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Princeton University Library Collection of Western Americana Photographs
Notifications
Held at: Princeton University Library: Manuscripts Division [Contact Us]
This is a finding aid. It is a description of archival material held at the Princeton University Library: Manuscripts Division. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.
Overview and metadata sections
Started in the 1970s, this closed collection includes more than 5,000 photographs consisting mostly of documentary photographs of the Trans-Mississippi West from the late 1860s to early 1900s, largely from the perspective of white photographers and settlers. Subjects include American Indians (especially studio portraits), natural wonders, cities, towns, buildings, and economic activities (mining, railroads, logging, and agriculture). Some photographs relate to the Indigenous populations of Mexico and Central America. The dimensions, physical formats, and photographic processes of the photographs vary widely.
Photographers represented include Charles Milton Bell, John Nicholas Choate, John K. Hillers, Charles Fletcher Lummis, Eadweard Muybridge, Frank A. Rinehart, Bernard Gurney Randall, Carlton E. Watkins, Orloff R. Westmann, Ben Wittick, and many others; as well as photographers whose work was marketed commercially by the Keystone View Company, Underwood & Underwood, and other firms. The collection also includes the work of some contemporary photographers, such as Ulli Steltzer and Kenji Kawano.
For earlier accessions, photographs that are identified with the letter "S" are small prints, many of which are stereographic photographs; those identified with the letters "M" and "L" are mostly albumen prints, and the latter are oversize; photographs with the letter "H" include tintypes, ambrotypes, daguerreotypes, and lantern slides; and photographs marked with "X" include mammoth prints as well as gelatin silver prints.
No additions will be made to this collection. Accessions relating to this topic will be added to the General Manuscripts Miscellaneous Collection (C0140).
Racist, colonialist, and sexist language were used to describe many of the items in this collection. In some cases, descriptions were creator-supplied or generated from transcriptions of captions on the photographs. In other cases, in which photographs lacked any identifying information, descriptions were created by an archivist. These items are identified in the description with the note, "Cataloger supplied title." However, the collection is a candidate for ongoing reparative description work. We hope that researchers will engage in a dialogue with staff about issues in the collection and changes that could help.
Photographs aquired prior to 2015 are arranged by size and format. Photographs acquired after 2015 are arranged in the order in which they were accessioned.
Many of the items in this collection are available in digital format at the Princeton University Digital Library: http://pudl.princeton.edu/collections/pudl0017
This collection was created through various gifts and purchases.
For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.
This collection was processed and described by Heather Shannon in 2006. Finding aid created by Faith Charlton in 2014. Finding aid updated periodically with new accessions by Faith Charlton, Kelly Bolding, and Chloe Pfendler.
No additions will be made to this collection. Accessions relating to this topic will be added to the Princeton University Library Single Photograph Acquisitions collection (C1778).
The existence of harmful language was noted in the collection-level description note by Faith Charlton in 2023 as an initial step per reparative description-related work.
Lexy deGraffenreid updated the Conditions Governing Access note in January 2025.
As part of reparative description efforts in 2025 and in alignment with the Protocols for Native American Archival Materials, archivists removed digital images of human remains.
No material was separated during processing.
People
- Bell, C. M. (Charles Milton) (approximately 1849-1893)
- Choate, J. N. (John N.) (1848-1902)
- Hillers, John K. (1843-1925)
- Lummis, Charles Fletcher (1859-1928)
- Muybridge, Eadweard (1830-1904)
- Randall, B. G.
- Rinehart, F. A. (Frank A.)
- Steltzer, Ulli
- Watkins, Carleton E. (1829-1916)
- Westmann, Orloff R.
- Wittick, Ben (1845-1903)
- Reynolds, Charley (1842-1876)
- Custer, George A. (George Armstrong) (1839-1876)
- Kelly, Luther S. (Luther Sage) (1849-1928)
- Reno, Marcus A. (Marcus Albert) (1835-1889)
- Gall (approximately 1840-1894)
- Madero, Francisco I. (1873-1913)
- Spotted Elk (approximately 1826-1890)
- American Horse (1840-1908)
- Rijmes, Joanne
- Arthur, Chester Alan (1829-1886)
- Spotted Tail (1823-1881)
- Bogy, Lewis V. (Lewis Vital) (1813-1877)
- Hayden, F. V. (Ferdinand Vandeveer) (1829-1887)
- Soto, Jock
- Peltier, Leonard
- Jim, Rex Lee
- Snyder family
- Borglum, Solon Hannibal (1868-1922)
- O'Neil, Bucky (1898)
- Sitting Bull (1831-1890)
- Rollins, Philip Ashton (1869-1950)
- Schele, Linda.
- Juárez Espinosa, Isabel (1958)
- Wheeler, George M. (George Montague) (1842-1905)
- Buffalo Bill (1846-1917)
- Miles, Nelson Appleton (1839-1925)
- McLaughlin, James (1842-1923)
- Barry, D. F. (David Francis) (1854-1934)
- Rain in the Face (approximately 1835-1905)
- Géronimo (1829-1909)
- Naiche (approximately 1857-1921)
- Henook-Makhewe-Kelenaka
- Thompson, J. Eric S. (John Eric Sidney) (1898-1975)
- Stacher, Samuel Franklin (1875-1952)
- Ross, William P. (William Potter) (1820-1891)
- Garfield, James A. (James Abram) (1831-1881)
- Highway, René
- Crocker, Charles (1822-1888)
- Stanford, Leland (1824-1893)
- Young, Brigham (1801-1877)
- Prince, L. Bradford (Le Baron Bradford) (1840-1922)
- Jackson, Helen Hunt (1830-1885)
- Russell, Charles M. (Charles Marion) (1864-1926)
- Menchú, Rigoberta
- Robertson, Merle Greene
- Taylor, John (1808-1887)
- Pawnee Bill (1860-1942)
- Wetmore, Helen Cody
- Smith, Joseph, Jr. (1805-1844)
- Hearst, Millicent Willson (1882-1974)
- Roosevelt, Théodore (1858-1919)
- Powell, John Wesley (1834-1902)
- White Swan (1851 or 1852-1904)
- Chief Shields
- McKinley, William (1843-1901)
- Washington, George (1732-1799)
- Lincoln, Mary Todd (1818-1882)
- Old Bets (1788-1873)
- Red Cloud (1822-1909)
- Little Crow (1863)
- Pocahontas (1617)
- Smith, John (1580-1631)
- Woodruff, Wilford (1807-1898)
- Kimball, Heber C. (Heber Chase) (1801-1868)
- Thompson, A. H. (Almon Harris) (1839-1906)
- Darling, Grace (1815-1842)
- Dole, Sanford B. (Sanford Ballard) (1844-1926)
- Díaz, Porfirio (1830-1915)
- Maximilian, Emperor of Mexico (1832-1867)
- Juárez, Benito (1806-1872)
- Cortés, Hernán (1485-1547)
- Cuauhtemoc, Emperor of Mexico (1495?-1525)
- Hidalgo y Costilla, Miguel (1753-1811)
- Keokuk (1780?-1848)
- Smith, Bathsheba W. Bigler (1822-1910)
- White Bull, Joseph (1849-1947)
- Coolidge, Calvin (1872-1933)
- Yellow Robe, Chauncey (1870-1930)
- Carson, Kit (1809-1868)
- Spry, William (1864-1929)
- Taft, William H. (William Howard) (1857-1930)
- Eagle Calf (Blackfeet chief)
- Cook, James (1728-1779)
- Hetzel, Theodore Brinton (1906-1990)
- Scott, Winfield (1786-1866)
- Astor, John Jacob (1822-1890)
- Wallace, Lew (1827-1905)
- Lane, James Henry (1814-1866)
- Jésus-Christ
- Joseph, Saint
- Eaton, Marjorie
- Villa, Pancho (1878-1923)
- Smith, Hyrum (1800-1844)
- Smith, Emma Hale
- Johnson, Albert M. (1872-1948)
- Scott, Walter E. (1872-1954)
- Plenty Coups (1848-1932)
- Parker, Quanah (1845?-1911)
- Yantz family
- Gibbs, John Henry (1853-1884)
- Schlatter, Francis (1856-1896?)
