary creator, this collection is very much a family affair, encompassing the art collections initiated by his parents, John D. and Frances P. McIlhenny, which passed, along with the family trust fund, on to McIlhenny and his sister Bernice ("Bonnnie") Wintersteen. Much of the material deals with McIlhenny's activities from the mid-1930s to his final years, with particularly extensive documentation of his art collection and of his homes, the latter of which encompasses his penchant for interior design and his passion for horticulture. Also well documented are his many years of service to and support of the Philadelphia Museum of Art, the Academy of Music, and the Philadelphia...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

Anne d'Harnoncourt Papers, circa 1927-2012, undated (bulk 1951-2008) (inclusive)

Extent:: 31.5 linear feet
Abstract:: Art to Anne d'Harnoncourt (1943-2008) was both a professional and personal passion. Best recognized for her twenty-five year tenure as director of the Philadelphia Museum of Art, d'Harnoncourt collaborated with local, national and international people and organizations, to keep art--and all the arts--relevant and essential in building and bridging communities. Most of the material comprising the Anne d'Harnoncourt Papers traces her professional development in and away from the Museum and consists primarily of correspondence, press clippings, photographs of works of art and events, draft lectures, notes, ephemera and a number of certificates, citations and object awards. Several files of photos and papers pertain to her husband and Museum colleague, Joseph J. Rishel. Family papers and photographs and school records comprise her personal papers. Also made part of the Anne d'Harnoncourt Papers is the significant documentation of the worldwide reaction to her unexpected death on June 1,...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

Dorothy Norman Research Collection, 1897-1992, undated (inclusive)

Extent:: 4 linear feet
Abstract:: During her twenty-year relationship with photographer and art promoter Alfred Stieglitz, Dorothy Norman, herself a photographer as well as writer, came to know artists such as John Marin, who were defining American modernism during the 1930s and 1940s. Norman published and edited writings about both men, and likely compiled this material in preparation. Documentation pertaining to Alfred Stieglitz consists primarily of exhibition announcements and checklists, and copies of writings published by his gallery An American Place. Equally significant in amount are the copyprints of photographs by Stieglitz, and of works by artists he promoted, such as Georgia O'Keefe, Arthur G. Dove, John Marin and Marsden Hartley. John Marin material consists primarily of photographs and published writings about the artist, including clippings and exhibition catalogues. Material relating to Norman's other endeavors include ephemera of her publication "Twice a Year" and other works published by the same...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

Zelma Corning Brandt papers, 1906-1989 (inclusive)

Extent:: 7 linear ft.
Abstract:: Zelma Corning Brandt (1891-1990) was a social crusader active throughout the twentieth century. Her chief interests included the independence and development of colonial countries, American Indian affairs, nuclear disarmament, women's issues, and geriatric concerns. The collection consists of correspondence, travel notes, diaries and writings, and publications and reports, especially from 1960-1989. Brandt's longevity and attention to detail provide a complete view of various world and domestic issues and events through this period. Zelma Brandt attended Bryn Mawr College from 1909 to 1911.

Held at: Bryn Mawr College [Contact Us]

Chinese Scholarship Committee records, 1916-1988 (inclusive)

Extent:: 3.5 linear ft.
Abstract:: The Chinese Scholarship Committee was established by Professor Lucy Martin Donnelly in 1916, to provide Chinese women an education who could not otherwise obtain one in China. It was also intended to "deepen the understanding between China and the United States by bringing to this country the type of students who would represent the highest Chinese traditions, and who would in turn interpret to China our western civilization" ("Bryn Mawr Chinese Scholarship Committee," pamphlet). The fund, as established, provided for one annual scholarship to a Chinese woman who wished to attend Bryn Mawr College. The Chinese Scholarship Committee records documents the efforts of Bryn Mawr College diverisify its student body and to introduce to its students a different culture. The collection houses scattered financial and administrative records, as well as a nice body of correspondence from and about the Chinese students who directly benfitted from the fund. The collection is arranged into...(see more)

Held at: Bryn Mawr College [Contact Us]

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