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Princeton University Library Collection of Western Americana Photographs

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Held at: Princeton University Library: Manuscripts Division [Contact Us]

This is a finding aid. It is a description of archival material held at the Princeton University Library: Manuscripts Division. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.

Overview and metadata sections

Started in the 1970s, this closed collection includes more than 5,000 photographs consisting mostly of documentary photographs of the Trans-Mississippi West from the late 1860s to early 1900s, largely from the perspective of white photographers and settlers. Subjects include American Indians (especially studio portraits), natural wonders, cities, towns, buildings, and economic activities (mining, railroads, logging, and agriculture). Some photographs relate to the Indigenous populations of Mexico and Central America. The dimensions, physical formats, and photographic processes of the photographs vary widely.

Photographers represented include Charles Milton Bell, John Nicholas Choate, John K. Hillers, Charles Fletcher Lummis, Eadweard Muybridge, Frank A. Rinehart, Bernard Gurney Randall, Carlton E. Watkins, Orloff R. Westmann, Ben Wittick, and many others; as well as photographers whose work was marketed commercially by the Keystone View Company, Underwood & Underwood, and other firms. The collection also includes the work of some contemporary photographers, such as Ulli Steltzer and Kenji Kawano.

For earlier accessions, photographs that are identified with the letter "S" are small prints, many of which are stereographic photographs; those identified with the letters "M" and "L" are mostly albumen prints, and the latter are oversize; photographs with the letter "H" include tintypes, ambrotypes, daguerreotypes, and lantern slides; and photographs marked with "X" include mammoth prints as well as gelatin silver prints.

No additions will be made to this collection. Accessions relating to this topic will be added to the General Manuscripts Miscellaneous Collection (C0140).

Racist, colonialist, and sexist language were used to describe many of the items in this collection. In some cases, descriptions were creator-supplied or generated from transcriptions of captions on the photographs. In other cases, in which photographs lacked any identifying information, descriptions were created by an archivist. These items are identified in the description with the note, "Cataloger supplied title." However, the collection is a candidate for ongoing reparative description work. We hope that researchers will engage in a dialogue with staff about issues in the collection and changes that could help.

Photographs aquired prior to 2015 are arranged by size and format. Photographs acquired after 2015 are arranged in the order in which they were accessioned.

Many of the items in this collection are available in digital format at the Princeton University Digital Library: http://pudl.princeton.edu/collections/pudl0017

This collection was created through various gifts and purchases.

For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.

This collection was processed and described by Heather Shannon in 2006. Finding aid created by Faith Charlton in 2014. Finding aid updated periodically with new accessions by Faith Charlton, Kelly Bolding, and Chloe Pfendler.

No additions will be made to this collection. Accessions relating to this topic will be added to the Princeton University Library Single Photograph Acquisitions collection (C1778).

The existence of harmful language was noted in the collection-level description note by Faith Charlton in 2023 as an initial step per reparative description-related work.

Lexy deGraffenreid updated the Conditions Governing Access note in January 2025.

As part of reparative description efforts in 2025 and in alignment with the Protocols for Native American Archival Materials, archivists removed digital images of human remains.

No material was separated during processing.

People
Organization
Subject
Place

Publisher
Manuscripts Division
Finding Aid Author
Faith Charlton; Kelly Bolding; Chloe Pfendler
Finding Aid Date
Published in 2015.
Access Restrictions

While the majority of this collection is open for research, digital images of human remains are restricted. These items have been identified as such throughout the finding aid.

Access to glass-plate negatives is restricted due to their fragility. Where prints of the negatives are present, the prints are open for research use. Though digitization may not be possible for every negative, researchers may make requests to digitize material via the Ask Special Collections, form according to Special Collections' policy on digitization.

Use Restrictions

Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.

Collection Inventory

American Indian man wearing traditional clothing with three white children, 1850-1860. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder10 x 7 cm.

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Studio portrait of an American Indian girl wearing bead necklaces, 1850-1860. 1 folder.
Scope and Contents

Cataloger supplied title. Tintype in original paper case.

Physical Description

1 folder8 x 7 cm.

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Pope, J. H. (John Henry) (1824-1889). Half length portrait of man wearing suit, 1850-1860. 1 folder.
Scope and Contents

Cataloger supplied title. Tintype in original paper mount with advertisement for photographer on verso.

Physical Description

1 folder9 x 5 cm.

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Pope, J. H. (John Henry) (1824-1889). Full length studio portrait of two men wearing suits, 1850-1860. 1 folder.
Scope and Contents

Cataloger supplied title. Tintype in original paper mount with advertisement for photographer on verso.

Physical Description

1 folder9 x 5 cm.

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Half length portrait of an American Indian man dressed in overalls standing in front of farm house, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Tintype in original black paper mount.

Physical Description

1 folder7 x 5 cm.

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Full length portrait of an American Indian child dressed in western clothing, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder6 x 4 cm.

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Full length portrait of an American Indian child dressed in western clothing, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder6 x 4 cm.

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Barry, A. L.. Bust studio portrait of woman, 1850-1860. 1 folder.
Scope and Contents

Cataloger supplied title. Tintype in original paper mount with advertisement for photographer on verso.

Physical Description

1 folder9 x 5 cm.

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Bust studio portrait of man, 1850-1860. 1 folder.
Scope and Contents

Cataloger supplied title. Tintype in original paper mount with advertisement for photographer on verso.

Physical Description

1 folder7 x 4 cm.

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Half length studio portrait of man wearing hat, 1850-1860. 1 folder.
Scope and Contents

Cataloger supplied title. Tintype in half of its original paper case. Image highly damaged.

Physical Description

1 folder8 x 6 cm.

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T.H. McAllister-Keller Co. Cowboys dining on the plains, Colorado, circa 1900. 1 folder.
Scope and Contents

Written on slide: "1073. Colorado. Cowboys dining on the plains."

Physical Description

1 folder9 x 11 cm.

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Warfare scene between cowboys and American Indians, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder3 x 11 cm.

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American Indians attacking a stagecoach, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder3 x 11 cm.

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American Indians lighting fire to a white settler's home, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder3 x 11 cm.

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American Indians hunting buffalo, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder3 x 11 cm.

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Warfare scene between cowboys and American Indians, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder3 x 11 cm.

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Warfare scene between cowboys and American Indians, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder3 x 11 cm.

Materials Viewable Online
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Warfare scene between cowboys and American Indians, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder3 x 11 cm.

Materials Viewable Online
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Warfare scene between cowboys and American Indians, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder3 x 11 cm.

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American Indians burning a white man alive, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder3 x 11 cm.

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Warfare scene between cowboys and American Indians, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder3 x 11 cm.

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Cowboys lassoing wild horses, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder3 x 11 cm.

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T.H. McAllister (Firm). Utes: Pee Viggi and squaw, circa 1900. 1 folder.
Scope and Contents

Written on slide: "5721. Utes: Pee Viggi and squaw."

Physical Description

1 folder9 x 10 cm.

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Indians at Wild West, circa 1900. 1 folder.
Scope and Contents

Written on slide: "Indians at Wild West."

Physical Description

1 folder9 x 9 cm.

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Full plate tintype portrait of an Osage Indian woman, circa 1885. 1 folder.
Scope and Contents

Photograph originally hung in the lobby of the Endicott Hotel in Newkirk, Oklahoma.

Physical Description

1 folder33 x 26 cm.

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Brigham Young Monument, circa 1910. 1 folder.
Scope and Contents

View of the Brigham Young monument with pedestrians and automobiles in the background. Manuscript notation on the verso reads "5878, Utah, Salt Lake City, Brigham Young Monument." In a mount measuring 8 x 10 cm. Title from caption.

Physical Description

1 folder7 x 7 cm.

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Williams, Brown & Earle. Salt Lake Temple, circa 1910. 1 folder.
Scope and Contents

View of the Salt Lake Temple. Partially eclipsed manuscript notation on the verso reads "6382 ... Temple." In a mount measuring 8 x 10 cm. Title supplied by cataloger; attribution from printed caption.

Physical Description

1 folder7 x 7 cm.

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Underwood & Underwood. Broadway, St. Louis, Missouri, circa 1904. 1 folder.
Scope and Contents

Typescript notation on the recto reads "189 5811 Street scene (Broadway north from Chestnut street), St. Louis, MO." In a mount measuring 8 x 10 cm. Date information derived from similar image at the University of Louisville. Title derived from caption; attribution from printed caption.

Physical Description

1 folder7 x 7.5 cm.

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Underwood & Underwood. Union Street, rent by the great earthquake, San Francisco, California, 1906. 1 folder.
Scope and Contents

Typescript notation on the recto reads "285 8201 Union Street, rent by the great earthquake, San Francisco, Cal." In a mount measuring 8 x 10 cm. Title supplied by cataloger and derived from caption; attribution from printed caption.

Physical Description

1 folder7 x 7.5 cm.

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Underwood & Underwood. City Hall after the earthquake, San Francisco, California, 1906. 1 folder.
Scope and Contents

Typescript notation on the recto reads "2848189 After the earthquake, San Francisco, Cal." In a mount measuring 8 x 10 cm. Title supplied by cataloger and derived from caption; attribution from printed caption.

Physical Description

1 folder7 x 7.5 cm.

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Williams, Brown & Earle. Yosemite Redwood cabin, 1900-1950. 1 folder.
Scope and Contents

View of a redwood cabin, date unknown. Title from manuscript notation on the verso that reads "Yosemite Redwood cabin." Attribution from printed label.

Physical Description

1 folder7 x 7 cm.

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Williams, Brown & Earle. Old Faithful, 1900-1950. 1 folder.
Scope and Contents

View of the Old Faithful geyser, date unknown. Title from manuscript notation on the verso that reads "Old Faithful." Attribution from printed label.

Physical Description

1 folder6 x 7.5 cm.

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Williams, Brown & Earle. Mount Rainer, circa 1920-1929. 1 folder.
Scope and Contents

View of Mount Rainer with houses and tents in the foreground, date information from related slide X0035. Title from manuscript notation on the verso that reads "Mt Rainer." Attribution from printed label.

Physical Description

1 folder7 x 6 cm.

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Williams, Brown & Earle. Excursion on Mount Rainer, circa 1920-1929. 1 folder.
Scope and Contents

View of sled dogs and what appear to be tourists or picnickers on or near Mount Rainer, date information from related slide X0035. Title from manuscript notation on the verso that reads "Rainer." Attribution from printed label.

Physical Description

1 folder6 x 7.5 cm.

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Williams, Brown & Earle. Mount Rainer visitor center, 1925. 1 folder.
Scope and Contents

View of what appear to be tourists at a Mount Rainer visitor center. Title and date information from manuscript notation on the verso that reads "Rainer 1925." Attribution from printed label.

Physical Description

1 folder6 x 7.5 cm.

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Williams, Brown & Earle. Sled dogs on Mount Rainer, 1925. 1 folder.
Scope and Contents

View of sled dogs and what appear to be tourists or picnickers on or near Mount Rainer (similar to H0034), date information from related slide H0035. Title from manuscript notation on the verso that reads "Rainer." Attribution from printed label.

Physical Description

1 folder6 x 7.5 cm.

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Keystone view company. Indians on the Straits of Magellan near Punta Arenas, Chile, circa 1920. 1 folder.
Scope and Contents

Typescript notation on the recto reads "328 (21874) Indians on the Straits of Magellan Near Punta Arenas, Chile." In a mount measuring 8 x 10 cm. Appears to be a reproduction, or a photograph of a photograph. Title and attribution from printed caption, date information from similar image in the National Museum of the Native American.

Physical Description

1 folder7 x 7.5 cm.

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Williams, Brown & Earle. Mt Stephen Tunnel, Summit of the Rockies, circa 1920-1929. 1 folder.
Scope and Contents

A man stands besides the Mount Stephen Tunnel. Title from manuscript notation on the verso that reads "1382 British Columbia Mt Stephen Tunnel, Summit of the Rockies." In a mount measuring 8.4 x 10 cm. Attribution from printed label.

Physical Description

1 folder6 x 7 cm.

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Williams, Brown & Earle. Railroad station Lake Louise, 1925. 1 folder.
Scope and Contents

Passengers wait on the platform of the Lake Louise railroad station. Title from manuscript notation on the verso that reads "R.R. Station Lake Loiuse." In a mount measuring 8.5 x 10 cm. Attribution from printed label, date information from related slide H0041.

Physical Description

1 folder7 x 7.5 cm.

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Williams, Brown & Earle. Great Divide near Lake Louise, 1925. 1 folder.
Scope and Contents

Tourists pose at a monument marking the Great Divide (Continental Divide) with cars from the Canadian Pacific Railroad in the background. Title from manuscript notation on the verso that reads "Great Divide near L. Louise." In a mount measuring 8.5 x 10 cm. Attribution from printed label, date information from related slide H0041.

Physical Description

1 folder5.5 x 7.5 cm.

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Williams, Brown & Earle. Tram Lake Louise To railroad station, 1925. 1 folder.
Scope and Contents

Tourists stand near a tramcar for the Lake Louise Tramway. Title and date from manuscript notation on the verso that reads "Tram Lake Louise To R.R. station 1925." In a mount measuring 8.5 x 10 cm. Attribution from printed label.

Physical Description

1 folder7 x 6 cm.

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Williams, Brown & Earle. Canadian Rockies, circa 1920-1929. 1 folder.
Scope and Contents

A view out a train tunnel. Title from manuscript notation on the verso. In a mount measuring 8 x 10 cm. Attribution from printed label.

Physical Description

1 folder7 x 7.5 cm.

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Keystone view company. Inuit girls in skin clothing, circa 1920-1929. 1 folder.
Scope and Contents

Typescript notation on the recto reads "343 (V13331) Eskimo girls in skin clothing, Cape York, Greenland." In a mount measuring 8 x 10 cm. Appears to be a reproduction, or a photograph of a photograph. Title and attribution from printed caption.

Physical Description

1 folder7 x 7.5 cm.

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Keystone view company. After the flood, Galveston, Texas, circa 1920-1929. 1 folder.
Scope and Contents

Typescript notation on the recto reads "17611215 After the flood, Galveston, Texas." In a mount measuring 8 x 10 cm. Appears to be a reproduction, or a photograph of a photograph. Title and attribution from printed caption.

Physical Description

1 folder7 x 7.5 cm.

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Lummis, Charles Fletcher (1859-1928). Pueblo Girl, 1896. 1 folder.
Scope and Contents

Title, creator, and copyright from inscription on negative: "600. A Pueblo Girl. Copyright 1896 by C.F. Lummis." Additionally, "Jan. 15, 1896" is inscribed along outside margin of negative. Location information from local accession record. A vintage albumen print from this negative is located in WC064, item M1976.

Physical Description

1 folder20 x 25 cm.

Lummis, Charles Fletcher (1859-1928). Negative of a inscribed photograph of Alfonso XIII, King of Spain, 1918. 1 folder.
Scope and Contents

A glass negative by Fletcher of a photograph of Alfonso XIII, King of Spain, which was inscribed to him. Inscription reads: "To Mr. Charles F. Lummis, 1918" with signature.

Physical Description

1 folder12.5 x 20 cm.

Lummis, Charles Fletcher (1859-1928). Pueblos in the Pueblo of Isleta, 1895. 1 folder.
Scope and Contents

Title, date, creator, and location information provided by local accession record. A silver gelatin positive print accompanies the negative, and another modern print is present in WC064, item M0818.

Physical Description

1 folder20 x 12.5 cm..

Lummis, Charles Fletcher (1859-1928). Desiderio, The Tigwa WarCaptain (profile), 1895. 1 folder.
Scope and Contents

Inventory number 662, title, date and photographer inscribed directly on negative. Location information from local accession record. A related negative is available in WC064, item H0056, and an albumen print of that negative is located in WC064, item M1078.

Physical Description

1 folder20 x 25 cm.

Lummis, Charles Fletcher (1859-1928). Tigua Maiden, 1896. 1 folder.
Scope and Contents

"691. A Tigua Maiden. Copyright 1896 by C.F. Lummis" inscribed directly on plate. A vintage albumen print from this negative is located in WC064, item M1009.

Physical Description

1 folder20 x 25 cm.

Lummis, Charles Fletcher (1859-1928). Pueblo Couple with three Anglo Children, 1895. 1 folder.
Scope and Contents

Title, date, creator, and location information provided by local accession record.

Physical Description

1 folder20 x 25 cm.

Lummis, Charles Fletcher (1859-1928). Christmas with Pueblo Family or Guests, 1901. 1 folder.
Scope and Contents

Date, creator, and location information provided by local accession record. Title provided by cataloger based on "XMAS 1901" inscribed directly on negative. WC064 items H0052 through H0054 are a related set of images of the same occasion.

Physical Description

1 folder20 x 12.5 cm.

Lummis, Charles Fletcher (1859-1928). Christmas with Pueblo Family or Guests, 1901. 1 folder.
Scope and Contents

Date, creator, and location information provided by local accession record. Title provided by cataloger based on "XMAS 1901" inscribed directly on negative. WC064 items H0052 through H0054 are a related set of images of the same occasion.

Physical Description

1 folder20 x 12.5 cm.

Lummis, Charles Fletcher (1859-1928). Christmas with Pueblo Family or Guests, 1901. 1 folder.
Scope and Contents

Date, creator, and location information provided by local accession record. Title provided by cataloger based on "XMAS 1901" inscribed directly on negative. WC064 items H0052 through H0054 are a related set of images of the same occasion.

Physical Description

1 folder20 x 12.5 cm.

Lummis, Charles Fletcher (1859-1928). Pueblo boy and an Anglo girl, 1895. 1 folder.
Scope and Contents

A young Pueblo boy interacts with a younger Anglo girl against a studio backdrop.

Physical Description

1 folder12.5 x 18.5 cm.

Lummis, Charles Fletcher (1859-1928). Desiderio, The Tigwa WarCaptain, 1895. 1 folder.
Scope and Contents

Inventory number 661, title, date and photographer inscribed directly on negative. Location information from local accession record. A vintage albumen print from this negative is located in WC064, item M1078. A related negative is item H0049.

Physical Description

1 folder20 x 25 cm.

Lummis, Charles Fletcher (1859-1928). Anglo woman with Pueblo children in Isleta Pueblo, 1895. 1 folder.
Scope and Contents

Title, date, creator, and location information provided by local accession record.

Physical Description

1 folder20 x 12.5 cm.

Lummis, Charles Fletcher (1859-1928). Pueblo Woman with Anglo Child, 1895. 1 folder.
Scope and Contents

Title, date, creator, and location information provided by local accession record.

Physical Description

1 folder12.5 x 20 cm.

Lummis, Charles Fletcher (1859-1928). Pueblo Woman with Anglo Child, 1895. 1 folder.
Scope and Contents

Title, date, creator, and location information provided by local accession record.

Physical Description

1 folder12.5 x 20 cm.

Lummis, Charles Fletcher (1859-1928). Spanish leather box, 1898. 1 folder.
Scope and Contents

Title, creator, and location information provided by local accession record. Date inscribed on negative.

Physical Description

1 folder20 x 12.5 cm.

Lummis, Charles Fletcher (1859-1928). Charles Lummis as a hunter, 1895. 1 folder.
Scope and Contents

Title, creator, date, and location information provided by local accession record. Date inscribed on negative. Negative was very likely among Fletcher's original negatives though the image was taken by a companion.

Physical Description

1 folder20 x 12.5 cm.

Lummis, Charles Fletcher (1859-1928). Charles Lummis, 1905. 1 folder.
Scope and Contents

Title, creator, date, and location information provided by local accession record. Date inscribed on negative. Negative was very likely among Fletcher's original negatives though the image was taken by a companion.

Physical Description

1 folder20 x 12.5 cm.

Hartsook, Fred (1876-1930). Photograph of an inscribed photograph, 1915. 1 folder.
Scope and Contents

A glass negative by Fletcher of a photograph by Hartsook Photo, which was inscribed to him. Inscription reads: "Al Sr. Char F. Lummis con admiración y sincera amistad. (F?)oustautmo. L.A. Cal 1915"

Physical Description

1 folder20 x 12.5 cm.

Lummis, Charles Fletcher (1859-1928). Water Service, 1894. 1 folder.
Scope and Contents

Title, creator, copyright, and location from inscription on negative: "656 Isleta, N.M. The Water Service. Copyright 1894 by C.F. Lummis." Additionally, "Feb 24 1894" is inscribed along outside margin of negative.

Physical Description

1 folder12.5 x 20 cm.

Lummis, Charles Fletcher (1859-1928). Pueblo Woman, 1895. 1 folder.
Scope and Contents

Title, date, creator, and location information provided by local accession record.

Physical Description

1 folder12.5 x 20 cm.

Hillers, John K. (1843-1925). Corn dance, Moqui, circa 1880. 1 folder.
Scope and Contents

Written on verso: "The corn dance, Moqui." Mounted on 35 x 44 cm. board.

Physical Description

1 folder26 x 34 cm.

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Hillers, John K. (1843-1925). Stairway to Wolpi, Arizona, circa 1880. 1 folder.
Scope and Contents

Written on recto: "Stairway to Wolpi, Arizona."

Physical Description

1 folder33 x 25 cm.

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Central Pacific Railroad Company. Echo City, from the south, circa 1870. 1 folder.
Scope and Contents

Advertisement for Robert Wood & Co., a Philadelphia ornamental iron works, on verso. Mounted on 33 x 47 cm. board.

Physical Description

1 folder22 x 29 cm.

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Savage, C. R. (Charles Roscoe) (1832-1909). Girl seated in horsedrawn carriage and woman standing in front of barn, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 33 x 38 cm. board.

Physical Description

1 folder24 x 30 cm.

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Dr. L. Webster Fox examining an Indian patient in the Southwest, 1928. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 31 x 36 cm. board. Information about the photograph noted on verso.

Physical Description

1 folder20 x 25 cm.

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Hillers, John K. (1843-1925). Mudheads or clowns of Zuni, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Mudheads or clowns of Zuni." Mounted on 41 x 51 cm. board.

Physical Description

1 folder26 x 34 cm.

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Gould, Hal. Yellow Robe, No. Cheyenne, 1953. 1 folder.
Scope and Contents

Printed in 1992. An account of the Battle of Little Bighorn as remembered by Yellow Robe and recorded by Gould in collection record. Likely taken in Montana.

Physical Description

1 folder36 x 37 cm.

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Matteson, Sumner W. (1867-1920). Oraibi snake men leaving kiva and antelope priests in plaza, circa 1900. 1 folder.
Scope and Contents

Printed by Phil Bourns from the original negative at the Science Museum of Minnesota.

Physical Description

1 folder41 x 51 cm.

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Portraits of Danish and Swedish participants of an 1885 Latter Day Saints conference, circa 1885. 1 folder.
Scope and Contents

Mounted on board. Cataloger supplied title.

Physical Description

1 folder22 x 27 cm.

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Savage, C. R. (Charles Roscoe) (1832-1909). Laying the capstone on the Mormon Temple, April 1892, Salt Lake City, 1892. 1 folder.
Scope and Contents

Printed on board: "Laying the cap stone of the Salt Lake Temple, by electricity." Mounted on 33 x 41 cm. board.

Physical Description

1 folder24 x 30 cm.

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Wittick, Ben (1845-1903). Hualpi, Moqui Indian village, Arizona, circa 1880. 1 folder.
Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder27 x 35 cm.

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Wittick, Ben (1845-1903). Hualpi, Moqui Indian village, Arizona, circa 1880. 1 folder.
Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder27 x 35 cm.

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Wittick, Ben (1845-1903). View at Hualpi, Moqui Indian village, Arizona, awaiting the dancers, circa 1880. 1 folder.
Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder27 x 35 cm.

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Jackson, William Henry (1843-1942). Colorado Indian encampment, possibly Ute, circa 1885. 1 folder.
Scope and Contents

Mounted on 41 x 51 cm. board.

Jackson, William Henry (1843-1942)
Biographical / Historical

American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.

Physical Description

1 folder26 x 35 cm.

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Wittick, Ben (1845-1903). View at Hualpi, Moqui Indian village, Arizona, awaiting the dancers, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title.

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder27 x 35 cm.

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Hillers, John K. (1843-1925). Shingopavi, Moqui town, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Shingopavi, Moqui town." Mounted on 41 x 51 cm. board.

Physical Description

1 folder26 x 34 cm.

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Hillers, John K. (1843-1925). Chichumavie, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Chichumavie." Mounted on 41 x 51 cm. board. Possibly of the pueblo of Sichomovi.

Physical Description

1 folder26 x 34 cm.

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Savage, C. R. (Charles Roscoe) (1832-1909). Utah, Price River Castle Gate, D. & R.G.R.R, circa 1880. 1 folder.
Scope and Contents

Mounted on 33 x 41 cm. board.

Physical Description

1 folder24 x 30 cm.

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Savage, C. R. (Charles Roscoe) (1832-1909). In the Black Canon of the Gunnison, D. & R.G.R.R, circa 1880. 1 folder.
Scope and Contents

Mounted on 33 x 41 cm. board.

Physical Description

1 folder24 x 29 cm.

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Kolb Bros.. Hopi woman grinding corn, circa 1915. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Savage, C. R. (Charles Roscoe) (1832-1909). Grand Canon of the Arkansas, D. & R.G.R.R, circa 1880. 1 folder.
Scope and Contents

Mounted on 34 x 41 cm. board.

Physical Description

1 folder25 x 29 cm.

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Barry, D. F. (David Francis) (1854-1934). Studio portrait of Charley Reynolds, circa 1875. 1 folder.
Scope and Contents

Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Scout Charlie Reynolds." Printed ca. 1890. Typewritten note with photograph (in collection file): "This original portrait photograph by Barry is reproduced between pages 44 & 45 of Col. Graham's The story of the Little Big Horn."

Physical Description

1 folder17 x 12 cm.

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Barry, D. F. (David Francis) (1854-1934). Studio portrait of John Martin, General Custer's trumpeter, circa 1875. 1 folder.
Scope and Contents

Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Trumpeter, John Martin." Printed ca. 1890.

Physical Description

1 folder14 x 6 cm.

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Barry, D. F. (David Francis) (1854-1934). Studio portrait of Low Dog, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Chief Low Dog." Typewritten note with photograph (now in collection file): "This original portrait photograph by Barry is reproduced on page 74 of Col. Graham's The Custer myth."

Physical Description

1 folder17 x 12 cm.

Materials Viewable Online
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Barry, D. F. (David Francis) (1854-1934). Studio portrait of Wild Horse, cousin of Crazy Horse, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Wild Horse, Crazy Horse cousin."

Physical Description

1 folder17 x 12 cm.

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Barry, D. F. (David Francis) (1854-1934). Studio portrait of Yellowstone Kelly, circa 1875. 1 folder.
Scope and Contents

Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Scout Yellow Stone Kelly." Printed ca. 1890.

Physical Description

1 folder15 x 10 cm.

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Barry, D. F. (David Francis) (1854-1934). East and west views, with U.S. Army personnel commemorating the battle in foreground, of the ford on the Little Bighorn where Major Reno's battalion retreated during the battle, 1886. 1 folder.
Scope and Contents

Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Reno hill, Reno crossing Little Bighorn." Typewritten note with photograph (now in collection file): "Two original Barry photographs of the ford on the Little Big Horn, used by Maj. Reno's battalion in the retreat of 6/25/76. One view is est and the other east. X's indicate the exact crossing site and Reno's route up the bluffs on the east bank of the river."

Physical Description

1 folder22 x 17 cm. ; 22 x 17 cm.

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Barry, D. F. (David Francis) (1854-1934). View of the Little Bighorn battlefield with U.S. Army personnel commemorating the battle in foreground, 1886. 1 folder.
Scope and Contents

Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Custer's last stand."

Physical Description

1 folder24 x 19 cm.

Materials Viewable Online
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Barry, D. F. (David Francis) (1854-1934). Studio portrait of Chief Gall and his son, circa 1875. 1 folder.
Scope and Contents

Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Chief Gall and Nefherd [?]." Printed in 1890. Advertisement for portrait photographs of Gall pasted on verso.

Physical Description

1 folder23 x 15 cm.

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Barry, D. F. (David Francis) (1854-1934). Studio portrait of Chief Gall, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Gen. F.W. Benteen."

Physical Description

1 folder23 x 15 cm.

Materials Viewable Online
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Barry, D. F. (David Francis) (1854-1934). View of the Little Bighorn battlefield with U.S. Army personnel commemorating the battle in foreground, 1886. 1 folder.
Scope and Contents

Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Custer Battlefield [?] where Custer dismounted."

Physical Description

1 folder24 x 19 cm.

Materials Viewable Online
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Barry, D. F. (David Francis) (1854-1934). East and west views, with U.S. Army personnel commemorating the battle in foreground, of the ford on the Little Bighorn where Major Reno's battalion retreated during the battle, 1886. 1 folder.
Scope and Contents

Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Reno hill, east side."

Physical Description

1 folder22 x 17 cm. ; 22 x 17 cm.

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Placer mining, San Juan River, Utah, A.R. & W. Co., (Wilson's), Dec. 1894, 1894. 1 folder.
Physical Description

1 folder31 x 21 cm.

Materials Viewable Online
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Yellowstone Park, 1902. 1 folder.
Scope and Contents

Written on verso: "Yellowstone Park, 21/6/02."

Physical Description

1 folder9 x 31 cm.

Materials Viewable Online
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Yellowstone Park, 1902. 1 folder.
Scope and Contents

Written on verso: "Yellowstone Park, June 1902."

Physical Description

1 folder9 x 31 cm.

Materials Viewable Online
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Yellowstone Park, 1902. 1 folder.
Scope and Contents

Written on verso: "Yellowstone Park, June 1902."

Physical Description

1 folder9 x 31 cm.

Materials Viewable Online
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Yellowstone Park, 1902. 1 folder.
Scope and Contents

Written on verso: "Yellowstone Park, 21/6/02, 3 p.m."

Physical Description

1 folder9 x 31 cm.

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Gearhart Park, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "Gearhart Park." Written on recto: "Showing black 24 Gearhart Park. The tent marked I is your tent floor." Mounted on 26 x 31 cm. board. Stamp of W.I. Crawford, Astoria, Or., on verso.

Physical Description

1 folder9 x 24 cm.

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Harris, C. C.. Madero's forces, Sta. Clara Canon, circa 1910. 1 folder.
Scope and Contents

Printed on recto: "115." Mounted on 15 x 34 cm. board.

Physical Description

1 folder11 x 29 cm.

Materials Viewable Online
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Heron, Michal. Indian children and a woman listening to an elderly Indian man playing a drum, possibly Dakota Indians living in South Dakota, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder23 x 35 cm.

Materials Viewable Online
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Emsley. Plains Indians on horseback, 1903. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 26 x 31 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Sheldon's camp, Marysville, Calif., 1905, 1905. 1 folder.
Scope and Contents

Written on verso: "Sheldon's camp, Marysville, Calif., 1905." Mounted on 26 x 31 cm. board.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Wittick, Ben (1845-1903). Dance of the shalako, Zuni Pueblo, Nov. 28th '97, 1897. 1 folder.
Scope and Contents

Printed on recto: "No. 641." Mounted on 26 x 31 cm. board.

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Vroman, H. E.. Market of Quechua Indians in Peru, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title. Hand colored.

Physical Description

1 folder41 x 51 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. Stuffed buffalo head, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Printed on recto: "1089."

Physical Description

1 folder44 x 41 cm.

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Haxton, Colo. : soddy house, circa 1915. 1 folder.
Scope and Contents

Written on verso: "Haxton, Colo. Soddy house. Purchased from great niece." Mounted on 26 x 31 cm. board.

Physical Description

1 folder17 x 22 cm.

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Territorial delegates, circa 1890. 1 folder.
Scope and Contents

Biographies of delegates from Arizona, Dakota, Idaho, Montana, New Mexico, Utah, Washington, and Wyoming, with vignette photographs of each on verso. Mounted on 31 x 26 cm. board.

Physical Description

1 folder24 x 20 cm.

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Haynes, Willis P.. Mission San Xavier del Bac, Tucson, Arizona, circa 1885. 1 folder.
Scope and Contents

Written on verso: "Mission San Xavier del Bac, Tucson, Arizona, ca. 1887. Photographer: Willis P. Haynes." Mounted on 26 x 31 cm. board.

Physical Description

1 folder21 x 26 cm.

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Davis, O. T. Men, women, and a girl sitting outside an adobe house decorated with deer antlers, possibly in Colorado, 1894. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 26 x 25 cm. board.

Physical Description

1 folder19 x 25 cm.

Materials Viewable Online
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Mitchell, Daniel S.. Pease & Taylor, general grocers and commission merchants, Cheyenne, Wyo, circa 1878. 1 folder.
Scope and Contents

Mounted on 31 x 26 cm. board.

Physical Description

1 folder22 x 16 cm.

Materials Viewable Online
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Indian woman wearing beads and a beaded headband, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 17 cm.

Materials Viewable Online
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Indian woman in a feather headband standing on a rock and looking out to sea, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 17 cm.

Materials Viewable Online
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Indian woman wearing beads and a beaded headband leaning against a rock, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder35 x 20 cm.

Materials Viewable Online
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Indian woman in a feather headband standing on a rock and looking toward the camera, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder37 x 15 cm.

Materials Viewable Online
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Indian woman wearing beads and a beaded headband leaning against a rock, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder30 x 20 cm.

Materials Viewable Online
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Indian woman in a feather headband standing on a rock and looking out to sea, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder37 x 20 cm.

Materials Viewable Online
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Indian woman in a feather headband looking out to sea, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 17 cm.

Materials Viewable Online
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Indian woman in a feather headband sitting on a rock, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder17 x 26 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Indian man, possibly Sioux, in warbonnet on horse, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Possibly by Lummis.

Physical Description

1 folder31 x 26 cm.

Materials Viewable Online
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Marble, L. W.. Man and woman on horseback with canoeing women and hotel in backgroung, Sylvan Lake, South Dakota, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 26 x 31 cm. board.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Marble, L. W.. Man and woman on horseback with canoeing women and hotel in backgroung, Sylvan Lake, South Dakota, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 26 x 31 cm. board. Likely by Marble.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Howard. Beef issue at Spotted Tail's Agency, Neb, circa 1876. 1 folder.
Scope and Contents

Written on recto of board: "Beef issue at Spotted Tail's Agency, Neb." Mounted on 28 x 36 cm. board.

Physical Description

1 folder22 x 29 cm.

Materials Viewable Online
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Fredericks, Jean. Niman ceremony, Mishongovi, Second Mesa, about 1945, circa 1945. 1 folder.
Scope and Contents

Title and photographer name supplied from catalog The photograph and the American Indian. In color. Gift of the photographer.

Physical Description

1 folder31 x 26 cm.

Materials Viewable Online
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Genthe, Arnold (1869-1942). Acoma man in blanket on the edge of a mesa with Enchanted Mesa in background, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Apache Indian, Arizona desert country." Possibly a photographic reproduction of a lithographic print.

Physical Description

1 folder24 x 33 cm.

Materials Viewable Online
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Booen & Ewing. C.D. Blodget's logging camp, circa 1890. 1 folder.
Scope and Contents

Mounted on 26 x 31 cm. board.

Physical Description

1 folder19 x 23 cm.

Materials Viewable Online
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Fredericks, Jean. Niman ceremony, Mishongovi, Second Mesa, about 1945, circa 1945. 1 folder.
Scope and Contents

Title and photographer name supplied by The photograph and the American Indian. In color. Gift of the photographer.

Physical Description

1 folder31 x 26 cm.

Materials Viewable Online
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Niman ceremony, Mishongovi, Second Mesa, about 1945, circa 1945. 1 folder.
Scope and Contents

Title and photographer name supplied by The photograph and the American Indian. In color. Gift of the photographer.

Physical Description

1 folder31 x 26 cm.

Materials Viewable Online
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Portrait of a young Indian man, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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Portrait of a young Indian man wearing a USA for Africa sweatshirt, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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Grabill, John C. H.. Big Foot's band of warriors, circa 1890. 1 folder.
Scope and Contents

Copyright 1890. Names of warriors printed on recto of photograph.

Physical Description

1 folder19 x 32 cm.

Materials Viewable Online
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Brother of Joe Tenorio of Santa Domingo Pueblo, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title. Hand colored.

Physical Description

1 folder34 x 25 cm.

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Rau, William Herman (1855-1920). Charles American Horse, circa 1901. 1 folder.
Scope and Contents

Copyright 1901. Hand colored.

Physical Description

1 folder36 x 27 cm.

Materials Viewable Online
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Portrait of a young Indian woman wearing t-shirt, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder30 x 28 cm.

Materials Viewable Online
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Portrait of a young Indian man wearing an arrowhead necklace, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder30 x 28 cm.

Materials Viewable Online
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Portrait of a young Indian woman wearing sweatshirt, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder30 x 28 cm.

Materials Viewable Online
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Fredericks, Jean. Niman ceremony, Mishongovi, Second Mesa, about 1945, circa 1945. 1 folder.
Scope and Contents

Title and photographer name supplied by The photograph and the American Indian. In color. Gift of the photographer.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Fredericks, Jean. Niman ceremony, Mishongovi, Second Mesa, about 1945, circa 1945. 1 folder.
Scope and Contents

Title and photographer name supplied by The photograph and the American Indian. In color. Gift of the photographer.

Physical Description

1 folder31 x 26 cm.

Materials Viewable Online
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Fredericks, Jean. Niman ceremony, Mishongovi, Second Mesa, about 1945, circa 1945. 1 folder.
Scope and Contents

Title and photographer name supplied from The photograph and the American Indian. In color. Gift of the photographer.

Physical Description

1 folder31 x 26 cm.

Materials Viewable Online
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Seumptewa, Owen (Native American photographer, born 1946). Elderly Indian woman, possibly a Hopi Indian, seated between a bed and a potbellied stove, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder28 x 27 cm.

Materials Viewable Online
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Invincible society, circa 1890. 1 folder.
Scope and Contents

Written on recto: "Invincible society." Mounted on 24 x 36 cm. board. Sign in background suggests photograph was taken at the Carlisle Indian School.

Physical Description

1 folder23 x 35 cm.

Materials Viewable Online
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Spectators on horseback at an Ute sun dance, White Rock Agency near Vernal, Utah, circa 1905. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 36 cm.

Materials Viewable Online
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Ute Indians at sun dance, White Rock Agency near Vernal, Utah, circa 1905. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder23 x 36 cm.

Materials Viewable Online
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Sheriff, Christopher,. Silhouette with feather, 1983. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder35 x 22 cm.

Materials Viewable Online
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Barry, D. F. (David Francis) (1854-1934). Monument at Little Bighorn Battlefield, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Photograph in decorative mat with Barry's ticket on verso. Written on mat: "The Custer Battlefield."

Physical Description

1 folder22 x 17 cm.

Materials Viewable Online
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Shelton's Camp, Marysville, Calif., 1905, 1905. 1 folder.
Scope and Contents

Written on verso: "Shelton's Camp, Marysville, Calif., 1905." Mounted on 28 x 33 cm. board.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Shelton's Camp, Marysville, Calif., 1905, 1905. 1 folder.
Scope and Contents

Written on verso: "Shelton's Camp, Marysville, Calif., 1905." Mounted on 28 x 33 cm. board.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Shelton's Camp, Marysville, Calif., 1905, 1905. 1 folder.
Scope and Contents

Written on verso: "Shelton's Camp, Marysville, Calif., 1905." Mounted on 28 x 33 cm. board.

Physical Description

1 folder21 x 25 cm.

Materials Viewable Online
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Shelton's Camp, Marysville, Calif., 1905, 1905. 1 folder.
Scope and Contents

Written on verso: "Shelton's Camp, Marysville, Calif., 1905." Mounted on 28 x 33 cm. board.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Rymes, Marguerite. Two men at a nearly broken horse wagon, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Rymes, Marguerite. Several people in traditional dresses, watching something, photo taken from back, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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Rymes, Marguerite. Two men and two women by the horse wagon with dried meat hanging down its sides, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Rymes, Marguerite. Photo of a girl infront of blossoming flowers, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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Rymes, Marguerite. Two tents and two carts before a dackdrop [of] hills, two men and a woman gazing at the hills, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Rymes, Marguerite. Family photo of two men, three women, and a baby, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Rymes, Marguerite. Pile of firewod in front of tepii [sic], man on horse on the right, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Rymes, Marguerite. Two women mounted on a black horse, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Rymes, Marguerite. Girl with teddy bear with shoes, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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Rymes, Marguerite. Four men taking a rest in the fields, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Rymes, Marguerite. Man mounted on horse, body of water stretching along the horizon in the back, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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Rymes, Marguerite. Elder dressed in a traditional cloak, by dead fire, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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Rymes, Marguerite. Two young men posing by a black truck, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder28 x 36 cm.

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Rymes, Marguerite. Two men posing with hats in hand, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder36 x 28 cm.

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Rymes, Marguerite. Three elder men and a child posing in traditional war gear, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder28 x 36 cm.

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Rymes, Marguerite. Woman grinding grain, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Rymes, Marguerite. Two mothers each with her baby, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder36 x 28 cm.

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Rymes, Marguerite. Woman in traditional clothing mounted on black horse, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder36 x 28 cm.

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Rymes, Marguerite. Woman and her baby posing infront of the "Dulce" (rail?) station, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder36 x 28 cm.

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Rymes, Marguerite. Man posing by the rear of black automobile, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder36 x 28 cm.

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Rymes, Marguerite. Two Indian and one white woman with children in a tent, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Rymes, Marguerite. Two teenager boys on a rocky cliff, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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Rymes, Marguerite. Elder woman building a basket, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Rymes, Marguerite. Two women in traditional clothing mounted on horses, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Rymes, Marguerite. Woman mounted on horse, man by the horse and child, before tent, looking afar, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Rymes, Marguerite. Woman and child in a wagon pulled by two horses, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
  1. View digital content
Rymes, Marguerite. Women mounted on horses, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Rymes, Marguerite. Family photo: mother, father, three girls, one boy, and a baby, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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Rymes, Marguerite. 8 women (two of them white) with children, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Rymes, Marguerite. Workers of a painting shop or a lime paint factory, circa 1935. 1 folder.
Scope and Contents

Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Steltzer, Ulli. Portrait of an elderly man, circa 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 1

Title supplied by dealer's list. Series consists of 20 black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 28 cm.

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Steltzer, Ulli. Landscape : rocky shores of a lake, reflecting the sky, circa 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 2

Title supplied by dealer's list. Series consists of 20 black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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Steltzer, Ulli. Portrait of a toddler playing with the skin of a dead seal, circa 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 4

Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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Steltzer, Ulli. Two boys fishing in the icy lake, circa 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 5

Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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Steltzer, Ulli. Two elderly women sitting on the steps, circa 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 6

Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Riding the snowmobile along telegraph lines, circa 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 7

Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Portrait of a man steering a motorboat, circa 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 8

Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Nude : woman posing on the lakeshore under an evening sun, circa 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 9

Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Elderly man pouring tea in a cup in front of the window, depiction of crucifix on the wall, circa 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 10

Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Newborn's baptism, circa 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 11

Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Padelling into the foggy lake in a canoe, circa 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 12

Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Man making bricks of ice, circa 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 13

Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Dragging ice with a snowmobile, circa 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 14

Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Elder fishing through a hole in the ice, circa 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 15

Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Children listening to tapes at school, circa 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 16

Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Portrait of an elderly woman, circa 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 17

Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 28 cm.

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Steltzer, Ulli. Woman standing by the indoor stove, circa 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 18

Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 28 cm.

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Steltzer, Ulli. Woman carrying two buckets of water along the main street, circa 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 19

Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 36 cm.

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Steltzer, Ulli. Family at the breakfast table, circa 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 20

Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 36 cm.

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Haynes, F. Jay (Frank Jay) (1853-1921). Arapahoe Indian chiefs at Ft. Washakie, Wyo. Terr., at time of visit of Pres. C.A. Arthur, 1883, 1883. 1 folder.
Scope and Contents

Written on verso: "Arapahoe Indian chiefs at Ft. Washakie, Wyo. Terr., at time of visit of Pres. C.A. Arthur, 1883."

Haynes, F. Jay (Frank Jay) (1853-1921)
Biographical / Historical

F. Jay Haynes (1853-1921) was a professional photographer who documented the settlement and expansion of the American Northwest during the late 19th and early 20th centuries. Based in Minnesota and North Dakota, Haynes served as the official photographer for Northern Pacific Railway and Yellowstone National Park. Haynes first visited Yellowstone in 1881 and, a few years later in 1884, obtained permission to operate a photography studio there. He served as Yellowstone's official photographer from 1884 until 1920 when he was succeeded by his son, Jack Ellis Haynes (1884-1962).

Physical Description

1 folder30 x 43 cm.

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Chocolate, Dorothy (1959). Checking nets, Raie Lakes, NWT, 1970. 1 folder.
Scope and Contents

Photograph mounted and matted.

Physical Description

1 folder32 x 22 cm.

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Aguilar, Dugan. Hunter, circa 1984. 1 folder.
Scope and Contents

Photograph mounted and matted.

Physical Description

1 folder26 x 35 cm.

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Hall, Douglas Kent.. Taos man, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title. Photograph mounted and matted.

Hall, Douglas Kent.
Biographical / Historical

Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.

In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.

Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.

In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.

Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.

Physical Description

1 folder30 x 20 cm.

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Chocolate, Dorothy (1959). Anne Roberts, Ft. McPherson, NWT, 1982. 1 folder.
Scope and Contents

Photograph mounted and matted.

Physical Description

1 folder32 x 22 cm.

Materials Viewable Online
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Chocolate, Dorothy (1959). Joan Nazon, Arctic Red River, NWT, 1984. 1 folder.
Scope and Contents

Photograph mounted and matted.

Physical Description

1 folder32 x 22 cm.

Materials Viewable Online
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Chocolate, Dorothy (1959). William Nerysoo, Ft. McPherson, NWT, 1984. 1 folder.
Scope and Contents

Photograph mounted and matted.

Physical Description

1 folder22 x 32 cm.

Materials Viewable Online
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Indian delegation (under Spotted Tail) at the Corcoran Gallery of Art, Washington, D.C., October 3d, 1877, 1877. 1 folder.
Scope and Contents

Mounted on 29 x 37 cm. board.

Physical Description

1 folder15 x 24 cm.

Materials Viewable Online
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Overby. Hauling beets an [sic] J.T. Ames Ranch, Bridger, Mont, circa 1890. 1 folder.
Scope and Contents

Mounted on 31 x 36 cm. board. Written on verso: "Thurlow Ames' best harvest, Bridger, Mont." Gift of Mrs. Louisa Jensen.

Physical Description

1 folder21 x 26 cm.

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Platt, A. C.. Horse teams standing in front of an ore refining plant, circa 1890. 1 folder.
Scope and Contents

Mounted on 27 x 33 cm. board.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Gove & Morth. Idolo y piedra de los sacrificios, Mexico, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "629." Preservation.

Physical Description

1 folder27 x 21 cm.

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Tribe over 300 Mojave Indians, Arizona, 1871. 1 folder.
Scope and Contents

Written on verso: "Tribe over 300 Mojave Indians, Arizona, 1871." Mounted on 29 x 37 cm. board.

Physical Description

1 folder21 x 28 cm.

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Pueblos, 1877. 1 folder.
Scope and Contents

Two portraits mounted on 26 x 39 cm. board. Written on recto: "1015" and "Nanaanye, head chief of all the Pueblos, age 70, height 5.4 1/2." With portrait of "Wasotoyamin or Small Feathers of the Eagle, governor of pueblo of Taos." "New Mexico 1877"

Physical Description

1 folder21 x 14 cm.

Materials Viewable Online
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Gardner, Alexander (1821-1882). Commissioner Bogy reading treaty, 1867. 1 folder.
Scope and Contents

Printed on recto: "806." Mounted on 28 x 36 cm. card of the Dept. of Interior, U.S. Geological Survey of the Territories. Written on verso: "Commissioner Bogy reading treaty."

Physical Description

1 folder16 x 22 cm.

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Wurmfeld, Hope Herman. Jock Soto, circa 1985. 1 folder.
Scope and Contents

Written on verso: "Jock Soto." Gift of the photographer.

Physical Description

1 folder35 x 27 cm.

Materials Viewable Online
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Brady, Mathew B. (approximately 1823-1896). Sioux delegation at White House, 1857-1858. 1 folder.
Scope and Contents

Printed on recto: "838." Written on recto: "Sioux delegation at White House." Mounted on 28 x 36 cm. card of the Dept. of Interior, U.S. Geological Survey of the Territories.

Physical Description

1 folder16 x 22 cm.

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Wurmfeld, Hope Herman. Leonard Peltier as depicted in a sculptural detail from the cathedral of St. John the Divine, New York, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder36 x 28 cm.

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Jackson Bros. (Omaha, Neb.). Four studio portraits of Pawnee Indian chiefs and interpreters, circa 1880. 1 folder.
Scope and Contents

Each photograph measures 13 x 10 cm. and is mounted on a 35 x 27 cm. decorative board.

Jackson, William Henry (1843-1942)
Biographical / Historical

American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.

Physical Description

1 folder35 x 27 cm.

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Everton, Macduff. Maya school children pose for their portrait in front of a church damaged during the Caste War, Tihosuco, Quintana Roo, 1971, 1971. 1 folder.
Scope and Contents

Written on verso: "Maya school children pose for their portrait in front of a church damaged during the Caste War, Tihosuco, Quintana Roo, 1971."

Physical Description

1 folder36 x 28 cm.

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Everton, Macduff. Don Chucho reading the paper at lunch, paper delivered from Merida by the twiceaday bus, Ruinas de Ake, Yucatan, 1976, 1976. 1 folder.
Scope and Contents

Written on verso: "Don Chucho reading the paper at lunch, paper delivered from Merida by the twiceaday bus, Ruinas de Ake, Yucatan, 1976."

Physical Description

1 folder28 x 36 cm.

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Heron, Michal. Indian woman sitting in the bed of a pickup truck during a snowfall, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder24 x 35 cm.

Materials Viewable Online
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Heron, Michal. Navajo woman & son, Dinnehotso, Arizona, weaving rug, circa 1980. 1 folder.
Scope and Contents

Written on verso: "Navajo woman & son, Dinnehotso, Arizona, weaving rug."

Physical Description

1 folder35 x 24 cm.

Materials Viewable Online
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Heron, Michal. Indian man seated on an agricultural apparatus, circa 1981. 1 folder.
Scope and Contents

Copyright 1981. Cataloger supplied title.

Physical Description

1 folder35 x 24 cm.

Materials Viewable Online
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Harris, Alex (1949). Lizzie Lee, Shungnak, Alaska, 1974, 1974. 1 folder.
Scope and Contents

Printed 1981.

Physical Description

1 folder36 x 28 cm.

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Scott, Everett. Rex Lee Jim, circa 1987. 1 folder.
Scope and Contents

Copyright 1987.

Physical Description

1 folder36 x 28 cm.

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Steltzer, Ulli. James Raben with a caribou, Panlatuk, North West Territories, 1980, 1980. 1 folder.
Scope and Contents

Photographs of Eskimos ; 3

Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 28 cm.

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Jim Snider grandfather, 2nd from left, back row : family gettogether, Missouri, circa 1890. 1 folder.
Scope and Contents

Written on verso: "Jim Snider grandfather, 2nd from left, back row : family gettogether, Missouri." Mounted on board.

Physical Description

1 folder19 x 24 cm.

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Seumptewa, Owen (Native American photographer, born 1946). Elderly Indian man holding a woven cloth, circa 1990. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted and matted.

Physical Description

1 folder21 x 21 cm.

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Boyd-Whitesinger, A.. Young Indian man in sweat jacket with woman and girl standing in the background, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title. In color.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Boyd-Whitesinger, A.. Indian woman standing near a curtained window with a flower obscuring her face, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder17 x 25 cm.

Materials Viewable Online
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Boyd-Whitesinger, A.. Three Indian children standing near a screen door, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder16 x 24 cm.

Materials Viewable Online
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Boyd-Whitesinger, A.. Young Indian man and woman wearing sweat jackets, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title. In color.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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Nast. Santa Clara Indians with two white children, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Printed on recto: "Santa Clara Indians." Mounted on board. Stamp of H.W. Wyman on verso.

Physical Description

1 folder17 x 21 cm.

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Palacio Nacional, Mexico, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "707." Preservation.

Physical Description

1 folder21 x 28 cm.

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Briquet, Abel. Chapultepec Castle, Mexico City, Mexico, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder19 x 25 cm.

Materials Viewable Online
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Frashers Inc.. View of a Hopi pueblo, circa 1925. 1 folder.
Scope and Contents

Cataloger supplied title. Color tinted.

Physical Description

1 folder35 x 28 cm.

Materials Viewable Online
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Rose & Hopkins. Alvino Chavaria, Pueblo, circa 1899. 1 folder.
Scope and Contents

Copyright 1899. Mounted on board.

Physical Description

1 folder22 x 18 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). Arlee, chief of Flathead Indians, circa 1885. 1 folder.
Scope and Contents

Portrait painting by J. Koch altered with photographic image of Arlee's face. Mounted on board.

Physical Description

1 folder31 x 18 cm.

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White woman looking admiringly at young Indian man, circa 1905. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder19 x 25 cm.

Materials Viewable Online
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Moon, Carl (1878-1948). Medicine man with his patient, circa 1905. 1 folder.
Scope and Contents

Cataloger supplied title. Color tinted.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Frashers Inc.. Elderly Pueblo Indian woman carrying a load, circa 1925. 1 folder.
Scope and Contents

Cataloger supplied title. Color tinted.

Physical Description

1 folder31 x 26 cm.

Materials Viewable Online
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Monument to "Bucky" O'Neil, circa 1910. 1 folder.
Scope and Contents

Printed on label: "American sculpture, Borglum, Solon H. (18681922), Monument to 'Bucky' O'Neil, c. 1907, bronze, above lifesize, Prescott, Arizona." Mounted on board.

Physical Description

1 folder17 x 23 cm.

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Taber, I. W. (Isaiah West) (1830-1912). Magnolia Avenue, Riverside, Cal, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "B 1960." Mounted on board.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). Santa Barbara Harbor, yacht Casco at anchor, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "B 1407." Mounted on board.

Physical Description

1 folder13 x 21 cm.

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Jackson, William Henry (1843-1942). House of the capitan of ShungAPahWe, circa 1871. 1 folder.
Scope and Contents

Printed on recto: "302." Mounted on 28 x 36 cm. card of the Dept. of Interior, U.S. Geological Survey of the Territories.

Jackson, William Henry (1843-1942)
Biographical / Historical

American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Thompson, S. J.. Indian ceremonies, Blackfeet, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "563." Mounted on board.

Physical Description

1 folder19 x 24 cm.

Materials Viewable Online
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Pupils and faculty outside an Indian school, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board.

Physical Description

1 folder19 x 24 cm.

Materials Viewable Online
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Scott, Everett. Mazii Dineltsoi, March 26, 1988, 1988. 1 folder.
Scope and Contents

Written on verso: "Mazii Dineltsoi, March 26, 1988."

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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View of Salt Lake City, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board.

Physical Description

1 folder18 x 25 cm.

Materials Viewable Online
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Curtis, Edward S. (1868-1952). Bick Juna, Zuni man, circa 1903. 1 folder.
Scope and Contents

Written on verso: "Bick Juna, Zuni man." Copyright 1903.

Physical Description

1 folder19 x 16 cm.

Materials Viewable Online
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Hess, Bill (1950). Alaskan women, circa 1984. 1 folder.
Scope and Contents

Title supplied from catalog the Photograph and the American Indian.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Harris, Alex (1949). Eskimo woman with chickens, 1974. 1 folder.
Scope and Contents

Cataloger supplied title. Printed 1981.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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St. Mary's Boarding School for Indian Children on the Rosebud Reserve, D.T, circa 1885. 1 folder.
Scope and Contents

Written on verso: "St. Mary's Boarding School for Indian Children on the Rosebud Reserve, D.T." and "E.P. Smiley [?]." Photograph features staff of school.

Physical Description

1 folder20 x 24 cm.

Materials Viewable Online
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Eskimo snapshot, village of Tununak, Alaska, about 1960, circa 1960. 1 folder.
Scope and Contents

Title supplied by catalog the Photograph and the American Indian. Possibly printed by Alex Harris from the original negative.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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Fiske, George (1835-1918). Stagecoach pulled by four horses, Yosemite, California, circa 1875. 1 folder.
Scope and Contents

Printed on recto: "282." Cataloger supplied title.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Fiske, George (1835-1918). Mirror view of the domes, Yosemite, California, circa 1875. 1 folder.
Scope and Contents

Printed on recto: "328." Cataloger supplied title.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Fiske, George (1835-1918). Stairway on Cloud's Best Trails, Yosemite California, circa 1875. 1 folder.
Scope and Contents

Printed on recto: "441." Cataloger supplied title.

Physical Description

1 folder19 x 12 cm.

Materials Viewable Online
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Fiske, George (1835-1918). Distant view of the domes, Yosemite, California, circa 1875. 1 folder.
Scope and Contents

Printed on recto: "320." Cataloger supplied title.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Fiske, George (1835-1918). Glimpse of Yosemite Chapel, California, circa 1875. 1 folder.
Scope and Contents

Printed on recto: "226." Cataloger supplied title.

Physical Description

1 folder19 x 11 cm.

Materials Viewable Online
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Jackson, William Henry (1843-1942). Pueblo girl of Taos, circa 1871. 1 folder.
Scope and Contents

Mounted on 36 x 28 cm. card of the Dept. of Interior, U.S. Geological Survey of the Territories. A typed label was apparently attached to print read: "A Pueblo girl of Taos...hair gathered over ears signifying her single state."

Jackson, William Henry (1843-1942)
Biographical / Historical

American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.

Physical Description

1 folder19 x 13 cm.

Materials Viewable Online
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Wurmfeld, Hope Herman. Jock Soto, circa 1985. 1 folder.
Scope and Contents

Written on verso: "Jock Soto."

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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Thomas, Jeff (1956). Richard Poofpybitty, ComancheOmaha, circa 1985. 1 folder.
Scope and Contents

Pow wow dance series ; no. 3

Title supplied from catalog the Photograph of the American Indian.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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Matteson, Sumner W. (1867-1920). Three Gros Ventre investigate one of Matteson's cameras, circa 1900. 1 folder.
Scope and Contents

Printed by Phil Bourns from the original negative.

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Hillers, John K. (1843-1925). View of San Felipe Pueblo, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 33 cm.

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Barry, D. F. (David Francis) (1854-1934). Sitting Bull's camp, Standing Rock, circa 1875. 1 folder.
Scope and Contents

Photograph in decorative mat with Barry's ticket on verso. Written on folding mat: "Sitting Bull's camp, Standing Rock." Printed ca. 1890.

Physical Description

1 folder17 x 22 cm.

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Hillers, John K. (1843-1925). Pueblo of Santo Domingo, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Camera equipment in middle distance.

Physical Description

1 folder25 x 33 cm.

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View of a Hopi village with a man seating on a ladder, likely in Arizona, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board. Attributed to "Hall" by dealer.

Physical Description

1 folder19 x 24 cm.

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Lummis, Charles Fletcher (1859-1928). Crow man in beaded leather shirt, Montana, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. From the collection of Charles Lummis; possibly by Lummis.

Physical Description

1 folder21 x 13 cm.

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Lummis, Charles Fletcher (1859-1928). Plains Indian man in warbonnet, Montana, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. From the collection of Charles Lummis; possibly by Lummis.

Physical Description

1 folder21 x 13 cm.

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Lummis, Charles Fletcher (1859-1928). Indian man on horseback, Little Bighorn Battlefield, Mont, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. From the collection of Charles Lummis; possibly by Lummis.

Physical Description

1 folder13 x 21 cm.

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Jackson, William Henry (1843-1942). Indian woman from the Pueblo of Taos, circa 1871. 1 folder.
Scope and Contents

Mounted on 36 x 28 cm. card of the Dept. of Interior, U.S. Geological Survey of the Territories. Written on verso: "616. Indian woman from the Pueblo of Taos."

Jackson, William Henry (1843-1942)
Biographical / Historical

American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.

Physical Description

1 folder19 x 14 cm.

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Robertson, J. D.. Hiker examining the vegetation on top of mountain, circa 1950. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder19 x 24 cm.

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Robertson, J. D.. Shirtless hiker resting on top of mountain, circa 1950. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder24 x 19 cm.

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Savage, C. R. (Charles Roscoe) (1832-1909). Gateway to the Garden of the Gods, Col, circa 1884. 1 folder.
Scope and Contents

Figure in photograph possibly the artist. Mounted on board.

Physical Description

1 folder25 x 29 cm.

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Savage, C. R. (Charles Roscoe) (1832-1909). Utah, north portal Castle Gate & R.G.R.R, circa 1884. 1 folder.
Scope and Contents

Mounted on board.

Physical Description

1 folder24 x 28 cm.

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Central Pacific Railroad Company. Palisades, Humboldt River C.P.R.R, circa 1884. 1 folder.
Scope and Contents

Mounted on board.

Physical Description

1 folder24 x 30 cm.

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Savage, C. R. (Charles Roscoe) (1832-1909). Cacti on a rocky hill, possibly in California or Nevada, circa 1884. 1 folder.
Scope and Contents

Mounted on board.

Physical Description

1 folder24 x 30 cm.

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Savage, C. R. (Charles Roscoe) (1832-1909). Yucca brevifolia, Mojave Desert, S.P.R.R, circa 1884. 1 folder.
Scope and Contents

Mounted on board.

Physical Description

1 folder25 x 28 cm.

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Savage, C. R. (Charles Roscoe) (1832-1909). Royal Arch Yucca of the Mojave Desert, circa 1884. 1 folder.
Scope and Contents

Mounted on board. Copyright 1884.

Physical Description

1 folder24 x 30 cm.

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Cowboy riding bucking horse, possibly during rodeo, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder46 x 30 cm.

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Mother and infant, 1890. 1 folder.
Physical Description

1 folder

Materials Viewable Online
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View of possible Indian school campus, circa 1915. 1 folder.
Scope and Contents

Written on verso: "Mrs. Baldwin." Cataloger supplied title. Handtinted.

Physical Description

1 folder13 x 41 cm.

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Three ethnographic photographs of Central American women Indians, circa 1875. 1 folder.
Scope and Contents

Three ethnographic photographs measuring 15 x 11 cm. mounted on 31 x 41 cm. board. Written on recto: "Types d'indiennes de Mizco pres Guatemala."

Physical Description

1 folder31 x 41 cm.

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Three ethnographic photographs of Central American Indians, circa 1875. 1 folder.
Scope and Contents

Three ethnographic photographs measuring 15 x 11 cm. mounted on 31 x 41 cm. board. Caption written below each photograph: "Indiens de Sanajachel," "Indiens de Zuni," and "Indiennes de Momostengo." Likely taken in Guatemala.

Physical Description

1 folder31 x 41 cm.

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Three ethnographic photographs of Central American Indians, circa 1875. 1 folder.
Scope and Contents

Three ethnographic photographs measuring 15 x 11 cm. mounted on 31 x 41 cm. board. Caption written below two of the photographs: "Indiens de Quezaltenango" and "Indiens de Retalulve [?]." Likely taken in Guatemala.

Physical Description

1 folder31 x 41 cm.

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Two ethnographic photographs of Central American Indians, circa 1875. 1 folder.
Scope and Contents

Two ethnographic photographs measuring 15 x 11 cm. mounted on 31 x 41 cm. board. Caption written below the two photographs: "Types d'indiens." Likely taken in Guatemala.

Physical Description

1 folder31 x 41 cm.

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Ethnographic photograph of nine Central American Indian men, circa 1875. 1 folder.
Scope and Contents

Mounted on 31 x 41 cm. board. Caption written below photograph: "Municipalitee indienne de Latzun (Guatemala)."

Physical Description

1 folder15 x 20 cm.

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Hillers, John K. (1843-1925). Flathead delegation to Washington D.C., 1884, 1884. 1 folder.
Scope and Contents

Cataloger supplied title. Back row left to right: TahHetchet (Hand Shot Off), Peter Ronan (U.S. Indian agent), Tcinkusui ChinCoosWe (The Man Who Walks Alone). Center row: GallupSquallShee (Crane with Ring Around His Neck), SlemHihKay, chief (Little Claw of Grizzly Bear). Bottom: SwamAchHam, a warrior (Red Arm).

Physical Description

1 folder41 x 33 cm.

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Spectators seated on a pueblo wall watching a Pueblo ceremony performed by men and young boys, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder28 x 36 cm.

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Possibly a snake ceremony performance, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Enlargement of a vintage photograph.

Physical Description

1 folder41 x 51 cm.

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Andrews, E.. Taku Glacier, circa 1900. 1 folder.
Physical Description

1 folder31 x 51 cm.

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Andrews, E.. West Taku Arm, B.C, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "160."

Physical Description

1 folder31 x 51 cm.

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Masayesva, Victor. Rain runner, 1984. 1 folder.
Scope and Contents

Masks and metaphors ; no. 2

Masks and metaphors, no. 2 consists of two photographs. A Hopi runner is photographed as though he seen through the two openings of a kachina mask. This photograph should appear on the left. (The second photograph of this set is lacking.)

Physical Description

1 folder27 x 35 cm.

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Kaiden-Kazanijan. Studio portrait of Philip Ashton Rollins, Princeton class of 1889, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title. In photographer's decorative folder.

Physical Description

1 folder42 x 29 cm.

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Gaede, Marc. Indian miners, Farmington, N.M. : Navajo mine, 1982. 1 folder.
Scope and Contents

Written on verso: "Indian miners, Farmington, N.M. Navajo mine." Mounted on board.

Gaede, Marc
Biographical / Historical

Marc Gaede (1946- ) is an American photographer, environmental activist, and teacher. Born in Tuscon, Arizona, Gaede grew up in Flagstaff, where he immersed himself in the study of field geology, archaeology, and physical anthropology. After returning in 1968 from military service as a U.S. Marine Corps photographer, Gaede became involved in environmental activism. In 1970, he co-founded the early direct action environmental group Black Mesa Defense Fund. In collaboration with members of the American Indian Movement and Edward Abbey (1927-1989), the group organized a direct action campaign against strip mining on shared Navajo and Hopi land on Black Mesa in April 1971. The group's actions inspired Abbey's 1975 novel The Monkey Wrench Gang, along with the next generation of radical environmental advocacy groups, such as Earth First!, who practiced a form of ecological sabotage against environmentally damaging companies and individuals that came to be known as "monkeywrenching." Gaede received his Bachelor of Science degree in anthropology from Northern Arizona University in 1972, and he worked at the at the Museum of Northern Arizona from 1968 to 1977, first as a staff photographer and later as curator of photography. For five months in 1977, he worked for photographer Ansel Adams as a temporary darkroom assistant in Adams's darkroom and studio in Carmel, California. Later he was the Photographer-in-Residence at the University of Arizona's Center for Creative Photography in 1978-1979.

In 1973, Marc Gaede married Marnie Walker Gaede, a writer, editor, publisher, and environmentalist who collaborated with him to edit and publish photography books centering on indigenous cultures and landscapes of the American West and Southwest, many under their own publishing imprint Chaco Press. The Gaedes moved to the Los Angeles area in 1982, where they worked in the television and film industry, including as script analysts for the Walt Disney Company. Gaede received a Master of Fine Arts in photography from the Art Center College of Design in Pasadena in 1988, where he has since worked as an instructor in subjects including photography, environmental issues, and physical anthropology. Since 1989, the Gaedes have also been actively involved with the Sea Shepherd Conservation Society. Marc Gaede joined Sea Shepherd on a 1989 dolphin campaign in Costa Rica as a photographer for Outside magazine and has since photographed numerous high seas campaigns. From 1990 to 1993, the Gaedes worked closely with Robert Sundance, a Lakota Sioux activist from the Standing Rock Indian Reservation, to collaboratively write Sundance's biography.

Physical Description

1 folder19 x 24 cm.

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Gaede, Marc. After school drink, Holbrook, AZ, 1980, 1980. 1 folder.
Scope and Contents

Written on verso: "After school drink, Holbrook, AZ, 1980." Mounted on board.

Gaede, Marc
Biographical / Historical

Marc Gaede (1946- ) is an American photographer, environmental activist, and teacher. Born in Tuscon, Arizona, Gaede grew up in Flagstaff, where he immersed himself in the study of field geology, archaeology, and physical anthropology. After returning in 1968 from military service as a U.S. Marine Corps photographer, Gaede became involved in environmental activism. In 1970, he co-founded the early direct action environmental group Black Mesa Defense Fund. In collaboration with members of the American Indian Movement and Edward Abbey (1927-1989), the group organized a direct action campaign against strip mining on shared Navajo and Hopi land on Black Mesa in April 1971. The group's actions inspired Abbey's 1975 novel The Monkey Wrench Gang, along with the next generation of radical environmental advocacy groups, such as Earth First!, who practiced a form of ecological sabotage against environmentally damaging companies and individuals that came to be known as "monkeywrenching." Gaede received his Bachelor of Science degree in anthropology from Northern Arizona University in 1972, and he worked at the at the Museum of Northern Arizona from 1968 to 1977, first as a staff photographer and later as curator of photography. For five months in 1977, he worked for photographer Ansel Adams as a temporary darkroom assistant in Adams's darkroom and studio in Carmel, California. Later he was the Photographer-in-Residence at the University of Arizona's Center for Creative Photography in 1978-1979.

In 1973, Marc Gaede married Marnie Walker Gaede, a writer, editor, publisher, and environmentalist who collaborated with him to edit and publish photography books centering on indigenous cultures and landscapes of the American West and Southwest, many under their own publishing imprint Chaco Press. The Gaedes moved to the Los Angeles area in 1982, where they worked in the television and film industry, including as script analysts for the Walt Disney Company. Gaede received a Master of Fine Arts in photography from the Art Center College of Design in Pasadena in 1988, where he has since worked as an instructor in subjects including photography, environmental issues, and physical anthropology. Since 1989, the Gaedes have also been actively involved with the Sea Shepherd Conservation Society. Marc Gaede joined Sea Shepherd on a 1989 dolphin campaign in Costa Rica as a photographer for Outside magazine and has since photographed numerous high seas campaigns. From 1990 to 1993, the Gaedes worked closely with Robert Sundance, a Lakota Sioux activist from the Standing Rock Indian Reservation, to collaboratively write Sundance's biography.

Physical Description

1 folder16 x 23 cm.

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Everton, Macduff. Linda Schele photographing Copan antiquities, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title. In color.

Physical Description

1 folder42 x 28 cm.

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Everton, Macduff. Actors in costume for El haragan y el zopilote, Sna Jtz'ibajom group, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title. In color.

Physical Description

1 folder28 x 42 cm.

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Everton, Macduff. Sna Jtz'ibajom actors in costume for "A poco hay cimarrones" play, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title. In color.

Physical Description

1 folder28 x 42 cm.

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Everton, Macduff. Mexico's first Indian women playwrites : Isabel Juarez Espinosa, Petrona de la Cruz Cruz, and Alvina Lopez Gomez, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title. In color. Playwrites are listed from left to right.

Physical Description

1 folder42 x 28 cm.

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Everton, Macduff. Puppet show at the "Teatro Ambulante.", circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title. In color. A note formerly attached to photograph read: "Teatro Ambulante, kids in school with Indian teacher, bilingual education, Spanish & Tzotzil." Likely taken in Mexico.

Physical Description

1 folder28 x 42 cm.

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Everton, Macduff. Sna Jtz'ibajom group practicing, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title. In color.

Physical Description

1 folder28 x 42 cm.

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Everton, Macduff. Jose Perez Hernandez teaching Tzotzlil to villagers as part of a Chiapas literacy project, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title. In color. A note formerly attached to photograph read: "Chiapas literary project17 yr. old Jose Perez Hernandez teaching Tzotzil to villagers/townspeople Zinacantan/private home of Sna Jtz'ibajom writer."

Physical Description

1 folder28 x 42 cm.

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Everton, Macduff. Sna Jtz'ibajom group practicing, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title. In color. A note formerly attached to photograph read: "Sna Jtz'ibajom group script meeting, 3/4/ of the circle, at headquarters."

Physical Description

1 folder28 x 42 cm.

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Hillers, John K. (1843-1925). Pueblo de Santa Clara, N.M, circa 1879. 1 folder.
Scope and Contents

Mounted on board.

Physical Description

1 folder26 x 33 cm.

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Horowitz, Robert (1951). Navajo sweat lodge, Lukachukai, Arizona, 1995. 1 folder.
Scope and Contents

Color print. Cataloger supplied title.

Physical Description

1 folder41 x 51 cm.

Materials Viewable Online
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Cowboy riding bucking horse, possibly during rodeo, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder42 x 26 cm.

Materials Viewable Online
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Pueblo Indian woman standing at the foot of ladder with pot balanced on her head, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Hand tinted.

Physical Description

1 folder51 x 36 cm.

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Johnson, J. A. (American photographer, active ca. 1914). Standing Indian man gestures with his hands to five other Indian men, one of whom is on horseback, circa 1908. 1 folder.
Scope and Contents

Cataloger supplied title. Copyright 1908.

Physical Description

1 folder36 x 44 cm.

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View of Quezaltenango, Guatemala, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Quezaltenango bet. 19021914." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder28 x 36 cm.

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Possibly clowns participating in a celebration, Quezaltenango, Guatemala, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder28 x 36 cm.

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View of an unidentified church, possibly in Guatemala, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder28 x 36 cm.

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Ruins of an unidentified church, possibly in Guatemala, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder28 x 36 cm.

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Manley, Roger (1952). Women playing Cadil, Navajo community of ChilChinBeto, 1980, 1980. 1 folder.
Scope and Contents

Title from catalog The photograph and the Native American.

Physical Description

1 folder51 x 41 cm.

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Young Plains Indian man, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder46 x 27 cm.

Materials Viewable Online
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O'Sullivan, Timothy H. (1840-1882). Group of PahUte Indians, Nevada, 1871. 1 folder.
Scope and Contents

Printed on recto: "No. 2." Mounted on 40 x 50 cm. War Department board.

Physical Description

1 folder21 x 28 cm.

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Matteson, Sumner W. (1867-1920). Young Indian man in fancy cowboy dress, Fort Belknap, Montana, circa 1900. 1 folder.
Scope and Contents

Printed by Phil Bourns from the original negative at the Science Museum of Minnesota.

Physical Description

1 folder51 x 41 cm.

Materials Viewable Online
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Scott, Everett. Genizaro, 1985, 1985. 1 folder.
Physical Description

1 folder51 x 41 cm.

Materials Viewable Online
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Indian child in the doorway of an adobe house, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board.

Physical Description

1 folder24 x 13 cm.

Materials Viewable Online
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Rogers, Phyllis Ashbridge. Two circus clowns performing in a circus tent, circa 1978. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "F1" and "1."

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Rogers, Phyllis Ashbridge. Two circus clowns outside a circus tent, circa 1978. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "F2" and "#4."

Physical Description

1 folder28 x 36 cm.

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Rogers, Phyllis Ashbridge. Circus clown juggling pillows, circa 1978. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "H1" and "1."

Physical Description

1 folder28 x 36 cm.

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Rogers, Phyllis Ashbridge. Circus performers, including a clown, talking, circa 1978. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "H2" and "2."

Physical Description

1 folder28 x 36 cm.

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Rogers, Phyllis Ashbridge. Circus clown standing in front of circus truck, circa 1978. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "I." Copyright 1978.

Physical Description

1 folder28 x 36 cm.

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Rogers, Phyllis Ashbridge. Circus clown putting on his makeup, circa 1978. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "I2" and "2."

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Rogers, Phyllis Ashbridge. Circus clown acting silly for the camera, circa 1978. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "I2."

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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Rogers, Phyllis Ashbridge. Four circus clowns reading from a book, circa 1978. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "K2" and "2."

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Rogers, Phyllis Ashbridge. Two circus clowns acting silly for the camera, circa 1978. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "L2" and "2."

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Rogers, Phyllis Ashbridge. Circus clown acting silly for the camera, circa 1978. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "M" and "#4."

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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Rogers, Phyllis Ashbridge. Circus clown smiling for the camera, circa 1978. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "M2" and "2."

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Rogers, Phyllis Ashbridge. Circus clown preparing for performance, circa 1978. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "P."

Physical Description

1 folder28 x 36 cm.

Materials Viewable Online
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Possibly a Central American Indian woman seated on the edge of a well, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder36 x 28 cm.

Materials Viewable Online
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Pueblo Indians gathered in front of their pueblo, possibly in New Mexico or Arizona, circa 1900. 1 folder.
Scope and Contents

Possibly printed by Phil Bourns from the original negative.

Physical Description

1 folder41 x 51 cm.

Materials Viewable Online
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Manley, Roger (1952). Elderly Navajo woman bottle feeding an infant, circa 1984. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder50 x 41 cm.

Materials Viewable Online
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Aguilar, Dugan. Native with trophy, circa 1985. 1 folder.
Scope and Contents

Mounted and matted.

Physical Description

1 folder35 x 20 cm.

Materials Viewable Online
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Barry, D. F. (David Francis) (1854-1934). Indian police, circa 1890. 1 folder.
Scope and Contents

Printed from original negative in the Western History Department of Denver Public Library by Paul Harbaugh.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Chocolate, Dorothy (1959). Vera Catholique, with her sons, Snowdrift, NWT, circa 1985. 1 folder.
Physical Description

1 folder38 x 36 cm.

Materials Viewable Online
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McNeil, Larry (1950). Figure dancing in native Alaskan shawl, circa 1983. 1 folder.
Scope and Contents

Cataloger supplied title. Copyright 1983. In color.

Physical Description

1 folder31 x 28 cm.

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Seumptewa, Owen (Native American photographer, born 1946). Young Indian woman wrapped in blanket and an older Indian woman with baby on her back, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 17 cm.

Materials Viewable Online
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Seumptewa, Owen (Native American photographer, born 1946). Dirt road leading up to pueblo, possibly in New Mexico or Arizona, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder20 x 26 cm.