- Harte, Bret (1836-1902)
- King, William Henry (1863-1949)
- Collier, Joseph
- Joseph (1840-1904)
- Barnum, P. T. (Phineas Taylor) (1810-1891)
- Conover, George W. (1848)
Organization
- Underwood & Underwood
- Keystone view company
- Salt Lake Temple
- Central Pacific Railway Company
- Tabernacle Salt Lake City, Utah
- Denver and Rio Grande Railway Company
- United States. Army
- Mission San Xavier del Bac (Tucson, Ariz.)
- United States. Office of Indian Affairs. Spotted Tail Agency
- United States Indian school Carlisle, Pa.
- Corcoran Gallery of Art.
- Miscellaneous publications (Geological and Geographical Survey of the Territories (U.S.))
- White House (Washington, D.C.)
- Cathedral of St. John the Divine (New York, N.Y.)
- Palacio Nacional (Ciudad de México)
- Southern Pacific railroad company
- Sna Jtz'ibajom
- Geographical surveys West of the 100th Meridian (U.S.)
- United States. Office of Indian Affairs. Fort Belknap Agency
- United States. Bureau of Indian Affairs
- Rough Rock Demonstration School
- Western Federation of Miners
- Hampton Institute
- Mission San Miguel (Santa Fe, N.M.)
- Atlantic and Pacific Railroad Company
- Iglesia de la Santísima Trinidad (Mexico City, Mexico)
- South Pacific Coast Railroad
- Conservatory of Flowers (San Francisco, Calif.)
- Montezuma Castle (Ariz.)
- Toronto Dance Theatre
- Mission San Juan Capistrano
- Palace Hotel (San Francisco, Calif.)
- Stanford university
- San Luis Rey Mission (Calif.)
- Atchison, Topeka, and Santa Fe Railroad Company
- Broadmoor (Hotel : Colorado Springs, Colo.)
- Colorado Central Railroad Company
- Union Pacific railroad company
- Denver, South Park, and Pacific Railroad Company
- Manitou and Pike's Peak Railway
- Colorado Smelting & Mining Co.
- United States. Army. Signal Corps
- Hopkins Marine Station
- Stanford university museum of art
- Rio Grande Western Railway Company
- Sage Land & Improvement Co.
- Catedral (Guatemala, Guatemala)
- Smoki People, Inc.
- Oregon Short Line and Utah Northern Railway Company
- Northern Pacific Railway company
- Chicago, Milwaukee, and St. Paul Railway Company
- United States. Office of Indian Affairs. Standing Rock Agency
- Independent Order of Odd Fellows.
- Geographical and Geological Survey of the Rocky Mountain Region U.S.
- Ejército Zapatista de Liberación Nacional (México)
- Mission San José y San Miguel de Aguayo (San Antonio, Tex.)
- Sheridan Libraries
- United States. Office of Indian Affairs. Mescalero Agency
- Iglesia de Guadalupe (Zacatecas, Mexico)
- Catedral de Zacatecas
- Castillo del Morro (Havana, Cuba)
- Princeton University. Department of Geological and Geophysical Sciences
- San Fernando Cathedral (San Antonio, Tex.)
- Ramona Industrial School for Indian Girls of the Southwest (Santa Fe, N.M.)
- Sitka Training School (Sitka, Alaska)
- Colorado Chautauqua Association
- Colorado state university
- Colorado and Northwestern Railway Company
- Beehive House (Salt Lake City, Utah)
- Gardo House (Utah)
- Lion House (Salt Lake City, Utah)
- Montana Central Railway Company
- Lick observatory
- Armour Packing Company
- Schueler & Coors
- Haskell Institute
- Cathedral of San Francisco de Asis (Santa Fe, N.M.)
- Jamestown Ter-centennial Exposition (1907)
- Smithsonian Institution
- Our Lady of Guadalupe Church (Santa Fe, N.M.)
- San Francisco (Church : Santa Fe, N.M.)
- College of Santa Fe
- Denver and South Park Railroad Construction and Land Company
- International Railway Company
- Winona and Saint Peter Railroad Co
- Lake Superior and Mississippi Railroad Company
- Museo nacional de historia Mexico
- Palacio de Cortes (Cuernavaca, Mexico)
- Cathedral de Culiacan
- Oregon Railway and Navigation Company
- Santa Cruz Narrow Gauge Railway
- Napa State Asylum for the Insane (Calif.)
- Asylum for the Insane of the State of California
- Raymond Hotel (Pasadena, Calif.)
- Clay Street Hill Railroad
- Congregation Emanu-El (San Francisco, Calif.)
- Los Angeles City Hall (Los Angeles, Calif.)
- Baldwin Hotel (San Francisco, Calif.)
- Mission San Gabriel Arcangel (San Gabriel, Calif.)
- California State Capitol (Sacramento, Calif.)
- Union Depot (Denver, Colo.)
- Deseret News Office
- Walker House
- Mount Olivet Cemetery
- Emma Mine Company
- Silver Chief Mine
- New Jersey Milling and Furnace Co
- United States. Congress
- United States. Congress. Senate
- United States Military Academy
- Independence Hall (Philadelphia, Pa.)
- Santa Barbara Mission
- United States. Congress. House
- United States Mint
- Faneuil Hall (Boston, Mass.)
- Iolani Palace
- Catedral de México
- Museo de la Basílica de Guadalupe
- Catedral de Cuernavaca (Cuernavaca, Mexico)
- Santa Rosa (Church : Querétaro, Mexico)
- Teatro Juárez
- Catedral Basilica de Nuestra Senora de la Asuncion (Aguascalientes, Mexico)
- Nuestra Senora de los Remedios (Church : Cholula, Mexico)
- Catedral Metropolitana Inmaculada Concepcion (Jalapa Enriquez, Mexico)
- México. Ejército
- Catedral de San Luis Rey (San Luis Potosi, Mexico)
- Catedral de Guadalajara (Mexico)
- Iglesia de San Fernando (Mexico City, Mexico)
- Iglesia de San Jose (Guadalajara, Mexico)
- Museo de Historia Regional de Nuevo León
- Catedral de Mérida (Mérida, Mexico)
- Colegio de Misioneros de Propaganda Fide de la Santa Cruz (Querétaro, Mexico)
- Catedral de Puebla.
- Catedral de Chihuahua
- Catedral de Monterrey (Mexico)
- Catedral de Morelia
- Catedral de Matamoros
- Hotel El Tovar
- Ku Klux Klan (19th century)
- Chemawa Indian School
- Halekulnai Hotel
- Texas Rangers
- Pawnee Bill's Historical Wild West, Indian Museum, and Encampment
- Salt Lake Tribune (Firm)
- Kirtland Temple
- Ahwahnee Hotel
- Antlers Hotel (Colo.)
- Scotty's Castle (Calif.)
- Navajo Methodist Mission School (Farmington, N.M.)
- Maine (Battleship)
- Inter-Tribal Indian Ceremonial Association
- Buffalo Bill's Wild West Company
- United States. Office of Indian Affairs. Crow Indian Agency
- Healy & Bigelow
- Buffalo Bill's Wild West and Pawnee Bill's Great Far East (Show)
- Castillo de San Marcos (Saint Augustine, Fla.)
