Subject: Artists / Language: English / Year: <span class="from" data-blrl-begin="1970">1970</span> to <span class="to" data-blrl-end="1974">1974</span> - Philadelphia Area Archives Search Results

Palmer Sharpless papers, circa 1970-1995

Extent:: 0.5 linear feet
Abstract:: Palmer Sharpless (1922-2002) was an American woodworker and woodturner. He taught woodworking for 38 years at George School in Bucks County, Pennsylvania and was a founding member of the American Association of Woodturners. The Palmer Sharpless papers, circa 1970-1995, consist of five of Palmer Sharpless' sketchbooks, several photographs, and a few framed items.

Held at: The Center for Art in Wood [Contact Us]

William L. Lathrop papers, 1741-2000s

Extent:: 12.25 linear feet
Abstract:: William Langson Lathrop (1859-1938) was an artist, teacher, and sailor. He helped establish the artists colony in New Hope, Bucks County, Pennsylvania. When he was not working on his own art or teaching others, he would sail on his boat The Widge. William L. Lathrop papers, 1741-2000s, consist of both original Lathrop papers and materials about him that were created or collected by his descendants. Materials include personal and professional/exhibition-related correspondence, exhibition materials, diaries, photographs, slides, scrapbooks, newspaper and magazine clippings, genealogical research on the Lathrop family, artworks, and other materials. There are some 18th century documents from the Langson family. Several items relate to Lathrop's boat, The Widge.

Held at: James A. Michener Art Museum Archives [Contact Us]

Harry Leith-Ross papers, circa 1906-2003

Extent:: 3.0 linear feet
Abstract:: Harry Leith-Ross (1886-1973) was a painter in Bucks County, Pennsylvania. He was an influential teacher and author as well as one of the most decorated Pennsylvania Impressionist artists. Leith-Ross became renowned for his vibrant, carefully composed oil paintings, and for his transparent watercolor technique in the tradition of the eighteenth-century. He gained recognition for depicting humble genre scenes of rural life and finding beauty in the everyday activities of people. Harry Leith-Ross papers, circa 1906-2003, consist of correspondence; inventories, photographs, and sales records of Leith-Ross's work; a manuscript for Harry Leith-Ross's book; materials from Leith-Ross exhibits; records of his work kept by his family after his death; correspondence with his family about post-mortem exhibitions; family photographs; genealogical research and family documents; newspaper clippings; medals, certificates, and awards; and other materials.

Held at: James A. Michener Art Museum Archives [Contact Us]

Joseph Edward Pavone papers, 1960-1995 (bulk) 1927-2000 (inclusive)

Extent:: 1.4 linear feet
Abstract:: Joseph Edward Pavone (1928-2010) was an artist and prominent figure in the cultural and heritage community of Bristol, Bucks County, Pennsylvania. The Joseph Edward Pavone papers, 1927-2000 (bulk 1960-1995), contain clippings, slides, photographs, notes, drawings, organizational records, and other materials relating to Pavone's life and work. Photographs and slides documenting Pavone's artistic works, particularly the Christopher Columbus monument, form the largest portion of the collection. Of subsequent note are records and photographs pertaining to the founding of the Radcliffe Art Gallery and the Bristol Cultural and Historical Foundation.

Held at: Margaret R. Grundy Memorial Library [Contact Us]

"Saturday Evening Post" covers by Norman Rockwell, 1918-1975 (inclusive)

Extent:: 2.5 linear feet
Abstract:: The Saturday Evening Post was first published on August 4, 1821 in Philadelphia, Pennsylvania as a weekly magazine. In 1897, the magazine was purchased by the Curtis Publishing Company. From 1916 to the 1960s, Norman Rockwell (1894-1978) created over 300 paintings for use as Post covers, contributing to his reputation as one of America's favorite native-born artists. The "Saturday Evening Post" covers by Norman Rockwell, 1918-1975, consist of over 300 covers of the Saturday Evening Post featuring Rockwell's illustrations.

Held at: Philadelphia History Museum [Contact Us]

Philadelphia Sketch Club records, 1860-2012 (inclusive)

Extent:: 54.0 linear feet
Abstract:: The Philadelphia Sketch Club, founded in 1860, is America's oldest club for artists. Philadelphia Sketch Club records, 1860-2012, contains minute books, treasurer's reports, ledgers, receipts, dues books, membership applications, exhibition planning materials and catalogs, photographs, and many other records of the organization. A highlight of the collection is a box of Philadelphia Sketch Club member Christmas cards, most featuring original artwork, circa 1920-2004.

Held at: Philadelphia Sketch Club [Contact Us]

Howard Alber collection on Sherman Hoeflich, circa 1940-circa 1996

Extent:: 0.5 linear feet
Abstract:: Sherman Clark Hoeflich (1913-1977) was a Philadelphia-based artist, art educator, and designer, who also worked in advertising as an art director. He lived in Paris from 1960 to 1965, and exhibited his work in Philadelphia, Paris, London, and elsewhere. Hoeflich was good friends with Howard Alber, a fellow artist, who worked as a graphic designer and opened an art gallery in Philadelphia in the 1960s. The Howard Alber collection on Sherman Hoeflich, circa 1940-circa 1996, consists mostly of secondary-source materials relating to Hoeflich, but also includes several of his original artworks on paper (watercolor, graphite, and other media).

Held at: Violette de Mazia Foundation [Contact Us]

ELM Press collection of Enid Mark lithographs, photographs, and ephemera, 1971-2008 (inclusive)

Extent:: 5.3 linear feet (13 boxes, 1 drawer)
Abstract:: Enid Mark (1932-2008) was the founder of ELM Press and an American editor, publisher, and artist specializing in handmade books. The ELM Press collection of Enid Mark lithographs, photographs, and ephemera measures 5.3 linear feet in thirteen boxes and one drawer and dates from 1971 to 2008. It primarily documents Enid Mark's work on limited-edition art books with ELM Press and exhibitions featuring this work.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

Carl Zigrosser papers, circa 1891-1971 (inclusive)

Extent:: 48.5 linear feet (116 boxes)
Abstract:: The Carl Zigrosser Papers comprise personal and professional records including correspondence, writings, notes, printed material, subject files, photograph album, and diaries relating to Zigrosser's work as an authority on print s and printmaking and his personal relationships with artists. The Papers are particularly rich in correspondence with the major artistic and cultural figures in America during the first half of the twentieth century.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

Institute of Contemporary Art records, 1963-2007 (inclusive)

Extent:: 109 linear feet (283 containers)
Abstract:: The Institute of Contemporary Arts is a University of Pennsylvania museum displaying contemporary art. This portion of the collection documents the exhibition files of the Institute of Contemporary Arts from 1963 to 2000.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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