Materials Viewable Online
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Seumptewa, Owen (Native American photographer, born 1946). Ladder protruding from pueblo floor, possibly in New Mexico or Arizona, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Malincay, Stanley T.. Pomo dancer, circa 1980. 1 folder.
Physical Description

1 folder40 x 31 cm.

Materials Viewable Online
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Little Turtle, Carm. Wishing well, circa 1980. 1 folder.
Scope and Contents

Hand colored.

Physical Description

1 folder36 x 28 cm.

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Hall, Douglas Kent.. 108 year old Hopi man, Arizona, 1969-1970. 1 folder.
Scope and Contents

Mounted and matted. Written on verso: "3." Title provided by photographer.

Hall, Douglas Kent.
Biographical / Historical

Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.

In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.

Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.

In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.

Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.

Physical Description

1 folder33 x 24 cm.

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Hall, Douglas Kent.. Bringing the goats, Navaho Reservation, 1969-1970. 1 folder.
Scope and Contents

Title provided by photographer. Written on verso: "5."

Hall, Douglas Kent.
Biographical / Historical

Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.

In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.

Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.

In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.

Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.

Physical Description

1 folder18 x 32 cm.

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Hall, Douglas Kent.. Navaho man near Lukachukai, Arizona, 1969-1970. 1 folder.
Scope and Contents

Title supplied by photographer. Mounted and matted. Written on verso: "8."

Hall, Douglas Kent.
Biographical / Historical

Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.

In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.

Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.

In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.

Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.

Physical Description

1 folder20 x 30 cm.

Materials Viewable Online
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Hall, Douglas Kent.. Two cultures, Santa Clara Pueblo, New Mexico, 1969-1970. 1 folder.
Scope and Contents

Title supplied by photographer. Mounted and matted. Written on verso: "9."

Hall, Douglas Kent.
Biographical / Historical

Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.

In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.

Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.

In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.

Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.

Physical Description

1 folder19 x 29 cm.

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Hall, Douglas Kent.. Girl and dog, Taos Pueblo, New Mexico, 1969-1970. 1 folder.
Scope and Contents

Title supplied by photographer. Mounted and matted. Written on verso: "15."

Hall, Douglas Kent.
Biographical / Historical

Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.

In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.

Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.

In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.

Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.

Physical Description

1 folder23 x 32 cm.

Materials Viewable Online
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Hall, Douglas Kent.. Woman, Taos Pueblo, New Mexico, 1969-1970. 1 folder.
Scope and Contents

Title supplied by photographer. Mounted and matted. Written on verso: "16."

Hall, Douglas Kent.
Biographical / Historical

Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.

In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.

Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.

In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.

Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.

Physical Description

1 folder23 x 33 cm.

Materials Viewable Online
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Hall, Douglas Kent.. Summer shelter, Navaho Reservation, Arizona, 1969-1970. 1 folder.
Scope and Contents

Title supplied by photographer. Mounted and matted. Written on verso: "17."

Hall, Douglas Kent.
Biographical / Historical

Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.

In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.

Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.

In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.

Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.

Physical Description

1 folder22 x 32 cm.

Materials Viewable Online
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Hall, Douglas Kent.. Feast day procession, Picuris Pueblo, New Mexico, 1969-1970. 1 folder.
Scope and Contents

Title supplied by photographer. Mounted and matted. Written on verso: "23."

Hall, Douglas Kent.
Biographical / Historical

Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.

In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.

Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.

In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.

Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.

Physical Description

1 folder21 x 32 cm.

Materials Viewable Online
  1. View digital content
Hall, Douglas Kent.. Navaho medicine man, Arizona, 1969-1970. 1 folder.
Scope and Contents

Title supplied by photographer. Mounted and matted. Written on verso: "24."

Hall, Douglas Kent.
Biographical / Historical

Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.

In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.

Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.

In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.

Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.

Physical Description

1 folder31 x 26 cm.

Materials Viewable Online
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Hall, Douglas Kent.. Hopi Woman, First Mesa, 1969-1970. 1 folder.
Scope and Contents

Title supplied by photographer. Mounted and matted. Written on verso: "31."

Hall, Douglas Kent.
Biographical / Historical

Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.

In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.

Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.

In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.

Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.

Physical Description

1 folder33 x 25 cm.

Materials Viewable Online
  1. View digital content
Hall, Douglas Kent.. Aspen dancers, Picuris Pueblo, New Mexico, 1969-1970. 1 folder.
Scope and Contents

Title supplied by photographer. Mounted and matted. Written on verso: "36."

Hall, Douglas Kent.
Biographical / Historical

Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.

In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.

Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.

In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.

Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.

Physical Description

1 folder21 x 23 cm.

Materials Viewable Online
  1. View digital content
Hall, Douglas Kent.. Aspen dancer, Picuris Pueblo, New Mexico, 1969-1970. 1 folder.
Scope and Contents

Title supplied by photographer. Mounted and matted. Written on verso: "37."

Hall, Douglas Kent.
Biographical / Historical

Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.

In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.

Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.

In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.

Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.

Physical Description

1 folder33 x 25 cm.

Materials Viewable Online
  1. View digital content
Hall, Douglas Kent.. Aspen dancers, Picuris Pueblo, New Mexico, 1969-1970. 1 folder.
Scope and Contents

Title supplied by photographer. Mounted and matted. Written on verso: "38."

Hall, Douglas Kent.
Biographical / Historical

Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.

In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.

Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.

In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.

Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.

Physical Description

1 folder21 x 30 cm.

Materials Viewable Online
  1. View digital content
Hall, Douglas Kent.. Aspen dancer, Picuris Pueblo, New Mexico, 1969-1970. 1 folder.
Scope and Contents

Title supplied by photographer. Mounted and matted. Written on verso: "39."

Hall, Douglas Kent.
Biographical / Historical

Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.

In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.

Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.

In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.

Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.

Physical Description

1 folder21 x 30 cm.

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Hall, Douglas Kent.. Procession from the arroyo, Picuris, New Mexico, 1969-1970. 1 folder.
Scope and Contents

Title supplied by photographer.

Hall, Douglas Kent.
Biographical / Historical

Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.

In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.

Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.

In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.

Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.

Physical Description

1 folder52 x 41 cm.

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Hall, Douglas Kent.. Generations, Navaho, Arizona, 1969-1970. 1 folder.
Scope and Contents

Title supplied by photographer.

Hall, Douglas Kent.
Biographical / Historical

Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.

In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.

Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.

In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.

Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.

Physical Description

1 folder48 x 41 cm.

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McNeil, Larry (1950). Yupic Eskimo woman weaving a basket, circa 1981. 1 folder.
Scope and Contents

Title supplied by catalog The photograph and the American Indian.

Physical Description

1 folder27 x 35 cm.

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Keegan, Marcia.. Nambe dancer, circa 1985. 1 folder.
Scope and Contents

In color.

Physical Description

1 folder34 x 50 cm.

Materials Viewable Online
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Steltzer, Ulli. Wedding feast at Vivian Shula's house, Hano, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board.

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder26 x 35 cm.

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Steltzer, Ulli. Albert Begaye with grandchild at summer home near Sanostee Trading Post, circa 1970. 1 folder.
Scope and Contents

Mounted on board.

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Walpi, 5 a.m., 1970, 1970. 1 folder.
Scope and Contents

Mounted on board.

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder31 x 28 cm.

Steltzer, Ulli. Faye Arachoya at Hano, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board.

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 26 cm.

Materials Viewable Online
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Steltzer, Ulli. Faye Arachoya, Hano, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board.

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder33 x 28 cm.

Materials Viewable Online
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Steltzer, Ulli. Feet of Ann Lewis Hansen mixing clay for potting, Acoma, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board.

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 34 cm.

Materials Viewable Online
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Steltzer, Ulli. Laura in the piki house, Hano, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board.

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 27 cm.

Materials Viewable Online
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Steltzer, Ulli. Charles Loloma in his workshop on Third Mesa, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board.

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder31 x 28 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Monument Valley, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board.

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder34 x 28 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Harvest dance, Santa Clara, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board.

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 28 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Harvest dance, Santa Clara, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board.

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder33 x 28 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Geneva Honani and Mollie Talas in piki house in Shungopavi, Second Mesa, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board.

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder30 x 28 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Santa Clara, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board.

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder33 x 28 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Santa Clara Pueblo, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board.

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Hasteen Furhat (Navajo), Dinnebeto Trading Post near Oraibi, circa 1970. 1 folder.
Scope and Contents

Mounted on board.

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder33 x 28 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Mr. Poola, father of Michell Poola, 1969, died 1970, falling off First Mesa, owner of Eagle House, circa 1970. 1 folder.
Scope and Contents

Mounted on board.

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder27 x 30 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Monument Valley, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board.

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 30 cm.

Materials Viewable Online
  1. View digital content
Steltzer, Ulli. Francisco Augustine McCartys? near Acoma, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Francisco Augustine McCartys? near Acoma, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder33 x 28 cm.

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Steltzer, Ulli. Mrs. Jesse Biakeddy from Tuba City at Dinebitto Trading Post, mother is Ruby, Baby is Colleen, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Mrs. Jesse Biakeddy from Tuba City at Dinebitto Trading Post, mother is Ruby, Baby is Colleen, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Wesley Chillie (Navajo), Dinnebito Trading Post, Oraibi, Arizona, circa 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Wesley Chillie (Navajo), Dinnebito Trading Post, Oraibi, Arizona."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Mary Hystia at Acoma, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Mary Hystia at Acoma, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder30 x 28 cm.

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Steltzer, Ulli. Harvest dance, 1969, Santa Clara, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Mary Hystia at Acoma, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder33 x 28 cm.

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Steltzer, Ulli. Santa Clara, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Santa Clara, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 36 cm.

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Steltzer, Ulli. Mrs. Marie Chino, potter, Acoma, N.M., 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Mrs. Marie Chino, potter, Acoma, N.M., 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder29 x 28 cm.

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Steltzer, Ulli. Mrs. Marie Chino of Acoma at Santa Fe Market, circa 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Mrs. Marie Chino of Acoma at Santa Fe market."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Picuris Pueblo, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Picuris Pueblo, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder26 x 28 cm.

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Steltzer, Ulli. Geneva Honani in piki house in Shungopavi, Second Mesa, circa 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Geneva Honani in Piki House in Shungopavi, Second Mesa."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Faye Arachoya at her old hourse in the plaza at Hano, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Faye Arachoya at her old hourse in the plaza at Hano, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder27 x 27 cm.

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Steltzer, Ulli. Acoma, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Acoma, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 35 cm.

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Steltzer, Ulli. Jesus Romero, Picuris Pueblo, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Jesus Romero, Picuris Pueblo, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 27 cm.

Materials Viewable Online
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Steltzer, Ulli. Taos man at Picuris, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Taos man at Picuris, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 24 cm.

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Steltzer, Ulli. Mrs. Grace A. Begaye weaving at her summer home, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Mrs. Grace A. Begaye weaving at her summer home, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder34 x 28 cm.

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Steltzer, Ulli. Abram Jose Routzen, Acoma, circa 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Abram Jose Routzen, Acoma."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Navajo boy, Monument Valley, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Navajo boy, Monument Valley, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Hanging corn, Mrs. Vivian Shula, Hano, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Hanging corn, Mrs. Vivian Shula, Hano, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Grace A. Begaye (Navajo) near Sanostee Trading Post, New Mexico, circa 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Grace A. Begaye (Navajo) near Sanostee Trading Post, New Mexico."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Mrs. Victor Masayesva shelling corn near Second Mesa, circa 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Mrs. Victor Masayesva shelling corn near Second Mesa."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder34 x 28 cm.

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Steltzer, Ulli. Marie Chino [and] Lucy Lewis at Acoma, circa 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Marie Chino, Lucy Lewis at Acoma."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 28 cm.

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Steltzer, Ulli. Mrs. Victor Masayesva blessing the corn before planting at the ranch near Second Mesa, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Mrs. Victor Masayesva blessing the corn before planting at the ranch near Second Mesa, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Saya (Alfonso Ortiz' grandmother) from San Juan Pueblo at Picuris for dances, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Saya (Alfonso Ortiz' grandmother) from San Juan Pueblo at Picuris for dances, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 28 cm.

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Steltzer, Ulli. Ethel, mother of Vivian Shula, grandmother of Nellie Kimale, Hano, 1969, died the same year, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Ethel, mother of Vivian Shula, grandmother of Nellie Kimale, Hano, 1969, died the same year."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 27 cm.

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Steltzer, Ulli. Mrs. Conception Howeya and ten grandchildren McCartys? near Acoma, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Mrs. Conception Howeya and ten grandchildren McCartys? near Acoma, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder33 x 28 cm.

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Steltzer, Ulli. Santa Fe Market, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Santa Fe market, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 35 cm.

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Steltzer, Ulli. Zuni, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Zuni, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 28 cm.

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Steltzer, Ulli. Man at Santa Fe Market, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Man at Santa Fe market, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Acoma, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Acoma, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 35 cm.

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Steltzer, Ulli. Juanita Louis, Acoma, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Juanita Louis, Acoma, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 28 cm.

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Steltzer, Ulli. Mitchell and Virginia Poola, Polacca, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Mitchell and Virginia Poola, Polacca, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 24 cm.

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Steltzer, Ulli. Lucy Lewis in her house at McCartys, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Lucy Lewis in her house at McCartys, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 35 cm.

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Steltzer, Ulli. Acoma cemetery guardians, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Acoma cemetery guardians, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 35 cm.

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Steltzer, Ulli. Corn dance, Santa Clara, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Corn dance, Santa Clara, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 28 cm.

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Steltzer, Ulli. Laguna Pueblo, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Laguna Pueblo, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder25 x 35 cm.

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Steltzer, Ulli. Hano, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Hano, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 35 cm.

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Steltzer, Ulli. Sheep herder behind First Mesa, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Sheep herder behind First Mesa, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 35 cm.

Materials Viewable Online
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Steltzer, Ulli. Acoma, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Acoma, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 36 cm.

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Steltzer, Ulli. Erecting television antenae, Mitchell Poola house, Polacca, Arizona, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Erecting television antenae, Mitchell Poola house, Polacca, Arizona, 1970" and "Leo at antenae."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder29 x 28 cm.

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Steltzer, Ulli. Harlan Mahle with Vanessa Nevayaktewa, granddaughter of Emma Hyah, at Walpi, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Harlan Mahle with Vanessa Nevayaktewa, granddaughter of Emma Hyah, at Walpi, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 35 cm.

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Steltzer, Ulli. Isleta Elementary School (BIA school), 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Isleta Elementary School (BIA school), 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 36 cm.

Steltzer, Ulli. Chorus at Santa Clara, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Chorus at Santa Clara, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 35 cm.

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Steltzer, Ulli. Geneva Honani emerging from piki house, Shungopavi, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Geneva Honani emerging from Piki House, Shungopavi, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder26 x 33 cm.

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Steltzer, Ulli. Beth Sakeva and sisters, Hano, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Beth Sakeva and sisters, Hano, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 36 cm.

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Steltzer, Ulli. Monument Valley, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Monument Valley, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder24 x 35 cm.

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Steltzer, Ulli. Monument Valley, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Monument Valley, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 35 cm.

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Steltzer, Ulli. Cherokee girl, professional rider at Many Farms, New Mexico, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Cherokee girl, professional rider at Many Farms, New Mexico, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder27 x 28 cm.

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Steltzer, Ulli. Santa Fe Market, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Santa Fe market, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 28 cm.

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Steltzer, Ulli. Anne Lewis Hansen at McCartys near Acoma, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Anne Lewis Hansen at McCartys near Acoma, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Lucy Lewis visiting Santana Sanchez, wife of Syme Sanchez, store owner of Acoma, at Acoma, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Lucy Lewis visiting Santana Sanchez, wife of Syme Sanchez, store owner of Acoma, at Acoma, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

Materials Viewable Online
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Steltzer, Ulli. Navajo woman near Many Farms, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Navajo woman near Many Farms, mother of beautiful woman spinning in other photo, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

Materials Viewable Online
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Steltzer, Ulli. Governor of Santa Clara, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Governor of Santa Clara, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

Materials Viewable Online
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Steltzer, Ulli. Terraces on Third Mesa, Hotevilla, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Terraces on Third Mesa, Hotevilla, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder25 x 25 cm.

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Steltzer, Ulli. Acoma, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Acoma, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder27 x 35 cm.

Materials Viewable Online
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Steltzer, Ulli. At Santa Clara, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "At Santa Clara, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

Materials Viewable Online
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Steltzer, Ulli. Billie Keeto Yazzie, sheep herder of Mrs. Robbins [sic] mother, Fort Defiance, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Billie Keeto Yazzie, sheep herder of Mrs. Robbins [sic] mother, Fort Defiance, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Roy Lunasee, Zuni Pueblo, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Roy Lunasee, Zuni Pueblo, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 28 cm.

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Steltzer, Ulli. Mrs. Thomas Banyacya, New Oraibi, circa 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Mrs. Thomas Banyacya, New Oraibi."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

Materials Viewable Online
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Steltzer, Ulli. Harvest dance, Santa Clara Pueblo, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Harvest dance, Santa Clara Pueblo, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

Materials Viewable Online
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Steltzer, Ulli. Baking bread on First Mesa, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Baking bread on First Mesa, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 35 cm.

Materials Viewable Online
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Steltzer, Ulli. Tewa women baking bread at Hano, July 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Tewa women baking bread at Hano, July 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 35 cm.

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Steltzer, Ulli. Hopi women pounding corn for wedding meal, First Mesa, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Hopi women pounding corn for wedding meal, First Mesa, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 35 cm.

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Steltzer, Ulli. Charlie Talawepi (Lightning), Moencopi, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Charlie Talawepi (Lightning), Moencopi, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 36 cm.

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Steltzer, Ulli. Old Oraibe, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Old Oraibe, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder16 x 36 cm.

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Steltzer, Ulli. Buffalo dancer, Santa Clara, 1969, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Buffalo dancer, Santa Clara, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder34 x 28 cm.

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Steltzer, Ulli. Chorus at Picuris, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Chorus at Picuris, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Mrs. Emma Hyuh at Walpi, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Mrs. Emma Hyuh at Walpi, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Nestora Guttierez, age 93, Santa Clara, potter, circa 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Nestora Guttierez, age 93, Santa Clara, potter."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Syme Sanchez, store keeper, with grandchild, Acoma, circa 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Syme Sanchez, store keeper, with grandchild, Acoma."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder34 x 27 cm.

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Steltzer, Ulli. Mrs. Geneva Honanie stacking piki in piki house, Shungopavi, Second Mesa, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Mrs. Geneva Honanie stacking piki in Piki House, Shungopavi, Second Mesa, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Picuris Pueblo, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Picuris Pueblo, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 27 cm.

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Steltzer, Ulli. Walpi, First Mesa, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Walpi, First Mesa, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder24 x 35 cm.

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Steltzer, Ulli. Navajo woman, Monument Valley, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Navajo woman, Monument Valley, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder34 x 28 cm.

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Steltzer, Ulli. Hopi woman from Sichomovi, First Mesa, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Hopi woman from Sichomavi, First Mesa, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder24 x 19 cm.

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Steltzer, Ulli. Deer dancer, Picuris, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Deer dancer, Picuris, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder24 x 19 cm.

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Steltzer, Ulli. Santa Fe Market, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Santa Fe Market, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder25 x 20 cm.

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Steltzer, Ulli. Molly Talas at market in Gallup, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Molly Talas at market in Gallup, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder23 x 21 cm.

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Steltzer, Ulli. Rose Gonzalez of San Ildefonso in Santa Fe, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Rose Gonzalez of San Ildefonso in Santa Fe, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder25 x 20 cm.

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Steltzer, Ulli. Mollie Talas in piki house making blue corn meal for piki bread, Shungopavi, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Mollie Talas in piki house making blue corn meal for piki bread, Shungopavi, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder24 x 19 cm.

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Steltzer, Ulli. Granddaughter of the Poolas, Polacca, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Granddaughter of the Poolas, Polacca, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder19 x 19 cm.

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Steltzer, Ulli. Rena, Hano, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Rena, Hano, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder24 x 19 cm.

Materials Viewable Online
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Steltzer, Ulli. Acoma church, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Acoma church, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder22 x 20 cm.

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Steltzer, Ulli. Eagle House, Walpi, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Eagle House, Walpi, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder20 x 26 cm.

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Steltzer, Ulli. Daughter of Ethel, Hano, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Daughter of Ethel, Hano, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder18 x 13 cm.

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Steltzer, Ulli. Leo at the Poola's house, Polacca, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Leo at the Poola's house, Polacca, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder26 x 20 cm.

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Steltzer, Ulli. Mollie Tala, Shungopavi, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Mollie Tala, Shungopavi, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder24 x 19 cm.

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Steltzer, Ulli. Jennie Many Beads (Navajo), near Dinebito, circa 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Jennie Many Beads (Navajo), near Dinebito."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder20 x 20 cm.

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Steltzer, Ulli. Hogan, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Hogan, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder19 x 24 cm.

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Steltzer, Ulli. Walpi from south west, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Walpi from south west, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder20 x 25 cm.

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Steltzer, Ulli. Molly Talas with corn meal, Shungopavi, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Molly Talas with corn meal, Shungopavi, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder20 x 19 cm.

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Steltzer, Ulli. Chorus at Picuris, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Chorus at Picuris, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder26 x 20 cm.

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Steltzer, Ulli. Picuris, entering kiwa with freshly drycleaned kilt, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Picuris, entering kiwa with freshly drycleaned kilt, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder20 x 26 cm.

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Steltzer, Ulli. Jenny Many Beads hogan, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Jenny Many Beads hogan, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder20 x 23 cm.

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Steltzer, Ulli. Deer dance, Picuris, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Deer dance, Picuris, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder19 x 22 cm.

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Steltzer, Ulli. Sheep dip behind First, Mesa, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Sheep dip behind First, Mesa, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder24 x 19 cm.

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Steltzer, Ulli. Taos, repairing a home, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Taos, repairing a home, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder19 x 22 cm.

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Steltzer, Ulli. Laguna, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Laguna, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder19 x 21 cm.

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Steltzer, Ulli. Rena's son, Hano, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Rena's son, Hano, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder25 x 20 cm.

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Steltzer, Ulli. Hano, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Hano, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder25 x 20 cm.

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Steltzer, Ulli. Mrs. Lope Chavez with her pots, Acoma, N.M., 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Mrs. Lope Chavez with her pots, Acoma, N.M., 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder31 x 28 cm.

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Steltzer, Ulli. Zuni children, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Zuni children, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder30 x 28 cm.

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Steltzer, Ulli. Grandson of Faye Avachoya with gift from the [?] at Hano day of Home Dance, circa 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Grandson of Faye Avachoya with gift from the [?] at Hano day of Home Dance."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder30 x 28 cm.

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Steltzer, Ulli. Church at Picuris?, circa 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Church at Picuris?"

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder27 x 29 cm.

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Steltzer, Ulli. Mrs. Jennie Many Beads in hogan near Dinnebeto Trading Post, circa 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Mrs. Jennie Many Beads in hogan near Dinnebeto Trading Post."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder31 x 28 cm.

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Steltzer, Ulli. Santa Clara, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Santa Clara, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Francisco Augustine, McCartys near Acoma, circa 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Francisco Augustine, McCartys near Acoma."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder32 x 28 cm.

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Steltzer, Ulli. Kivas at Taos, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Kivas at Taos, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 36 cm.

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Steltzer, Ulli. Apache woman near Dulce, New Mexico, circa 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Apache woman near Dulce, New Mexico."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 26 cm.

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Steltzer, Ulli. "Beautiful woman spinning," Navajo teacher at Rough Rock School, Chinle,1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "'Beautiful woman spinning,' Navajo, chinle teacher at Rough Rock School, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Jesus Romero at Santa Clara, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Jesus Romero at Santa Clara, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Old man at Picuris, August 1969, day of dance, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Old man at Picuris, August 1969, day of dance."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 28 cm.

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Steltzer, Ulli. Man at Santa Clara dances, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Man at Santa Clara dances, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder31 x 28 cm.

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Steltzer, Ulli. "Mrs. Apache" near Dulce, New Mexico, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "'Mrs. Apache' near Dulce, New Mexico, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Syme Sanchez at Acoma, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "'Syme Sanchez at Acoma, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 30 cm.

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Steltzer, Ulli. Navajo woman, Monument Valley, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Navajo woman, Monument Valley, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

Materials Viewable Online
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Steltzer, Ulli. Santa Clara, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Santa Clara, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

Materials Viewable Online
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Steltzer, Ulli. Apache man near Dulce, New Mexico, Jicarillo Apache Reservation, circa 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Apache man near Dulce, New Mexico, Jicarillo Apache Reservation."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 28 cm.

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Steltzer, Ulli. Conception Horveya and favorite grandson and rabbit, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Conception Horveya and favorite grandson and rabbit, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder31 x 20 cm.

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Steltzer, Ulli. Santa Anna Pueblo, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Santa Anna Pueblo, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder28 x 36 cm.

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Steltzer, Ulli. Navajo boy, Monument Valley, July 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Navajo boy, Monument Valley, July 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 24 cm.

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Steltzer, Ulli. Apache man near Dulce, New Mexico, huband of "Mrs. Apache," 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Apache man near Dulce, New Mexico, huband of "Mrs. Apache," 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder36 x 28 cm.

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Steltzer, Ulli. Peter Nuvamsa, Second Mesa, Shungopavi, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Peter Nuvamsa, Second Mesa, Shungopavi, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

Materials Viewable Online
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Steltzer, Ulli. Monument Valley, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Monument Valley, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder34 x 28 cm.

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Steltzer, Ulli. Zuni, near the church plaza, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Zuni, near the church plaza, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder27 x 31 cm.

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Steltzer, Ulli. Mrs. Masayesva's corn, 1970, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Mrs. Masayesva's corn, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder27 x 27 cm.

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Steltzer, Ulli. Husband of Faye Avachoya, Hano, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Husband of Faye Avachoya, Hano, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder32 x 26 cm.

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Steltzer, Ulli. Mrs. Nestora Gutierrez, Santa Clara, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Mrs. Nestora Gutierrez, Santa Clara, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder32 x 26 cm.

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Steltzer, Ulli. Santa Fe Market, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Santa Fe Market, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder31 x 27 cm.

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Steltzer, Ulli. Husband of beautiful woman spinning (other photo), Navajo, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Husband of beautiful woman spinning (other photo), Navajo, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder29 x 28 cm.

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Steltzer, Ulli. Hano baby at Mrs. Nellie Kinale's house on First Mesa, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Hano baby at Mrs. Nellie Kinale's house on First Mesa, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder35 x 28 cm.

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Steltzer, Ulli. Hogan near Chinle, Arizona, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Hogan near Chinle, Arizona, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder27 x 30 cm.

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Steltzer, Ulli. Daughter of "Ethel," Hano, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Daughter of 'Ethel,' Hano, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder26 x 20 cm.

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Steltzer, Ulli. Santa Fe Market, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Santa Fe Market, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder25 x 20 cm.

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Steltzer, Ulli. Navajo student at Rough Rock, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Navajo student at Rough Rock, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder24 x 19 cm.

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Steltzer, Ulli. Zella C. Cheedah, Sichomavi, First Mesa, 1970, 1970. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Zella C. Cheedah, Sichomavi, First Mesa, 1970."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder24 x 19 cm.

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Steltzer, Ulli. Sanostee Trading Post, waiting for accomodations, 1969, 1969. 1 folder.
Scope and Contents

Mounted on board. Written on verso: "Sanostee Trading Post, waiting for accomodations, 1969."

Steltzer, Ulli
Biographical / Historical

Born in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.

Physical Description

1 folder27 x 31 cm.

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Morgan, Margaret (1926). Yolandra Gomez and Rex Lee Jim, Princeton undergraduates on campus in June 1985, 1985. 1 folder.
Scope and Contents

Cataloger supplied title. Yolandra Gomez is a Jicarilla Apache and Rex Lee Jim a Navajo.

Physical Description

1 folder19 x 18 cm.

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Bell, William (1830-1910). Grand Canon of the Colorado River, mouth of Kanab Wash, looking west, 1872. 1 folder.
Scope and Contents

Mounted on 49 x 40 cm. War Department card. Printed on recto: "No. 11."

Physical Description

1 folder28 x 21 cm.

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Savage, C. R. (Charles Roscoe) (1832-1909). Cathedral Rocks, Monument Park, Col., D & R.G.R.R, circa 1890. 1 folder.
Scope and Contents

Mounted on 33 x 41 cm. card.

Physical Description

1 folder25 x 29 cm.

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Parkhurst, T. Harmon. Julian Martinez of San Ildefonso Pueblo, 1887?1943, circa 1940. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder51 x 31 cm.

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Grabill Portrait and View Co. Buffalo Bill and General Miles surveying Wounded Knee with Captains Frank Baldwin and Marion P. Maus, January 1891, 1891. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 28 x 36 board.

Physical Description

1 folder25 x 33 cm.

Monsen, Frederick (1865-1929). Navajo family in front of their hogan, 1897-1910. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder35 x 48 cm.

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Muhr, Adolph F. (1913). Two Little Crows, 1898. 1 folder.
Scope and Contents

Printed on recto: "No. 996." Signature on verso. Pasted on paper. Outdoor portrait of two Crow children sitting on muleback in front of a tipi. They wear traditional clothing, including roaches in their hair, beaded necklaces, and moccasins. Additional descriptive information from the National Museum of the American Indian.

Physical Description

1 folder19 x 23.5 cm.

Lubken, Walter J. (1881-1960). Apache squaw One of the best Apache basket weavers taken 1908, 1908. 1 folder.
Scope and Contents

An Apache woman weaves a basket in front of a dwelling, surrounded by materials. Title handwritten on verso in pencil, along with "Lubken." Additional contextual information gleaned from a related print in the collection (L0460): "wife of one of the Apache laborers on the Salt River project."

Physical Description

1 folder34.5 x 27 cm.

Lubken, Walter J. (1881-1960). Salt River project, Arizona, 1908. 1 folder.
Scope and Contents

An Apache woman weaves a basket in front of a dwelling, surrounded by materials. "No. 789. Salt River project, Arizona. An industrious Apache backet maker, wife of one of the Apache laborers on the Salt River project. W.J. Lubken" typed on verso. Date gleaned from a related print in the collection (L0459). Crease across upper left corner of print.

Physical Description

1 folder34.5 x 26 cm.

Lubken, Walter J. (1881-1960). Apache Indian papoose, 1904-1910. 1 folder.
Scope and Contents

An Apache child bundled in a papoose. Title handwritten in pencil on verso. Tear and damage to print along the upper edge.

Physical Description

1 folder27 x 34.5 cm.

Lubken, Walter J. (1881-1960). Cliff dwelling showing single room, 1904-1910. 1 folder.
Scope and Contents

The ruins of a single room within a larger cliffdwelling ruin; additional information gleaned from related print (L0463): one of 28 rooms in a Salado Indian ruin five miles south of the Roosevelt Dam. Title handwritten in pencil on verso. Damage along right and bottom edge of print.

Physical Description

1 folder27 x 34.5 cm.

Lubken, Walter J. (1881-1960). Cliff dwellings 5 miles below Roosevelt, 1904-1910. 1 folder.
Scope and Contents

"Cliff dwellings 5 miles below Roosevelt Contains 28 rooms in all Apache Indians" handwritten on verso. Actually the home of the Salado culture. Roosevelt refers to the Roosevelt Dam. Related to print L0462.

Physical Description

1 folder34.5 x 27 cm.

Explorers and natives in a narrow canyon, 1890-1900. 1 folder.
Scope and Contents

Two men in Westernstyle dress and three Native Americans explore a narrow canyon. Signature in white ink on lower right reads: "© Mode Minerman" or perhaps "Ninerman." Mounted on board. Title provided by cataloger. No other contextual information available.

Physical Description

1 folder49.5 x 38 cm.

Bowen, J.O.. Wardner, Idaho, 1888. 1 folder.
Scope and Contents

Aerial view of houses and streets in Wardner, Idaho. Title and date handwritten in pencil on recto, along with photographer's wetstamp imprint. No additional information determined. Related to L0466.

Physical Description

1 folder18.5 x 11.5 cm.

Bowen, J.O.. Wardner, Idaho, circa 1888. 1 folder.
Scope and Contents

Aerial view of houses and streets in Wardner, Idaho. Photographer's wetstamp imprint on recto. No additional information determined. Title and date information supplied by cataloger and based on context of related print L0465.

Physical Description

1 folder24 x 20 cm.

Muhr, Adolph F. (1913). Chief Goes to War, circa 1898. 1 folder.
Scope and Contents

Copyright 1898. Standing studio portrait of delegate Chief Zuya Hiyaya (Goes To War or Pretty Bird, ca. 1855ca. 1930) wearing a beaded hide shirt, kerchief, and bone breastplate. Member of Sicangu Lakota (Brulé Sioux). Handlettered inventory number "No. 764" in lowerright corner. Mounted on 36 x 28.5 cm. board. Title derived from handwritten information in print. Additional descriptive and cultural information from the National Museum of the American Indian.

Physical Description

1 folder23 x 18.5 cm.

Barry, D. F. (David Francis) (1854-1934). Taking the census at Standing Rock Indian Reservation, circa 1886. 1 folder.
Scope and Contents

The 1886 (?) Census at Standing Rock Indian Reservation. Agent James McLaughlin is seated by the table on the left; Chief Gall is standing between the tables. Mounted on 25 x 30.5 cm. card. Corresponds to Denver Public Library's Negative No. B746. Other variant is B745. Photographer's imprint on mount recto, possibly printed circa 1890s. Manuscript notation "54" on mount verso.

Physical Description

1 folder15.5 x 23.9 cm.

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Barry, D. F. (David Francis) (1854-1934). D.F. Barry and RainintheFace, circa 1885. 1 folder.
Scope and Contents

Photographer D.F. Barry stands with RainintheFace in a full length studio portrait. Photographer's blind stamp on mount recto with two additional ink stamps identifying the subjects. Autograph inscription on mount recto reads: "M. H. Jewell. With good wishes of D.F. Barry." M.H. Jewell compiled Jewell's First Annual Directory of the City of Bismarck (Bismarck, DT: MH Jewell, 1879) and worked for the Bismarck Tribune. Possibly printed in the 1910s; mounted on a 35 x 30 cm. mount. Negative number B159 at the Denver Public Library.

Physical Description

1 folder24 x 19 cm.

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Moon, Carl (1878-1948). Corn Song, 1906. 1 folder.
Scope and Contents

A Native American plays the flute while another listens. Image appeared in Moon's Indians of the Southwest where the man playing is identified as Juan Concho.

Physical Description

1 folder35.5 x 41.5 cm.

Muhr, Adolph F. (1913). Hubble Big Horse, 1898-1898. 1 folder.
Scope and Contents

Date, title, photographer attribution and inventory number "789" in print.

Physical Description

1 folder23.5 x 18 cm.

Fly, C. S. (Camillus Sidney) (1849-1901). Géronimo and Naiche, 1886. 1 folder.
Scope and Contents

Albumen print boudoir cabinet card, titled in the negative: "No. 171—Geronimo and Natches mounted, Natches with hat on; son of Geronimo standing by his side"

Rare image of the two Apache chiefs and Géronimo's son while they were banded together to fight against forced relocation to the San Carlos Apache Indian Reservation in Arizona taken by C.S. Fly during the surrender negotiations before they were imprisoned at Fort Marion in St. Augustine, Florida. Fly's photographs were the only images taken at the event.

Photographer's copyright in the negative and with his stamp on verso

Physical Description

1 folder13.3 x 21 cm

Sturdevant, Eugenio K.. Third mission, circa 1890. 1 folder.
Scope and Contents

Missions in 1886 ; no. 713

Mounted on 21 x 13 cm. card.

Physical Description

1 folder11 x 18 cm.

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Sturdevant, Eugenio K.. 2nd mission, 1st front, circa 1890. 1 folder.
Scope and Contents

Missions in 1886 ; no. 706

Mounted on 21 x 13 cm. card.

Physical Description

1 folder18 x 11 cm.

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Sturdevant, Eugenio K.. Cathedral of San Fernando, rear, circa 1890. 1 folder.
Scope and Contents

Missions in 1886 ; no. 716

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 18 cm.

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Four men wearing Western Federation of Miners ribbons, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 20 x 15 cm. board.

Physical Description

1 folder15 x 10 cm.

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Fox & Symons (Firm). Studio portrait of a girl with her doll seated in background, likely taken in Salt Lake City, Utah, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 10 cm. card.

Physical Description

1 folder19 x 10 cm.

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Sainsbury & Johnson. Studio portrait of an infant, likely taken in Salt Lake City, Utah, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 11 cm. card.

Physical Description

1 folder14 x 10 cm.

Materials Viewable Online
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Alseen, A.. Studio portrait of five children and their dog, likely taken in Salt Lake City, Utah, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 11 cm. card.

Physical Description

1 folder15 x 10 cm.

Materials Viewable Online
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Anderson, George Edward (1860-1928). Studio portrait of a young man, likely taken in Salt Lake City, Utah, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 11 cm. card.

Physical Description

1 folder15 x 11 cm.

Materials Viewable Online
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Stringham & Howarth. Vignette portrait of a bearded man, likely taken in Salt Lake City, Utah, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 11 cm. card.

Physical Description

1 folder15 x 10 cm.

Materials Viewable Online
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Stringham & Howarth. Studio portrait of a little girl, likely taken in Salt Lake City, Utah, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 11 cm. card.

Physical Description

1 folder15 x 10 cm.

Materials Viewable Online
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Studio portrait of a young man, likely taken in Salt Lake City, Utah, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 11 cm. card.

Physical Description

1 folder15 x 10 cm.

Materials Viewable Online
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F.G. Rance & Company. Vignette portrait of two young women, likely taken in Salt Lake City, Utah, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 11 cm. card.

Physical Description

1 folder15 x 10 cm.

Materials Viewable Online
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Anderson & Crandall. Vignette portrait of a young woman, likely taken in Salt Lake City, Utah, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 11 cm. card.

Physical Description

1 folder14 x 10 cm.

Materials Viewable Online
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Ellis & Goodwin. Studio portrait of a young man, likely taken in Salt Lake City, Utah, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 11 cm. card.

Physical Description

1 folder15 x 10 cm.

Materials Viewable Online
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Collins. Oldest Apache of the tribe, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 13 cm. card.

Physical Description

1 folder14 x 10 cm.

Materials Viewable Online
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Adams Brothers Portrait Landscape Photography (Firm). Studio portrait of a little girl, likely taken in Ogden, Utah, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 11 cm. card.

Physical Description

1 folder19 x 10 cm.

Materials Viewable Online
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Wittick, Ben (1845-1903). View in Sitchumovi, Moqui village, Arizona, circa 1890. 1 folder.
Scope and Contents

Mounted on 14 x 22 cm. card.

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder12 x 20 cm.

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Seumptewa, Owen (Native American photographer, born 1946). Elderly Navajo couple, circa 1985. 1 folder.
Scope and Contents

Cataloger supplied title. Copyright 1985.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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HenookMakheweKelenaka in traditional buckskin dress seated in front of a woven tapestry, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Angel De Cora Dietz."

Physical Description

1 folder14 x 11 cm.

Materials Viewable Online
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HenookMakheweKelenaka in traditional buckskin dress standing in front of a woven tapestry and holding cradleboards, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Angel De Cora Dietz."

Physical Description

1 folder16 x 10 cm.

Materials Viewable Online
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Woman in traditional buckskin dress standing in front of woven tapestry and holding cradleboards, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder16 x 10 cm.

Materials Viewable Online
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Annie Kowuni in traditional buckskin dress standing in front of a woven tapestry and holding cradleboards, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Annie Kowuni."

Physical Description

1 folder14 x 11 cm.

Materials Viewable Online
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Seumptewa, Owen (Native American photographer, born 1946). Young sacred clown, 1973. 1 folder.
Scope and Contents

Title supplied by catalog The photograph and the American Indian. Copyright 1985. Taken at the Second Mesa Day School during Indian Day.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Group portrait of H.B. Frissel's Sioux party, 1884, circa 1884. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 2. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Group portrait of young Indian men wearing uniforms, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 3. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder20 x 16 cm.

Materials Viewable Online
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New Year's parade in rain, 1885, 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 33. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Indian boys with the Academic and Science Hall in background, 1885, 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 34. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Sturdevant, Eugenio K.. Fourth mission, circa 1890. 1 folder.
Scope and Contents

Missions in 1886 ; no. 714

Mounted on 13 x 21 cm. card.

Physical Description

1 folder18 x 11 cm.

Materials Viewable Online
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Sturdevant, Eugenio K.. Alamo, winter, circa 1890. 1 folder.
Scope and Contents

Missions in 1886 ; no. 701

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Sturdevant, Eugenio K.. Second mission, southwest view, circa 1890. 1 folder.
Scope and Contents

Missions in 1886 ; no. 710

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Sturdevant, Eugenio K.. First mission, side, circa 1890. 1 folder.
Scope and Contents

Missions in 1886 ; no. 705

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Sturdevant, Eugenio K.. Spanish dagger, circa 1890. 1 folder.
Scope and Contents

Mexican series

Written on verso: "Spanish dagger." Possibly taken in Texas. Mounted on 13 x 21 cm. "Missions in 1886" card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Sturdevant, Eugenio K.. Getting supper, circa 1885. 1 folder.
Scope and Contents

Mexican series

Written on verso: "Mexican series. Getting supper." Possibly taken in Texas. Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, A. A.. Studio portrait of an infant, possibly taken in Wyoming, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 11 cm. card.

Physical Description

1 folder14 x 10 cm.

Materials Viewable Online
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Brown, A. A.. Studio portrait of a Chinese man in traditional Chinese dress, possibly taken in Wyoming, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 11 cm. card.

Physical Description

1 folder14 x 10 cm.

Materials Viewable Online
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Brown, A. A.. Studio portrait of a woman with her baby, possibly in Wyoming, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 11 cm. card.

Physical Description

1 folder14 x 10 cm.

Materials Viewable Online
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Five men gathered around a possible wooden containment wall, possibly in Arizona, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 13 x 18 cm. board.

Physical Description

1 folder10 x 15 cm.

Materials Viewable Online
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Yaqui Indians watching a street performer who is being accompanied by a man with a fiddle, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Picture has saguaro cactus. Must be Yaqui village in southern Arizona. Al Schroeder."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Galbraith, Mrs. H.. Minnehaha Falls, Pike's Peak trail, circa 1885. 1 folder.
Scope and Contents

Mounted on 18 x 12 cm. card. Printed on verso: "Mrs. A. Galbreaith."

Physical Description

1 folder17 x 11 cm.

La Roche, Frank (1853-1934). Hotel Rainer, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "Hotel Rainer."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Bonine, Elias A. (1843-1916). Studio portrait of an Indian woman with face paint and kilt, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 19 x 12 cm. card.

Physical Description

1 folder18 x 12 cm.

Materials Viewable Online
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Marble, Harmon Percy (1870-1945). Butterfly dance 1913, 1913. 1 folder.
Scope and Contents

Written on verso: "Butterfly dance 1913."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Marble, Harmon Percy (1870-1945). Young Navajo girl 1912, 1912. 1 folder.
Scope and Contents

Written on verso: "Young Navajo girl 1912."

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Marble, Harmon Percy (1870-1945). Four Indian women, possibly Menominee Indians, in front of a reed hut, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Marble, Harmon Percy (1870-1945). Indian men, possibly Menominee Indians, participating in a funeral, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Northwestern Photographic Company. Two Strike and Crow Dogs camp, Pine Ridge Agency, S.D., Dec. 18th 1890, 1890. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Studio portrait of an Indian man, possibly from eastern Washington, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "found in eastern Washington." Mounted on 17 x 14 cm. card.

Physical Description

1 folder11 x 10 cm.

Materials Viewable Online
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Irwin. Indians in parade at Anadarko, circa 1890. 1 folder.
Scope and Contents

Written on verso: "Indians in parade at Anandarko." Mounted on 14 x 19 cm. card.

Physical Description

1 folder10 x 14 cm.

Materials Viewable Online
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Shiffert, Fred R.. Mary Cyotte, Sioux Indian, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Mary Cyotte, Sioux Indian." Mounted on 18 x 13 cm. card.

Physical Description

1 folder15 x 10 cm.

Materials Viewable Online
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Williams. Frank Howling Wolf, 1913. 1 folder.
Scope and Contents

Written on verso: "Frank Howling Wolf."

Physical Description

1 folder24 x 19 cm.

Materials Viewable Online
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Parkhurst, T. Harmon. Taos Pueblo, circa 1935. 1 folder.
Scope and Contents

Written on verso: "Taos Pueblo, ca. 1935."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Three Hispanic women, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder19 x 11 cm.

Materials Viewable Online
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Two women, carriages, and horses in front of a stone building, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Human remains, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Two women, two men, and a lamb in front of a rock formation, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder20 x 12 cm.

Materials Viewable Online
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Two women and seven men, including two Indians, in the doorway of a stone building, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder20 x 12 cm.

Materials Viewable Online
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Indian man with a blue painted face, 1975. 1 folder.
Scope and Contents

Cataloger supplied title. Color photograph.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Healey, Giles G. (Giles Greville) (1901-1980). Lacandons, two men and a boy in the ruins of the central Maya temple at Bonampak, which remains their place of worship, circa 1946. 1 folder.
Scope and Contents

Written on verso: "Lacandons, two men and a boy in the ruins of the central Maya temple at Bonampak, which remains their place of worship." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Healey, Giles G. (Giles Greville) (1901-1980). Ruins of a sculpted stone at the Bonampak Site, circa 1946. 1 folder.
Scope and Contents

Cataloger supplied title. Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Healey, Giles G. (Giles Greville) (1901-1980). Villagra, National Museum of Mexico reproduction of ancient Mayan frescoes discovered by Giles G. Healey at Bonampak ruins, Chiapas, Mexico, circa 1946. 1 folder.
Scope and Contents

Cataloger supplied title. Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Healey, Giles G. (Giles Greville) (1901-1980). Lacondon hunter with kill of monkey, circa 1946. 1 folder.
Scope and Contents

Written on verso: "Lacondon hunter with kill of monkey." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Healey, Giles G. (Giles Greville) (1901-1980). Lacondon boatman travels Laguna lake ancient Maya style, circa 1946. 1 folder.
Scope and Contents

Written on verso: "Lacondon boatman travels Laguna lake ancient Maya style." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Healey, Giles G. (Giles Greville) (1901-1980). Man, possibly Healey, riding donkey, circa 1946. 1 folder.
Scope and Contents

Cataloger supplied title. Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Healey, Giles G. (Giles Greville) (1901-1980). Villagra, National Museum of Mexico reproduction of ancient Mayan frescoes discovered by Giles G. Healey at Bonampak ruins, Chiapas, Mexico, circa 1946. 1 folder.
Scope and Contents

Written on verso: "Villagra, National Museum of Mexico reproduction of ancient Mayan frescoes discovered by Giles G. Healey at Bonampak ruins, Chiapas, Mexico." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Healey, Giles G. (Giles Greville) (1901-1980). Lacandon mother and child, circa 1946. 1 folder.
Scope and Contents

Written on verso: "Lacandon mother and child." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Healey, Giles G. (Giles Greville) (1901-1980). At Bonampak, J. Eric S. Thompson, renowned Carnegie epigrapher enters ruins with Lacandon Indians, circa 1946. 1 folder.
Scope and Contents

Written on verso: "At Bonampak, J. Eric S. Thompson, renowned Carnegie epigrapher enters ruins with Lacandon Indians." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Healey, Giles G. (Giles Greville) (1901-1980). Lacondon Indian, circa 1946. 1 folder.
Scope and Contents

Cataloger supplied title. Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Healey, Giles G. (Giles Greville) (1901-1980). Palenque, Chiapas, circa 1946. 1 folder.
Scope and Contents

Written on verso: "Palenque, Chiapas." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Healey, Giles G. (Giles Greville) (1901-1980). Lacondon man sitting before ruins of a sculpted stone at the Bonampak Site, circa 1946. 1 folder.
Scope and Contents

Cataloger supplied title. Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Healey, Giles G. (Giles Greville) (1901-1980). John Eric Sidney Thompson examining Lacondon Indians, circa 1946. 1 folder.
Scope and Contents

Cataloger supplied title. Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Healey, Giles G. (Giles Greville) (1901-1980). Maya descendents still roof their homes with grass thatch, circa 1946. 1 folder.
Scope and Contents

Written on verso: "Maya descendents still roof their homes with grass thatch." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Healey, Giles G. (Giles Greville) (1901-1980). Lacondon home, circa 1946. 1 folder.
Scope and Contents

Written on verso: "Lacondon home." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Healey, Giles G. (Giles Greville) (1901-1980). Lacondon making clay pots, circa 1946. 1 folder.
Scope and Contents

Written on verso: "Lacondon home." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Healey, Giles G. (Giles Greville) (1901-1980). Lacondon woman, circa 1946. 1 folder.
Scope and Contents

Cataloger supplied title. Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Healey, Giles G. (Giles Greville) (1901-1980). Lacondons chop a canoe out of mahogany log, circa 1946. 1 folder.
Scope and Contents

Cataloger supplied title. Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Marble, Harmon Percy (1870-1945). Mesa Verde National Park, Colorado, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title. Attributed to Marble by dealer.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Marble, Harmon Percy (1870-1945). Mesa Verde National Park, Colorado, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title. Attributed to Marble by dealer.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Marble, Harmon Percy (1870-1945). Two Indian men and an Indian woman in front of a teepee, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title. Attributed to Marble by dealer.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Marble, Harmon Percy (1870-1945). Jim Crow, last blanket[?] Indian of his tribe, circa 1920. 1 folder.
Scope and Contents

Written on verso: "Jim Crow, last blanket[?] Indian of his tribe." Attributed to Marble by dealer.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Marble, Harmon Percy (1870-1945). Dakota Indian woman with a baby on her back, Ft. Thompson, circa 1920. 1 folder.
Scope and Contents

Written on verso: "Ft. Thompson." Attributed to Marble by dealer.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Marble, Harmon Percy (1870-1945). Talking God, the principal Navajo holy person, as he appears when impersonated by a Navajo man for ceremonies, 1911. 1 folder.
Scope and Contents

Cataloger supplied title. Attributed to Marble by dealer; date and location provided by dealer.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Marble, Harmon Percy (1870-1945). Indian man, possibly a Navajo Indian, in front of a wooden structure, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title. Attributed to Marble by dealer.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Marble, Harmon Percy (1870-1945). Navajo man and his dog in front of hogan, 1920. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Navajo hogan 1920." Attributed to Marble by dealer; location supplied by dealer.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Marble, Harmon Percy (1870-1945). Three genera[tions] of Oma[ha] Indian[s], circa 1920. 1 folder.
Scope and Contents

Written on verso: "Mr. Henery Woods daughter and grandaughter [sic]." Attributed to Marble by dealer.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Marble, Harmon Percy (1870-1945). Navajo man and woman wearing rugs and standing in front of Warren Trading Post Co, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title. Attributed to Marble by dealer.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Hopi weaving, circa 1900. 1 folder.
Scope and Contents

Written on verso: "A Hopi weaving." Copyright 1901 held by James & Pierce. Stamp of photographers C.C. Pierce of Los Angeles, Calif., on verso. Pierce bought Wharton's negatives of Indians.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Older Indian man in a feather hat holding a bow and arrows, possibly praying, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Chinamen, circa 1880. 1 folder.
Scope and Contents

Written on mount: "Chinamen." Photograph mounted on 16 x 20 cm. paper.

Physical Description

1 folder13 x 19 cm.

Materials Viewable Online
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Indian men, possibly Dakota Indians, sitting in a circle, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder19 x 11 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). View of a canyon landscape, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. 1902 copyright held by C.C. Pierce.

Physical Description

1 folder15 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Nahthama, his father, & daughter, circa 1902. 1 folder.
Scope and Contents

Written on verso: "Nahthama, his father, & daughter." Cataloger supplied title. Copyright 1902.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Bridal Veil Falls, Cataract Canyon, Ariz, circa 1900. 1 folder.
Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Havasupai gambling in Cataract Canyon, Ariz, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Havasupai gambling in Cataract Canyon, Ariz."

Physical Description

1 folder16 x 20 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Palomas Apache man, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Palomas Apache."

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Elderly Indian woman with four children, possibly taken in Arizona, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Giut, an old Havasupai, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Giut, an old Havasupai." Likely taken in Arizona.

Physical Description

1 folder21 x 13 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Elderly Indian man wearing Western clothing, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Punh [?]." Likely taken in Arizona.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Indian woman carrying a baby on her back, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Chem." Likely taken in Arizona.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Indian woman wrapped in a shawl and seated in front of an adobe house, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in Arizona.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Havasupai preparing buckskin, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Havaupai preparing buckskin."

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Elderly Indian woman standing on the roof of a pueblo, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. 1901 copyright held by James & Pierce. Stamp of C.C. Pierce, Los Angeles, Calif., on verso. Likely taken in Arizona.

Physical Description

1 folder15 x 20 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Elderly Indian man seated on stone steps, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in Arizona.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Havasupai Indian man drinking from a clay container, circa 1899. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Havasupai [?] drinking." Copyright 1899. Likely taken in Arizona.

Physical Description

1 folder22 x 17 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Ten clay containers hanging on a wall, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in Arizona.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Elderly Yuma Indian man, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Yuma." Likely taken in Arizona.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Indian drums hanging on a wall, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in Arizona.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Indian woman standing in front of a detail of the Mitla Site, 1896. 1 folder.
Scope and Contents

Cataloger supplied title. Printed on recto: "Mitla."

Physical Description

1 folder19 x 12 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Oraibi women building house, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Oraibi women building house." 1901 copyright held by James & Pierce. Likely taken in Arizona.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Wiki : antelope chief at Walpi, circa 1897. 1 folder.
Scope and Contents

Copyright 1897.

Physical Description

1 folder21 x 15 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). In Marble Canyon of the Colorado River, circa 1898. 1 folder.
Scope and Contents

Copyright 1898.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Walulhama & his brother : Havasupai, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Walulhama & his brother, Havasupai." Likely taken in Arizona.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Havasupai mother and child, circa 1899. 1 folder.
Scope and Contents

Copyright 1899. Printed on recto: "659." Likely taken in Arizona.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Hualapai Indian woman carrying laod, circa 1899. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Wallapai." Printed on recto: "3180." Likely taken in Arizona.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Antelope men in line : snake dance Mashongnavi, circa 1897. 1 folder.
Scope and Contents

1897 copyright held by E.E. Hall. Stamped on verso: "G. Wharton James Collection. Hopi."

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Moki snake dancer, Oraibi, 1896 : antelope priests in line, rearview, 1896. 1 folder.
Scope and Contents

Stamped on verso: "G. Wharton James Collection. HopiArizona."

Physical Description

1 folder13 x 20 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Oraibi : antelope priests perfoming ceremonial ablutions, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "1017." Stamped on verso: "G. Wharton James Collection. HopiArizona."

Physical Description

1 folder20 x 24 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Interior of pueblo house at Zuni, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "447." Stamped on verso: "G. Wharton James Collection." Written on verso: "House of WeWa, Zuni."

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Indian Pueblo of Cochiti and vicinity ; Man standing by heavy wooden doors ornamented with a coatofarms, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Two cyanotypes printed on one sheet, one with the printed title caption "The Indian Pueblo of Cochiti and vicinity." Likely by Lummis.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Spring footraces, Pueblo of Isleta, N.M, circa 1891. 1 folder.
Scope and Contents

Copyright 1891. Stamped on verso: "Charles F. Lummis Collection." Printed on recto: "1112."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Moqui pueblos : maid & matron of Hualpi, circa 1899. 1 folder.
Scope and Contents

Copyright 1899. Printed on recto: "1406." Preservation.

Physical Description

1 folder20 x 13 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Hashte Garcia, the oldest of the Queres, circa 1891. 1 folder.
Scope and Contents

Copyright 1891. Printed on recto: "46." Preservation.

Physical Description

1 folder19 x 13 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Tigua Indian throwing the lasso, circa 1890. 1 folder.
Scope and Contents

Copyright 1890. Printed on recto: "593."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Spring footraces, Pueblo of Isleta, N.M, circa 1891. 1 folder.
Scope and Contents

Copyright 1891. Printed on recto: "1110."

Physical Description

1 folder13 x 21 cm.

Lummis, Charles Fletcher (1859-1928). Pueblo Indian family, circa 1890. 1 folder.
Scope and Contents

Copyright 1890. Printed on recto: "541."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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La Roche, Frank (1853-1934). Indian merchants at Juneau, Alaska, circa 1897. 1 folder.
Scope and Contents

Printed on recto: "243."

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Boyd-Whitesinger, A.. Indian woman in cowboy clothes, circa 1975. 1 folder.
Scope and Contents

Written on verso: "A. BoydWhitesinger."

Physical Description

1 folder25 x 18 cm.

Materials Viewable Online
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Boyd-Whitesinger, A.. Bullrider, circa 1975. 1 folder.
Scope and Contents

Written on verso: "A. BoydWhitesinger." Written on verso: "Bullrider, Hight Ly[?] (Whites whiter)."

Physical Description

1 folder19 x 26 cm.

Materials Viewable Online
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Boyd-Whitesinger, A.. Five Indian children, circa 1975. 1 folder.
Scope and Contents

Written on verso: "A. BoydWhitesinger."

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Maude, Frederick H.. General view of Oraibi, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "1301."

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Alley between houses, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "2366."

Physical Description

1 folder21 x 13 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Mexican peasants, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Navajo women and children, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Ouray, chief of the Utes, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Ouray, chief of the Utes."

Physical Description

1 folder21 x 9 cm.

Materials Viewable Online
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Cochiti Indians participating in a ceremony, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Martin Herrera, 1900 Chochiti?."

Physical Description

1 folder18 x 12 cm.

Materials Viewable Online
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Cochiti Indians participating in a ceremony, 1897. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Chochiti" and "1897."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Ruins of Gran Quivira, New Mexico, 1896. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Gran Quivira." One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Carved beam from Gran Quivira church, 1896. 1 folder.
Scope and Contents

Written on verso: "Carved beam from Gran Quivira Church." One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Beam at Gran Quivira, 1896. 1 folder.
Scope and Contents

Written on verso: "Beam at Gran Quivira." One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Ruins of Gran Quivira, New Mexico, 1896. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Gran Quivira." One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Ruins of Gran Quivira, New Mexico, 1896. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Gran Quivira." One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Ruins of Gran Quivira, New Mexico, 1896. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Gran Quivira." One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Ruins of Gran Quivira, New Mexico, 1896. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Two men and a horsedrawn wagon in front of a log cabin, possibly near Gran Quivira, New Mexico, 1896. 1 folder.
Scope and Contents

One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Ruins of Gran Quivira, New Mexico, 1896. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Ruins of Gran Quivira, New Mexico, 1896. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Goldan on Cerrillos, circa 1896. 1 folder.
Scope and Contents

Written on verso: "Goldan on Cerrillos."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Cerrillos mines, circa 1896. 1 folder.
Scope and Contents

Written on verso: "Cerrillos mines."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Cerrillos mines, 1896. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "1896." Formerly part of the Gladys Gilmour Collection of New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Pueblo Indians performing a ceremony with tourists looking on, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Domingo."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Cerrillos mines, circa 1896. 1 folder.
Scope and Contents

Written on verso: "Cerrillos mines."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Pueblo Indians performing a ceremony, Santo Domingo, New Mexico., 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Aug. 4, 1900" and "Domingo."

Physical Description

1 folder13 x 19 cm.

Materials Viewable Online
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Pueblo Indians and white men gathered around a group of musicians, Santo Domingo, New Mexico, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 19 cm.

Materials Viewable Online
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Pueblo Indians performing a ceremony with tourists looking on, Santo Domingo, New Mexico, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Street view, Santo Domingo, New Mexico, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Pottery on display, Santo Domingo, New Mexico, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Pueblo Indians performing a ceremony with tourists looking on, Santo Domingo, New Mexico, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Martin Herrera."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Pueblo Indians performing a ceremony, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Domingo."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Largo Canyon ruins left by the Jemez Indians, New Mexico, 1896. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Jemez?" and "1896." Formerly part of the Gladys Gilmour Collection of New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Largo Canyon ruins left by the Jemez Indians, New Mexico, circa 1896. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Brick building, possibly in New Mexico, 1896. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "1896." Formerly part of the Gladys Gilmour Collection of New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Bridge on Rio Grande, circa 1895. 1 folder.
Scope and Contents

Written on verso: "Bridge on Rio Grande." Likely taken in New Mexico.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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View of a town situated in a valley, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Spectators watching a horserace, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico. Photograph has been exposed twice.

Physical Description

1 folder11 x 17 cm.

Materials Viewable Online
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Spectators watching an Indian ceremony at an unidentified pueblo, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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View of an unidentified pueblo, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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View of an unidentified pueblo, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Men watching and caring for corralled horses, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Man and women with two domesticated wolves, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Group of tents set up on the outskirts of town, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Young girl in front of waterfall, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Road cut through hillside, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Snowcovered hillside, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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View of a town, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Railroad tracks running through a desert landscape, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken at the D&RGW at Parkdale, Colorado

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Five men posing in front of a tent labeled Campo Soltero, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Studio group portrait of Colorado lawmakers, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 26 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Two men standing by a train car full of passengers, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico. Part of photograph missing.

Physical Description

1 folder13 x 15 cm.

Materials Viewable Online
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Men playing baseball, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder10 x 17 cm.

Materials Viewable Online
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Tree stump at the edge of creek, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Man drinking from stream, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Tree stump at the edge of creek, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Tent labeled "Campo de los Tres Osos" pitched in pine forest, circa 1896. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Two boys boxing, with two men looking on, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Parade down the street of an unidentified town, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico. Photograph has been exposed twice.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Rock formation, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Rock formation, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Two women, a man, and two dogs sitting in front of machinery possibly used for mining, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Two men, one on horseback, on a dirt road, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Military parade down the street of an unidentified town, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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View of a river, possibly the Rio Grande, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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View of a field with Jemez Mountains in the background, circa 1896. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Two women standing on top of a rock formation, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Rock formation, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Six men posing in front of Sulphur Springs, circa 1896. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Indian woman climbing down a ladder into a crevice, with three men watching, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Man crossing narrow stream, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Man crossing narrow stream, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Rock formation, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Three women and a man picnicking along a stream, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Man standing in rock formation, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Three men and a horse, possibly involved in logging operations, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Four men, one sitting in a horsedrawn carriage, on a dirt road with a logcabin in the distance, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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San Miguel church, 1896. 1 folder.
Scope and Contents

Written on verso: "San Miguel church" and "1896." Formerly part of the Gladys Gilmour Collection of New Mexico.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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View of a field with Jemez Mountain in the background, 1896. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Jemez Mt. Aug. 1896." Formerly part of the Gladys Gilmour Collection of New Mexico.

Physical Description

1 folder13 x 17 cm.

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Corpus Christi celebration, possibly in Santa Fe, New Mexico, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Corpus Christi."

Physical Description

1 folder12 x 17 cm.

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Tent labeled "Campo de los Tres Osos" pitched in pine forest, 1896. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Campo los Tres Osos. Aug. 1896" and "Julius Ottman / Ethel Thorpe." Likely taken in New Mexico. Formerly part of the Gladys Gilmour Collection of New Mexico.

Physical Description

1 folder13 x 18 cm.

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Six men posing in front of Sulphur Springs, 1896. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Sulphur Springs. 1896." Formerly part of the Gladys Gilmour Collection of New Mexico.

Physical Description

1 folder13 x 18 cm.

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Indian woman climbing down a ladder into a crevice, with three men watching, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Miguelita." Likely taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

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Cochiti woman preparing food inside of her home, 1896. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Cochiti 1896" Formerly part of the Gladys Gilmour Collection of New Mexico.

Physical Description

1 folder13 x 18 cm.

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Masayesva, Victor. Rain runner, 1984. 1 folder.
Scope and Contents

Masks and metaphors ; no. 2

Masks and metaphors, no. 2 consists of two photographs. A Hopi runner is photographed as though he seen through the two openings of a kachina mask. This photograph should appear on the left.

Physical Description

1 folder16 x 22 cm.

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Masayesva, Victor. Rain runner, 1984. 1 folder.
Scope and Contents

Masks and metaphors ; no. 2

Masks and metaphors, no. 2 consists of two photographs. A Hopi runner is photographed as though he seen through the two openings of a kachina mask. This photograph should appear on the right.

Physical Description

1 folder16 x 22 cm.

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Rinehart, F. A. (Frank A.). Squaws going to dance, Crow, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "No. 1772."

Physical Description

1 folder19 x 24 cm.

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Pennington, William M.. Studio portrait of an aged Navajo man, circa 1905. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 20 cm.

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Carpenter. Indian family, circa 1905. 1 folder.
Scope and Contents

Mounted on paper.

Physical Description

1 folder19 x 25 cm.

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Savage, C. R. (Charles Roscoe) (1832-1909). Garfield Landing, Salt Lake, circa 1880. 1 folder.
Physical Description

1 folder23 x 28 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Leader of Moki dancers at Tuba City, Ariz, circa 1895. 1 folder.
Scope and Contents

Written on verso: "Leader of Mohi dancers at Tuba City, Ariz." Gift of Mrs. Hector Alliert, Feb. 8, 1945.

Physical Description

1 folder22 x 16 cm.

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Taber, I. W. (Isaiah West) (1830-1912). "Mission El Carmel," established 1770, Monterey, Cal, circa 1880. 1 folder.
Physical Description

1 folder21 x 30 cm.

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Vroman, A. C. (Adam Clark) (1856-1916). Flute ceremony at Walpi, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Printed on recto: "1020."

Physical Description

1 folder15 x 20 cm.

Materials Viewable Online
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Corpus Christi procession at Ignatius Mission, Flathead Indian Reservation, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Corpus Christi procession at Ignatius Mission, Flathead Indian Reservation." Two uncut photographs.

Physical Description

1 folder20 x 25 cm.

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Rinehart, F. A. (Frank A.). Chief Spotted Horse, Crow, circa 1900. 1 folder.
Scope and Contents

Copyright 1900.

Physical Description

1 folder20 x 24 cm.

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Thompson, S. J.. "Winnipeg Jack," Blackfoot Indian, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "583." Gift of William G. Mackenzie, Class of 1935.

Physical Description

1 folder24 x 19 cm.

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Large group of men, some in military uniforms, women, and children, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 26 cm. board. Names of some group members noted on mount.

Physical Description

1 folder16 x 21 cm.

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James, George Wharton (1858-1923). Temporary structure with grass roof with man lounging nearby, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Chem[?] camp."

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Elderly Indian man, possibly a Navajo, sitting in front of a doorway, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Navaho old woman, circa 1900. 1 folder.
Scope and Contents

Written on verso: "A Navaho old woman." Printed on recto: "3230."

Physical Description

1 folder21 x 16 cm.

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James, George Wharton (1858-1923). Young Indian woman with her child, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 17 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Elderly Indian woman, possibly a Navajo, carrying a basket, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 17 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Oraibi women building house, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Oraibi women building house."

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Maiden of Mashongnavi, Ariz, circa 1900. 1 folder.
Scope and Contents

Bookdealer's stamp of W.W. Osborne, Santa Barbara, Calif., on verso.

Physical Description

1 folder20 x 13 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Elderly Indian man carrying a bundle, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 15 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Wiki, chief antelope priest, Walpi, circa 1900. 1 folder.
Physical Description

1 folder21 x 15 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Indian woman carrying a baby on her back, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder22 x 17 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Antelope men, possibly performing the snake dance at Mashongnavi, circa 1897. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Elderly Indian woman stading in front of a wall, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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Compton, Alonzo (1867-1938). Indian couple standing outside their adobe home in New Mexico, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Photographer information supplied by dealer.

Physical Description

1 folder13 x 21 cm.

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Maricopa pottery making sequence : pulverizing pot sherds for temper, circa 1940. 1 folder.
Scope and Contents

Written on verso: "Maricopa pottery making sequence / pulverizing pot sherds for temper."

Physical Description

1 folder13 x 18 cm.

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TsiYone (Flying), one of the best potters, winner of prize at Santa Fe, 19221923, 1939. 1 folder.
Scope and Contents

Written on verso: "Zia. TsiYone (Flying), one of the best potters, winner of prize at Santa Fe, 19221923.1939."

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Wright, Bill (1933). Dance during celebration of St. Anthony in front of church, Ysteta, Texas, 1987. 1 folder.
Scope and Contents

Written on verso: "Dance during celebration of St. Anthony in front of church, Usteta, Texas."

Physical Description

1 folder21 x 26 cm.

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Parker, Francis. Pueblo Indian village at Laguna, A. & P.R.R, circa 1870. 1 folder.
Scope and Contents

Printed on recto: "458."

Physical Description

1 folder11 x 18 cm.

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H.B. Nims & Co.. Indian supply train, Ute Pass, 1886. 1 folder.
Physical Description

1 folder22 x 16 cm.

Materials Viewable Online
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Heritage Prints. Paiute Indians at Kanosh, 1900. 1 folder.
Scope and Contents

Written on verso: "Paiute Indians at Kanosh."

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Nusbaum, Jesse L. (Jesse Logan). Waffle gardens, Zuni Pueblo, New Mexico, 191015, circa 1910. 1 folder.
Scope and Contents

Written on verso: "Waffle gardens, Zuni Pueblo, New Mexico, 191015. Museum of New Mexico (Negative no. 8742)."

Physical Description

1 folder21 x 26 cm.

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Indian man, posssibly a Cherokee, sitting crosslegged and holding a pipe, circa 1870. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder22 x 17 cm.

Materials Viewable Online
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Northwest Indians dressed in traditional clothing, possibly for a powwow, circa 1985. 1 folder.
Scope and Contents

Cataloger supplied title. Color photograph.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Indian women, possibly Pueblo, possibly performing a food ceremony, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Interior pueblo house, Zuni [N.M.], circa 1900. 1 folder.
Scope and Contents

Printed on recto: "98."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Foot races, Pueblo of Isleta, N.M, circa 1891. 1 folder.
Scope and Contents

Copyright 1891. Printed on recto: "1104."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Spring foot races, Pueblo of Isleta, N.M, circa 1891. 1 folder.
Scope and Contents

Copyright 1891. Printed on recto: "1112."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Spring foot races, Pueblo of Isleta, N.M, circa 1891. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Spring foot races, Pueblo of Isleta, N.M, circa 1891. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 13 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Two Pueblo men, two Pueblo women, and a white woman possibly watching the foot races at Isleta, N.M, circa 1891. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Footraces, Pueblo of Isleta, N.M, circa 1891. 1 folder.
Scope and Contents

Copyright 1891. Printed on recto: "1101."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Pueblo of Isleta : spring foot races, circa 1891. 1 folder.
Scope and Contents

Copyright 1891. Printed on recto: "1113."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Maude & Beckley. Hopi woman with hair fixed in the traditional butterfly style, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Stamp of Fred Harvey, manager of Santa Fe Route News Service, Los Angeles, Calif.

Physical Description

1 folder21 x 13 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Pueblo funeral, Isleta, N.M, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "1445."

Physical Description

1 folder16 x 20 cm.

Oklahoma Indians, 1903. 1 folder.
Scope and Contents

Written on verso: "Oklahoma Indians, 1903."

Physical Description

1 folder12 x 14 cm.

Materials Viewable Online
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Oklahoma Indians putting up teepee tent poles, 1903. 1 folder.
Scope and Contents

Written on verso: "Oklahoma Indians putting up teepee tent poles, 1903."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Ute Indian and his son named Herbert with Agent S.F. Stacher and his son Herbert, 1907. 1 folder.
Scope and Contents

Written on verso: "Ute Indian and his son named Herbert with Agent S.F. Stacher and his son Herbert, 1907."

Physical Description

1 folder18 x 13 cm.

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Navajo Indians with their new supt. S.F. Stacher in front of his temporary office building at Crownpoint in 1910, 1910. 1 folder.
Scope and Contents

Written on verso: "Navajo Indians with their new supt. S.F. Stacher in front of his temporary office building at Crownpoint in 1910."

Physical Description

1 folder13 x 18 cm.

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Ute Indians, 1906. 1 folder.
Scope and Contents

Written on verso: "Ute Indians, 1906."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Ute Indian, 1906. 1 folder.
Scope and Contents

Written on verso: "Ute Indian, 1906."

Physical Description

1 folder18 x 13 cm.

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Oklahoma Indians, 1903. 1 folder.
Scope and Contents

Written on verso: "Oklahoma Indians, 1903."

Physical Description

1 folder12 x 14 cm.

Materials Viewable Online
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Oklahoma Indians, 1903. 1 folder.
Scope and Contents

Written on verso: "Oklahoma Indians, 1903."

Physical Description

1 folder14 x 12 cm.

Materials Viewable Online
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Chee Dodge, chief of the Navajos, circa 1905. 1 folder.
Scope and Contents

Written on verso: "Chee Dodge, chief of the Navajos. His mother was Navajo; his father was a Mexican soldier."

Physical Description

1 folder18 x 13 cm.

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Chapter house built by Navajos, circa 1905. 1 folder.
Scope and Contents

Written on verso: "Chapter house built by Navajos."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Navajo hunter looking for game, circa 1905. 1 folder.
Scope and Contents

Written on verso: "Navajo hunter looking for game."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Hunter still looking, circa 1905. 1 folder.
Scope and Contents

Written on verso: "Hunter still looking."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Camera equipment ready to photograph the snake dance at Walpi, Arizona, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Hopi snake dance, Walpi."

Physical Description

1 folder16 x 21 cm.

James, George Wharton (1858-1923). Man descending antelope kiva, Walpi, circa 1897. 1 folder.
Scope and Contents

1897 copyright held by E.E. Hall.

Physical Description

1 folder21 x 16 cm.

James, George Wharton (1858-1923). Rear view [of] snake men in line, Walpi, circa 1897. 1 folder.
Scope and Contents

1897 copyright held by E.E. Hall.

Physical Description

1 folder16 x 21 cm.

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Wittick, Ben (1845-1903). Woman of Moqui : weaving, circa 1890. 1 folder.
Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder24 x 18 cm.

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Shoshoni war chief's lodge, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Shoshoni war chief's lodge."

Physical Description

1 folder21 x 13 cm.

Materials Viewable Online
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Shoshoni village in South Pass, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Shoshoni village in South Pass."

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Indians pitching camp on banks of the Laramie, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Indians pitching camp on banks of the Laramie."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Indian couple with a blonde child, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder11 x 15 cm.

Materials Viewable Online
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Indian couple with a blonde child in cradleboards, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Studio portrait of two Indian women, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder18 x 12 cm.

Materials Viewable Online
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Indian couple with a blonde child, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder11 x 15 cm.

Materials Viewable Online
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Indian couple with a blonde child, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder11 x 15 cm.

Materials Viewable Online
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Indian woman holding a purse, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder18 x 12 cm.

Materials Viewable Online
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Studio portrait of three Indian women, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder18 x 12 cm.

Materials Viewable Online
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Studio portrait of an Indian woman, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder18 x 12 cm.

Materials Viewable Online
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Studio portrait of an Indian woman and her daughter, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder18 x 12 cm.

Materials Viewable Online
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Cherokee woman, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Cherokee."

Physical Description

1 folder21 x 13 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Man in traditional Indian clothing, possibly at powwow, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder24 x 10 cm.

Materials Viewable Online
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Colorado Springs, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "512."

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Nicolas, Javier. "Objetivo zapatista.", 1997. 1 folder.
Scope and Contents

Color photograph.

Physical Description

1 folder10 x 15 cm.

Materials Viewable Online
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Corn dance, San Domingo Indians, Albuquerque, New Mexico, circa 1880. 1 folder.
Scope and Contents

Mounted on 14 x 16 cm. board.

Physical Description

1 folder11 x 13 cm.

Materials Viewable Online
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Celebracion de la independencia por los estudiantes, 1883. 1 folder.
Scope and Contents

Mounted on a 24 x 30 cm. card with photograph of Iglesia de la Santisima on verso. Possibly an illustration removed from a book.

Physical Description

1 folder22 x 29 cm.

Materials Viewable Online
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Iglesia de la Santisima = Santisima Church, circa 1880. 1 folder.
Scope and Contents

Mounted on a 24 x 30 cm. card with photograph of Celebracion de la independencia por los estudiantes on verso. Possibly an illustration removed from a book.

Physical Description

1 folder27 x 21 cm.

Materials Viewable Online
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Gove & Morth. Plaza de Armas, Mexico, 1883. 1 folder.
Scope and Contents

Mounted on a 24 x 30 cm. card with photograph of Portal de Mercaderes on verso. Possibly an illustration removed from a book.

Physical Description

1 folder22 x 29 cm.

Materials Viewable Online
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Portal de Mercaderes = Mercaderes Portal, circa 1880. 1 folder.
Scope and Contents

Mounted on a 24 x 30 cm. card with photograph of Plaza de Armas on verso. Possibly an illustration removed from a book.

Physical Description

1 folder19 x 25 cm.

Materials Viewable Online
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Palacio Nacional = National Palace, circa 1880. 1 folder.
Scope and Contents

Mounted on a 24 x 30 cm. card with photograph of Plaza de Santo Domingo on verso. Possibly an illustration removed from a book.

Physical Description

1 folder19 x 25 cm.

Materials Viewable Online
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Plaza de Santo Domingo = Santo Domingo Square, circa 1880. 1 folder.
Scope and Contents

Mounted on a 24 x 30 cm. card with photograph of Palacio Nactional on verso. Possibly an illustration removed from a book.

Physical Description

1 folder19 x 25 cm.

Materials Viewable Online
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William P. Ross, ex chief of the Cherokee Nation, circa 1880. 1 folder.
Scope and Contents

Reproduction from the original that is housed in the Archives & Manuscripts Division of the Oklahoma Historical Society.

Physical Description

1 folder18 x 13 cm.

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Bachelors' hall, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "186."

Physical Description

1 folder19 x 24 cm.

Materials Viewable Online
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P.K. Rodeo, Sheridan, Wyoming, 1929. 1 folder.
Scope and Contents

Written on verso: "P.K. Rodeo, Sheridan, Wyoming, July 1939."