- United States. Navy
- Colorado. General Assembly
- Colorado. General Assembly. House of Representatives
- Colorado Midland Railway Company
Subject
- Indians of Central America. -- photographs
- Indians of Mexico -- photographs
- Indians of North America -- photographs
- Indians of South America. -- photographs
- Clothing
- Indians of North America
- Children
- Assimilation (Sociology)
- Women
- Cowboys
- Manners and customs
- War
- Hunting
- Animals
- Ute Indians
- Osage Indians
- Monuments
- Mormons
- Religion
- Architecture
- Buildings
- San Francisco Earthquake and Fire, Calif., 1906
- Natural disasters
- Transportation
- Outdoor life
- Nature
- Geology
- Tourists
- Parks
- Indians of South America
- Railroads
- Engineering
- Families
- Handicraft
- Frontier and pioneer life
- Rites and ceremonies
- Hopi Indians
- Medical care
- Zuni Indians
- Little Bighorn, Battle of the, Mont., 1876
- Older people
- Cheyenne Indians
- Technology
- Food
- Weapons
- Oglala Indians
- Battlefields
- Soldiers
- Lakota Indians
- Dakota Indians
- Mines and mineral resources
- Agriculture
- Musical instruments
- Mexicans
- Shoshoni Indians
- Commerce
- Quechua Indians
- Missions
- Catholics
- Sports
- Indian reservations
- Acoma Indians
- Keresan Indians
- Education
- Amusements
- Machinery
- Apache Indians
- Eskimos
- Fishing
- Arapaho Indians
- Taos Indians
- Treaties
- Antiquities
- Indians of Mexico
- Mohave Indians
- Pueblo Indians
- Navajo Indians
- Art
- Pawnee Indians
- Ruins
- Mayas
- Tewa Indians
- Salish Indians
- Siksika Indians
- Atsina Indians
- Crow Indians
- Indians of Central America
- Drama
- Literature
- Paiute Indians
- Pomo Indians
- Tiwa Indians
- Tombs
- Laguna Indians
- Isleta Indians
- Cherokee Indians
- Trans-Mississippi and International Exposition (1898 : Omaha, Neb.)
- Hikers
- Apache Indians -- Wars, 1883-1886. -- Pictorial works
- Natchez Indians
- Labor unions
- Miners
- Winnebago Indians
- Chinese
- Yaqui Indians
- Wounded Knee Massacre, S.D., 1890
- Chickasaw Indians
- Lacandon Indians
- Omaha Indians
- Chinese Americans
- Havasupai Indians
- Yuma Indians
- Hualapai Indians
- Cochiti Indians
- Jemez Indians
- Corpus Christi Festival
- Maricopa Indians
- Zia Indians
- Iroquois Indians
- Slave Indians
- Cree Indians
- Mono Indians
- Sihasapa Indians
- Brule Indians
- Seminole Indians
- Tanoan Indians
- Human remains (Archaeology)
- Mexican Americans
- Comanche Indians
- Gardens
- Springs
- Tlingit Indians
- Creek Indians
- Penobscot Indians
- Universities and colleges
- Kiowa Indians
- Buildings Children Commerce
- Taller Lingüístico Maya
- Guatemalans
- Presbyterians
- Chiricahua Indians
- Museums
- Historical reenactments
- Hupa Indians
- Chinantec Indians
- Seri Indians
- Pamunkey Indians
- Eastern Band of Cherokee Indians
- Shinnecock Indians
- Catawba Indians
- Mikasuki Indians
- Clubs
- Seneca Indians
- Plaza de la Constitución (Mexico City, Mexico)
- Siletz Indians
- Carrier Indians
- Diegueno Indians
- Luiseno Indians
- Chemehuevi Indians
- Campo Indians
- Haida Indians
- Rodman Wanamaker Expedition, 1908, 1909, 1913
- Prisoners
- Aztecs
- African Americans
- World's Columbian Exposition (1893 : Chicago, Ill.)
- Pima Indians
- Japanese Americans
- Tonkawa Indians
- Trans-Mississippi and International Exposition (1898 Omaha, Neb.)
- Teton Indians
- Piegan Indians
- Fox Indians
- Mountains
- Flags
- Leisure
- Nez Perce Indians
- Cayuse Indians
- Umatilla Indians
- Dwellings
- Eagle Gate (Salt Lake City, Utah)
- Saltair Resort (Utah)
- Recreation
- Temple Square (Salt Lake City, Utah)
- Pueblos
- Ojibwa Indians
- Mining--Colorado--El Paso County--1870-1880
- Silver mining--Colorado--El Paso County--1870-1880
- Women--Colorado--El Paso County--1870-1880
- Modoc Indians
- Old State House (Boston, Mass.)
- General Grant National Memorial (New York, N.Y.)
- Western Apache Indians
- Schools
- St. Paul Winter Carnival, 1886-1986
- Assimilation (Sociology) Battlefields
- Kickapoo Indians
- Uinta Indians
- Tenino Indians
- Yokuts Indians
- Cocopa Indians
- Salishan Indians
- Oil wells
- Caves
- Toltecs
- California Midwinter International Exposition (1894 : San Francisco, Calif.), 1894
- Exhibitions
- Forced migration
- Hawaiians
- Mormon Church -- Celebrations, etc
- Sami (European people)
- Brooklyn Bridge (New York, N.Y.)
- Leaning Tower (Pisa, Italy)
- Boston Common (Boston, Mass.)
- Bunker Hill Monument (Boston, Mass.)
- Liberty Bell
- Louisiana Purchase Exposition (1904 : Saint Louis, Mo.)
- Jicarilla Indians
- Buena Vista, Battle of, Mexico, 1847
- Sauk Indians
- Wolf ritual
- Choctaw Indians
- Tohono O'Odham Indians
- Washo Indians
- Wichita Indians
- Intertribal Indian Ceremonial (Gallup, N.M.)
- Calgary Stampede
- Executions and executioners
- Enslaved persons
- Cuna Indians
- Brigands and robbers
- Cheyenne Frontier Days
- Ponca Indians
- Girls
- Oto Indians
- Hunkpapa Indians
- Huambisa Indians
- Bora Indians
- Gavioes Indians
- Mohawk Indians
- Presbyterian Church
- Yakama Indians
- Polygamy
- Indians of North America--History. -- 19th century
- Prisoners of war
- Sailors
- Cameron Cone (Colo.)
- Gold miners
- Lumbermen
- Baptists
Place
- West (U.S.). -- photographs
- Baltimore (Md.)
- Port Deposit (Md.)
- Salt Lake City (Utah)
- Saint Louis (Mo.)
- San Francisco (Calif.)
- Yosemite Valley (Calif.)
- Yellowstone National Park
- Longmire (Wash.)
- Punta Arenas (Chile)
- British Columbia
- Alberta
- Cape York (Greenland)
- Galveston (Tex.)
- Isleta Pueblo (N.M.)
- Albuquerque (N.M.)
- Los Angeles (Calif.)
- Walpi Pueblo (Ariz.)
- Echo (Utah)
- Zuni (N.M.)
- Oraibi (Ariz.)
- Shungopavi (Ariz.)
- Sichomovi (Ariz.)
- Price River (Utah)
- Gunnison (Colo.)
- Royal Gorge (Colo.)
- Little Bighorn Battlefield (Mont.)
- San Juan River (Colo.Utah)
- Astoria (Or.)
- Chihuahua (Mexico : State)
- Marysville (Calif.)
- Haxtun (Colo.)
- Tucson (Ariz.)
- Cheyenne (Wyo.)
- Sylvan Lake (S.D.)
- Beaver Creek (Nebr.)
- Mishongnovi (Ariz.)
- Enchanted Mesa (N.M.)
- Vernal (Utah)
- Jicarilla Indian Reservation (N.M.)
- Fort Washakie (Wyo.)
- Fort McPherson (N.W.T.)
- Arctic Red River (N.W.T)
- Bridger (Mont.)
- New York (N.Y.)
- Omaha (Neb.)
- Tihosuco (Mexico)
- Ruinas de Ake (Mexico)
- Dennehotso (Ariz.)
- Shungnak (Alaska)
- Mexico City (Mexico)
- Prescott (Ariz.)
- Riverside (Calif.)
- Santa Barbara (Calif.)
- Rosebud Indian Reservation (S.D.)
- Taos Pueblo (N.M.)
- San Felipe Pueblo (N.M.)
- Standing Rock Indian Reservation (N.D. and S.D.)
- Santo Domingo Pueblo (N.M.)
- Garden of the Gods (Colorado Springs, Colo.)
- Castle Gate, The (Utah)
- Humboldt River (Nev.)
- Mojave Desert (Calif.)