Physical Description

1 folder10 x 28 cm.

Materials Viewable Online
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Legrand, J. L.. Mayas playing a drum, Chichicastenango, Guatemala, circa 1940. 1 folder.
Scope and Contents

Cataloger supplied title. Hand colored.

Physical Description

1 folder20 x 21 cm.

Materials Viewable Online
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Legrand, J. L.. Maya at an arch, Chichicastenango, Guatemala, circa 1940. 1 folder.
Scope and Contents

Cataloger supplied title. Hand colored.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). Bridge on Boulder Creek Branch, S.P.G.R.R, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "B 1876."

Physical Description

1 folder20 x 13 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). "chaintres" system of vine growing, Livermore, Cal, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "B 3445."

Physical Description

1 folder13 x 20 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). Conservatory and Garfield monument, Golden Gate Park, S.F., Cal, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "B 3556."

Physical Description

1 folder13 x 20 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). Parade ground, Presidio, San Francisco, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "B 2808."

Physical Description

1 folder13 x 20 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). Myrtle trees, Fort St., Los Angeles, Cal, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "B 4318."

Physical Description

1 folder13 x 20 cm.

Materials Viewable Online
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Barry, D. F. (David Francis) (1854-1934). Curly, Custer's Crow scout, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder18 x 14 cm.

Materials Viewable Online
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Randall, B. G.. Taos fair, Taos Pueblo, New Mexico Territory, circa 1905. 1 folder.
Scope and Contents

Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Delegation of Indians call at White House during Pres. Grant administration, circa 1870. 1 folder.
Scope and Contents

Written on verso: "Delegation of Indians call at White House during Pres. Grant administration."

Physical Description

1 folder16 x 20 cm.

Materials Viewable Online
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Thomas, A.. Ute Indian man in profile, circa 1905. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Ute man."

Physical Description

1 folder22 x 17 cm.

Materials Viewable Online
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Keystone view company. Iroquois Indians, tercentenary pageant (1908), Quebec, Can, 1908. 1 folder.
Scope and Contents

Printed on label on verso: "Iroquois Indians, tercentenary pageant (1908), Quebec, Can."

Physical Description

1 folder18 x 18 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). New Mexican settlers, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Montezuma Castle, circa 1950. 1 folder.
Scope and Contents

Cataloger supplied title. Explanatory label pasted on verso.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Petrified forest, no. 3, Arizona, circa 1890. 1 folder.
Scope and Contents

Stamp of C.F. Lummis on verso. Stamp of Santa Fe Passenger Dept., Chicago, Ill., on verso.

Physical Description

1 folder19 x 24 cm.

Materials Viewable Online
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Randall, B. G.. Taos horizon, Taos Pueblo, New Mexico Territory, circa 1905. 1 folder.
Scope and Contents

Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Penitentes, circa 1888. 1 folder.
Scope and Contents

Copyright 1888.

Physical Description

1 folder13 x 20cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Oraibi women building houses, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Oraibi women building houses."

Physical Description

1 folder17 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Pueblo silversmith in his workshop, possibly in Isleta, New Mexico, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Wittick, Ben (1845-1903). At the snake dance, Moqui Pueblo of Hualpi, Arizona : beginning of the dance, circa 1897. 1 folder.
Scope and Contents

Printed on recto: "No. 695." Orginal photograph in the collection of the Museum of New Mexico.

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Wittick, Ben (1845-1903). Hava Supai dwelling, Arizona, circa 1900. 1 folder.
Scope and Contents

Orginal photograph in the collection of the Museum of New Mexico.

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Men with loads, Mexico, circa 1900. 1 folder.
Scope and Contents

Orginal photograph in the Frederick Starr Collection of the Museum of the American Indian. Title supplied by label on verso.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Husk matmaking, Iroquois, Onondaga Reservation, New York, circa 1900. 1 folder.
Scope and Contents

Orginal photograph in the Frederick Starr Collection of the Museum of the American Indian. Title supplied by label on verso.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Slavey Indian children and dogs, Fort Wrigley, Mackenzie River, Northwest Territory, Canada, 1919. 1 folder.
Scope and Contents

Orginal photograph in collections of the Museum of the American Indian. Title supplied by label on verso.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Wittick, Ben (1845-1903). Mojave runners, circa 1900. 1 folder.
Scope and Contents

Orginal photograph in the collection of the Museum of New Mexico.

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Fiesta de San Esteban, Acoma, N.M, circa 1900. 1 folder.
Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Alliot, Laurena Moore. Casting snakes into the sacred circle bedore the "kisi.", 1896. 1 folder.
Scope and Contents

Written on verso: "Casting snakes into the sacred circle bedore the 'kisi'" and "Oraibi, 1896." Copyright held by F.H. Maude.

Physical Description

1 folder15 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Man and boy, Zuni, N.M, circa 1895. 1 folder.
Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Snake men : Moki snake dance, Oraibi, circa 1896. 1 folder.
Scope and Contents

Copyright 1896.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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F.H. Maude & Co. Hopi women grinding corn, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Stamp of Santa Fe News Service, Los Angeles, Calif., on verso. Possibly taken by George Wharton James.

Physical Description

1 folder21 x 13 cm.

Materials Viewable Online
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Parkhurst, T. Harmon. Taos Pueblo governor holding the presidential canes, with wife and child, circa 1930. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder28 x 18 cm.

Materials Viewable Online
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Parkhurst, T. Harmon. Apartment house that dats back to prehistoric times, pueblo of Taos, circa 1930. 1 folder.
Scope and Contents

Written on verso: "An apartment house that dats back to prehistoric times, Pueblo of Taos, 75 miles north of Santa Fe."

Physical Description

1 folder18 x 28 cm.

Materials Viewable Online
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Parkhurst, T. Harmon. Tewa Indians performing a dance, San Ildefonso Pueblo, circa 1930. 1 folder.
Scope and Contents

Written on verso: "San Ildefonso Pueblo." Likely by Parkhurst.

Physical Description

1 folder18 x 28 cm.

Materials Viewable Online
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Richards, Frank (1936). Rene Highway, a Cree dancer with the Toronto Dance Theatre, 1979, 1979. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Parkhurst, T. Harmon. Juanito Coloque ("YotaHe"), Jemez Pueblo, circa 1930. 1 folder.
Scope and Contents

Written on verso: "Juanito Coloque ("YotaHe"), Jemez Pueblo."

Physical Description

1 folder28 x 19 cm.

Materials Viewable Online
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Parkhurst, T. Harmon. Elderly Tewa Indian man, San Juan Pueblo, circa 1930. 1 folder.
Scope and Contents

Written on verso: "[unknown] San Juan Pueblo."

Physical Description

1 folder28 x 19 cm.

Materials Viewable Online
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Mono family, circa 1900. 1 folder.
Scope and Contents

Written on verso: "A Mono family."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Pierce, C. C. (Charles C.) (1861-1946). Navajo family at a summer hogan, Arizona, circa 1901. 1 folder.
Scope and Contents

Cataloger supplied title. 1901 copyright held by James and Pierce.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Baker, A. J.. Blackfeet Indians, Glacier National Park, Montana, circa 1916. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "1916."

Physical Description

1 folder15 x 25 cm.

Materials Viewable Online
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Marble, R. E.. Blackfeet Indian powwow, St. Marys Lake, Glacier National Park, Montana, 1916. 1 folder.
Scope and Contents

Cataloger supplied title. Typed on verso: "Blackfeet Indian pow wow, St. Marys Lake, July 1916, photo by R.E. Marble, Glacier National Park, #1204."

Physical Description

1 folder14 x 25 cm.

Materials Viewable Online
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Baker, A. J.. Blackfeet Indians in a circle with tourists, Glacier National Park, Montana, 1916. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "1916."

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Baker, A. J.. Blackfeet Indians gaming in a square with tourists looking on, Glacier National Park, Montana, 1916. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "1916."

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Baker, A. J.. Blackfeet encampment, Glacier National Park, Montana, 1916. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "1916."

Physical Description

1 folder10 x 25 cm.

Materials Viewable Online
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Monkmeyer Press Photo Service. Navajo woman combing the hair of a Navajo man, Monument Valley, Utah, circa 1950. 1 folder.
Scope and Contents

Cataloger supplied title. Label discussing the haircombing customs of the Navajos on verso.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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United States. Bureau of Indian Affairs. Shoshone women doing bead work, Shoshone Agency, Wyoming, circa 1950. 1 folder.
Scope and Contents

Written on verso: "Shoshone women doing bead work, Shoshone Agency, Fort Washakie, Wyoming." Stamped on verso: "Credit U.S. Indian Service."

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Foot races, Pueblo of Isleta, N.M, circa 1891. 1 folder.
Scope and Contents

Copyright 1891.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Foot races, possibly at Isleta Pueblo, N.M, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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McCauley, Skeet (1951). Navajo window washer, Monument Valley Tribal Park, Arizona, 1983, 1983. 1 folder.
Scope and Contents

Native American series

Cataloger supplied title. Color photograph.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Three Pueblo men, Isleta Pueblo, New Mexico, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Pueblo Indians playing patol, circa 1890. 1 folder.
Scope and Contents

Copyright 1890.

Physical Description

1 folder13 x 20 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Indian belle, Pueblo of Isleta, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Pueblo of Isleta, Indian belle."

Physical Description

1 folder20 x 13 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Indian dance, possibly at Santo Domingo Pueblo, New Mexico, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Curtis, Edward S. (1868-1952). Young Moki girl, circa 1905. 1 folder.
Scope and Contents

Written on verso: "730. Young Moki girl." Stamp of Santa Fe Passenger Dept., Chicago, Ill., on verso.

Physical Description

1 folder21 x 13 cm.

Materials Viewable Online
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Moon, Carl (1878-1948). Harvest dance, Santo Domingo, New Mexico, 1905. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Santo Domingo, Harvest dance, Aug. 1905."

Physical Description

1 folder16 x 24 cm.

Anderson, George Edward (1860-1928). Portrait of a Brule Sioux man, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Brule Sioux."

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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Putnam & Valentine. Circle of Indians with teepees, circa 1905. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Omaha's grass dance, circa 1890. 1 folder.
Scope and Contents

Written on verso: "'Omaha's grass dance,' i.d. from album page, exJack Nelson."

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Indian ambulance (travois), circa 1890. 1 folder.
Scope and Contents

Written on verso: "'Indian ambulance (travois),' i.d. from album page, exJack Nelson."

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Squaw does the work, husband does the 'rest.', circa 1890. 1 folder.
Scope and Contents

Written on verso: "'Squaw does the work, husband does the 'rest.'''' i.d. from album page, exJack Nelson."

Physical Description

1 folder17 x 12 cm.

Materials Viewable Online
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Top of the moccasin and cut, circa 1890. 1 folder.
Scope and Contents

Written on verso: "'Top of the moccasin and cut.''' i.d. from album page, exJack Nelson."

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Celebrating the fourth, circa 1890. 1 folder.
Scope and Contents

Written on verso: "'Celebrating the fourth.''' i.d. from album page, exJack Nelson."

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Moon, Carl (1878-1948). "The Olla" Comacita, Laguna, circa 1910. 1 folder.
Scope and Contents

Written on verso: "'"The Olla' Comacita, Laguna."

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Loman Brothers. Portrait of an Eskimo woman, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
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Group of Seminole Indians with bow and arrow, circa 1950. 1 folder.
Scope and Contents

Cataloger supplied title. A news photograph with corresponding story pasted to verso.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Seminole Indian man weaving, circa 1950. 1 folder.
Scope and Contents

Cataloger supplied title. A news photograph with corresponding story pasted to verso.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Loman Brothers. Gusturigan, an east caper, circa 1920. 1 folder.
Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
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Chief White Eagle [and] Princess Who Shoh No, circa 1920. 1 folder.
Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Medicine dance, Omahas, circa 1890. 1 folder.
Scope and Contents

Written on verso: "'Medicine dance, Omahas,''' i.d. from album page, exJack Nelson."

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Omaha dance, circa 1890. 1 folder.
Scope and Contents

Written on verso: "'Omaha dance,''' i.d. from album page, exJack Nelson."

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Wilcox, Ida Ann Rice (1863?-1922). Harry A. Nasewytewa, Hopi Indian, circa 1890. 1 folder.
Scope and Contents

Written on verso: "Harry A. Nasewytewa, Hopi Indian."

Physical Description

1 folder17 x 12 cm.

Materials Viewable Online
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Wm. P. Ross, principal chief from 1871 to 1875, circa 1880. 1 folder.
Scope and Contents

Original housed in the Archives & Manuscripts Division of the Oklahoma Historical Society.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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William P. Ross, Cherokee principal chief from 1871 to 1875, circa 1870. 1 folder.
Scope and Contents

Cataloger supplied title. Original housed in the Archives & Manuscripts Division of the Oklahoma Historical Society.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Reproduction of a painting of William P. Ross, Cherokee principal chief from 1871 to 1875, circa 1995. 1 folder.
Scope and Contents

Cataloger supplied title. Original housed in the Archives & Manuscripts Division of the Oklahoma Historical Society.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Davidson, Isaac Grundy (1845-1922). Mount Tacoma from Tacoma, circa 1880. 1 folder.
Scope and Contents

Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Parkhurst, T. Harmon. Juan Jose Gutierrez, Santa Clara, 1921 fiesta, 1921. 1 folder.
Scope and Contents

Written on verso: "Juan Jose gutierrez, Santa Clara, 1921 fiesta."

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Parkhurst, T. Harmon. Teofolo Ortega, Tesuque Pueblo, circa 1925. 1 folder.
Scope and Contents

Written on verso: "Teofolo Ortega, Tesuque Pueblo."

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Parkhurst, T. Harmon. Carolina Trujillo Quintana, Pecos, circa 1925. 1 folder.
Scope and Contents

Written on verso: "Carolina Trujillo Quintana, Pecos. (Recently died (1995 or 1996) circa 114 years old."

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Pennington, William M.. Navajo silversmith, circa 1915. 1 folder.
Scope and Contents

Written on verso: "Navajo silversmith."

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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De Groof, Edward. Native Alaskan man in a uniform, circa 1900. 1 folder.
Scope and Contents

Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Parker, J. C.. Mission church, Capestrano, interior of church, circa 1888. 1 folder.
Scope and Contents

Printed on recto: "395." Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Parker, J. C.. San Diego "mission bells.", circa 1888. 1 folder.
Scope and Contents

Printed on recto: "No. 242." Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Dad Trout with X working on building 7th and Davis St., Helena, Mont, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Dad Trout with X working on building 7th and Davis St., Helena, Mont." Mounted on 13 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Briquet, Abel. Rancho : rumbo de Orizaba = Ranch : surrondings of Orizaba, circa 1885. 1 folder.
Scope and Contents

Vistas mexicanas

Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Davidson, Isaac Grundy (1845-1922). Tacoma, W.T, circa 1888. 1 folder.
Scope and Contents

Printed on recto: "161." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Davidson, Isaac Grundy (1845-1922). Shipping docks at Tacoma, circa 1888. 1 folder.
Scope and Contents

Printed on recto: "163." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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W. Cal. Brown & Co. Branding calves, circa 1888. 1 folder.
Scope and Contents

Copyright 1888. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Panorama of Portland, Oregon, circa 1885. 1 folder.
Scope and Contents

Watkins' new bouboir series ; no. 4

Printed on recto: "D 80." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Cowboy camp with cattle, circa 1890. 1 folder.
Scope and Contents

Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Mt. Hood from Portland, Oregon, circa 1885. 1 folder.
Scope and Contents

Watkins' new bouboir series

Printed on recto: "D 75." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Davidson, Isaac Grundy (1845-1922). Castle Rock, Columbia River, circa 1888. 1 folder.
Scope and Contents

Printed on recto: "48." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Crawford Brothers. Dalles, Oregon, circa 1886. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "The Dalles." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Yocum & Bradford. Rooster Rock, circa 1886. 1 folder.
Scope and Contents

Yocum & Bradford's photographic views of the NorthWest ; 23

Physical Description

1 folder14 x 22 cm.

Materials Viewable Online
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Fir tree, Washington, circa 1880. 1 folder.
Scope and Contents

Written on recto: "Fir tree, Washington."

Physical Description

1 folder21 x 13 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). View of Isleta Pueblo, New Mexico, circa 1895. 1 folder.
Scope and Contents

Pueblo of Isleta, A. & P. junction, N. Mex.

Cataloger supplied title. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Herrin, David C.. Memaluse Island, circa 1895. 1 folder.
Scope and Contents

Columbia River scenery

Stamped on recto: "Memaluse Island." Mounted on 14 x 22 cm. card.

Content Warning

Photograph depicts human skeletal remains.

Physical Description

1 folder12 x 20 cm.

Lummis, Charles Fletcher (1859-1928). Ruins of Pecos Pueblo, New Mexico, circa 1895. 1 folder.
Scope and Contents

Pueblo of Isleta, A. & P. junction, N. Mex.

Cataloger supplied title. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Pueblo of Isleta, N.M, circa 1895. 1 folder.
Scope and Contents

Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Parker, J. C.. Mission church Capistrano, old mill, circa 1888. 1 folder.
Scope and Contents

Printed on recto: "No. 256." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Monterey from the old fort, circa 1885. 1 folder.
Scope and Contents

Watkins' new bouboir series : Yosemite and Pacific Coast

Printed on recto: "B 324."

Physical Description

1 folder14 x 22 cm.

Materials Viewable Online
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Judd. Olive Terrace : Fowler's place, Paradise Valley, circa 1890. 1 folder.
Scope and Contents

Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Rile, H. F. (1860-1949). Santa Monica I.O.G.T. May Day Picnic, 1895, 1895. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). Magnolia Avenue, Riverside, Cal, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "B 1960." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). San Diego, new town, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "B 1301." Mounted on 14 x 22 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). Court, Palace Hotel, S.F., Cal, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "B 25." Mounted on 22 x 14 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). Palace Hotel, San Francisco, Cal, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "B 70." Mounted on 14 x 22 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). Conservatory, Golden Gate Park, S.F, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "B 199." Mounted on 14 x 22 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). Chinese Grand Restaurant, S.F., Cal, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "B 1856." Reproduction of a painting by Harry Alexander. Mounted on 14 x 22 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). Cliff House, near San Francisco, Cal, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "B 463." Mounted on 14 x 22 cm. card.

Physical Description

1 folder13 x 20 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). Private residence in San Francisco, Calif, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 14 x 22 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). Chas. Crocker's residence, San Francisco, Cal, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "B 1151." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). California Street from Sansome Street, San Francisco, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "B 517." Mounted on 14 x 22 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). Golden Gate from Telegraph Hill, San Francisco, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "B 1804." Mounted on 22 x 14 cm. card.

Physical Description

1 folder21 x 13 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). Market Street from Third Street, San Francisco, looking east, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "B 522." Mounted on 14 x 22 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Pike's Peak from Colorado Springs, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "249." Stamp of Fred F. Horn, Colorado Springs, Colo., on verso. Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Martin, Alexander (1929). Georgetown from Leavenworth Mountain, circa 1875. 1 folder.
Scope and Contents

Printed on recto: "No. 2208." Mounted on 14 x 19 cm. card.

Physical Description

1 folder11 x 16 cm.

Materials Viewable Online
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Martin, Alexander (1929). Bridge at Devil's Gate, Georgetown, Colo, circa 1875. 1 folder.
Scope and Contents

Printed on recto: "2014." Mounted on 14 x 19 cm. card.

Physical Description

1 folder11 x 16 cm.

Materials Viewable Online
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Martin, Alexander (1929). Pioneer of the forest, circa 1875. 1 folder.
Scope and Contents

Printed on recto: "2260." Mounted on 14 x 19 cm. card.

Physical Description

1 folder11 x 16 cm.

Materials Viewable Online
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Martin, Alexander (1929). "The loop," Devils Gate above Georgetown, circa 1875. 1 folder.
Scope and Contents

Written on verso: "'The loop,' Devils Gate above Georgetown." Reproduction of a painting. Mounted on 14 x 19 cm. card.

Physical Description

1 folder11 x 16 cm.

Materials Viewable Online
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Martin, Alexander (1929). Grey's and Irwin's Peaks from the Diamond Joe Kelso Mountain, circa 1875. 1 folder.
Scope and Contents

Printed on recto: "2251." Mounted on 14 x 19 cm. card.

Physical Description

1 folder11 x 16 cm.

Materials Viewable Online
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Martin, Alexander (1929). Silver Plume and mines, Colorado, circa 1875. 1 folder.
Scope and Contents

Printed on recto: "2011." Mounted on 14 x 19 cm. card.

Physical Description

1 folder11 x 16 cm.

Materials Viewable Online
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Kirkland, C. D. (Charles D.) (1851-1926). General view of round up, circa 1884. 1 folder.
Scope and Contents

Printed on recto: "No. 9." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Kirkland, C. D. (Charles D.) (1851-1926). General view of round up, circa 1884. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Kirkland, C. D. (Charles D.) (1851-1926). Preparing for the night herd, circa 1884. 1 folder.
Scope and Contents

Printed on recto: "No. 3." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Kirkland, C. D. (Charles D.) (1851-1926). Riding a bronco, circa 1884. 1 folder.
Scope and Contents

Written on verso: "Riding a bronco." Written on recto: "No. 28." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Haynes, F. Jay (Frank Jay) (1853-1921). Golden Gate, west entrance, 1883-1889. 1 folder.
Scope and Contents

Mounted on 14 x 22 cm. card.

Haynes, F. Jay (Frank Jay) (1853-1921)
Biographical / Historical

F. Jay Haynes (1853-1921) was a professional photographer who documented the settlement and expansion of the American Northwest during the late 19th and early 20th centuries. Based in Minnesota and North Dakota, Haynes served as the official photographer for Northern Pacific Railway and Yellowstone National Park. Haynes first visited Yellowstone in 1881 and, a few years later in 1884, obtained permission to operate a photography studio there. He served as Yellowstone's official photographer from 1884 until 1920 when he was succeeded by his son, Jack Ellis Haynes (1884-1962).

Physical Description

1 folder14 x 22 cm.

Manitou, circa 1885. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Governor's residence in ancient Pueblo of Tesuque, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "No. 28." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. Mexican home (ranchita), circa 1885. 1 folder.
Scope and Contents

Printed on recto: "2643." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Mexican dwellings of adobe, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "No. 20." Mounted on 13 x 21 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Typical street scene, down San Francisco St., Santa Fe, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "No. 11." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Church of Our Lady of the Rosary and Indian school (St. Catharine), circa 1885. 1 folder.
Scope and Contents

Printed on recto: "No. 9." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Palace of the Spanish viceroy, now residence of the governor : the only palace in the United States, from the west, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "No. 23." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. Church of Sta. Guadaloupe, Santa Fe, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "3006." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 17 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. Church of San Miguel, Santa Fe, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "3004." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. Cathedral and plaza, Albuquerque, N.M, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "2622." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Oldest house in the United States, Santa Fe, N.M, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "No. 1836." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Collins. Comanche of royal blood, circa 1900. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder10 x 14 cm.

Materials Viewable Online
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Briquet, Abel. Posada en tierra caliente : rumbo de Orizaba = Inn in the hot countri [sic] : surrondings of Orizaba, circa 1880. 1 folder.
Scope and Contents

Vistas mexicanas

Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Parker, J. C.. Mission church Capistrano looking S.S.E., showing arches, circa 1888. 1 folder.
Scope and Contents

Printed on recto: "No. 243." Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 19 cm.

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North arch and zool. lab, Stanford Univ. quadrangle, circa 1895. 1 folder.
Scope and Contents

Written on verso: "North arch and zool. lab, Stanford Univ. quadrangle." Mounted on 14 x 19 cm. card.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Cactus gardens and Stanford's tomb, circa 1895. 1 folder.
Scope and Contents

Written on verso: "Cactus gardens and Stanford's tomb." Mounted on 14 x 19 cm. card.

Physical Description

1 folder12 x 18 cm.

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Museum, Stanford Univ, circa 1895. 1 folder.
Scope and Contents

Written on verso: "Museum, Stanford Univ." Mounted on 14 x 19 cm. card.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Park of live oaks in the San Fernando Valley, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "W.H.F. 1098." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Parker, J. C.. San Luis Rey Mission, garden gate, circa 1888. 1 folder.
Scope and Contents

Printed on recto: "No. 190." Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Mexican dancers, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "No. 57." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Manitou Springs, circa 1885. 1 folder.
Scope and Contents

Dealer's stamp of Chas. A. Grant, Manitou Springs, Colo., on verso. Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Hotel in Colorado Springs, Colo, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Barker house, Manitou, Colo, circa 1885. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Colorado Springs, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "512." Dealer's stamp of Chas. A. Grant, Manitou Springs, Colo., on verso. Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Savage, C. R. (Charles Roscoe) (1832-1909). Black Canon of the Gunnison, D. & R.G.Rr, circa 1885. 1 folder.
Scope and Contents

Mounted on 14 x 22 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Savage, C. R. (Charles Roscoe) (1832-1909). Royal Gorge, Grand Canon of the Arkansas, D. & R.G.R.R, circa 1885. 1 folder.
Scope and Contents

Mounted on 14 x 22 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Pike's Peak from Colorado Springs, circa 1895. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Ute Iron Springs Photo Gallery. Half way house : Pike's Peak Trail and Cog Road, circa 1885. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Martin, Alexander (1929). Bridge at Devil's Gate, Georgetown, Colo, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "2014." Stamp of Barkalow Bros., Denver, Colo., on verso. Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

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Martin, Alexander (1929). Georgetown, Colorado, circa 1890. 1 folder.
Scope and Contents

Stamp of Barkalow Bros., Denver, Colo., on verso. Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

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Stiffler, George W.. Settlement with Longs Peak in the background, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Ute Iron Springs Photo Gallery. Manitou, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "16." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Cliff House, Manitou Springs, Colo, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "432." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Thompson, T. A.. Ute Iron Springs, Manitou Colo. C.M.R.Y, circa 1892. 1 folder.
Scope and Contents

Dealer's ticket of F.M. Pollen & Co., Manitou Springs, Colo., pasted over Thompson's name. Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Thompson, T. A.. Bath house & pool, Glenwood Sprg's, Colo, circa 1892. 1 folder.
Scope and Contents

Printed on recto: "No. 1032." Dealer's ticket of E. Schuster, Glenwood Springs, Colo., pasted over photographer's name. Possibly by Thompson. Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. Panorama of Denver, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "250." Mounted on 12 x 18 cm. card.

Physical Description

1 folder11 x 17 cm.

Materials Viewable Online
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Savage, C. R. (Charles Roscoe) (1832-1909). Grand Canon of the Arkansas, D. & R.G.Rr, circa 1885. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder13 x 20 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Smelter, San Pedro, N.M, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "25." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). San Miguel Church, Santa Fe, N.M., A.T. & S.F.R.R, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "No. 222" and "Founded 1550." Printed on verso: "Santa Fe route." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Brown, W. Cal.. Church at Laguna, N.M, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "34."

Physical Description

1 folder14 x 22 cm.

Materials Viewable Online
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Brown, W. Cal.. View in Laguna, N.M, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "26." Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Badlands, Sioux Reservation, circa 1888. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Bad Lands, Sioux Reservation, F.L.F." and "From brother Frank, August 1888 J. Firmbush." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

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De Groof, Edward. Two Native Alaskan girls, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. The older girl is Carrie Lewis (Daalneix), who became Mrs. George Lewis. Mounted on 22 x 14 cm. card.

Physical Description

1 folder20 x 12 cm.

Materials Viewable Online
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Jackson, William Henry (1843-1942). Studio portrait of a Great Plains Indian man, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 22 x 14 cm. card.

Jackson, William Henry (1843-1942)
Biographical / Historical

American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.

Physical Description

1 folder20 x 12 cm.

Materials Viewable Online
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Wittick, Ben (1845-1903). Moqui Indians burning pottery, Walpi village, Arizona, circa 1890. 1 folder.
Scope and Contents

Written on recto: "Moqui Indians burning pottery, Walpi village, Arizona." Mounted on 13 x 20 cm. card.

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder11 x 19 cm.

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Chase, D. B. (Dana B.) (1897). Gathering of Indians in front of tents, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. Pueblos de Taos, N.M, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "2805." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

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Chase, D. B. (Dana B.) (1897). Taos Pueblos [sic], circa 1890. 1 folder.
Scope and Contents

Printed on recto: "No. 131." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Gurnsey, B. H. (Byron H.) (1833-1880). Pueblo [sic] de Taos, circa 1878. 1 folder.
Scope and Contents

Printed on recto: "No. 2015." Printed on verso: "Santa Fe route." Copyright 1878. Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Wigwam Studio. Gathering of Indians in front of the Wyoming Lumber Co, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Wigwam Studio. Plains Indians in front of a teepee encampment, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 14 x 22 cm. card.

Physical Description

1 folder14 x 22 cm.

Materials Viewable Online
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Phillips, H. C.. Nine Creek Indian boys in military dress, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Gillingham, C. L. (Charles L.). Tejon Street, circa 1890. 1 folder.
Scope and Contents

Gillingham's Rocky Mountain views

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Gillingham, C. L. (Charles L.). Balance Rock, Garden of the Gods, circa 1890. 1 folder.
Scope and Contents

Gillingham's Rocky Mountain views

Written on recto: "Balance Rock, Garden of the Gods." Mounted on 21 x 13 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Gillingham, C. L. (Charles L.). Iron Springs, Manitou, Colo, circa 1890. 1 folder.
Scope and Contents

Gillingham's Rocky Mountain views

Written on recto: "Iron Springs, Manitou, Colo." Mounted on 21 x 13 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Buena Vista Drive, Garden of the Gods, circa 1890. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Broadmoor, circa 1895. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Martin, Alexander (1929). Hanging rock, Colo. div. U.P.R.R, circa 1885. 1 folder.
Scope and Contents

6th series : Clear Creek, C.C.R.R. ; 2000

Mounted on 21 x 13 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Keyhole, Longs Peak, Colorado, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 13 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Yo Semite Valley from Inspiration Point, circa 1880. 1 folder.
Scope and Contents

Watkins' new boudoir series : Yo Semite and Pacific Coast

Printed on recto: "B 1." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Pohono, Bridal Veil, 900 ft., Yo Semite, circa 1880. 1 folder.
Scope and Contents

Watkins' new boudoir series : Yo Semite and Pacific Coast

Printed on recto: "B 7." Mounted on 22 x 14 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Cathedral Rocks and Spires, Yo Semite, circa 1880. 1 folder.
Scope and Contents

Watkins' new boudoir series : Yo Semite and Pacific Coast

Printed on recto: "B 12." Mounted on 14 x 22 cm. card.

Physical Description

1 folder13 x 20 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Yo Semite Falls, 2634 ft., from Camp Grove, circa 1880. 1 folder.
Scope and Contents

Watkins' new boudoir series : Yo Semite and Pacific Coast

Printed on recto: "B 19." Mounted on 22 x 14 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Half Dome, Glacier Point, from Eagle Pt. Trail, Yo Semite, circa 1880. 1 folder.
Scope and Contents

Watkins' new boudoir series : Yo Semite and Pacific Coast

Printed on recto: "B 31." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Section of the Grizzly Giant, 33 ft. diam., Mariposa Grove, circa 1880. 1 folder.
Scope and Contents

Watkins' new boudoir series : Yo Semite and Pacific Coast

Printed on recto: "B 44." The Grizzly Giant is a tree. Mounted on 22 x 14 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). "The loop," S.P.R.R, circa 1880. 1 folder.
Scope and Contents

Watkins' new boudoir series : Yo Semite and Pacific Coast

Printed on recto: "B 177." Written on verso: "Tehachapi Pass, Kern Co., Cal." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). El Capitan, 3600 ft., Yo Semite, circa 1880. 1 folder.
Scope and Contents

Watkins' new boudoir series : Yo Semite and Pacific Coast

Printed on recto: "B 56." Mounted on 14 x 22 cm. card.

Physical Description

1 folder13 x 22 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Mirrow view of the Three Brothers, Yo Semite, circa 1880. 1 folder.
Scope and Contents

Watkins' new boudoir series : Yo Semite and Pacific Coast

Printed on recto: "B 3013." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Mirrow view of the Half Dome, Yo Semite, circa 1880. 1 folder.
Scope and Contents

Watkins' new boudoir series : Yo Semite and Pacific Coast

Printed on recto: "B 3082." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Dead Giant, Tuolumne Grove, diam. 30 ft., 8 in, circa 1880. 1 folder.
Scope and Contents

Watkins' new boudoir series : Yo Semite and Pacific Coast

Printed on recto: "B 3089." Dead Giant is a tree. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 22 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Register Rock, Yo Semite, circa 1880. 1 folder.
Scope and Contents

Watkins' new boudoir series : Yo Semite and Pacific Coast

Printed on recto: "B 3172." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
  1. View digital content
Watkins, Carleton E. (1829-1916). Section of the "Giant," Big Tree Station, Santa Cruz Co, circa 1880. 1 folder.
Scope and Contents

Watkins' new boudoir series : Yo Semite and Pacific Coast

Printed on recto: "B 5002." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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E.S. Frost & Son. Pasadena looking N.E. from Euclid Ave, circa 1885. 1 folder.
Scope and Contents

Written on verso: "Pasadena looking N.E. from Euclid Ave." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Ration day at San Carlos, Arizona, circa 1885. 1 folder.
Scope and Contents

Written on verso: "Ration day at San Carlos, Arizona." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. Mexican home (ranchita), circa 1885. 1 folder.
Scope and Contents

Printed on recto: "1669."

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Howe, Randolph M.. Bright Star, circa 1884. 1 folder.
Scope and Contents

Written on recto: "Bright Star." Written on verso: "Lucy Nicola Wahtawaso, [?], Maine." Mounted on 14 x 19 cm. card.

Physical Description

1 folder10 x 14 cm.

Materials Viewable Online
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Gold's Old Curiosity Shop. Old church & college, Santa Fe, N. Mex, circa 1900. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. Caves of the cliff dwellers near Espino, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "2638." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). San Miguel Church, Santa Fe, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "No. 12" and "Founded 1550." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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W. Cal. Brown & Co. Herd of sheep on the range, circa 1888. 1 folder.
Scope and Contents

Cataloger supplied title. 1888 copyright held by Lummis. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Bass, Edwin A.. Studio portrait of a man with a watch chain, 1884. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "1884." Mounted on 21 x 10 cm. card.

Physical Description

1 folder10 x 19 cm.

Materials Viewable Online
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Rile, H. F. (1860-1949). Bathing scene, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "54." Mounted on 13 x 21 cm.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Jarvis, J. F. (John Fillis), 1849-1931. Raymond Hotel in Pasadena, circa 1890. 1 folder.
Scope and Contents

Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 20 cm.

Materials Viewable Online
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Jarvis, J. F. (John Fillis), 1849-1931. Pasadena from foot hills south of the Raymond, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "B 37." Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 20 cm.

Materials Viewable Online
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Cobb Studio. Mojave women, circa 1890. 1 folder.
Scope and Contents

Dealer's stamp of Sterne Bro's., Albuquerque, N.M., on verso. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Irwin. Mother of Lone Wolf, Kiowa Indian, 1886, 1886. 1 folder.
Scope and Contents

Written on verso: "Mother of Lone Wolf, Kiowa Indian, 1886." Mounted on 19 x 14 cm.

Physical Description

1 folder10 x 15 cm.

Materials Viewable Online
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Woman making tortillas, circa 1890. 1 folder.
Scope and Contents

Written on verso: "San Ildefonso." Mounted on 13 x 21 cm.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Savage, C. R. (Charles Roscoe) (1832-1909). Grave of Brigham Young, Salt Lake City, circa 1880. 1 folder.
Scope and Contents

Mounted on 14 x 22 cm.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Collins. Geronimo, whom Gen. Miles named the "human tiger.", circa 1903. 1 folder.
Scope and Contents

Copyright 1903. Mounted on 21 x 13 cm. card.

Physical Description

1 folder10 x 14 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Salt Lake, Utah, showing Tabernacle, circa 1880. 1 folder.
Scope and Contents

Watkins' new boudoir series : Yo Semite and Pacific Coast

Printed on recto: "B 384." Mounted on 14 x 22 cm.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Manitou, Colo, circa 1885. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Santa Fe from old Fort Marcy, circa 1890. 1 folder.
Scope and Contents

Possibly by Chase. Printed on recto: "No. 128." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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"On the trail," coming down the Duchesne River in the Indian country, circa 1880. 1 folder.
Scope and Contents

Written on verso: "'On the trail,' coming down the Duchesne River in the Indian country." Mounted on 14 x 22 cm.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Branding scene in corall on summer range of Leonard Cattle Company in Colorado (Mesa County), circa 1880. 1 folder.
Scope and Contents

Written on verso: "'Branding scene in corall on summer range of Leonard Cattle Company in Colorado (Mesa County)." Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 20 cm.

Materials Viewable Online
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Grand Valley & Grand River : Rowan Mountains in background, Mt. Garfield at right, circa 1880. 1 folder.
Scope and Contents

Written on verso: "'Grand Valley & Grand River : Rowan Mountains in background, Mt. Garfield at right." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Chief Tabio's nickaup on the Duchesne River in Utah in Ute Reservation, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Chief Tabio's nickaup on the Duchesne River in Utah in Ute Reservation." Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Crossing the divide of Uintah Mountains in Utah : "on the trail.", circa 1880. 1 folder.
Scope and Contents

Written on verso: "Crossing the divide of Uintah Mountains in Utah : 'on the trail.'" Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 20 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Santa Fe, New Mex, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "821." Printed on verso: "Santa Fe route." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 20 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Santa Fe, New Mex, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "823." Printed on verso: "Santa Fe route." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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San Miguel St., Santa Fe, N.M., A.T. & S.F.R.R, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "208." Printed on verso: "Santa Fe route." Mounted on 13 x 21 cm.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Santa Fe, New Mex, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "822." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Plaza, Santa Fe, New Mexico, circa 1895. 1 folder.
Scope and Contents

Written on recto: "Plaza, Santa Fe, New Mexico." Mounted on 14 x 17 cm. card.

Physical Description

1 folder10 x 12 cm.

Materials Viewable Online
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Governor's residence, Tesuque Pueblo, New Mexico, circa 1880. 1 folder.
Scope and Contents

Written on recto: "Governor's residence, Tesuque Pueblo, New Mexico." Mounted on 12 x 18 cm. card.

Physical Description

1 folder11 x 17 cm.

Materials Viewable Online
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Gold's Old Curiosity Shop. Plaza, Santa Fe, N.M, circa 1895. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Buying a load of wood, A.T. & S.F.R.R, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "No. 303." Printed on verso: "Santa Fe route." Mounted on 13 x 21 cm.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. Procession of Corpus Christi, Santa Fe, N.M, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "A. 1517." Mounted on 21 x 13 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Gold's Old Curiosity Shop. Thrashing wheat, Santa Fe, N.M, 1902. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Gold's Old Curiosity Shop. San Francisco St., Santa Fe, N.M, 1902. 1 folder.
Scope and Contents

Printed on recto: "No. 22." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Inauguration of Gov. Prince, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "No. 22." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). San Miguel Church, Santa Fe, N.M, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "Founded 1550," "A.T. & S.F.R.R.," and "No. 222." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Oldest house in the United States, Santa Fe, N.M., A.T. & S.F.R.R, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "No. 213." Printed on verso: "Santa Fe route." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Las Vegas, New Mexico, west of r.r. tracks, facing W.S.W, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Las Vegas, New Mexico, west of r.r. tracks, facing W.S.W." Mounted on 11 x 18 cm. card.

Physical Description

1 folder10 x 17 cm.

Materials Viewable Online
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View of the Las Vegas hot springs, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 11 x 18 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Fruit sellers, Escuintla, Guatemala, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "2044." Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Maude, Frederick H.. Mission of San Juan Capistrano, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "661." Mounted on 14 x 22 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Church where Dr. Tanner attends services in the Mesilla Valley, N.M, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "No. 55." Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Palace of the Spanish viceroy, now residence of the governor : the only palace in the United States, from the west, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "No. 23." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Mealey, Martin W.. Pueblo Smetling and Refining Co, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Pueblo S. & R. Co." Mounted on 13 x 21 cm. card

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Mining operation in Montana, 1879. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Montana 1879." Mounted on 13 x 18 cm. card.

Physical Description

1 folder11 x 17 cm.

Materials Viewable Online
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Mealey, Martin W.. Pueblo Smetling and Refining Co, circa 1885. 1 folder.
Scope and Contents

Views of Pueblo and vicinity

Cataloger supplied title. Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Cog Wheel Depot, Manitou, circa 1890. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. Royal Gorge, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "803." Written on verso: "C.W. Woolsey, Colorado, Oct. '95." Mounted on 22 x 14 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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George E. Mellen & Company. Gunnison at mouth of Black Canon, Engine 284, circa 1885. 1 folder.
Scope and Contents

Written on verso: "Gunnison at mouth of Black Canon, Engine 284." and "Geo. A. Stough." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Train in Mexico, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 12 x 17 cm. card.

Physical Description

1 folder11 x 16 cm.

Materials Viewable Online
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George E. Mellen & Company. Chalk rocks, D. & S.P.R.R, circa 1885. 1 folder.
Scope and Contents

Written on recto: "Chalk Rocks, D. & R.G.R.R." Written on verso: "Geo. A. Stough." Mounted on 21 x 13 cm.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Manitou and Pike's Peak, circa 1880. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Hiestand, J. G.. June 11, 1895, on Pikes Peak, 1895. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Davidson, Isaac Grundy (1845-1922). Portland, Or, circa 1880. 1 folder.
Scope and Contents

Davidson's views of the Pacific Northwest embracing Oregon, Washington, Idaho, and Montana ; no. 3

Title printed on verso: "Showing the central portion of Portland and east Portland." Dealer's ticket of Adler's, Astoria, Or., on verso. Mounted on 22 x 14 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Crawford & Paxton. Astoria, Oregon, looking north, circa 1890. 1 folder.
Scope and Contents

Oregon scenery ; 242

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 20 cm.

Materials Viewable Online
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Davidson, Isaac Grundy (1845-1922). Spokane Falls and the town, circa 1880. 1 folder.
Scope and Contents

Davidson's views of the Pacific Northwest embracing Oregon, Washington, Idaho, and Montana ; no. 80

Mounted on 14 x 22 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Mrs. Jackson's (H.H.) grave, Cheyenne Mountain, circa 1895. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Trail House Cascades, Pikes Peak Trail [?], circa 1895. 1 folder.
Scope and Contents

Printed on recto: "393." Mounted on 21 x 13 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Narrows, Cheyenne Canon, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "221." Mounted on 21 x 13 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Balanced Rock, Garden of the Gods, circa 1895. 1 folder.
Scope and Contents

Mounted on 21 x 13 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Gateway, Garden of the Gods, circa 1895. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Ruins of Montezuma's Temple, Garden of the Gods, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "1294." Mounted on 13 x 21 cm. card

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Pillars of Hercules, Cheyenne Canon, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "640." Mounted on 21 x 13 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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W.H. Lawrence & Co.. Nevada Avenue, north, Colorado Springs, Colo, circa 1890. 1 folder.
Scope and Contents

Rocky Mountain scenery ; 367

Written on verso: "Florence Calder." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Mealey, Martin W.. Sampling mill, Colorado Smelting and Mining Co., Pueblo, Colo, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "C.S. Co., Pueblo, Colo., sampling mill." Mounted on 13 x 21 cm. card

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). I helped to build Pike's Peak Railroad, circa 1891. 1 folder.
Scope and Contents

Printed on recto: "807." Copyright 1891. Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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U.S. Signal Station : summit of Pike's peak, circa 1890. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Ute Iron Springs Photo Gallery. Half way house : Pike's Peak Trail and Cog Road, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "50." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. Manitou, Colo, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "424." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Grant, Chas. A. (Charles A.). Sodaspring pavillion, Manitou, circa 1885. 1 folder.
Scope and Contents

Written on recto: "Sodaspring pavillion, Manitou." Stamp of Anna A. Streckewald on verso. Mounted on 21 x 13 cm. card.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Head waiters and waitresses, Manitou Library dinner, circa 1890. 1 folder.
Scope and Contents

Names of individuals noted on verso. Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Savage, C. R. (Charles Roscoe) (1832-1909). New City Hall, Ogden, circa 1890. 1 folder.
Scope and Contents

Mounted on 14 x 22 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Savage, C. R. (Charles Roscoe) (1832-1909). City Hall, Ogden, circa 1890. 1 folder.
Scope and Contents

Mounted on 14 x 22 cm.card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Devil's Slide, Weber Canon, U.P.R.R., Utah, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "3332." Mounted on 21 x 14 cm. paper.

Physical Description

1 folder19 x 12 cm.

Materials Viewable Online
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Group of seated men eating at an encampment, possibly in Montana, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Stamp of G.D. Solomon on verso. Mounted on 16 x 23 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Broadway Gallery. Studio portrait of a man with his bicycle, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 22 x 14 cm. card.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Reno Art Gallery. Group of farmers with their wives and children, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 22 x 14 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Reno Art Gallery. Group of farmers with their wives gathered around a stack of hay, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 22 x 14 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Rea, W. J.. Old Spanish woman and her adobe house, circa 1886. 1 folder.
Scope and Contents

Taken in Santa Barbara, California. Written on verso: "Old Spanish woman and her adobe house." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Winter & Pond. Steamer Rosalie at Takou Glacier, Alaska, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "165." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Winter & Pond. Section of Muir Glacier, Alaska, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "156." Copyright 1895. Mounted on 14 x 22 cm. card

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Albertstone, R.. First church built by our missionaries, Juneau, circa 1895. 1 folder.
Scope and Contents

Scenes in Alaska

Written on verso: "First church built by our missionaries, Juneau." Mounted on 22 x 13 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Albertstone, R.. Small town set between water and a mountain, circa 1895. 1 folder.
Scope and Contents

Scenes in Alaska

Written on verso: "First church built by our missionaries, Juneau." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Partridge Photo Company. Inlet near Sitka, Alaska, circa 1890. 1 folder.
Scope and Contents

Sitka, Alaska, U.S.

Cataloger supplied title. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Santa Fe, N.M, circa 1890. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder`12 x 18cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Santa Fe, New Mex, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "834." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Santa Fe, N.M, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "No. 25." Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Plaza, Santa Fe, N.M., A.T. & S.F.R.R, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "No. 231." Printed on verso: "Santa Fe route." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Iron Springs, Manitou, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "1283." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Bonine, Elias A. (1843-1916). View of Trestle Bridge and Fort Yuma, Arizona, circa 1885. 1 folder.
Scope and Contents

Yuma Indians, Arizona

Cataloger supplied title. Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Kirkland, C. D. (Charles D.) (1851-1926). Studio portrait of a woman, possibly wearing her wedding gown, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 10 cm. card.

Physical Description

1 folder10 x 19 cm.

Materials Viewable Online
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Mealey, Martin W.. Assay office, Pueblo Smelting and Refining Co., Pueblo, Colo, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Pueblo S. & R., Assay office ." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Ute Iron Springs Photo Gallery. On Grandview Rock, circa 1885. 1 folder.
Scope and Contents

Mounted on 21 x 13 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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View of Helena, Mont, 1889. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Helena, Mont., 1889, by A.F.E." Mounted on 13 x 18 cm. card.

Physical Description

1 folder11 x 17 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Manitou Soda Springs, circa 1890. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Preston. O'Farrell St., east showing Orpheum, Fisheys, Alcazar, etc, 1906. 1 folder.
Physical Description

1 folder15 x 20 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Cheyenne Lake : Broadmoor, circa 1890. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Large, unidentified brick building, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Clinton, J. L.. Pueblo Indian dwellings, San Juan, N.M, circa 1890. 1 folder.
Scope and Contents

Sante Fe route

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Typical street scene, down San Francisco St., Santa Fe, circa 1890. 1 folder.
Scope and Contents

Sante Fe route ; no. 11

Possibly by Chase; photographer's name blotted out. Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Kaadt, Christian G. (1868-1905). San Miguel St., Santa Fe, N.M, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "No. 25." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 28 cm.

Materials Viewable Online
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Kaadt, Christian G. (1868-1905). City of Santa Fe, N.M, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "No. 25." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Society belle of Kingman, Arizona, circa 1890. 1 folder.
Scope and Contents

Written on verso: "A society belle of Kingman, Arizona." Mounted on 13 x 18 cm. card.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Woman with rifle standing in front of a wall, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Mex. Revolution." Mounted on 12 x 17 cm. card.

Physical Description

1 folder12 x 16 cm.

Materials Viewable Online
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Mexicans standing around a train station, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 12 x 17 cm. card.

Physical Description

1 folder11 x 16 cm.

Materials Viewable Online
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Mexicans loading or unloading a train, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 12 x 17 cm.

Physical Description

1 folder11 x 16 cm.

Materials Viewable Online
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Collective harvest, Snider farm, Mo, circa 1910. 1 folder.
Scope and Contents

Written on verso: "Collective harvest, Snider farm, Mo." Mounted on 21 x 26 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Albright, Emma Luse (1852-1912). Studio portrait of an unidentified man, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 10 cm. card.

Albright, Emma Luse (1852-1912)
Biographical / Historical

Francis Emma Luse Albright (1852-1912) owned and ran a photography studio/gallery in Longton, Kansas, which she later relocated to Howard, Kansas, then to Santa Fe, New Mexico. She was also a renowned photographer.

Physical Description

1 folder10 x 19 cm.

Materials Viewable Online
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Rocky Bar, Idaho, circa 1890. 1 folder.
Scope and Contents

Written on verso: "Rocky Bar, Idaho." Mounted on 14 x 22 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Cowboy, possibly Charles Russell, on horse, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Said by the seller to be of Charles Russell, the painter. ExArthur Collins, Cobalt, Ct." Mounted on 20 x 13 cm.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brewster, John Calvin. Group of Paiute Indian children, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Piute. Bodie. Nevada." Possibly taken in Bodie, Calif., which is in the Sierra Nevadas. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Evans, F. E. (Frank E.) (1856). Studio portrait of an Indian girl with a blanket, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Hand colored. Mounted on 21 x 13 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Seven men posing on a rock formation, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder20 x 13 cm.

Materials Viewable Online
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Morgan & Flowers. Garden City Hotel, circa 1890. 1 folder.
Scope and Contents

Written on recto: "Garden City Hotel." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Adams Brothers Portrait Landscape Photography (Firm). Group of men, women, and children on picnic, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Pascoe, Elmer E.. Row of wooden building under contruction, possibly in Creede, Colorado, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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George E. Mellen & Company. Tomichi Hot Springs, circa 1885. 1 folder.
Scope and Contents

Written on verso: "Tomichi Hot Springs" and "Geo. A. Stough." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Stotz, C. C.. Large brick building, possibly school, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Printed on recto: "15." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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View of a desert landscape with figures in the distance., circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 12 x 23 cm. board.

Physical Description

1 folder6 x 18 cm.

Materials Viewable Online
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Moqui Pueblo, circa 1890. 1 folder.
Scope and Contents

Mounted on 14 x 22 cm. card.

Physical Description

1 folder10 x 20 cm.

Materials Viewable Online
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George E. Mellen & Company. Silent Friend Mine ore teams, circa 1885. 1 folder.
Scope and Contents

Written on recto: "Silent Friend Mine ore teams." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Capitol building, Santa Fe, N.M, circa 1885. 1 folder.
Scope and Contents

Printed on verso: "Santa Fe route." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Canon of the Grand, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "1579." Mounted on 21 x 13 cm. card.

Physical Description

1 folder19 x 20

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Canon of the Grand, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "1572." Mounted on 21 x 13 cm. card.

Physical Description

1 folder19 x 12 cm.

Materials Viewable Online
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Majors Grant and Young leading procession: Utah's brave boys, circa 1899. 1 folder.
Scope and Contents

Mounted on 14 x 17 cm. board. Young identified as Richard Whitehead Young.

Physical Description

1 folder10 x 12 cm.

Materials Viewable Online
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Plaza showing the governers [sic] palace, Santa Fe, N.M, circa 1880. 1 folder.
Scope and Contents

Mounted on 12 x 18 cm. card.

Physical Description

1 folder11 x 17 cm.

Materials Viewable Online
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Jim Snider as a child with his mother, grandmother, and great grandmother, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Stamp of Mrs. E.F. Miller, Verdella, Missouri, on verso. Mounted on 13 x 18 cm. board.

Physical Description

1 folder9 x 14 cm.

Materials Viewable Online
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Jim Snider's uncle in a horsedrawn carriage, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Stamp of Mrs. E.F. Miller, Verdella, Missouri, on verso. Mounted on 13 x 18 cm. board.

Physical Description

1 folder9 x 15 cm.

Materials Viewable Online
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Jim Snider's father and uncles preparing to work in the fields, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Stamp of Mrs. E.F. Miller, Verdella, Missouri, on verso. Mounted on 14 x 17 cm. board.

Physical Description

1 folder11 x 13 cm.

Materials Viewable Online
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Jim Snider as a baby with his mother, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 23 x 13 cm. board.

Physical Description

1 folder10 x 8 cm.

Materials Viewable Online
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Jim Snider's grandfather, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted in a contemporary 23 x 13 cm. folder.

Physical Description

1 folder13 x 11 cm.

Materials Viewable Online
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Jim Snider's mother and aunt as young adults, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 12 cm. card.

Physical Description

1 folder14 x 10 cm.

Materials Viewable Online
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Sullivan. Jim Snider's mother as a young girl with a horse, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 11 cm. card.

Physical Description

1 folder11 x 10 cm.

Materials Viewable Online
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Jim Snider's mother as a young girl, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 13 cm. board.

Physical Description

1 folder10 x 7 cm.

Materials Viewable Online
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Jim Snider as a young boy and his mother, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 13 cm. board.

Physical Description

1 folder10 x 7 cm.

Materials Viewable Online
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Jim Snider as a young boy, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 16 x 13 cm. board.

Physical Description

1 folder10 x 7 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Hanging bridge, Royal Gorge, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "1596." Mounted on 21 x 13 cm. card.

Physical Description

1 folder19 x 12 cm.

Materials Viewable Online
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Feeders, Buffalo Valley Ranch, circa 1910. 1 folder.
Scope and Contents

Written on recto: "Feeders, Buffalo Valley Ranch." Matted in 13 x 22 cm. board with another photograph entitled "On the range" on verso. Possibly taken in Kansas.

Physical Description

1 folder16 x 5 cm.

Materials Viewable Online
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On the range, circa 1910. 1 folder.
Scope and Contents

Written on recto: "On the range." Matted in 13 x 22 cm. board with another photograph entitled "Feeders, Buffalo Valley Ranch" on verso. Possibly taken in Kansas.

Physical Description

1 folder16 x 5 cm.

Materials Viewable Online
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Steam threshing, circa 1910. 1 folder.
Scope and Contents

Written on recto: "Steam threshing" and "Kansas." Matted in 13 x 22 cm. board with "One of the ranch barns" on verso.

Physical Description

1 folder16 x 5 cm.

Materials Viewable Online
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One of the ranch barns, circa 1910. 1 folder.
Scope and Contents

Written on recto: "One of the ranch barns." Matted in 13 x 22 cm. board with "Steam threshing." on verso. Possibly taken in Kansas.

Physical Description

1 folder16 x 5 cm.

Materials Viewable Online
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Ready for market, circa 1910. 1 folder.
Scope and Contents

Written on recto: "Ready for market" and "Kansas." Matted in 13 x 22 cm. board with another photograph entitled "Behind the windbreak's." on verso.

Physical Description

1 folder16 x 5 cm.

Materials Viewable Online
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Behind the windbreak's [sic], circa 1910. 1 folder.
Scope and Contents

Written on recto: "Behind the windbreak's" Matted in 13 x 22 cm. board with another photograph entitled " "Ready for market" and "Kansas" on verso.

Physical Description

1 folder16 x 5 cm.

Materials Viewable Online
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Touney, Chas. A.. Possibly an excavation site containing human remains, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 14 x 22 cm. card. Mounted on 11 x 19 cm. card.

Content Warning

Photographs depicts an excavation site with possible human remains.

Physical Description

1 folder12 x 21 cm.

Kirkland, C. D. (Charles D.) (1851-1926). Cowboy on a horse, circa 1880. 1 folder.
Scope and Contents

Kirkland's views of cowboy life and the cattle business

Cataloger supplied title.

Physical Description

1 folder14 x 22 cm.

Kirkland, C. D. (Charles D.) (1851-1926). Cowboys on horseback with a herd of wild horses, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 14 x 22 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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El Paso bull fight, 1892. 1 folder.
Scope and Contents

Written on verso: "El Paso bull fight, Feb. 7th 1892." Mounted on 21 x 13 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Imperial. "Hassalo" shooting the rapids at cascades, 1888. 1 folder.
Scope and Contents

Written on verso: "Compliments, Frank Woolsey, 5/30/88. 'Hassalo' shooting the rapids at Cascades." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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McDonald, A. J., active 19th century. Beach, Cliff House & Seal Rocks, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "101." Mounted on 14 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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McDonald, A. J., active 19th century. Seal Rocks near Cliff House, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "100." Mounted on 14 x 21 cm. card

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Taber, I. W. (Isaiah West) (1830-1912). California Street from Sansome Street, San Francisco, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "B 517." Mounted on 22 x 14 cm. card.

Physical Description

1 folder21 x 13 cm.

Materials Viewable Online
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Hopkins Seaside Laboratory, Monterey, California, circa 1885. 1 folder.
Scope and Contents

Written on recto: "Hopkins Seaside Laboratory, Monterey, California." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Main entrance: Stanford "quad.", circa 1890. 1 folder.
Scope and Contents

Written on verso: "Main entrance, Stanford 'quad.'" Mounted on 14 x 19 cm.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Rotunda (main entrance) of museum, Stanford University, circa 1890. 1 folder.
Scope and Contents

Written on verso: "Rotunda (main entrance) of museum, Stanford University." Mounted on 14 x 19 cm. card.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Altar of the old San Miguel Church, circa 1890. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Gearhart Park, State Chatauqua Auditorium, 1892. 1 folder.
Scope and Contents

Printed on recto: "1524" and "July 14, 1892." Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Santa Fe, New Mexico, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "819." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Billington, William C.. Entrance to Golden Gate, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "6." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Winter & Pond. Ice bergs in harbor, Juneau, Alaska, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "65." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). View of desert landscape, circa 1890. 1 folder.
Scope and Contents

Pueblo of Isleta, A. & P. junction, N. Mex.

Cataloger supplied title. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Old Mexican mill, San Rafael, N.M, circa 1890. 1 folder.
Scope and Contents

Pueblo of Isleta, A. & P. junction, N. Mex. ; A 71

Cataloger supplied title. Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Winter & Pond. Section of Muir Glacier, Alaska, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "163." Mounted on 14 x 22 cm. card.

Physical Description

1 folder19 x 12 cm.

Materials Viewable Online
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Ute Iron Springs Photo Gallery. Climbing Pike's Peak, M. & P.P.R.R, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "375." Mounted on 21 x 13 cm. card.

Physical Description

1 folder19 x 12 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Pike's Peak Railroad, summit, altitude 14,147 feet, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "775." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Pike's Peak Railroad, summit, altitude 14,147 feet, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "950" and "The old way and the new." Photograph compares a donkey to a train. Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Pike's Peak Railroad : halfway house, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "1762." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Hook, W. E. (William Edward) (1833-1908). Seven Falls, Cheyenne Canon, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "188." Mounted on 13 x 21 cm. card.

Physical Description

1 folder19 x 11 cm.

Materials Viewable Online
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De Groof, Edward. Wolf totem, Ft. Wrangel, Alaska, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "52." Mounted on 22 x 14 cm. card.

Physical Description

1 folder21 x 12 cm.

Materials Viewable Online
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La Roche, Frank (1853-1934). Pyramid Harbor, circa 1890. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11x 19 cm.

Materials Viewable Online
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La Roche, Frank (1853-1934). Glacier Bay from top of Muir Glacier, circa 1892. 1 folder.
Scope and Contents

Printed on recto: "1146." Copyright 1892. Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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La Roche, Frank (1853-1934). Gale Bay, Alaska, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "1149." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Savage, C. R. (Charles Roscoe) (1832-1909). Dodge's Bluff, Canon of Grand River, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "R.G.W.Rr."

Physical Description

1 folder23 x 28 cm.

Materials Viewable Online
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Nik'te' (Maria Juliana) Sis Iboy and Saqijix (Candelaria Dominga) Lopez Ixcoy giving a paper entitled "Semejanzas y diferencias entre el Achi y el K'iche.'", 1989. 1 folder.
Scope and Contents

Cataloger supplied title. Written on a postit: "Nik'te' (Maria Juliana) Sis Iboy Saqijix (Candelaria Dominga) Lopez Ixcoy giving paper "Semejanzas y diferencias entre el Achi y el K'iche'" in the [?] Taller Maya, Quetzaltenango, Guatemala, 1989." Color photograph.

Physical Description

1 folder21 x 31 cm.

Materials Viewable Online
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Gilpin, Laura (1891-1979). View of a desert landscape, possibly the Canyon de Chelly, Arizona, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Cowboy mounting a horse, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 29 cm.

Materials Viewable Online
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Gilpin, Laura (1891-1979). View of a desert landscape, possibly the Canyon de Chelly, Arizona, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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B., W.. Jemez Valley, New Mexico, 1921. 1 folder.
Scope and Contents

Shows road that runs between San Isidro and White City, New Mexico, passing Soda Dam.

Written on verso: "1921. Road from Santa Fe to Taos."

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Central Pacific Railroad Company. First and last, 1869. 1 folder.
Scope and Contents

Caption formerly taped on verso: "First and lastTwo days before the driving of the Golden Spike at Promontory, Utah, one of the last westbound covered wagon trains met the first train from California. This was Governor Leland Stanford's special train, pulled by the historic engine 'Jupiter,' en route to the last spike ceremony a few miles east. The picture was taken May 8, 1869, on the north shore of the Great Salt Lake, by Alfred A. Hart of Sacramento, the official photographer of the Central Pacific (now Southern Pacific). (SP photo x 110)."

Hart, Alfred A. (1816-1908)
Biographical / Historical

Alfred A. Hart (1816-1908) was a photographer who documented the construction of the western half of the transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. Hart served as the Central Pacific's first official photographer, and his images chronicle the advancement of the railroad over 742 miles from Newcastle, California, through the Sierra Nevada Mountains and into Nevada and Utah.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Carbutt, John (1832-1905). Herndon House, Omaha, N.T, 1866. 1 folder.
Scope and Contents

Printed on recto: "232." Original photograph housed in the Credit Union Pacific Railroad Museum Collection.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Central Pacific Railroad Company. Chinese laborers working on the Central Pacific Railroad line, circa 1876. 1 folder.
Scope and Contents

Caption formerly taped on verso: "In 1876, several years after the first transcontinental railroad was complete, Central Pacific went back over the line, filling in most of its long trestles with solid earth embankments. Again it was the patient Chinese laborers who hauled the dirt and rock with one [sic] horse carts and wheelbarrows. This photo is not by Alfred A. Hart."

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Deep cut no. 1 west of Wilhelmina Pass, Weber Canyon showing method of excavation, circa 1875. 1 folder.
Scope and Contents

Caption pasted on verso: "Deep cut no. 1 west of Wilhelmina Pass, Weber Canyon showing method of excavation.... (A.J. Russell photo)." Original photograph housed in the Credit Union Pacific Railroad Museum Collection.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Central Pacific Railroad Company. Pounding down the main line of the Central Pacific behind a pioneer woodburner that came around the tip of South America by sailing ship after being manufactured on the East Coast, circa 1875. 1 folder.
Scope and Contents

Caption formerly taped on verso: "Pounding down the main line of the Central Pacific behind a pioneer woodburner that came around the tip of South America by sailing ship after being manufactured on the East Coast. This scene was taken on '12Mile Tangent' four miles from Sacramento just after the crossing over the American River. The train is heading eastward toward the Sierra. SP photo x100 by Alfred A. Hart, official Central Pacific photographer from Sacramento."

Hart, Alfred A. (1816-1908)
Biographical / Historical

Alfred A. Hart (1816-1908) was a photographer who documented the construction of the western half of the transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. Hart served as the Central Pacific's first official photographer, and his images chronicle the advancement of the railroad over 742 miles from Newcastle, California, through the Sierra Nevada Mountains and into Nevada and Utah.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Russell, Andrew J.. Men shaping tunnel timbers for work on Echo Tunnel in Miller and Patterson's camp, circa 1868. 1 folder.
Scope and Contents

Caption pasted on verso: "Men shaping tunnel timbers for work on Echo Tunnel in Miller and Patterson's camp. (A.J. Russell photo) c. 1868." Original photograph housed in the Credit Union Pacific Railroad Museum Collection.

Physical Description

1 folder21 x 26 cm.

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Encampment with horses, tents, and covered wagons, circa 1870. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 26 cm.

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Central Pacific Railroad Company. High Sierra raised its first major barrier 34 miles out of Sacramento, circa 1870. 1 folder.
Scope and Contents

Caption formerly taped on verso: "The High Sierra raised its first major barrier 34 miles out of Sacramento. Here, an immense mound of glacial debris confronted the pioneer builders. Chinese laborers handcarved a Vshapped [sic] cut, inch by inch, through the contretelike mass800feet long and 63feet high. It was here the construction superintendent Strobridge lost an eye in a blasting accident. SP photos by Alfred A. Hart, official CP photographer, Sacramento."

Physical Description

1 folder21 x 26 cm.

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Central Pacific Railroad Company. Central Pacific locomotive "A.A. Sargent," named after the U.S. congressman from California, is pictured by Alfred Hart as it appeared at the foot of "J" Street in Sacramento during 1865, circa 1870. 1 folder.
Scope and Contents

Caption formerly taped on verso: "Central Pacific locomotive 'A.A. Sargent,' named after the U.S. congressman from California, is pictured by Alfred Hart as it appeared at the foot of 'J' Street in Sacramento during 1865. Number 7 on the Central Pacific roster, it was built by A. Booth & Company, San Francisco, for the pioneer Sacramento Valley Railroad, a short line from Sacramento to Folsom. It arrived in Sacramento on the river schooner 'A. Lincoln' December 12, 1865. It remained on the CPSP roster until 1911 when it was scrapped as number 1487, having been rebuilt in the interim several times. The building that was the Brannan House became the Tremont Hotel, reknowned a few years later for its excellent meals and good beds. The steps at the right lead to the old Central Pacific station. It is interesting to note that his area of Old Sacramento is being restored today and that a transporation museum, duplicating the stations of the Central Pacific, Sacramento Valley and California Steam Navigation Company. SP photo by Alfred A. Hart."

Hart, Alfred A. (1816-1908)
Biographical / Historical

Alfred A. Hart (1816-1908) was a photographer who documented the construction of the western half of the transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. Hart served as the Central Pacific's first official photographer, and his images chronicle the advancement of the railroad over 742 miles from Newcastle, California, through the Sierra Nevada Mountains and into Nevada and Utah.

Physical Description

1 folder21 x 26 cm.

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Locomotive and stagecoaches in front of Wells, Fargo & Co. express building, circa 1870. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 26 cm.

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Russell, Andrew J.. Construction train at end of track, General Casement's outfit, 1869. 1 folder.
Scope and Contents

Caption pasted on verso: "Construction train at end of track, General Casement's outfit. Pictured here is General John S. Casement, who, with his brother, Dan, had the tracklaying contract for almost the whole of the Union Pacific. The photographer's traveling darkroom is at the right. A.J. Russell photo (1869)." Original photograph housed in the Credit Union Pacific Railroad Museum Collection.

Physical Description

1 folder21 x 26 cm.

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Carbutt, John (1832-1905). Crew laying track during the original construction of the Union Pacific, circa 1870. 1 folder.
Scope and Contents

Caption pasted on verso: "Crew laying track during the original construction of the Union Pacific. Photographed at the 100th Meridian by Carbutt." Original photograph housed in the Credit Union Pacific Railroad Museum Collection.

Physical Description

1 folder21 x 26 cm.

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Silvis, J. B.. Locomotive no. 5 and special photographic car of J.B. Silvis, circa 1870. 1 folder.
Scope and Contents

Caption pasted on verso: "Locomotive no. 5 and special photographic car of J.B. Silvis." Original photograph housed in the Credit Union Pacific Railroad Museum Collection.

Physical Description

1 folder21 x 26 cm.

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Savage, C. R. (Charles Roscoe) (1832-1909). UP work train in 1870 near Green River, Wyo, 1870. 1 folder.
Scope and Contents

Written on verso: "UP work train in 1870 near Green River, Wyo."

Physical Description

1 folder21 x 26 cm.

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Savage, C. R. (Charles Roscoe) (1832-1909). Benson Lumber Co. lumberyard, circa 1870. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph housed in the Historical Collection Title Insurance and Trust Company, San Diego, California.

Physical Description

1 folder21 x 26 cm.

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My first traveling dark room, prepared for photographing among the Pawnee and Omaha Indians in 1868, circa 1870. 1 folder.
Scope and Contents

Original photograph housed in the Credit Union Pacific Railroad Museum Collection. Photograph of a photomechanical print.

Physical Description

1 folder21 x 26 cm.

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Jackson Bros. (Omaha, Neb.). Photographer and his working outfit along the line of the Union Pacific Railroad in 1869, 1869. 1 folder.
Scope and Contents

Original photograph housed in the Credit Union Pacific Railroad Museum Collection. Photograph of a photomechanical print.

Physical Description

1 folder21 x 26 cm.

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Two men holding their townsite claim staked between the Santa Fe Depot and the Land Office shortly after the town lots run, April 22, 1889, Guthrie, Oklahoma Territory, 1889. 1 folder.
Scope and Contents

Original photograph housed in the A.P. Swearingen Collection at the Western History Collection of the University of Oklahoma Library.

Physical Description

1 folder21 x 26 cm.

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Central Pacific Railroad Company. Central Pacific locomotive "Conness" on the turntable at Newcastle during construction of the trestle there in 1864, 1864. 1 folder.
Scope and Contents

Caption formerly taped on verso: "Central Pacific locomotive 'Conness' on the turntable at Newcastle during construction of the trestle there in 1864. It was near this point, 31 miles from Sacramento, that construction of the western end of the pioneer transcontinental railroad came to a stop due to political rivalry which tied up money and brought the railroad into the courts. Central Pacific won its battle and construction began with new vigor and an army of Chinese laborers the following year. Southern Pacific photo x638 by Alfred A. Hart, official Central Pacific photographer from Sacramento."

Hart, Alfred A. (1816-1908)
Biographical / Historical

Alfred A. Hart (1816-1908) was a photographer who documented the construction of the western half of the transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. Hart served as the Central Pacific's first official photographer, and his images chronicle the advancement of the railroad over 742 miles from Newcastle, California, through the Sierra Nevada Mountains and into Nevada and Utah.

Physical Description

1 folder21 x 26 cm.

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Jackson, William Henry (1843-1942). Omaha, scene from Capitol Hill, circa 1875. 1 folder.
Scope and Contents

Caption pasted on verso: "Omaha, scene from Capitol Hill. (W.H. Jackson photo)." Original photograph housed in the Credit Union Pacific Railroad Museum Collection.

Jackson, William Henry (1843-1942)
Biographical / Historical

American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.

Physical Description

1 folder26 x 21 cm.

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Indians waiting for the buffalo hunt, 1905. 1 folder.
Scope and Contents

Written on recto: "Indians waiting for the buffalo hunt." Mounted on 14 x 31 cm. board. Taken during Geronimo's final buffalo hunt at the 101 Ranch near Ponca City, Oklahoma on June 10, 1905.

Physical Description

1 folder11 x 26 cm.

Buffalo, 1905. 1 folder.
Scope and Contents

Written on recto: "The buffalo." Mounted on 12 x 31 cm. board. Taken during Geronimo's final buffalo hunt at the 101 Ranch near Ponca City, Oklahoma on June 10, 1905.

Physical Description

1 folder10 x 26 cm.

Oklahoma buffalo, 1905. 1 folder.
Scope and Contents

Written on recto: "Oklahoma buffalo." Mounted on 13 x 31 cm. board. Taken during Geronimo's final buffalo hunt at the 101 Ranch near Ponca City, Oklahoma on June 10, 1905.

Physical Description

1 folder11 x 26 cm.

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Old Indian chief Geronimo killing the buffalo at 101 Ranch, June 105, 1905. 1 folder.
Scope and Contents

Written on recto: "The old Indian chief Geronimo killing the buffalo at 101 Ranch, June 105." Mounted on 13 x 31 cm. board. Illegible signature of photographer on mount. Taken during Geronimo's final buffalo hunt at the 101 Ranch near Ponca City, Oklahoma on June 10, 1905.

Physical Description

1 folder11 x 26 cm.

Baird. Fishery buildings and Mount Perseplione, looking north, circa 1885. 1 folder.
Scope and Contents

Written on recto: "Fishery buildings and Mount Perseplione, looking north." Mounted on 30 x 24 cm. paper.

Physical Description

1 folder16 x 22 cm.

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Baird. Trout ponds looking north, circa 1885. 1 folder.
Scope and Contents

Written on recto: "Trout ponds looking north." Mounted on 30 x 24 cm. paper.

Physical Description

1 folder16 x 22 cm.

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Baird. Bridge & current wheel, Mr. Stone's cottage and mess house in distance, circa 1885. 1 folder.
Scope and Contents

Written on recto: "Bridge & current wheel, Mr. Stone's cottage and mess house in distance." Mounted on 30 x 24 cm. paper.

Physical Description

1 folder16 x 22 cm.

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Ellis, Melanie M.. Guess who?, 1980. 1 folder.
Scope and Contents

Written on verso: "#1 'Guess who?' Taken...inside the 'Tahoe' Bar in Brigham City, Utah...August 1980."

Physical Description

1 folder19 x 25 cm.

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Ellis, Melanie M.. Reflection in copper, 1980. 1 folder.
Scope and Contents

Written on verso: "#2 'Reflection in copper'...shot on a sidewalk through a window in an antique store, downtown Brigham City, Utah."

Physical Description

1 folder20 x 24 cm.

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Ellis, Melanie M.. Oneida buffalo, 1984. 1 folder.
Scope and Contents

Written on verso: "'Oneida buffalo.'"

Physical Description

1 folder21 x 26 cm.

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Gen. Custer's scout Crow, only survivor of battle, June 25, 1876, circa 1880. 1 folder.
Scope and Contents

Written on recto: "Gen. Custer's scout Crow, only survivor of battle, June 25, 1876." Mounted on 20 x 26 cm. board. Stamp of Forbes Library, Northampton, Mass., on verso.

Physical Description

1 folder13 x 18 cm.

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Ute Indians, circa 1880. 1 folder.
Physical Description

1 folder16 x 21 cm.

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Cowboy camp, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 18 cm.

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Heron, Michal. Sioux woman, Rosebud, South Dakota, circa 1970. 1 folder.
Scope and Contents

Written on verso: "Sioux woman, Rosebud, South Dakota."

Physical Description

1 folder17 x 25 cm.

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Heron, Michal. Indian women and children, possibly Seminole, sitting under thatched structure, circa 1981. 1 folder.
Scope and Contents

Cataloger supplied title. Copyright 1981.

Physical Description

1 folder21 x 26 cm.

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Heron, Michal. Puberty : Pueblo Indian boy, circa 1980. 1 folder.
Scope and Contents

Written on verso: "Puberty : Pueblo Indian boy."

Physical Description

1 folder26 x 21 cm.

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Angel, Russell. Looking up south fork of Eel River at Sage Unit No. 1 redwoods, west of Weott, Humboldt County, California, between the Garden Club of America Grove and Bull CreekDyerville area, circa 1940. 1 folder.
Scope and Contents

Caption taped on verso: "Looking up south fork of Eel River at Sage Unit No. 1 redwoods, west of Weott, Humboldt County, California, between the Garden Club of America Grove and Bull CreekDyerville area. Russell Angel Photo, no. 5082."

Physical Description

1 folder19 x 26 cm.

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Angel, Russell. Tall and fine redwoods and rich forest floor characterize much of Sage timber opposite Weott, Humboldt County, circa 1940. 1 folder.
Scope and Contents

Caption taped on verso: "Tall and fine redwoods and rich forest floor characterize much of Sage timber opposite Weott, Humboldt County...Russell Angel Photo, no. 5084."

Physical Description

1 folder26 x 19 cm.

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Angel, Russell. Fallen giant coverd with fern and moss, in Sage Unit No. 1 redwoods, circa 1940. 1 folder.
Scope and Contents

Caption taped on verso: "Fallen giant coverd with fern and moss, in Sage Unit No. 1 redwoods. Opposite Weott, California. Russell Angel Photo, no. 5086."

Physical Description

1 folder26 x 19 cm.

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Angel, Russell. Fallen giant coverd with fern and moss, in Sage Unit No. 1 redwoods, circa 1940. 1 folder.
Scope and Contents

Caption taped on verso: "Fallen giant coverd with fern and moss, in Sage Unit No. 1 redwoods. Opposite Weott, California. Russell Angel Photo, no. 5086."

Physical Description

1 folder26 x 19 cm.

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Angel, Russell. Sage Unit No. 1 redwood forest opposite Weott, Humboldt County, California, across south fork of Eel River from part of Humboldt Redwoods State Park, circa 1940. 1 folder.
Scope and Contents

Caption taped on verso: "Sage Unit No. 1 redwood forest opposite Weott, Humboldt County, California, across south fork of Eel River from part of Humboldt Redwoods State Park. Russell Angel, no. 5085."

Physical Description

1 folder26 x 19 cm.

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Angel, Russell. Dense redwood forest of Sage Land & Improvement Co. opposite Weott, Humboldt County, across river from Humboldt State Park, circa 1940. 1 folder.
Scope and Contents

Caption taped on verso: "Dense redwood forest of Sage Land & Improvement Co. opposite Weott, Humboldt County, across river from Humboldt State Park. This area lies between Bull CreekDyerville forest and the Garden Club of America Redwood Grove. Russell Angel, #5083."

Physical Description

1 folder26 x 19 cm.

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Angel, Russell. Fine "flat" timber of Sage Unit No. 1 on south fork of Eel River opposite northern part of Humboldt Redwoods State Park, circa 1940. 1 folder.
Scope and Contents

Caption taped on verso: "Fine 'flat' timber of Sage Unit No. 1 on south fork of Eel River opposite northern part of Humboldt Redwoods State Park. Lies between Bull CreekDyerville Forest and the Garden Clud of American Redwood Grove. Russell Angel photo, no. 5087."

Physical Description

1 folder26 x 19 cm.

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Angel Rodriguez, Jose. Magdalenas y San Andres visitan a Sta. Marta, 1996. 1 folder.
Scope and Contents

Written on verso: "'Magdalenas y San Andres visitan a Sta. Marta.' Sta. Martz, Mpo. de Larrainzar, Chis., 1996."

Physical Description

1 folder21 x 26 cm.

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Angel Rodriguez, Jose. Amanecienco : camino entre San Andres y Sta. Marta, 1996. 1 folder.
Scope and Contents

Written on verso: "'Amanecienco' camino entre San Andres y Sta. Marta. Mpo. de Larrainzar, Chiapas, 1996."

Physical Description

1 folder21 x 26 cm.

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Angel Rodriguez, Jose. Mujer sembrada, 1989. 1 folder.
Scope and Contents

Written on verso: "'Mujer sembrada,' Pantelho, Chis., 1989."

Physical Description

1 folder21 x 26 cm.

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Angel Rodriguez, Jose. Visita de Rigoberta Menchu a los refugiados guatemaltecos, 1992. 1 folder.
Scope and Contents

Written on verso: "'Visita de Rigoberta Menchu a los refugiados guatemaltecos, El Porvenir I, Chiapas, 1992."

Physical Description

1 folder21 x 26 cm.

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Angel Rodriguez, Jose. Fundacion de Tenochtitlan, 1985. 1 folder.
Scope and Contents

Written on verso: "'Fundacion de Tenochtitlan,' Ciudad de Mexico, 1985."

Physical Description

1 folder20 x 25 cm.

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Angel Rodriguez, Jose. La libranza, 1997. 1 folder.
Scope and Contents

Written on verso: "'La libranza,' Saklamenton, Chamula, Chiapas, 1997."

Physical Description

1 folder26 x 21 cm.

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Close, W. H.. View of Quezaltenango from outside of McBath's home, circa 1974. 1 folder.
Scope and Contents

Cataloger supplied title. Long description on verso of house in relation to the city. Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

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Close, W. H.. View of Quezaltenango from outside of McBath's home, circa 1974. 1 folder.
Scope and Contents

Cataloger supplied title. Long description on verso of house in relation to the city. Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

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W.E. McBath standing on wall of his church during contruction, circa 1910. 1 folder.
Scope and Contents

Written on verso: "W.E. McBath standing on wall of his church during contruction." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

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Anna Rebecca Alloway McBath (Mrs. Close's mother) & William Penn ("Penny"), circa 1910. 1 folder.
Scope and Contents

Written on verso: "Anna Rebecca Alloway McBath (Mrs. Close's mother) & William Penn ("Penny")." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

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Petrona Xiearo, Mrs. Close's (Anna Belle McBath) nurse, circa 1910. 1 folder.
Scope and Contents

Written on verso: "Petrona Xiearo, Mrs. Close's (Anna Belle McBath) nurse." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder26 x 21 cm.

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Mrs. McBath & Sunday school group, probably San Marcos or Almalonga, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Mrs. McBath & S.S. group, probably San Marcos or Almalonga." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder26 x 21 cm.

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Concrete relief map of Guatemala, Minerva Park, Guatemala City, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Not a good print. This is the concrete relief map of Guatemala, built in 1905 by Francisco Vela, in Minerva Park, Guatemala City." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder19 x 19 cm.

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Cathedral, Guatemala City, circa 1910. 1 folder.
Scope and Contents

Written on verso: "Cathedral, Guatemala City." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

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Indian women and children of Guatemala, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Quezaltenango." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

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Man standing in the doorway of ruined building, possibly in Antigua, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Antigua?." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

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Coffee finca, circa 1910. 1 folder.
Scope and Contents

Written on verso: "Coffee finca." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

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Close, W. H.. Quezaltenango taken by me in 1974, 1974. 1 folder.
Scope and Contents

Color photograph. Written on verso: "Quezaltenango taken by me in 1974." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder26 x 21 cm.

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Group portrait of Central American Indian men and women, possibly participants in Presbyterian service, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Apparently taken in Nahuala." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder16 x 26 cm.

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Game of "pinata.", circa 1910. 1 folder.
Scope and Contents

Written on verso: "A game of "'pinata.'" Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 14 cm.

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Quezaltenango : 1902 quake, 1902. 1 folder.
Scope and Contents

Written on verso: "Quezaltenango 1902 quake." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder19 x 20 cm.

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Fatino attorney and family from Quezaltenango, circa 1910. 1 folder.
Scope and Contents

Written on recto: "Fatino attorney and family from Quezaltenango." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder26 x 21 cm.

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Building the church across from the Theater Municipal, Quezaltenango, circa 1912. 1 folder.
Scope and Contents

Written on verso: "Building the church across from the Theater Municipal, Quezaltenango. (corner stone 1912)." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder26 x 21 cm.

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Quezaltenango women, circa 1910. 1 folder.
Scope and Contents

Written on verso: "Quezaltenango womenthe one on the left cared for the McBath children, accompanied them to the U.S. and stayed a little over a year; my wife rode papoose style on her back."Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Religion group, possibly from Quezaltenango, circa 1910. 1 folder.
Scope and Contents

Written on verso: "Religion group." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Religious festival, probably Antigua, circa 1910. 1 folder.
Scope and Contents

Written on verso: "Religious festival, probably Antigua." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Central American Indians herding sheep, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "A poor print of an art shot." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Close, W. H.. Interior of a ruined church, 1974. 1 folder.
Scope and Contents

Cataloger supplied title. Color photograph. Written on verso: "Taken 1974." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Wedding with barefoot bride, circa 1910. 1 folder.
Scope and Contents

Written on verso: "Wedding with barefoot bride." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Rev. McBath & home, later became church, circa 1910. 1 folder.
Scope and Contents

Written on verso: "Rev. McBath & home, later became church." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Rev. Walker E. McBath, circa 1910. 1 folder.
Scope and Contents

Written on verso: "Rev. Walker E. McBath." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Rock quarry, possibly in Quezaltenango, Guatemala, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Quarry?" Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Mrs. McBath on left and friend (Jannie Buck), circa 1910. 1 folder.
Scope and Contents

Written on verso: "Mrs. McBath on left and friend (Jannie Buck). Their mode of transportation in central Guatemala from AlmalongaSan Marcos...." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Rev. McBath in the center building the Presbyterian church, across the street is municipal theater, circa 1910. 1 folder.
Scope and Contents

Written on verso: "Rev. McBath in the center building the Presbyterian church, across the street is municipal theater." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Religious group, possibly from Quezaltenango, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Unknown group." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Religious women's group, possibly from Quezaltenango, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Religious women's group, possibly from Quezaltenango, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Feeding the halt, the lame, and the blind before a feast, circa 1910. 1 folder.
Scope and Contents

Written on verso: "Feeding the halt, the lame, and the blind before a feast." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Interior of a ruined church, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Taken bet. 19021914." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Estes Park, 1941. 1 folder.
Scope and Contents

Written on verso: "Estes Park, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Rocky Mountain National Park, Colorado, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Groundhog in Rocky Mountain National Park, Colorado, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Grounds of Bear Lake Lodge, 1941, 1941. 1 folder.
Scope and Contents

Written on verso: "Grounds of Bear Lake Lodge, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Rocky Mountain National Park, Colorado, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Estes Park, 1941. 1 folder.
Scope and Contents

Written on verso: "Estes Park, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Trail Ridge Road summit, Rocky Mountain Nat. Park, 1941. 1 folder.
Scope and Contents

Written on verso: "Trail ridge road summit, Rocky Mountain Nat. Park, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Road to Mount Evans, 1941. 1 folder.
Scope and Contents

Written on verso: "Road to Mount Evans, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Colorado Springs, 1941. 1 folder.
Scope and Contents

Written on verso: "Colorado Springs, 1941." Interior of a cave. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Rocky Mountain National Park, Colorado, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Bear Lake, 1941. 1 folder.
Scope and Contents

Written on verso: "Bear Lake, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Summit Mount Evans, 1941. 1 folder.
Scope and Contents

Written on verso: "Summit Mount Evans." One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Rocky Mountain National Park, Colorado, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Region." One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Photographer with his camerin the Rocky Mountain National Park, Colorado, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Rocky Mountain National Park, Colorado, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Snowcovered cabin and car, Rocky Mountain National Park, Colorado, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Highest point on Trail Ridge Road, 1941. 1 folder.
Scope and Contents

Written on verso: "Highest point on Trail Ridge Road, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Woman sitting in an empty outdoor amphitheater, possibly in Rocky Mountain National Park, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Bear standing in the mouth of cave, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Ditch running behind wooden buildings, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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View of a lake from a porch, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Summit of Mt. Evans, 1941. 1 folder.
Scope and Contents

Written on verso: "Summit of Mt. Evans, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Snowcovered building, possibly lodge, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Baker & Johnston. Arapahoe camp, circa 1885. 1 folder.
Scope and Contents

No. 51. Mounted on 12 x 18 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. Ute chief "Washington.", circa 1880. 1 folder.
Scope and Contents

Printed on recto: "4207." Mounted on 18 x 12 cm. card.

Physical Description

1 folder17 x 11 cm.

Materials Viewable Online
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Baker & Johnston. Shoshone war dance, circa 1885. 1 folder.
Scope and Contents

No. 16. Mounted on 12 x 18 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Baker & Johnston. ToosDayZay : wife of Cochise and the mother Natches, a hostile Chiricahua chief, circa 1885. 1 folder.
Scope and Contents

No. 87. Mounted on 18 x 12 cm. card.

Physical Description

1 folder16 x 10 cm.

Lummis, Charles Fletcher (1859-1928). Young Tigua, circa 1895. 1 folder.
Scope and Contents

Copyright 1895. Printed on recto: "672." Mounted on 22 x 14 cm. card.

Physical Description

1 folder19 x 12 cm.

Materials Viewable Online
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Navajo chief, Garden of the Gods, 1941. 1 folder.
Scope and Contents

Written on verso: "Navajo chief, Garden of the Gods, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Navajo chief, Garden of the Gods, 1941. 1 folder.
Scope and Contents

Written on verso: "Navajo chief, Garden of the Gods, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Bear Lake, 1941. 1 folder.
Scope and Contents

Written on verso: "Bear Lake, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Estes Park, 1941. 1 folder.
Scope and Contents

Written on verso: "Estes Park, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Trail Ridge Road, 1941. 1 folder.
Scope and Contents

Written on verso: "Trail Ridge Road, Colorado, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Rocky Mountain National Park, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Rocky Mountain National Park, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Rocky Mountain National Park, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Road to Mt. Evans, 1941. 1 folder.
Scope and Contents

Written on verso: "Road to Mt. Evans, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Road to Mt. Evans, 1941. 1 folder.
Scope and Contents

Written on verso: "Road to Mt. Evans, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Summit of Mt. Evans, 1941. 1 folder.
Scope and Contents

Written on verso: "Summit of Mt. Evans, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Abandoned building, possibly a mill, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Person walking in deep snow toward cabin, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Snowcovered shed, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Snowcovered town with mountains in the background, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Woman sitting in ski lift, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Ski lift with skiers in the background, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Snowcovered cabins, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Snowcovered cabins, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Person walking in deep snow toward cabin, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Snowcovered cabin, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Group portrait of Jim Snider's church choir, circa 1930. 1 folder.
Scope and Contents

Cataloger supplied title. Written on a note formerly with photograph: "Church choir: James Snider, 2nd from right, front row, Missouri. (1 of his brothers became preacher in So. [?])."

Physical Description

1 folder14 x 18 cm.

Materials Viewable Online
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Parkhurst, T. Harmon. Cochiti shoemakers, circa 1935. 1 folder.
Scope and Contents

Written on verso: "'The moccasin makers,' an occupation study from the pueblo of Chochiti."

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Parkhurst, T. Harmon. Home of Ignacio Aguilar, San Ildefonzo, circa 1935. 1 folder.
Scope and Contents

Written on verso: "Home of Ignacio Aguilar, San Ildefonzo."

Physical Description

1 folder17 x 27 cm.

Materials Viewable Online
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Parkhurst, T. Harmon. "The tortilla maker.", circa 1935. 1 folder.
Scope and Contents

Written on verso: ""The tortilla maker' an occupation study from the pueblo of Tesuque."

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Parkhurst, T. Harmon. "The bead maker.", circa 1935. 1 folder.
Scope and Contents

Written on verso: ""The bead maker' an occupation study from the pueblo of Cochiti."

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Parkhurst, T. Harmon. "El toro" (the bull) dance at Tesuque, circa 1935. 1 folder.
Scope and Contents

Written on recto: "'El toro' (the bull) dance at Tesuque." Written on verso: ""El toro,' fiesta study from the pueblo of Tesuque."

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Parkhurst, T. Harmon. Maria Martinez teaches pottery to Pueblo school children of San Ildefonzo, New Mexico, circa 1935. 1 folder.
Scope and Contents

Written on verso: "Maria Martinez teaches pottery to Pueblo school children of San Ildefonzo, New Mexico." From the collection of P. de Lemos. Possibly by Parkhurst.

Physical Description

1 folder17 x 27 cm.

Materials Viewable Online
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Porter, Milton E. (Milton Edson). Portrait of an Indian woman wearing silver jewelry and holding a piece of pottery, circa 1908. 1 folder.
Scope and Contents

Cataloger supplied title. Copyright 1908. Hand colored.

Physical Description

1 folder29 x 20 cm.

Materials Viewable Online
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Two Indian men in an encampment, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder24 x 30 cm.

Materials Viewable Online
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Two Indian men herding goats, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder22 x 30 cm.

Materials Viewable Online
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Haberstroh, John C. (1878-1961). Antelope, Yellowstone National Park, circa 1920. 1 folder.
Scope and Contents

Written on verso: "Antelope, Yellowstone National Park."

Physical Description

1 folder17 x 28 cm.

Materials Viewable Online
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Haberstroh, John C. (1878-1961). Hopi sentinel at entrance of a kiva, circa 1910. 1 folder.
Scope and Contents

Written on verso: "Antelope, Yellowstone National Park."

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Possibly a wild west show being performed in the streets of a town, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Original in Princeton University Library's Theatre Collection.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Possibly a wild west show being performed in the streets of a town, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Original in Princeton University Library's Theatre Collection.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Possibly a wild west show being performed in the streets of a town, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Original in Princeton University Library's Theatre Collection.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Possibly a wild west show being performed in the streets of a town, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Original in Princeton University Library's Theatre Collection.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Indian boy in front of the Taos Pueblo, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Taos Pueblo, ca. 1900."

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Parkhurst, T. Harmon. Taos Pueblo, circa 1935. 1 folder.
Scope and Contents

Written on verso: "Taos Pueblo, ca. 1935."

Physical Description

1 folder23 x 28 cm.

Materials Viewable Online
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Kopta, Emry (1884-1953). Natashaka Kachinas : closeup of dancer, Hopi, Walpi, Arizona, 1911. 1 folder.
Scope and Contents

On Museum of the American Indian label: "Natashaka kachinas : closeup of dancer, Hopi, Walpi, Arizona." Original housed in the collection of the Museum of the American Indian.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Pueblo Indians, Isleta , New Mexico, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Print from the original glassplate negative, also housed in Princeton University Library's collections.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Wittick, Ben (1845-1903). Trip to Zuni : the Shalaco dancers planting the plumed sticks, circa 1896. 1 folder.
Scope and Contents

Copyright 1896. Original photograph housed in the School of American Research Collections in the Museum of New Mexico.

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder21 x 26 cm.

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Schemmer, Fred. White man and white woman dressed in Native American clothing, circa 1940. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Fred Schemmers, Smoki."

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Schemmer, Fred. Indian man and a white woman holding a goat, circa 1940. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Smoki."

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Schemmer, Fred. Two white women dressed in Native American clothing, circa 1940. 1 folder.
Scope and Contents

Cataloger supplied title. Label on verso: "Smoki squaws, Schemmer estate."

Physical Description

1 folder26 x 21 cm.

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J.R.B. Fitch receiving a ceremonial headdress, Sheridan County Fair, Nebraska, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph in the personal collection of Val Fitch.

Physical Description

1 folder26 x 21 cm.

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Johnson, J. A. (American photographer, active ca. 1914). Blue Horse, Sioux, circa 1908. 1 folder.
Scope and Contents

Copyright 1908.

Physical Description

1 folder24 x 19 cm.

Materials Viewable Online
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Johnson, J. A. (American photographer, active ca. 1914). Spotted Elk, Sioux, circa 1908. 1 folder.
Scope and Contents

Copyright 1908.

Physical Description

1 folder24 x 19 cm.

Materials Viewable Online
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Johnson, J. A. (American photographer, active ca. 1914). Black Hawk, Sioux, circa 1908. 1 folder.
Scope and Contents

Copyright 1908.

Physical Description

1 folder24 x 19 cm.

Materials Viewable Online
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Johnson, J. A. (American photographer, active ca. 1914). Spotted Elk, Sioux, circa 1908. 1 folder.
Scope and Contents

Copyright 1908.

Physical Description

1 folder24 x 19 cm.

Materials Viewable Online
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Amos Little, Hoapa or Hupa boy, circa 1930. 1 folder.
Scope and Contents

Written on verso: "Amos Little, Hoapa or Hupa boy, age 8 yrs., 1993." "1993" likely refers to a negative number.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
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Mojarra Stela, r[u]bbing by Merle Greene Robertson, circa 1995. 1 folder.
Scope and Contents

Written on verso: "Mojarra Stela, robbing [sic] by Merle Greene Robertson."

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Rogers, F. H.. Hopi snake dance, probably Walpi Pueblo, Arizona, 1911. 1 folder.
Scope and Contents

Written on verso: "Hopi snake dance, probably Walpi Pueblo, Arizona." Original photographs housed in the Museum of New Mexico.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Man (Cedonia Sida), Chinantec Indians, San Juan Zautla, State of Oaxaca, Mexico, circa 1905. 1 folder.
Scope and Contents

Orginal photograph in the Frederick Starr Collection of the Museum of the American Indian. Title supplied by label on verso.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Photographers on a roof, possibly shooting an Indian ceremony, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph in collections of the Museum of the American Indian.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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De Menil, Adelaide. Kingcome Inlet, B.C, circa 1970. 1 folder.
Scope and Contents

Written on verso: "Kingcome Inlet, B.C."

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Boyd-Whitesinger, A.. McDonald inauguration, circa 1975. 1 folder.
Scope and Contents

Written on verso: "McDonald inauguration." Possibly of the Navajo Nation.

Physical Description

1 folder20 x 26 cm.

Materials Viewable Online
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Elderly Indian woman, circa 1930. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Man (Cedonia Sida), Chinantec Indians, San Juan Zautla, State of Oaxaca, Mexico, circa 1905. 1 folder.
Scope and Contents

Orginal photograph in the Frederick Starr Collection of the Museum of the American Indian. Title supplied by label on verso.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Cadzow, Donald A.. Navaho dance, Navaho, Chaco Canyon, New Mexico, 1919. 1 folder.
Scope and Contents

Orginal photograph in the collections of the Museum of the American Indian. Title supplied by label on verso.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Cadzow, Donald A.. Slavey Indian boys, Mackenzie River, Northwest Territory, Canada, 1919. 1 folder.
Scope and Contents

Orginal photograph in the collections of the Museum of the American Indian. Title supplied by label on verso.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Davis, Edward H. (1862). Waiting for the boat, Seri Indians, Tiburon Island, Mexico, 1922. 1 folder.
Scope and Contents

Orginal photograph in the collections of the Museum of the American Indian. Title supplied by label on verso.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Natonabah, Paul. Demonstration against relocation, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Natonabah."

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Boyd-Whitesinger, A.. Indian women dancing around a campfire, circa 1975. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Kopta, Emry (1884-1953). Men, eagle hunters with catch, Hopi, Arizona, 1915. 1 folder.
Scope and Contents

Orginal photograph in the collections of the Museum of the American Indian. Title supplied by label on verso.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Harrington, M. R. (Mark Raymond) (1882-1971). Last family of potters and pipemakers, Pamunkey, Virginia, 1908. 1 folder.
Scope and Contents

Orginal photograph in the collections of the Museum of the American Indian. Title supplied by label on verso.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Group of police, Sioux, Devil's Lake Reservation, North Dakota, circa 1893. 1 folder.
Scope and Contents

Orginal photograph in the collections of the Museum of the American Indian. Title supplied by label on verso.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Navajo women brushing hair, circa 1915. 1 folder.
Scope and Contents

Orginal photograph in the collections of the Museum of New Mexico. Written on verso: "Navajo women brushing hair."

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Davis, Edward H. (1862). Woman in pelican skin blanket, Seri Indians, Tiburon Island, Mexico, 1922. 1 folder.
Scope and Contents

Orginal photograph in the collections of the Museum of the American Indian. Title supplied by label on verso.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Rinehart, F. A. (Frank A.). Chief Wolf Robe, Cheyenne, circa 1898. 1 folder.
Scope and Contents

Copyright 1898. Printed on recto: "1130."

Physical Description

1 folder24 x 19 cm.

Materials Viewable Online
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Wittick, Ben (1845-1903). Trip to Zuni : the Shalaco dancers planting the plumed sticks, circa 1896. 1 folder.
Scope and Contents

Copyright 1896. Printed on recto: "No. 238."

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder12 x 20 cm.

Collier, John (1884-1968). Antonio Mirabal of Taos Pueblo and Lucy Wood Collier, about 1926, circa 1926. 1 folder.
Scope and Contents

Title supplied by label on verso: "Antonio Mirabal of Taos Pueblo and Lucy Wood Collier, about 1926. As in John Collier, From every zenith. Denver: Sage Books, 1963. Crtsy Donald Collier." Possibly taken by John Collier.

Physical Description

1 folder21 x 26 cm.

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Taos horse tail dance : dance for good crop of colts and success in hourse trading, New Mexico, circa 1950. 1 folder.
Scope and Contents

Title supplied by label on verso. A Santa Fe Railway photograph.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Young Indian man participating in a ceremony, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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San Ildefonso dance, circa 1950. 1 folder.
Scope and Contents

From label on verso: "San Ildefonso dance. Joe Aguilar, drummer; on his left is WoPeen, artist; looks like corn dance." A Santa Fe Railway photograph.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Zuni olla girls parade their best pottery and jewelry at the InterTribal Indian Ceremonial at Gallup, New Mexico, each August, circa 1950. 1 folder.
Scope and Contents

Title from label on verso. " A Santa Fe Railway photograph.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Gilpin, Laura (1891-1979). View of a desert landscape, possibly in Arizona, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder19 x 24 cm.

Materials Viewable Online
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Gilpin, Laura (1891-1979). View of a desert landscape, possibly of Canyon de Chelly, Arizona, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Gilpin, Laura (1891-1979). View of a desert landscape, possibly of Canyon de Chelly, Arizona, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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O'Sullivan, Timothy H. (1840-1882). Aboriginal life among the Navajo Indians, near Fort Defiance, N.M, 1873. 1 folder.
Scope and Contents

Written on verso: "Abroiginal life among the Navajo Indians, near Fort Defiance, N.M." Original photograph housed in the collections of the Library of Congress.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Reproduction of painting "Indian boy" by George Catlin, circa 1990. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph housed in the William Rockhill Nelson Gallery of Art, Atkins Museum of Fine Arts, Kansas City, Missouri.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Carbutt, John (1832-1905). Camp of Pawnee Indians on the Platte Valley, circa 1866. 1 folder.
Scope and Contents

Original photograph housed in the Credit Union Pacific Railroad Museum collection.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Jackson, William Henry (1843-1942). Lower falls of the Yellowstone, circa 1870. 1 folder.
Scope and Contents

Printed on recto: "1098." Mounted on 21 x 26 cm. card.

Jackson, William Henry (1843-1942)
Biographical / Historical

American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Jackson, William Henry (1843-1942). View of Tetons, circa 1870. 1 folder.
Scope and Contents

Cataloger supplied title.

Jackson, William Henry (1843-1942)
Biographical / Historical

American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Silvis, J. B.. Special photographic car of J.B. Silvis, circa 1870. 1 folder.
Scope and Contents

Caption pasted on verso: "Special photographic car of J.B. Silvis." Original photograph housed in the Credit Union Pacific Railroad Museum Collection.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Jackson, William Henry (1843-1942). Toll gate, Rear [?] Creek Falls, circa 1870. 1 folder.
Jackson, William Henry (1843-1942)
Biographical / Historical

American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Carbutt, John (1832-1905). Crew laying track during original construction of the UPRR, 1866. 1 folder.
Scope and Contents

Written on verso: "Crew laying track during original construction of the UPRR, photographed by John Carbutt at the 100th Meridian, Oct. 1866."

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Hull, Arundel C.. Ware's block, Omaha in 1868, 1868. 1 folder.
Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Hull, Arundel C.. U.P.R.R. station, Willow Island, Nebr. in 1867, 1867. 1 folder.
Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Hull, Arundel C.. Sidney, Wyoming Terr., 1868, 1868. 1 folder.
Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Hull, Arundel C.. Grand Island, Nebraska in 1867, 1867. 1 folder.
Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Savage, C. R. (Charles Roscoe) (1832-1909). Sherman, UPRY, 1870. 1 folder.
Scope and Contents

Possibly in South Dakota.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Russell, Andrew J.. Supply trains at end of track, last siding, 1867, 1867. 1 folder.
Scope and Contents

Written on verso: "Supply trains at end of track, last siding, 1867. A casement work trains unloads materials to be carried forward by freight wagons to UP track crews facing toward Promontory Summit."

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Russell, Andrew J.. Omaha, UP shops, 1867. 1 folder.
Scope and Contents

Written on verso: "Omaha, UP shops. This supply was UP's supporting headquarters for the army of tracklayers thrown out west from Omaha for a thousand miles."

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Russell, Andrew J.. Windmill, Laramie, Wyoming, circa 1868. 1 folder.
Scope and Contents

Written on verso: "Windmill, Laramie. A large windmill & water tank were erected as part of the Union Pacific rail complex at Laramie. In the distance is the 20stall roundhouse with the machine shops behind. Both were built for permanence out of stone brought from Rock Creek, 50 miles west."

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Carbutt, John (1832-1905). View of Omaha, N.T. from Capitol Hill, 1866. 1 folder.
Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Studio portrait of American Horse, circa 1870. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph housed in the collections of the Denver Public Library, Denver, Colorado.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Young Indian girl holding wooden mask, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Indian man holding a wooden mask with young Indian girl sitting next to him, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Young Indian girl holding wooden mask above her head, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Young Indian girl holding wooden mask, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
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View of small town, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Man sitting on log holding strips of wood, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title. Stamp of Mr. and Mrs. A. Tamarin.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Indian man wearing headdress, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Young Indian girl holding wooden mask, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian woman in traditional dress holding a baby, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Young Indian girl holding wooden mask above her head, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Young Indian girl holding wooden mask above her head, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Two Indian women in traditional dress looking at a wooden mask, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Indian man and woman in traditional dress dancing on an outdoor stage, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Two Indian women in traditional dress looking at a wooden mask, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 15 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Two young boys, possibly Indian boys, competing in a powwow, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Young Indian girl holding wooden mask above her head, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian man wearing headdress, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Young Indian girl holding wooden mask, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Basket, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Indian man and woman performing for an audience, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Indian man performing for an audience, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Two Indian boys with shaved heads and mohawks, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Indian woman performing on stage for an audience, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Indian woman performing on stage for an audience, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian boy with a mohawk, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Indian woman in traditional dress with a girl in shorts, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Two Indian women in traditional dress, possibly participating in a powwow, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 19 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Indian woman standing on a rock watching Indian men and women perform a ceremony, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder18 x 24 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Young Indian girl holding wooden mask above her head, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Indian woman in traditional dress with a girl in shorts, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Indian woman standing on a rock watching Indian men and women perform a ceremony, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder19 x 24 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian man wearing headdress, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian woman and man performing a ceremony in front of a group of tourists, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
  1. View digital content
Man sitting on log holding strips of wood, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title. Stamp of Mr. and Mrs. A. Tamarin.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian boy in traditional dress, possibly participating in a powwow, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian boy with a mohawk, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian woman and man performing a ceremony in front of a group of tourists, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian woman standing on a rock watching Indian men and women perform a ceremony, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian woman participating in a ceremony with tourists looking on, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian woman participating in a ceremony with tourists looking on, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 21 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Young Indian girl holding wooden mask, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 21 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Baseball game near the Council House of the Eastern Band of Cherokee Indians, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian woman standing on a rock watching Indian men and women perform a ceremony, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 25 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Young Indian girl holding wooden mask, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Young Indian girl holding wooden mask above her head, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 19 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian woman standing on a rock watching Indian men and women perform a ceremony, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
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Parris, John (1914-1999). Cherokee woman smashing grain, circa 1955. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken for Parris's The Cherokee story.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Parris, John (1914-1999). Cherokee woman hanging raccoon skin, circa 1955. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken for Parris's The Cherokee story.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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United States. Bureau of Indian Affairs. Harvesting burley tobacco on A.T. Fisher farm on the Cherokee Reservation, circa 1930. 1 folder.
Scope and Contents

Title from caption on verso. Credit Bureau of Indian Affairs.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Parris, John (1914-1999). Cherokee matron in North Carolina's Great Smoky Mountains, circa 1955. 1 folder.
Scope and Contents

Cataloger supplied title. Likely taken for Parris's The Cherokee story. Stamp of North Carolina News Bureau on verso.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Indian man in traditional dress, circa 1950. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Indian children, possibly Cherokee, in a school house, circa 1950. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph housed in the collection of the Smithsonian Institution.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Gilbert, William Harlen (1904-1988). Eagle dance, 1932. 1 folder.
Scope and Contents

Title from label pasted on verso. Original photograph housed in the collection of the Smithsonian Institution, National Anthropological Archives.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Berry, Doris Anita (1927). Two Cherokee Indian boys with bows and arrows, circa 1950. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
  1. View digital content
Boehmer, William D.. Scenes in kindergarten at Brighton Reservation, Florida, circa 1955. 1 folder.
Scope and Contents

Title from label pasted on verso. Original photograph housed in the Smithsonian Institution, National Anthropological Archives, W.D. Boehmer Collection.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Toomer, Sheldon. Shinnecock Indians, Southampton, Long Island, circa 1960. 1 folder.
Scope and Contents

Title from label pasted on verso. Stamp of New York State Department of Commerce on verso.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Indian women in traditional dress performing for a group of tourists, circa 1960. 1 folder.
Scope and Contents

Cataloger supplied title. Stamp of Rhode Island Development Council on verso.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Swanton, John Reed (1873-1958). Emma Cantey (later Emma Brown) hosing cotton, 1918. 1 folder.
Scope and Contents

Title from label pasted on verso. Original photograph housed in the Smithsonian Institution, National Anthropological Archives.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Oklahoma. Industrial Development and Park Department. Indian men and women performing a ceremony with tourists looking on, circa 1960. 1 folder.
Scope and Contents

Cataloger supplied title. Stamp of Oklahoma Industrial Development & Park Department on verso. Written on verso: "Indian City, U.S.A. Anadarko, Okla."

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Beaver's Bend State Park, S.E. Okla, circa 1960. 1 folder.
Scope and Contents

Written on verso: "Beaver's Bend State Park, S.E. Okla."

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Indian citizens presenting wild caught fish and turkey to officials of the State of Virigina, circa 1960. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph in the collection of the Virginia State Library.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
United States. Bureau of Indian Affairs. Miccosukee Restaurant on the Tamiami Trail, Miccosukee Tribal Enterprise, circa 1960. 1 folder.
Scope and Contents

Title supplied from caption attached to verso. Credit Bureau of Indian Affairs.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Florida News Bureau. Joe Dan Osceola, president of the Seminole Nation, circa 1965. 1 folder.
Scope and Contents

Cataloger supplied title. Stamp of Florida News Bureau, Department of Commerce on verso.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Boehmer, William D.. Paul Bowers with his 4H Club calf, 1960. 1 folder.
Scope and Contents

Title from label pasted on verso. Original photograph housed in the Smithsonian Institution, National Anthropological Archives, W.D. Boehmer Collection.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Florida News Bureau. Branding irons being heated on Seminole cattle ranch, circa 1965. 1 folder.
Scope and Contents

Title supplied from caption pasted on verso. Stamp of Florida News Bureau, Department of Commerce on verso.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Florida News Bureau. Seminole Indian man holding open the mouth of an alligator, Seminole Okalee Indian Village, Dania, Fla, circa 1965. 1 folder.
Scope and Contents

Cataloger supplied title. Stamp of Florida News Bureau, Department of Commerce on verso.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Florida News Bureau. Betty May Jumper, a Seminole Indian woman, circa 1965. 1 folder.
Scope and Contents

Cataloger supplied title. Stamp of Florida News Bureau, Department of Commerce on verso.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Florida News Bureau. Betty May Jumper, a Seminole Indian woman, circa 1965. 1 folder.
Scope and Contents

Cataloger supplied title. Stamp of Florida News Bureau, Department of Commerce on verso.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Florida News Bureau. Seminole Indian man holding open the mouth of an alligator, Seminole Okalee Indian Village, Dania, Fla, circa 1965. 1 folder.
Scope and Contents

Cataloger supplied title. Stamp of Florida News Bureau, Department of Commerce on verso.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Owle, Gwendolyn. Nancy Blackfox, Soco, Blue Wing, circa 1956. 1 folder.
Scope and Contents

Written on verso: "Nancy Blackfox, Soco, Blue Wing." Stamp of Cherokee One Feather on verso.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
United States. Bureau of Indian Affairs. Seminole matriarch dressed in vibrant colors and decked in coils of beads, circa 1960. 1 folder.
Scope and Contents

Title from caption attached to verso.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Indian woman and boy in traditional dress, possibly performing for tourists, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title. Stamp of Mr. and Mrs. A. Tamarin.

Physical Description

1 folder25 x 21 cm.

Materials Viewable Online
  1. View digital content
Indian man seated in a folding chair, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title. Stamp of Mr. and Mrs. A. Tamarin.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
  1. View digital content
Hill, Richard. Indian man seated on a log with wooden masks at his feet, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title. Stamp of Mr. and Mrs. A. Tamarin.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian woman standing on a rock watching Indian men and women perform a ceremony, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 21 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian woman in traditional dress with a girl in shorts, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 19 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Indian woman in traditional dress with a girl in shorts, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Indian children in traditional dress, possibly participating in a powwow, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 21 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian man in traditional dress, possibly participating in a powwow, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian women and men leading white children with rifles, possibly in historical reenactment, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian woman standing on a rock watching an Indian woman and baby perform a ceremony, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Four Indian men trying to start a fire, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Indian woman and girl in traditional dress, possibly participating in a powwow, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 21 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Two Indian women in traditional dress looking at a wooden mask, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 17 cm.

Materials Viewable Online
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Tamarin, Alfred H.. Indian mask on display in a museum, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian woman in traditional dress, possibly participating in a powwow, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 21 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian girl in traditional dress, possibly participating in a powwow, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 21 cm.

Materials Viewable Online
  1. View digital content
Tamarin, Alfred H.. Indian girl in traditional dress, possibly participating in a historical reenactment, with tourists looking on, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 21 cm.

Materials Viewable Online
  1. View digital content
Hill, Richard. Indian man sitting next to a tree, circa 1970. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Richard Hill" and "NY State Council with Arts, Farmer's Museum." Stamped on verso: "Photo: Alfred H. Tamarin."

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Graham, David (1952). Hogan, Mancos Valley, Colorado, 1987, 1987. 1 folder.
Scope and Contents

Cataloger supplied title. Copyright 1989. Color photograph.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Graham, David (1952). Chris Griscom, channeler, circa 1992. 1 folder.
Scope and Contents

Written on verso: "Chris Griscom, channeler." Copyright 1992.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Graham, David (1952). Santa Fe Flea Market, circa 1992. 1 folder.
Scope and Contents

Written on verso: "Santa Fe Flea Market." Copyright 1992.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Graham, David (1952). Taos, N.M, circa 1981. 1 folder.
Scope and Contents

Written on verso: "Taos, N.M." Copyright 1981.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Graham, David (1952). Bob's Java Jive, Tacoma, Washington, circa 1989. 1 folder.
Scope and Contents

Written on verso: "Bob's Java Jive, Tacoma, Washington." Copyright 1989. Color photograph.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Graham, David (1952). Mormon Temple, Portland, Oregon, circa 1989. 1 folder.
Scope and Contents

Written on verso: "Mormon Temple, Portland, Oregon." Copyright 1989. Color photograph.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Graham, David (1952). Cabazon, CA, circa 1989. 1 folder.
Scope and Contents

Written on verso: "Cabazon, CA." Copyright 1989. Color photograph.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Graham, David (1952). Camel Rock, NM, circa 1992. 1 folder.
Scope and Contents

Written on verso: "Camel Rock, NM." Copyright 1992. Color photograph.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Graham, David (1952). Bonneville, Utah, circa 1992. 1 folder.
Scope and Contents

Written on verso: "Bonneville, Utah." Copyright 1992. Color photograph.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Graham, David (1952). Start line, Bonneville, Utah, circa 1992. 1 folder.
Scope and Contents

Written on verso: "Bonneville, Utah." Copyright 1992. Color photograph.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Interior of a store in Nebraska, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 26 cm. board.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
  1. View digital content
Graham, David (1952). Mt. Princeton, Colorado, circa 1981. 1 folder.
Scope and Contents

Written on verso: "Mt. Princeton, Colorado." Copyright 1981. Color photograph.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Graham, David (1952). Des Moines, Iowa, circa 1988. 1 folder.
Scope and Contents

Written on verso: "Des Moines, Iowa." Copyright 1988. Color photograph.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Graham, David (1952). Taos, N.M, circa 1981. 1 folder.
Scope and Contents

Written on verso: "Taos, N.M." Copyright 1981. Color photograph.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
  1. View digital content
Galvez Hotel, seawall, & beach, Galveston, Tex, circa 1920. 1 folder.
Physical Description

1 folder9 x 26 cm.

Materials Viewable Online
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Stuffed and mounted wild sheep, bison, buffalo, and wild cattle heads, possibly in a natural history museum, circa 1920. 1 folder.
Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Atchison, Topeka, and Santa Fe Railway Company. Mariachi band playing at festival, possibly in SantFe, N.M, circa 1930. 1 folder.
Scope and Contents

Stamp on recto: "Santa Fe Ry. photo."

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Indian woman sitting at a loom, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 18 cm.

Materials Viewable Online
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Indian men and women learning to dance, circa 1905. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph housed in the collections of the Museum of the American Indian.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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[?] mining, San Juan River, Utah, A.R. & W. Co., Dec. 1894, 1894. 1 folder.
Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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"Jardine" juniper tree with its discoverer, 1923. 1 folder.
Scope and Contents

Cataloger supplied title. Photograph was the gift of E.G. Peterson, president of the School of Forestry of the Utah State Agricultural College, to Minnie W. Miller.

Physical Description

1 folder25 x 20 cm.

Materials Viewable Online
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View of a Texas city, possibly Dallas, circa 1930. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder9 x 16 cm.

Materials Viewable Online
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Savage, C. R. (Charles Roscoe) (1832-1909). Bear Lake from Fish Haven, Idaho, Oregon Short Line, circa 1890. 1 folder.
Physical Description

1 folder23 x 28 cm.

Materials Viewable Online
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Isaac J. Riddle's store in Escalante, Utah, about 191011 in front, old loop store further south, circa 1910. 1 folder.
Scope and Contents

Written on verso: "Isaac J. Riddle's store in Escalante, Utah, about 191011 in front, old loop store further south." Mounted on 23 x 28 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. Garfield Beach, Great Salt Lake, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "3432." Mounted on 21 x 26 cm. board.

Physical Description

1 folder19 x 24 cm.

Materials Viewable Online
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Savage, C. R. (Charles Roscoe) (1832-1909). Castilla Springs, Spanish Fork Canon, R.G.W.Ry, circa 1880. 1 folder.
Scope and Contents

Mounted on 18 x 26 cm. card.

Physical Description

1 folder19 x 24 cm.

Materials Viewable Online
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Chiricahua Apaches four months after arriving at Carlisle, circa 1885. 1 folder.
Scope and Contents

Mounted on 21 x 26 cm. board.

Physical Description

1 folder17 x 23 cm.

Materials Viewable Online
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"The loop," U.P.Ry., near Georgetown, Colo, circa 1885. 1 folder.
Scope and Contents

Mounted on 20 x 31 cm. paper.

Physical Description

1 folder16 x 25 cm.

Materials Viewable Online
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Olds coop store in Escalante, Utah, abt. 1911, circa 1910. 1 folder.
Scope and Contents

Written on verso: "Olds coop store in Escalante, Utah, abt. 1911. Olds Baker, Jess Shats, Bro Spencer, Chas. J. Haycock." Mounted on 23 x 28 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. Salt Lake City, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "8298." Possibly by W.H. Jackson Photograph and Publishing Co.

Physical Description

1 folder18 x 28 cm.

Materials Viewable Online
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Funeral of John Taylor, Tabernacle, Salt Lake City, July 29, 1887, circa 1887. 1 folder.
Scope and Contents

Faces of funeral attendants have apparently been added to the photograph.

Physical Description

1 folder19 x 25 cm.

Materials Viewable Online
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Surveyors O'Neil, Brown, Allen, and Darrow, possibly working for a railroad, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 26 cm. board. Four of the surveying team identified on recto.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Grabill, John C. H.. Deadwood, Dakota : a part of the city from Forest Hill, circa 1890. 1 folder.
Scope and Contents

Copyright 1890. Mounted on 21 x 26 cm. card.

Physical Description

1 folder20 x 24 cm.

Materials Viewable Online
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Newbold, Geo. Deerfoot, a Senecca Indian, circa 1860. 1 folder.
Scope and Contents

Published 1861 by Geo. Newbold of London. Mounted on 25 x 18 cm. card.

Physical Description

1 folder20 x 14 cm.

Materials Viewable Online
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Sylvan Lake and hotel, S.D, circa 1890. 1 folder.
Scope and Contents

Mounted on 18 x 26 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Mellen & Harper. Mellen's traveling photography studio, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 23 x 31 cm. decorative board.

Physical Description

1 folder19 x 24 cm.

Woman with her donkey on Sylvan Lake, S.D, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 26 cm. board.

Physical Description

1 folder18 x 24 cm.

Materials Viewable Online
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Men and women on donkeys in front of the Sylvan Lake hotel, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 26 cm. board.

Physical Description

1 folder19 x 23 cm.

Materials Viewable Online
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On the trail to Harney Peak, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "B 107." Mounted on 21 x 26 cm. board.

Physical Description

1 folder19 x 23 cm.

Materials Viewable Online
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Group of men, women, and children on Sylvan Lake, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "B 107." Mounted on 21 x 25 cm. board.

Physical Description

1 folder20 x 25 cm.

Materials Viewable Online
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Nowell, Frank H. (1864-1950). Eskimo igloo at Whalen, Siberia, 1907. 1 folder.
Scope and Contents

Printed on recto: "5506."

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Gateway of the Garden of the Gods, Colo, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 18 x 28 cm. board. Handcolored albumen print.

Physical Description

1 folder10 x 19 cm.

Materials Viewable Online
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Digging of Gunnison Canal, circa 1895. 1 folder.
Scope and Contents

Written on verso: "Digging of Gunnison Canal. Nels Peter Greggerson." Mounted on 23 x 28 cm. board. Possibly in Gunnison County, Colo.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Digging of Gunnison Canal, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 23 x 28 cm. board. Possibly in Gunnison County, Colo.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Digging of Gunnison Canal, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 23 x 28 cm. board. Possibly in Gunnison County, Colo.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Tigumaiden, circa 1896. 1 folder.
Scope and Contents

Copyright 1896. Mounted on 26 x 21 cm. board.

Physical Description

1 folder24 x 19 cm.

Materials Viewable Online
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Choate, J. N. (John N.) (1848-1902). Fort Marion, Fla., Apaches as they arrived at Carlisle, May 1st, 1885, 1885. 1 folder.
Scope and Contents

Copyright 1896. Mounted on 21 x 26 cm. board.

Physical Description

1 folder17 x 23 cm.

Materials Viewable Online
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Job Printing building, Silver City, New Mexico, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 18 x 26 cm. board.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Shelton's Camp, Marysville, Calif, 1905. 1 folder.
Scope and Contents

Written on verso: "Shelton's Camp, Marysville, Calif., 1905." Mounted on 23 x 28 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Shelton's Camp, Marysville, Calif, 1905. 1 folder.
Scope and Contents

Written on verso: "Shelton's Camp, Marysville, Calif., 1905." Mounted on 23 x 28 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Shelton's Camp, Marysville, Calif, 1905. 1 folder.
Scope and Contents

Written on verso: "Shelton's Camp, Marysville, Calif., 1905." Mounted on 23 x 28 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Shelton's Camp, Marysville, Calif, 1905. 1 folder.
Scope and Contents

Written on verso: "Shelton's Camp, Marysville, Calif., 1905." Mounted on 23 x 28 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Curtis, Edward S. (1868-1952). Encampment on the Toochou Trail near Lake Marsh, Alaska, 1905. 1 folder.
Scope and Contents

Cataloger supplied title. Information about the photograph noted on recto and verso of board. Mounted on 22 x 27 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Imperial coach, Mexico City, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 18 x 24 cm. board.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Plaza de Armas y palacio, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "13." Mounted on 18 x 24 cm. board.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Burros con aqua, Guanajuato, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "36." Mounted on 18 x 24 cm. board.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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View of Silver City, New Mexico, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Silver City, NM." Mounted on 18 x 26 cm. board.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Amian, Brother. Gallery of the old San Miguel Church, Santa Fe, N. Mex, circa 1885. 1 folder.
Scope and Contents

Written on recto: "Gallery of the old San Miguel Church, Santa Fe, N. Mex." Initialled B.A., possibly Brother Amian.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Wheat harvest, possibly in New Mexico, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 26 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Men and women on horseback gathering bison bones, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 18 x 23 cm. board.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Haynes, F. Jay (Frank Jay) (1853-1921). Men, women, and children gathered in front of a Northern Pacific Railway Company exhibition car in North Dakota, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 18 x 25 cm. card.

Haynes, F. Jay (Frank Jay) (1853-1921)
Biographical / Historical

F. Jay Haynes (1853-1921) was a professional photographer who documented the settlement and expansion of the American Northwest during the late 19th and early 20th centuries. Based in Minnesota and North Dakota, Haynes served as the official photographer for Northern Pacific Railway and Yellowstone National Park. Haynes first visited Yellowstone in 1881 and, a few years later in 1884, obtained permission to operate a photography studio there. He served as Yellowstone's official photographer from 1884 until 1920 when he was succeeded by his son, Jack Ellis Haynes (1884-1962).

Physical Description

1 folder15 x 24 cm.

Photograph gallery and J.W. Squire & Co. building, Council Bluffs, Iowa, circa 1880. 1 folder.
Scope and Contents

Written on recto: "Compliments of J.W.S. & Co." Mounted on 18 x 26 cm. card.

Physical Description

1 folder17 x 23 cm.

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Pueblo Indian man selling bows and arrows, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 26 x 21 cm. paper.

Physical Description

1 folder18 x 13 cm.

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Indian man, possibly at a wild west show, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

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Knore. Studio portrait of an Indian man, circa 1905. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Mich. Indian, possibly Mich. sharpshooter." Mounted on 21 x 16 cm. board.

Physical Description

1 folder14 x 10 cm.

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Ball, Ken. Church in Taos, New Mexico, 1946. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Taos, 1946."

Physical Description

1 folder20 x 26 cm.

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Young Indian man in headdress, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 12 cm. board.

Physical Description

1 folder10 x 6 cm.

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Jackson, Thomas C.. Home of a Siletz Indian, 1909, built by himself, 1909. 1 folder.
Scope and Contents

Label on recto: "Home of a Siletz Indian, 1909, built by himself." Mounted on 23 x 28 cm. board.

Physical Description

1 folder16 x 21 cm.

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Jackson, Thomas C.. Home of a Siletz Indian, 1909, built by himself, 1909. 1 folder.
Scope and Contents

Label on recto: "Home of a Siletz Indian, 1909, built by himself." Mounted on 23 x 28 cm. board.

Physical Description

1 folder17 x 22 cm.

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Jackson, Thomas C.. Pupils, Siletz Day School, 1909, 1909. 1 folder.
Scope and Contents

Label on recto: "Pupils, Siletz Day School, 1909." Mounted on 23 x 28 cm. board.

Physical Description

1 folder17 x 22 cm.

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Jackson, Thomas C.. Home of a Siletz homesteader, circa 1910. 1 folder.
Scope and Contents

Label on recto: "Home of a Siletz homesteader." Mounted on 23 x 28 cm. board.

Physical Description

1 folder17 x 22 cm.

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Indian women with her child, who is in cradleboards, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 16 cm. board.

Physical Description

1 folder18 x 13 cm.

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Los Angeles (Calif.). Visual Education Division. Hopi women, circa 1915. 1 folder.
Scope and Contents

Indian of North American ; 7617

Mounted on 31 x 22 cm. board. Preservation.

Physical Description

1 folder24 x 17 cm.

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Ray, B. F.. Indian dancers on Main St. on the 4th of July, circa 1890. 1 folder.
Scope and Contents

Written on recto: "Indian dancers on Main St. on the 4th of July." Mounted on 14 x 17 cm. board. Likely taken on the Pine Ridge Reservation.

Physical Description

1 folder10 x 13 cm.

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Indian men and women unloading wagons, possibly in preparation for a wild west show, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

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Parkhurst, T. Harmon. Pitacio Quiuntana, Santo Domingo, circa 1920. 1 folder.
Scope and Contents

Written on verso: "Pitacio Quiuntana, Santo Domingo."

Physical Description

1 folder18 x 13 cm.

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Amian, Brother. Old Indian house, Santa Fe, N.M., adjacent to the old San Miguel Church, seen by Coronado in 1540, circa 1880. 1 folder.
Scope and Contents

Written on recto: "Old Indian house, Santa Fe, N.M., adjacent to the old San Miguel Church, seen by Coronado in 1540." Possibly by Brother Amian.

Physical Description

1 folder13 x 21 cm.

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Moon, Carl (1878-1948). PesoThalanny (Mr. Much Money), Navajo man, 1904. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "'Pesoth Lanny' (Psotlanny). 'The Fred Harvey Ethnologic Collection.'" Preservation

Physical Description

1 folder23 x 18 cm.

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California mission Indian men and women, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Mission Indians." Mounted on 23 x 29 cm. board.

Physical Description

1 folder19 x 25 cm.

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Hillers, John K. (1843-1925). Governor of San Filipi showing manner of using drill, 1879. 1 folder.
Scope and Contents

Mounted on 25 x 19 cm. board.

Physical Description

1 folder24 x 18 cm.

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Curtis, Asahel (1874-1941). Six Indian men in feather bonnets, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title. Printed on recto: "49615."

Physical Description

1 folder18 x 24 cm.

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Ainsworth-Davis, J.R. (James Richard) (1861-1934). Wreck on C.M. & St.P.RR. between Canton & Northing, S.D., 7 miles from Northing & 2 1/2 miles from Canton, 1906 June 27. 1 folder.
Scope and Contents

Written on verso: "June 27, 1906. Wreck on C.M. & St.P.RR. between Canton & Northing, S.D., 7 miles from Northing & 2 1/2 miles from Canton."

Physical Description

1 folder25 x 15 cm.

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Jackson, Thomas C.. Indian home, Siletz, Oregon, 1909, 1909. 1 folder.
Scope and Contents

Label on recto: "An Indian home, Siletz, Oregon, 1909. (photo. by a Siletz Indian)." Mounted on 23 x 28 cm. board.

Physical Description

1 folder17 x 22 cm.

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Jackson, Thomas C.. Indian home, Siletz, Oregon, 1909, 1909. 1 folder.
Scope and Contents

Label on recto: "An Indian home, Siletz, Oregon, 1909. (photo. by a Siletz Indian)." Mounted on 23 x 28 cm. board.

Physical Description

1 folder17 x 22 cm.

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James, George Wharton (1858-1923). Oraibi Moki Indian snake dance, circa 1895. 1 folder.
Scope and Contents

Mounted on 17 x 22 cm. paper. Stamp of G. Wharton James collection on verso.

Physical Description

1 folder16 x 21 cm.

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James, George Wharton (1858-1923). Antelope march : Moki sanke dance, Oraibi, circa 1896. 1 folder.
Scope and Contents

Copyright 1896. Mounted on 17 x 22 cm. paper. Stamp of G. Wharton James collection on verso.

Physical Description

1 folder16 x 21 cm.

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Hillers, John K. (1843-1925). Governor of Santa Clara, 1879. 1 folder.
Scope and Contents

Mounted on 24 x 19 cm. board.

Physical Description

1 folder23 x 18 cm.

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Gould, Hal. Grey Eagle, son of Yellow Rose, Northern Chyyene [sic], with son and daughter and three Yakima girls, Lame Deer, MT, 12 Aug. 1953, 1953. 1 folder.
Scope and Contents

From label on verso: "Grey Eagle, son of Yellow Rose, Northern Chyyene [sic], with son and daughter and three Yakima girls, Lame Deer, MT, 12 Aug. 1953." Copyright 1990.

Physical Description

1 folder21 x 26 cm.

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McKay, R. M.. Evening in the Jocko : squaw, Sioux ; man, Flathead, circa 1920. 1 folder.
Scope and Contents

Title supplied by accession record.

Physical Description

1 folder12 x 18 cm.

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Murchie, Archie (1908). Indians rocking on the Fraser, circa 1905. 1 folder.
Physical Description

1 folder16 x 21 cm.

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W.H. Jackson Photograph and Publishing Co.. Railroad loop at Georgetown, Colorado, circa 1884. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 20 x 31 cm. paper.

Physical Description

1 folder15 x 25 cm.

W.H. Jackson Photograph and Publishing Co.. Georgetown, Col, circa 1880. 1 folder.
Scope and Contents

Mounted on 20 x 30 cm. paper.

Physical Description

1 folder16 x 26 cm.

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W.H. Jackson Photograph and Publishing Co.. Panorama of Denver, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "3098." Mounted on 19 x 30 cm. paper.

Physical Description

1 folder16 x 26 cm.

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W.H. Jackson Photograph and Publishing Co.. Ruxton Glen Iron Springs, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "3319." Mounted on 17 x 27 cm. paper.

Physical Description

1 folder15 x 25 cm.

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W.H. Jackson Photograph and Publishing Co.. Colorado Springs [and] Pikes Peak, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "3175." Mounted on 18 x 28 cm. paper.

Physical Description

1 folder15 x 25 cm.

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Amian, Brother. Rear of the old San Miguel Church, Santa Fe, N. Mex, circa 1880. 1 folder.
Scope and Contents

Written on recto: "Rear of the old San Miguel Church, Santa Fe, N. Mex." Possibly by Brother Amian.

Physical Description

1 folder13 x 21 cm.

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Jackson, Thomas C.. Home of a Siletz Indian, 1909, built by himself, 1909. 1 folder.
Scope and Contents

Label on recto: "Home of a Siletz Indian, 1909, built by himself. Photo by his neighbor." Mounted on 23 x 28 cm. board.

Physical Description

1 folder17 x 22 cm.

Jackson, Thomas C.. Indian home, Siletz, Oregon, 1909, 1909. 1 folder.
Scope and Contents

Label on recto: "An Indian home, Siletz, Oregon, 1909. (photo. by a Siletz Indian)." Mounted on 23 x 28 cm. board.

Physical Description

1 folder17 x 22 cm.

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Johnson Co. Hunters standing on the shore and pier of a small pond, Denver, Colo, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 26 cm. board.

Physical Description

1 folder20 x 24 cm.

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W.H. Jackson Photograph and Publishing Co.. Balanced Rock, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "3001." Mounted on 26 x 19 cm. board.

Physical Description

1 folder26 x 18 cm.

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W.H. Jackson Photograph and Publishing Co.. Royal Gorge, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "803." Mounted on 26 x 20 cm. board.

Physical Description

1 folder17 x 11 cm.

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W.H. Jackson Photograph and Publishing Co.. Monument Park, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "613." Mounted on 20 x 26 cm. board.

Physical Description

1 folder11 x 17 cm.

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W.H. Jackson Photograph and Publishing Co.. Siamese Twins and Pikes Peak, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "603." Mounted on 20 x 26 cm. board.

Physical Description

1 folder11 x 17 cm.

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W.H. Jackson Photograph and Publishing Co.. Balanced Rock, Garden of the Gods, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "602." Mounted on 26 x 20 cm. board.

Physical Description

1 folder17 x 11 cm.

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W.H. Jackson Photograph and Publishing Co.. Pike's Peak [and] Gateway, Garden of the Gods, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "610." Mounted on 20 x 26 cm. board.

Physical Description

1 folder11 x 17 cm.

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W.H. Jackson Photograph and Publishing Co.. Group of picnickers under shelter, possibly in Colorado, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Possibly by W.H. Jackson Photograph and Publishing Co. Mounted on 20 x 26 cm. board.

Physical Description

1 folder14 x 21 cm.

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W.H. Jackson Photograph and Publishing Co.. View of a stockyard and barns, possibly in Colorado, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Possibly by W.H. Jackson Photograph and Publishing Co. Mounted on 20 x 26 cm. board.

Physical Description

1 folder13 x 21 cm.

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Large building, possibly school or boarding house, in Kansas City, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 20 x 26 cm. board. Written on recto: Kansas City.

Physical Description

1 folder12 x 20 cm.

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Barry, D. F. (David Francis) (1854-1934). Beef issue at Standing Rock Agency, North Dakota, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 18 x 25 cm. card.

Physical Description

1 folder17 x 24 cm.

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Ekalaka, Mon., June 14, 1910, 1910. 1 folder.
Scope and Contents

Written on verso: "Frances decorating Odd Fellow." Mounted on 21 x 26 cm. board.

Physical Description

1 folder13 x 18 cm.

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Buffalo Bill and Pawnee Bill with five Indian men, 1883. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Col. Wm. F. Cody and Gordon W. Lillie, 1883. Will 37 yrs. Gordon 23 yrs. 'Clean shaven and hair braided'" and "Helen Wetmore." Helen Cody Wetmore possibly a former owner. Mounted on 26 x 21 cm. board.

Physical Description

1 folder20 x 14 cm.

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Three Indian women and one Indian man, possibly Crow Indians, in front of teepees, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 28 x 23 cm. board.

Physical Description

1 folder21 x 16 cm.

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Jackson, William Henry (1843-1942). Full length portrait of an Pueblo Indian man, circa 1875. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 28 x 16 cm. Dept. of Interior board.

Jackson, William Henry (1843-1942)
Biographical / Historical

American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.

Physical Description

1 folder19 x 13 cm.

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White, William A.. Ceremonial racing at Taos Pueblo, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 26 cm. board.

Physical Description

1 folder16 x 21 cm.

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Lummis, Charles Fletcher (1859-1928). Desiderio, the Tigua warcaptain, circa 1895. 1 folder.
Scope and Contents

Copyright 1895. Printed on recto: "661." Mounted on 26 x 21 cm. board.

Physical Description

1 folder24 x 18 cm.

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Ricker, Eli Seavey (1843-1926). Two Moons, a Cheyenne chief, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied tite. Written on verso: "Two Moons, Cheyenne chief who led the Cheyenne Indians at the Battle of the Little Big Horn, June 25, 1876. Taken at Washington City, at the New Capitol Hotel, for E.S. Ricker, March 5, 1913." Mounted on 23 x 15 cm. board.

Physical Description

1 folder15 x 10 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Three Tewa men, possibly from Isleta Pueblo, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied tite. Mounted on 21 x 14 cm. board.

Physical Description

1 folder15 x 11 cm.

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James, George Wharton (1858-1923). Preparing the warp for weaving a Moki dress, circa 1898. 1 folder.
Scope and Contents

Copyright 1898. Printed on recto: "#20." Mounted on 22 x 17 cm. board. Stamp of G. Wharton James collection on verso. Written on verso: "Oraibi."

Physical Description

1 folder21 x 16 cm.

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Dr. Diamond Dick (Dr. Richard Tanner) with Kiowa, Comanche, and Apache Indians, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Okla. City, Okla." Mounted on 18 x 22 cm. board.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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O'Sullivan, Timothy H. (1840-1882). Aboriginal life among the Navajo Indians, near Fort Defiance, N.M, 1873. 1 folder.
Scope and Contents

Written on verso: "Navajoe Indians near old Fort Defiance, N.M." Mounted on board.

Physical Description

1 folder28 x 21 cm.

"Dr. Diamond Dick" visiting the Kiowa, Comanche, and Apache Indians, circa 1900. 1 folder.
Scope and Contents

Mounted on 18 x 22 cm. board. Hand colored.

Physical Description

1 folder11 x 16 cm.

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Amian, Brother. Gallery of the old San Miguel Church, Santa Fe, N. Mex, circa 1885. 1 folder.
Scope and Contents

Written on recto: "Gallery of the old San Miguel Church, Santa Fe, N. Mex." Possibly by Brother Amian.

Physical Description

1 folder13 x 21 cm.

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Sanders. Moqui Pueblo view [of] Indian house at Walpi, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "122." Mounted on 18 x 29 cm. board. Photograph "Approach to Moqui pueblos" on verso of board.

Physical Description

1 folder11 x 19 cm.

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Sanders. Approach to Moqui pueblos, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "122." Mounted on 18 x 29 cm. board. Photograph "Moqui Pueblo view [of] Indian house at Walpi." on verso of board.

Physical Description

1 folder11 x 19 cm.

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Stevens, F. P.. Sunset behind Pike's Peak, circa 1898. 1 folder.
Scope and Contents

Copyright 1898. Hand colored. Mounted on 18 x 25 cm.

Physical Description

1 folder12 x 20 cm.

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Winter & Pond. Steamer Topeka at Muir Glacier, Alaska, circa 1900. 1 folder.
Scope and Contents

Mounted on 20 x 25 cm. board.

Physical Description

1 folder19 x 24 cm.

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Savage, C. R. (Charles Roscoe) (1832-1909). Picnic west of Syracuse about 1885, circa 1885. 1 folder.
Scope and Contents

Written on verso: "Picnic west of Syracuse about 1885."

Physical Description

1 folder10 x 22 cm.

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Carpenter, A. C.. Marshy landscape, possibly in Washington State, with church in the background, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Copyright 1895.

Physical Description

1 folder18 x 26 cm.

Materials Viewable Online
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Ricker, Eli Seavey (1843-1926). Two Moons, a Cheyenne chief, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied tite. Written on verso: "Two Moons, Cheyenne chief who led the Cheyenne Indians at the Battle of the Little Big Horn, June 25, 1876. Taken at Washington City, at the New Capitol Hotel, for E.S. Ricker, March 5, 1913." Mounted on 23 x 15 cm. board.

Physical Description

1 folder15 x 10 cm.

Materials Viewable Online
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Delegation of eight Indian men and one white man, circa 1860. 1 folder.
Scope and Contents

Cataloger supplied tite. Written on verso: "Picked up by A.L. Kent, Nov. 1957" and "on back for Louraritt E. Heelar, Boston Mass., 1861." Mounted on 26 x 18 cm. board. An albumen print copy of a salted paper print.

Physical Description

1 folder25 x 17 cm.

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Plains Indian man wearing a peace medal and seated next to wife, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied tite.

Physical Description

1 folder22 x 16 cm.

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Possibly two miners outside of an entrance to a mine, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 18 x 23 cm. card.

Physical Description

1 folder12 x 17 cm.

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Closeup of rock and log, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 18 cm.

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Studio portrait of Valentine, Santiago, and Lorenzo Coriz, 1898. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 22 x 17 cm. board.

Physical Description

1 folder18 x 12 cm.

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Soldiers with a machine gun outside of an military tent, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Names of subjects noted on verso. Mounted on 17 x 23 cm. board.

Physical Description

1 folder11 x 17 cm.

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View of a desert town, possibly Los Cerrillos, N.M, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

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Railroad tracks sliding off of an embankment, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 26 cm. board.

Physical Description

1 folder17 x 22 cm.

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Clinton, J. L.. "Lala," the belle of Laguna, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "1780." Mounted on 21 x 13 cm. card.

Physical Description

1 folder17 x 12 cm.

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Ray, B. F.. Sioux Indians, summer camp at Rushville, Nebr, circa 1890. 1 folder.
Scope and Contents

Written on recto: "Souix [sic] Indians, summer camp at Rushville, Nebr."

Physical Description

1 folder10 x 13 cm

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Voth, H. R. (Henry R.) (1855-1931). Two kachinas on the street of Oraibi, Arizona, 1897. 1 folder.
Scope and Contents

Written on verso: "Two kachinas on the street of Oraibi, Hopi 1897, photo by Voth." Stamp of the Good Medicine Foundation on verso.

Physical Description

1 folder10 x 14 cm.

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PeKaNeQuow, Blackfoot Indian, Glacier National Park, 1925. 1 folder.
Scope and Contents

Written on recto: "To Charley from (George) PeKaNeQuow, Blackfoot Indian, Glacier Nat. Park, 1925."

Physical Description

1 folder24 x 15 cm

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Geo. F. Coe & Son. Indian woman with children, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Hand colored. Mounted on 17 x 15 cm. board.

Physical Description

1 folder12 x 10 cm

Materials Viewable Online
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Cook, Chas. C.. Indian woman in a buckskin dress and beads, circa 1902. 1 folder.
Scope and Contents

Cataloger supplied title. Copyright 1902. Mounted on 23 x 18 cm. board.

Physical Description

1 folder16 x 11 cm.

Materials Viewable Online
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Cook, Chas. C.. Two Indian woman in buckskin dresses and beads, circa 1902. 1 folder.
Scope and Contents

Cataloger supplied title. Copyright 1902. Mounted on 23 x 18 cm. board.

Physical Description

1 folder11 x 13 cm.

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Bonaparte, Roland, prince (1858-1924). Plains Indian man in a compound with tents and teepees, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Printed on recto: "994." Written on verso: "Excollection Roland de Bonaparte, anthropological in nature, began 1875, purchased in Paris, exBernard Garrett coll." Mounted on 21 x 27 cm. board.

Bonaparte, Roland, prince (1858-1924)
Biographical / Historical

Prince Roland Bonaparte was a grand nephew of Napoleon Bonaparte. He had no royal aspirations; instead he turned to study science, geography, geology, botany, ethnology, and anthropology. He focused on the documentation of physical characteristics, in particular the shape and dimension of the skull as a way to established relations between the human races. He perceived photography as a scientific tool for preserving data from his expeditions, and used it to document the American Indians, Surinamese, Hottentots, and other ethnic groups. Bonaparte was president of the "Société de géographie" (France) from 1910 till his death, and was also a member, then president, of the "Académie des sciences" (France).

Alfred Ayotte was a French (?) journalist, photographer, and traveler who was interested in the anthropological aspects of the natives of the countries he visited.

Physical Description

1 folder12 x 17 cm.

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Standing Rock party, 1884. Indian arrivals from Standing Rock, North Dakota, Hampton Normal School/Institute for Indians, 1884. 1 folder.
Scope and Contents

Label on verso: "Standing Rock party, 1884 : Indian arrivals from Standing Rock, North Dakota, Hampton Normal School/Institute for Indians." Mounted on 21 x 27 cm. board.

Physical Description

1 folder11 x 19 cm.

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Large, unidentified brick building, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 18 x 26 cm. board.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. "round up" driving, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "3618." Mounted on 21 x 26 cm. board.

Physical Description

1 folder11 x 17 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. "round up.", circa 1885. 1 folder.
Scope and Contents

Printed on recto: "3614." Mounted on 21 x 26 cm. board.

Physical Description

1 folder11 x 17 cm.

Materials Viewable Online
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View of Fort McKenny, Wyoming, circa 1875. 1 folder.
Scope and Contents

Cataloger supplied title. Photograph "Soldiers at attention, Fort McKenny, Wyoming" on verso. Mounted on 21 x 27 cm. board.

Physical Description

1 folder12 x 20 cm.

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Soldiers at attention, Fort McKenny, Wyoming, circa 1875. 1 folder.
Scope and Contents

Cataloger supplied title. Photograph "View of Fort McKenny, Wyoming" on verso. Mounted on 21 x 27 cm. board.

Physical Description

1 folder13 x 20 cm.

Materials Viewable Online
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Goodman, Charles (1843-1912). Lower side view of the Great Augusta [?] Natural Bridge, the biggest natural bridge in the world, circa 1890. 1 folder.
Scope and Contents

Written on verso: "Lower side view of the Great Augusta [?] Natural Bridge, the biggest natural bridge in the world." Mounted on 21 x 27 cm. board.

Physical Description

1 folder13 x 20 cm.

Materials Viewable Online
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Adobe house in Santa Fe, New Mexico, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 28 cm. board.

Physical Description

1 folder15 x 21 cm.

Materials Viewable Online
  1. View digital content
Chase, D. B. (Dana B.) (1897). Lake in Garden of Archbishop, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "No. 13." Mounted on 17 x 28 cm. board.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Oldest house in the United States, Santa Fe, N.M, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "No. 1836." Mounted on 18 x 27 cm. board.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Santa Fe : specimen of old & new adobe houses, circa 1885. 1 folder.
Scope and Contents

Written on recto: "Santa Fe. Specimen of old & new adobe houses." Mounted on 21 x 28 cm. board.

Physical Description

1 folder15 x 21 cm.

Materials Viewable Online
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Donkey standing next to city canal, likely in SantFe, New Mexico, circa 1885. 1 folder.
Scope and Contents

Written on recto: "Santa Fe. Specimen of old & new adobe houses." Mounted on 21 x 28 cm. board.

Physical Description

1 folder15 x 21 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Burros loaded with wood, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "No. 177." Mounted on 17 x 28 cm. board.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Harvested corn and squash at Santa Clara Pueblo, New Mexico, circa 1924. 1 folder.
Scope and Contents

Cataloger supplied title. Stamp of the Museum of New Mexico on verso.

Physical Description

1 folder19 x 24 cm.

Materials Viewable Online
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Two bartenders standing at a bar, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 16 x 18 cm. board.

Physical Description

1 folder10 x 13 cm.

Materials Viewable Online
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View of a small town with a group of women standing in front of a storefront, circa 1875. 1 folder.
Scope and Contents

Cataloger supplied titles. Three images mounted on the recto and verso of a 27 × 20 cm. board; on verso "A white man posing with group of Indian children in front of teepees" and "An Indian man on horseback pulling two children in a cagelike apparatus."

Physical Description

1 folder27 × 20 cm.

Materials Viewable Online
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White man posing with group of Indian children in front of teepees; an Indian man on horseback pulling two children in a cagelike apparatus, circa 1875. 1 folder.
Scope and Contents

Cataloger supplied titles. Three images mounted on the recto and verso of a 27 × 20 cm. board; on verso, "A view of a small town with a group of women standing in front of a storefront."

Physical Description

1 folder27 × 20 cm.

Materials Viewable Online
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Two converted Indian men with a white pastor, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Dimensions are approximate; photograph matted.

Physical Description

1 folder19 x 14 cm.

Materials Viewable Online
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Laguna, N.M, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "33" and "Brown." Mounted on 18 x 29 cm. board.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Indian chief; Fort McKenney band, 1876. 1 folder.
Scope and Contents

Written on recto: "Indian chief" and "Fort McKenney band." Mounted on 20 × 27 cm. board with on verso "Fort McKenny, Wyom."

Physical Description

1 folder20 x 27 cm.

Materials Viewable Online
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Fort McKenney, Wyom, 1876. 1 folder.
Scope and Contents

Written on recto: "Fort McKenny, Wyom." Mounted on 20 × 27 cm. board with "Indian chief" and "Fort McKenney band" on verso.

Physical Description

1 folder20 x 27 cm.

Materials Viewable Online
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Hyde, G. F.. Diegueno Indians : Rosa, 126 [and] Maria 116 yrs. old, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "495." Mounted on 17 x 14 cm. board.

Physical Description

1 folder12 x 10 cm.

Materials Viewable Online
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Hyde, G. F.. Luisanio Indian, "Bautista," 99 years old, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "494." Mounted on 17 x 14 cm. board.

Physical Description

1 folder12 x 10 cm.

Materials Viewable Online
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Hyde, G. F.. Luisanio Indian, Antonia, 108 yrs. old, circa 1890. 1 folder.
Scope and Contents

Written on recto: "496. Luisanio Indian, Antonia, 108 yrs. old." Mounted on 14 x 17 cm. board.

Physical Description

1 folder10 x 12 cm.

Materials Viewable Online
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Ferguson. High school graduation picture of Jim Snider, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title. In a decorative folder. Written on folder: "Grad class? Snider front row left."

Physical Description

1 folder19 x 24 cm.

Materials Viewable Online
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Plenty Coos & tribe, circa 1887. 1 folder.
Scope and Contents

Written on recto: "Plenty Coos & tribe." Written on verso: "Crow Indians, Fort Custer, Montana Terr. Campaign, November 5th. 87." Mounted on 21 x 26 cm. board.

Physical Description

1 folder19 x 24 cm.

Materials Viewable Online
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Three Indian men in front of teepees, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 13 x 15 cm. board.

Physical Description

1 folder10 x 14 cm.

Materials Viewable Online
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Large group of Indian men and women, likely Apache Indians, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 24 x 28 cm. board.

Physical Description

1 folder18 x 22 cm.

Materials Viewable Online
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Indian woman, an Indian man on horseback, and a white man in front of a teepee, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 13 x 15 cm. board.

Physical Description

1 folder10 x 14 cm.

Materials Viewable Online
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Indian woman in front of a teepee, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 13 x 15 cm. board.

Physical Description

1 folder10 x 14 cm.

Materials Viewable Online
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Indian family in front of a teepee, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 13 x 15 cm. board.

Physical Description

1 folder10 x 14 cm.

Materials Viewable Online
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Rau, William Herman (1855-1920). Carreta, San Juan Pueblo, 1881. 1 folder.
Scope and Contents

Written on verso: "Carreta, San Juan Pueblo, October 1881." Original photograph housed in the collections of the Museum of New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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United States soldiers with an Apache Indian family, circa 1935. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 13 x 19 cm. paper with photograph 'A battleship' on verso.

Physical Description

1 folder8 x 13 cm.

Materials Viewable Online
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Battleship, circa 1935. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 13 x 19 cm. paper with photograph 'United States soldiers with an Apache Indian family' on verso.

Physical Description

1 folder6 x 11 cm.

Materials Viewable Online
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Martinez Leon, Juan Ramon. Two Mexican Indian women participating in a Zapatista gathering, circa 1995. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder22 x 16 cm.

Materials Viewable Online
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Martinez Leon, Juan Ramon. Zapatistrebel smoking pipe, circa 1995. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder22 x 16 cm.

Materials Viewable Online
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Martinez Leon, Juan Ramon. Back of a female Zapatista rebel, circa 1995. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder22 x 16 cm.

Materials Viewable Online
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Martinez Leon, Juan Ramon. Zapatista rebels, circa 1995. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder16 x 22 cm.

Materials Viewable Online
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Martinez Leon, Juan Ramon. Zapatista rebels, circa 1995. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder16 x 22 cm.

Materials Viewable Online
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Martinez Leon, Juan Ramon. Zapatistrebel, circa 1995. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder22 x 16 cm.

Materials Viewable Online
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Chief Ignatio, Flathead, Montana, circa 1890. 1 folder.
Scope and Contents

Written on recto: "Chief Ignatio, Flathead, Montana."

Physical Description

1 folder21 x 9 cm.

Materials Viewable Online
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Bradfield, John. Indian men and women performing a ceremony with white tourists looking on, circa 1925. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "John Bradfield, anthropologist, Santa Fe, NM, 19091949."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Bradfield, John. Indian man and woman working on pottery, circa 1925. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "John Bradfield, anthrop., Santa Fe, NM, 19091949."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Portrait of an Indian woman, circa 1990. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Portrait of a Central American Indian woman, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title. Photographer's name (illegible) on verso. In color.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Central American Indian woman with a child on her back selling flowers, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title. In color.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Grand Canyon of the Colorado, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "1051." Possibly by Lummis.

Physical Description

1 folder21 x 13 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Tourists, possibly at the spring foot races, Pueblo of Isleta, N.M, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Possibly by Lummis.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). View of the Grand Canyon, Arizona, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Woman and two dogs looking out onto the Grand Canyon, Arizona, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder15 x 20 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). View of rapids in the Grand Canyon, Arizona, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). View of the Grand Canyon, Arizona, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Colorado River, likely in Arizona, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Indian man, possibly Pueblo, weaving at a loom, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder22 x 17 cm.

Materials Viewable Online
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Group of Indian women, possibly Plains Indians, with white men, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Chemehuevi Indian "watching" his corn, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "3527." Written on verso: "Chemehuevi Indian 'watching' his corn."

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Shungopavi plaza, Hopi town, circa 1901. 1 folder.
Scope and Contents

Copyright 1901. Written on verso: "Shungopavi plaza, Hopi town."

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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F.H. Maude & Co. Hopi children on their burro, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Hopi children on their burro."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Drinking the emetic after the Hopi snake dance, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Drinking the emetic after the Hopi snake dance."

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Mexican group at Ehrenberg [?], circa 1900. 1 folder.
Scope and Contents

Written on verso: "Mexican group at Ehrenberg [?]."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Lagunwater carrier, wife of Charlie Kie, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "1534." Mounted on paper. Written on paper: "A Laguna water carrier, wife of Charlie Kie."