- Taku Glacier (Alaska)
- Farmington (N.M.)
- Holbrook (Ariz.)
- Copan Site (Honduras)
- Chiapas (Mexico)
- Santa Clara Pueblo (N.M.)
- Lukachukai (Ariz.)
- Quezaltenango (Guatemala)
- Chilchinbeto (Ariz.)
- Fort Belknap Agency (Mont.)
- Snowdrift (N.W.T.)
- Navajo Indian Reservation
- Picuris (N.M.)
- First Mesa (Mesa : Ariz.)
- Nambe (N.M.)
- Hano (Ariz.)
- Sanostee (N.M.)
- Acoma (N.M.)
- Third Mesa (Ariz.)
- Monument Valley (Ariz. and Utah)
- Santa Fe (N.M.)
- Second Mesa (Ariz. : Mesa)
- Polacca (Ariz.)
- Laguna (N.M.)
- Many Farms (Ariz.)
- Hotevilla (Ariz.)
- Fort Defiance (Ariz.)
- Kykotsmovi (Ariz.)
- Moenkopi (Ariz.)
- Gallup (N.M.)
- Dulce (N.M.)
- Chinle (Ariz.)
- Santa Ana (N.M.)
- Princeton (N.J.)
- Grand Canyon (Ariz.)
- Monument Park (El Paso County, Colo.)
- San Ildefonso (N.M.)
- Pine Ridge Indian Reservation (S.D.)
- Tonto Basin (Ariz.)
- Wardner (Idaho)
- San Antonio (Tex.)
- Ogden (Utah)
- Hampton (Va.)
- Pikes Peak (Colo.)
- Seattle (Wash.)
- Anadarko (Okla.)
- Bonampak Site (Mexico)
- Palenque (Chiapas, Mexico)
- Mesa Verde National Park (Colo.)
- Fort Thompson (S.D.)
- Kayenta (Ariz.)
- Cataract Canyon (Ariz.)
- Mitla Site (Mexico)
- Marble Canyon (Coconino County, Ariz. : Canyon)
- Juneau (Alaska)
- Cochiti (N.M.)
- Gran Quivira (N.M.)
- Los Cerrillos (N.M.)
- Largon Canyon (N.M.)
- Rio Grande
- Jemez Mountains (N.M.)
- Sulphur Springs (Humboldt County, Nev.)
- Great Salt Lake (Utah)
- Tuba City (Ariz.)
- Monterey (Calif.)
- Flathead Indian Reservation (Mont.)
- Yesteta (Tex.)
- Ute Pass (Teller County, Colo.)
- Kanosh (Utah)
- Crownpoint (N.M.)
- South Pass (Wyo.)
- Laramie River (Colo. and Wyo.)
- Colorado Springs (Colo.)
- Sheridan (Wyo.)
- Chichicastenango (Guatemala)
- Boulder Creek (Calif.)
- Livermore (Calif.)
- Presidio of San Francisco (Calif.)
- Washington (D.C.)
- Quebec (Quebec)
- Montezuma Castle National Monument (Ariz.)
- Onondaga Indian Reservation (N.Y.)
- Mackenzie River (N.W.T.)
- Jemez Pueblo (N.M.)
- San Juan Pueblo (N.M.)
- Glacier National Park (Mont.)
- Everglades (Fla.)
- Rainier, Mount (Wash.)
- Tesuque Pueblo (N.M.)
- Pecos (N.M.)
- San Diego (Calif.)
- San Juan Capistrano (Calif.)
- Helena (Mont.)
- Orizaba (VeracruzLlave, Mexico)
- Tacoma (Wash.)
- Portland (Or.)
- Hood, Mount (Or.)
- Columbia River
- Dalles (Or.)
- Memaloose Island (Wash.)
- Pecos National Monument (N.M.)
- Santa Monica (Calif.)
- Georgetown (Colo.)
- Silver Plume (Colo.)
- Golden Gate (Wyo.)
- Manitou Springs (Colo.)
- Palo Alto (Calif.)
- San Fernando Valley (Calif.)
- San Diego County (Calif.)
- Black Canyon of the Gunnison (Colo.)
- Longs Peak (Colo.)
- Glenwood Springs (Colo.)
- Denver (Colo.)
- San Pedro (N.M.)
- Great Sioux Reservation (N.D. and S.D.)
- Rocky Mountains
- Kern County (Calif.)
- Santa Cruz County (Calif.)
- Pasadena (Calif.)
- San Carlos (Ariz.)
- Duchesne River (Utah)
- Mesa County (Colo.)
- Uinta Mountains (Utah and Wyo.)
- Las Vegas (N.M.)
- Escuintla (Guatemala)
- Mesilla Valley (N.M.)
- Pueblo (Colo.)
- Spokane (Wash.)
- Cheyenne Mountain (Colo.)
- Cheyenne Canon (Colo.)
- Weber Canyon (Utah)
- Muir Glacier (Alaska)
- Sitka (Alaska)
- Fort Yuma Reservation (Ariz. and Calif.)
- Kingman (Ariz.)
- Creede (Colo.)
- Canon of the Grand (Colo.)
- Canon of the Grand River (Colo.)
- El Paso (Tex.)
- Golden Gate (Calif. : Strait)
- San Rafael (N.M.)
- Wrangell (Alaska)
- Pyramid Harbor (Alaska)
- Glacier Bay (Alaska)
- Gale Bay (Alaska)
- Chelly, Canyon de (Ariz.)
- Sacramento (Calif.)
- Sierra Nevada (Calif. and Nev.)
- Green River (Wyo.Utah)
- Guthrie (Okla.)
- Newcastle (Calif.)
- 101 Ranch Historic District (Okla.)
- Shasta County (Calif.)
- Brigham City (Utah)
- Humboldt County (Calif.)
- Larrainzar (Mexico)
- Pantelho (Mexico)
- El Porvenir de Velazco Suarez (Mexico)
- Chamula (Mexico)
- Guatemala (Guatemala)
- Antigua (Guatemala)
- Nahuala (Guatemala)
- Estes Park (Colo.)
- Rocky Mountain National Park (Colo.)
- Evans, Mount (Colo.)
- Sheridan County (Neb.)
- San Juan Zautla (Mexico)
- Kingcome Inlet (B.C.)
- Chaco Canyon (N.M.)
- Tiburon Island (Mexico)
- Fort Totten Indian Reservation (N.D.)
- Platte River Valley (Neb.)
- Yellowstone River
- Teton Range (Wyo. and Idaho)
- Willow Island (Neb.)
- Grand Island (Neb.)
- Sherman (S.D.)
- Promontory Summit (Utah)
- Laramie (Wyo.)
- Great Smoky Mountains (N.C. and Tenn.)
- Cherokee Indian Reservation (N.C.)
- Brighton Reservation (Fla.)
- Southampton (N.Y.)
- Catawba Indian Reservation (S.C.)
- Beavers Bend State Park (Okla.)
- Richmond (Va.)
- Tamiami Trail (Fla.)
- Dania Beach (Fla.)
- Mancos Valley (Colo.)
- Cabazon (Calif.)
- Bonneville Salt Flats (Utah)
- Princeton, Mount (Colo.)
- Des Moines (Iowa)
- Logan Canyon (Utah)
- Dallas (Tex.)
- Fish Haven (Idaho)
- Escalante (Utah)
- Spanish Fork Canyon (Utah)
- Deadwood (S.D.)
- Harney Peak (S.D.)
- Whalen (Russia)
- Gunnison County (Colo.)
- Silver City (N.M.)
- Guanajuato (Mexico)
- Council Bluffs (Iowa)
- Siletz (Or.)
- Lame Deer (Mont.)
- Fraser River (B.C.)
- Ekalaka (Mont.)
- Oklahoma City (Okla.)
- Syracuse (Utah)
- Rushville (Neb.)
- Fort McKenny (Wyo.)
- Fort Custer (Mont.)
- Colorado River (Colo.Mexico)
- Campo Indian Reservation (Calif.)
- Manzanita (Calif.)
- Albany County (Wyo.)