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Interior of Moki dwelling, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "852." Mounted on paper. Written on paper: "Interior of Moki dwelling." Possibly taken in Oraibi, Arizona.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Interior Moki house at Oraibi, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "41."

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Navajo girls going for water, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "1647." Mounted on paper. Written on paper: "Navajo girls going for water."

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Horsedrawn carriages standing below cliffs, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Woman resting against a rock, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 13 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Cliff dwellings nestled among rocks, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder20 x 12 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Desert view from between two cliffs, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder20 x 12 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Old Indian woman preparing food, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 13 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Jose Maica, Campo, 1904. 1 folder.
Physical Description

1 folder13 x 20 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Maria, Campo Res, 1904. 1 folder.
Physical Description

1 folder20 x 13 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). River bed with cliffs in the background, circa 1900. 1 folder.
Physical Description

1 folder20 x 12 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Chapo, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Chapo of Manzanita." Likely a Campo Indian.

Physical Description

1 folder20 x 13 cm.

Materials Viewable Online
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Rogers. N.K. Boswell Ranch on big Laramie River, Albany County, Wyo, circa 1900. 1 folder.
Scope and Contents

Written on verso: "N.K. Boswell Ranch on Big Laramie River, Albany County, Wyo."

Physical Description

1 folder18 x 25 cm.

Materials Viewable Online
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Chinese men on the street of an unknown American city, possibly San Francisco, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder23 x 20 cm.

Materials Viewable Online
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Chinese men on the street of an unknown American city, possibly San Francisco, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder22 x 20 cm.

Materials Viewable Online
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Parkhurst, T. Harmon. Four kossa clowns, San Juan Pueblo, circa 1935. 1 folder.
Scope and Contents

Written on verso: "Four kossa clowns, San Juan Pueblo." Original photograph housed in the collections of the Museum of New Mexico.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Adobe Catholic monastery, possibly located in Mexico, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 15 cm.

Materials Viewable Online
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Ruins of a courtyard of an adobe Catholic monastery, possibly located in Mexico, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder17 x 22 cm.

Materials Viewable Online
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Pachacamac from the Castillo, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "2313."

Physical Description

1 folder19 x 23 cm.

Materials Viewable Online
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Richenda Davis, Cheyenne, Colony, Okla, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Richenda Davis, Cheyenne, Colony, Okla." Additional information provided by a descendant: born January 11, 1889, daughter of Nannie Aspenall Davis pictured in M1185.

Physical Description

1 folder17 x 13 cm.

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Nannie Aspenall Davis, Colony, Okla, circa 1900. 1 folder.
Scope and Contents

Descendant supplied information to inform title. Mother of Richenda Davis, pictured in M1184.

Physical Description

1 folder18 x 14 cm.

Materials Viewable Online
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Three men branding a steer, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Group of Indian girls dressed in western clothing, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Group of Indian girls dressed in western clothing, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Woman and two girls seated at piano, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Group of men and women outside of stone building, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Group of wooden houses, possibly on farm, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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View of a pueblo, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Four men, one a Catholic priest, posing in a garden, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Young Catholic priest sitting in kitchen, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Three women and a girl on the porch of a brick house, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Group of Catholic priests, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Group of Catholic priests and monks, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Two Catholic priests kneeling before an altar, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Possibly a Catholic mission, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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View of a ruined cliff dwelling, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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View of a ruined cliff dwelling, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Portrait of a family, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Men and women tending livestock, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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View of a Southwest town, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 16 cm.

Materials Viewable Online
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Man and dog sitting in park, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 16 cm.

Materials Viewable Online
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View of a Southwest town, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 16 cm.

Materials Viewable Online
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View of a Southwest town, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 16 cm.

Materials Viewable Online
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Horses grazing with houses in the background, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Men tending to a herd of sheep, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Group portrait of Indian children participating in a Catholic ceremony, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Group of men and women on horseback and loaded wagons, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Altar in a Catholic church, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Statue of the Virgin Mary and Catholic priest in front of church, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Women dressed as clowns in a horsedrawn wagon, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Catholic priest in library with an Indian rug hanging in the background, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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View of a Colorado town with a train passing through, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "[?] Colo. [?] of the old church in Acoma, N.M."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Three men, including one Catholic priest and a photographer with his camera, with three women in the streets of an unknown pueblo, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "[?] Colo. [?] of the old church in Acoma, N.M."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Six Catholic priests seated at a table with map of New Mexico hanging on the wall behind them, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Bridal Veil (330) & Ingram (120) Falls above Telluride, Colo, circa 1890. 1 folder.
Scope and Contents

Written on verso: "Bridal Veil (330) & Ingram (120) Falls above Telluride, Colo."

Physical Description

1 folder17 x 12 cm.

Materials Viewable Online
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Indian man in full regalia, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title. Gift of William G. Mackenzie, Class of 1935.

Physical Description

1 folder26 x 19 cm.

Materials Viewable Online
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Rinehart, F. A. (Frank A.). Clear, circa 1900. 1 folder.
Scope and Contents

Copyright 1900. Gift of William G. Mackenzie, Class of 1935.

Physical Description

1 folder24 x 19 cm.

Keystone view company. Ute Indian and family, Colorado, circa 1898. 1 folder.
Scope and Contents

Printed on verso: "204" and "8082."

Physical Description

1 folder18 x 18 cm.

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Vroman, A. C. (Adam Clark) (1856-1916). Two Pueblo Indian women wrapped in blankets balancing clay pots on their heads, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Possibly by Vroman.

Physical Description

1 folder20 x 18 cm.

Materials Viewable Online
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Vroman, A. C. (Adam Clark) (1856-1916). Two Pueblo Indian women preparing food in an adobe oven, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Possibly by Vroman.

Physical Description

1 folder19 x 25 cm.

Materials Viewable Online
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Vroman, A. C. (Adam Clark) (1856-1916). Pueblo Indian woman carrying a bowl of food, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Possibly by Vroman.

Physical Description

1 folder25 x 19 cm.

Materials Viewable Online
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Vroman, A. C. (Adam Clark) (1856-1916). Pueblo Indian children playing with a bow and arrows, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Possibly by Vroman.

Physical Description

1 folder17 x 23 cm.

Materials Viewable Online
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Vroman, A. C. (Adam Clark) (1856-1916). Two Pueblo Indian women preparing food in an adobe oven, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Possibly by Vroman.

Physical Description

1 folder24 x 18 cm.

Materials Viewable Online
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Vroman, A. C. (Adam Clark) (1856-1916). Two Indian men performing a bird ceremony with seven Indian men accompanying them on instruments, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 22 cm.

Materials Viewable Online
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Vroman, A. C. (Adam Clark) (1856-1916). Pueblo Indian woman standing on top of a temporary structure, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder25 x 19 cm.

Materials Viewable Online
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Vroman, A. C. (Adam Clark) (1856-1916). Pueblo Indian woman with a load on her back, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder23 x 18 cm.

Materials Viewable Online
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Seumptewa, Owen (Native American photographer, born 1946). Young sacred clown, 1973. 1 folder.
Scope and Contents

Title supplied by catalog The photograph and the American Indian. Copyright 1985. Taken at the Second Mesa Day School during Indian Day.

Physical Description

1 folder25 x 17 cm.

Materials Viewable Online
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Group of men and women outside of stone building, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Cheyenne mission, Darlington, Ind. Territory, circa 1890. 1 folder.
Scope and Contents

Written on verso: "Cheyenne mission, Darlington, Ind. Territory."

Physical Description

1 folder14 x 22 cm.

Materials Viewable Online
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Group of brick buildings, possibly mission, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Group of men and women gathered around wagon and tent with two buildings in the background, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Adobe house, possibly in a pueblo, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Adobe house, possibly in a pueblo, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Kooyahoema, Merwin (Native American photographer, born 1957). Hopi Indian children performing a ceremony, circa 1985. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder18 x 23 cm.

Materials Viewable Online
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Parkhurst, T. Harmon. Taos Pueblo, circa 1930. 1 folder.
Scope and Contents

Written on verso: "Taos Pueblo."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Drake, E. T. Preparation for a ceremony at a pueblo, 1907. 1 folder.
Scope and Contents

Cataloger supplied title. Written on recto: "No. 1."

Physical Description

1 folder13 x 16 cm.

Materials Viewable Online
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Drake, E. T. Ceremony at pueblo, 1907. 1 folder.
Scope and Contents

Cataloger supplied title. Written on recto: "No. 2."

Physical Description

1 folder13 x 16 cm.

Materials Viewable Online
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Drake, E. T. Ceremony at pueblo, 1907. 1 folder.
Scope and Contents

Cataloger supplied title. Written on recto: "No. 3."

Physical Description

1 folder13 x 16 cm.

Materials Viewable Online
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Drake, E. T. Ceremony at pueblo, 1907. 1 folder.
Scope and Contents

Cataloger supplied title. Written on recto: "No. 4."

Physical Description

1 folder13 x 16 cm.

Materials Viewable Online
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Drake, E. T. Ceremony at pueblo, 1907. 1 folder.
Scope and Contents

Cataloger supplied title. Written on recto: "No. 5."

Physical Description

1 folder13 x 16 cm.

Materials Viewable Online
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Drake, E. T. Ceremony at pueblo, 1907. 1 folder.
Scope and Contents

Cataloger supplied title. Written on recto: "No. 6."

Physical Description

1 folder13 x 16 cm.

Materials Viewable Online
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Drake, E. T. Ceremony at pueblo, 1907. 1 folder.
Scope and Contents

Cataloger supplied title. Written on recto: "No. 7."

Physical Description

1 folder13 x 16 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Two Laguna Indian men, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 16 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Bearded man with glasses, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Possibly a self portrait of the photographer.

Physical Description

1 folder13 x 11 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Gustavo at Laguna, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Gustavo at Laguna."

Physical Description

1 folder17 x 12 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Manzanita, 1904. 1 folder.
Scope and Contents

Cataloger supplied title. Possibly taken at Laguna of a Laguna woman.

Physical Description

1 folder17 x 13 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Gustavo at Laguna, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder17 x 12 cm.

Materials Viewable Online
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Railroad tracks near a body of water, circa 1905. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 12 x 15 cm. board.

Physical Description

1 folder8 x 11 cm.

Materials Viewable Online
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Jos. Smith "mansion house" as originally built, 1843, Nauvoo, Ill, circa 1920. 1 folder.
Physical Description

1 folder9 x 14 cm.

Materials Viewable Online
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Old mill in Liberty Park, 1905. 1 folder.
Scope and Contents

Written on verso: "Old mill in Liberty Park. Taken Nov. 15th 1905." Mounted on 12 x 15 cm. board.

Physical Description

1 folder8 x 11 cm.

Materials Viewable Online
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Men and women on horseback, possibly on a glacier, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Railroad tracks in a canyon, possibly in Weber Canyon, Utah, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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View of mountains from a ski lift, possibly in Utah, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Railroad embankment along a stream, possibly in Utah, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Railroad tracks in a canyon, possibly in Weber Canyon, Utah, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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View of mountains with a power line in the foreground, possibly in Utah, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Railroad tracks in a canyon, possibly in Weber Canyon, Utah, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Waterfall, possibly in Utah, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Old home in Aurora, Co., 1575 Galena St, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Old home in Aurora, Co., 1575 Galena St."

Physical Description

1 folder13 x 17 cm.

Materials Viewable Online
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Power line running through a canyon, possibly Weber Canyon, Utah, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Waterfall, possibly in Utah, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Man and three women watching waterfalls, possibly in Utah, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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San Jose Mission, San Antonio, Texas, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. History of the mission noted by a former owner on verso.

Physical Description

1 folder16 x 12 cm.

Materials Viewable Online
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Three Acoma Indian men, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Acoma Indians."

Physical Description

1 folder12 x 16 cm.

Materials Viewable Online
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Men, women, and children, some on donkeys, in front of the Phoenix Hotel, Las Vegas, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Phoenix Hotel entrance, Las Vegas." Possibly taken in Nevada.

Physical Description

1 folder12 x 16 cm.

Materials Viewable Online
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Kiowa Indians at Wadsworth, U.P.R.R, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Kiowa Indians at Wadsworth, U.P.R.R."

Physical Description

1 folder12 x 16 cm.

Materials Viewable Online
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Kiowa Indian children, U.P.R.R, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Kiowa Indian children, U.P.R.R." Likely taken in Nevada.

Physical Description

1 folder12 x 16 cm.

Materials Viewable Online
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Kiowa Indian chores, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Kiowa Indian chores."

Physical Description

1 folder12 x 16 cm.

Materials Viewable Online
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Indian at Gallup, Navajo chief, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Indian at Gallup, Navajo chief."

Physical Description

1 folder12 x 16 cm.

Materials Viewable Online
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Kiowa Indians at Wadsworth, U.P.R.R, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Kiowa Indians at Wadsworth, U.P.R.R."

Physical Description

1 folder12 x 16 cm.

Materials Viewable Online
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Kiowa Indian chores, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Kiowa Indian chores."

Physical Description

1 folder12 x 14 cm.

Materials Viewable Online
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Edwards Brothers. Wrangle chief in feast robe, circa 1905. 1 folder.
Scope and Contents

Likely a Haida Indian.

Physical Description

1 folder16 x 12 cm.

Materials Viewable Online
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View of Rocky Mountain National Park, Colorado, 1941. 1 folder.
Scope and Contents

Cataloger supplied title. In color.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Three men and a dog crossing a stream, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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James, George Wharton (1858-1923). Havasupai home, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Hopi kachina dance, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Navajo woman weaver with swastika design on loom, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Navajo hunting party, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Navajo hunting party."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Cubero, N.M, circa 1900. 1 folder.
Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Canon of Pine Creek, A.T, circa 1900. 1 folder.
Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Pueblo of Acoma : n. end of mesa, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "609."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Tiahuanaco : the Pumapunco, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "2752."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Indian Pueblo of Cochiti and vicinity ; Man standing by heavy wooden doors ornamented with a coatofarms, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Two cyanotypes printed on one sheet, one with the printed title caption "The Indian Pueblo of Cochiti and vicinity." Likely by Lummis. Accessions numbers WA 1984212 and WA 1984213 associated with item.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Pueblo of Acoma, N.M. : the reservoir, circa 1900. 1 folder.
Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Isleta, N.M. : opening main acequia, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "1601."

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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La Roche, Frank (1853-1934). Section of Muir Glacier, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "226."

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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La Roche, Frank (1853-1934). Glacier Bay from top of Muir Glacier, circa 1892. 1 folder.
Scope and Contents

Printed on recto: "196."

Physical Description

1 folder11 x 20 cm.

Materials Viewable Online
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La Roche, Frank (1853-1934). Totem poles at KasaAn, Alaska, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "206."

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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La Roche, Frank (1853-1934). Floating ice berg in Glacier Bay, Alaska, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "No. 227."

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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La Roche, Frank (1853-1934). Totems at Fort Wrangell, Alaska, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "194."

Physical Description

1 folder19 x 11 cm.

Materials Viewable Online
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La Roche, Frank (1853-1934). Totems at Fort Wrangell, Alaska, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "No 225."

Physical Description

1 folder19 x 11 cm.

Materials Viewable Online
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Jackson, William Henry (1843-1942). Lagos, Mexico, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "S239." Mounted on 16 x 24 cm. paper with caption "An outdoor study." The Catedral Basilica de Lagos de Moreno dominates the photograph.

Jackson, William Henry (1843-1942)
Biographical / Historical

American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Central Pacific Railroad Company. Train of the Central Pacific Railroad, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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McKee, Thomas M. (1854-1939). Taking a view of Spring House, circa 1900. 1 folder.
Scope and Contents

Original photograph housed in the Denver Public Library Western Collection. McKee with a box camera, tripod, and photography equipment on a rock ledge above a canyon near Spring House, Mesa Verde National Park (Montezuma County), Colorado.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Wallihan, Augusta (1837-1922). A.G. Wallihan with his dog and camera, 1894. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection. Possibly taken in Colorado by Wallihan's wife.

Wallihan, Augusta (1837-1922)
Biographical / Historical

Augusta Wallihan (1837-1922) was a well-known wildlife photographer, who also advocated for environmental conservation.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Wallihan, A. G. (Allen Grant) (1859-1935). Mrs. A.G. Wallihan with her dog and a camera, 1894. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection. Possibly taken in Colorado.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Wallihan, A. G. (Allen Grant) (1859-1935). Bear, circa 1895. 1 folder.
Scope and Contents

Copyright 1895. Original photograph housed in the Denver Public Library Western Collection. Possibly taken in Colorado.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Wallihan, A. G. (Allen Grant) (1859-1935). Deer, circa 1896. 1 folder.
Scope and Contents

Copyright 1896. Printed on recto: "97." Original photograph housed in the Denver Public Library Western Collection. Possibly taken in Colorado.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Wallihan, A. G. (Allen Grant) (1859-1935). Elk, circa 1899. 1 folder.
Scope and Contents

Copyright 1899. Printed on recto: "No. 15." Original photograph housed in the Denver Public Library Western Collection. Possibly taken in Colorado.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Wallihan, A. G. (Allen Grant) (1859-1935). Cougar, circa 1895. 1 folder.
Scope and Contents

Copyright 1895. Printed on recto: "No. 12." Original photograph housed in the Denver Public Library Western Collection. Possibly taken in Colorado.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Barry, D. F. (David Francis) (1854-1934). General Custer, officers, and ladies taken at Fort Lincoln, circa 1875. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection. Names of subjects noted on verso.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Carbutt, John (1832-1905). Construction along the Union Pacific Railroad, circa 1866. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Mount Shasta, California, circa 1870. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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O'Sullivan, Timothy H. (1840-1882). Setting up camera equipment along the Snake River, circa 1868. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Chamberlain, W. G. (William Gunnison). 15th Street, Denver, Colorado, circa 1865. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Dixon, Joseph K. (Joseph Kossuth). Horses crossing a river, 1908-1913. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection. According to the Denver Public Library, this image may have been taken by Dixon or by members of his staff, Rollin Lester Dixon, W.B. Cline, or John D. Scott.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Kirkland, C. D. (Charles D.) (1851-1926). Waiting for a "cavoy.", circa 1882. 1 folder.
Scope and Contents

Printed on recto: "No. 77." Original photograph housed in the Denver Public Library Western Collection.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Wakely, George D. (active 1856-1880). Flood, Cherry Creek, Denver, 1864, 1864. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Illingworth, W. H. (William H.) (1842-1893). Custer expedition on the plains, circa 1875. 1 folder.
Scope and Contents

Original photograph housed in the Denver Public Library Western Collection.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Wakely, George D. (active 1856-1880). Cityscape view of Central City, Colorado, 1864. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Natural bridge, Pine Creek, A.T, circa 1891. 1 folder.
Scope and Contents

Copyright 1891. Printed on recto: "1355."

Physical Description

1 folder21 x 13 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Natural bridge, Pine Creek, A.T, circa 1891. 1 folder.
Scope and Contents

Copyright 1891. Printed on recto: "1355."

Physical Description

1 folder21 x 13 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Natural bridge, Pine Creek, A.T, circa 1891. 1 folder.
Scope and Contents

Copyright 1891. Printed on recto: "1355."

Physical Description

1 folder21 x 13 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). [View] of the Colorado, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "1253."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Armed Zapatistas marching in formation, circa 1995. 1 folder.
Scope and Contents

Cataloger supplied title. In color.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Guard mount, parade ground, Santa Fe, N.M, circa 1890. 1 folder.
Scope and Contents

Written on recto of mount: "Guard mount, parade ground, Santa Fe, N.M. Tall building in rear, residence Senator J.B. Catron. Frame building at right, residence Gen. G.A. Smith." Mounted on 18 x 26 cm. paper.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Wittick, Ben (1845-1903). General view of Santa Fe, N.M, 1881. 1 folder.
Scope and Contents

Cataloger supplied title. Original photograph housed in the Museum of New Mexico. Written on verso: "Center: Loretto Academy."

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Class in one of the girls' training schools established by Diaz, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Class in one of the girls' training schools established by Diaz."

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Patio of Mrs. Hearst's country home at Pleasanton, Cal, 1902. 1 folder.
Scope and Contents

Written on verso: "Patio of Mrs. Hearst's country home at Pleasanton, Cal."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Leadville from Carbonate [?] Hill, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "1206."

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). In King's River Canon : Hugh Gibson, circa 1900. 1 folder.
Scope and Contents

Written on verso: "In King's River Canon, Hugh Gibson." Gibson photographed by a large tree.

Physical Description

1 folder18 x 12 cm.

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Lummis, Charles Fletcher (1859-1928). Portrait of a man, 1898. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder21 x 13 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Cowboy with his horse, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Likely by Lummis.

Physical Description

1 folder13 x 20 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Cowboy with his horse, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Likely by Lummis.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Cowboy with his horse, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Likely by Lummis.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Vignette portrait of an elderly Indian man, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Likely by Lummis.

Physical Description

1 folder21 x 13 cm.

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Lummis, Charles Fletcher (1859-1928). Portrait of two women, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Likely by Lummis.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Savage, C. R. (Charles Roscoe) (1832-1909). Interior of the Utah Peny, circa 1875. 1 folder.
Scope and Contents

Written on verso: "Prominent Mormons in prison for polygamy."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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George D. Pyper, circa 1935. 1 folder.
Scope and Contents

Written on verso: "George D. Pyper."

Physical Description

1 folder17 x 12 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Portrait of Charles Fletcher Lummis, 1924. 1 folder.
Scope and Contents

Cataloger supplied title. Inscribed on recto: "To Mabelanna Corby, a genuine, with high regard, Chas. F. Lummis, Mch 6, 1924."

Physical Description

1 folder23 x 19 cm.

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Center, Addison P.. Old people of New Mexico : "the land of sunshine and health.", circa 1902. 1 folder.
Scope and Contents

Copyright 1902.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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Resting after hauling up Maccar Fall, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "No. 6." Written on verso: "On the way up to the goldfields."

Physical Description

1 folder19 x 24 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Panorama from S.E, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "2357." Written on verso: "Cajamarquilla, peak of Saracoto & part of ruins."

Physical Description

1 folder19 x 23 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Yxtaccihuatl, circa 1900. 1 folder.
Scope and Contents

Written on verso: "This would have to be redrawn, as the negative is stained. But it gives the likeness of the figure rather better than the other photo does. Yxtaccihuatl, 'the woman in white.'"

Physical Description

1 folder19 x 11 cm.

Materials Viewable Online
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Vignette view of an unknown city in the western United States, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Mountains along a sound in Alaska, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Mountains along a sound in Alaska, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Alaskan encampment with a glacier in the background, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder14 x 20 cm.

Materials Viewable Online
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Icebergs in Alaska, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder14 x 20 cm.

Materials Viewable Online
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Sitka Harbor, Alaska, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Sitka Harbor, Alaska, with mountain in background, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Wrangel Narrows, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Wrangel Narrows."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Frederic Sound, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Frederic Sound."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Cordova, Alaska, 1908. 1 folder.
Scope and Contents

Printed on recto: "206."

Physical Description

1 folder18 x 24 cm.

Materials Viewable Online
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Icebergs in Alaska, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder14 x 20 cm.

Materials Viewable Online
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Baranof Castle, Sitka, Alaska, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Baranoff Castle, Sitka."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Indian Avenue, Sitka, Alaska, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Indian Avenue, Sitka, Alaska."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Shoreline with canoes, totems, and small wooden buildings, Alaska, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder14 x 20 cm.

Materials Viewable Online
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Treadwell Gold Mine opposite side of the bay at Sitka, circa 1900. 1 folder.
Scope and Contents

Written on recto of mount: "Treadwell Gold Mine opposite side of the bay at Sitka." Mounted on 15 x 22 cm. paper.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Juneau, Alaska, circa 1900. 1 folder.
Scope and Contents

Written on recto of mount: "Juneau, Alaska." Mounted on 15 x 22 cm. paper.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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From the deck of a boat looking out onto Sitka, Alaska, from Treadmill Gold Mine, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "From deck of [?] at Treadwell."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Juneau from deck of a steamer, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Juneau from deck of a ste."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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La Roche, Frank (1853-1934). Chief Kadashan's house with totems, Fort Wrangell, Alaska, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Printed on recto: "179." Written on recto of mount: "Fort Wrangell, Alaska, showing new house of the chief of Sitka Indians, the totem poles in front representing the 'family trees' of himself and wife." Correct ownership of house indicated by visitors to Princeton University Library. Mounted on 18 x 23 cm. paper.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Sunhouse in Wrangell, Alaska, 1917. 1 folder.
Scope and Contents

Cataloger supplied title. Printed on recto: "Raven totem." Written on verso: "Totem poles at Alert Bay, B.C., on our way to Skagway, Alaska, trip of 1917." Correct place name indicated by visitors to Princeton University Library.

Physical Description

1 folder23 x 20 cm.

Materials Viewable Online
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Mountains along a sound in Alaska, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Bird'seye view of an Alaskan glacier, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder14 x 20 cm.

Materials Viewable Online
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Lydia Schemmel, Smoki, circa 1945. 1 folder.
Scope and Contents

Written on verso: "Lydia Schemmel, Smoki."

Physical Description

1 folder15 x 12 cm.

Materials Viewable Online
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Lydia Schemmel, Smoki, circa 1945. 1 folder.
Scope and Contents

Written on verso: "Lydia Schemmel, Smoki."

Physical Description

1 folder15 x 12 cm.

Materials Viewable Online
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Lydia Schemmel with three girls dressed as Indians, circa 1945. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Schemmel, Smoki."

Physical Description

1 folder15 x 12 cm.

Materials Viewable Online
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Lydia Schemmel with an elderly woman, circa 1945. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Schemmel, Smoki."

Physical Description

1 folder15 x 12 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Taos Pueblos [sic], circa 1890. 1 folder.
Scope and Contents

Printed on recto: "No. 131." Chase's name has been masked out. Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Anderson, George Edward (1860-1928). Indian man at the opening of Glacier National Park, 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Printed on recto: "91." Written on verso: "Opening of Glacier Natl. Park."

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
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Elderly Indian woman, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder10 x 12 cm.

Materials Viewable Online
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White, C. C.. Men gathered outside a bar, possibly in San Jose, Calif, circa 1875. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on cropped 18 x 25 cm. board.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Indian men, some in ceremonial dress, in a large tent with women looking in from outside, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. Possibly related to photograph WC064, M1370.

Physical Description

1 folder9 x 26 cm.

Materials Viewable Online
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Kiawas giving Cheyennes horse [sic], CPA [?] annual sun dance, 1910, 1910. 1 folder.
Physical Description

1 folder9 x 26 cm.

Materials Viewable Online
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General library, Johns Hopkins University, circa 1900. 1 folder.
Scope and Contents

Written on recto: "General library, Johns Hopkins University." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Rotunda of museum, Stanford Univ, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Rotunda of museum, Stanford Univ." Mounted on 19 x 14 cm. card.

Physical Description

1 folder18 x 12 cm.

Materials Viewable Online
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View from center of "quad" looking south, Stanford Univ, circa 1900. 1 folder.
Scope and Contents

Written on verso: "View from center of 'quad' looking south, Stanford Univ." Mounted on 14 x 19 cm. card.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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"Old Yuma," Wyoming chief, circa 1900. 1 folder.
Scope and Contents

Written on verso: "'Old Yuma,' Wyoming chief."

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Church under construction, possibly in SantFe, N.M, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 14 x 12 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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View of Raton, N.M, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 18 x 24 cm. board.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Jackson, William Henry (1843-1942). Main altar, Church of Santa Gaudaloupe, Santa Fe, N.M, circa 1885. 1 folder.
Scope and Contents

Views of New Mexico

Cataloger supplied title. Title printed on recto illegible. Mounted on 12 x 18 cm. card.

Jackson, William Henry (1843-1942)
Biographical / Historical

American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.

Physical Description

1 folder11x 17 cm.

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W.H. Jackson Photograph and Publishing Co.. Old Ft. Marcy from the loma, Sta. Fe, circa 1885. 1 folder.
Scope and Contents

Mountted on 12 x 18 cm. card.

Physical Description

1 folder11 x 17 cm.

Materials Viewable Online
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Group of young Indian men dressed in marching band uniforms and with instruments, circa 1905. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 18 x 23 cm. board. Possibly taken in New Mexico.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Santa Fe from old Fort Marcy, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "No. 128." Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Rudy, W. Ira. Mexican family in front of an adobe house, New Mexico, circa 1880. 1 folder.
Scope and Contents

'Dobe and the burro ; no. 1892

Cataloger supplied title. Printed on recto: "Mexican family, adobe houses, "el horno" the oven." Possibly by Rudy. Mounted 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

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Mescalero Indian Agency, New Mexico, 1892. 1 folder.
Scope and Contents

Written on verso: "Mescalero Indian Agency, New Mexico, Dec. 15th 1893." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Rudy, W. Ira. Indian family & house, circa 1880. 1 folder.
Scope and Contents

'Dobe and the burro

Written on verso: "Indian family & house." Taken in New Mexico. Possibly by Rudy. Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Roosevelt day in Raton, N.M, circa 1905. 1 folder.
Scope and Contents

Written on verso: "Roosevelt day in Raton." Mounted on 18 x 23 cm. board.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Randall, B. G.. Honeymoon, Taos Pueblo, New Mexico Territory, ca. 1905, circa 1905. 1 folder.
Scope and Contents

Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Randall, B. G.. Taos men singing and playing drum, Taos Pueblo, New Mexico Territory, ca. 1905, circa 1905. 1 folder.
Scope and Contents

Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Randall, B. G.. Plains dance #3, Taos Pueblo, New Mexico Territory, ca. 1905, circa 1905. 1 folder.
Scope and Contents

Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Randall, B. G.. Giveaway dance, Taos Pueblo, New Mexico Territory, ca. 1905, circa 1905. 1 folder.
Scope and Contents

Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Randall, B. G.. Penitentes, circa 1905. 1 folder.
Scope and Contents

Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
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Randall, B. G.. La casa de Don Antonio Severino Martinez, San Francisco de Ranchito, New Mexico Territory, ca. 1905, circa 1905. 1 folder.
Scope and Contents

Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Randall, B. G.. Target practice, Taos Pueblo, New Mexico Territory, ca. 1905, circa 1905. 1 folder.
Scope and Contents

Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Randall, B. G.. Intertribal social dance, Taos Pueblo, New Mexico Territory, ca. 1905, circa 1905. 1 folder.
Scope and Contents

Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Randall, B. G.. Taos man, Taos Pueblo, New Mexico Territory, ca. 1905, circa 1905. 1 folder.
Scope and Contents

Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Randall, B. G.. Shooting the Winchester, Taos Pueblo, New Mexico Territory, ca. 1905, circa 1905. 1 folder.
Scope and Contents

Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Randall, B. G.. Plains dance, Taos Pueblo, New Mexico Territory, ca. 1905, circa 1905. 1 folder.
Scope and Contents

Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Randall, B. G.. Plains dance #2, Taos Pueblo, New Mexico Territory, ca. 1905, circa 1905. 1 folder.
Scope and Contents

Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Waters, Raper James (1856). Trestles, Siskiyou Mts, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "No. 422."

Physical Description

1 folder17 x 12 cm.

Materials Viewable Online
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Railroad station at Deming, N.M, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Deming, N.M." Mounted on 21 x 26 cm. board.

Physical Description

1 folder11 x 17 cm.

Materials Viewable Online
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Railroad station at Deming, N.M, circa 1895. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Deming, N.M." Mounted on 21 x 26 cm. board.

Physical Description

1 folder11 x 17 cm.

Materials Viewable Online
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Beaman, E. O. (Elias Olcott) (1837-1876). Ruins of the "terminal town" U.P.Ry., 1871, Wyoming, Green River "City.", 1871. 1 folder.
Scope and Contents

Written on recto of board: "Ruins of the 'terminal town' U.P.Ry., 1871, Wyoming, Green River 'City.'" A publication of the U.S. Topographical and Geological Survey of the Valley of the Colorado.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Sunnyside Cottage, Salt Lake City, 1885. 1 folder.
Scope and Contents

Written on recto of board: "Sunnyside Cottage, Salt Lake City, June 1885." Mounted on 18 x 23 cm. board.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Waters, Raper James (1856). Fountain, Shasta Springs, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "No. 444." Mounted on 23 x 18 cm. board.

Physical Description

1 folder17 x 12 cm.

Materials Viewable Online
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Waters, Raper James (1856). Mt. Shasta from Edgewood, circa 1894. 1 folder.
Scope and Contents

Printed on recto: "No. 427." Copyright 1894. Mounted on 18 x 23 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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F.B. Fitch receiving headdress, circa 1905. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Witch Rocks, Weber Canyon, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "No. 3329" and "U.P.R.R. Utah." Mounted on 15 x 21 cm. paper.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Group of men with boy and girl standing in front of tent and around phonograph, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 18 x 23 cm. board. Written on verso: "Nels Gregerson."

Physical Description

1 folder11 x 17 cm.

Materials Viewable Online
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Attorney Daniel B. Richards of Salt Lake City, Utah, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 18 x 23 cm. board. A description of the photograph on verso.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Man standing in front of wooden cabin, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 18 x 23 cm. board.

Physical Description

1 folder13 x 19 cm.

Materials Viewable Online
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Waters, Raper James (1856). Loop, Sacramento River Canon, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "No. 439. " Mounted on 18 x 23 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Waters, Raper James (1856). Castle Crags from Castella, circa 1895. 1 folder.
Scope and Contents

Printed on recto: "152." Mounted on 18 x 23 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Hacienda office, circa 1890. 1 folder.
Scope and Contents

Written on recto: "Hacienda office." Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Waters, Raper James (1856). Moss Brae Falls, circa 1894. 1 folder.
Scope and Contents

Printed on recto: "No. 443." Copyright 1894. Mounted on 18 x 23 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Horsedrawn wagon standing in brush ; Horsedrawn wagon winding its way uphill, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Two 10 x 8 cm. photographs mounted on 21x 26 cm. board.

Physical Description

1 folder21 x 26 cm.

Materials Viewable Online
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Indian ruins in a desert landscape, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 26 cm. board.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Group of stone buildings, possibly mission school for Indian children, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 26 cm. board.

Physical Description

1 folder13 x 17 cm.

Materials Viewable Online
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Compton, Alma W. (Alma Walter) (1856-1931). Prizewinning sheep at state fair, 1899. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 14 x 18 cm. board. Likely taken in Utah. Information about the sheep noted on verso.

Physical Description

1 folder10 x 14 cm.

Materials Viewable Online
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Layton, E. E. Wentworth. Penitente morada with symbol and penance crosses, circa 1905. 1 folder.
Scope and Contents

Inscribed by Layton to Charles Fletcher Lummis on verso. Mounted on 18 x 22 cm. card.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Mexican women and children standing before cacti, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Salt Lake City looking east along So. Temple St., Brigham Young's residence, [and] also Gardo House, circa 1890. 1 folder.
Scope and Contents

Written on verso: "Salt Lake City looking east along So. Temple St., Brigham Young's residence, also Gardo House."

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Transportation wagons, possibly in Mexico, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Rocky Mountain National Park, Colorado, 1941. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder20 x 15 cm.

Materials Viewable Online
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Rocky Mountain National Park, Colorado, 1941. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Plazin Mexican city, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Transporation wagons, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Silver mine, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Silver mine." Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Silver mine, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Silver mine." Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

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Aztec temple ruins, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Aztec temple ruins." Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Aztec temple ruins, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Aztec temple ruins." Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Zacatecas, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Zacatecas." Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Church of Guadeloupe [sic], circa 1880. 1 folder.
Scope and Contents

Written on verso: "Church of Guadeloupe [sic]." Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Calle de Tres Cruces (the cathedral), circa 1880. 1 folder.
Scope and Contents

Written on verso: "Calle de Tres Cruxes [sic] (the cathedral)." Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Front of the cathedral (Zacatecas), circa 1880. 1 folder.
Scope and Contents

Written on verso: "Front of the cathedral (Zacatecas)." Mounted on 22 x 17 cm. board.

Physical Description

1 folder17 x 12 cm.

Materials Viewable Online
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Market place, Zacatecas, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Market place, Zacatecas." Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Calle de Tres Cruces, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Calle de Tres Cruxes [sic]." Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Street in Zacatecas, Juanalouzo, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Street in Zacatecas, Juanalouzo." Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Plaza "San Juan de Dios.", circa 1880. 1 folder.
Scope and Contents

Written on verso: "Plaza 'San Juan de Dios.'" Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Party of beggars, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Party of beggars." Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Hotel Zacatecas, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Hotel Zacatecas." Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Old mining college, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Old mining college." Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Chapel on the bufa, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Chapel on the bufa." Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Chapel on the bufa with Padre Jose de Nara, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Chapel on the bufa, priest= Padre Jose de Nara." Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Harbor of Havana, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Harbor of Havana." Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Harbor of Havana, Morro Castle, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Harbor of Havana, Morro Castle." Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Group of street musicians, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Group of street musicians." Mounted on 17 x 22 cm. board. Likely taken in Mexico.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Group of women and girls sewing and reading, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 22 cm. board. Likely taken in Mexico.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Mexican elderly couple, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Family portrait with women, children, and men, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 17 x 22 cm. board.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Shipler, Harry (1878-1961). Saltair regatta, circa 1902. 1 folder.
Scope and Contents

Shipler's western views ; no. 31

Copyright 1902. Mounted on 17 x 22 cm. board.

Physical Description

1 folder11 x 16 cm.

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Jim Snider's class picture from Bryan School, Missouri, circa 1910. 1 folder.
Scope and Contents

Mounted on 18 x 23 cm. board.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Jim Snider's aunt and uncle in front of a farmhouse, circa 1895. 1 folder.
Scope and Contents

Mounted on 21 x 26 cm. board.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Jim Snider's class picture, circa 1915. 1 folder.
Scope and Contents

Mounted on 20 x 25 cm. board.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Snider family farm during harvest, Missouri, circa 1915. 1 folder.
Scope and Contents

Mounted on 21 x 26 cm. board.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Indian man teaching another how to use a bow and arrow, 1908. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during the Wanamaker Expedition of 1908.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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Painting of an elderly Indian man smoking pipe, 1909-1913. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 11.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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Forest with snowcapped mountains in background, 1908-1913. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 34.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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View of a grassy hill, 1908-1913. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 44.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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View of a jagged rocks near a riverbed, 1908-1913. 1 folder.
Scope and Contents

Cataloger supplied title.Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 46.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Riverbed with mountains in the background, 1908-1913. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 20.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Large waterfall surronded by jagged rocks and forest, 1908-1913. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 36.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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Rocky stream flowing down hillside, 1908-1913. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 21.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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Jagged rock formations surronded by fir trees, 1908-1913. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 43.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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Two Indian men carrying a canoe down to a river, 1908-1913. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Portrait of an Indian man wearing a headdress, 1908-1913. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 67.

Physical Description

1 folder11 x 9 cm.

Materials Viewable Online
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Indian man and woman holding hands, 1908. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during the Wanamaker Expedition of 1908. Printed on recto: "Produced by our New York photographic section. Copyright 1908. John W."

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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Portrait of an Indian man, 1908-1913. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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Indian man and woman sitting in a teepee, 1908-1913. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Portrait of an Indian man wearing a headdress, 1908-1913. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 28.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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Indian man holding a dead deer and an Indian man and woman sitting outside of a teepee, 1908. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during the Wanamaker Expedition of 1908. Mounted on gray paper, which is numbered 38.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Two Indian men and a woman sitting outside of a teepee, 1908. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during the Wanamaker Expedition of 1908. Mounted on gray paper, which is numbered 40.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Portrait of an Indian man, 1908-1913. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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Indian man and woman sitting outside of a teepee, 1908. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during the Wanamaker Expedition of 1908. Mounted on gray paper, which is numbered 37.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Indian man departs with a Indian woman and older man sadly looking on, 1908. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during the Wanamaker Expedition of 1908. Mounted on gray paper, which is numbered 41.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Full length portrait of Goes Ahead, 1908. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during the Wanamaker Expedition of 1908. Copyright 1923.

Physical Description

1 folder24 x 18 cm.

Materials Viewable Online
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Indian man standing outside of a teepee, 1908-1913. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 76.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Hileman. Portrait of Chief Fish Wolf Robe, circa 1910. 1 folder.
Scope and Contents

Cataloger supplied title. From the Glacier Park Photo Shop. With photographs from the 1908 Wanamaker Expedition.

Physical Description

1 folder25 x 18 cm.

Materials Viewable Online
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Indian woman and child in front of a teepee, 1908-1913. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 14.

Physical Description

1 folder16 x 21 cm.

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Procession of Indian men and women walking under an oblong temporary structure, 1913. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during the Wanamaker Expedition of 1913. Mounted on gray paper, which is numbered 61.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Indian men riding horses and holding spears raised in the air, circa 1913. 1 folder.
Scope and Contents

Cataloger supplied title. Possibly taken during the Wanamaker Expedition of 1913. Mounted on gray paper, which is numbered 9.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Indian man wearing a headdress and carrying a dead deer up a hill, 1908. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during the Wanamaker Expedition of 1908.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Indian men and women gathering around an oblong temporary structure and nursing a sick man, 1913. 1 folder.
Scope and Contents

Cataloger supplied title. Taken during the Wanamaker Expedition of 1913. Mounted on gray paper, which is numbered 66.

Physical Description

1 folder16 x 21 cm.

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Sydney Dodd Frissell and Indian boy, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 26. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder11 x 15 cm.

Materials Viewable Online
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Cheyenne River boys '85, 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 23. Photocopies accompanying Hampton photographs can be found in the collection file. Thomas Ikinicapi on the left and Joseph Sunkaska on the right.

Physical Description

1 folder18 x 11 cm.

Materials Viewable Online
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Sioux boys in Wigwam '85, 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 7. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Path leading up to an unidentified building, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 40. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder9 x 12 cm.

Materials Viewable Online
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Marshall Hall, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 36. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder12 x 18 cm.

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Virginia Hall, F.C.B, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 37. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder18 x 12 cm.

Materials Viewable Online
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Mansion House, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 38. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Marshall Hall, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 39. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Buildings on campus, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 35. Photocopies accompanying Hampton photographs can be found in the collection file. From left to right buildings are Uncle Tom's Cabin, Col. Girls' Cottage, the laundry, and Virginia Hall.

Physical Description

1 folder11 x 18 cm.

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Indian cottages, F.C.B, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 32. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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School from Col. Armstrong's house, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 31. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder17 x 24 cm.

Materials Viewable Online
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Arrival '84, 1884. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 22. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder19 x 11 cm.

Materials Viewable Online
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Indian Territory boys '88, 1888. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 5. Photocopies accompanying Hampton photographs can be found in the collection file. Boy in the far back by window identified as Walter Battice and boy furthest right identified as George Haus.

Physical Description

1 folder11 x 19 cm.

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Oliver Eaton, Chas. Daxson, Thos. Bowman '85, 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 11. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder19 x 12 cm.

Materials Viewable Online
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Portion of graduating class of 1886 and faculty, 1886. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 21. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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Picnic on the Hampton grounds, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 27. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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Winona to Virginia Hall '85, 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 15. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder21 x 16 cm.

Materials Viewable Online
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Wigwam, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 1. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Jimmy Doffit and James Firecloud, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 10. Photocopies accompanying Hampton photographs can be found in the collection file. James Firecould is the son of Daniel Firecloud.

Physical Description

1 folder20 x 11 cm.

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Group in '85, 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 6. Photocopies accompanying Hampton photographs can be found in the collection file. Top row from left to right: M. Conger, S. LaFlesche, J. Coleau, M. LaFlesche, D. St. Cyr, C. Picotte. Bottom row from left to right: W. Battice, A. Dawson, J. Barnaby, M. Traversie, T. Miles, F. Goodbody [?].

Physical Description

1 folder11 x 19 cm.

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Academic building, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 18. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Indian cottages, F.C.B, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 29. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Hospital, F.C.B, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 20. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Memorial Church, 1886. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 24. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder19 x 11 cm.

Materials Viewable Online
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Group of Indian girl students, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 4. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Indian training shop, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 13. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Three views of Virginia Hall, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 14. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder5 x 11 7 x 13 cm.

Materials Viewable Online
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Stone Memorial Building, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 16. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Shellbanks Farmhouse, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 17. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Virginia Hall, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 19. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Winona Hall with Virginia Hall next to it, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on board, which is numbered 30. Photocopies accompanying Hampton photographs can be found in the collection file.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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View of Bisbee, Arizona, after the flood of 1890, circa 1890. 1 folder.
Scope and Contents

Written on board: "I. View of Bisbee, Arizona, after the flood of 1890." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Near the engine house, Bisbee, Arizona, circa 1890. 1 folder.
Scope and Contents

Written on board: "II. Near the engine house, Bisbee, Arizona." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Copper Queen Smelting Works, Bisbee, Arizona, circa 1890. 1 folder.
Scope and Contents

Written on board: "3. Copper Queen Smelting Works, Bisbee, Arizona." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Bisbee, Arizona, after the flood of 1890, circa 1890. 1 folder.
Scope and Contents

Written on board: "4. Bisbee, Arizona, after the flood of 1890." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Street in Bisbee, Arizona, after the flood of 1890, circa 1890. 1 folder.
Scope and Contents

Written on board: "5. Street in Bisbee, Arizona, after the flood of 1890." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Street in Bisbee, Arizona, after the flood of 1890, circa 1890. 1 folder.
Scope and Contents

Written on board: "6. Street in Bisbee, Arizona, after the flood of 1890." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Frank Robinette, circa 1890. 1 folder.
Scope and Contents

Written on board: "7. Frank Robinette." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 20 cm.

Materials Viewable Online
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Richard M. Abbott, circa 1890. 1 folder.
Scope and Contents

Written on board: "8. Richard M. Abbott." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Photographs of a Palominas man taken from two angles, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "9." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder18 x 23 cm.

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Palominas custom house, circa 1890. 1 folder.
Scope and Contents

Written on board: "10. Palominas custom house." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
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Palominas custom house, circa 1890. 1 folder.
Scope and Contents

Written on board: "11. Palominas custom house." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Palominas women and children, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Written on board: "12. Palominas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Palominas priest and man with children, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Written on board: "13. Palominas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Palominas, Padre Jose de Jesus Verjan, circa 1890. 1 folder.
Scope and Contents

Written on board: "14. Palominas, Padre Jose de Jesus Verjan." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Palominas, baptismal scene, circa 1890. 1 folder.
Scope and Contents

Written on board: "15. Palominas, baptismal scene." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Palominas man, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Written on board: "16. Palominas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp no. 7 : mules and packs, circa 1890. 1 folder.
Scope and Contents

Written on board: "17. Camp no. 7 : mules and packs." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder15 x 21 cm.

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Fronteras, general view, circa 1890. 1 folder.
Scope and Contents

Written on board: "18. Fronteras, general view." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Woman and child standing outside their home, Fronteras, Mexico, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Written on board: "19. Fronteras." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Palm, Calabazas Trail, circa 1890. 1 folder.
Scope and Contents

Written on board: "20. Palm, Calabazas Trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Puriqui Mountains, circa 1890. 1 folder.
Scope and Contents

Written on board: "21. Puriqui Mountains." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Butte, Cruz de Canadas, circa 1890. 1 folder.
Scope and Contents

Written on board: "22. Butte, Cruz de Canadas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Butte, Cruz de Canadas, circa 1890. 1 folder.
Scope and Contents

Written on board: "23. Butte, Cruz de Canadas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Butte, Cruz de Canadas, circa 1890. 1 folder.
Scope and Contents

Written on board: "24. Butte, Cruz de Canadas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Butte, Cruz de Canadas, circa 1890. 1 folder.
Scope and Contents

Written on board: "25. Butte, Cruz de Canadas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 15, Porphory Bluff, circa 1890. 1 folder.
Scope and Contents

Written on board: "26. Camp 15, Porphory Bluff." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Palms between camps 15 and 16, circa 1890. 1 folder.
Scope and Contents

Written on board: "27. Palms between camps 15 and 16." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Sandstone east of camp 17, circa 1890. 1 folder.
Scope and Contents

Written on board: "28. Sandstone east of camp 17." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Palms between camps 15 and 16, circa 1890. 1 folder.
Scope and Contents

Written on board: "29. Palms between camps 15 and 16." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Huerigo Canon, circa 1890. 1 folder.
Scope and Contents

Written on board: "30. Huerigo Canon." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cactus, camp 18, circa 1890. 1 folder.
Scope and Contents

Written on board: "31. Cactus, camp 18." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Bavispe River, Opato, camp 19, circa 1890. 1 folder.
Scope and Contents

Written on board: "32. Bavispe River, Opato, camp 19." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cariso bamboo, Opato, camp 19, circa 1890. 1 folder.
Scope and Contents

Written on board: "33. Cariso bamboo, Opato, camp 19." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Photographs of Alejo Salazar taken from two angles, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "34. Alejo Salazar." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder18 x 23 cm.

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Photographs of Marcelino Espinosa taken from two angles, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "35. Marcelino Espinosa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder18 x 23 cm.

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Photographs of Lorenzo Henriques taken from two angles, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "36. Lorenzo Henriques." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder18 x 23 cm.

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Lorenzo Henriques, circa 1890. 1 folder.
Scope and Contents

Written on board: "37. Lorenzo Henriques." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cactus, Opato, circa 1890. 1 folder.
Scope and Contents

Written on board: "38. Cactus, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 19, Opato, circa 1890. 1 folder.
Scope and Contents

Written on board: "39. Camp 19, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Around the camp fire at night, Opato, circa 1890. 1 folder.
Scope and Contents

Written on board: "40. Around the camp fire at night, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Broncho [sic] trade, Opato, circa 1890. 1 folder.
Scope and Contents

Written on board: "41. A broncho [sic] trade, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Urdasindo Durazo, circa 1890. 1 folder.
Scope and Contents

Written on board: "42. Urdasindo Durazo." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Urdasindo Durazo, circa 1890. 1 folder.
Scope and Contents

Written on board: "43. Urdasindo Durazo." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Urdasindo Durazo, circa 1890. 1 folder.
Scope and Contents

Written on board: "44. Urdasindo Durazo." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Emilio Durazo, circa 1890. 1 folder.
Scope and Contents

Written on board: "45. Emilio Durazo." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cactus near camp 19, circa 1890. 1 folder.
Scope and Contents

Written on board: "46. Cactus near camp 19." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Making mescal, no. 1, circa 1890. 1 folder.
Scope and Contents

Written on board: "47. Making mescal, no. 1." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Making mescal, no. 2, circa 1890. 1 folder.
Scope and Contents

Written on board: "48. Making mescal, no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Making mescal, no. 3, circa 1890. 1 folder.
Scope and Contents

Written on board: "49. Making mescal, no. 3." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Our laundry, Opato, circa 1890. 1 folder.
Scope and Contents

Written on board: "50. Our laundry, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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House of Florentino Valencio, Opato, circa 1890. 1 folder.
Scope and Contents

Written on board: "51. House of Florentino Valencio, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Main St., Opato, circa 1890. 1 folder.
Scope and Contents

Written on board: "52. Main St., Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cathedral, Opato, circa 1890. 1 folder.
Scope and Contents

Written on board: "53. Cathedral, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Bells, Opato, circa 1890. 1 folder.
Scope and Contents

Written on board: "54. Bells, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Corral, Malesio Arviso, Opato, circa 1890. 1 folder.
Scope and Contents

Written on board: "55. Corral, Malesio Arviso, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Kitchen, house of Louis Hernandez, Opato, circa 1890. 1 folder.
Scope and Contents

Written on board: "56. Kitchen, house of Louis Hernandez, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Mill, house of Louis Hernandez, Opato, circa 1890. 1 folder.
Scope and Contents

Written on board: "57. Mill, house of Louis Hernandez, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Interior of house, Opato, circa 1890. 1 folder.
Scope and Contents

Written on board: "58. Interior of house, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Kitchen, Opato, circa 1890. 1 folder.
Scope and Contents

Written on board: "59. Kitchen, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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House of Delphino Quintano, circa 1890. 1 folder.
Scope and Contents

Written on board: "60. House of Delphino Quintano." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Photographs of Octaviano Durazo taken from two angles, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "61. Octaviano Durazo." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder18 x 23 cm.

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Josepha Durazo, Opato ; Ramona Durazo, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "62. Josepha Durazo, Opato. Ramona Durazo." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder18 x 23 cm.

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Huerigo Canon, circa 1890. 1 folder.
Scope and Contents

Written on board: "63. Huerigo Canon." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Honey bee's nest, Huerigo Canon, circa 1890. 1 folder.
Scope and Contents

Written on board: "64. Honey bee's nest, Huerigo Canon." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Indian inscriptions, Huerigo Canon, circa 1890. 1 folder.
Scope and Contents

Written on board: "65. Indian inscriptions, Huerigo Canon." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Indian inscriptions, Huerigo Canon, circa 1890. 1 folder.
Scope and Contents

Written on board: "66. Indian inscriptions, Huerigo Canon." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Nogalitos Mts, circa 1890. 1 folder.
Scope and Contents

Written on board: "67. Nogalitos Mts." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Sandstone north of Cruz des Canadas, circa 1890. 1 folder.
Scope and Contents

Written on board: "68. Sandstone north of Cruz des Canadas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Nogalitos Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "68. Nogalitos Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Nogalitos Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "70. Nogalitos Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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SalSiPuede Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "71. Salsipuede Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Ancient mines, SalSiPuede Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "72. Ancient mines, SalSiPuede Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Ancient mines, SalSiPuede Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "73. Ancient mines, SalSiPuede Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Ancient mines, interior, SalSiPuede Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "74. Ancient mines, interior, SalSiPuede Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Peneha [?] Mts, circa 1890. 1 folder.
Scope and Contents

Written on board: "75. Peneha [?] Mts." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Nacosari Valley, no. 1, north, circa 1890. 1 folder.
Scope and Contents

Written on board: "76. Nacosari Valley, no. 1, north." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Nacosari Valley, no. 2, south, circa 1890. 1 folder.
Scope and Contents

Written on board: "77. Nacosari Valley, no. 2, south." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Ozo Negro Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "78. Ozo Negro Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Dyke, Ozo Negro Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "79. Dyke, Ozo Negro Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Tank, Ozo Negro Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "80. Tank, Ozo Negro Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Ivy, Ozo Negro Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "81. Ivy, Ozo Negro Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Mexican village, Ozo Negro, circa 1890. 1 folder.
Scope and Contents

Written on board: "83. Mexican village, Ozo Negro." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Mexican village, Ozo Negro, circa 1890. 1 folder.
Scope and Contents

Written on board: "84. Mexican village, Ozo Negro." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Apache camp, Ozo Negro, circa 1890. 1 folder.
Scope and Contents

Written on board: "85. Apache camp, Ozo Negro." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cliffs on Chinapa Trail, circa 1890. 1 folder.
Scope and Contents

Written on board: "86. Cliffs on Chinapa Trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Chinapa Valley, S.E, circa 1890. 1 folder.
Scope and Contents

Written on board: "87. Chinapa Valley, S.E." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Canon near Chinapa, circa 1890. 1 folder.
Scope and Contents

Written on board: "88. Canon near Chinapa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Inscriptions on walls of canon, Chinapa, circa 1890. 1 folder.
Scope and Contents

Written on board: "89. Inscriptions on walls of canon, Chinapa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Doorway between two canons, Chinapa, circa 1890. 1 folder.
Scope and Contents

Written on board: "90. Doorway between two canons, Chinapa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Canon, Chinapa, circa 1890. 1 folder.
Scope and Contents

Written on board: "91. Canon, Chinapa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Box Canon, Chinapa, circa 1890. 1 folder.
Scope and Contents

Written on board: "92. Box Canon, Chinapa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Echinocactus, circa 1890. 1 folder.
Scope and Contents

Written on board: "93. Echinocactus." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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My party at Arizpe, circa 1890. 1 folder.
Scope and Contents

Written on board: "94. My party at Arizpe." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Mountains east of Arizpe, circa 1890. 1 folder.
Scope and Contents

Written on board: "95. Mountains east of Arizpe." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Plaza at Arizpe, circa 1890. 1 folder.
Scope and Contents

Written on board: "96. Plaza at Arizpe." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Panorama of Arizpe, circa 1890. 1 folder.
Scope and Contents

Written on board: "97. Panorama of Arizpe." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Public square, Arizpe, circa 1890. 1 folder.
Scope and Contents

Written on board: "98. Public square, Arizpe." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cathedral, Arizpe, circa 1890. 1 folder.
Scope and Contents

Written on board: "99. Cathedral, Arizpe." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Calle de San Francisco y de Corella, Arizpe, circa 1890. 1 folder.
Scope and Contents

Written on board: "100. Calle de San Francisco y de Corella, Arizpe." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Public school, Arizpe, circa 1890. 1 folder.
Scope and Contents

Written on board: "101. Public school, Arizpe." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Opuntia, Arizpe, circa 1890. 1 folder.
Scope and Contents

Written on board: "102. Opuntia, Arizpe." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Eroded sandstone, Sonora Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "103. Eroded sandstone, Sonora Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Ancient irrigating ditch, Sonora Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "104. Ancient irrigating ditch, Sonora Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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San Jose Mine, Sonora, circa 1890. 1 folder.
Scope and Contents

Written on board: "105. San Jose Mine, Sonora." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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San Jose Mine, Sonora, circa 1890. 1 folder.
Scope and Contents

Written on board: "106. San Jose Mine, Sonora." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cathedral & public square, Cumpas, circa 1890. 1 folder.
Scope and Contents

Written on board: "107. Cathedral & public square, Cumpas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp at Cumpas, circa 1890. 1 folder.
Scope and Contents

Written on board: "108. Camp at Cumpas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Street altar, Montezuma, circa 1890. 1 folder.
Scope and Contents

Written on board: "109. Street altar, Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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House of Carlos C. Soto, Montezuma, circa 1890. 1 folder.
Scope and Contents

Written on board: "110. House of Carlos C. Soto, Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Moreno house, interior, circa 1890. 1 folder.
Scope and Contents

Written on board: "111. Moreno house, interior." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Adelaida y Beatrice Moreno, circa 1890. 1 folder.
Scope and Contents

Written on board: "112. Adelaida y Beatrice Moreno." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cathedral, Montezuma, circa 1890. 1 folder.
Scope and Contents

Written on board: "113. Cathedral, Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cathedral, interior, Montezuma, circa 1890. 1 folder.
Scope and Contents

Written on board: "114. Cathedral, interior, Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Rosario Chapel, Cathedral of Montezuma, circa 1890. 1 folder.
Scope and Contents

Written on board: "115. Rosario Chapel, Cathedral of Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Nuestro Amo Chapel door, Cathedral of Montezuma, circa 1890. 1 folder.
Scope and Contents

Written on board: "116. Nuestro Amo Chapel door, Cathedral of Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Nuestro Amo Chapel, Cathedral of Montezuma, circa 1890. 1 folder.
Scope and Contents

Written on board: "117. Nuestro Amo Chapel, Cathedral of Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Old altar piece, Cathedral of Montezuma, circa 1890. 1 folder.
Scope and Contents

Written on board: "118. Old altar piece, Cathedral of Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Mill, Carlos C. Soto, Montezuma, circa 1890. 1 folder.
Scope and Contents

Written on board: "119. Mill, Carlos C. Soto, Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Orange trees, Montezuma, circa 1890. 1 folder.
Scope and Contents

Written on board: "120. Orange trees, Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Panoche manufactory, Montezuma, circa 1890. 1 folder.
Scope and Contents

Written on board: "121. Panoche manufactory, Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Group at mill, Montezuma, circa 1890. 1 folder.
Scope and Contents

Written on board: "122. Group at mill, Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Josepha y Rosa Sanchos, circa 1890. 1 folder.
Scope and Contents

Written on board: "123. Josepha y Rosa Sanchos." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Jesuit ruins, Tonibabi, circa 1890. 1 folder.
Scope and Contents

Written on board: "124. Jesuit ruins, Tonibabi." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Ruins at Tonibabi, circa 1890. 1 folder.
Scope and Contents

Written on board: "125. Ruins at Tonibabi." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Oposura Valley looking east, circa 1890. 1 folder.
Scope and Contents

Written on board: "126. Oposura Valley looking east." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Convolvulus, circa 1890. 1 folder.
Scope and Contents

Written on board: "127. Convolvulus." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Camp at Don Venancio Durazo's, circa 1890. 1 folder.
Scope and Contents

Written on board: "128. Camp at Don Venancio Durazo's." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Don Venancio Durazo & family, circa 1890. 1 folder.
Scope and Contents

Written on board: "129. Don Venancio Durazo & family." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Boy at Don Venancio Durazo's, circa 1890. 1 folder.
Scope and Contents

Written on board: "130. Boy at Don Venancio Durazo's." Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder18 x 23 cm.

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Cradle hammock, Don Venancio Durazo, circa 1890. 1 folder.
Scope and Contents

Written on board: "131. Cradle hammock, Don Venancio Durazo." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Panorama, Don Venancio Durazo's, no. 1, circa 1890. 1 folder.
Scope and Contents

Written on board: "132. Panorama, Don Venancio Durazo's, no. 1." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Panorama, Don Venancio Durazo's, no. 2, circa 1890. 1 folder.
Scope and Contents

Written on board: "133. Panorama, Don Venancio Durazo's, no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Panorama, Don Venancio Durazo's, no. 3, circa 1890. 1 folder.
Scope and Contents

Written on board: "134. Panorama, Don Venancio Durazo's, no. 3." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Panorama, Don Venancio Durazo's, no. 4, circa 1890. 1 folder.
Scope and Contents

Written on board: "135. Panorama, Don Venancio Durazo's, no. 4." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Bavispe Valley, looking west, circa 1890. 1 folder.
Scope and Contents

Written on board: "136. Bavispe Valley, looking west." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Bavispe Valley, from Nacori Trail, circa 1890. 1 folder.
Scope and Contents

Written on board: "137. Bavispe Valley, from Nacori Trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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North of trail to Nacori, circa 1890. 1 folder.
Scope and Contents

Written on board: "138. North of trail to Nacori." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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On the Nacori Trail, circa 1890. 1 folder.
Scope and Contents

Written on board: "139. On the Nacori Trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Looking west from Nacori Trail, circa 1890. 1 folder.
Scope and Contents

Written on board: "140. Looking west from Nacori Trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Canon on Nacori Trail, circa 1890. 1 folder.
Scope and Contents

Written on board: "141. Canon on Nacori Trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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On the trail to Nacori, circa 1890. 1 folder.
Scope and Contents

Written on board: "142. On the trail to Nacori." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Looking east, on the Nacori Trail, circa 1890. 1 folder.
Scope and Contents

Written on board: "143. Looking east, on the Nacori Trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp, on Nacori Pass, circa 1890. 1 folder.
Scope and Contents

Written on board: "144. Camp, on Nacori Pass." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Panorama, from camp, on Nacori Pass, no. 1, circa 1890. 1 folder.
Scope and Contents

Written on board: "145. Panorama, from camp, on Nacori Pass, no. 1." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Panorama, from camp, on Nacori Pass, no. 2, circa 1890. 1 folder.
Scope and Contents

Written on board: "146. Panorama, from camp, on Nacori Pass, no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Panorama, Tehuave Valley, north, no. 1, circa 1890. 1 folder.
Scope and Contents

Written on board: "147. Panorama, Tehuave Valley, north, no. 1." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Panorama, Tehuave Valley, south, no. 2, circa 1890. 1 folder.
Scope and Contents

Written on board: "148. Panorama, Tehuave Valley, south, no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Bacadehuachi Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "149. Bacadehuachi Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cathedral, Bacadehuachi, circa 1890. 1 folder.
Scope and Contents

Written on board: "150. Cathedral, Bacadehuachi." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Processional image, Bacadehuachi, circa 1890. 1 folder.
Scope and Contents

Written on board: "151. Processional image, Bacadehuachi." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Canon on pass, Bacadehuachi, circa 1890. 1 folder.
Scope and Contents

Written on board: "152. Canon on pass, Bacadehuachi." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Bacadehuachi Canon, camp 27, circa 1890. 1 folder.
Scope and Contents

Written on board: "153. Bacadehuachi Canon, camp 27." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Canon, near camp 27, circa 1890. 1 folder.
Scope and Contents

Written on board: "154. Canon, near camp 27." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 27, circa 1890. 1 folder.
Scope and Contents

Written on board: "155. Camp 27." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Trail to Nacori, circa 1890. 1 folder.
Scope and Contents

Written on board: "156. Trail to Nacori." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 28, near Nacori, circa 1890. 1 folder.
Scope and Contents

Written on board: "157. Camp 28, near Nacori." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Our water works, circa 1890. 1 folder.
Scope and Contents

Written on board: "158. Our water works." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Public square, Nacori, circa 1890. 1 folder.
Scope and Contents

Written on board: "159. Public square, Nacori." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cathedral, Nacori, circa 1890. 1 folder.
Scope and Contents

Written on board: "160. Cathedral, Nacori." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Bells, Nacori, circa 1890. 1 folder.
Scope and Contents

Written on board: "161. Bells, Nacori." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Don Francisco Valencio, circa 1890. 1 folder.
Scope and Contents

Written on board: "162. Don Francisco Valencio." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Don Francisco Valencio & family, circa 1890. 1 folder.
Scope and Contents

Written on board: "163. Don Francisco Valencio & family." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Butte, upper Nacori Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "164. Butte, upper Nacori Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Legume, circa 1890. 1 folder.
Scope and Contents

Written on board: "165. Legume." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Nacori Valley, from Rinconada Pass, circa 1890. 1 folder.
Scope and Contents

Written on board: "166. Nacori Valley, from Rinconada Pass." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Trincheras, the Rinconada, circa 1890. 1 folder.
Scope and Contents

Written on board: "167. Trincheras, the Rinconada." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Nacori Valley, no. 1, circa 1890. 1 folder.
Scope and Contents

Written on board: "168. Nacori Valley, no. 1." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Nacori Valley, no. 2, circa 1890. 1 folder.
Scope and Contents

Written on board: "169. Nacori Valley, no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 29, circa 1890. 1 folder.
Scope and Contents

Written on board: "170. Camp 29." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Trail from camp 29, circa 1890. 1 folder.
Scope and Contents

Written on board: "171. Trail from camp 29." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 30, circa 1890. 1 folder.
Scope and Contents

Written on board: "172. Camp 30." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 31, circa 1890. 1 folder.
Scope and Contents

Written on board: "173. Camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Looking north, camp 31, circa 1890. 1 folder.
Scope and Contents

Written on board: "174. Looking north, camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Nacori Valley, from camp 31, circa 1890. 1 folder.
Scope and Contents

Written on board: "175. Nacori Valley, from camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Canon, near camp 31, circa 1890. 1 folder.
Scope and Contents

Written on board: "176. Canon, near camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Canon, near camp 31, circa 1890. 1 folder.
Scope and Contents

Written on board: "177. Canon, near camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Canon, near camp 31, circa 1890. 1 folder.
Scope and Contents

Written on board: "178. Canon, near camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Looking east, camp 31, circa 1890. 1 folder.
Scope and Contents

Written on board: "179. Looking east, camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Looking west, camp 31, circa 1890. 1 folder.
Scope and Contents

Written on board: "180. Looking west, camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Looking west, camp 31, circa 1890. 1 folder.
Scope and Contents

Written on board: "181. Looking west, camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Canon, west of camp 31, circa 1890. 1 folder.
Scope and Contents

Written on board: "182. Canon, west of camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Trail from camp 31, circa 1890. 1 folder.
Scope and Contents

Written on board: "183. Trail from camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Looking west from pass, near camp 32, circa 1890. 1 folder.
Scope and Contents

Written on board: "184. Looking west from pass, near camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Sierra Madres, near camp 32, circa 1890. 1 folder.
Scope and Contents

Written on board: "185. The Sierra Madres, near camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Looking east from pass, near camp 32, circa 1890. 1 folder.
Scope and Contents

Written on board: "186. Looking east from pass, near camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Looking east, from pass near camp 32, circa 1890. 1 folder.
Scope and Contents

Written on board: "187. Looking east, from pass near camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 32, circa 1890. 1 folder.
Scope and Contents

Written on board: "188. Camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Looking south from camp 32, circa 1890. 1 folder.
Scope and Contents

Written on board: "189. Looking south from camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Looking north from camp 32, circa 1890. 1 folder.
Scope and Contents

Written on board: "190. Looking north from camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Mules at camp 32, circa 1890. 1 folder.
Scope and Contents

Written on board: "191. Mules at camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Mules at camp 32, circa 1890. 1 folder.
Scope and Contents

Written on board: "192. Mules at camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Mountains east of camp 32, circa 1890. 1 folder.
Scope and Contents

Written on board: "193. Mountains east of camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Augustin Rios, circa 1890. 1 folder.
Scope and Contents

Written on board: "194. Augustin Rios." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Party at camp 31, circa 1890. 1 folder.
Scope and Contents

Written on board: "195. Party at camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Trail from camp 31, circa 1890. 1 folder.
Scope and Contents

Written on board: "196. Trail from camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Mules on lower trail, near camp 32, circa 1890. 1 folder.
Scope and Contents

Written on board: "197. Mules on lower trail, near camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Mules on upper trail, near camp 32, circa 1890. 1 folder.
Scope and Contents

Written on board: "198. Mules on upper trail, near camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 32, circa 1890. 1 folder.
Scope and Contents

Written on board: "199. Camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Mountains west of camp 32, circa 1890. 1 folder.
Scope and Contents

Written on board: "200. Mountains west of camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Canon west of camp 32, circa 1890. 1 folder.
Scope and Contents

Written on board: "201. Canon west of camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Aguas Blancas Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "202. Aguas Blancas Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Aguas Blancas Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "203. Aguas Blancas Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Aguas Blancas Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "204. Aguas Blancas Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Aguas Blancas Valley, looking north, circa 1890. 1 folder.
Scope and Contents

Written on board: "205. Aguas Blancas Valley, looking north." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Aguas Blancas Valley, looking west, circa 1890. 1 folder.
Scope and Contents

Written on board: "206. Aguas Blancas Valley, looking west." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Aguas Blancas Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "207. Aguas Blancas Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Aguas Blancas Valley, general view, circa 1890. 1 folder.
Scope and Contents

Written on board: "208. Aguas Blancas Valley, general view." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 33, circa 1890. 1 folder.
Scope and Contents

Written on board: "209. Camp 33." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Ledge near camp 33, circa 1890. 1 folder.
Scope and Contents

Written on board: "210. Ledge near camp 33." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 34, circa 1890. 1 folder.
Scope and Contents

Written on board: "211. Camp 34." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Aguas Blancas Valley, from camp 34, circa 1890. 1 folder.
Scope and Contents

Written on board: "212. Aguas Blancas Valley, from camp 34." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Looking south from camp 34, circa 1890. 1 folder.
Scope and Contents

Written on board: "213. Looking south from camp 34." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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South west from camp 34, circa 1890. 1 folder.
Scope and Contents

Written on board: "214. South west from camp 34." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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North from camp 34, circa 1890. 1 folder.
Scope and Contents

Written on board: "215. North from camp 34." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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West from camp 34, circa 1890. 1 folder.
Scope and Contents

Written on board: "216. West from camp 34." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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North east from camp 34, circa 1890. 1 folder.
Scope and Contents

Written on board: "217. North east from camp 34." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cliffs near camp 34, circa 1890. 1 folder.
Scope and Contents

Written on board: "218. Cliffs near camp 34." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Canon east of camp 34, circa 1890. 1 folder.
Scope and Contents

Written on board: "219. Canon east of camp 34." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 35, circa 1890. 1 folder.
Scope and Contents

Written on board: "220. Camp 35." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Trail to camp 36, circa 1890. 1 folder.
Scope and Contents

Written on board: "221. Trail to camp 36." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Trail to camp 36, circa 1890. 1 folder.
Scope and Contents

Written on board: "222. Trail to camp 36." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Near camp 36, circa 1890. 1 folder.
Scope and Contents

Written on board: "223. Trail to camp 36." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Pine near camp 36, circa 1890. 1 folder.
Scope and Contents

Written on board: "224. Pine near camp 36." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Pine, circa 1890. 1 folder.
Scope and Contents

Written on board: "225. Pine." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Camp 36, circa 1890. 1 folder.
Scope and Contents

Written on board: "226. Camp 36." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Trees at camp 36, circa 1890. 1 folder.
Scope and Contents

Written on board: "227. Trees at camp 36." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Pine parasite, circa 1890. 1 folder.
Scope and Contents

Written on board: "228. Pine parasite." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Trail seen from the mesa, circa 1890. 1 folder.
Scope and Contents

Written on board: "229. Trail seen from the mesa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Nacori Valley from highest point reached (8900 ft.), circa 1890. 1 folder.
Scope and Contents

Written on board: "230. Nacori Valley from highest point reached (8900 ft.)." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Looking north from highest point, circa 1890. 1 folder.
Scope and Contents

Written on board: "231. Looking north from highest point." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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East from highest point, circa 1890. 1 folder.
Scope and Contents

Written on board: "233. East from highest point." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 37, circa 1890. 1 folder.
Scope and Contents

Written on board: "234. Camp 37." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Kitchen scene, camp 37, circa 1890. 1 folder.
Scope and Contents

Written on board: "235. Kitchen scene, camp 37." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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McGinty and Carson, circa 1890. 1 folder.
Scope and Contents

Written on board: "236. McGinty and Carson." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Great mesa, circa 1890. 1 folder.
Scope and Contents

Written on board: "237. The great mesa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Burro train on the mesa, circa 1890. 1 folder.
Scope and Contents

Written on board: "238. Burro train on the mesa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 38, circa 1890. 1 folder.
Scope and Contents

Written on board: "239. Camp 38." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Canon south west of Camp 38, circa 1890. 1 folder.
Scope and Contents

Written on board: "240. Canon south west of Camp 38." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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East from camp 38, circa 1890. 1 folder.
Scope and Contents

Written on board: "241. East from camp 38." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Bavispe Valley from near camp 38, circa 1890. 1 folder.
Scope and Contents

Written on board: "242. Bavispe Valley from near camp 38." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Rancheria from near camp 38, circa 1890. 1 folder.
Scope and Contents

Written on board: "243. The Rancheria from near camp 38." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 39, circa 1890. 1 folder.
Scope and Contents

Written on board: "244. Camp 39." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Pueblo butte, from near Camp 39, circa 1890. 1 folder.
Scope and Contents

Written on board: "245. Pueblo butte, from near Camp 39." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Frost, Dec 25/90, camp 39, 1890. 1 folder.
Scope and Contents

Written on board: "246. Frost, Dec 25/90, camp 39." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Christmas dinner 1890, 1890. 1 folder.
Scope and Contents

Written on board: "247. Christmas dinner 1890." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Christmas tent, 1890. 1 folder.
Scope and Contents

Written on board: "248. Christmas tent." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 40, circa 1890. 1 folder.
Scope and Contents

Written on board: "249. Camp 40." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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South from camp 40, circa 1890. 1 folder.
Scope and Contents

Written on board: "250. South from camp 40." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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West from camp 40, circa 1890. 1 folder.
Scope and Contents

Written on board: "251. West from camp 40." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Mules, on trail from camp 40, circa 1890. 1 folder.
Scope and Contents

Written on board: "252. Mules, on trail from camp 40." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Bavispe Valley from camp 40, circa 1890. 1 folder.
Scope and Contents

Written on board: "253. Bavispe Valley from camp 40." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 39 seen from camp 40, circa 1890. 1 folder.
Scope and Contents

Written on board: "254. Camp 39 seen from camp 40." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Quercus, circa 1890. 1 folder.
Scope and Contents

Written on board: "255. Quercus." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Trincheras, near camp 40, circa 1890. 1 folder.
Scope and Contents

Written on board: "256. Trincheras, near camp 40." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Ruined pueblo, near camp 40, circa 1890. 1 folder.
Scope and Contents

Written on board: "257. Ruined pueblo, near camp 40." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Ruined pueblo, near camp 40, circa 1890. 1 folder.
Scope and Contents

Written on board: "258. Ruined pueblo, near camp 40." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Trail from camp 40 to camp 41, circa 1890. 1 folder.
Scope and Contents

Written on board: "259. Trail from camp 40 to camp 41." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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South, from trail, camp 40 to 41, circa 1890. 1 folder.
Scope and Contents

Written on board: "260. South, from trail, camp 40 to 41." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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East, trail from camp 40 to 41, circa 1890. 1 folder.
Scope and Contents

Written on board: "261. East, trail from camp 40 to 41." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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North, trail from camp 40 to 41, circa 1890. 1 folder.
Scope and Contents

Written on board: "262. North, trail from camp 40 to 41." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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North east, trail from camp 40 to 41, circa 1890. 1 folder.
Scope and Contents

Written on board: "263. North east, trail from camp 40 to 41." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 41, circa 1890. 1 folder.
Scope and Contents

Written on board: "264. Camp 41." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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West from camp 41, circa 1890. 1 folder.
Scope and Contents

Written on board: "265. West from camp 41." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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North, trail from camp 41 to 42, circa 1890. 1 folder.
Scope and Contents

Written on board: "266. North, trail from camp 41 to 42." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 42, circa 1890. 1 folder.
Scope and Contents

Written on board: "267. Camp 42." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Game, camp 42, circa 1890. 1 folder.
Scope and Contents

Written on board: "268. Game, camp 42." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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North, trail from camp 42 to 43, circa 1890. 1 folder.
Scope and Contents

Written on board: "269. North, trail from camp 42 to 43." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Juniperus, circa 1890. 1 folder.
Scope and Contents

Written on board: "270. Juniperus." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Quercus, circa 1890. 1 folder.
Scope and Contents

Written on board: "271. Quercus." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Pinon, circa 1890. 1 folder.
Scope and Contents

Written on board: "272. Pinon." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 43, circa 1890. 1 folder.
Scope and Contents

Written on board: "273. Camp 43." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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East from near camp 43, circa 1890. 1 folder.
Scope and Contents

Written on board: "274. East from near camp 43." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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West, from near camp 43, circa 1890. 1 folder.
Scope and Contents

Written on board: "275. West, from near camp 43." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Agave, near camp 43, circa 1890. 1 folder.
Scope and Contents

Written on board: "276. Agave, near camp 43." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Agave, circa 1890. 1 folder.
Scope and Contents

Written on board: "277. Agave." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 44, circa 1890. 1 folder.
Scope and Contents

Written on board: "278. Camp 44." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Photographs of Marcelino Espinosa taken from two angles, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "279. Marcelino Espinosa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette.

Physical Description

1 folder18 x 23 cm.

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Photographs of Carlos Moreno taken from two angles, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "280. Carlos Moreno." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette.

Physical Description

1 folder18 x 23 cm.

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Photographs of Juan Figaroa taken from two angles, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "281. Juan Figaroa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette.

Physical Description

1 folder18 x 23 cm.

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Photographs of Francisco Dustin taken from two angles, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "282. Francisco Dustin." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette.

Physical Description

1 folder18 x 23 cm.

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Carl Lumholtz ; William Libbey, Jr, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Two 16 x 11 cm. photographs, one of Lumholtz and the other of Libbey, mounted on 18 x 23 cm. board. Written on board: "283. Carl Lumholtz ; William Libbey, Jr." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette.

Physical Description

1 folder18 x 23 cm.

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Camp 45, circa 1890. 1 folder.
Scope and Contents

Written on board: "284. Camp 45." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Game, camp 45, circa 1890. 1 folder.
Scope and Contents

Written on board: "285. Game, camp 45." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Buttonwood and maple, circa 1890. 1 folder.
Scope and Contents

Written on board: "286. Buttonwood and maple." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Buttonwood and maple, circa 1890. 1 folder.
Scope and Contents

Written on board: "287. Buttonwood and maple." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Ant hill, camp 45, circa 1890. 1 folder.
Scope and Contents

Written on board: "288. Ant hill, camp 45." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cavern, camp 45, circa 1890. 1 folder.
Scope and Contents

Written on board: "289. Cavern, camp 45." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cavern, camp 45, circa 1890. 1 folder.
Scope and Contents

Written on board: "290. Cavern, camp 45." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 45, snow scene, circa 1890. 1 folder.
Scope and Contents

Written on board: "291. Camp 45, snow scene." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 45, snow scene, circa 1890. 1 folder.
Scope and Contents

Written on board: "292. Camp 45, snow scene." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Mesa, west of camp 45, circa 1890. 1 folder.
Scope and Contents

Written on board: "293. Mesa, west of camp 45." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Upper Bavispe Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "294. Upper Bavispe Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Upper Bavispe Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "295. Upper Bavispe Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Upper Bavispe Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "296. Upper Bavispe Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Ivory billed wood pecker, circa 1890. 1 folder.
Scope and Contents

Written on board: "297. Ivory billed wood pecker." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Casa Blanca, camp a, circa 1890. 1 folder.
Scope and Contents

Written on board: "298. Casa Blanca, camp a." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Casa Blanca, camp b, circa 1890. 1 folder.
Scope and Contents

Written on board: "299. Casa Blanca, camp b." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Leaving camp 45, circa 1890. 1 folder.
Scope and Contents

Written on board: "300. Leaving camp 45." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Leaving camp 45, circa 1890. 1 folder.
Scope and Contents

Written on board: "301. Leaving camp 45." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Mules on trail, camp 45 to 46, circa 1890. 1 folder.
Scope and Contents

Written on board: "302. Mules on trail, camp 45 to 46." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Mules on trail, camp 45 to 46, circa 1890. 1 folder.
Scope and Contents

Written on board: "303. Mules on trail, camp 45 to 46." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Mules on trail, circa 1890. 1 folder.
Scope and Contents

Written on board: "304. Mules on trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Mules on trail, circa 1890. 1 folder.
Scope and Contents

Written on board: "305. Mules on trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Mules on trail, circa 1890. 1 folder.
Scope and Contents

Written on board: "306. Mules on trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Oaks, circa 1890. 1 folder.
Scope and Contents

Written on board: "307. Oaks." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Eroded sandstone, camp 46, circa 1890. 1 folder.
Scope and Contents

Written on board: "308. Eroded sandstone, camp 46." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Near camp 46, circa 1890. 1 folder.
Scope and Contents

Written on board: "309. Near camp 46." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Camp 46, circa 1890. 1 folder.
Scope and Contents

Written on board: "310. Camp 46." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp 46, circa 1890. 1 folder.
Scope and Contents

Written on board: "311. Camp 46." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Antonio Fimbres, circa 1890. 1 folder.
Scope and Contents

Written on board: "312. Antonio Fimbres." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Jose Ramirez, circa 1890. 1 folder.
Scope and Contents

Written on board: "313. Jose Ramirez." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Valley of Pachico, circa 1890. 1 folder.
Scope and Contents

Written on board: "314. Valley of Pachico." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Distant view of Pachico, circa 1890. 1 folder.
Scope and Contents

Written on board: "315. Distant view of Pachico." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Distant view of Pachico, circa 1890. 1 folder.
Scope and Contents

Written on board: "316. Distant view of Pachico." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Pachico, circa 1890. 1 folder.
Scope and Contents

Written on board: "317. Pachico." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Bishop Lunt and family, circa 1890. 1 folder.
Scope and Contents

Written on board: "318. Bishop Lunt and family." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Bishop Lunt's house, circa 1890. 1 folder.
Scope and Contents

Written on board: "319. Bishop Lunt's house." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Pachico school, circa 1890. 1 folder.
Scope and Contents

Written on board: "320. Pachico school." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cave no. 2, circa 1890. 1 folder.
Scope and Contents

Written on board: "321. Cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Olla grande, cave no. 2, circa 1890. 1 folder.
Scope and Contents

Written on board: "322. Olla grande, cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Olla grande, cave no. 2, circa 1890. 1 folder.
Scope and Contents

Written on board: "323. Olla grande, cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Olla grande, cave no. 2, circa 1890. 1 folder.
Scope and Contents

Written on board: "324. Olla grande, cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Olla grande, cave no. 2, circa 1890. 1 folder.
Scope and Contents

Written on board: "325. Olla grande, cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Olla grande, cave no. 2, circa 1890. 1 folder.
Scope and Contents

Written on board: "326. Olla grande, cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Houses in cave no. 2, circa 1890. 1 folder.
Scope and Contents

Written on board: "327. Houses in cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Houses in cave no. 2, circa 1890. 1 folder.
Scope and Contents

Written on board: "328. Houses in cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Wall paintings in cave no. 2, circa 1890. 1 folder.
Scope and Contents

Written on board: "329. Wall paintings in cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Looking east from cave no. 2, circa 1890. 1 folder.
Scope and Contents

Written on board: "330. Looking east from cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Entrance to caves 1 and 1 1/2, circa 1890. 1 folder.
Scope and Contents

Written on board: "331. Entrance to caves 1 and 1 1/2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cave 1 1/2, circa 1890. 1 folder.
Scope and Contents

Written on board: "332. Cave 1 1/2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Interior, cave no. 1, circa 1890. 1 folder.
Scope and Contents

Written on board: "333. Interior, cave no. 1." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Interior, cave no. 1, circa 1890. 1 folder.
Scope and Contents

Written on board: "334. Interior, cave no. 1." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Interior, cave no. 3, circa 1890. 1 folder.
Scope and Contents

Written on board: "335. Interior, cave no. 3." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Interior, cave no. 3, circa 1890. 1 folder.
Scope and Contents

Written on board: "336. Interior, cave no. 3." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Interior, cave no. 4, circa 1890. 1 folder.
Scope and Contents

Written on board: "337. Interior, cave no. 4." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cave no. 5, circa 1890. 1 folder.
Scope and Contents

Written on board: "338. Cave no. 5." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Entrance to cave no. 5, circa 1890. 1 folder.
Scope and Contents

Written on board: "339. Entrance to cave no. 5." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Interior, cave no. 5, circa 1890. 1 folder.
Scope and Contents

Written on board: "340. Interior, cave no. 5." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Interior, cave no. 5, circa 1890. 1 folder.
Scope and Contents

Written on board: "341. Interior, cave no. 5." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Single house in alcove, circa 1890. 1 folder.
Scope and Contents

Written on board: "342. Single house in alcove." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cave no. 6, circa 1890. 1 folder.
Scope and Contents

Written on board: "343. Cave no. 6." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Interior, cave no. 6, circa 1890. 1 folder.
Scope and Contents

Written on board: "344. Interior, cave no. 6." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Interior, cave no. 6, circa 1890. 1 folder.
Scope and Contents

Written on board: "345. Interior, cave no. 6." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Burial caves, circa 1890. 1 folder.
Scope and Contents

Written on board: "346. Burial caves." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Content Warning

This photograph shows a burial site used by an Indigenous community or communities.

Physical Description

1 folder16 x 21 cm.

Burial caves, circa 1890. 1 folder.
Scope and Contents

Written on board: "347. Burial caves." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Content Warning

This photograph shows a burial site used by an Indigenous community or communities.

Physical Description

1 folder16 x 21 cm.

Skeleton, circa 1890. 1 folder.
Scope and Contents

Written on board: "348. Skeleton." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Content Warning

Photograph depicts human skeletal remains.

Physical Description

1 folder16 x 21 cm.

Skeleton, circa 1890. 1 folder.
Scope and Contents

Written on board: "349. Skeleton." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Content Warning

Photograph depicts human skeletal remains.

Physical Description

1 folder16 x 21 cm.

Relics, circa 1890. 1 folder.
Scope and Contents

Written on board: "350. Relics." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Content Warning

Photograph depicts pottery and human skeletal remains.

Physical Description

1 folder16 x 21 cm.

House foundations, Cave Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "351. House foundations, Cave Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cave Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "352. Cave Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cave Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "353. Cave Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cave Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "354. Cave Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cave Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "355. Cave Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cave Valley, snow scene, circa 1890. 1 folder.
Scope and Contents

Written on board: "356. Cave Valley, snow scene." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cave Valley, kitchen, circa 1890. 1 folder.
Scope and Contents

Written on board: "357. Cave Valley, kitchen." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Camp view, Cave Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "358. Camp view, Cave Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Interior of tent, circa 1890. 1 folder.
Scope and Contents

Written on board: "359. Interior of tent." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cave Valley, snow scene, circa 1890. 1 folder.
Scope and Contents

Written on board: "360. Cave Valley, snow scene." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Piedras Verdes Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "361. Piedras Verdes Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Piedras Verdes Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "362. Piedras Verdes Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Piedras Verdes Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "363. Mistletoe, Cave Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Mistletoe, Cave Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "364. Mistletoe, Cave Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Pinon, Cave Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "365. Pinon, Cave Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Eroded sandstone, Strawberry Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "366. Eroded sandstone, Strawberry Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

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Cave, Strawberry Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "367. Cave, Strawberry Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.

Physical Description

1 folder21 x 16 cm.

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Cave, Strawberry Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "368. Cave, Strawberry Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
  1. View digital content
Cave, Strawberry Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "369. Cave, Strawberry Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
  1. View digital content
Cave, Strawberry Valley, circa 1890. 1 folder.
Scope and Contents

Written on board: "370. Cave, Strawberry Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
  1. View digital content
Ozo Negro Ore Works, circa 1890. 1 folder.
Scope and Contents

Written on board: "82. Ozo Negro Ore Works." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
  1. View digital content
North east from highest point, circa 1890. 1 folder.
Scope and Contents

Written on board: "232. North east from highest point." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.

Physical Description

1 folder16 x 21 cm.

Materials Viewable Online
  1. View digital content
Indian man and woman in traditional dress, possibly participants in a powwow, circa 1980. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder26 x 21 cm.

Materials Viewable Online
  1. View digital content
Full length vignette portrait of a man, possibly a ranch hand living in New Mexico or Arizona, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Bradley."

Physical Description

1 folder18 x 13 cm.

Materials Viewable Online
  1. View digital content
Indian men and white men cleaning the interior of a building, possibly in New Mexico or Arizona, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
  1. View digital content
Two seated Indian men with a cross on the wall behind them, possibly taken in New Mexico or Arizona, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 17 cm.

Materials Viewable Online
  1. View digital content
Two Pueblo Indian women sitting on the wall of a pueblo, possibly taken in New Mexico or Arizona, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder17 x 11 cm.

Materials Viewable Online
  1. View digital content
Savage, C. R. (Charles Roscoe) (1832-1909). Garfield Landing, Salt Lake, circa 1880. 1 folder.
Scope and Contents

Stamp of a former owner on verso.

Physical Description

1 folder14 x 22 cm.

Materials Viewable Online
  1. View digital content
Masayesva, Victor. Indian corn hanging on a wall, 1983-1984. 1 folder.
Scope and Contents

Masks & metaphors ; no. 5.

Cataloger supplied title. Masks & metaphors, no.5 consists of two photographs; this photograph is to appear on the right.

Physical Description

1 folder16 x 24 cm.

Materials Viewable Online
  1. View digital content
Masayesva, Victor. Indian corn hanging on a wall, 1983-1984. 1 folder.
Scope and Contents

Masks & metaphors ; no. 5.

Cataloger supplied title. Masks & metaphors, no. 5 consists of two photographs; this photograph is to appear on the left.

Physical Description

1 folder16 x 24 cm.

Materials Viewable Online
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In the Esquimaux village, circa 1893. 1 folder.
Scope and Contents

Printed on recto: "73." 1893 copyright held by C.C. Arnold, chief of the World's Columbian Exposition Department of Photography. Mounted on 21 x 25 cm. board with World's Columbian Exposition logo.

Physical Description

1 folder17 x 21 cm.

Materials Viewable Online
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McDonald, A. J., active 19th century. El Paso, Texas, circa 1880. 1 folder.
Scope and Contents

Southern Pacific Company (Atlantic System) ; no. 2

Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Slocum, J. E.. Mojave squaw Needles, A. & P.R.R, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "786." Mounted on 22 x 14 cm. card.

Physical Description

1 folder18 x 11 cm.

Materials Viewable Online
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Haynes, F. Jay (Frank Jay) (1853-1921). Hot springs cone, Yellowstone L, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "3628." Mounted on 14 x 22 cm.

Haynes, F. Jay (Frank Jay) (1853-1921)
Biographical / Historical

F. Jay Haynes (1853-1921) was a professional photographer who documented the settlement and expansion of the American Northwest during the late 19th and early 20th centuries. Based in Minnesota and North Dakota, Haynes served as the official photographer for Northern Pacific Railway and Yellowstone National Park. Haynes first visited Yellowstone in 1881 and, a few years later in 1884, obtained permission to operate a photography studio there. He served as Yellowstone's official photographer from 1884 until 1920 when he was succeeded by his son, Jack Ellis Haynes (1884-1962).

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Two republics : El Paso, Texas, from old cathedral, Paso del Norte, Mex, circa 1880. 1 folder.
Scope and Contents

Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
  1. View digital content
McDonald, A. J., active 19th century. El Paso, Texas, circa 1880. 1 folder.
Scope and Contents

Southern Pacific Company (Atlantic System) ; no. 2

Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
  1. View digital content
McDonald, A. J., active 19th century. Rio Grande near second tunnel, circa 1880. 1 folder.
Scope and Contents

Southern Pacific Company (Atlantic System) ; no. 26

Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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McDonald, A. J., active 19th century. Painted Cave, Texas, Rio Grande Canon, circa 1880. 1 folder.
Scope and Contents

Southern Pacific Company (Atlantic System) ; no. 9

Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 20 cm.

Materials Viewable Online
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McDonald, A. J., active 19th century. Bound[a]ry line between Texas, Old, & New Mexico, circa 1880. 1 folder.
Scope and Contents

Southern Pacific Company (Atlantic System) ; no. 1

Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 20 cm.

Materials Viewable Online
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Menger Hotel, San Antonio, Texas, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
  1. View digital content
Cathedral of San Fernando, front, circa 1886. 1 folder.
Scope and Contents

Missions in 1886 ; no. 715

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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El Paso, Texas, looking north from Grand Central, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "No. 11."

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Parker, Francis. Church of Guadalupe, Paso del Norte, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "350." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Indian camps, Tesuque Valley, 9 miles from Santa Fe, N.M, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "74." Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
  1. View digital content
Choate, J. N. (John N.) (1848-1902). Tomas Torlino, Navajo, Arizona, on entry to Carlisle School, Carlisle, Pennsylvania, circa 1882. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Tom, Navajo, Arizona." Photographs WC064 M1904 and M1905 were taken of a Carlisle student before and after his education. Mounted on 22 x 14 cm. card.

Physical Description

1 folder20 x 14

Materials Viewable Online
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Choate, J. N. (John N.) (1848-1902). Thomas Torlino, Navajo, Arizona, Oct. 1885, 1885. 1 folder.
Scope and Contents

Written on verso: "Thomas Torlino, Navajo, Arizona, Oct. 1885." Photographs WC064 M1904 and M1905 were taken of a Carlisle student before and after his education. Mounted on 22 x 14 cm. card.

Physical Description

1 folder20 x 14 cm.

Materials Viewable Online
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Evans, F. E. (Frank E.) (1856). Pupils of school for Indian boys, circa 1885. 1 folder.
Scope and Contents

Written on verso: "Indian school." Mounted on 13 x 21 cm. card.

Physical Description

1 folder13 x 21 cm.

Materials Viewable Online
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Bonine, Elias A. (1843-1916). Yuma Indians, Arizona, circa 1881. 1 folder.
Scope and Contents

Mounted on 22 x 14 cm. card.

Physical Description

1 folder18 x 11 cm.

Materials Viewable Online
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Smillie, Chas. F.. Cowboys, including an African American boy, branding a calf, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "901."

Physical Description

1 folder10 x 11 cm.

Materials Viewable Online
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Cobb Studio. Indian boy from Isleta, circa 1890. 1 folder.
Scope and Contents

Mounted on 21 x 13 cm. card.

Physical Description

1 folder19 x 11 cm.

Materials Viewable Online
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Cobb Studio. Three Isleta Indian women with baskets of pottery, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21x 13 cm. card.

Physical Description

1 folder18 x 12 cm.

Materials Viewable Online
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Cobb Studio. Isleta squaw, NoNiHi, circa 1890. 1 folder.
Scope and Contents

Mounted on 21 x 13 cm. card.

Physical Description

1 folder18 x 11 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Ancient pueblo of Tesuque, east side, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "No. 29." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Cobb Studio. Isleta girls, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "118." Mounted on 21 x 13 cm. card.

Physical Description

1 folder19 x 12 cm.

Materials Viewable Online
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Cobb Studio. San Domingo Indian girl, circa 1890. 1 folder.
Scope and Contents

Mounted on 21 x 13 cm. card.

Physical Description

1 folder18 x 11 cm.

Materials Viewable Online
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Men and women climbing up a rocky mountain, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 21 x 13 cm. card.

Physical Description

1 folder18 x 12 cm.

Materials Viewable Online
  1. View digital content
Rudy, W. Ira. Indian carretta, Tesuque, A.T. & S.F.R.R, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "2010." Printed on verso: "Santa Fe route." Label pasted over W. Ira Rudy's name. Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Navajoe Indians, Gallup, New Mexico, circa 1890. 1 folder.
Scope and Contents

Written on recto: "Navajoe Indians, Gallup, New Mexico." Mounted on 14 x 17 cm. board.

Physical Description

1 folder10 x 12 cm.

Materials Viewable Online
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Moki, a scene during the snake dance, circa 1890. 1 folder.
Scope and Contents

Written on verso: "Moki, a scene during the snake dance." Hand colored.

Physical Description

1 folder13 x 20 cm.

Materials Viewable Online
  1. View digital content
Wittick, Ben (1845-1903). View in Oraibi, the further village of the Moqui's, circa 1880. 1 folder.
Scope and Contents

Written on verso: "View in Oraibi, the further village of the Moqui's." Mounted on 14 x 22 cm. card.

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Apache Indian girl at Ramona School, Santa Fe, N.M, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "No. 69." Mounted on 21 x 13 cm. card.

Physical Description

1 folder19 x 11 cm.

Materials Viewable Online
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Haynes, Willis P.. Indian baby sleeping in a woven cradle, possibly in Arizona, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Indian family in front of a teepee, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Printed on recto: "V.A. blood camp [?]." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Apache Indians, mother and children, after the children have had two years' schooling, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "No. 85." Mounted on 21 x 13 cm. card.

Physical Description

1 folder18 x 11 cm.

Materials Viewable Online
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View of cliffs in a desert landscape, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Mexican ranch interior, circa 1885. 1 folder.
Scope and Contents

Pueblo of Isleta, A. & P. junction ; 75

Series name struck out and "The ranch at Acabache" written beneath it. Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Acapulco, from the west, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "2022." Possibly by Lummis. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Peruvian Central R.R. on the Tamboraque "V.", circa 1885. 1 folder.
Scope and Contents

Printed on recto: "2473." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 21 cm.

Materials Viewable Online
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Dennis. View of a spring resort, possibly in Glenwood Springs, Colo, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
  1. View digital content
Dennis. Interior view of a spring resort, possibly in Glenwood Springs, Colo, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
  1. View digital content
Cardon, Thomas Barthelemy (1842-1898). View of a factory, possibly in Utah, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Name of factory obscured by trees in foreground. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Savage, C. R. (Charles Roscoe) (1832-1909). Man and child on rocking horse posing outside small house, possibly in Utah, circa 1870. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 14 x 22 cm. card.

Physical Description

1 folder13 x 22 cm.

Materials Viewable Online
  1. View digital content
Hook, W. E. (William Edward) (1833-1908). Pueblo Indians, Tesuqua, N.M, circa 1885. 1 folder.
Scope and Contents

Possibly by Hook. Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
  1. View digital content
Hook, W. E. (William Edward) (1833-1908). Pueblo Indians, Tesuqua, N.M, circa 1885. 1 folder.
Scope and Contents

Pueblo Indians and Indian pueblos ; 1107

Santa Fe route. Mounted on 13 x 21 cm.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Markey, Daniel A.. Homes of scouts, San Carlos, Ariz, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "56." Mounted on 13 x 21 card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Tesuqua, N.M, circa 1885. 1 folder.
Scope and Contents

Pueblo Indians and Indian pueblos ; 841

Santa Fe route. Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Chief Francisco, two patriarchs, N.M, circa 1885. 1 folder.
Scope and Contents

Pueblo Indians and Indian pueblos ; 1102

Santa Fe route. Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Rothrock, George H. (1843). Cliff houses, Beaver Creek, circa 1885. 1 folder.
Scope and Contents

Written on verso: "151a. Cliff houses, Beaver Creek." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. Black Canon of the Gunnison, bridge "b.", circa 1885. 1 folder.
Scope and Contents

Printed on recto: "4402." Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Oldest house in the United States, erected and occupied by the Indians, antecedents to Spanish conquest, age unknown, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "No. 24." Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Stagecoach drawn by four horses, possibly in Montana, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder13 x 18 cm.

Materials Viewable Online
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Sturdevant, Eugenio K.. Birdseye view from the N.W, circa 1890. 1 folder.
Scope and Contents

U.S. military post of San Antonio ; no. 844

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Portrait of an Indian man with short hair, possibly in Texas, circa 1880. 1 folder.
Scope and Contents

Catalogers supplied title. Mounted on 21 x 13 cm. card.

Physical Description

1 folder18 x 12 cm.

Materials Viewable Online
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Jennings, E. M.. Full length portrait of an Indian man drawing back a bow with an arrow, possibly in Arizona, circa 1880. 1 folder.
Scope and Contents

Catalogers supplied title. Stamp of F.W. Moon over Jennings' name. Mounted on 22 x 14 cm. card.

Physical Description

1 folder17 x 11 cm.

Materials Viewable Online
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Jennings, E. M.. Portrait of Indian boys, one with a bow and arrow, possibly in Arizona, circa 1880. 1 folder.
Scope and Contents

Catalogers supplied title. Stamp of F.W. Moon over Jennings' name. Mounted on 22 x 14 cm. card.

Physical Description

1 folder22 x 14 cm.

Materials Viewable Online
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Jennings, E. M.. U.S. Army Indian scouts hunting a fugitive, possibly in Arizona, circa 1880. 1 folder.
Scope and Contents

Catalogers supplied title. Stamp of F.W. Moon over Jennings' name. Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Jennings, E. M.. Portrait of an Indian woman with a child in cradleboards, possibly in Arizona, circa 1880. 1 folder.
Scope and Contents

Catalogers supplied title. Stamp of F.W. Moon over Jennings' name. Mounted on 22 x 14 cm. card.

Physical Description

1 folder20 x 11 cm.

Materials Viewable Online
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Portrait of an elderly Indian woman with a basket of woven objects, possibly in Arizona, circa 1880. 1 folder.
Scope and Contents

Catalogers supplied title. Hand colored.

Physical Description

1 folder22 x 14 cm.

Materials Viewable Online
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Ancient idols and Pima Indian basket, circa 1890. 1 folder.
Scope and Contents

Written on verso: "Ancient idols and Pima Indian basket." Printed on recto: "35." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Young Tigua, circa 1895. 1 folder.
Scope and Contents

Copyright 1895. Printed on recto: "673." Mounted on 22 x 14 cm. card.

Physical Description

1 folder19 x 12 cm.

Materials Viewable Online
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Lummis, Charles Fletcher (1859-1928). Young counsellor [sic], circa 1895. 1 folder.
Scope and Contents

Copyright 1895. Printed on recto: "675." Stamp of C.M. Davis Co., Los Angeles, Calif., on verso. Mounted on 22 x 14 cm. card.

Physical Description

1 folder19 x 11 cm.

Materials Viewable Online
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Winter & Pond. Auk Indian squaws (faces blackened), Juneau, Alaska, circa 1900. 1 folder.
Scope and Contents

Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Winter & Pond. Chief Shake's house, Fort Wrangel, Alaska, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "286" and "Indian doctor, healing." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Ute Indian in bear dance, winter 18871888, near Ft. Du Chesne, Utah, circa 1887. 1 folder.
Scope and Contents

Written on verso: "Ute Indian in bear dance, winter 18871888, near Ft. DuChesne, Utah." Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

Materials Viewable Online
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Wittick, Ben (1845-1903). Mojave squaw, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Mojave squaw." Mounted on 21 x 13 cm. card.

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder20 x 12 cm.

Materials Viewable Online
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Hook, W. E. (William Edward) (1833-1908). Pueblo Indians, Tesuqua, N.M, circa 1880. 1 folder.
Scope and Contents

Stamp of Gold's Old Curiosity Shop, Santa Fe, New Mexico, on verso. Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Wittick, Ben (1845-1903). "Lupe," ChiWiWi, Pueblo of Isleta, N.M, circa 1880. 1 folder.
Scope and Contents

Mounted on 22 x 14 cm. card.

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder20 x 12 cm.

Materials Viewable Online
  1. View digital content
De Groof, Edward. Indian wedding, circa 1900. 1 folder.
Scope and Contents

Sitka Training School ; no. 231

Bride and groom identified as Annie Davis (X'eil Saakw) from Angoon, Alaska, and Scottie (Sam) James.

Physical Description

1 folder14 x 22 cm.

Materials Viewable Online
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Arizona View Co. Pima Indian gathering with dogs, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 13 x 18 cm. card.

Physical Description

1 folder12 x 17 cm.

Materials Viewable Online
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Irwin. Mother of Sidney Siweni, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Mother of Sidney Siweni." Mounted on 19 x 14 cm. board. Possibly taken in Oklahoma.

Physical Description

1 folder14 x 19 cm.

Materials Viewable Online
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Parker, Francis. Pueblo Indian girl, at Isleta, circa 1885. 1 folder.
Scope and Contents

Mounted on 14 x 22 cm. card.

Physical Description

1 folder14 x 10 cm.

Materials Viewable Online
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Partridge Photo Company. Indian women seated along a street waiting to sell goods, circa 1890. 1 folder.
Scope and Contents

Sitka, Alaska, U.S. ; 7974

Cataloger supplied title. Description of the scene noted on verso by former owner. Stamp of former owner on verso. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 19 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Pueblo Indian girl, Pojuaque, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "No. 82." Possibly by Chase. Mounted on 21 x 13 cm. card.

Physical Description

1 folder11 x 19 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Pueblo Indian and daughter, San Ildefonso, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "63." Possibly by Chase. Mounted on 21 x 13 cm. card.

Physical Description

1 folder19 x 12 cm.

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Bell, W. J.. Three Indian men with weapons or instruments and one white man with a pipe, possibly in Michigan, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 14 x 22 cm. card.

Physical Description

1 folder20 x 12 cm.

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St. Louis Art Studio. Redwood City, First Notre Dame Convent and parish church, circa 1885. 1 folder.
Scope and Contents

Written on recto: "Redwood City, First Notre Dame Convent and parish church." Mounted on 16 x 24 cm. board.

Physical Description

1 folder11 x 19 cm.

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Wittick, Ben (1845-1903). Pauvi, Polly, with chin and cheek decoration and hair stripes, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title.

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder22 x 14 cm.

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W. Cal. Brown & Co. PahCoTse dance at Laguna, A. & P.Ry, circa 1885. 1 folder.
Scope and Contents

Dealer's stamp of E. Montfort, Albuquerque, N.M., on verso. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

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Chase, D. B. (Dana B.) (1897). Azle, Navajo boy warior [sic], circa 1885. 1 folder.
Scope and Contents

Printed on recto: "No. 193." Mounted on 21 x 13 cm. card.

Physical Description

1 folder19 x 12 cm.

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Burge, J. C. (1839-1897). Chihauhau, Apache chief, circa 1885. 1 folder.
Scope and Contents

Written on recto: "Chihauhau, Apache chief." Dealer's stamp of E. Montfort, Albuquerque, N.M., on verso. Mounted on 21 x 13 cm. card.

Physical Description

1 folder18 x 11 cm.

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Coonley, H. E. (Henry Ellis) (1865-1942). Pueblo clowns dancing for tourists, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 19 cm.

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Chase, D. B. (Dana B.) (1897). Signor Peso and daughter : he was chief of scouts who captured Geronimo, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "No. 94." Mounted on 21 x 13 cm. card.

Physical Description

1 folder18 x 11 cm.

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Chase, D. B. (Dana B.) (1897). Apache Indians, mother and children, after the children have had two years' schooling, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "No. 85." Mounted on 21 x 13 cm. card.

Physical Description

1 folder18 x 12 cm.

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De Groof, Edward. Indian wedding, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title. Bride and groom identified as Annie Davis (X'eil Saakw) from Angoon, Alaska, and Scottie (Sam) James. Possibly Sheldon Jackson at left of bride and groom. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

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Bertrand & Co. Tiguyouth, circa 1894. 1 folder.
Scope and Contents

Copyright 1894. Printed on recto: "667." On a Bartrand & Co. card. Stamp of C.M. Davis Co., Los Angeles, Calif., on verso. Mounted on 22 x 14 cm. card.

Physical Description

1 folder19 x 11 cm.

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Lummis, Charles Fletcher (1859-1928). Pueblo Indian & lasso, circa 1890. 1 folder.
Scope and Contents

Pueblo of Isleta, A. & P. junction, N. Mex. ; 578

Copyright 1890. Mounted on 22 x 14 cm.

Physical Description

1 folder18 x 11 cm.

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Lummis, Charles Fletcher (1859-1928). Isleta Indian woman with long hair and print in hands, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 22 x 14 cm. card.

Physical Description

1 folder19 x 11 cm.

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Lummis, Charles Fletcher (1859-1928). Young Tigua, circa 1895. 1 folder.
Scope and Contents

Copyright 1895. Printed on recto: "672." Mounted on 22 x 14 cm. card.

Physical Description

1 folder11 x 19 cm.

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Parker, Francis. Navajo warrior, Gallop on the A. & P.R.R, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "158." Mounted on 22 x 14 cm. card.

Physical Description

1 folder19 x 11 22 x 14 cm.

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Randall, A. F. (A. Frank). Two Apache infants in cradleboards, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "Apaches." Possibly by Wittick. Mounted on 22 x 14 cm. card.

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder21 x 13 cm.

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Lummis, Charles Fletcher (1859-1928). Isleta Indian husband and wife, circa 1890. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 18 x 13 cm. board. Written on verso: "Pueblo husband & wife."

Physical Description

1 folder17 x 12 cm.

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W. Cal. Brown & Co. Ceremony, possibly the corn dance, at IsletPueblo, circa 1888. 1 folder.
Scope and Contents

Copyright 1888. Mounted on W. Cal. Brown & Co. card. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 19 cm.

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W. Cal. Brown & Co. Ceremony, possibly the corn dance, at IsletPueblo, circa 1888. 1 folder.
Scope and Contents

Mounted on W. Cal. Brown & Co. card. Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 19 cm.

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Lummis, Charles Fletcher (1859-1928). Pueblo of Taos, N.M., footrace, circa 1889. 1 folder.
Scope and Contents

Pueblo of Isleta, A. & P. junction ; 302

Copyright 1889. Mounted on 14 x 22 cm. card.

Physical Description

1 folder11 x 18 cm.

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Lummis, Charles Fletcher (1859-1928). Young Tigua, circa 1895. 1 folder.
Scope and Contents

Copyright 1895. Printed on recto: "673." Mounted on 22 x 14 cm. card.

Physical Description

1 folder19 x 11 cm.

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W.H. Jackson Photograph and Publishing Co.. Calle de Guadeloupe, Chihuahua, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "5218." Mounted on 12 x 18 cm. card.

Physical Description

1 folder11 x 18 cm.

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W.H. Jackson Photograph and Publishing Co.. Bessemer Steel Works : the blast furnace, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "3287." Mounted on 12 x 18 cm. card.

Physical Description

1 folder11 x 17 cm.

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Gillingham, C. L. (Charles L.). View of a Colorado town, possibly Colorado Springs, circa 1885. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 12 x 18 cm. card.

Physical Description

1 folder11 x 17 cm.

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Gurnsey, B. H. (Byron H.) (1833-1880). Manitou house, F.W. Beebee proprietor, Manitou Springs, El Paso Co., Colorado, circa 1880. 1 folder.
Scope and Contents

Gurnsey's Rocky Mountain views

Mounted on 12 x 18 cm. card.

Physical Description

1 folder11 x 17 cm.

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Davis, Robert M. (1857). Smelters, Pueblo, Colo, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "3407." Written on verso: "Pueblo S. & R. Co." Mounted on 12 x 18 cm. card.

Physical Description

1 folder11 x 17 cm.

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Martin, Alexander (1929). Union Depot, Denver, Colorado, circa 1880. 1 folder.
Scope and Contents

Mounted on 12 x 18 cm. card.

Physical Description

1 folder11 x 17 cm.

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Johnson, C. W. J. (Charles Wallace Jacob) (1833-1903). Man and two children on the balcony of two story building, possibly in Monterey, Calif, circa 1880. 1 folder.
Scope and Contents

C.W.J. Johnson's views of California scenery

Cataloger supplied title. Mounted on 12 x 18 cm. card.

Physical Description

1 folder11 x 17 cm.

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Street in Santa Fe, N.M, circa 1880. 1 folder.
Scope and Contents

Mounted on 12 x 18 cm. card.

Physical Description

1 folder11 x 17 cm.

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W.H. Jackson Photograph and Publishing Co.. Santa Fe, San Francisco Street, circa 1880. 1 folder.
Scope and Contents

Mounted on 12 x 18 cm. card.

Physical Description

1 folder11 x 17 cm.

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Hot Springs Hotel, Las Vegas hot springs, 1882. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Hot Springs Hotel night of the fete of Aug. 15, 1882." Mounted on 12 x 18 cm. card.

Physical Description

1 folder11 x 17 cm.

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Magnificent tepees, circa 1915. 1 folder.
Scope and Contents

Written on verso: "'Magnificent tepees' i.d. from album page, exJack Nelson."

Physical Description

1 folder12 x 17 cm.

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American soldiers of Japanese ancestry leave Hawaii to be trained as U.S. Army combat force, circa 1942. 1 folder.
Scope and Contents

Stamp on verso: "Important: Not for use in Western Hemisphere." Caption pasted to verso.

Physical Description

1 folder17 x 12 cm.

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Group of 17 Indian men, women and children, with white spectators looking on, circa 1884. 1 folder.
Scope and Contents

Cataloger supplied title. Written on verso: "Montana 1884."

Physical Description

1 folder11 x 13 cm.

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Hook, W. E. (William Edward) (1833-1908). Tall Bear, medicine man, 1870. 1 folder.
Physical Description

1 folder19 x 12 cm.

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Cameron, Evelyn (1868-1928). Hon. Geo. Burt's traction engine, 1904. 1 folder.
Scope and Contents

Written on verso: "Hon. Geo. Burt's traction engine."

Cameron, Evelyn (1868-1928)
Biographical / Historical

Evelyn Cameron (1868–1928) was a Montana-based amateur photographer. Her husband, naturalist Ewen S. Cameron, operated a horse ranch near Terry, Montana. Contemporary sales of her prints helped support Evelyn and her husband within her lifetime, but her work was not celebrated until it was discovered posthumously in the 1970s.

Physical Description

1 folder13 x 18 cm.

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Pueblo Indian and wife from San Ildefonso, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "No. 33." Mounted on a Santa Fe route advertising card.

Physical Description

1 folder19 x 12 cm.

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Brown, W. Cal.. Old Jemez Church, N.M, circa 1885. 1 folder.
Scope and Contents

Mounted on 14 x 22 cm. card.

Physical Description

1 folder12 x 20 cm.

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Chase, D. B. (Dana B.) (1897). Indian dancers from San Ildefonso, circa 1885. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder11 x 19 cm.

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W.H. Jackson Photograph and Publishing Co.. Old church at the Pueblo of Taos, N.M, circa 1885. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 18 cm.

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Indian school, Santa Fe, N.M, circa 1885. 1 folder.
Scope and Contents

Mounted on 13 x 21 cm. card.

Physical Description

1 folder12 x 20 cm.

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Possibly of Pike's Peak, Colorado, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder10 x 20 cm.

Materials Viewable Online
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Tablita dance or corn dance at a San Ildefonso, New Mexico, circa 1920. 1 folder.
Scope and Contents

Cataloger supplied title. Mounted on 14 x 21 cm. board. A photographers holding his camera standing on roof above the dancers.

Physical Description

1 folder10 x 16 cm.

Materials Viewable Online
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Wittick, Ben (1845-1903). Navajo woman and baby, 1881. 1 folder.
Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder

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Wittick, Ben (1845-1903). Navajo woman and baby: showing the manner of carrying, 1881. 1 folder.
Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder

Materials Viewable Online
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Wittick, Ben (1845-1903). Navajo woman of the better class, 1881. 1 folder.
Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder

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Randall, A. F. (A. Frank). Apache Indian and beaver, 1883-1888. 1 folder.
Physical Description

1 folder

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Muhr, Adolph F. (1913). Hattie Tom, Chiricahua Apache, 1898. 1 folder.
Scope and Contents

Printed on recto: "No. 1010"

Physical Description

1 folder19 x 23.5 cm.

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Muhr, Adolph F. (1913). Bartelda, Apache, 1898. 1 folder.
Scope and Contents

Copyright 1899. Printed on recto: "No. 1386" Bailda or Forgetfulness, San Carlos Apache (additional information provided by the Omaha Public Library).

Physical Description

1 folder19 x 23.5 cm.

Muhr, Adolph F. (1913). John Williams, Tonkawa, 1898. 1 folder.
Scope and Contents

Printed on recto: "No. 1056."

Physical Description

1 folder19 x 23.5 cm.

Muhr, Adolph F. (1913). Freckled Face, Arapahoe, 1898. 1 folder.
Scope and Contents

Printed on recto: "No. 1113." She wears a dress decorated with elk teeth, a hair pipe necklace and choker, and bead necklaces. Descriptive information provided by the Library of Congress.

Physical Description

1 folder19 x 23.5 cm.

Muhr, Adolph F. (1913). White Buffalo, Cheyennes, 1898. 1 folder.
Scope and Contents

Printed on recto: "No. 779." In traditional clothing, including furwrapped braids, a vest with mirrors on it, and a feather in his hair. Additional descriptive information provided by the National Museum of the American Indian.

Physical Description

1 folder19 x 23.5 cm.

Muhr, Adolph F. (1913). White Swan, Crow, 1898. 1 folder.
Scope and Contents

Printed on recto: "No. 815."

Physical Description

1 folder19 x 23.5 cm.

Muhr, Adolph F. (1913). Afraid of Water, 1898. 1 folder.
Scope and Contents

Copyright 1899. Printed on verso: "No 1402" Outside, a young mother holds her crying baby in a pool of water as she tries to bathe him. Additional descriptive information provided by the National Museum of the American Indian.

Physical Description

1 folder19 x 23.5 cm.

Muhr, Adolph F. (1913). Louison, Flatheads, 1898. 1 folder.
Scope and Contents

Printed on recto: "No. 801." An elderly man wearing a hide shirt with beaded decoration and has long straight hair with an eagle feather in it. He holds a cylindrical object with fur coming out one end in his hands. Additional descriptive information from the Library of Congress.

Physical Description

1 folder19 x 23.5 cm.

Muhr, Adolph F. (1913). Thunder Cloud, Black Feet, 1898. 1 folder.
Scope and Contents

Printed on recto: "No.1385." In semitraditional clothing, including a twelveloop necklace made of white seed beads,and a beaded choker. Additional descriptive information provided by the National Musem of the American Indian.

Physical Description

1 folder19 x 23.5 cm.

Rinehart, F. A. (Frank A.). Fox of Iowa, Bead Work, circa 1899. 1 folder.
Scope and Contents

Copyright 1899. Printed on recto: "No.1417." Most likely taken at the TransMississippi and International Exposition in 1898.

Physical Description

1 folder19 x 23.5 cm.

Rinehart, F. A. (Frank A.). Black Bear Jr., Arapahoe, circa 1900. 1 folder.
Scope and Contents

Printed on verso: "No. 1608." Possibly taken at the TransMississippi and International Exposition in 1898 or the Greater American Exposition in 1899.

Physical Description

1 folder18 x 23.5 cm.

Rinehart, F. A. (Frank A.). Red Bear, circa 1900. 1 folder.
Scope and Contents

Copyright information blurred. Printed on verso: "No. 1614." Other writing visibly masked on image. Possibly taken at the TransMississippi and International Exposition in 1898 or the Greater American Exposition in 1899.

Physical Description

1 folder16.5 x 23.5 cm.

Rinehart, F. A. (Frank A.). Lone Bear, circa 1900. 1 folder.
Scope and Contents

Printed on verso: "No. 1612." Other writing visibly masked on image. Possibly taken at the TransMississippi and International Exposition in 1898 or the Greater American Exposition in 1899.

Physical Description

1 folder18 x 22.5 cm.

Rinehart, F. A. (Frank A.). Good Eagle, circa 1900. 1 folder.
Scope and Contents

Original inscription attributing print to "F.A. Reinhart, Omaha" has been scratched out on the negative. Printed on verso: "No. 1599." Other writing visibly masked on image. Possibly taken at the TransMississippi and International Exposition in 1898 or the Greater American Exposition in 1899. Possibly Apache.

Physical Description

1 folder17.5 x 22.5 cm.

Rinehart, F. A. (Frank A.). Alice White Bear, circa 1900. 1 folder.
Scope and Contents

Printed on verso: "No. 1646." Other writing visibly masked on image. Possibly taken at the TransMississippi and International Exposition in 1898 or the Greater American Exposition in 1899. Possibly Apache. Image most likely cropped.

Physical Description

1 folder12.5 x 22.5 cm.

Rinehart, F. A. (Frank A.). Pappoose White Bull, circa 1900. 1 folder.
Scope and Contents

Printed on verso: "No. 1610." Possibly taken at the TransMississippi and International Exposition in 1898 or the Greater American Exposition in 1899. Possibly Apache. Image most likely cropped. Part of another print cut off on righthand side of support.

Physical Description

1 folder12.5 x 22.5 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). Sigma Alpha Epsilon House, before 1900. 1 folder.
Scope and Contents

"J.B. Sturtevant" printed on verso. Photographer also known as Rocky Mountain Joe. Title supplied by cataloguer, perhaps taken on the campus of the University of Colorado.

Physical Description

1 folder19 x 11.5 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). Foot Hills at Boulder, Colo, before 1900. 1 folder.
Scope and Contents

"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe. Young boy in the foreground posing against the hills in the distance.

Physical Description

1 folder19 x 11.5 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). Beautiful Boulder, the home of the TexasColorado Chautauqua, 1899, 1899. 1 folder.
Scope and Contents

"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe.

Physical Description

1 folder19 x 11 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). TexasColorado Chautauqua at Boulder, Colo., 1899, 1899. 1 folder.
Scope and Contents

"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe.

Physical Description

1 folder19 x 11 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). First ground broke for street car line, Mar 3 1894, 1899. 1 folder.
Scope and Contents

"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe.

Physical Description

1 folder19 x 11 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). Transporting lumber, Colorado, circa 1899. 1 folder.
Scope and Contents

Photographer also known as Rocky Mountain Joe. Title supplied by cataloguer. Most likely in or around Boulder, Colorado.

Physical Description

1 folder19 x 11.5 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). Boulder, Colo. 1896, 1896. 1 folder.
Scope and Contents

"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe.

Physical Description

1 folder19 x 11.5 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). State University, Boulder, Colo. No. 13, circa 1900. 1 folder.
Scope and Contents

"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe. Print very faded.

Physical Description

1 folder19 x 11.5 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). Rocky mountain rapids, circa 1900. 1 folder.
Scope and Contents

Title supplied by cataloguer. Photographer also known as Rocky Mountain Joe. Probably taken in or around Boulder, Colorado.

Physical Description

1 folder11 x 16.5 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). Man with flag on rock, circa 1899. 1 folder.
Scope and Contents

"J.B. Sturtevant" and title printed on verso; title too faded to read: "Journey to ... nt Rock" "Gre...in," hence title provided by cataloguer. Second line perhaps "Great ... Basin." Photographer also known as Rocky Mountain Joe. Most likely taken in or around Boulder, Colorado.

Physical Description

1 folder12 x 19 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). Sunset on the Rockies. After the storm., Aug. 8th 97, 1897. 1 folder.
Scope and Contents

"J.B. Sturtevant" and title printed on verso. Most likely taken in or around Boulder, Colorado. Photographer also known as Rocky Mountain Joe.

Physical Description

1 folder18.5 x 11.5 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). [Dew Drop] Cut on the CAN. Rr April 10th, 1899, 1899. 1 folder.
Scope and Contents

"J.B. Sturtevant" and title printed on verso; image so faded that the title is difficult to read. Duplicate print at the Boulder Public Library Carnegie Branch Library for Local History provided the complete title. Location is the Colorado & NorthWestern Railroad. Photographer also known as Rocky Mountain Joe.

Physical Description

1 folder19 x 11.5 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). Arapahoe Peak alt 13,520 feet, 1893-1894. 1 folder.
Scope and Contents

"Meile & Sturtevant" and title printed on verso. Most likely taken in or around Boulder, Colorado. Sturtevant also known as Rocky Mountain Joe.

Physical Description

1 folder19.5 x 11.5 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). Near the Devil's Slide, Boulder Canyon, circa 1899. 1 folder.
Scope and Contents

"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe. Depicts one man standing on a rock slide, another waiting in a horse drawn cart.

Physical Description

1 folder19 x 12 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). Rock of Ages, circa 1899. 1 folder.
Scope and Contents

"J.B. Sturtevant, Artist" and title printed on verso. Photographer also known as Rocky Mountain Joe. Depicts four men and a dog, rock climbing. Most likely taken in or around Boulder, Colorado, possibly in Boulder Canyon.

Physical Description

1 folder19 x 12 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). Boulder from the Chautauqua Hights, 1899, 1899. 1 folder.
Scope and Contents

"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe.

Physical Description

1 folder19 x 11.5 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). Boulder Falls, 1893-1894. 1 folder.
Scope and Contents

"M&S" and title printed on verso. Sturtevant also known as Rocky Mountain Joe. Man sits atop rock at top of watefall.

Physical Description

1 folder11 x 19 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). [...] Boulder Canyon, circa 1899. 1 folder.
Scope and Contents

Title printed on verso, very faded. Sturtevant also known as Rocky Mountain Joe. Men, women and children pose on the shore of a waterfall. Related print at the Boulder Public Library Carnegie Branch Library for Local History indicates that the location is Boulder Falls.

Physical Description

1 folder11.5 x 19.5 cm.

Yale, D.B.. Siamese Twins, Garden of the Gods, 1888-1889. 1 folder.
Scope and Contents

"Yale" and title printed on verso. Damage to print matches that of a glass plate negative at Boulder Public Library Carnegie Branch Library for Local History.

Physical Description

1 folder19 x 11.5 cm.

Yale, D.B.. Seal and Bear, Garden of the Gods, 1888-1889. 1 folder.
Scope and Contents

Title printed on verso, along with "R.M.B" and another word scratched out, most likely the name "Yale." Handwriting matches that of another related print attributed to D.B. Yale, therefore the attribution (and date, which is derived from the attribution) is unclear.

Physical Description

1 folder19 x 12 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). Boulder, Colorado, circa 1890. 1 folder.
Scope and Contents

"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe.

Physical Description

1 folder19.5 x 11.5 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). Boulder, Colo. 1895, 1895. 1 folder.
Scope and Contents

"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe.

Physical Description

1 folder19.5 x 12 cm.

Sturtevant, J. Bevier (Joseph Bevier) (1851-1910). Pearl Street, Boulder Colo, circa 1899. 1 folder.
Scope and Contents

"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe. Mostly likely the 1200 block of Pearl Street, contextual information from similar prints at Boulder Public Library Carnegie Branch Library for Local History.

Physical Description

1 folder19 x 11.5 cm.

Harlan, Andrew James (1859). 3rd St looking north, Victor Colo, after 1899. 1 folder.
Scope and Contents

Title printed on verso; photographer's imprint stamped on recto: "From A.J. Harlan's Studio, 304 E. Pike's Peak Ave., Colorado Springs, Colorado." Street view with The Dillon Gold Mining Co. on a hill in the distance.

Physical Description

1 folder19.5 x 11.5 cm.

Harlan, Andrew James (1859). Victor Colo. Looking north, circa 1899. 1 folder.
Scope and Contents

Title and "Harlan Photo" printed on verso; photographer's imprint stamped on recto: "From A.J. Harlan's Studio, 304 E. Pike's Peak Ave., Colorado Springs, Colorado." Inked circle on verso on one of the structures in the distance. Signature impression left by a pencil or pen in the sky over the mountains.

Physical Description

1 folder19 x 12 cm.

Yelton, E. A.. First fire. Bennett Ave, Cripple Creek. Looking east, 1896. 1 folder.
Scope and Contents

Title and "EAYELTON Photo" printed on verso. Photographer's imprint on verso board: "Edgar A. Yelton, Photographer. Cripple Creek, Colo." Distant view of the first of two major fires in Cripple Creek with onlookers in the foreground.

Physical Description

1 folder19 x 12 cm.

Bell, C. M. (Charles Milton) (approximately 1849-1893). Ogalalla. (Wasitatonga) American Horse, circa 1877. 1 folder.
Scope and Contents

Standing studio portrait of Native American (Oglala Sioux) Chief Little Wound. He wears a breech cloth, a decoratively beaded hide shirt, and a full length eagle feather headdress. He holds a pipe and a beaded pouch in his hands additional descriptive information provided by Denver Public Library. Typed caption adhered to verso board mount, which incorrectly identifies the portrait as that of "American Horse." Includes inventory number: "840." Stamp on recto reads: "The Rookwood Postery Co."

Physical Description

1 folder12.5 x 19 cm.

Blom, Gertrude Duby. Proud of the hunt, 1943-1963. 1 folder.
Scope and Contents

A number of men happily pose with dead animals; one man is masked. Cataloguer supplied title. Technical notes on recto: "#3, F. 16, 11 sec." Additional number circled on recto: "3422"

Physical Description

1 folder14.5 x 12 cm.

Blom, Gertrude Duby. Chenal ho', 1962. 1 folder.
Scope and Contents

An older man and a young boy pose for the camera. Two illegible signatures on verso in the same ink, possibly those of Gertrude and Frans Blom. Title and date handwritten in pencil on recto, along with technical notes: "#3, F.11, 10 sec." Additional number circled on recto: "1269"

Physical Description

1 folder16.5 x 17.5 cm.

Blom, Gertrude Duby. Women and children laughing, dance, 1943-1963. 1 folder.
Scope and Contents

A group of smiling and laughing women and children look on as a man, dressed in a mask and holding a dead lizard appears to dance before them, facing the camera. Possibly taken at the same time as M2054. Techincal information written on recto in pencil has been erased, impressions seem to spell out: "946 25 sec., F. 22, #3"

Physical Description

1 folder17 x 18 cm.

Blom, Gertrude Duby. Group portrait by the trees, 1943-1963. 1 folder.
Scope and Contents

A group of women and children with one man, standing on the edge of some greenery. Title provided by cataloguer.

Physical Description

1 folder16.5 x 16.5 cm.

Blom, Gertrude Duby. Young girls, 1943-1963. 1 folder.
Scope and Contents

Two young girls posing admist a group of people, their heads and shoulders wrapped in scarves. Title provided by cataloger.

Physical Description

1 folder15.5 x 16.5 cm.

Blom, Gertrude Duby. Young girl, 1943-1963. 1 folder.
Scope and Contents

A young child looking into the camera. Title provided by cataloger. Top right hand of side stained, print itself a little dirty.

Physical Description

1 folder13 x 15.5 cm.

Blom, Gertrude Duby. Two children, 1943-1963. 1 folder.
Scope and Contents

Two young children pose for the camera with their heads together. Both wearing beads. Technical notes handwritten in pencil on recto: "#3, F.16, 6 sec." Additional number circled on recto: "41." Title supplied by cataloger.

Physical Description

1 folder16.5 x 11 cm.

Blom, Gertrude Duby. Older woman, 1943-1963. 1 folder.
Scope and Contents

A woman poses for the camera, eyes cast up and away. Technical notes handwritten in pencil on recto: "#3, F.16, 11 sec." Title supplied by cataloger.

Physical Description

1 folder16 x 18.5 cm.

Blom, Gertrude Duby. Three people with goods, 1943-1963. 1 folder.
Scope and Contents

Three people pose on a sidewalk with bags of vegetables and goods. Most likely the Lacandon Indians. Title supplied by cataloger.

Physical Description

1 folder17 x 13.5 cm.

Blom, Gertrude Duby. Street view (Chiapas), 1943-1963. 1 folder.
Scope and Contents

Street view, most likely in or around Chiapas, Mexico and possibly of the Lacandon Indians.Title supplied by cataloger.

Physical Description

1 folder18 x 24 cm.

Rodríguez, José Angel (1954). "Amaneciendo," San Andrés Larráinzar, Chiapas, 1970-1995. 1 folder.
Scope and Contents

Title and location handwritten on verso, as well as photographer's signature. Most likely the Tzotzil Indians.

Physical Description

1 folder24 x 25.5 cm.

Rodríguez, José Angel (1954). "Magdalenas y San Andreas" Sta. Marta mpo. de Larráinzar, Chiapas. 1995, 1995. 1 folder.
Scope and Contents

Title and location handwritten on verso, as well as photographer's signature. Most likely the Tzotzil Indians. Title possibly refers to the village of Santa Marta.

Physical Description

1 folder23.5 x 15.5 cm.

Bass, Edwin A.. Indian pueblo of Jemez, 1882-1885. 1 folder.
Scope and Contents

Title and inventory number: "No 10" printed on recto. Other information too faded to read. Local information and photographer's imprint printed on verso. Series name: "Characteristic New Mexico" printed, along with pasted title: "From Bernalillo to the Jemez Mountains" on verso. Damage along top of print, piece of image missing and print separating from board.

Physical Description

1 folder18 x 11.5 cm.

Randall, A. F. (A. Frank). Our picnic party. Dec. 30 83. Near Camp Apache Arizona, 1883. 1 folder.
Scope and Contents

A group of soldiers and women picnic on a slope near some trees. Title printed on recto. Some institutional and redundant descriptive notes on verso. Primary photographer identified by dealer; secondary photographer identified by cataloger in reference to uncertain authorship of some Randall prints.

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder19.5 x 11.5 cm.

Bass, Edwin A.. Kelly 1883. Elde[x]ton [&] Nunger's blacksmith shop, 1883. 1 folder.
Scope and Contents

A group of men and horses posed before a few structures in the mining town of Kelly, New Mexico. Title handwritten on verso, along with printed photographer's imprint. Title of series: "Characteristic Views of New Mexico, No. 2" "E.A. Bass, Photographer. Socorro, New Mexico." Brackets indicate where cataloger was uncertain of letter or symbol.

Physical Description

1 folder18 x 11 cm.

Wittick, Ben (1845-1903). Prehistoric ruins of Cañon de Chelly, Arizona Evening in the canyon, circa 1903. 1 folder.
Scope and Contents

Distant view of ruins from the floor of Canyon de Chelly with shadows cast by the setting sun. Native craftsman nearer the foreground. Title, copyright and attribution printed on recto, along with "No 746." Copyrighted in the year of the photographer's death.

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder24.5 x 19.5 cm.

Wittick, Ben (1845-1903). Prehistoric ruins of Cañon de Chelly, Ariz Ruins of White House cave town, circa 1903. 1 folder.
Scope and Contents

View of the White house ruins from the floor of Canyon de Chelly with four horses and riders nearer the foreground. Title, copyright and attribution printed on recto, along with "No 750." Part of image missing near the top edge, in the center of image. Copyrighted in the year of the photographer's death.

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder24 x 19 cm.

Southern Cheyenne sun dancers, 1890-1900. 1 folder.
Scope and Contents

Dealer identifies subject and content of print as the inside of a Medicine Lodge during a Sun Dance. A number of native men gathered inside a structure, preparing for a ceremony. Location information provided by cataloger based on traditional homelands of Southern Cheyenne culture. Postcard.

Physical Description

1 folder25 x 8.5 cm.

Pauly Jail Co. Cells in new Utah penitentiary, circa 1910. 1 folder.
Scope and Contents

Dating information gleaned from Deseret Evening News, May 11, 1909, Last Edition, Page 2 which states that the Pauly Jail Company was awarded the bid for building the new penitentiary. Title supplied by cataloger. Board along left edge of recto and top edge of verso has remnants of other cropped prints.

Physical Description

1 folder19 x 11.5 cm.

Moorhouse, Lee (1850-1926). Tohomish, circa 1900. 1 folder.
Scope and Contents

"Copyright 1900 by Lee Moorhouse" printed on recto. "Tohomish." typed and photographer's imprint stamped on verso. Possibly Cayuse, Nez Perce, or Umatilla Indians. Some damage, possibly to original negative, on lowerright corner of the recto. Studio based in Pendelton, Oregon.

Physical Description

1 folder15 x 20 cm.

Fair & Thompson. Peopeotalakt, circa 1904. 1 folder.
Scope and Contents

Full length portrait wearing feather bonnet and dentallium shell jewelry. Title and "Nez Perce Sub Chief" handwritten on recto; title partly illegible, additional information gleaned from Smithsonian Institution, National Anthropological Archives. Variation on name includes George Peo Peo Thalekt and Pio Pio Ta'likt. Photographer's imprint stamped (faded) on verso. Damage and creases along bottom edge and in each corner of the print. Studio located in Lewiston, Idaho.

Physical Description

1 folder16.5 x 23.5 cm.

Fair & Thompson. Peopeotalakt and squaw, circa 1904. 1 folder.
Scope and Contents

Peopeotalakt and his wife. Title and "Nez Perce" handwritten on recto; title partly illegible, additional information gleaned from Smithsonian Institution, National Anthropological Archives. Variation on name includes George Peo Peo Thalekt and Pio Pio Ta'likt. Photographer's imprint stamped (faded) on verso. Studio located in Lewiston, Idaho.

Physical Description

1 folder11.5 x 19.5 cm.

Moorhouse, Lee (1850-1926). Chief Fish Hawk, circa 1900. 1 folder.
Scope and Contents

Portrait of Chief Fish Hawk wearing a Pendleton blanket. "Copyright 1900 by Lee Moorhouse" stamped on recto, other copyright information on recto blurred and faded. Title handwritten on verso. Studio located in Pendleton, Oregon. Additional attribution information (Cayuse Indians) provided by National Anthropological Archives, Smithsonian Museum Support Center, Suitland, Maryland.

Physical Description

1 folder19.5 x 24.5 cm.

Chief Peo, circa 1900. 1 folder.
Scope and Contents

Full length portrait of Chief Peo in Western dress, horses and others in background. "PEO, Umatilla, Res. OR. Chief Umatilla's" written on recto. No photographer's imprint present. Date based on other photographs of the subject.

Physical Description

1 folder11.5 x 18 cm.

Purcell, H.. Steamboat launch, Coeur d'Alene, circa 1885. 1 folder.
Scope and Contents

Steamboat launch and steamboat along with other buildings in Coeur d'Alene, Idaho. Title supplied by cataloger. Verso has typed series description and photographer attribution: "Views of Coeur d'Alene, Idaho and Vicinity published by H. Purcell, Photographer" along with list of 65 prints available. That information indicates this steamboat perhaps the 'Amalia Wheaton,' 'Coeur d'Alene,' or 'General Sherman.' Date derived from dates of other photographs listed in series.

Physical Description

1 folder21 x 13 cm.

Purcell, H.. Miner's boarding houses, Coeur d'Alene, circa 1885. 1 folder.
Scope and Contents

Miner's boarding houses with assembled miners in Coeur d'Alene, Idaho. Title handwritten in ink on verso, along with typed series description and photographer attribution: "Views of Coeur d'Alene, Idaho and Vicinity published by H. Purcell, Photographer" along with list of other prints available.

Physical Description

1 folder21 x 14 cm.

Purcell, H.. View on Main Street looking east, Wardner, Idaho, circa 1885. 1 folder.
Scope and Contents

Very likely view down Main Street looking east, Wardner, Idaho. Verso features typed series description and photographer attribution: "Views of Coeur d'Alene, Idaho and Vicinity published by H. Purcell, Photographer" along with list of other prints available. Blue pencil line indicates print under subseries "Views of Wardner and Vicinity." Damage along top two corners of print.

Physical Description

1 folder20.5 x 15 cm.

Purcell, H.. Wardner looking west, circa 1885. 1 folder.
Scope and Contents

Very likely Wardner, Idaho looking west. Verso features typed series description and photographer attribution: "Views of Coeur d'Alene, Idaho and Vicinity published by H. Purcell, Photographer" along with list of other prints available. Blue pencil line indicates print under subseries "Views of Wardner and Vicinity." Damage on bottom left corner.

Physical Description

1 folder20.5 x 14 cm.

Purcell, H.. Wardner looking east, circa 1885. 1 folder.
Scope and Contents

Very likely Wardner, Idaho looking east. Verso features typed series description and photographer attribution: "Views of Coeur d'Alene, Idaho and Vicinity published by H. Purcell, Photographer" along with list of other prints available. Blue pencil line indicates print under subseries "Views of Wardner and Vicinity." Image very faded; crease near upperright corner.

Physical Description

1 folder20.5 x 15 cm.

Bowen, J.O.. Scene on Main St. Wardner, Idaho, circa 1885. 1 folder.
Scope and Contents

People, animals and a few shops lining Main Street in Wardner, Idaho. "Gove & Crane General Merchandise" shop featured near the foreground. Title handwritten in pencil on verso. Good quality with little fading; pink ink stain near bottom of print. Photographer's wetstamp imprint on verso, but no additional information determined. Related to M2084.

Physical Description

1 folder19.5 x 11.5 cm.

Bowen, J.O.. Scene on Main St. Wardner, Idaho, circa 1885. 1 folder.
Scope and Contents

People, animals and a few shops lining Main Street in Wardner, Idaho. Title handwritten in pencil on verso. Photographer's wetstamp imprint on verso, but no additional information determined. Related to M2083.

Physical Description

1 folder18.5 x 11.5 cm.

Four men in a boat, lakeside, circa 1885. 1 folder.
Scope and Contents

Four men in a rowboat on the shore of a lake. No other information available. Dealer information points to Idaho as most likely location; perhaps the shore of Lake Coeur d'Alene. Title supplied by cataloger. Possibly related to M2086 and M2087.

Physical Description

1 folder20.5 x 14 cm.

Two men with tools by a shelter, circa 1885. 1 folder.
Scope and Contents

Two men, most likely miners or lumberjacks, near a working building. No other information available. Dealer information points to Idaho as most likely location. Title supplied by cataloger. Possibility related to M2085 and M2087.

Physical Description

1 folder20 x 14 cm.

Lumber encampment?, circa 1885. 1 folder.
Scope and Contents

High view of a forest, structures and evidence of human activity on the forest floor. Perhaps felled trees. No other information available. Dealer information points to Idaho as most likely location. Title supplied by cataloger. Possibly related to M2085 and M2086.

Physical Description

1 folder21 x 15 cm.

Huffman, L. A. (Laton Alton) (1854-1931). Young Plenty Bird in costume, circa 1895. 1 folder.
Scope and Contents

Standing portrait of Young Plenty Bird standing by tipi in full native costume, very likely a dance costume. A Native American woman and a horse stands nearby. Photograph mounted on 17x28 cm. board, creased down the center. Inventory number "203" appears in lowerright corner of print.

Physical Description

1 folder15 x 21 cm.

Muhr, Adolph F. (1913). Afraid of Eagle, circa 1898. 1 folder.
Scope and Contents

Copyright 1898. Head and shoulders portrait of Afraid of Eagle, Native American Sioux (Lakota) wearing a headdress, cotton shirt and a quilled vest. Handlettered inventory number "No. 864" in lowerright corner. Afraid of Eagle was present at the Little Big Horn, and later joined Sitting Bull in Canada before returning to the United States in 1880. Additional descriptive information adapted from the Denver Public Library. Title derived from handwritten information in print.

Physical Description

1 folder23 x 18 cm.

Muhr, Adolph F. (1913). Leader (NikaGohe), circa 1900. 1 folder.
Scope and Contents

Printed on verso: "No. 1580." Copyright 1900. Possibly taken at the TransMississippi and International Exposition in 1898 or the Greater American Exposition in 1899.

Physical Description

1 folder23 x 18 cm.

Muhr, Adolph F. (1913). Many Horses, circa 1900. 1 folder.
Scope and Contents

Printed on verso: "No. 1579." Copyright 1900. Possibly taken at the TransMississippi and International Exposition in 1898 or the Greater American Exposition in 1899.

Physical Description

1 folder23 x 18 cm.

Savage, C. R. (Charles Roscoe) (1832-1909). Eagle Gate and school house of President Young, 1870-1875. 1 folder.
Scope and Contents

Utah, illustrated by C. R. Savage.

Title from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.

Physical Description

1 folder9 x 17.5 cm.

Savage, C. R. (Charles Roscoe) (1832-1909). Shore of Salt Lake, Wahsatch Mountains in the distance, 1870-1875. 1 folder.
Scope and Contents

Utah, illustrated by C. R. Savage.

Title from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.

Physical Description

1 folder9 x 17.5 cm.

Savage, C. R. (Charles Roscoe) (1832-1909). Residence of President Brigham Young, front, 1870-1875. 1 folder.
Scope and Contents

Utah, illustrated by C. R. Savage.

Title adapted from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.

Physical Description

1 folder9 x 17.5 cm.

Savage, C. R. (Charles Roscoe) (1832-1909). President Brigham Youngborn June 1st, 1801, 1870-1875. 1 folder.
Scope and Contents

Utah, illustrated by C. R. Savage.

Title adapted from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.

Physical Description

1 folder9 x 17.5 cm.

Savage, C. R. (Charles Roscoe) (1832-1909). Foundation of Temple, old and New Tabernacles, 1870-1875. 1 folder.
Scope and Contents

Utah, illustrated by C. R. Savage.

Title from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.

Physical Description

1 folder9 x 17.5 cm.

Savage, C. R. (Charles Roscoe) (1832-1909). City Creek Aqueduct, North Temple Street, 1870-1875. 1 folder.
Scope and Contents

Utah, illustrated by C. R. Savage.

Title from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.

Physical Description

1 folder9 x 17.5 cm.

Savage, C. R. (Charles Roscoe) (1832-1909). Devil's Slide, front view, circa 1866. 1 folder.
Scope and Contents

Union Pacific Railroad, illustrated by C. R. Savage.

Title from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.

Physical Description

1 folder9 x 17.5 cm.

Savage, C. R. (Charles Roscoe) (1832-1909). One Thousand Mile Tree, circa 1866. 1 folder.
Scope and Contents

Union Pacific Railroad, illustrated by C. R. Savage.

Title from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.

Physical Description

1 folder9 x 17.5 cm.

Savage, C. R. (Charles Roscoe) (1832-1909). Church Buttes, a wash, circa 1866. 1 folder.
Scope and Contents

Union Pacific Railroad, illustrated by C. R. Savage.

Title from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.

Physical Description

1 folder9 x 17.5 cm.

Savage, C. R. (Charles Roscoe) (1832-1909). Devil's Gate, Weber Canon, circa 1866. 1 folder.
Scope and Contents

Union Pacific Railroad, illustrated by C. R. Savage.

Title from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.

Physical Description

1 folder9 x 17.5 cm.

Underwood & Underwood. New Tabernacle, Salt Lake, Utah, circa 1866. 1 folder.
Scope and Contents

Title from typescript caption in print, inventory number cropped but reads "1255.". Photographer and distributor information along right and left sides of recto; verso is blank. Manuscript caption reads: "Lottie L. Tillotson visited 1899." Related materials might be found in The Lottie L. Tillotson Collection at the Autry National Center Institute for the Study of the American West.

Physical Description

1 folder9 x 17.5 cm.

Keystone view company. Interior of Mormon Tabernacle, Utah, U.S.A, circa 1897. 1 folder.
Scope and Contents

Title from typescript caption below print, inventory number "6023." Photographer and distributor information along right and left sides of recto; verso has historic information. Manuscript caption reads: "Lottie L. Tillotson visited Nov. + Dec. 1899." Related materials might be found in The Lottie L. Tillotson Collection at the Autry National Center Institute for the Study of the American West.

Physical Description

1 folder9 x 17.5 cm.

Reilly, John James (1838-1894). Residence of Brigham Young, Salt Lake, Utah, 1880-1900. 1 folder.
Scope and Contents

Views of American Scenery

Title from typescript caption below print, inventory number "384." Photographer and series information along right and left sides of recto; verso is blank. Manuscript caption reads: "Lottie L. Tillotson visited 1900." Related materials might be found in The Lottie L. Tillotson Collection at the Autry National Center Institute for the Study of the American West.

Physical Description

1 folder9 x 17.5 cm.

Kilburn Brothers. The Amelia Palace, Salt Lake City, Utah, 1880-1900. 1 folder.
Scope and Contents

Title from typescript caption below print, inventory number "3255." Photographer inprint on verso. Manuscript caption reads: "Lottie L. Tillotson visited Nov. 1899." Related materials might be found in The Lottie L. Tillotson Collection at the Autry National Center Institute for the Study of the American West.

Physical Description

1 folder9 x 17.5 cm.

Webster & Albee. Bathing, Saltair, Utah, circa 1890-1899. 1 folder.
Scope and Contents

Title from typescript caption in print, inventory number "3021." Publisher and distributor information along right and left sides of recto; verso is blank.Manuscript caption reads: "Lottie L. Tillotson visited Nov. 1899." Related materials might be found in The Lottie L. Tillotson Collection at the Autry National Center Institute for the Study of the American West.

Physical Description

1 folder9 x 17.5 cm.

Keystone view company. Assembly Hall, Utah, U.S.A, circa 1897. 1 folder.
Scope and Contents

Title from typescript caption below print, inventory number "6045." Photographer and distributor information along right and left sides of recto; verso has historic information. Manuscript caption reads: "Lottie L. Tillotson visited 1899." Related materials might be found in The Lottie L. Tillotson Collection at the Autry National Center Institute for the Study of the American West.

Physical Description

1 folder9 x 17.5 cm.

Carter, C. W.. Jos Smith preaching to Indians, 1867-1896. 1 folder.
Scope and Contents

Mormon Celebrities by C. W. Carter

Title from manuscript caption on verso, along with possible inventory number "315." Photographer imprint printed on verso.

Physical Description

1 folder9 x 17.5 cm.

Wahsatch range from university, 1870-1900. 1 folder.
Scope and Contents

Title from manuscript caption on recto. Notation "A. 14" on verso. No other information available.

Physical Description

1 folder9 x 17.5 cm.

Carter, C. W.. Church Buttes, U.P.R.R., 145 miles from Salt Lake City, 1867-1896. 1 folder.
Scope and Contents

Stereoscopic Gems of Utah Scenery by C. W. Carter

Title from typescript caption on recto; photographer and series information appear on left and right sides of recto. Photographer imprint printed on verso. Two manuscript inventory numbers read "A. 28" and "221." "221" matches identical notation on related print at the New York Public Library.

Physical Description

1 folder9 x 17.5 cm.

Gardo House, Salt Lake City, 1870-1900. 1 folder.
Scope and Contents

Title from manuscript caption in lower righthand corner of print. No other information available.

Physical Description

1 folder10.5 x 16.5 cm.

Interior of Tabernacle, 1870-1900. 1 folder.
Scope and Contents

Title from manuscript caption in lower left-hand corner of print. No other information available.

Physical Description

1 folder10.5 x 16.5 cm.

Johnson Co. Grave of Brigham Young, circa 1890-1899. 1 folder.
Scope and Contents

Title and attribution from manuscript notations in print. Additional notation "3. X. G." Photographer's imprint (C. E. Johnson) and advertisement on verso.

Physical Description

1 folder10.5 x 16.5 cm.

Johnson Co. Mormon Tabernacle, circa 1890-1899. 1 folder.
Scope and Contents

Title, location, and attribution from manuscript notations in print. Additional notation "5. X. L." Photographer's imprint (C. E. Johnson) and advertisement on verso.

Physical Description

1 folder10.5 x 16.5 cm.

Johnson Co. Temple Block, circa 1890-1899. 1 folder.
Scope and Contents

Title, location, and attribution from manuscript notations in print. Additional notation "5. X. R." Photographer's imprint (C. E. Johnson) and advertisement on verso.

Physical Description

1 folder10.5 x 16.5 cm.

Savage, C. R. (Charles Roscoe) (1832-1909). Assembly Hall, circa 1890-1899. 1 folder.
Scope and Contents

Title from manuscript caption in print. Photographer's imprint and studio advertisement on verso.

Physical Description

1 folder10.5 x 16.5 cm.

Savage, C. R. (Charles Roscoe) (1832-1909). Utah's best crop, circa 1890-1899. 1 folder.
Scope and Contents

Title from printed title in print. Photographer's imprint and studio advertisement on verso.

Physical Description

1 folder13.5 x 21.5 cm.

Johnson Co. The Unihalle (city and county building), circa 1890-1899. 1 folder.
Scope and Contents

Title, location, and attribution from manuscript notations in print. Additional notation "4. X. B." Photographer's imprint (C. E. Johnson) and advertisement on verso.

Physical Description

1 folder13.5 x 21.5 cm.

Johnson Co. Mormon Tabernacle and Temple, circa 1890-1899. 1 folder.
Scope and Contents

Title, location, and attribution from manuscript notations in print. Additional notation "4. X. B." Verso is blank.

Physical Description

1 folder13.5 x 21.5 cm.

Mormon Temple, circa 1890-1899. 1 folder.
Scope and Contents

Title from manuscript notation in print, along with "SJ Photo" and inventory number "768." Verso features advertisement for what it likely the distributor: E. Mehesy. No additional information is available.

Physical Description

1 folder13.5 x 21.5 cm.

Brigham Young's grave, 1870-1900. 1 folder.
Scope and Contents

Title from manuscript caption in print; verso is blank. No additional information available.

Physical Description

1 folder10.5 x 16.5 cm.

Shipler, Harry (1878-1961). Tithing office, Lion and Beehive houses and northeast part of city, circa 1890-1899. 1 folder.
Scope and Contents

Shipler's Western Views

Title derived from inventory number "No. 14" that appears in print and corresponds to typescript title list on verso. Photographer's studio advertisement and series information on verso.

Physical Description

1 folder10 x 15 cm.

Shipler, Harry (1878-1961). The Lion House, circa 1890-1899. 1 folder.
Scope and Contents

Shipler's Western Views

Title derived from inventory number "9" that appears in print and corresponds to typescript title list on verso. Photographer's studio advertisement and series information on verso.

Physical Description

1 folder10 x 15 cm.

Shipler, Harry (1878-1961). The Beehive House, circa 1890-1899. 1 folder.
Scope and Contents

Shipler's Western Views

Title derived from inventory number "No. 10" that appears in print and corresponds to typescript title list on verso. Photographer's studio advertisement and series information on verso.

Physical Description

1 folder10 x 15 cm.

Goodman, Charles (1843-1912). Artesian well, circa 1908. 1 folder.
Scope and Contents

Title provided by cataloger. Photographer's imprint and series information on verso. Related print at J. Willard Marriott Library, University of Utah has caption that reads:"Bluff City artesian well number one. Struck water on November 3rd, 1908."

Physical Description

1 folder10 x 15 cm.

Goodman, Charles (1843-1912). Utah landscape, circa 1908. 1 folder.
Scope and Contents

Title provided by cataloger. Photographer's stamp on verso. Manuscript notation in pencil on verso appears to read: "? Katie from Ma."

Physical Description

1 folder10 x 15 cm.

Muhr, Adolph F. (1913). Chief Little Wound, circa 1899. 1 folder.
Scope and Contents

Head and shoulders portrait of Chief Little Wound, a Native American Oglala Sioux (Lakota) man, holding a ceremonial pipe, wearing a war bonnet headdress, a shirt decorated with quillwork and fringe, and a medal pendant. Taken at the TransMississippi and International Exposition in 1898. Title, photographer, "No. 1445" handlettered on original. Copyright date apparently changed from 1898. Descriptive information derived from the Denver Public Library.

Physical Description

1 folder23.5 x 19 cm.