- Pachacamac Site (Peru)
- Colony (Okla.)
- Telluride (Colo.)
- Southern Ute Indian Reservation (Colo.)
- Darlington (Okla.)
- Nauvoo (Ill.)
- Aurora (Colo.)
- Las Vegas (Nev.)
- Wadsworth (Nev.)
- Wrangell Island (WrangellPetersburg Census Area,
- Havasupai Reservation (Ariz.)
- Cubero (N.M.)
- Tiwanaku Site (Bolivia)
- Kasaan (Alaska)
- Lagos de Moreno (Mexico)
- Fort Abraham Lincoln (N.D.)
- Mount Shasta (Calif.)
- Snake River Valley (Wyo.Wash.)
- Central City (Colo.)
- Pine Creek (Ariz.)
- Pleasanton (Calif.)
- Leadville (Colo.)
- Kings Canyon National Park (Calif.)
- Cajamarquilla Site (Peru)
- Iztaccihuatl (Mexico)
- Wrangell Narrows (Alaska)
- Frederic Sound (Alaska)
- Cordova (Alaska)
- Raton (N.M.)
- Fort Marcy (N.M.)
- Mescalero Indian Reservation (N.M.)
- Siskiyou Mountains (Calif. and Or.)
- Deming (N.M.)
- Sacramento River (Calif.)
- Castle Crags Wilderness (Calif.)
- Zacatecas (Zacatecas, Mexico)
- Havana (Cuba)
- Bisbee (Ariz.)
- Palominas (Ariz.)
- Fronteras (Sonora, Mexico)
- Bavispe River (Mexico)
- Arizpe (Sonora, Mexico)
- Sonora River Valley (Mexico)
- Sonora (Mexico : State)
- Cumpas (Mexico)
- Montezuma (Mexico)
- Oposura Valley (Mexico)
- Bacadehuachi (Mexico)
- Nacori Chico (Mexico)
- Sierra Madre (Mexico)
- Ciudad Juarez (Mexico)
- Tesuque River Valley (N.M.)
- Acapulco (Mexico)
- Beaver Creek (Colo.)
- Fort Sam Houston (Tex.)
- Duchesne (Utah)
- Redwood City (Calif.)
- Chihuahua (Chihuahua, Mexico)
- Bessemer (Colo.)
- Honolulu (Hawaii)
- New Mexico
- Arizona
- Boulder (Colo.)
- Fort Collins (Colo.)
- Boulder Canyon (Colo.)
- Boulder Falls (Colo.)
- Victor (Colo.)
- Cripple Creek (Colo.)
- Lacandona Forest (Mexico)
- Fort Apache (Ariz.)
- Kelly (N.M.)
- Coeur d'Alene (Idaho)
- Ruidoso (N.M.)
- Fort Buford (N.D.)
- Thunder Bay (Ont.)
- Box Canyon (Ouray County, Colo.)
- Berthoud Pass (Colo.)
- Clear Creek Canyon (Colo.)
- Kannara Canon (Utah)
- Gorham (Mont.)
- Sioux Falls (S.D.)
- Grandin Farms (N.D.)
- San Francisco Mountains
- Santa Rita (N.M.)
- Pecos River (N.M. and Tex.)
- San Jose (Calif.)
- Morgan County (Utah)
- South Boulder Creek (Colo.)
- South Platte River (Colo. and Neb.)
- Fort Garland (Colo.)
- Morrison (Colo.)
- Canon City (Colo.)
- Black Canyon (Ariz. and Nev.)
- El Paso County (Colo.)--1870-1880.
- Cheyenne Mountain (Colo.)--1870-1880.
- El Paso County (Colo.)
- Berkeley (Calif.)
- Saint Helena, Mount (Calif.)
- Chicago (Ill.)
- San Gabriel River Valley (Calif.)
- Placer County (Calif.)
- Sonoma County (Calif.)
- Tulelake (Calif.)
- Calaveras County (Calif.)
- Acambaro (Guanajuato, Mexico)
- Gallatin Range (Mont.)
- Kansas City (Mo.)
- Sherman Ranch (Ellsworth County, Kan.)
- Boston (Mass.)
- Zuni Mountains (N.M.)
- Concord (Mass.)
- Mount Vernon (Va.)
- Castle Rock (Colo.)
- Cache la Poudre River (Colo.)
- Veta Pass (Colo.)
- Fort Snelling (Minn.)
- Reno (Nev.)
- Fort McDowell Indian Reservation (Ariz.)
- Apache Canon (N.M.)
- Capulin Mountain (N.M.)
- Lawrence (Kan.)
- Canyon Diablo (Ariz.)
- Saint Paul (Minn.)
- Carlisle (Pa.)
- Puget Sound (Wash.)
- Mississippi River
- Metlakatla (Alaska)
- Wisconsin River (Wis.)
- White Earth Indian Reservation (Minn.)
- Jamestown (Va.)
- Miami (Fla.)
- Moenkopi Plateau (Ariz.)
- Kanab Creek (Utah and Ariz.)
- Weber River (Utah)
- Santa Fe River (N.M.)
- Carbonateville (N.M.)
- Socorro (N.M.)
- Las Cruces (N.M.)
- Mesilla (N.M.)
- Goat Island (N.Y.)
- Saint Louis River (Minn. and Wis.)
- Saint Croix River (Wis. and Minn.)
- Saint Anthony Falls (Minn.)
- Red River of the North
- Bridal Veil Falls (Minn.)
- Minnehaha Falls (Minn.)
- Pagosa Springs (Colo.)
- Lander (Wyo.)
- Minneapolis (Minn.)
- American Fork Canyon (Utah)
- Pulpit Rock (Utah)
- Sabine, Cape (Alaska)
- Kilbourn (Wis.)
- Fort Yellowstone (Wyo.)
- Gardiner (Mont.)
- Walla Walla (Wash.)
- Hood River Valley (Or.)
- Saint Michael (Alaska)
- Oregon Caves National Monument (Or.)
- Sheep Camp (Alaska)
- Yukon River (Yukon and Alaska)
- Redlands (Calif.)
- Mariposa Grove (Calif.)
- Sierra Bonita Ranch (Ariz.)
- Nightingale Mine (Colo.)
- Palisade (Colo.)
- Missouri River Valley
- Conejos County (Colo.)
- James Peak Wilderness (Colo.)
- Middle Park (Colo.)
- Owen's Hot Springs (Colo.)
- Wisconsin Dells (Wis.)
- Grand Island (Alger County, Mich.)
- Petenwell Lake (Wis.)
- Roberval (Quebec)
- Chilkoot Pass
- Marshall Pass (Colo.)
- Sherman Ranch (Kan.)
- Houston (Tex.)
- Port Arthur (Tex.)
- Beaumont (Tex.)
- San Lorenzo Valley (Calif.)
- El Oro de Hidalgo (Mexico)
- Gustavo A. Madero (Mexico)
- Aspen (Wyo.)
- Truckee River (Calif. and Nev.)
- Tula de Allende (Mexico)
- Cholula de Rivadabia (Mexico)
- Monterrey (Mexico)
- Teotihuacan Site (San Juan Teotihuacan, Mexico)
- Ciudad Guzman (Mexico)
- Progreso (Yucatan, Mexico)
- Cuernavaca (Mexico)
- Mancos Site (Colo.)
- Tampico (Tamaulipas, Mexico)
- Culiacan (Sinaloa, Mexico)
- Guadalajara (Mexico)
- Popocatepetl (Mexico)
- Cascade Range
- Ross Valley (Calif.)
- Cape Horn (Calif.)
- Santa Clara County (Calif.)
- White Sulphur Springs (Calif.)
- Napa (Calif.)
- Stockton (Calif.)
- Fort Point (San Francisco, Calif.)
- Mono Lake (Calif.)
- Tahoe, Lake, Watershed (Calif. and Nev.)
- Napa County (Calif.)
- Nevada County (Calif.)
- San Gabriel (Calif.)
- Calistoga (Calif.)
- San Juan County (Colo.)
- Alpine County (Calif.)
- Ouray (Colo.)