Ruidoso General Store, circa 1900. 1 folder.
Scope and Contents

A reproduction of an early 20th century photomechanical print. Eleven people, including a number of Native Americans, stand in front of the Ruidoso, New Mexico general store and post office. The date of the reproduction is unknown.

Physical Description

1 folder21 x 28 cm.

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Barry, D. F. (David Francis) (1854-1934). Barry's prefabricated gallery at Fort Buford, 1880-1883. 1 folder.
Scope and Contents

D.F. Barry stands with Chief Shields in front of Barry's prefabricated gallery at Fort Buford, North Dakota. Photographer's blind stamp directly on image and twice on the 20 x 23 cm. mount recto. Photographer's stamp pasted on verso, along with manuscript notation "Barry's Frontier Photo Gallery." Title and date information derived from captions in "The Little Shadow Catcher" by Thomas M. Heski. Corresponds to negative B549 at the Denver Public Library.

Physical Description

1 folder10 x 15 cm.

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Barry, D. F. (David Francis) (1854-1934). Dakota feast dance, circa 1880-1889. 1 folder.
Scope and Contents

Native Americans, likely Dakota or Lakota, dance on the Standing Rock Indian Reservation. Title provided by cataloger. Manuscript notation on verso reads: "Sioux feast dance" and "135." Manuscript notation "No. 91" scratched out. Photographer's imprint pasted on back of card.

Physical Description

1 folder15.5 x 23 cm.

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Poley, H. S. (Horace Swartley). Erecting pole framework of tepee, 1913 September 1. 1 folder.
Scope and Contents

Native American (Ute) women erect a set of tepee poles near a sandstone rock formation at Garden of the Gods, El Paso County, Colorado. Two women hold onto the poles while a third stands near the rolled tepee cover. A group of men sit and stand nearby. The women wear dresses and shawls. Some men wear hats. Description from the Denver Public Library, call number P1317. Stamp from the Kansas City school distinct on verso of print, along with typed title and inventory numbers. Mounted on 30 x 24 cm. board.

Physical Description

1 folder20 x 15 cm.

Poley, H. S. (Horace Swartley). Ute women fastening canvas to end pole, 1913 September 1. 1 folder.
Scope and Contents

Native American (Ute) women tie canvas to a wooden pole underneath four erect tepee poles at Garden of the Gods, El Paso County, Colorado. Three tepees stand nearby. Groups of men and women sit and stand near one tepee as well as on a sandstone rock formation in the distance. The tepees are separated by groups of bushes. Description from the Denver Public Library, call number P1320. Stamp from the Kansas City school distinct on verso of print, along with typed title and inventory numbers. Mounted on 30 x 24 cm. board.

Physical Description

1 folder16 x 21 cm.

Poley, H. S. (Horace Swartley). Setting up tepee: raising pole with canvas, 1913 September 1. 1 folder.
Scope and Contents

Native American (Ute) women hold a wooden pole draped with tepee canvas near four other erect tepee poles at Garden of the Gods, El Paso County, Colorado. The tepee frame is near a group of bushes, flanked by a completed tepee and another tepee frame. A wooden electrical pole is in the distance. The women are probably in Colorado Springs for the Shan Kive (Colorado Springs Carnival). Description from the Denver Public Library, call number P1327. Stamp from the Kansas City school distinct on verso of print, along with typed title and inventory numbers. Mounted on 30 x 24 cm. board.

Physical Description

1 folder21 x 15 cm.

Poley, H. S. (Horace Swartley). Setting up tepee: bringing canvas around the poles, 1913 September 1. 1 folder.
Scope and Contents

Native American (Ute) women stand and sit near a partially constructed tepee at Garden of the Gods, El Paso County, Colorado. One woman spreads the tepee canvas over the erect poles. A pile of household items, including a blanket and possibly a drum, stands near the tepee poles. Other tepees stand nearby. A white man and boy in hats look on. Native American men stand on a rock formation in the distance. They are probably in Colorado Springs for the Shan Kive (Colorado Springs Carnival). Description from the Denver Public Library, call number P1329. Stamp from the Kansas City school distinct on verso of print, along with typed title and inventory numbers. Mounted on 30 x 24 cm. board.

Physical Description

1 folder15 x 21 cm.

Poley, H. S. (Horace Swartley). Canvas brought completely around poles (Setting up tepee), 1913 September 1. 1 folder.
Scope and Contents

Native American (Ute) woman reaches down to place pegs into the ground in order to stretch the canvas of an erected tepee at Garden of the Gods, El Paso County, Colorado. The woman wears a dress and a blanket tied around her waist. A group of bushes stands in the distance. She is probably in Colorado Springs for the Shan Kive (Colorado Springs Carnival). Description from the Denver Public Library, call number P1323. Stamp from the Kansas City school distinct on verso of print, along with typed title and inventory numbers. Mounted on 30 x 24 cm. board.

Physical Description

1 folder20 x 15 cm.

Poley, H. S. (Horace Swartley). Setting up the tepee: placing pole in smoke vent regulator, 1913 September 1. 1 folder.
Scope and Contents

A Native American (Ute) woman points a wooden tepee pole at the smoke hole of a partially constructed tepee at Garden of the Gods, El Paso County, Colorado. Another woman bends toward a pile of household items near the tepee. A tepee frame stands nearby. The women are probably in Colorado Springs to attend the Shan Kive (Colorado Spring Carnival). Description from the Denver Public Library, call number P1331. Stamp from the Kansas City school distinct on verso of print, along with typed title and inventory numbers. Mounted on 30 x 24 cm. board.

Physical Description

1 folder20 x 15 cm.

Poley, H. S. (Horace Swartley). Setting up tepee: squaw driving tent pins, 1913 September 1. 1 folder.
Scope and Contents

Native American (Ute) women stretch canvas over erect tepee poles at Garden of the Gods, El Paso County, Colorado. Piles of household materials, including rolls of canvas, stand near the tepee. Other complete and incomplete tepees stand nearby. They are probably in Colorado Springs to attend the Shan Kive (Colorado Springs Carnival). Description from the Denver Public Library, call number P1330. Stamp from the Kansas City school distinct on verso of print, along with typed title and inventory numbers. Mounted on 30 x 24 cm. board.

Physical Description

1 folder15 x 20.5 cm.

Poley, H. S. (Horace Swartley). Hopi family about their doorway, 1899. 1 folder.
Scope and Contents

Native American (Hopi) women, one (possibly Nampeyo), and children, sit and stand outside a Pueblo home at Walpi Pueblo, First Mesa, Arizona; the adobe home is next to a stone and adobe building; the home has two paned windows, an open door, thin wooden vigas, and a flat roof; a wooden ladder, upon which a woman climbs, rests against the front of the home; one boy sits next to a metal pail on the roof; two women and three children stand on a raised, uncovered porch; on the porch are a metal pan and can, three blankets, three clay bowls, a clay pot, and a dog; women and girls wear dresses, one wears an apron, one wears a shawl; boy wears moccasins, pants, and shirt. Description from the Denver Public Library, call number P95. Stamp from the Kansas City school distinct on verso of print, along with typed title and inventory numbers. Mounted on 30 x 24 cm. board. Date information conflicts: verso reads 1927, but Denver Library (which holds the negative) has a print copyright 1899.

Physical Description

1 folder15 x 20 cm.

Poley, H. S. (Horace Swartley). Ute wickiup, group playing cards, 1908. 1 folder.
Scope and Contents

View of a brush shelter and covered wagon at Towaoc, Montezuma County, Colorado; a group of unidentified Native American (Ute) men and (possibly) women sit in a circle near a brush shelter; men look on. Description adapted from the Denver Public Library from a related print, call number P47. Stamp from the Kansas City school distinct on verso of print, along with typed title and inventory numbers. Mounted on 30 x 24 cm. board. Game referred to as "monte game" at Denver Library.

Physical Description

1 folder13 x 20 cm.

Jackson, William Henry (1843-1942). Chief Colorow, 1880-1888. 1 folder.
Scope and Contents

name and inventory number 4213 written on negative. Mounted on a promenade card, 20 x 12.5 cm.

Jackson, William Henry (1843-1942)
Biographical / Historical

American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.

Physical Description

1 folder18.5 x 11 cm.

Brown, William Henry (1844-1886). San Miguel Church, circa 1866. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 67

Written on recto: "San Miguel Church, no. 67." Cataloger supplied series title.

Physical Description

1 folder11 x 18 cm.

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Brown, William Henry (1844-1886). Dos cargas = Two loads, circa 1866. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 43

Written on recto: "'Dos cargas' Two loads, no. 43." Cataloger supplied series title.

Physical Description

1 folder11 x 18 cm.

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C.W. Woodward (Firm). Distant view of Mouqui, height 1,800 feet above valley, 1871. 1 folder.
Scope and Contents

California and Colorado scenery ; 1906

Originally taken in 1871 during John Wesley Powell's second expedition down the Colorado River. Beaman's photographs were published ca. 1900 as part of a series by C.W. Woodward of Rochester, N.Y.

Physical Description

1 folder9 x 18 cm.

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McLeish & Pasel. Chippewa wigwam, Ft. Wm. [Fort William], circa 1880. 1 folder.
Scope and Contents

Lake Superior scenery : north shore ; 359

Physical Description

1 folder9 x 18 cm.

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E. & H.T. Anthony (Firm). Teton Range : northeast, circa 1875. 1 folder.
Scope and Contents

Rocky Mountain series ; 68

Printed on recto: "Views in the Rocky Mountains, Prof. F.V. Hayden in charge"; "Dep't of Interior, U.S. Geological Survey of the Territories." Published by E. & H.T. Anthony & Co., possibly ca. 1900.

Jackson, William Henry (1843-1942)
Biographical / Historical

American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.

Physical Description

1 folder10 x 18 cm.

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International Stereograph Co.. Rockribbed and ancient as the sun : Box Canon, Ouray, Col., U.S.A, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "20753." Copyright 1905.

Physical Description

1 folder9 x 18 cm.

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W.H. Jackson Photograph and Publishing Co.. Berthoud Pass, circa 1885. 1 folder.
Scope and Contents

Views of Colorado : Middle Park series ; 2101

Physical Description

1 folder10 x 18 cm.

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Bohm, Charles. Hotel, Lily Mountain, and Long's Peak, circa 1870. 1 folder.
Scope and Contents

Printed on verso: "No. 5." Written on verso: "Estes Park."

Physical Description

1 folder10 x 18 cm.

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Kilburn, B. W. (Benjamin West) (1827-1909). Great loop, Silver Plume, Col., U.S.A, 1891. 1 folder.
Scope and Contents

Printed on recto: "4398."

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Daring little equestrian : Clear Creek Canyon, Colo., U.S.A, circa 1901. 1 folder.
Scope and Contents

Printed on recto: "11654." Copyright 1901.

Physical Description

1 folder9 x 18 cm.

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Walker Opera, Salt Lake City, Utah, circa 1880. 1 folder.
Scope and Contents

American series

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Savage, C. R. (Charles Roscoe) (1832-1909). Kannara Canon, Southern Utah, circa 1870. 1 folder.
Scope and Contents

Utah

Physical Description

1 folder9 x 18 cm.

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Savage, C. R. (Charles Roscoe) (1832-1909). Tunnel no. 3 : Weber Canyon, circa 1870. 1 folder.
Scope and Contents

U.P.R.R. series

Label on verso covers printed text.

Physical Description

1 folder9 x 18 cm.

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Central Pacific Railroad Company. Lower Weber Canyon, looking west, Devil's Gate Bridge in the foreground, circa 1880. 1 folder.
Scope and Contents

American views : Pacific Rail Road ; 7134

Physical Description

1 folder9 x 18 cm.

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Shipler, James William (1849-1913). Ferryboat at St. Clair, circa 1890. 1 folder.
Scope and Contents

Shipler's views of Montana scenery : Montana Central Railway series ; 127

Physical Description

1 folder11 x 18 cm.

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O'Sullivan, Timothy H. (1840-1882). Ruins in Canon de Chelle, N.M., in a cavity in the wall, 60 feet above present bed of canon, 1873. 1 folder.
Scope and Contents

Expedition of 1873 ; no. 12

Printed on verso: "F. 87." Taken during the Geographical Surveys West of the 100th Meridian commanded by George M. Wheeler.

Physical Description

1 folder10 x 18 cm.

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O'Sullivan, Timothy H. (1840-1882). Camp Beauty, Canon de Chelle, 1873. 1 folder.
Scope and Contents

Expedition of 1873 ; no. 25

Taken during the Geographical Surveys West of the 100th Meridian commanded by George M. Wheeler.

Physical Description

1 folder10 x 18 cm.

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O'Sullivan, Timothy H. (1840-1882). Central portion of Canon de Chelle, New Mexico, 1873. 1 folder.
Scope and Contents

Expedition of 1873 ; no. 16

Printed on verso: "F. 12." Taken during the Geographical Surveys West of the 100th Meridian commanded by George M. Wheeler.

Physical Description

1 folder10 x 18 cm.

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W.H. Jackson Photograph and Publishing Co.. Mexican cart and plow, circa 1885. 1 folder.
Scope and Contents

Views of New Mexico : San Juan, Santa Clara, Santa Cruz, &c. ; 2512

Physical Description

1 folder10 x 18 cm.

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Brown, William Henry (1844-1886). Bird's eye view from college, northwest, circa 1866. 1 folder.
Scope and Contents

Santa Fe vicinity ; no. 33

Physical Description

1 folder11 x 18 cm.

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Continent Stereoscopic Company. Street scene in Santa Fe, New Mexico, circa 1885. 1 folder.
Scope and Contents

Descriptive views of the American continent ; 787

Physical Description

1 folder11 x 18 cm.

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Gurnsey, B. H. (Byron H.) (1833-1880). Soldiers' Monument, Santa Fe, New Mexico, circa 1875. 1 folder.
Scope and Contents

Gurnsey's Rocky Mountain views : views on the line of the A., T., & S.F.R.R. ; no. 214

Written on recto: "Arms 336."

Physical Description

1 folder10 x 18 cm.

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Kilburn, B. W. (Benjamin West) (1827-1909). Oldest house in Santa Fe, New Mexico, U.S.A, 1890. 1 folder.
Scope and Contents

Printed on recto: "5431." Written on verso: "Mrs. Dokk s 1st yak 9/2/64 3/35 (2) [sic]."

Physical Description

1 folder9 x 18 cm.

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Brown, William Henry (1844-1886). Bird's eye view north from college, circa 1866. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 30

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Bird's eye view east from college, circa 1866. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 35

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Gurnsey, B. H. (Byron H.) (1833-1880). Sioux Falls, D.T. [Dakota Territory], circa 1860. 1 folder.
Scope and Contents

North Western views

Written on recto: "542." Written on verso: "Sioux Falls, D.T."

Physical Description

1 folder9 x 18 cm.

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Harrowing : Grandin Farm, Dakota, circa 1895. 1 folder.
Scope and Contents

American views

Physical Description

1 folder9 x 18 cm.

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Buehman, Henry (1851-1912). Main altar in San Xavier Mission, Arizona, 1876. 1 folder.
Scope and Contents

Arizona scenes

Written on verso: "Main altar in San Xavier Mission, Arizona."

Physical Description

1 folder11 x 18 cm.

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Union View Co. Aztec houses at Mouqui Pueblos, four stories high, 1871. 1 folder.
Scope and Contents

California and Colorado ; 1910

Originally taken in 1871 during John Wesley Powell's second expedition down the Colorado River.

Physical Description

1 folder9 x 18 cm.

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O'Sullivan, Timothy H. (1840-1882). Circle Wall, Canon de Chelle, 1873. 1 folder.
Scope and Contents

Expedition of 1873 ; no. 22

Taken during the Geographical Surveys West of the 100th Meridian commanded by George M. Wheeler.

Physical Description

1 folder10 x 18 cm.

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Bell, William (1830-1910). Northern wall of the Grand Canon of the Colorado, near the foot of Toroweap Valley, 1872. 1 folder.
Scope and Contents

Expedition of 1872 ; no. 14

Printed on recto: "105." Taken during the Geographical Surveys West of the 100th Meridian commanded by George M. Wheeler.

Physical Description

1 folder10 x 18 cm.

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Underwood & Underwood. From Red to San Francisco Mountains : a woody wilderness in sunkissed Arizona, circa 1903. 1 folder.
Scope and Contents

Printed on recto: "2." Copyright 1903.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. O'Neills Point, Grand Canyon of the Colorado, Arizona, U.S.A, circa 1901. 1 folder.
Scope and Contents

Printed on recto: "11637." Copyright 1901.

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Miner's little daughter photographing the president : President McKinley and his little friends of Arizona, circa 1901. 1 folder.
Scope and Contents

Printed on recto: "35." Copyright 1901.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Grand Canyon from El Tovar Hotel, Arizona, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "29096"; "T143."

Physical Description

1 folder9 x 18 cm.

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Western Stereoscopic Company. Silver Cy., N.M, circa 1902. 1 folder.
Scope and Contents

Printed on recto: "No. 102."

Physical Description

1 folder9 x 18 cm.

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Western Stereoscopic Company. Copper mines, Santa Rita, circa 1902. 1 folder.
Scope and Contents

Printed on recto: "No. 96."

Physical Description

1 folder9 x 18 cm.

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Continent Stereoscopic Company. New Albuquerque, New Mexico, circa 1880. 1 folder.
Scope and Contents

Descriptive views of the American continent

Written on verso: "Probably by E. Conklin, 1870s"; "New Albuquerque, New Mexico." Stamp on verso: Thos. Hough & Son, Paterson, N.J.

Physical Description

1 folder11 x 18 cm.

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Evans, F. E. (Frank E.) (1856). Looking up the Pecos River from the old Pecos church, circa 1885. 1 folder.
Scope and Contents

Written on recto: "New Mexica [sic]." Written on verso: "Looking up the Pecos River from the old Pecos church."

Physical Description

1 folder9 x 18 cm.

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Bishops Garden at Santa Fe, N.M, circa 1870. 1 folder.
Scope and Contents

Written on verso: "Bishops Garden at Santa Fe, N.M."

Physical Description

1 folder10 x 18 cm.

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Nims, F. A.. Burro Alley, circa 1882. 1 folder.
Scope and Contents

Views of Rocky Mountain scenery : New Mexican series ; 230

Printed on verso: "Scenes on the line of the Atchison, Topeka, and Santa Fe Railway."

Physical Description

1 folder10 x 18 cm.

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Wittick & Bliss. Santa Fe, New Mexico, circa 1878. 1 folder.
Scope and Contents

Views of Indian Territory, New Mexico, and Southwest

Physical Description

1 folder10 x 18 cm.

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Bliss, W. P.. Santa Fe, New Mexico, circa 1878. 1 folder.
Scope and Contents

Views of Indian Territory, New Mexico, and Southwest

Written on verso: "Santa Fe from N.E."

Physical Description

1 folder10 x 18 cm.

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W.H. Jackson Photograph and Publishing Co.. San Francisco Street, Santa Fe, N.M, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "2917."

Physical Description

1 folder10 x 18 cm.

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Brown, William Henry (1844-1886). Plaza, circa 1866. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 53

Written on recto: "The plaza, no. 53" Cataloger supplied series title.

Physical Description

1 folder11 x 18 cm.

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Underwood & Underwood. From Kohl Bldg. W. to Fairmount Hotel and Nob Hill, once rich and splendid San Francisco, Cal, 1906. 1 folder.
Scope and Contents

Printed on recto: "3222."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. From Howard and 7th Strs. over blocks of ruins to post office and city hall, San Francisco, Cal, 1906. 1 folder.
Scope and Contents

Printed on recto: "8188."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. From wreck of famous Chinese store, Sing Fat & Co., N.E. to hall of justice, 1906. 1 folder.
Scope and Contents

Printed on recto: "8247."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Dwellings of the homeless : shelter built of wreckage near ruined city hall, San Francisco, Cal, 1906. 1 folder.
Scope and Contents

Printed on recto: "8198."

Physical Description

1 folder9 x 18 cm.

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Hazeltine, M. M. (Martin Mason) (1827-1903). Mt. Watkins from South Dome, 1870. 1 folder.
Scope and Contents

California : YoSemite Valley ; 1164

Printed on verso: "Mr. W.L. Rock, Beloit, Wisconsin." According to Naef, Soule never photographed Yosemite, but published Muybridge's photographs of the Valley under his name.

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Mounted sword contest, San Jose, California, U.S.A. = Contestacion de la engastada espada, San Jose, California, E.U. et A, circa 1890. 1 folder.
Physical Description

1 folder9 x 18 cm.

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Rogers, F. H.. Looking west from the Nadeau block, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "252." Written on recto: "From Nadeau block looking west."

Physical Description

1 folder10 x 18 cm.

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Tyler, O. E. (active 1883-1884). Post office, circa 1884. 1 folder.
Scope and Contents

Written on verso: "Post office."

Physical Description

1 folder10 x 18 cm.

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Kilburn Brothers. Central City, Col, circa 1870. 1 folder.
Scope and Contents

Printed on recto: "3207."

Physical Description

1 folder9 x 18 cm.

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Pond, C. L. (Charles L.) (1832-1891). Interior of Mormon Tabernacle, Salt Lake City, Utah (will seat 15,000 people), circa 1870. 1 folder.
Scope and Contents

American scenery ; 645

Written on recto: "Oct. 1985, Gift of Thomas Baird."

Physical Description

1 folder9 x 18 cm.

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Carter, C. W.. Devil's Slide, circa 1870. 1 folder.
Scope and Contents

Stereoscopic gems of Utah scenery

Written on recto: "Devil's Slide."

Physical Description

1 folder9 x 18 cm.

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Great Salt Lake City, circa 1870. 1 folder.
Scope and Contents

Written on verso: "800; Great Salt Lake City."

Physical Description

1 folder9 x 18 cm.

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Collier, Joseph. Mill on South Boulder, circa 1875. 1 folder.
Scope and Contents

Collier's Rocky Mountain scenery : Boulder series ; 38

Printed on recto: "Published at Central City, Colorado."

Physical Description

1 folder10 x 18 cm.

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Collier, Joseph. Bridge at Boulder City, circa 1875. 1 folder.
Scope and Contents

Collier's Rocky Mountain scenery : Boulder series ; 43

Printed on recto: "Published at Central City, Colorado."

Physical Description

1 folder10 x 18 cm.

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Collier, Joseph. Camping ground at the falls, circa 1875. 1 folder.
Scope and Contents

Collier's Rocky Mountain scenery : Boulder series ; 52

Printed on recto: "Published at Central City, Colorado."

Physical Description

1 folder10 x 18 cm.

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Strohmeyer & Wyman. Royal Gorge, Grand Canyon of the Arkansas, Colorado, U.S.A, 1894. 1 folder.
Scope and Contents

Printed on recto: "62."

Strohmeyer & Wyman
administrative history
Physical Description

1 folder9 x 18 cm.

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Nutt, James W.. Rainbow Falls, Ute Pass, circa 1885. 1 folder.
Scope and Contents

Colorado views

Written on verso: "Rainbow Falls, Ute Pass."

Physical Description

1 folder10 x 18 cm.

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Nutt, James W.. Royal Gorge, Grand Canon, Arkansas River, circa 1885. 1 folder.
Scope and Contents

Colorado views

Written on verso: "Royal Gorge, Grand Canon, Arkansas River."

Physical Description

1 folder10 x 18 cm.

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Nutt, James W.. Mining operations in Colorado, circa 1885. 1 folder.
Scope and Contents

Colorado views

Cataloger supplied title.

Physical Description

1 folder10 x 18 cm.

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Nutt, James W.. Gateway to the Garden of the Gods near Manitou, Colo, circa 1885. 1 folder.
Scope and Contents

Colorado views

Printed on verso: "Gateway to the Garden of the Gods near Manitou, Colo."

Physical Description

1 folder10 x 18 cm.

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Miller, T. C.. Falls on the Platte River at Montgomery, Colo, circa 1884. 1 folder.
Scope and Contents

Colorado views

Written on verso: "Falls on the Platte River at Montgomery, Colo."

Physical Description

1 folder10 x 18 cm.

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Miller, T. C.. White Tower in the Garden of the Gods near Manitou, Colo, circa 1884. 1 folder.
Scope and Contents

Colorado views

Written on verso: "White Tower in the Garden of the Gods near Manitou, Colo."

Physical Description

1 folder10 x 18 cm.

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Miller, T. C.. Loda Springs at Manitou, Colo, circa 1884. 1 folder.
Scope and Contents

Colorado views

Written on verso: "Loda Springs at Manitou, Colo."

Physical Description

1 folder10 x 18 cm.

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Miller, T. C.. Off for a hunt, circa 1884. 1 folder.
Scope and Contents

Colorado views

Written on verso: "Off for a hunt."

Physical Description

1 folder10 x 18 cm.

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Miller, T. C.. City view of an unidentified Colorado town, circa 1884. 1 folder.
Scope and Contents

Colorado views

Cataloger supplied title.

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Gurnsey, B. H. (Byron H.) (1833-1880). Fort Garland, circa 1875. 1 folder.
Scope and Contents

Gurnsey's Rocky Mountain views : scenes on the line of the Dever & Rio Grande Railway

Written on verso: "Fort Garland."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Collier, Joseph. Alpine Street, Georgetown, circa 1875. 1 folder.
Scope and Contents

Coller's Rocky Mountain scenery : Clear Creek series ; no. 160

Physical Description

1 folder10 x 18 cm.

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Chamberlain, W. G. (William Gunnison). Morrison, circa 1870. 1 folder.
Scope and Contents

Colorado mountain scenery : Morrison Series

Printed on recto: "Colorado moutain views."

Physical Description

1 folder10 x 18 cm.

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Chamberlain, W. G. (William Gunnison). Canyon City, circa 1870. 1 folder.
Scope and Contents

Colorado mountain scenery

Printed on recto: "Colorado mountain views." Printed on verso: "Arkansas River and Canon City."

Physical Description

1 folder10 x 18 cm.

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Chamberlain, W. G. (William Gunnison). Street scene, Denver, Colo, circa 1862. 1 folder.
Scope and Contents

Rocky Mountain scenery

Cataloger supplied title.

Physical Description

1 folder10 x 18 cm.

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O'Sullivan, Timothy H. (1840-1882). View across Black Canon : the grand walls in perspective, 1871. 1 folder.
Scope and Contents

Expedition of 1871 ; no. 2

Printed on recto: "1st Lieut. Geo. M. Wheeler, Corps of Engineers commanding." Printed on verso: "Geographical Explorations and Surveys West of the 100th Meridian."

Physical Description

1 folder10 x 18 cm.

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Gurnsey, B. H. (Byron H.) (1833-1880). The Greyhound Lode, (Galena.) Cheyenne Mountain, 1875-1880. 1 folder.
Scope and Contents

Woman and girls watch a group of men dig for silver inside a pit with shovels and mallets on Cheyenne Mountain, El Paso County, Colorado

Label on verso: Gurnsey's Rocky Mountain Views. Published at Colorado Springs, Colorado. Pike's Peak Avenue. Scenes on the Line of the Denver & Rio Grande Railway. Silver Mining In Colorado, No. 131.

Notations in red ink by a former owner.

Physical Description

1 folder10 x 18 cm.

Herd of sheep in Colo. : 1026 head, circa 1875. 1 folder.
Scope and Contents

Notations in red ink by a former owner.

Physical Description

1 folder10 x 18 cm.

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Gurnsey, B. H. (Byron H.) (1833-1880). Cattle "roundup" in Colorado, circa 1875. 1 folder.
Scope and Contents

Gurnsey's Rocky Mountain views : scenes on the line of the Denver & Rio Grande Railway ; no. 131

Notations in red ink by a former owner.

Physical Description

1 folder10 x 18 cm.

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Weitfle, Charles (1836-1921). Colorado sheep farm, circa 1880. 1 folder.
Scope and Contents

Photographic views of Rocky Mountain scenery

Written on recto: "Colorado sheep farm."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Thurlow, James Thomas (1831-1878). Leadville from California Gulch, circa 1880. 1 folder.
Scope and Contents

Colorado views : Leadville and vicinity ; no. 186

Printed on recto: "Elevation 10, 300 feet."

Physical Description

1 folder10 x 18 cm.

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Central Pacific Railroad Company. Pueblo of Santa Clara, circa 1885. 1 folder.
Scope and Contents

Stamp of L.B. Dunnigan on verso.

Physical Description

1 folder10 x 18 cm.

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George E. Mellen & Company. Snow sheds D. & S.P.R.R, circa 1883. 1 folder.
Scope and Contents

Printed on recto: "430." Written on recto: "Geo. A. Stough."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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George E. Mellen & Company. Engine room : Gunnison Water Works, circa 1885. 1 folder.
Scope and Contents

Written on verso: "Engine room, Gunnison Water Works" and "Geo. A. Stough." A descriptive note about Gunnison Water Works also printed on verso.

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Gurnsey, B. H. (Byron H.) (1833-1880). Celebrated mineral springs at Manitou, Colorado, circa 1875. 1 folder.
Scope and Contents

Gurnsey's Rocky Mountain views : scenes on the line of the Denver and Rio Grande Railway

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Nevada Falls (605 ft. high) and Cap of Liberty (1,800 ft. high) from trail looking east, Yosemite Valley, Cal, circa 1902. 1 folder.
Scope and Contents

Printed on recto: "21." Copyright 1902.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Lick Observatory on Mount Hamilton, Calif, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "P283" and "PV26372."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bierstadt, Charles (1819-1903). View from, best general view, Yo Semite Val, circa 1865. 1 folder.
Scope and Contents

Printed on recto: "1101." Written on verso: "R 172."

Physical Description

1 folder10 x 18 cm.

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E. & H.T. Anthony (Firm). Group of big trees in Mariposa Grove, circa 1885. 1 folder.
Scope and Contents

California views ; no. 40

Physical Description

1 folder9 x 18 cm.

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E. & H.T. Anthony (Firm). Scene in a canon, circa 1885. 1 folder.
Scope and Contents

California ; no. 19

Physical Description

1 folder9 x 18 cm.

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Bierstadt, Charles (1819-1903). "Our party" : Yo Semite Valley, circa 1865. 1 folder.
Scope and Contents

Printed on recto: "1122."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Bierstadt, Charles (1819-1903). View from Mariposa Trail, Yo Semite Valley, Cal, circa 1865. 1 folder.
Scope and Contents

Printed on recto: "1109."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bierstadt, Charles (1819-1903). Lower YoSemite Falls, 600 ft. high, circa 1865. 1 folder.
Scope and Contents

Printed on recto: "1132."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bierstadt, Charles (1819-1903). Mirror view of North & South Dome, Yo Semite Val, circa 1865. 1 folder.
Scope and Contents

Printed on recto: "1155."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Vernal and Nevada Fall, from Glacier Point, Yosemite Valley, Mariposa County, Cal, circa 1865. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1154

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bierstadt, Charles (1819-1903). Mount St. Helena, Cal., 5,600 ft. above sea level, circa 1865. 1 folder.
Scope and Contents

Printed on recto: "1284."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Continent Stereoscopic Company. Vineyard in California, circa 1885. 1 folder.
Scope and Contents

Descriptive views of the American continent

Printed on recto: "436A."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Keystone view company. Glacier Point, Yosemite Valley, Cal., U.S.A, circa 1899. 1 folder.
Scope and Contents

Printed on recto: "5004." Copyright 1899.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Yosemite Falls from Glacier Point Trail, Yosemite Valley, California, circa 1901. 1 folder.
Scope and Contents

Copyright 1901.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Beautiful Mirror Lake, Yosemite Valley, Cal., U.S.A, circa 1899. 1 folder.
Scope and Contents

Printed on recto: "5004." Copyright 1899.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Overlooking nature's grandest scenery, Yo Semite Valley, Cal., U.S.A, circa 1899. 1 folder.
Scope and Contents

Printed on recto: "9465."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Irrigating ditch, Riverside, Cal., U.S.A, circa 1898. 1 folder.
Scope and Contents

Printed on recto: "9016."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Kilburn, B. W. (Benjamin West) (1827-1909). California's great orange, State Building, Columbian Exposition, circa 1893. 1 folder.
Scope and Contents

Printed on recto: "8306." Copyright 1893.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. From Clouds Rest over Lake Tenaiya to the distant Matterhorn, Sierra Nevada Mts., Cal, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "23"; "S292"; "6039."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. From Clouds Rest S.E. to Mt. Clark (11,250 ft.), Sierra Nevada Mts., Cal, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "24"; "6040."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Nearly a mile straight down and only a step : from Glacier Point (N.W.), Yosemite, Cal, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "14"; "6030"; "S290."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Overlooking nature's grandest scenery : from Glacier Point (N.E.), Yosemite Valley, Cal, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "15"; "6031"; "S291."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. On the brink of a fearful chasm : from Glacier Canon (N.E.) to Half Dome, Yosemite Valley, Cal, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "19"; "6035."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Climbing up a steep zigzag trail at esatern end of Yosemite Valley, Cal, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "20"; "6036."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Amidst Yosemite's charms : Sentinel Hotel looking N. across valley to Yosemite Falls, Cal, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "8"; "6024."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. More than 10,000 acres of navel orange groves, San Gabriel Valley, Cal., U.S.A, circa 1903. 1 folder.
Scope and Contents

Printed on recto: "13546." Copyright 1903.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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E. & H.T. Anthony (Firm). Lake house : Mirror Lake, circa 1880. 1 folder.
Scope and Contents

Glories of Yosemite, California ; 104

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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E. & H.T. Anthony (Firm). Schuyler Colfax, 73 ft. in circumference, Mariposa Grove, circa 1880. 1 folder.
Scope and Contents

Mammoth trees, California ; 29

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Hazeltine, M. M. (Martin Mason) (1827-1903). Sentinel Rock (3270 feet high) and Hutchings' Hotel, circa 1870. 1 folder.
Scope and Contents

California : YoSemite Valley ; 1259

According to Naef, Soule never photographed Yosemite, but published Muybridge's photographs of the Valley under his name.

Physical Description

1 folder9 x 18 cm.

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Central Pacific Railroad Company. Train in Dixie Cut, Gold Run Station, Placer County, circa 1869. 1 folder.
Scope and Contents

Watkins' Pacific Railroad ; 60

Possibly taken by Hart in 1869.

Hart, Alfred A. (1816-1908)
Biographical / Historical

Alfred A. Hart (1816-1908) was a photographer who documented the construction of the western half of the transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. Hart served as the Central Pacific's first official photographer, and his images chronicle the advancement of the railroad over 742 miles from Newcastle, California, through the Sierra Nevada Mountains and into Nevada and Utah.

Physical Description

1 folder9 x 18 cm.

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Central Pacific Railroad Company. View from basaltic rocks looking east, circa 1869. 1 folder.
Scope and Contents

Watkins' Pacific Railroad ; 297

Possibly taken by Hart in 1869.

Hart, Alfred A. (1816-1908)
Biographical / Historical

Alfred A. Hart (1816-1908) was a photographer who documented the construction of the western half of the transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. Hart served as the Central Pacific's first official photographer, and his images chronicle the advancement of the railroad over 742 miles from Newcastle, California, through the Sierra Nevada Mountains and into Nevada and Utah.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Pohono, or, The Bridal Veil, 900 feet, from the Coulterville Trail, Yosemite Valley, Mariposa County, Cal, circa 1860. 1 folder.
Scope and Contents

Watkins' Pacific Railroad ; 1077

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Strohmeyer & Wyman. Yosemite Falls from Glacier Point Trail, California, U.S.A, circa 1894. 1 folder.
Scope and Contents

Copyright 1894.

Strohmeyer & Wyman
administrative history
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Strohmeyer & Wyman. Above the clouds on Eagle Peak, Yosemite Valley, California, U.S.A. = Encima de las nubes en el pico Eagle, Valle Yosemite, California, U.S.A, circa 1894. 1 folder.
Scope and Contents

Copyright 1894.

Strohmeyer & Wyman
administrative history
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Strohmeyer & Wyman. Yosemite Falls from Glacier Point Trail, California, U.S.A. = Cataratas del Valle Yosemite desde el sendero de Punta Glacier, California, E.U. de A, circa 1894. 1 folder.
Scope and Contents

Copyright 1894.

Strohmeyer & Wyman
administrative history
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Hazeltine, M. M. (Martin Mason) (1827-1903). Oriental U.S. Bonded Warehouse and Shipping, San Francisco, circa 1885. 1 folder.
Scope and Contents

California ; 1321

According to Naef, Soule never photographed Yosemite, but published Muybridge's photographs of the Valley under his name.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Palace Hotel, S.F. : interior view, circa 1880. 1 folder.
Scope and Contents

Watkins' new series of Pacific Coast views ; 3554

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Palace Hotel, S.F. : interior view, circa 1880. 1 folder.
Scope and Contents

Watkins' new series of Pacific Coast views ; 3561

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Kilburn Brothers. Telegraph Hill, San Francisco, Cal, circa 1870. 1 folder.
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Palace Hotel, S.F, circa 1870. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1661

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Occidental Hotel, San Francisco, Cal, circa 1875. 1 folder.
Scope and Contents

American views

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Price, Andrew (1843). Witche's Cauldron and Devil's Pulpit, circa 1883. 1 folder.
Scope and Contents

To, at, and from the Geyser Springs, Sonoma County, Cal. ; 15

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Chinese restaurant, Dupont, near Sacramento, S.F, circa 1880. 1 folder.
Scope and Contents

Watkins' new series of Pacific Coast views ; 3759

Written on recto: "No. 120 in book."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Headquarters on Tule Lake, taken N.E. from bluff, circa 1870. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 2503

Written on verso: "Modoc war location, Northern Calif. border with Oregon."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Pavillion, built on the stump of a tree, Mammoth Tree Grove, Calaveras Co., Cal, circa 1870. 1 folder.
Scope and Contents

Pacific Coast views ; 3562

Written on verso: "No. 145 in book."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Caskade in Yosemite, circa 1870. 1 folder.
Scope and Contents

Popular American views : California and Central Pacific R.R.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Coffee drying under tropical sun, Orizaba Peak in distance, Orizaba, Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "10880." Copyright 1900.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Aztec woman and papoose, Mexico = Muger azteca y su primogenito, Mexico, circa 1890. 1 folder.
Scope and Contents

Copyright 1890.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Art creation by the master's hand, Acambarro, Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "10896." Copyright 1900.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Carrying mountainsheep down from the stormswept heigh's of the Gallatin Mountains, Montana, circa 1906. 1 folder.
Scope and Contents

Printed on recto: "7915"

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Tooth Bridge, O.R.R., Cascades, Columbia River, circa 1870. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1296

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Cattle roundup in Arizona, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "P120" and "PV23260."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Kilburn, B. W. (Benjamin West) (1827-1909). Great Armour Packing Factory, Kansas City, Mo., U.S.A, circa 1890. 1 folder.
Scope and Contents

Copyright 1890.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Stock yards, Kansas City, Mo., U.S.A, circa 1897. 1 folder.
Scope and Contents

Printed on recto: "2349." Copyright 1897.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Roundup on the Sherman Ranch, Genesee, Kan., U.S.A, circa 1902. 1 folder.
Scope and Contents

Printed on recto: "12475." Copyright 1902.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Ingersoll, T. W. (Truman Ward) (1862-1922). Chief Black Hawk, squaw, papoose, circa 1898. 1 folder.
Scope and Contents

Printed on recto: "449."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Old Chief Can'tLaugh, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "6."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Mounted Sioux Indians, western plains, circa 1900. 1 folder.
Scope and Contents

Cosmopolitan series ; 505

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Otter Belt, Comanche chief, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "195." Stereograph of Heap Wolves on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Heap Wolves, Comanche chief, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "196." Stereograph of Otter Belt on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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White House, Washington, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "178." Stereograph of Horseback, Comanche Chief, on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Horseback, Comanche chief, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "177." Stereograph of White House, Washington, on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Horseback's Son, Comanche, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "162." Stereograph of Old State House, Boston, on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Old State House, Boston, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "161." Stereograph of Horseback's son, Camanche, on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Working his passage, Zuni Mtns., N.M, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "152." Stereograph of ToshAWah, Comanche chief, on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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ToshAWah, Comanche chief, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "151." Stereograph of Zuni Mountains, N.M., on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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HoWear, Comanche chief, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "171." Stereograph of Battle ground, Concord, on verso.

Physical Description

1 folder9 x 18 cm.

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Battle ground, Concord, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "172." Stereograph of HoWear, Comanche chief, on verso.

Physical Description

1 folder9 x 18 cm.

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Grant's Tomb, New York, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "186." Stereograph of Whirlwind, Cheyenne chief, on verso.

Physical Description

1 folder9 x 18 cm.

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Whirlwind, Cheyenne chief, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "185." Stereograph of Grant's Tomb on verso.

Physical Description

1 folder9 x 18 cm.

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BlackHawk, Apache chief, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "166." Stereograph of Washington's Grave, Mt. Vernon, on verso.

Physical Description

1 folder9 x 18 cm.

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Washington's Grave, Mt. Vernon, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "165." Stereograph of BlackHawk, Apache chief, on verso.

Physical Description

1 folder9 x 18 cm.

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Rocky Mountain R.R. train, circa 1900. 1 folder.
Scope and Contents

Written on verso: "Rocky Mountain R.R. train."

Physical Description

1 folder9 x 18 cm.

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Collier, Joseph. Castle Rock from Golden Park, circa 1885. 1 folder.
Scope and Contents

Collier's Rocky Mountain scenery : golden series ; no. 208

Written on verso: "I spent fourth of July here. The city folks had a bonfire on top Castle Rock" and "No. 65, Mary I. Mann." Schueler & Coors brewing company pictured in foreground.

Physical Description

1 folder10 x 18 cm.

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Collier, Joseph. Coronal Rock, circa 1875. 1 folder.
Scope and Contents

Collier's Rocky Mountain scenery : CachealaPoudre series ; no. 88

Written on verso: "No. 40, Mary I. Mann."

Physical Description

1 folder10 x 18 cm.

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Collier, Joseph. Black Canon, circa 1875. 1 folder.
Scope and Contents

Collier's Rocky Mountain scenery : Estes' Park series ; no. 72

Written on verso: "Mary I. Mann, No. 20."

Physical Description

1 folder10 x 18 cm.

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Collier, Joseph. Mill on South Boulder, circa 1875. 1 folder.
Scope and Contents

Collier's Rocky Mountain scenery : Boulder series ; no. 38

Written on verso: "Mary I. Mann, No. 95."

Physical Description

1 folder10 x 18 cm.

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Collier, Joseph. Mule Shoe Curve, Veta Pass, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Southern Colorado."

Physical Description

1 folder10 x 18 cm.

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Keystone view company. In the heart of Box Canyon, Colo., U.S.A, circa 1901. 1 folder.
Scope and Contents

Printed on recto: "8008." Copyright 1901.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Sorting and hauling apples from the orchard, Colorado, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "P52" and "29060."

Physical Description

1 folder9 x 18 cm.

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Upton, B. F. (Benjamin Franklin). Sioux boy at home, circa 1870. 1 folder.
Scope and Contents

Written on verso: "Sioux boy at home" and "Aggie." Printed on verso: "Upton's collection of photographic views."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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O'Sullivan, Timothy H. (1840-1882). Zuni Indian girl with water olla, 1873. 1 folder.
Scope and Contents

Expedition of 1873 ; no. 17

Printed on recto: "1st Lieut. Geo. M. Wheeler." Printed on verso: "Geographical Explorations and Surveys West of the 100th Meridian."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Hillers, John K. (1843-1925). Pile of little Indians, circa 1874. 1 folder.
Scope and Contents

Indians of the Colorado Valley : KaiVavIts ; no. 18

Printed on verso: "U.S. Geolographical and Geological Survey of the Rocky Mountain Region." Stamp of Minnesota Historical Society on verso.

Physical Description

1 folder12 x 18 cm.

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Keystone view company. Indian warriors in council, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "P254" and "P22347."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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O'Sullivan, Timothy H. (1840-1882). Navajo boys and squaw in front of the quarters at old Fort Defiance, N.M., now unoccupied by troops, 1873. 1 folder.
Scope and Contents

Expedition of 1873 ; no. 28

Printed on recto: "1st Lieut. Geo. M. Wheeler." Printed on recto: "Geographical Explorations and Surveys West of the 100th Meridian."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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O'Sullivan, Timothy H. (1840-1882). Navajo brave and his mother, 1873. 1 folder.
Scope and Contents

Expedition of 1873 ; no. 29

Printed on recto: "1st Lieut. Geo. M. Wheeler." Printed on recto: "Geographical Explorations and Surveys West of the 100th Meridian."

Physical Description

1 folder10 x 18 cm.

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Hart, Alfred A. (1816-1908). Piute squaws and children at Reno, circa 1880. 1 folder.
Scope and Contents

Watkins' Pacific Railroad ; 282

Attributed to Hart.

Hart, Alfred A. (1816-1908)
Biographical / Historical

Alfred A. Hart (1816-1908) was a photographer who documented the construction of the western half of the transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. Hart served as the Central Pacific's first official photographer, and his images chronicle the advancement of the railroad over 742 miles from Newcastle, California, through the Sierra Nevada Mountains and into Nevada and Utah.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Hillers, John K. (1843-1925). Mounted Inidans, circa 1874. 1 folder.
Scope and Contents

Indians of the Colorado Valley : KaiVavIts ; no. 25

Printed on recto: "U.S. Topographical and Geological Survey of the Colorado River of the West" and "By J.W. Powell and A.H. Thompson."

Physical Description

1 folder12 x 18 cm.

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Hillers, John K. (1843-1925). TaVo, or, The circle dance (summer costume), circa 1874. 1 folder.
Scope and Contents

Indians of the Colorado Valley : KaiVavIts ; no. 11

Printed on verso: "U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.

Physical Description

1 folder12 x 18 cm.

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Hillers, John K. (1843-1925). Arrowmaker and his daughter, circa 1874. 1 folder.
Scope and Contents

Indians of the Colorado Valley : KaiVavIts ; no. 1

Printed on verso: "U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.

Physical Description

1 folder12 x 18 cm.

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Hillers, John K. (1843-1925). KuRaTu, circa 1874. 1 folder.
Scope and Contents

Indians of the Colorado Valley : KaiVavIts ; no. 8

Printed on verso: "U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.

Physical Description

1 folder12 x 18 cm.

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Hillers, John K. (1843-1925). Group of women in full dress, circa 1874. 1 folder.
Scope and Contents

Indians of the Colorado Valley : KaiVavIts ; no. 14

Printed on verso: "U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Hillers, John K. (1843-1925). AnTiNaints and WiChuts, circa 1874. 1 folder.
Scope and Contents

Indians of the Colorado Valley : NuAGunTits ; no. 64

Printed on verso: "U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.

Physical Description

1 folder12 x 18 cm.

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Hillers, John K. (1843-1925). Necklace, circa 1874. 1 folder.
Scope and Contents

Indians of the Colorado Valley : KaiVavIts ; no. 32

Printed on recto: "U.S. Topographical and Geological Survey of the Colorado River of the West" and "By J.W. Powell and A.H. Thompson." Copyright 1874. Ticket of J.F. Jarvis on verso.

Physical Description

1 folder12 x 18 cm.

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Hillers, John K. (1843-1925). AnTiNaints, PuTuSir, and WiChuts (sitting), circa 1874. 1 folder.
Scope and Contents

Indians of the Colorado Valley : NuAGunTits ; no. 63

Printed on verso: "U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.

Physical Description

1 folder12 x 18 cm.

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Hillers, John K. (1843-1925). Showing the wigeav or feather head dress, circa 1874. 1 folder.
Scope and Contents

Indians of the Colorado Valley : KaiVavIts ; no. 16

Printed on recto: "U.S. Topographical and Geological Survey of the Colorado River of the West" and "By J.W. Powell and A.H. Thompson." Copyright 1874.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Rothrock, George H. (1843). Apache scouting, circa 1895. 1 folder.
Scope and Contents

Arizona scenery

Written on verso: "Apache scouting, 29." Lt. Tony Rucker pictured with scouts.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Interior of San Miguel Church, circa 1866. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 11

Written on recto: "Interior of San Miguel Church, no. 11." Cataloger supplied title.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Oldest house in Santa Fe, circa 1866. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 18

Written on recto: "The oldest house in Santa Fe, no. 18" and "Over 100 years old." Cataloger supplied series title.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Continent Stereoscopic Company. Apache Canon, New Mexico, circa 1885. 1 folder.
Scope and Contents

Descriptive views of the American continent ; 619

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Chase, D. B. (Dana B.) (1897). Capulin Mountain, Colfax Co., N.M, circa 1883. 1 folder.
Scope and Contents

Written on verso: "Capulin Mountain, Colfax Co., N.M." and "10."

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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C.W. Woodward (Firm). Loom for weaving blankets : group of Aztec women in foreground, 1872. 1 folder.
Scope and Contents

Views in the canons of the Colorado River and among the Aztec cities of Arizona ; no. 1909

Printed on recto: "Colorado and Arizona scenery." Photographed by Beaman during Powell's expedition.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Navajo rug weaver : Indian women and children, New Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "1133" and "32802."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Old Indian chief, circa 1900. 1 folder.
Scope and Contents

Indians ; 23327

Printed on recto: "2."

Physical Description

1 folder9 x 18 cm.

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Keystone view company. School for Indians, Haskell Institute, circa 1900. 1 folder.
Scope and Contents

Indians ; 23333

Printed on recto: "25."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Zimmerman, Charles A. (1844-1909). Domestic life : Chippewa Indians, 1870-1879. 1 folder.
Scope and Contents

Handcolored photograph.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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O'Sullivan, Timothy H. (1840-1882). War chief of the Zuni Indians, 1873. 1 folder.
Scope and Contents

Expedition of 1873 ; no. 20

Printed on recto: "1st Lieut. Geo. M. Wheeler." Printed on recto: "Geographical Explorations and Surveys West of the 100th Meridian."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Hillers, John K. (1843-1925). Kindling a fire by friction, circa 1874. 1 folder.
Scope and Contents

Indians of the Colorado Valley : KaiVavIts ; no. 15

Printed on recto: "U.S. Topographical and Geological Survey of the Colorado River of the West" and "By J.W. Powell and A.H. Thompson." Copyright 1874.

Physical Description

1 folder12 x 18 cm.

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Underwood & Underwood. Wonder to the primitive inhabitants : SantFe train crossing Canon Diablo, Arizona, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "1."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Continent Stereoscopic Company. Apache Indian of Arizona, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "268." Stamp of Walter V. Hayt, Santa Fe, N.M., on verso.

Physical Description

1 folder11 x 28 cm.

Materials Viewable Online
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Upton, B. F. (Benjamin Franklin). Sioux captives, circa 1865. 1 folder.
Scope and Contents

Gems of Minnesota Scenery

Written on verso: "Sioux captives" amd "Avery Brodin." Could also be by Upton.

Physical Description

1 folder9 x 18 cm.

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Tesuque Indians and home, N.M, circa 1920. 1 folder.
Scope and Contents

Written on recto: "Tesuque Indians and home, N.M." Written on verso: "Governor of Tesuque's wife, and children. Mrs. Abeyta."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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San Domingo Indians, N.M, circa 1920. 1 folder.
Scope and Contents

Written on recto: "San Domingo Indians, N.M." Written on verso: "Mary Abeyta & children in front of home in San Domingo Indian village."

Physical Description

1 folder9 x 18 cm.

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Wittick & Russell. Among the Walapais of Arizona, Grand Canon of the Colorado, circa 1880. 1 folder.
Scope and Contents

Views in New Mexico, Arizona, and Mexico

Among the Walapais of Arizona, Grand Canon of the Colorado.

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder10 x 18 cm.

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Underwood & Underwood. South to picturesque Wolpi, a mesa village of Hopi Indians, Arizona, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "32" and "6188."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Katchina dance to the raingods : Hopi Indians at Shonghopavi, Arizona, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "33" and "8181."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Curtis, George E. (1830-1910). Squaw and pappoose, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "330."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Upton, B. F. (Benjamin Franklin). Chippewa wedding, circa 1880. 1 folder.
Scope and Contents

Indian portraits and views

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Continent Stereoscopic Company. Yuma Indians in Arizona, circa 1870. 1 folder.
Scope and Contents

Descriptive views of the American continent

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Indians women selling berries on porch, circa 1890. 1 folder.
Scope and Contents

Standard series

Written on verso: "Indians, Albuquerque, N.M." Cataloger supplied title.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Hillers, John K. (1843-1925). Little hunter and his sweetheart, circa 1874. 1 folder.
Scope and Contents

Indians of the Colorado Valley : UAi NuInts ; no. 49

Printed on recto: "U.S. Topographical and Geological Survey of the Colorado River of the West" and "By J.W. Powell and A.H. Thompson." Ticket of H. Ropes & Co. on verso. Copyright 1874.

Physical Description

1 folder12 x 18 cm.

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Underwood & Underwood. At breakfast : typical desert home of the Navajo Indians, Navajo Reservation, Arizona, circa 1903. 1 folder.
Scope and Contents

Copyright 1903.

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Typical Hopi Indian home, Mishongnovi, Arizona, circa 1903. 1 folder.
Scope and Contents

Copyright 1903.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Terrace home of Hopi Indians : street scene in Oraibi, Hopi Reservation, Arizona, circa 1903. 1 folder.
Scope and Contents

Copyright 1903.

Physical Description

1 folder9 x 18 cm.

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Full length portrait of an Indian woman, circa 1870. 1 folder.
Scope and Contents

Written on verso: "Indians." Cataloger supplied title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Indian lady : chief's wife, circa 1870. 1 folder.
Scope and Contents

Written on verso: "Indian lady, chief's wife."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Full length portrait of two Indian women, circa 1870. 1 folder.
Scope and Contents

Written on verso: "Mexican ladies." Cataloger supplied title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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E. & H.T. Anthony (Firm). President's summer house, Washington, circa 1863. 1 folder.
Scope and Contents

Washington City views ; no. 2735

Ticket of Wm. Senter on verso.

Physical Description

1 folder9 x 18 cm.

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Bennett, H. H. (Henry Hamilton) (1843-1908). Sioux Indians at the carnival : young braves and squaw, circa 1886. 1 folder.
Scope and Contents

St. Paul Ice Carnival ; 1566

Printed on recto: "1886, 1887, 1888."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Bennett, H. H. (Henry Hamilton) (1843-1908). Playing wahkoochadah (moccasin), a favorite game, circa 1885. 1 folder.
Scope and Contents

Among the Winnebago Indians ; 484

Printed on recto: "Wandering among the wonders and beauties of Wisconsin scenery"

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Caswell & Davy. "Lo" family : ye noble reds, circa 1875. 1 folder.
Scope and Contents

Scenery on the Northern Pacific Rail Road ; 78

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Upton, B. F. (Benjamin Franklin). Chippewa wedding, circa 1880. 1 folder.
Scope and Contents

Upton's Minnesota views

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bennett, H. H. (Henry Hamilton) (1843-1908). Yellow Thunder, warrior chief, 120 years old, circa 1880. 1 folder.
Scope and Contents

Written on verso: "277, Yellow Thunder, warrior chief, 120 years old."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Upton, B. F. (Benjamin Franklin). Sioux teepees : drying meat, circa 1862. 1 folder.
Scope and Contents

Indian portraits and views

Written on verso: "Sioux teepees, drying meat." Possibly a Whitney photograph mounted on an Upton stereocard.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Upton, B. F. (Benjamin Franklin). Seated Sioux woman in front of lodgings, 1863. 1 folder.
Scope and Contents

Upton's Minnesota and Northwestern views

Cataloger supplied title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bennett, H. H. (Henry Hamilton) (1843-1908). Wongchigah cheda (Indian tent) and squaws, circa 1885. 1 folder.
Scope and Contents

Among the Winnebago Indians ; no. 1057

Printed on recto: "Wanderings among the wonders and beauties of Wisconsin scenery."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Hamilton & Hoyt. Winnebago chief, circa 1875. 1 folder.
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Kilburn, B. W. (Benjamin West) (1827-1909). Indian wigwam, Oregon, circa 1880. 1 folder.
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Line, A. A.. Carlisle Mission Sunday school, circa 1890. 1 folder.
Scope and Contents

Written on recto: "Carlisle Mission Sunday school."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Ebell, Adrian John. Squaws guarding corn from blackbirds, 1862. 1 folder.
Scope and Contents

Gems of Minnesota scenery ; no. 70

Dealer's ticket of Martin's Art Gallery, St. Paul, Minn. Ebell photograph published on Whitney's card.

Physical Description

1 folder9 x 18 cm.

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Winnebago children, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "191." Written on verso: "Winnebago children."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Continent Stereoscopic Company. Idols of the Alaska Indians, circa 1860. 1 folder.
Scope and Contents

Descriptive views of the American continent

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bradley & Rulofson. Donald McKy, the celebrated Warm Spring Indian scout, circa 1873. 1 folder.
Scope and Contents

Modoc War ; 1622

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Upton, B. F. (Benjamin Franklin). Chippewa wedding, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Chippewa Indians & squaw." Cataloger supplied title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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T.E. Hinshaw & C.L. Joy. SemiCentennial Jubilee, Utah, 1897, 1897. 1 folder.
Scope and Contents

Salt Lake City, Utah

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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T.E. Hinshaw & C.L. Joy. SemiCentennial Jubilee, Utah, 1897, 1897. 1 folder.
Scope and Contents

Salt Lake City, Utah

Written on recto: "A52."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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F.R. Fearon (Firm). Sioux Indians and teepees, circa 1865. 1 folder.
Scope and Contents

Upton's views of Minnesota and the Northwest : Sioux Indians

Possibly also by Whitney.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Carter, C. W.. Group of Pahute Indians, circa 1880. 1 folder.
Scope and Contents

Carter's celebrated Indian stereos

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Kinsey Photograph Studio. Natives of Puget Sound, circa 1901. 1 folder.
Scope and Contents

Stereoscopic views of Western Washington

Copyright 1901.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Continent Stereoscopic Company. Indian life in Southern California : three graces, circa 1885. 1 folder.
Scope and Contents

Descriptive views of the American continent ; 263

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Seated Indian man with canyon landscape in background, circa 1880. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Kickapoo Indians, Costilito, captured by Col. McKenzie, circa 1872. 1 folder.
Scope and Contents

Written on verso: "Kickapoo Indians, Costilito, captured by Col. McKenzie" and "M.B. Shellman."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Martin's Art Gallery. "Old Bets" : Sioux squaw said to be 100 years old, circa 1865. 1 folder.
Scope and Contents

Old Bets was said to have helped whites during the Sioux Revolt of 1862.

Physical Description

1 folder9 x 18 cm.

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Haynes, F. Jay (Frank Jay) (1853-1921). Down the Mississippi above Brainerd, circa 1876. 1 folder.
Scope and Contents

Northern Pacific views : along the line of the Northern Pacific Railroad ; 120

Haynes, F. Jay (Frank Jay) (1853-1921)
Biographical / Historical

F. Jay Haynes (1853-1921) was a professional photographer who documented the settlement and expansion of the American Northwest during the late 19th and early 20th centuries. Based in Minnesota and North Dakota, Haynes served as the official photographer for Northern Pacific Railway and Yellowstone National Park. Haynes first visited Yellowstone in 1881 and, a few years later in 1884, obtained permission to operate a photography studio there. He served as Yellowstone's official photographer from 1884 until 1920 when he was succeeded by his son, Jack Ellis Haynes (1884-1962).

Physical Description

1 folder10 x 18 cm.

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Three blanketed Sioux Indians in front of a log structure, circa 1870. 1 folder.
Scope and Contents

Written on verso: "Sioux Indians."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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J. Gurney & Son. Red Cloud and scout, circa 1870. 1 folder.
Scope and Contents

Written on verso: "Red Cloud and scout."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Rinehart, F. A. (Frank A.). Old warriors of the Omaha Tribe, circa 1900. 1 folder.
Scope and Contents

Written on verso: "From left to right: 1. 'Rabbit' 2. 'Little Soldier' 3. 'Big Black Bear.'"

Physical Description

1 folder9 x 18 cm.

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Hillers, John K. (1843-1925). KuRaTu at rest, circa 1874. 1 folder.
Scope and Contents

Indians of the Colorado Valley : KaiVavIts ; no. 30

Printed on recto: "U.S. Topographical and Geological Survey of the Colorado River of the West" and "By J.W. Powell and A.H. Thompson." Dealer's ticket of J.F. Jarvis, Washington, D.C., on verso. Copyright 1874.

Physical Description

1 folder12 x 18 cm.

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Calfee, H. B. (Henry Bird) (1847-1912). Eight Plains Indians in front of three teepees, circa 1880. 1 folder.
Scope and Contents

Enchanted land, or, Wonders of the Yellowstone National Park

Physical Description

1 folder12 x 18 cm.

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Upton, B. F. (Benjamin Franklin). ShaKpe (Little Six), 1865. 1 folder.
Scope and Contents

Upton's Minnesota views

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bennett, H. H. (Henry Hamilton) (1843-1908). WahConJaZGah (Yellow Thunder), warrior chief, 120 y's old, circa 1880. 1 folder.
Scope and Contents

Among the Winnebago Indians ; 277

Printed on recto: "Wandering among the wonders and beauties of Wisconsin scenery."

Physical Description

1 folder9 x 18 cm.

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Bennett, H. H. (Henry Hamilton) (1843-1908). Playing wahkoochadah (moccasin), a favorite game, circa 1885. 1 folder.
Scope and Contents

Among the Winnebago Indians ; 484

Printed on recto: "Wandering among the wonders and beauties of Wisconsin scenery."

Physical Description

1 folder9 x 18 cm.

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Golden Rule Store (Philipsburg, Mont.). New Metlakantla : Indian home, circa 1890. 1 folder.
Scope and Contents

European and American views

Printed on recto: "222a."

Physical Description

1 folder9 x 18 cm.

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Whitney, Joel E. (Joel Emmons) (1822-1886). Scalp of Little Crow, 1863. 1 folder.
Scope and Contents

Minnesota views

Published on Zimmerman card.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Whitney, Joel E. (Joel Emmons) (1822-1886). NeBahQuahOm (Big Dog) : a Chippewa chief, who offered himself and his band of warriors to gov'mt to fight the Sioux in their raid in Minnesota in 1862, 1862-1866. 1 folder.
Scope and Contents

Whitney portrait on Zimmerman card.

Physical Description

1 folder9 x 18 cm.

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Bierstadt, Charles (1819-1903). El Capitan from Colfax Point, circa 1865. 1 folder.
Scope and Contents

Printed on recto: "1097."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bennett, H. H. (Henry Hamilton) (1843-1908). Towards the narrows from Dell House Beach, circa 1885. 1 folder.
Scope and Contents

In and about the dells of Wisconsin ; 1122

Printed on recto: "Wandering among the wonders and beauties of Wisconsin scenery."

Physical Description

1 folder11 x 18 cm.

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Keystone view company. As in ancient days : pueblo of the Taos Indians, Taos, N. Mex, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "1134" and "13720."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Rinehart, F. A. (Frank A.). Coup [sic] dance, circa 1900. 1 folder.
Scope and Contents

Possibly of a Crow Indian dance. Copyright 1900.

Physical Description

1 folder9 x 18 cm.

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Rinehart, F. A. (Frank A.). Crow cout [sic], circa 1900. 1 folder.
Scope and Contents

Of a Crow scout. Copyright 1900.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Chippewa squaw making birch canoe, circa 1900. 1 folder.
Scope and Contents

Cosmopolitan series ; 553

Written on verso: "Gift of Michael Wurmfeld, July 88."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Upton, B. F. (Benjamin Franklin). Wowinape, Little Crow's son, 1863. 1 folder.
Scope and Contents

Gems of Minnesota scenery

Written on verso: "Wowinape, Little Crow's son." Identical image also published by Upton.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Plaza, Sept. 26th, '81, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 101

Written on recto: "The plaza, Sept. 26th 81." Cataloger supplied series title.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Cathedral de San Francisco, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 6

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Beaman, E. O. (Elias Olcott) (1837-1876). Old river bend, circa 1871. 1 folder.
Scope and Contents

Views on the Green River : Stillwater Canon series ; no. 109

Printed on recto: "U.S. Topographical and Geologioal [sic] Survey of the Colorado River of the West" and "By J.W. Powell and A.H. Thompson."

Physical Description

1 folder12 x 18 cm.

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Arizona Indians, circa 1880. 1 folder.
Scope and Contents

American scenery

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Hillers, John K. (1843-1925). Seed gatherers, 1872. 1 folder.
Scope and Contents

Indians of the Colorado Valley : KaiVavIts ; no. 22

Printed on verso: "Department of the Interior, U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.

Physical Description

1 folder12 x 18 cm.

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Hillers, John K. (1843-1925). Hunter, 1872. 1 folder.
Scope and Contents

Indians of the Colorado Valley : UAi NuInts ; no. 42

Printed on verso: "Department of the Interior, U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Hillers, John K. (1843-1925). Old gamblers, 1872. 1 folder.
Scope and Contents

Indians of the Colorado Valley : NuAGunTits ; no. 71

Printed on verso: "Department of the Interior, U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Hillers, John K. (1843-1925). Boy and girl, 1872. 1 folder.
Scope and Contents

Indians of the Colorado Valley : UInTats ; no. 114

Printed on verso: "Department of the Interior, U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.

Physical Description

1 folder12 x 18 cm.

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Indian chief, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Indian chief."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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O'Sullivan, Timothy H. (1840-1882). Mojave Indians caught napping, 1871. 1 folder.
Scope and Contents

Expedition of 1871 ; no. 10

Printed on recto: "1st Lieut. Geo. M. Wheeler, Corps of Engineers commanding." Printed on verso: "Geographical and Geological Explorations and Surveys West of the 100th Meridian."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Bradley & Rulofson. Warm Spring Indian scouts on picket duty, circa 1873. 1 folder.
Scope and Contents

Modoc War ; 1630

Copyright 1873.

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Keystone view company. Navajo rug weaver : Indian woman and children, New Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "1133" and "32802."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Hoard & Tenney. Kishkahnahcut, "Stumps," "Sexton.", circa 1875. 1 folder.
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Hoard & Tenney. DaDodge, medicine man, circa 1875. 1 folder.
Scope and Contents

Views on the Chippewa Reservation, White Earth, Minn.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bradley & Rulofson. Fresno squaws and papoose, circa 1873. 1 folder.
Scope and Contents

Indians of California ; 1583

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Bradley & Rulofson. Summer lodge in the Yosemite, circa 1873. 1 folder.
Scope and Contents

Indians of California ; 1576

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Bradley & Rulofson. Group of Mariposbelles, circa 1873. 1 folder.
Scope and Contents

Indians of California ; 1584

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Keystone view company. Ute Indian and family, Colorado, circa 1898. 1 folder.
Scope and Contents

Printed on recto: "204" and "8082."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Pocahontas pleading for the life of John Smith enacted by the survivors of the Pamunkey Indian Tribe at the Jamestown Exposition, 1907. 1 folder.
Scope and Contents

Printed on recto: "98" and "14196." Copyright 1908.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Group in the Exhibits of Ethnology, New National Museum, Washington, D.C, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "19" and "32238."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Mounted Sioux Indians in "full feather" leaving camp, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "182" and "16718."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Siwash Indians at dinner in tepee on the banks of Fraser River, British Columbia, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "12" and "13818."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Seminole Indians whose forefathers inhabited the Everglades, Fla, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "50" and "26845."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. South to picturesque village of Wolpi, First Mesa, Hopi Indian Reservation, Arizona, circa 1903. 1 folder.
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Strohmeyer & Wyman. After the chase : the unlucky captive, circa 1900. 1 folder.
Scope and Contents

Copyright 1900.

Strohmeyer & Wyman
administrative history
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Mexican plow, circa 1885. 1 folder.
Scope and Contents

Pueblo Tesuque series ; no. 77

Written on recto: "Mexican plow." Cataloger supplied series title.

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Gaylord, P. B.. Chippewa Indians, circa 1875. 1 folder.
Scope and Contents

Scenery at the head of Lake Superior

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Hamilton & Hoyt. Bear, Ogalala chief, before 1868. 1 folder.
Scope and Contents

Written on verso: "4, Bear, Ogalala chief." Possibly by Hamilton & Hoyt.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Tonto Apaches, Arizona, circa 1865. 1 folder.
Scope and Contents

Watkins' new series of Yosemite and Pacific Coast

Written on verso: "Tonto Apaches, Arizona."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Strohmeyer & Wyman. On the white man's trail : looking for foot prints, circa 1900. 1 folder.
Scope and Contents

Copyright 1900.

Strohmeyer & Wyman
administrative history
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Strohmeyer & Wyman. Tale of prowess : picturesque life of the Indian brave, circa 1900. 1 folder.
Scope and Contents

Copyright 1900.

Strohmeyer & Wyman
administrative history
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Union View Co. Tuba and his band on Moin Coppee, circa 1880. 1 folder.
Scope and Contents

California and Colorado ; 1929

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Gurnsey, B. H. (Byron H.) (1833-1880). Sioux tepees or tents, circa 1870. 1 folder.
Scope and Contents

Written on verso: "Sioux tepees or tents."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Gurnsey, B. H. (Byron H.) (1833-1880). Chakoktakee, or, The Man That Strikes His Enemies, Pawnee chief, circa 1870. 1 folder.
Scope and Contents

Written on verso: "Chakoktakee or The man that strikes his enemies, Pawnee chief."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Gurnsey, B. H. (Byron H.) (1833-1880). Two seated Winnebago men, circa 1870. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Gurnsey, B. H. (Byron H.) (1833-1880). Three seated Winnebago men, circa 1870. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bierstadt, Charles (1819-1903). View from, best general view, Yo Semite Val, circa 1865. 1 folder.
Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Keystone view company. Old Navajo Indian woman making rug on a primitive loom, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "P257" and "PV23344."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Indian fur camp on the plains, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "P255" and "P23315."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Union View Co. Tuba and his band on Moin Coppee, circa 1880. 1 folder.
Scope and Contents

California and Colorado ; 1929

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Indian squaw making pottery, Oraibi, Arizona, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "P251" and "PV23189."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Indian woman baking bread, New Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "P250" and "P23122."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Indian pueblo, New Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "P249" and "P23206."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Iroquois Indian village, Canada, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "P248" and "PV23180."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Indian ponies and riders in costume, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "P201" and "P23093." Printed on verso: "Sioux Indians and ponies, Colorado."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Pocahontas pleading for the life of John Smith enacted by the survivors of the Pamunkey Indian Tribe at the Jamestown Exposition, 1907. 1 folder.
Scope and Contents

Printed on recto: "98" and "14196." Copyright 1908.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Kilburn, B. W. (Benjamin West) (1827-1909). Esquimaux children and dogs, Columbian Exposition, 1893. 1 folder.
Scope and Contents

Printed on recto: "8146." Copyright 1893.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Kasaan village, Alaska, circa 1890. 1 folder.
Scope and Contents

Photograph includes totem poles.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Ute tepees, circa 1880. 1 folder.
Scope and Contents

American views ; 4104

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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E. & H.T. Anthony (Firm). Piute Indian boy, circa 1880. 1 folder.
Scope and Contents

Glories of Yosemite, California ; 124

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Hazeltine, M. M. (Martin Mason) (1827-1903). Piute squaw, YoSemite Valley, circa 1890. 1 folder.
Scope and Contents

California ; 1312

According to Naef, Soule never photographed Yosemite, but published Muybridge's photographs of the Valley under his name.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bell, William (1830-1910). Mouth of Kanab Creek, 1872. 1 folder.
Scope and Contents

Expedition of 1872 ; no. 10

Printed on recto: "1st Lieut. Geo. M. Wheeler, Corps of Engineers commanding." Printed on verso: "Geographical Explorations and Surveys West of the 100th Meridian."

Physical Description

1 folder10 x 18 cm.

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Cenral part of city, circa 1870. 1 folder.
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Reilly, John James (1838-1894). Tabernacle, Salt Lake City, Utah, circa 1883. 1 folder.
Scope and Contents

Views of American scenery ; no. 188

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Carter, C. W.. Portrait of Brigham Young, circa 1870. 1 folder.
Scope and Contents

Utah

Printed on verso: "Pres. B. Young." Cataloger supplied title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Carter, C. W.. Great Salt Lake, circa 1875. 1 folder.
Scope and Contents

Stereoscopic gems of Utah scenery

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Carter, C. W.. Tomb of Brigham Young, circa 1880. 1 folder.
Scope and Contents

Utah

Cataloger supplied title.

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Carter, C. W.. Assembly Hall, Salt Lake City, circa 1880. 1 folder.
Scope and Contents

Utah

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Carter, C. W.. One of the Twelve Apostles, circa 1880. 1 folder.
Scope and Contents

Mormon celebrities

Written on verso: "Wilford Wooruff, 208."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Reilly, John James (1838-1894). Salt Lake City, Utah, circa 1870. 1 folder.
Scope and Contents

Printed on recto: "392."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Carter, C. W.. Peterson's Bridge, Weber, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Peterson's bridge, Weber."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. Salt Lake City, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "4702."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Carter, C. W.. Interior of Tabernacle, circa 1880. 1 folder.
Scope and Contents

Stereoscopic gems of Utah scenery

Printed on recto: "132 x 232 ft. Height of ceiling 68 ft. Seats 13,000."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Savage, C. R. (Charles Roscoe) (1832-1909). Cathedral Rock, Little Zion Valley, Utah, circa 1870. 1 folder.
Scope and Contents

Utah series

Title, series and creator information from printed label on the verso.

Physical Description

1 folder9 x 16 cm.

Materials Viewable Online
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Salt Lake City, circa 1875. 1 folder.
Scope and Contents

American views : standard series

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bro. Kimball's residence, Salt Lake City, circa 1880. 1 folder.
Scope and Contents

American views

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Carter, C. W.. Assemby Hall, Salt Lake City, circa 1880. 1 folder.
Scope and Contents

Utah

Interior of Assembly Hall.

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Carter, C. W.. Tabernacle, Salt Lake City, circa 1880. 1 folder.
Scope and Contents

Utah

Interior view of Tabernacle.

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Wittick, Ben (1845-1903). Oldest house in Santa Fe, N.M, circa 1880. 1 folder.
Scope and Contents

View in New Mexico and Arizona

Written on verso: "Oldest house in Santa Fe, N.M. Age unknown."

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder10 x 18 cm.

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Underwood & Underwood. Primitive methods : a Hopi squaw coiling clay into pottery, Oraibi, Arizona, circa 1903. 1 folder.
Scope and Contents

Copyright 1903.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Hopi corn festival, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "I68" and "23325."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Palace, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 1

Written on recto: "The palace." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Palace, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 1

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Military headquarters, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 2

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Plaza, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 3

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Plaza, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 4

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Burro Alley : a common scene on this corner, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 5

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Santa Fe from loma, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 8

Written on recto: "Santa Fe from loma." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Cathedral de San Francisco, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 6

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Bennet, George C.. Central part : Santa Fe from the loma, circa 1880. 1 folder.
Scope and Contents

Views in New Mexico ; no. 9

Written on verso: "Central part, Santa Fe from the Loma."

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). San Miguel Chapel, 300 years old, interior view, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 11

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Old San Miguel Church, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 12

Written on recto: "The old San Miguel Church." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Old San Miguel Church, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 12

Written on recto: "The old San Miguel Church." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Old San Miguel Church, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 13

Written on recto: "The old San Miguel Church." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). San Miguel Chapel, 300 years old, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 13

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). San Miguel College : an adobe building, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 14

Printed on recto: "Among the ancient and interesting scenery of New Mexico." Written on recto: "Quite modern & new."

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Rear view of San Miguel Chapel, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 16

Written on recto: "Rear view of San Miguel Chapel." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Street view in SantFe, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 17

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Oldest house in Santa Fe (300 yrs.), circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 18

Written on recto: "Oldest house in Santa Fe (300 yrs.)." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Two men and two horses in front of a house, circa 1875. 1 folder.
Scope and Contents

Indian Pueblo of Cochiti and vicinity ; no. 137

Cataloger supplied title.

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Typical Mexican residence, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 19

Written on recto: "Typical Mexican residence." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Looking into a plazita, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 20

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Santa Guadalupe Chapel, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 22

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Gen'l view of city : government building in foreground, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 23

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Indian pottery, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 24

Written on recto: "Indian pottery." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Indian pottery, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 26

Written on recto: "Indian pottery." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Group of Mexican houses on the loma, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 27

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Rio de Santa Fe, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 29

Written on recto: "Rio de Santa Fe." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). North from college, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 30

Written on recto: "North from college." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Nose paint, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 31

Written on recto: "Nose paint." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Western part of Santa Fe, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 33

Written on recto: "Western part of Santa Fe." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Street view, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 34

Written on recto: "Street view." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Bird's eye view east from college, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 35

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Santa Guadalupe Church from river, 250 years old, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 37

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Centenarians, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 38

Written on recto: "The centenarians." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). "El Horno" : a Mexican oven, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 39

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

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Bennet, George C.. General view of S.F. from Guadalupe Church, circa 1880. 1 folder.
Scope and Contents

Views in New Mexico ; no. 40

Written on verso: "General view of S.F. from Guadalupe Church."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Dirt rooves, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 41

Written on recto: "Dirt roofs." Cataloger supplied title. Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Old house, San Miguel Church, and college, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 42

Written on recto: "Old house, San Miguel Church, and college." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Dos cargas = Two loads, circa 1866. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 43

Written on recto: "'Dos cargas' Two loads." Cataloger supplied series title.

Physical Description

1 folder10 x 18 cm.

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Brown, William Henry (1844-1886). Eastern part of city, circa 1866. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 44

Written on recto: "Eastern part of city." Cataloger supplied series title.

Physical Description

1 folder10 x 18 cm.

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Brown, William Henry (1844-1886). Central part of city from old Fort Marcy, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 45

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Western part of city from old Fort Marcy, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 46

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Procession of Our Lady of the Rosary, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 51

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Mountains southeast from old Fort Marcy, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 48

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Thea [sic] plaza from military headquarters, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 53

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Plaza from the fonda, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 54

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Burros laden with wood & corn stalks, circa 1866. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 56

Written on recto: "Burros laden with wood & corn stalks." Cataloger supplied series title.