- Boothill (Tombstone, Ariz.)
- Tuolumne County (Calif.)
- Cimarron (Colo.)
- Castillo de San Marcos (Saint Augustine, Fla.)
- Echo Creek (Utah)
- Pitkin (Gunnison County, Colo.)
- Aspen (Colo.)
- Big Thompson River (Colo.)
- Big Cottonwood Canyon (Salt Lake County, Utah)
- Ogden Canyon (Utah)
- Echo Canyon (Colo.)
- Humboldt Canyon (Utah)
- East Canyon (Utah)
- Little Cottonwood Canyon (Utah)
- Saratoga (Wyo.)
- Chaffee County (Colo.)
- Brooklyn (New York, N.Y.)
- Yosemite National Park (Calif.)
- Pisa (Italy)
- Philadelphia (Pa.)
- Columbus (Ohio)
- West Point (N.Y.)
- Orizaba, Pico de (Mexico)
- Lexington (Mass.)
- Golden Gate Park (San Francisco, Calif.)
- Buffalo (N.Y.)
- Albany (N.Y.)
- Holy Cross, Mount of the (Colo.)
- Detroit (Mich.)
- Minute Man National Historical Park (Mass.)
- Venice (Los Angeles, Calif.)
- Dawson City (Ariz.)
- Klondike River Valley (Yukon)
- Abiquiu (N.M.)
- Mexicaltzingo (Distrito Federal, Mexico)
- Amecameca (Mexico)
- Queretaro (Mexico)
- Uxmal Site (Mexico)
- Jalapa Enriquez (Mexico)
- Tehuantepec (Mexico)
- Juarez (Chihuahua, Mexico)
- Cordoba (Mexico)
- Patzcuaro (Mexico)
- San Luis Potosi (Mexico)
- San Juan Teotihuacan (Mexico)
- Puebla (Mexico)
- Santa Gertrudis (Oaxaca, Mexico)
- Irapuato (Mexico)
- Yucatan (Mexico : State)
- Uruapan del Progreso (Mexico)
- Ixtapalapa (Mexico)
- Patzcuaro, Lake (Mexico)
- Toluca de Lerdo (Mexico)
- Matamoros (Coahuila, Mexico)
- Aguascalientes (Mexico)
- Merida (Mexico)
- Omealca (Mexico)
- Teotihuacan Valley (Mexico)
- Juanacatlan (Mexico)
- Rio Blanco (River : Mexico)
- Veracruz (Mexico)
- Tlaquepaque (Mexico)
- Amatlan (Morelos, Mexico)
- Tacuba (Mexico City, Mexico)
- San Pablo Villa de Mitla (Mexico)
- Santa Anita (Mexico)
- Iztacalco (Mexico)
- San Angel (Mexico)
- Ayutla (Jalisco, Mexico)
- Acanceh (Mexico)
- Mexico, Valley of (Mexico)
- Lerma River (Mexico)
- Campeche, Bay of (Mexico)
- Papaloapan River (Mexico)
- Tepeaca (Mexico)
- Iguala Canyon (Mexico)
- Iguala de la Independencia (Mexico)
- Morelia (Michoacan de Ocampo, Mexico)
- Egeria Park (Colorado)
- Miami River (Fla.)
- Chadron (Neb.)
- Ellensburg (Wash.)
- Lac qui Parle County (Minn. : 1871 )
- Valentine (Neb.)
- Grand Junction (Colo.)
- Frijoles Canyon (N.M.)
- Cass Lake (Minn.)
- Osborne (Kan.)
- Dickson Mounds (Ill.)
- Bayfield (Colo.)
- Pawhuska (Okla.)
- Artesian (S.D.)
- Keams Canyon (Ariz.)
- Soboba Indian Reservation (Calif.)
- Lac du Flambeau (Wis.)
- Pendleton (Or.)
- Mandan (N.D.)
- Calgary (Alta.)
- Kahnawake (Quebec)
- New Orleans (La.)
- Condon (Or.)
- JayEm Ranch (Wyo.)
- Garfield (Utah)
- Socorro (Colombia)
- Chamita (N.M.)
- Oahu (Hawaii)
- Waimea (Oahu, Hawaii)
- Elizabeth (N.J.)
- Darien (Panama and Colombia)
- Garachine (Panama)
- Norias (Tex.)
- Watonga (Okla.)
- Manitou Park (Colo.)
- Rosedale (Colo.)
- Seward (Alaska)
- Camargue (France)
- Rapid City (S.D.)
- Newcastle (Wyo.)
- Eidfjord (Norway : Kommune)
- Guaymas (Sonora, Mexico)
- Rice Lake (Wis.)
- McLaughlin (S.D.)
- Carthage (Ill.)
- Kirtland (Ohio)
- Fayette (N.Y.)
- Aztec (N.M.)
- Phoenix (Ariz.)
- Murdo (S.D.)
- Fort Lowell (Ariz.)
- North Logan (Utah)
- Palmyra (N.Y.)
- Midland (S.D.)
- Death Valley (Calif. and Nev.)
- Merdo (S.D.)
- Wounded Knee (S.D.)
- Mosher (S.D.)
- Fairfax (S.D.)
- Pawnee (Okla.)
- Fort Qu'appelle (Sask.)
- Belle Fourche (S.D.)
- Pierre (S.D.)
- Fort Pierre (S.D.)
- Ottawa (Kan.)
- Huancayo (Junin, Peru)
- MoronaSantiago (Ecuador)
- Iquitos (Peru)
- Badlands (S.D. and Neb.)
- Bandelier National Monument (N.M.)
- Jemez Springs (N.M.)
- Fort Keogh (Mont.)
- Saint Regis Mohawk Indian Reservation (N.Y.)
- Monte Vista (Colo.)
- Glen Eyrie (Colo.)
- Whipple Barracks (Ariz.)
- Manti (Utah)
- Crow Agency (Mont.)
- Lapwai (Idaho)
- Winnemucca (Nev.)
- Billings (Mont.)
- Cumorah, Hill (N.Y.)
- Fort Sill (Okla.)
- Clayton (N.M.)
- Animas River (Colo. and N.M.)
- Silverton (Colo.)
- Crawford (Neb.)
- Pima (Ariz.)
- Fort Stanton (N.M.)
- Siskiyou County (Calif.)
- Seal Rocks (San Francisco, Calif.)
- Yosemite Falls (Calif.)
- Wasatch Range (Utah and Idaho)
- Curecanti Needle (Colo.)
- Colorado
- Utah
- California
- Dakota Territory
- Fort Assinniboine (Mont.)
- Groton (S.D.)
- Publisher
- Manuscripts Division
- Finding Aid Author
- Faith Charlton; Kelly Bolding; Chloe Pfendler
- Finding Aid Date
- Published in 2015.
- Access Restrictions
-
While the majority of this collection is open for research, digital images of human remains are restricted. These items have been identified as such throughout the finding aid.
Access to glass-plate negatives is restricted due to their fragility. Where prints of the negatives are present, the prints are open for research use. Though digitization may not be possible for every negative, researchers may make requests to digitize material via the Ask Special Collections, form according to Special Collections' policy on digitization.
- Use Restrictions
-
Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.
Collection Inventory
Cataloger supplied title.
Physical Description1 folder10 x 7 cm.
Cataloger supplied title. Tintype in original paper case.
Physical Description1 folder8 x 7 cm.
Cataloger supplied title. Tintype in original paper mount with advertisement for photographer on verso.
Physical Description1 folder9 x 5 cm.
Cataloger supplied title. Tintype in original paper mount with advertisement for photographer on verso.
Physical Description1 folder9 x 5 cm.
Cataloger supplied title. Tintype in original black paper mount.
Physical Description1 folder7 x 5 cm.
Cataloger supplied title.
Physical Description1 folder6 x 4 cm.
Cataloger supplied title.
Physical Description1 folder6 x 4 cm.
Cataloger supplied title. Tintype in original paper mount with advertisement for photographer on verso.
Physical Description1 folder9 x 5 cm.
Cataloger supplied title. Tintype in original paper mount with advertisement for photographer on verso.
Physical Description1 folder7 x 4 cm.
Cataloger supplied title. Tintype in half of its original paper case. Image highly damaged.
Physical Description1 folder8 x 6 cm.
Written on slide: "1073. Colorado. Cowboys dining on the plains."
Physical Description1 folder9 x 11 cm.
Cataloger supplied title.
Physical Description1 folder3 x 11 cm.
Cataloger supplied title.
Physical Description1 folder3 x 11 cm.
Cataloger supplied title.
Physical Description1 folder3 x 11 cm.
Cataloger supplied title.
Physical Description1 folder3 x 11 cm.
Cataloger supplied title.
Physical Description1 folder3 x 11 cm.
Cataloger supplied title.
Physical Description1 folder3 x 11 cm.
Cataloger supplied title.
Physical Description1 folder3 x 11 cm.
Cataloger supplied title.
Physical Description1 folder3 x 11 cm.
Cataloger supplied title.
Physical Description1 folder3 x 11 cm.
Cataloger supplied title.
Physical Description1 folder3 x 11 cm.
Cataloger supplied title.
Physical Description1 folder3 x 11 cm.
Written on slide: "5721. Utes: Pee Viggi and squaw."
Physical Description1 folder9 x 10 cm.
Written on slide: "Indians at Wild West."
Physical Description1 folder9 x 9 cm.
Photograph originally hung in the lobby of the Endicott Hotel in Newkirk, Oklahoma.
Physical Description1 folder33 x 26 cm.
View of the Brigham Young monument with pedestrians and automobiles in the background. Manuscript notation on the verso reads "5878, Utah, Salt Lake City, Brigham Young Monument." In a mount measuring 8 x 10 cm. Title from caption.
Physical Description1 folder7 x 7 cm.
View of the Salt Lake Temple. Partially eclipsed manuscript notation on the verso reads "6382 ... Temple." In a mount measuring 8 x 10 cm. Title supplied by cataloger; attribution from printed caption.
Physical Description1 folder7 x 7 cm.
Typescript notation on the recto reads "189 5811 Street scene (Broadway north from Chestnut street), St. Louis, MO." In a mount measuring 8 x 10 cm. Date information derived from similar image at the University of Louisville. Title derived from caption; attribution from printed caption.
Physical Description1 folder7 x 7.5 cm.
Typescript notation on the recto reads "285 8201 Union Street, rent by the great earthquake, San Francisco, Cal." In a mount measuring 8 x 10 cm. Title supplied by cataloger and derived from caption; attribution from printed caption.
Physical Description1 folder7 x 7.5 cm.
Typescript notation on the recto reads "2848189 After the earthquake, San Francisco, Cal." In a mount measuring 8 x 10 cm. Title supplied by cataloger and derived from caption; attribution from printed caption.
Physical Description1 folder7 x 7.5 cm.
View of a redwood cabin, date unknown. Title from manuscript notation on the verso that reads "Yosemite Redwood cabin." Attribution from printed label.
Physical Description1 folder7 x 7 cm.
View of the Old Faithful geyser, date unknown. Title from manuscript notation on the verso that reads "Old Faithful." Attribution from printed label.
Physical Description1 folder6 x 7.5 cm.
View of Mount Rainer with houses and tents in the foreground, date information from related slide X0035. Title from manuscript notation on the verso that reads "Mt Rainer." Attribution from printed label.
Physical Description1 folder7 x 6 cm.
View of sled dogs and what appear to be tourists or picnickers on or near Mount Rainer, date information from related slide X0035. Title from manuscript notation on the verso that reads "Rainer." Attribution from printed label.
Physical Description1 folder6 x 7.5 cm.
View of what appear to be tourists at a Mount Rainer visitor center. Title and date information from manuscript notation on the verso that reads "Rainer 1925." Attribution from printed label.
Physical Description1 folder6 x 7.5 cm.
View of sled dogs and what appear to be tourists or picnickers on or near Mount Rainer (similar to H0034), date information from related slide H0035. Title from manuscript notation on the verso that reads "Rainer." Attribution from printed label.
Physical Description1 folder6 x 7.5 cm.
Typescript notation on the recto reads "328 (21874) Indians on the Straits of Magellan Near Punta Arenas, Chile." In a mount measuring 8 x 10 cm. Appears to be a reproduction, or a photograph of a photograph. Title and attribution from printed caption, date information from similar image in the National Museum of the Native American.
Physical Description1 folder7 x 7.5 cm.
A man stands besides the Mount Stephen Tunnel. Title from manuscript notation on the verso that reads "1382 British Columbia Mt Stephen Tunnel, Summit of the Rockies." In a mount measuring 8.4 x 10 cm. Attribution from printed label.
Physical Description1 folder6 x 7 cm.
Passengers wait on the platform of the Lake Louise railroad station. Title from manuscript notation on the verso that reads "R.R. Station Lake Loiuse." In a mount measuring 8.5 x 10 cm. Attribution from printed label, date information from related slide H0041.
Physical Description1 folder7 x 7.5 cm.
Tourists pose at a monument marking the Great Divide (Continental Divide) with cars from the Canadian Pacific Railroad in the background. Title from manuscript notation on the verso that reads "Great Divide near L. Louise." In a mount measuring 8.5 x 10 cm. Attribution from printed label, date information from related slide H0041.
Physical Description1 folder5.5 x 7.5 cm.
Tourists stand near a tramcar for the Lake Louise Tramway. Title and date from manuscript notation on the verso that reads "Tram Lake Louise To R.R. station 1925." In a mount measuring 8.5 x 10 cm. Attribution from printed label.
Physical Description1 folder7 x 6 cm.
A view out a train tunnel. Title from manuscript notation on the verso. In a mount measuring 8 x 10 cm. Attribution from printed label.
Physical Description1 folder7 x 7.5 cm.
Typescript notation on the recto reads "343 (V13331) Eskimo girls in skin clothing, Cape York, Greenland." In a mount measuring 8 x 10 cm. Appears to be a reproduction, or a photograph of a photograph. Title and attribution from printed caption.
Physical Description1 folder7 x 7.5 cm.
Typescript notation on the recto reads "17611215 After the flood, Galveston, Texas." In a mount measuring 8 x 10 cm. Appears to be a reproduction, or a photograph of a photograph. Title and attribution from printed caption.
Physical Description1 folder7 x 7.5 cm.
Title, creator, and copyright from inscription on negative: "600. A Pueblo Girl. Copyright 1896 by C.F. Lummis." Additionally, "Jan. 15, 1896" is inscribed along outside margin of negative. Location information from local accession record. A vintage albumen print from this negative is located in WC064, item M1976.
Physical Description1 folder20 x 25 cm.
A glass negative by Fletcher of a photograph of Alfonso XIII, King of Spain, which was inscribed to him. Inscription reads: "To Mr. Charles F. Lummis, 1918" with signature.
Physical Description1 folder12.5 x 20 cm.
Title, date, creator, and location information provided by local accession record. A silver gelatin positive print accompanies the negative, and another modern print is present in WC064, item M0818.
Physical Description1 folder20 x 12.5 cm..
Inventory number 662, title, date and photographer inscribed directly on negative. Location information from local accession record. A related negative is available in WC064, item H0056, and an albumen print of that negative is located in WC064, item M1078.
Physical Description1 folder20 x 25 cm.
"691. A Tigua Maiden. Copyright 1896 by C.F. Lummis" inscribed directly on plate. A vintage albumen print from this negative is located in WC064, item M1009.
Physical Description1 folder20 x 25 cm.
Title, date, creator, and location information provided by local accession record.
Physical Description1 folder20 x 25 cm.
Date, creator, and location information provided by local accession record. Title provided by cataloger based on "XMAS 1901" inscribed directly on negative. WC064 items H0052 through H0054 are a related set of images of the same occasion.
Physical Description1 folder20 x 12.5 cm.
Date, creator, and location information provided by local accession record. Title provided by cataloger based on "XMAS 1901" inscribed directly on negative. WC064 items H0052 through H0054 are a related set of images of the same occasion.