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Old San Francisco Church, circa 1866. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 57

Written on recto: "The old San Francisco Church." Cataloger supplied series title.

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). San Fracisco Street, circa 1866. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 58

Written on recto: "San Fracisco Street." Cataloger supplied series title.

Physical Description

1 folder10 x 18 cm.

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Brown, William Henry (1844-1886). San Francisco Street, circa 1885. 1 folder.
Scope and Contents

Views of New Mexico ; no. 58

Written on verso: "San Francisco Street" and "This is a view of the principal business street of the town. All the stores have fixed awnings on piazzas in front. There are fabulous stock of goods carried in these little low one story buildings."

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Mex. plow, old Noah's patent, used by Tesuque Ind's, circa 1885. 1 folder.
Scope and Contents

Pueblo Tesuque series ; no. 62

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Pueblo Tesuque girls carrying water, circa 1885. 1 folder.
Scope and Contents

Pueblo Tesuque series ; no. 64

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Plaza, circa 1885. 1 folder.
Scope and Contents

Pueblo Tesuque series ; no. 66

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder10 x 18 cm.

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Brown, William Henry (1844-1886). Church, circa 1885. 1 folder.
Scope and Contents

Pueblo Tesuque series ; no. 67

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Little darlings : Pueblo Tesuque Indian children, circa 1885. 1 folder.
Scope and Contents

Pueblo Tesuque series ; no. 68

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Group of Pueblo Tesuque Indians, circa 1885. 1 folder.
Scope and Contents

Pueblo Tesuque series ; no. 69

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Old Pecos church, circa 1885. 1 folder.
Scope and Contents

Ruined pueblo of the Pecos ; no. 74

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder10 x 18 cm.

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Brown, William Henry (1844-1886). Old Pecos church, circa 1885. 1 folder.
Scope and Contents

Ruined pueblo of the Pecos ; no. 75

Written on recto: "The old Pecos church."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Carved timbers of the old church, circa 1885. 1 folder.
Scope and Contents

Ruined pueblo of the Pecos ; no. 77

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Indian Pueblo of Taos, N.M. (north plaza), circa 1885. 1 folder.
Scope and Contents

Views of New Mexico ; no. 78

Written on verso: "The Indian Pueblo of Taos, N.M. (north plaza)."

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Indian Pueblo of Taos, N.M, circa 1885. 1 folder.
Scope and Contents

View in New Mexico ; no. 79

Written on recto: "The Ind. Pueblo of Taos, N.M." Cataloger supplied series title.

Physical Description

1 folder11 x 18

Materials Viewable Online
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Brown, William Henry (1844-1886). Roofs and ovens, circa 1885. 1 folder.
Scope and Contents

Pueblo Tesuque series ; no. 80

Written on recto: "Roofs and ovens." Cataloger supplied series title.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). View of Carbonateville from the south, circa 1885. 1 folder.
Scope and Contents

Visit to Los Cerrillos Mining District ; no. 84

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). View of Carbonateville from the southeast, circa 1885. 1 folder.
Scope and Contents

Visit to Los Cerrillos Mining District ; no. 85

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). View of Carbonateville from the east, circa 1885. 1 folder.
Scope and Contents

Visit to Los Cerrillos Mining District ; no. 86

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Ruelina Camp and shaft, circa 1885. 1 folder.
Scope and Contents

Visit to Los Cerrillos Mining District ; no. 88

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Cerro del Oso from the saddle of Archibigui, circa 1885. 1 folder.
Scope and Contents

Visit to Los Cerrillos Mining District ; no. 90

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Homestake shaft, circa 1885. 1 folder.
Scope and Contents

Visit to Los Cerrillos Mining District

Printed on recto: "Among the ancient and interesting scenery of New Mexico." Written on verso: "Homestake shaft. Millionares in it."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Turquoise Mine, circa 1885. 1 folder.
Scope and Contents

Visit to Los Cerrillos Mining District ; no. 93

Written on recto: "The Turquoise Mine." Cataloger supplied series title.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Turquoise Mine, circa 1885. 1 folder.
Scope and Contents

Visit to Los Cerrillos Mining District ; no. 92

Written on recto: "Turquoise Mine." No. 92 is crossed out with 148 written below it. Cataloger supplied series title.

Physical Description

1 folder11 x 18 cm.

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Brown, William Henry (1844-1886). "Poverty Hollow.", circa 1885. 1 folder.
Scope and Contents

Visit to Los Cerrillos Mining District ; no. 94

Printed on recto: "Among the ancient and interesting scenery of New Mexico." No. 94 crossed out with 150 written below it. Stamp of Santa Fe Historical Society Library on verso.

Physical Description

1 folder11 x 18 cm.

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Brown, William Henry (1844-1886). "Marshall Bonanza" shaft and ore stacks, circa 1885. 1 folder.
Scope and Contents

Visit to Los Cerrillos Mining District ; no. 96

Printed on recto: "Among the ancient and interesting scenery of New Mexico." No. 96 crossed out with 152 written below it.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Miners trenching for the lode : Archibigui in distance, circa 1885. 1 folder.
Scope and Contents

Visit to Los Cerrillos Mining District ; no. 97

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). "A prospecting" party, circa 1885. 1 folder.
Scope and Contents

Visit to Los Cerrillos Mining District ; no. 100

Printed on recto: "Among the ancient and interesting scenery of New Mexico." No. 100 crossed out with 156 and 100 written below it.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Watch tower and sentinel on way to pueblo of San Juan, circa 1885. 1 folder.
Scope and Contents

Pueblo of San Juan series ; no. 112

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Indian Pueblo of Cochiti, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Cochiti and vicinity ; no. 138

Written on recto: "The Ind Pueblo of Cochiti." Cataloger supplied title and series title.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). One of the plazas, circa 1885. 1 folder.
Scope and Contents

Pueblo of San Juan series ; no. 116

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Two parties of dancers, circa 1885. 1 folder.
Scope and Contents

Pueblo of San Juan series ; no. 119

Printed on recto: "Among the ancient and interesting scenery of New Mexico." No. 119 crossed out with 100 written below it.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Group of young bucks, circa 1885. 1 folder.
Scope and Contents

Pueblo of San Juan series ; no. 121

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Pueblo girls at the acequia, circa 1885. 1 folder.
Scope and Contents

Pueblo of San Juan series ; no. 122

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Rio Grande Valley at Pueblo of San Juan, circa 1885. 1 folder.
Scope and Contents

Pueblo of San Juan series ; no. 123

Printed on recto: "Among the ancient and interesting scenery of New Mexico." No. 123 crossed out with 104 written below it.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Rio Grande Valley at San Juan, circa 1885. 1 folder.
Scope and Contents

Pueblo of San Juan series ; no. 124

Written on recto: "The Rio Grande Valley at San Juan." No. 124 crossed out with 105 written below it. Cataloger supplied series title.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). General view, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Santo Domingo ; no. 130

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Street view, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Santo Domingo ; no. 131

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Residence and family group, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Santo Domingo ; no. 132

Printed on recto: "Among the ancient and interesting scenery of New Mexico." No. 132 crossed out with 108 written below it.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). New and old church, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Santo Domingo ; no. 133

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Indian bridge across the Rio Grande, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Santo Domingo ; no. 136

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Portrero viejo, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Cochiti and vicinity ; no. 138

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Statue of mountain lions, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Cochiti and vicinity ; no. 140

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Cave dwellings in Rito de los Frijoles, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Cochiti and vicinity ; no. 141

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Ruined cave dwellings & storehouse in R. de los Frijoles, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Cochiti and vicinity ; no. 142

Printed on recto: "Among the ancient and interesting scenery of New Mexico." No. 142 crossed out with 118 written below it.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Ruins of cave dwellings in Rito de los Frijoles, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Cochiti and vicinity ; no. 143

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Cave dwellings in Rito de los Frijoles, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Cochiti and vicinity ; no. 144

Printed on recto: "Among the ancient and interesting scenery of New Mexico." No. 144 crossed out with 121 written below it.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Ruins of cliff houses in Rito de los Frijoles, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Cochiti and vicinity ; no. 145

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Canon del Norte, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Cochiti and vicinity ; no. 146

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Barranco Blanco, or, El Tienditas, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Cochiti and vicinity ; no. 147

Written on recto: "Barranco Blanco, or, El Tienditas." Cataloger supplied series title.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). "Matyayatihua" and family of the clan of the sage bush, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Cochiti and vicinity ; no. 148

Printed on recto: "Among the ancient and interesting scenery of New Mexico." Cataloger supplied series title.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Our guide, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Cochiti and vicinity ; no. 149

Written on recto: "Our guide." Cataloger supplied series title.

Physical Description

1 folder10 x 18 cm.

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Brown, William Henry (1844-1886). Summit of Rockies at Raton, N.M, circa 1885. 1 folder.
Scope and Contents

Views of New Mexico ; no. 171

Written on verso: "Summit of Rockies at Raton, N.M., 'Uncle Dick Wootons.'"

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Wagon mound : a land mark of old Santa Fe Trail, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 173

Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."

Physical Description

1 folder11 x 18 cm.

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Brown, William Henry (1844-1886). Las Vegas, N.M. : "old town.", circa 1885. 1 folder.
Scope and Contents

Views of New Mexico ; no. 175

Written on verso: "Las Vegas, N.M. : 'old town.'"

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Plaza at Las Vegas, N.M., old town, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 176

Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."

Physical Description

1 folder11 x 18 cm.

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Brown, William Henry (1844-1886). Las Vegas hot springs bath house, circa 1885. 1 folder.
Scope and Contents

Views of New Mexico ; no. 178

Written on verso: "Las Vegas hot springs bath house."

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Starvation Peak, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 183

Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."

Physical Description

1 folder11 x 18 cm.

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Brown, William Henry (1844-1886). Among the summits at Levy Station, circa 1885. 1 folder.
Scope and Contents

Views of New Mexico ; no. 186

Written on verso: "Among the summits at Levy Station."

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Glorieta Summit, altitude 7,537 feet, north view, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 187

Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Apache Canon, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 189

Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Apache Canon, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 190

Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Apache Canon, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 190

Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Indian Pueblo of San Felipe, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 196

Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Albuqurque, N.M, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 197

Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Socorro, N.M, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 202

Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico." No. 202 crossed out with 201 written below it.

Physical Description

1 folder11 x 18 cm.

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Brown, William Henry (1844-1886). Plaza at Socorro, N.M, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 203

Physical Description

1 folder11 x 18 cm.

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Brown, William Henry (1844-1886). Acequia Madre, Las Cruces, N.M, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 207

Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Plaza at Mesilla, N.M, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 209

Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Church at Mesilla, N.M, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 210

Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Street view at Mesilla, N.M, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 211

Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."

Physical Description

1 folder11 x 18 cm.

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Brown, William Henry (1844-1886). Mesilla Valley, N.M, circa 1885. 1 folder.
Scope and Contents

Views of New Mexico ; no. 213

Written on verso: "Mesilla Valley, N.M."

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Deming, N.M, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 214

Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."

Physical Description

1 folder11 x 18 cm.

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Brown, William Henry (1844-1886). Deming, N.M, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 219

Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Paso del Norte, Mexico : carretta, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 231

Physical Description

1 folder11 x 18 cm.

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Brown, William Henry (1844-1886). Mexican women making tortillas, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 232

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Indian Pueblo of Acoma, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Acoma, New Mexico ; no. 275

Written on recto: "The Indian Pueblo of Acoma." Cataloger supplied series title. No. 275 crossed out with 132 written below it.

Physical Description

1 folder11 x 18 cm.

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Brown, William Henry (1844-1886). Indian Pueblo of Acoma, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Acoma, New Mexico ; no. 275

Written on recto: "The Ind. Pueblo of Acoma." Cataloger supplied title.

Physical Description

1 folder11 x 18 cm.

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Brown, William Henry (1844-1886). Street view at Acoma, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Acoma, New Mexico ; no. 276

Written on recto: "Street view at Acoma."

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Acoma house, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Acoma, New Mexico ; no. 277

Cataloger supplied title.

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). From the mesa into the valley, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Acoma, New Mexico ; no. 278

Written on recto: "From the mesa into the valley."

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). View of valley from Acoma, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Acoma, New Mexico ; no. 279

Written on recto: "View of valley from Acoma."

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Arrow maker, circa 1885. 1 folder.
Scope and Contents

Written on recto: "The arrow maker." No. 166 crossed out with 285 written below it. Series title unknown.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Moqui Indian girls, circa 1885. 1 folder.
Scope and Contents

Written on recto: "Moqui Indian girls." No. 286. Series title unknown.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Bennett & Brown. Prehistoric Aztec tower in Arroya de los Forreones [?], circa 1885. 1 folder.
Scope and Contents

Views in New Mexico

Written on verso: "Prehistoric Aztec tower in Arroya de los Forreones [?], 25 south of Santa Fe" and "Lovejoy V. Foster, Chicago."

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Palace, circa 1885. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 300

Written on recto: "The Palace." Cataloger supplied series title. Mounted on 11 x 18 cm. card.

Physical Description

1 folder10 x 17 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Oldest house in Santa Fe, circa 1885. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 301

Written on recto: "The oldest house in S. Fe." Cataloger supplied title. Cataloger supplied series title. Mounted on 11 x 18 cm. card.

Physical Description

1 folder10 x 17 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). San Miguel Church, circa 1885. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 302

Written on recto: "San Miguel Church." Cataloger supplied series title. Mounted on 11 x 18 cm. card.

Physical Description

1 folder10 x 17 cm.

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Brown, William Henry (1844-1886). San Miguel College, circa 1885. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 304

Written on recto: "The San Miguel College." Cataloger supplied series title. Mounted on 11 x 18 cm. card.

Physical Description

1 folder10 x 17 cm.

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Brown, William Henry (1844-1886). Interior of San Miguel Chapel, circa 1885. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 315

Written on recto: "Interior of San Miguel Chapel." Cataloger supplied series title. Mounted on 11 x 18 cm. card.

Physical Description

1 folder10 x 16 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Indian Pueblo of Tesuque, circa 1885. 1 folder.
Scope and Contents

Pueblo Tesuque series ; no. 330

Written on recto: "Indian pueblo of Tesuque." Cataloger supplied series title. Mounted on 11 x 18 cm. card.

Physical Description

1 folder10 x 16 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Ruined Pueblo of Pecos, circa 1885. 1 folder.
Scope and Contents

Ruined pueblo of the Pecos ; no. 344

Written on recto: "Ruined pueblo of Pecos." Cataloger supplied series title. Mounted on 11 x 18 cm. card.

Physical Description

1 folder10 x 17 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Albuqurque, N.M, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 376

Mounted on 11 x 18 cm. card.

Physical Description

1 folder10 x 17 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Indian Pueblo of San Felipe, N.M, circa 1885. 1 folder.
Scope and Contents

A.T. & S. Fe R.R. series ; no. 385

Printed on recto: "The Ind. Pueblo of San Felipe. N.M." Cataloger supplied title. Cataloger supplied series title. Mounted on 11 x 18 cm. card

Physical Description

1 folder10 x 17 cm.

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Brown, William Henry (1844-1886). Indian Pueblo of San Ildefonso, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "The Ind. Pueblo of San Ildefonso" and "No. 385." Cataloger supplied title. Mounted on 11 x 18 cm. card.

Physical Description

1 folder10 x 17 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). One of the water tanks at Acoma, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Acoma, New Mexico ; no. 404

Printed on recto: "One of the water tanks at Acoma." Cataloger supplied series title. Mounted on 11 x 18 cm. card.

Physical Description

1 folder10 x 17 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Acoma : south end, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Acoma, New Mexico ; no. 408

Printed on recto: "Acoma, south end." Mounted on 11 x 18 cm. card.

Physical Description

1 folder10 x 17 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Major Fountain's rustlers, circa 1885. 1 folder.
Scope and Contents

Santa Fe and vicinity

Written on recto: "Maj Fountains rustlers." Cataloger supplied title. Cataloger supplied series title. Mounted on 11 x 18 cm. card.

Physical Description

1 folder10 x 17 cm.

Materials Viewable Online
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Hillers, John K. (1843-1925). Babe in cradle, circa 1874. 1 folder.
Scope and Contents

Indians of the Colorado Valley : UInTaUtes ; no. 106

Printed on recto: "U.S. Topographical and Geological Survey of the Colorado River of the West" and "By J.W. Powell and A.H. Thompson."

Physical Description

1 folder12 x 18 cm.

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Ingersoll, T. W. (Truman Ward) (1862-1922). Sioux and "paleface" girls, circa 1895. 1 folder.
Scope and Contents

American and foregin views ; 3264

Copyrighted by T.W. Ingersoll, possibly in 1895. Printed on recto: "Sold only by Canvassers."

Physical Description

1 folder9 x 18 cm.

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Group of Indian children : Blackfoot, circa 1895. 1 folder.
Scope and Contents

American and foregin views ; 3218

Printed on recto: "Sold only by Canvassers."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bierstadt, Charles (1819-1903). Indian pappoose, Goat Island, Niagara, N.Y, circa 1880. 1 folder.
Scope and Contents

No. 690

Physical Description

1 folder9 x 18 cm.

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Dakota woman with pappoose, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Sioux."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Moki Indian house, circa 1900. 1 folder.
Scope and Contents

No. 110. A color reproduction from an original stereograph.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Ingersoll, T. W. (Truman Ward) (1862-1922). Family group of Sioux and lodge, circa 1899. 1 folder.
Scope and Contents

No. 424. A color reproduction from an original stereograph. 1899 copyright held by T.W. Ingersoll.

Physical Description

1 folder9 x 18 cm.

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Whitney & Zimmerman. Chippewa Indian : deer hunting, circa 1870. 1 folder.
Scope and Contents

No. 495

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Caswell & Davy. "Lo" family : ye noble reds, circa 1875. 1 folder.
Scope and Contents

Scenery on the Northern Pacific Rail Road ; 78

Photograph mistakenly pasted on a card printed for "View of the city of Duluth" of the Lake Superior scenery series.

Physical Description

1 folder9 x 18 cm.

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Indian village on a government reservation : Glacier National Park, Montana, circa 1900. 1 folder.
Scope and Contents

Written on verso: "V231818 Indian village on a government reservation, Glacier National Park, Montana." Duplicate image of S0854 of collection number WC064. Creator supplied from S0854 of collection number WC064.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Ute Indian and family, Colorado, circa 1898. 1 folder.
Scope and Contents

Printed on recto: "204" and "8082."

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Among the Iroquois Indians, Provine of Quebec, Canada, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "385" and "V23180."

Physical Description

1 folder9 x 18 cm.

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Indian men on horseback, circa 1900. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. Procession of Corpus Christi, circa 1885. 1 folder.
Scope and Contents

New Mexico series : Santa Fe ; 2921

Cataloger supplied title.

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Kilburn, B. W. (Benjamin West) (1827-1909). Oldest house in Santa Fe, New Mexico, U.S.A, circa 1890. 1 folder.
Scope and Contents

No. 5451. Copyright 1890.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Evans, J. G.. Band of Arapaho Indians, circa 1875. 1 folder.
Scope and Contents

Written on verso: "Band of Arappaho Indians" and "J.G. Evans, photographer, Las Vegas, New Mexico."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bennet, George C.. Northern part of Santa Fe, circa 1880. 1 folder.
Scope and Contents

Views in New Mexico

Written on verso: "Northern part of Santa Fe, [?] Santa Fe River, Baptist (now Presbyterian) Church, Military qrs. and flag staff third center of [?]" and "Looking north east."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Mex. plow, old Noah's patent, used by Tesuque Ind's, circa 1885. 1 folder.
Scope and Contents

Pueblo Tesuque series ; no. 62

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder10 x 18 cm.

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Henry L. Shepard & Co.. Apaches on the war path, circa 1880. 1 folder.
Scope and Contents

Arizona views

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Whitney, Joel E. (Joel Emmons) (1822-1886). Ferry at Fort Snelling, circa 1860. 1 folder.
Scope and Contents

Gems of Minnesota Scenery

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Whitney & Zimmerman. View in the dalles of the St. Louis, circa 1880. 1 folder.
Scope and Contents

Lake Superior scenery : north shore

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Fearon & Bacheller. Dalles of the St. Croix, circa 1875. 1 folder.
Scope and Contents

Upton's views of Minnesota and the Northwest

Published by Fearon & Bacheller.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Fearon & Bacheller. Falls of St. Anthony, circa 1875. 1 folder.
Scope and Contents

Upton's views of Minnesota and the Northwest

Published by Fearon & Bacheller.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Fearon & Bacheller. Falls of St. Anthony, circa 1875. 1 folder.
Scope and Contents

Upton's Minnesota & Northwestern views

Written on recto: Falls of St. Anthony." Published by Fearon & Bacheller.

Physical Description

1 folder9 x 18 cm.

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Fearon & Bacheller. Red River carts, circa 1875. 1 folder.
Scope and Contents

Upton's Minnesota & Northwestern views

Written on recto: "Red River carts." Published by Fearon & Bacheller.

Physical Description

1 folder9 x 18 cm.

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Fearon & Bacheller. Bridal Veil, circa 1875. 1 folder.
Scope and Contents

Upton's Minnesota & Northwestern views

Published by Fearon & Bacheller.

Physical Description

1 folder9 x 18 cm.

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Upton, B. F. (Benjamin Franklin). Unidentified falls in Minnesota, circa 1875. 1 folder.
Scope and Contents

Upton's Minnesota and Northwestern views

Cataloger supplied title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Unidentified falls in Minnesota, circa 1870. 1 folder.
Scope and Contents

Harvey's new views of Minnesota scenery

Possibly by either Edwin Harvey or G. Harvey. Cataloger supplied title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Jacoby, W. H. (William H.) (1841-1905). Views in the tunnel after the break, circa 1876. 1 folder.
Scope and Contents

Jacoby's Minnesota and foreign views ; 259

Physical Description

1 folder9 x 18 cm.

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Illingworth, W. H. (William H.) (1842-1893). Minnehaha in winter, circa 1875. 1 folder.
Scope and Contents

Stereographs of Minnesota scenery

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Zimmerman, Charles A. (1844-1909). View in the dalles of the Wisconsin River, circa 1875. 1 folder.
Scope and Contents

Printed on recto: "Sugar Bowl" and "854."

Physical Description

1 folder9 x 18 cm.

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House over the stump of the original big tree, circa 1870. 1 folder.
Scope and Contents

California mountain scenery

Cataloger supplied title supplied from series list on verso of stereograph. Written on recto: "Chip of the old block."

Physical Description

1 folder9 x 18 cm.

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Girl from the golden West, circa 1900. 1 folder.
Physical Description

1 folder9 x 18 cm.

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Calfee, H. B. (Henry Bird) (1847-1912). Street view of unidentified town, circa 1880. 1 folder.
Scope and Contents

Enchanted land, or, Wonders of the Yellowstone National Park

Cataloger supplied title. Possibly taken in Montana, Wyoming, or Idaho.

Physical Description

1 folder12 x 18 cm.

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O'Sullivan, Timothy H. (1840-1882). One of the group of Pagosa Hot Springs showing incrustation on the surface, 1874. 1 folder.
Scope and Contents

Expedition of 1874 ; no. 38

Printed on recto: "1st Lieut. Geo. M. Wheeler." Printed on verso: "Geographical Explorations and Surveys West of the 100th Meridian."

Physical Description

1 folder10 x 18 cm.

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Bradley & Rulofson. Schonschis Rock : Tule Lake in the distance, circa 1873. 1 folder.
Scope and Contents

Modoc War ; 1611

Copyright 1873.

Physical Description

1 folder10 x 18 cm.

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Keystone view company. Statue : "Indian buffalo hunt.", circa 1900. 1 folder.
Scope and Contents

Indians ; 23342

Printed on recto: "10."

Physical Description

1 folder9 x 18 cm.

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Ingersoll, T. W. (Truman Ward) (1862-1922). Ft. Wrangel whale totem, circa 1880. 1 folder.
Scope and Contents

Alaska : land of the midnight sun via P.C.S.S. Co. line ; 3623

Ticket of Robert I. Wright, Ashland, Ore., on verso.

Physical Description

1 folder11 x 18 cm.

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Dickerson, A. E. Oil well near Lander, Wyo, circa 1890. 1 folder.
Scope and Contents

Original stereographs ; 471

Physical Description

1 folder9 x 18 cm.

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Warner, Milan P.. Ogden City : log barn, 1873. 1 folder.
Scope and Contents

Great Interior Basin, Wahsatch Range of Rocky Mountains

Written on verso: "Log barn." Cataloger supplied title.

Physical Description

1 folder11 x 18 cm.

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Warner, Milan P.. Ogden City : cloud effect, 1873. 1 folder.
Scope and Contents

Great Interior Basin, Wahsatch Range of Rocky Mountains

Written on verso: "Cloud effect." Cataloger supplied title.

Physical Description

1 folder11 x 18 cm.

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Little Bighorn Battlefield, circa 1880. 1 folder.
Scope and Contents

Written on recto: "31 Little Bighorn Battlefield." Written on verso: "Camera equip. at Little Big Horn, 'All graves were marked with a stake in which had been driven an empty shell case containing an identification slip' p. 169 The Custer album by Frost.'"

Physical Description

1 folder9 x 18 cm.

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Jacoby, W. H. (William H.) (1841-1905). Studio facade of William H. Jacoby, 1874. 1 folder.
Scope and Contents

Written on verso: "W.H. Jacoby, 61 & 63 corner of Second St. & Bridge Square, Minneapolis, Minn."

Physical Description

1 folder9 x 18 cm.

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Gurnsey, B. H. (Byron H.) (1833-1880). Rocky Mountain Transportation Company's mule train, Ute Pass, circa 1875. 1 folder.
Scope and Contents

Gurnsey's Rocky Mountain views : scenes on the line of the Denver & Rio Grande Railway ; no. 64

Physical Description

1 folder10 x 18 cm.

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Savage, C. R. (Charles Roscoe) (1832-1909). Old mill, American Fork Canon, circa 1865. 1 folder.
Scope and Contents

Views of the great West from the Missouri River to the Pacific Ocean : Utah series

Physical Description

1 folder10 x 18 cm.

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Savage, C. R. (Charles Roscoe) (1832-1909). Old Shingle Mill, American Fork Canon, looking east, circa 1865. 1 folder.
Scope and Contents

Views of the great West from the Missouri River to the Pacific Ocean : Utah series

Physical Description

1 folder10 x 18 cm.

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Serdinko, J.. Indigenous burial ground, circa 1885. 1 folder.
Scope and Contents

Northern Pacific views; the caption reads, "587. Indian burial ground."

Content Warning

This photograph shows a burial site used by an Indigenous community or communities.

Physical Description

1 folder9 x 18 cm.

Ingersoll, T. W. (Truman Ward) (1862-1922). Pueblo de Taos, circa 1900. 1 folder.
Scope and Contents

American picturesque ; 2702

Printed on recto: "The north pueblo from the bridge."

Physical Description

1 folder9 x 18 cm.

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Watkins, Carleton E. (1829-1916). View down Valley from Union Pt., Yosemite, circa 1865. 1 folder.
Scope and Contents

Watkins' new series of Yosemite and Pacific Coast ; 803

Physical Description

1 folder9 x 18 cm.

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Street view of unidentified town in the West, circa 1875. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder11 x 18 cm.

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Street view of unidentified town in the West, circa 1875. 1 folder.
Scope and Contents

Cataloger supplied title.

Physical Description

1 folder11 x 18 cm.

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Savage & Ottinger. Pulpit Rock, mouth of Echo, circa 1870. 1 folder.
Scope and Contents

Written on recto: "Pulpit Rock, mouth of Echo." Hand colored.

Physical Description

1 folder9 x 18 cm.

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Savage & Ottinger. Witches' Rocks near mouth of Echo Canon, circa 1870. 1 folder.
Scope and Contents

Written on recto: "Witches Rocks near mouth of Echo Canon." Hand colored.

Physical Description

1 folder9 x 18 cm.

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Savage & Ottinger. Sam Hill's lookout : Weber Canon looking down 600 ft, circa 1870. 1 folder.
Scope and Contents

Written on recto: "Sam Hill's lookout : Weber Canon looking down 600 ft." Hand colored.

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. At breakfast : typical desert home of the Navajo Indians, Navajo Reservation, Arizona, circa 1908. 1 folder.
Scope and Contents

Printed on recto: "33." Copyright 1908.

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Kachina dance to the rain god : Hopi Indian village, Shonghopavi, Arizona, circa 1903. 1 folder.
Scope and Contents

Printed on recto: "35." Copyright 1903.

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Snake priests searching for reptiles for the dane : Moki Indians (cliff dwellers), Arizona, circa 1901. 1 folder.
Scope and Contents

Copyright 1901.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Eskimo family at Fort Magnesia, Cape Sabine, Ellsmere Land, circa 1901. 1 folder.
Scope and Contents

Printed on recto: "1181" and "V13334."

Physical Description

1 folder9 x 18 cm.

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Caches, or, Indian acron storehouses, circa 1880. 1 folder.
Scope and Contents

American scenery : Yosemite Valley

Advertisement for Duke & Schlingheyde, Patterson, N.J., on verso.

Physical Description

1 folder9 x 18 cm.

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Whitney & Zimmerman. WaSiTah, Chippewa brave, after 1870. 1 folder.
Scope and Contents

Printed on recto: "No. 409." Mounted on Whitney & Zimmerman card.

Physical Description

1 folder9 x 18 cm.

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Whitney & Zimmerman. MahWeDoKeShick (Spirit of the Skies), Chippewa chief, very brave, before 1871. 1 folder.
Scope and Contents

Printed on recto: "No. 459."

Physical Description

1 folder9 x 18 cm.

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Whitney & Zimmerman. AnPeTu ToKeCa (Other Day), Sioux Indian : rescued 62 persons from the Indian Massacre of 1862, 1862. 1 folder.
Scope and Contents

Printed on recto: "No. 459." Mounted on Whitney & Zimmerman card.

Physical Description

1 folder9 x 18 cm.

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Bennett, H. H. (Henry Hamilton) (1843-1908). Big Bear, circa 1885. 1 folder.
Scope and Contents

Among the Winnebago Indians ; 1131

Printed on recto: "Wanderings among the wonders and beauties of Wisconsin scenery."

Physical Description

1 folder11 x 18 cm.

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Bennett, H. H. (Henry Hamilton) (1843-1908). Sioux Indians at the carnival : young braves and squaw, circa 1886. 1 folder.
Scope and Contents

St. Paul Ice Carnival ; 1566

Printed on recto: "1886, 1887, 1888."

Physical Description

1 folder11 x 18 cm.

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Bennett, H. H. (Henry Hamilton) (1843-1908). Sioux Indians at carnival : a brave with bow and arrow, circa 1886. 1 folder.
Scope and Contents

St. Paul Ice Carnival ; 1566

Printed on recto: "1886, 1887, 1888."

Physical Description

1 folder11 x 18 cm.

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Underwood & Underwood. Most famous site in Yellowstone Park : "Old Faithful" geyser in action (180 ft. high), circa 1900. 1 folder.
Scope and Contents

Printed on recto: "21."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. "Tea Kettle" boiling hot from Mother Earth's hidden fire : Yellowstone Park, U.S.A, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "18" and "6260."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Fifteen minute display of "Riverside" geyser : boiling water 10 ft. in air, Yellowstone Park, U.S.A, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "17" and "6259."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Grotesque shpaes of geyserite among the pools of "Biscuit Basin," Yellowstone Park, U.S.A, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "16" and "6258."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. "Black Warrior" geyser waving a banner of steam and spray, Yellowstone Park, U.S.A, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "15" and "6257."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. "Great Fountain" geyser throwing up clouds of steam and boiling water, Yellowstone Park, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "14" and "6256."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Grizzly bear at home in the wooded wilderness of famous Yellowstone Park, U.S.A, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "13" and "6255."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. "Devil's Inkwell" bubbling and boiling over hidden fires in famous Yellowstone Park, U.S.A, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "12" and "6254."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Glittering spray from "Constant" geyser and stream from "Black Growler," Yellowstone Park, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "11" and "6253."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. "Black Growler" whose steam kills trees and whose roaring startles tourists, Yellowstone Park, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "10" and "6252."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Wild buffalo, one of America's "first families," at home on a sunny slope, Yellowstone Park, U.S.A, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "8" and "6250."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Fort Yellowstone, among the mountains, headquarters of U.S. troops, Yellowstone Park, U.S.A, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "4" and "6246."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Mountain of "petrified water" : Pulpit Terrace and Mammoth Springs Hotel, Yellowstone Park, U.S.A, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "5" and "6247."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Sixhorse tallyho leaving mountain walled Gardiner for trip through Yellowstone Park, U.S.A, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "2" and "6244."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Evolution of the sickle and flail : 33 horse harvester at Walla Walla, Washington, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "54" and "6226."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Where the Cascade Mountains wear eternal snows, Mt. Hood, Oregon, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "51" and "10018."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Perilous climbing over icecrags of Stevens Glacier, Mt. Tacoma, Washington, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "53" and "9931."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Perpetual winter, Mt. Tacoma and Nisqually Glacier, Washington, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "52" and "9922."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Irrigating a strawberry field, Hood River Valley, N. to Mt. Adams, Oregon, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "50" and "9864."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Most famous sight in Yellowstone Park : "Old Faithful" in eruption (180 ft.), circa 1900. 1 folder.
Scope and Contents

Printed on recto: "55" and "8970."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. El Capitan, a granite cliff 3300 ft. high (N.W.), Yosemite Valley, Cal, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "41" and "8966."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. At breakfast : typical desert home of the Navajo Indians (S.W.), Arizona, circa 1908. 1 folder.
Scope and Contents

Printed on recto: "31" and "6167."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Fathoming depths of a vanished river : Grand Canyon from Hanoe's Cove, Arizona, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "34" and "8964."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Incredible heights and depths of the canon, N.E. from Artists' Point, Yellowstone Park, U.S.A, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "30" and "6272."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Down the river and canon, N.E. from brink of Lower Falls, Yellowstone Park, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "58" and "6279."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. From Pt. Lookout N. down canon to river 1,200 feet below, Yellowstone Park, U.S.A, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "28" and "6270."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Fisherman at lake cooking in a boiling spring the trout just caught, Yellowstone Park, U.S.A, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "26" and "6268."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. W. from Continental Divide over Shoshone Lake to the Grand Teton, Yellowstone Park, U.S.A, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "25" and "6267."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Keppler Cascade, one of the gems of Yellowstone Park, U.S.A, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "24" and "6266."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Mirrored beauty of majestic "Old Faithful," east to Continental Divide, Yellowstone Park, U.S.A, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "22" and "6264."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Sheep grazing, Snake River Valley, Idaho, U.S.A, circa 1896. 1 folder.
Scope and Contents

Printed on recto: "2406." Copyright 1896.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Yosemite Valley and Bridal Veil Meadow, Cal., U.S.A, circa 1897. 1 folder.
Scope and Contents

Printed on recto: "5023." Copyright 1897.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Yosemite Valley, Cal., U.S.A, circa 1897. 1 folder.
Scope and Contents

Printed on recto: "5027." Copyright 1897.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. "Goodbye, good friends, goodbye, we go to do or die" : steamer Rosalie leaving Seattle for the Klondike, circa 1898. 1 folder.
Scope and Contents

Printed on recto: "9115." Copyright 1898.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Government reindeer en route for Alaska, circa 1898. 1 folder.
Scope and Contents

Printed on recto: "9067." Copyright 1898.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Home comfort in gold camp, circa 1898. 1 folder.
Scope and Contents

Printed on recto: "9067." Copyright 1898. Possibly taken in Alaska.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. North Dome from Trosack Bridge, Yo Semite Valley, Cal., U.S.A, circa 1899. 1 folder.
Scope and Contents

Printed on recto: "9468." Copyright 1899.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. "Dora Bluhm" at the Port of St. Michaels, Alaska, circa 1898. 1 folder.
Scope and Contents

Printed on recto: "9355." Copyright 1898.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Great Oregon Caves, under the roof cap, Oregon, U.S.A, circa 1899. 1 folder.
Scope and Contents

Printed on recto: "9590." Copyright 1899.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. "A happy home in Alaska.", circa 1898. 1 folder.
Scope and Contents

Printed on recto: "9205." Copyright 1898.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Courtney's Store and Post Office, Sheep Camp, Alaska, circa 1898. 1 folder.
Scope and Contents

Printed on recto: "9212." Copyright 1898.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Placer mining, near the Yukon River, Alaska, circa 1898. 1 folder.
Scope and Contents

Printed on recto: "9374." Copyright 1898.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Redlands and its wealth of orange groves from Smiley Heights, Cal, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "37" and "5956."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Wawona as we drove through it : tree 275 ft. tall in Mariposa Grove, Cal, circa 1902. 1 folder.
Scope and Contents

Printed on recto: "40" and "5977." Dated from S0822 of collection number WC064.

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Among the 30,000 cattle at Sierra Bonita Ranch : roping a yearling, Arizona, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "30" and "6156."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Katchina dance to the raingods : Hopi Indians at Shonghopavi, Arizona, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "33" and "6181."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. South to picturesque Wolpi, a mesa village of Hopi Indians, Arizona, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "32" and "6186."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Pride of the Mormons : Temple and Tabernacle, Salt Lake City, Utah, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "59" and "6200."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Strohmeyer & Wyman. Gateway of Garden of the Gods and majestic Pike's Peak, Colorado, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "64" and "6205." Copyright held by Strohmeyer & Wyman.

Strohmeyer & Wyman
administrative history
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Picturesque grandeur of Columbia River : W. past "Pillars of Hercules," Oregon, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "48" and "6234."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Balancing Rock : one of the wonderful landmarks in Garden of the Gods, Colorado, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "65" and "6209."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Strohmeyer & Wyman. Royal Gorge, where railway hangs over Arkansas River Canon, Colorado, 1894. 1 folder.
Scope and Contents

Printed on recto: "62" and "6218."

Strohmeyer & Wyman
administrative history
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Cliff House and seal rocks W.N.W. from the seabeach, San Francisco, Cal, 1894. 1 folder.
Scope and Contents

Printed on recto: "45" and "5950."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Grizzly bear in the wooded wilderness of Yellowstone Park, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "57" and "10588."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Nightingale Mine at Bull Hill in the world's richest goldfield, Colorado, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "66" and "10587."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Grand River Valley and its famous peach orchards (N.N.W.), Palisade, Colo, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "61" and "10585."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Cliff dwellings of prehistoric men (E.) : Mesa Verde National Park, Colo, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "60" and "10584."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Pictured rocks, upper Missouri River Valley, Montana, circa 1910. 1 folder.
Scope and Contents

Printed on recto: "1282." In color.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Griffith & Griffith. Great Loop between Georgetown and Silver Plume, Colorado, circa 1910. 1 folder.
Scope and Contents

Printed on recto: "69." In color.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Alamo St., San Antonio, Texas, circa 1900. 1 folder.
Scope and Contents

In color.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Palmer, A. A.. Family portrait in front of a falls, 1882. 1 folder.
Scope and Contents

Written on verso: "August 15, 1882." Cataloger supplied title.

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Strohmeyer & Wyman. Manitou and Pike's Peak, Colorado, U.S.A, circa 1898. 1 folder.
Scope and Contents

Copyright 1898.

Strohmeyer & Wyman
administrative history
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Strohmeyer & Wyman. Little lovers in Elfland, Garden of the Gods, Colorado, U.S.A, circa 1898. 1 folder.
Scope and Contents

Copyright 1898.

Strohmeyer & Wyman
administrative history
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Strohmeyer & Wyman. Siamese Twins, Garden of the Gods, Colorado, U.S.A, circa 1894. 1 folder.
Scope and Contents

Copyright 1894.

Strohmeyer & Wyman
administrative history
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Upton, B. F. (Benjamin Franklin). Seated Sioux woman in front of lodgings, 1863. 1 folder.
Scope and Contents

Printed on verso: "From series of Indian portraits and views made...at different times while among the Sioux, Chippewa and Winnebago Nations." Cataloger supplied title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bierstadt, Charles (1819-1903). Witches' Cauldron, Geyser Springs, Cal, circa 1865. 1 folder.
Scope and Contents

Printed on recto: "1240."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Stereophoto Company. Wonderful cacti gardens, Riverside, California, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "620."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Jacoby, W. H. (William H.) (1841-1905). Exterior view of Jacoby's studio, 1874. 1 folder.
Scope and Contents

Possibly the studio of William H. Jacoby. Cataloger supplied title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Boston, J. A.. At Deer Creek Canon on Denver & South Park R.R, circa 1880. 1 folder.
Scope and Contents

Written on verso: "At Deer Creek Canon on Denver & South Park R.R."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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O'Sullivan, Timothy H. (1840-1882). Roman Catholic church, Plaza of Guadaloupe, Guadaloupe Co., Colorado, 1874. 1 folder.
Scope and Contents

Expedition of 1874 ; no. 34

Printed on recto: "1st Lieut. Geo. M. Wheeler." Printed on verso: "Geographical Explorations and Surveys West of the 100th Meridian."

Physical Description

1 folder10 x 18 cm.

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Martin, Alexander (1929). Camp beseiged by a bear, circa 1880. 1 folder.
Scope and Contents

Printed on recto: "2958."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Collier, Joseph. From the crater looking north, circa 1875. 1 folder.
Scope and Contents

Collier's Rocky Mountain scenery : vocano series ; 91

Written on verso: "Mary I. Mann, no. 17."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Collier, Joseph. Curve above lower tollgate in the canon, circa 1875. 1 folder.
Scope and Contents

Collier's Rocky Mountain scenery : Boulder series ; 46

Written on verso: "Mary I. Mann, no. 26."

Physical Description

1 folder10 x 18 cm.

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Collier, Joseph. Crystal Lakes, circa 1875. 1 folder.
Scope and Contents

Collier's Rocky Mountain scenery : James Peak series ; 3

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Collier, Joseph. Sheep rocks, Lake St. Mary, circa 1875. 1 folder.
Scope and Contents

Collier's Rocky Mountain scenery : Estes' Park series ; 69

Written on verso: "Mary I. Mann, no. 16."

Physical Description

1 folder10 x 18 cm.

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Collier, Joseph. Canon of Boulder, up which the road to the mining regions of Gold Hill, Sugar Loaf, and Middle Boulder is built, is very abrupt and jagged, circa 1875. 1 folder.
Scope and Contents

Collier's Rocky Mountain scenery : Boulder series ; 46

Title supplied from description printed on verso. Cataloger supplied series title.

Physical Description

1 folder10 x 18 cm.

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Collier, Joseph. Lily Lake, looking east, circa 1875. 1 folder.
Scope and Contents

Collier's Rocky Mountain scenery : Long's Peak series ; 66

Physical Description

1 folder10 x 18 cm.

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Collier, Joseph. Huntsman's ranch from the bridge, circa 1875. 1 folder.
Scope and Contents

Collier's Rocky Mountain scenery : Clear Creek series ; 28

Physical Description

1 folder10 x 18 cm.

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Collier, Joseph. Grand Lake looking north, circa 1875. 1 folder.
Scope and Contents

Collier's Rocky Mountain scenery : Middle Park series ; 147

Written on verso: "Mary I. Mann, no. 49."

Physical Description

1 folder10 x 18 cm.

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Underwood & Underwood. Golden gate : entrance to picturesque ravine of "golden rocks," Yellowstone Park, U.S.A, circa 1904. 1 folder.
Scope and Contents

Copyright 1904.

Physical Description

1 folder9 x 18 cm.

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George E. Mellen & Company. Owen's Hot Springs, circa 1885. 1 folder.
Scope and Contents

Written on verso: "Owen's Hot Springs" and "Geo. A. Stough."

Physical Description

1 folder10 x 18 cm.

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Kilburn Brothers. Indian warclubs, circa 1875. 1 folder.
Scope and Contents

Printed on recto: "2615." Notations by a former owner.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Pueblo of the Taos Indians, Taos, N. Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "211" and "13720." Notations by a former owner on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bennett, H. H. (Henry Hamilton) (1843-1908). Big Bear in Diamond Grotto, Wisconsin Dells, circa 1890. 1 folder.
Scope and Contents

Among the Winnebago Indians ; 31

Printed on recto: "Wanderings among the wonders and beauties of Wisconsin scenery." Notations by a former owner on verso.

Physical Description

1 folder9 x 18 cm.

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Crater, I.. Indian camp, Grand Island, circa 1875. 1 folder.
Scope and Contents

Views of Lake Superior

Written on verso: "Indian camp, Grand Island." Notations by a former owner on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Gaylord, P. B.. Chippewa Indians, circa 1875. 1 folder.
Scope and Contents

Scenery at the head of Lake Superior

Notations by a former owner on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Haynes, F. Jay (Frank Jay) (1853-1921). Glimpse of the Tetons, circa 1882. 1 folder.
Scope and Contents

Yellowstone Park scenery ; 4593

Printed on recto: "Northern Pacific scenery." Notations by a former owner on verso.

Haynes, F. Jay (Frank Jay) (1853-1921)
Biographical / Historical

F. Jay Haynes (1853-1921) was a professional photographer who documented the settlement and expansion of the American Northwest during the late 19th and early 20th centuries. Based in Minnesota and North Dakota, Haynes served as the official photographer for Northern Pacific Railway and Yellowstone National Park. Haynes first visited Yellowstone in 1881 and, a few years later in 1884, obtained permission to operate a photography studio there. He served as Yellowstone's official photographer from 1884 until 1920 when he was succeeded by his son, Jack Ellis Haynes (1884-1962).

Physical Description

1 folder9 x 18 cm.

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Blosser Scenic Art Company. Grand Canyon, circa 1910. 1 folder.
Scope and Contents

Written on recto: "Grand Canyon." Printed on recto: "Cascade Mts., Puget Sound, and the Pacific Northwest." Notations by a former owner on verso.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Ute Indian and family, Colorado, U.S.A, circa 1898. 1 folder.
Scope and Contents

Printed on recto: "8082." Copyright 1898. Notations by a former owner on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Mounted Sioux Indians in "full feather" leaving camp, Nebr, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "T130" and "16718." Notations by a former owner on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bennett, H. H. (Henry Hamilton) (1843-1908). Deserted medicine camp at Petenwell, circa 1890. 1 folder.
Scope and Contents

Curosities of Adams and Juneau Counties ; no. 417

Printed on recto: "Wanderings among the wonders and beauties of Wisconsin scenery."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Carbutt, John (1832-1905). Group of Indians and mud lodge in Pawnee village, circa 1875. 1 folder.
Scope and Contents

Views of the Rocky Mountains and vicinity ; 310

Notations by a former owner on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bennett, H. H. (Henry Hamilton) (1843-1908). HaZahZochKah (Branching Horns), circa 1905. 1 folder.
Scope and Contents

Among the Winnebago Indians ; 414

Printed on recto: "Wanderings among the wonders and beauties of Wisconsin scenery." Copyright 1905. Notations by a former owner on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Chamberlain, W. G. (William Gunnison). Flood in Cherry Creek, May 22nd, 1878 : Larimer Street, 1878. 1 folder.
Scope and Contents

Denver

Printed on verso: "Colorado mountain scenery."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Bennett, H. H. (Henry Hamilton) (1843-1908). MaCoNuGah and Big Bear, circa 1880. 1 folder.
Scope and Contents

Among the Winnebago Indians ; no. 276

Printed on recto: "Wanderings among the wonders and beauties of Wisconsin scenery."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Savage, C. R. (Charles Roscoe) (1832-1909). Pres. B. Young : born June 1st, 1801, circa 1865. 1 folder.
Scope and Contents

Utah

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Savage, C. R. (Charles Roscoe) (1832-1909). Pres. B. Young : born June 1st, 1801, circa 1865. 1 folder.
Scope and Contents

Utah

Physical Description

1 folder9 x 18 cm.

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Central Pacific Railroad Company. R.R. bridge, Weber Canyon, Pacific Railroad, circa 1885. 1 folder.
Scope and Contents

American views

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Central Pacific Railroad Company. Pacific Rail Road, circa 1885. 1 folder.
Scope and Contents

American scenery

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Interior views of a railroad tunnel, circa 1885. 1 folder.
Scope and Contents

European and American views

Cataloger supplied title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Collier, Joseph. Hanging rock, looking up, circa 1875. 1 folder.
Scope and Contents

Collier's Rocky Mountain scenery : Clear Creek series ; 24

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Collier, Joseph. Hanging rock, looking down, circa 1875. 1 folder.
Scope and Contents

Collier's Rocky Mountain scenery : Clear Creek series ; 25

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Gurnsey, B. H. (Byron H.) (1833-1880). Plaza, or, Public square, Santa Fe, New Mexico, circa 1875. 1 folder.
Scope and Contents

Gurnsey's Rocky Mountain views : views on the line of the A., T., & S.F.R.R. ; no. 210

Dealer's ticket of Walter V. Hayt, Santa Fe, N.M., on verso.

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Gurnsey, B. H. (Byron H.) (1833-1880). Plaza, or, Public square, Santa Fe, New Mexico, circa 1875. 1 folder.
Scope and Contents

Gurnsey's Rocky Mountain views : views on the line of the A., T., & S.F.R.R. ; no. 211

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Continent Stereoscopic Company. Military headquarters, Santa Fe, New Mexico, circa 1885. 1 folder.
Scope and Contents

Descriptive views of the American continent ; 64

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Continent Stereoscopic Company. Turquois mines of New Mexico, circa 1885. 1 folder.
Scope and Contents

Descriptive views of the American continent

Stamp of Phillips' on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Washing and baking day at a Canadian farmhouse, Roberval, Canada, circa 1903. 1 folder.
Scope and Contents

Printed on recto: "266" and "13888." Copyright 1903 and 1909.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Sacking wheat from the thresher : harvesting in the great wheat fields, Manitoba, Canada, circa 1900. 1 folder.
Scope and Contents

Copyright 1900.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Main street, Sheep Camp, Alaska, circa 1898. 1 folder.
Scope and Contents

Printed on recto: "9210." Copyright 1898 and 1900.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Preparing to climb "The Golden Stair" and Peterson's Trail, Chilkoot Pass, Alaska, circa 1898. 1 folder.
Scope and Contents

Printed on recto: "9195." Copyright 1898.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Just in from Arctic City, Alaska, circa 1899. 1 folder.
Scope and Contents

Printed on recto: "11530." Copyright 1899.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Prospectors returning to camp : 62 degrees below zero, Alaska, circa 1899. 1 folder.
Scope and Contents

Printed on recto: "11548." Copyright 1899.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Scraping the hair from the hides roughly by machinery : tanning industry, Canada, circa 1907. 1 folder.
Scope and Contents

Printed on recto: "272" and "20916." Copyright 1907.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Saint Bernard dogs and the old boat keeper, Jasper Park Lodge, Alberta, Canada, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "P119" and "P27291."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Ready for the chase, Montreal Hunting Club, Canada, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "10027." Copyright 1900.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. In the land of the totem poles : the Indian village of Kasaan, Alaska, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "2" and "21038."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Drying fish on the Yukon River, Alaska, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "244" and "11518."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Bound for the Klondike gold fields, Chilkoot Pass, Alaska, circa 1898. 1 folder.
Scope and Contents

Alaska ; 17

Printed on recto: "9191." Copyright 1898 and 1900. Reproduced from the original in the Collection of Gary Kessel.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Gold miners and dog team north of the Arctic Circle, Alaska, circa 1900. 1 folder.
Scope and Contents

Alaska ; 18

Printed on recto: "11530." Reproduced from the original in the Collection of Gary Kessel.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Interior of San Miguel Chapel, circa 1885. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 11

Written on recto: "Interior of San Miguel Chapel." Cataloger supplied series title.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Continent Stereoscopic Company. Plaza at Albuquerque, New Mexico, circa 1885. 1 folder.
Scope and Contents

Descriptive views of the American continent ; 602

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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George E. Mellen & Company. Summit of Marshall Pass, look west, D. & R.L.RR, circa 1885. 1 folder.
Scope and Contents

Printed on verso: "277." Written on verso: "Summit of Marshall Pass, look west, D. & R.L.R.R." and "Geo. A. Stough."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Central Pacific Railroad Company. 1000 mile tree in the narrows, circa 1865. 1 folder.
Scope and Contents

Written on verso: "1000 mile tree in the narrows." Written on recto: "CPRR 1000 mile tree."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Savage & Ottinger. Devil's Gate Bridge, circa 1865. 1 folder.
Scope and Contents

Written on recto: "Devil's Gate Bridge." Hand colored.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Carter, C. W.. Bridge & small tunnel, Weber, circa 1865. 1 folder.
Scope and Contents

Written on recto: "Bridge & small tunnel, Weber."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Rinehart, F. A. (Frank A.). Bear dance, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "No. IV."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Whitney & Zimmerman. City of Saint Paul, circa 1872. 1 folder.
Scope and Contents

Written on verso: "Sep. 3, 1872."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Illingworth, W. H. (William H.) (1842-1893). Big Sioux Falls, D.T, circa 1870. 1 folder.
Scope and Contents

Stereographs of Minnesota scenery

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Nebraska corn and grain exhibit, circa 1910. 1 folder.
Scope and Contents

Printed on recto: "366." In color.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Monument to Gen. Custer and his brave men, Custer Battlefied, Wyo, circa 1910. 1 folder.
Scope and Contents

Printed on recto: "751." In color.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. More enchanting wonder nature never knew : Grand Canon of the Yellowstone National Park, Wyo., U.S.A, circa 1904. 1 folder.
Scope and Contents

Printed on recto: "13577." Copyright 1904.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Roundup on the Sherman Ranch, Geneseo, Kansas, U.S.A, circa 1902. 1 folder.
Scope and Contents

Printed on recto: "12475." Copyright 1902.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Upton, B. F. (Benjamin Franklin). Suspension bridge (betw'n St. Anthony and Minneapolis), circa 1870. 1 folder.
Scope and Contents

Upton's Minnesota and Northwestern views

Cataloger supplied title supplied from series list printed on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Fearon & Bacheller. Pineries of Minnesota, circa 1870. 1 folder.
Scope and Contents

Upton's views of Minnesota and the Northwest

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Barr & Wright. City jail, Houston, Tex, 1883. 1 folder.
Scope and Contents

Written on verso: "City jail, Houston, Tex., Sept. 9/83." Printed on recto: "Stereo. views of Texas" and "Barr & Wright." Barr's name is crossed out.

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Wright, Charles J. (1842). Court house, Houston, Tex, 1883. 1 folder.
Scope and Contents

Views of Houston, Texas

Written on verso: "Court house, Houston, Tex., Sept. 9/83."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Wright, Charles J. (1842). International R.R. bridge over the Bayou at Houston, Tex, 1883. 1 folder.
Scope and Contents

Views of Houston, Texas

Written on verso: "International R.R. bridge over the bayou at Houston, Tex., Sept. 9/83."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Wright, Charles J. (1842). Market House, Houston, Tex, 1883. 1 folder.
Scope and Contents

Views of Houston, Texas

Written on verso: "Market House, Houston, Tex., Sept. 9/83."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Wright, Charles J. (1842). Birds eye view of Houston, Tex, 1883. 1 folder.
Scope and Contents

Views of Houston, Texas

Written on verso: "Birds eye view of Houston, Tex., Sept. 9/83."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Wright, Charles J. (1842). Live oak at Lubbock Grove, Houston, Tex, 1883. 1 folder.
Scope and Contents

Views of Houston, Texas

Written on verso: "Live oak at Lubbock Grove, Houston, Tex., Sept. 9/83."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Keystone view company. Crude oil stills and car factory, Port Arthur, Texas, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "123" and "20354."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Spindle Top : an important oil regions near Beaumont, Texas, U.S.A, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "122" and "20054."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. Cotton gin : one of the greatest industrial inventions, separating fibre from seed, Texas, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "7723." Copyright 1905.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Metropolitan view : looking north from the Colcord Bldg. over the City of Oklahoma, Okla, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "121" and "16727."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Roundup on the Sherman Ranch, Geneseo, Kansas, U.S.A, circa 1902. 1 folder.
Scope and Contents

Printed on recto: "12475." Copyright 1902.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Indian kitchen in No. Dakota, circa 1910. 1 folder.
Scope and Contents

Metropolitan series

Printed on recto: "927." In color.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. General view of Alamo Plaza, famous Alamo Mission at the right, San Antonio, Texas, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "T138" and "32743T."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Plaza from the fonda, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 54

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Gurnsey, B. H. (Byron H.) (1833-1880). Military headquarters, Dep't of New Mexico, Santa Fe, New Mexico, circa 1875. 1 folder.
Scope and Contents

Gurnsey's Rocky Mountain views : views on the line of the A., T. & S.F.R.R. ; no. 222

Stamp of Walter V. Hayt, Santa Fe, New Mexico, on verso.

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Kilburn Brothers. Bridge, Santa Fe, New Mexico, U.S.A, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "5437." Copyright 1890.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Kilburn Brothers. Santa Fe from D. & R.G.R.R, circa 1890. 1 folder.
Scope and Contents

Printed on recto: "5439."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Corwin & Clark. Governor's palace, Santa Fe, circa 1890. 1 folder.
Scope and Contents

Corwin & Clark's gems of American scenery in Colorado and New Mexico along the line of the A., T. & S.F. Railroad ; no. 12

Written on verso: "Govenor's [sic] Palace, Santa Fe."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Cunningham & Company (1880-1889). San Francisco Street, down, circa 1880. 1 folder.
Scope and Contents

Views of Rocky Mountain scenery : New Mexican series ; 237

Printed on verso: "Scenes on the line of the Atchison, Topeka, and Santa Fe Railway." "Cunningham & Co., successors to F.A. Nims" stamped on verso.

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Continent Stereoscopic Company. Street scene in Santa Fe, New Mexico, circa 1885. 1 folder.
Scope and Contents

Descriptive views of the American continent ; 787

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Nims, F. A.. New college, circa 1880. 1 folder.
Scope and Contents

Views of Rocky Mountain scenery : New Mexican series ; 234

Printed on verso: "Scenes on the line of the Atchison, Topeka, and Santa Fe Railway."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Nims, F. A.. General view, circa 1880. 1 folder.
Scope and Contents

Views of Rocky Mountain scenery : New Mexican series ; 234

Printed on verso: "Scenes on the line of the Atchison, Topeka, and Santa Fe Railway." Written on verso: "General view."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Evans, J. G.. Mexican wood yard : La Plaza, Old Las Vegas, New Mexico, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Mexican wood yard : La Plaza, Old Las Vegas, New Mexico."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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J.W. & J.S. Moulton. San Lorenzo, Santa Cruz, circa 1875. 1 folder.
Scope and Contents

New series : American views

Written on verso: "San Lorenzo, Santa Cruz."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Exterior of an unidentified mission, circa 1875. 1 folder.
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Jackson, William Henry (1843-1942). Santa Fe : Corpus Christi, circa 1880. 1 folder.
Jackson, William Henry (1843-1942)
Biographical / Historical

American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Gurnsey, B. H. (Byron H.) (1833-1880). New College of the Christian Brotherhood, circa 1875. 1 folder.
Scope and Contents

Gurnsey's Rocky Mountain views : views on the line of the A., T. & S.F.R.R. ; no. 221

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Street view, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 17

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Mexican residence, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 17

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). San Miguel Chapel, circa 1885. 1 folder.
Scope and Contents

Views of New Mexico ; no. 12

Written on verso: "The San Miguel Chapel."

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). General view, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Santo Domingo ; no. 130

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Mex. carreata, or cart, used by Ind.'s and Mex.'s of N.M, circa 1885. 1 folder.
Scope and Contents

Pueblo Tesuque series ; no. 63

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). "estufa" or council chamber, circa 1885. 1 folder.
Scope and Contents

Indian Pueblo of Santo Domingo ; no. 135

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Church, circa 1885. 1 folder.
Scope and Contents

Pueblo Tesuque series ; no. 67

Printed on recto: "Among the ancient and interesting scenery of New Mexico."

Physical Description

1 folder10 x 18 cm.

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Continent Stereoscopic Company. Burro Alley, New Mexico, circa 1880. 1 folder.
Scope and Contents

Descriptive views of the American continent ; 628

Written on verso: "Copy of photo by George C. Bennett (circa 1880)."

Physical Description

1 folder11 x 18 cm.

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Wittick, Ben (1845-1903). Cathedral of Albuquerque, N.M, circa 1880. 1 folder.
Scope and Contents

Views in New Mexico, Arizona, & Mexico

Written on recto: "Over 300 years old."

Wittick, Ben (1845-1903)
Biographical / Historical

Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.

Physical Description

1 folder10 x 18 cm.

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Front of the old San Miguel Church, Santa Fe, N. Mex, circa 1875. 1 folder.
Scope and Contents

Written on verso: "Front of the old San Miguel Church, Santa Fe, N. Mex."

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). West view of the city, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 33

Written on recto: "West view of the city." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

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W.H. Jackson Photograph and Publishing Co.. Palace, circa 1885. 1 folder.
Scope and Contents

New Mexico series : Santa Fe ; 2909

Physical Description

1 folder10 x 18 cm.

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Keystone view company. Spineless cactus : a valuable product for semiarid regions, New Mexico, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "211" and "16775."

Physical Description

1 folder9 x 18 cm.

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Continent Stereoscopic Company. Ruins of Pacos [sic], New Mexico, circa 1880. 1 folder.
Scope and Contents

Descriptive views of the American continent ; 613

Physical Description

1 folder11 x 18 cm.

Materials Viewable Online
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Ingersoll, T. W. (Truman Ward) (1862-1922). Cathedral of Albequerque [sic], circa 1890. 1 folder.
Scope and Contents

American cities : new series

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Rear view of San Miguel Church, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 16

Written on verso: "Rear view of San Miguel Church." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

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Brown, William Henry (1844-1886). Old San Miguel Church, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 12

Written on verso: "The old San Miguel Church." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Old San Miguel Church, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 12

Written on verso: "The old San Miguel Church." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

Materials Viewable Online
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Brown, William Henry (1844-1886). Old San Miguel Church, circa 1875. 1 folder.
Scope and Contents

Santa Fe and vicinity ; no. 108

Written on verso: "The old San Miguel Church." Cataloger supplied series title.

Physical Description

1 folder12 x 18 cm.

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Keystone view company. Rich gold and silver mining center, El Oro, State of Mexico, Mexico, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "287" and "16106."

Physical Description

1 folder9 x 18 cm.

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Keystone view company. On the aqueduct, Guadalupe, Mexico, circa 1909. 1 folder.
Scope and Contents

Printed on recto: "294" and "10824." Copyright 1909. Possibly by Singley.

Physical Description

1 folder9 x 18 cm.

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Savage, C. R. (Charles Roscoe) (1832-1909). Rock cut near Aspen, circa 1866. 1 folder.
Scope and Contents

Union Pacific R.R.

Physical Description

1 folder9 x 18 cm.

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Whitney, Joel E. (Joel Emmons) (1822-1886). In the bluffs on the Winona and St. Peter Railroad, circa 1865. 1 folder.
Scope and Contents

Printed on recto: "Printed under the auspices of the Winona and Saint Peter R.R. Co."

Physical Description

1 folder9 x 18 cm.

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Illingworth, W. H. (William H.) (1842-1893). Lake Superior & Mississippi R.R, circa 1875. 1 folder.
Scope and Contents

Stereographs of Minnesota scenery

Written on recto: "to Duluth."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Upton, B. F. (Benjamin Franklin). On the Superior R.R, circa 1870. 1 folder.
Scope and Contents

Upton's Minnesota and Northwestern views

Written on recto: "On the Superior R.R."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Central Pacific Railroad Company. Entering lower canyon of Truckee River, circa 1870. 1 folder.
Scope and Contents

Central Pacific Railroad ; 287

Possibly by Hart and published by Watkins.

Hart, Alfred A. (1816-1908)
Biographical / Historical

Alfred A. Hart (1816-1908) was a photographer who documented the construction of the western half of the transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. Hart served as the Central Pacific's first official photographer, and his images chronicle the advancement of the railroad over 742 miles from Newcastle, California, through the Sierra Nevada Mountains and into Nevada and Utah.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Escuintla and the twin volcanoes Fuego and Acatenango, Guatemala, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "291" and "12872."

Physical Description

1 folder9 x 18 cm.

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Keystone view company. City of Mexico, the ancient Tenochtitlan of the Aztecs, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "282" and "10803."

Physical Description

1 folder9 x 18 cm.

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Scene in Mexico, circa 1910. 1 folder.
Scope and Contents

Printed on recto: "52." Stamp of John E. Cragin, Manchester, N.H., on verso. In color.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. At the bull fight, Mexico City, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "82" and "23783."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. City of Mexico, the ancient Tenochtitlan of the Aztecs, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "282" and "10803."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Tula, supposed site of the ancient capital of the Toltec Empire, Hidalgo, Mexico, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "74" and "16155."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Sacred shrine on Cholula and "Old Popocatepetl," Cholula, Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "10865." Copyright 1900.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Monterey, the Republic's greatest manufacturing city, Nuevo Leon, Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "52" and "V23653."

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Art creation by the master's hand, Acambarro, Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "10896." Copyright 1900.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Soldiers' monument and Castle of Chapultepec, City of Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "283" and "10910."

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Pyramid of the Sun, from Pyramid of the Moon, San Juan Teotihuacan, Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "T237" and "10925."

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Public water cart, Zapotlan, Jalisco, Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "79," "31," and "16113."

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Zacatecas from the hills above, State of Zacatecas, Mex, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "57" and "23607."

Physical Description

1 folder9 x 18 cm.

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Keystone view company. World's greatest silver mining city, Guanajuato, Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "T238" and "16167T."

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Shipping bales of sisal fiber from the Port of Progresso, Yucatan, Mex, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "100" and "16105."

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Golf at the beautiful Mexico Country Club, near Churubusco, in suburbs of Mexico City, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "83" and "23795."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Home of the peon : the adobe hut, City of Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "281" and "10809."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Ixtaccihuatl (the White Woman), 16,900 ft. : seen from the sacred mount, Amecameca, Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "88" and "23657T."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Palace of Cortes, seat of state legislature and local government offices, Cuernavaca, Morelos, Mex, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "89" and "23797."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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W.H. Jackson Photograph and Publishing Co.. Old church at Paso del Norte, circa 1885. 1 folder.
Scope and Contents

Printed on recto: "5573." Dealer's ticket of W.G. Walz, El Paso, Tex., on verso. Notations by a former owner on recto and verso.

Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Keystone view company. Art creation by the master's hand, Acambarro, Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "10896." Copyright 1900.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Underwood & Underwood. From San Francisco Cathedral, on the largest Aztec pyramid, looking over Choula, Mexico, circa 1901. 1 folder.
Scope and Contents

Printed on recto: "(9) 6351." Copyright 1901.

Physical Description

1 folder9 x 18 cm.

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Statue of A. Conzalaz Ortigo, Mexico, circa 1905. 1 folder.
Scope and Contents

In color.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Liberty Brand Stereo Views. Two story cliff house, Mancos Canon, 1874. 1 folder.
Scope and Contents

New educational series

Printed on recto: "3701." Published by Liberty Brand Stereo Views.

Jackson, William Henry (1843-1942)
Biographical / Historical

American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.

Physical Description

1 folder9 x 18 cm.

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Scene in Mexico, circa 1910. 1 folder.
Scope and Contents

Royal series ; 52

In color.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Sacred shrine on Cholula and "Old Popocatepetl," Cholula, Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "288" and "10865." Attribution to Singley provided by imprint from photograph S0724 in collection WC064.

Physical Description

1 folder9 x 18 cm.

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Keystone view company. In Tampico, state of Tamaulipas, a port of Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "51" and "23613."

Physical Description

1 folder9 x 18 cm.

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Keystone view company. Cathedral in Culiacan, Sinaloa's capital, Mex, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "65" and "23758."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Art creation by the master's hand, Acambarro, Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "10896." Copyright 1900.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Water peddler with loaded burro leaving fountain, Guadalajara, Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "10920." Written on recto: "88." Copyright 1900.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Cave of the Fairies under the falls, Cuernavaca, Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "10850." Copyright 1900.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Keystone view company. Snowcapped Popocatapetl, Mexico, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "P17" and "P23618."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Lookout Mountain, Cascades, Columbia River, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1271

Copyright 1867. Signed A.L. DuBois on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). View on the Columbia River from the Middle Block House, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1261

Signed A.L. DuBois on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Mount Hood and the Dalles, Columbia River, circa 1867. 1 folder.
Scope and Contents

Pacific Coast ; 1324

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Islands in the Columbia from the upper Cascades, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1273

Signed A.L. DuBois on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Cape Horn, Columbia River, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1229

Copyright 1867.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Cape Horn, Columbia River, circa 1867. 1 folder.
Scope and Contents

Pacific Coast ; 1231

Copyright 1867.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Islands in the Columbia from the upper Cascades, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1273

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Yosemite Falls, 2630 feet, Yosemite Valley, Mariposa County, Cal, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1065

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Devil's Canon, geysers : view looking up, Sonoma Co., Cal, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1585

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Pohono, or, The Bridal Veil, 900 feet, Yosemite Valley, Mariposa County, Cal, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1074

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Upper Cascades, Columbia River, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1277

Signed A.L. DuBois on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Islands in the Columbia from the upper Cascades, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1272

Signed A.L. DuBois on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Willamette Falls, Oregon, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1219

Signed A.L. DuBois on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Tooth Bridge, O.R.R., Cascades, Columbia River, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1297

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Camp Schofield, Ross Valley, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 2550

Stamp of I.W. Taeer, San Francisco, Calif., on verso.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Islands in the Columbia from the upper Cascades, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast

Printed on recto below "Islands in the Columbia from the upper Cascades": "Moonlight on the Columbia from the O.R.R., Cascades." Series number illegible.

Physical Description

1 folder9 x 18 cm.

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Watkins, Carleton E. (1829-1916). Possibly of upper Cascades along the Columbia River, circa 1867. 1 folder.
Scope and Contents

Pacific Coast

Cataloger supplied title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Rooster Rock, Columbia River, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1238

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Multnomah Falls, Columbia River, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1230

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Lower Multnomah Falls, Columbia River, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1241

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Cape Horn, Columbia River, circa 1867. 1 folder.
Scope and Contents

Pacific Coast ; 1229

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Cape Horn, Columbia River, circa 1867. 1 folder.
Scope and Contents

Pacific Coast ; 1232

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). View on the Columbia River from the O.R.R., Cascades, circa 1867. 1 folder.
Scope and Contents

Pacific Coast ; 1286

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Castle Rock, Columbia River, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1243

Cataloger supplied series title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Castle Rock, Columbia River, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1246

Cataloger supplied series title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Passage of the dalles, Columbia River, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1325

Cataloger supplied series title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Tooth Bridge, O.R.R., Cascades, Columbia River, circa 1867. 1 folder.
Scope and Contents

Watkins' Pacific Coast ; 1299

Copyright 1867.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Watkins, Carleton E. (1829-1916). Cape Horn, Columbia River, circa 1867. 1 folder.
Scope and Contents

Pacific Coast ; 1231

Cataloger supplied series title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Reilly, John James (1838-1894). Cape Horn, Santa Cruz Narrow Guage [sic] R.R., Cal, circa 1870. 1 folder.
Scope and Contents

Views of American scenery ; 465

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Bridal Veil Falls, Cal, circa 1875. 1 folder.
Scope and Contents

American views : standard series

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Fallen tree, Hercules, California, 325 ft. long, 97 ft. circumf'nce, 250 ft. from base, circa 1875. 1 folder.
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Barkhaus's Book Store. Arch, Stanford University, Calif, circa 1905. 1 folder.
Physical Description

1 folder9 x 28 cm.

Materials Viewable Online
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Ranchers on horseback with cattle in front of a house, circa 1880. 1 folder.
Scope and Contents

Advertisement for Gilroy Hot Mineral Springs, Santa Clara County, Calif., on verso. Cataloger supplied title.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Cremer, James (1821-1893). Mirror Lake, Yosemite Valley, Cal, circa 1870-1900. 1 folder.
Scope and Contents

Written on verso: "Mirror Lake, Yosemite Valley, Cal."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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McDonald, A. J., active 19th century. Palace Hotel, Market St., San Francisco, Cal, circa 1885. 1 folder.
Physical Description

1 folder10 x 18 cm.

Materials Viewable Online
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Brayton, James G. (1822). White Sulphur Springs, Napa Co., Cal, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Hannah & my self (Whartenly) where the pin hole is stuck in."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Brayton, James G. (1822). State insane asylum, Napa, Cal, circa 1880. 1 folder.
Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Spooner, John Pitcher (1845). Insane Asylum, Men's Department, circa 1880. 1 folder.
Scope and Contents

Written on verso: "Insane Asylum, Men's Department."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Kilburn Brothers. Cap of Liberty, Yosemite, Cal, circa 1870. 1 folder.
Scope and Contents

Printed on recto: "No. 937."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Kilburn Brothers. Cap of Liberty, Yosemite, Cal, circa 1870. 1 folder.
Scope and Contents

Printed on recto: "No. 936." Written on verso: "No. 43."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Kilburn Brothers. Mirror Lake, Yosemite, Cal, circa 1870. 1 folder.
Scope and Contents

Printed on recto: "No. 933."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Kilburn Brothers. Bridal Vail [sic] Falls, Yosemite, Cal, circa 1870. 1 folder.
Scope and Contents

Printed on recto: "No. 920." Of Bridal Veil Falls.

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Kilburn Brothers. Washington Column, Yosemite, Cal, circa 1870. 1 folder.
Scope and Contents

Printed on recto: "No. 939."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Kilburn Brothers. Mt. Watkins, Yosemite, Cal, circa 1870. 1 folder.
Scope and Contents

Printed on recto: "No. 963."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Kilburn Brothers. Ladders at Vernal Fall, Yosemite, Cal, circa 1870. 1 folder.
Scope and Contents

Printed on recto: "No. 948."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Kilburn Brothers. Mt. Star King, Yosemite, Cal, circa 1870. 1 folder.
Scope and Contents

Printed on recto: "No. 942."

Physical Description

1 folder9 x 18 cm.

Materials Viewable Online
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Kilburn Brothers. Fort Point and Golden Gate near San Francisco, circa 1870. 1 folder.
Scope and Contents

Printed on recto: "No. 982."

Physical Description

1 folder9 x 18 cm.

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Kilburn Brothers. Eagle Cliff, circa 1870. 1 folder.
Scope and Contents

Written on verso: "Eagle Cliff" and "925." Possibly Eagle Cliff, California, taken by Kilburn Brothers.

Physical Description

1 folder9 x 18 cm.

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Kilburn Brothers. Mono Lake, California, circa 1870. 1 folder.
Scope and Contents

Printed on recto: "No. 976."

Physical Description

1 folder9 x 18 cm.

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Kilburn Brothers. Sierra Nevada Mountains, California, circa 1870. 1 folder.
Scope and Contents

Printed on recto: "No. 971."

Physical Description

1 folder9 x 18 cm.

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Kilburn Brothers. Yosemite Valley from South Dome, California, circa 1870. 1 folder.
Scope and Contents

Printed on recto: "No. 980."

Physical Description

1 folder9 x 18 cm.

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Kilburn Brothers. Cathedral Peak, Yosemite, Cal, circa 1870. 1 folder.
Scope and Contents

Printed on recto: "No. 951."

Physical Description

1 folder9 x 18 cm.

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Kilburn Brothers. Castle Peak, Yosemite, Cal, circa 1870. 1 folder.
Scope and Contents

Printed on recto: "No. 966."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Golden Gate : entrance to picturesque ravine of "golden rocks," Yellowstone Park, U.S.A, circa 1901. 1 folder.
Scope and Contents

Copyright 1901.

Physical Description

1 folder9 x 18 cm.

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Reilly, John James (1838-1894). Group of six on horseback in front of Bridal Veil Falls, Yosemite Valley, California, circa 1870. 1 folder.
Scope and Contents

Photographic views of American scenery

Cataloger supplied title.

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Seattle (distant) and harbor from Great Northern Docks, Washington, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "S315" and "9873."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Stupendous log raft containing millions of feet : a camp's year's work, profit $20,000, Columbia River, Oregon, circa 1902. 1 folder.
Scope and Contents

Copyright 1902.

Physical Description

1 folder9 x 18 cm.

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Kilburn, B. W. (Benjamin West) (1827-1909). Dining hall of the Raymond, Pasadena, Cal., U.S.A, circa 1887. 1 folder.
Scope and Contents

Printed on recto: "4340." Copyright 1887.

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. North Dome, Half Dome, and Cloud's Rest, Yosemite Valley, Cal, circa 1900. 1 folder.
Physical Description

1 folder9 x 18 cm.

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Rau, William Herman (1855-1920). Red Veteran, Yosemite Valley, California, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "Sold only by Universal View Co." Red Veteran is a large tree.

Physical Description

1 folder9 x 28 cm.

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Rau, William Herman (1855-1920). Sentinel, entrance to Mariposa Grove, Yosemite Valley, California, circa 1900. 1 folder.
Scope and Contents

Printed on recto: "Sold only by Universal View Co."

Physical Description

1 folder9 x 28 cm.

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Keystone view company. Hydraulic mining, Oregon, U.S.A, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "225" and "13796."

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Amidst everlasting snow : Mt. Hood and Eliot Glacier, from lateral moraine, Oregon, circa 1905. 1 folder.
Scope and Contents

Printed on recto: "225" and "13796."

Physical Description

1 folder9 x 18 cm.

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Kilburn, B. W. (Benjamin West) (1827-1909). Old time pioneers of California, California Midwinter Exposition, circa 1894. 1 folder.
Scope and Contents

Printed on recto: "9663." Copyright 1894.

Physical Description

1 folder9 x 18 cm.

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Underwood & Underwood. Stupendous lograft containing millions of feet of timber, Columbia River, Oregon, circa 1902. 1 folder.
Scope and Contents

Printed on recto: "49" and "6233." Date supplied from S0806 of collection number WC064.

Physical Description

1 folder9 x 18 cm.

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