Physical Description1 folder20 x 12.5 cm.
Date, creator, and location information provided by local accession record. Title provided by cataloger based on "XMAS 1901" inscribed directly on negative. WC064 items H0052 through H0054 are a related set of images of the same occasion.
Physical Description1 folder20 x 12.5 cm.
A young Pueblo boy interacts with a younger Anglo girl against a studio backdrop.
Physical Description1 folder12.5 x 18.5 cm.
Inventory number 661, title, date and photographer inscribed directly on negative. Location information from local accession record. A vintage albumen print from this negative is located in WC064, item M1078. A related negative is item H0049.
Physical Description1 folder20 x 25 cm.
Title, date, creator, and location information provided by local accession record.
Physical Description1 folder20 x 12.5 cm.
Title, date, creator, and location information provided by local accession record.
Physical Description1 folder12.5 x 20 cm.
Title, date, creator, and location information provided by local accession record.
Physical Description1 folder12.5 x 20 cm.
Title, creator, and location information provided by local accession record. Date inscribed on negative.
Physical Description1 folder20 x 12.5 cm.
Title, creator, date, and location information provided by local accession record. Date inscribed on negative. Negative was very likely among Fletcher's original negatives though the image was taken by a companion.
Physical Description1 folder20 x 12.5 cm.
Title, creator, date, and location information provided by local accession record. Date inscribed on negative. Negative was very likely among Fletcher's original negatives though the image was taken by a companion.
Physical Description1 folder20 x 12.5 cm.
A glass negative by Fletcher of a photograph by Hartsook Photo, which was inscribed to him. Inscription reads: "Al Sr. Char F. Lummis con admiración y sincera amistad. (F?)oustautmo. L.A. Cal 1915"
Physical Description1 folder20 x 12.5 cm.
Title, creator, copyright, and location from inscription on negative: "656 Isleta, N.M. The Water Service. Copyright 1894 by C.F. Lummis." Additionally, "Feb 24 1894" is inscribed along outside margin of negative.
Physical Description1 folder12.5 x 20 cm.
Title, date, creator, and location information provided by local accession record.
Physical Description1 folder12.5 x 20 cm.
Written on verso: "The corn dance, Moqui." Mounted on 35 x 44 cm. board.
Physical Description1 folder26 x 34 cm.
Written on recto: "Stairway to Wolpi, Arizona."
Physical Description1 folder33 x 25 cm.
Advertisement for Robert Wood & Co., a Philadelphia ornamental iron works, on verso. Mounted on 33 x 47 cm. board.
Physical Description1 folder22 x 29 cm.
Cataloger supplied title. Mounted on 33 x 38 cm. board.
Physical Description1 folder24 x 30 cm.
Cataloger supplied title. Mounted on 31 x 36 cm. board. Information about the photograph noted on verso.
Physical Description1 folder20 x 25 cm.
Written on verso: "Mudheads or clowns of Zuni." Mounted on 41 x 51 cm. board.
Physical Description1 folder26 x 34 cm.
Printed in 1992. An account of the Battle of Little Bighorn as remembered by Yellow Robe and recorded by Gould in collection record. Likely taken in Montana.
Physical Description1 folder36 x 37 cm.
Printed by Phil Bourns from the original negative at the Science Museum of Minnesota.
Physical Description1 folder41 x 51 cm.
Mounted on board. Cataloger supplied title.
Physical Description1 folder22 x 27 cm.
Printed on board: "Laying the cap stone of the Salt Lake Temple, by electricity." Mounted on 33 x 41 cm. board.
Physical Description1 folder24 x 30 cm.
Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder27 x 35 cm.
Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder27 x 35 cm.
Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder27 x 35 cm.
Mounted on 41 x 51 cm. board.
Jackson, William Henry (1843-1942)American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.
Physical Description1 folder26 x 35 cm.
Cataloger supplied title.
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder27 x 35 cm.
Written on verso: "Shingopavi, Moqui town." Mounted on 41 x 51 cm. board.
Physical Description1 folder26 x 34 cm.
Written on verso: "Chichumavie." Mounted on 41 x 51 cm. board. Possibly of the pueblo of Sichomovi.
Physical Description1 folder26 x 34 cm.
Mounted on 33 x 41 cm. board.
Physical Description1 folder24 x 30 cm.
Mounted on 33 x 41 cm. board.
Physical Description1 folder24 x 29 cm.
Cataloger supplied title.
Physical Description1 folder28 x 36 cm.
Mounted on 34 x 41 cm. board.
Physical Description1 folder25 x 29 cm.
Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Scout Charlie Reynolds." Printed ca. 1890. Typewritten note with photograph (in collection file): "This original portrait photograph by Barry is reproduced between pages 44 & 45 of Col. Graham's The story of the Little Big Horn."
Physical Description1 folder17 x 12 cm.
Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Trumpeter, John Martin." Printed ca. 1890.
Physical Description1 folder14 x 6 cm.
Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Chief Low Dog." Typewritten note with photograph (now in collection file): "This original portrait photograph by Barry is reproduced on page 74 of Col. Graham's The Custer myth."
Physical Description1 folder17 x 12 cm.
Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Wild Horse, Crazy Horse cousin."
Physical Description1 folder17 x 12 cm.
Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Scout Yellow Stone Kelly." Printed ca. 1890.
Physical Description1 folder15 x 10 cm.
Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Reno hill, Reno crossing Little Bighorn." Typewritten note with photograph (now in collection file): "Two original Barry photographs of the ford on the Little Big Horn, used by Maj. Reno's battalion in the retreat of 6/25/76. One view is est and the other east. X's indicate the exact crossing site and Reno's route up the bluffs on the east bank of the river."
Physical Description1 folder22 x 17 cm. ; 22 x 17 cm.
Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Custer's last stand."
Physical Description1 folder24 x 19 cm.
Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Chief Gall and Nefherd [?]." Printed in 1890. Advertisement for portrait photographs of Gall pasted on verso.
Physical Description1 folder23 x 15 cm.
Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Gen. F.W. Benteen."
Physical Description1 folder23 x 15 cm.
Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Custer Battlefield [?] where Custer dismounted."
Physical Description1 folder24 x 19 cm.
Cataloger supplied title. Photograph in decorative folding mat with Barry's ticket on verso. Written on folding mat: "Reno hill, east side."
Physical Description1 folder22 x 17 cm. ; 22 x 17 cm.
1 folder31 x 21 cm.
Written on verso: "Yellowstone Park, 21/6/02."
Physical Description1 folder9 x 31 cm.
Written on verso: "Yellowstone Park, June 1902."
Physical Description1 folder9 x 31 cm.
Written on verso: "Yellowstone Park, June 1902."
Physical Description1 folder9 x 31 cm.
Written on verso: "Yellowstone Park, 21/6/02, 3 p.m."
Physical Description1 folder9 x 31 cm.
Printed on recto: "Gearhart Park." Written on recto: "Showing black 24 Gearhart Park. The tent marked I is your tent floor." Mounted on 26 x 31 cm. board. Stamp of W.I. Crawford, Astoria, Or., on verso.
Physical Description1 folder9 x 24 cm.
Printed on recto: "115." Mounted on 15 x 34 cm. board.
Physical Description1 folder11 x 29 cm.
Cataloger supplied title.
Physical Description1 folder23 x 35 cm.
Cataloger supplied title. Mounted on 26 x 31 cm. board.
Physical Description1 folder16 x 21 cm.
Written on verso: "Sheldon's camp, Marysville, Calif., 1905." Mounted on 26 x 31 cm. board.
Physical Description1 folder20 x 25 cm.
Printed on recto: "No. 641." Mounted on 26 x 31 cm. board.
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder20 x 25 cm.
Cataloger supplied title. Hand colored.
Physical Description1 folder41 x 51 cm.
Cataloger supplied title. Printed on recto: "1089."
Physical Description1 folder44 x 41 cm.
Written on verso: "Haxton, Colo. Soddy house. Purchased from great niece." Mounted on 26 x 31 cm. board.
Physical Description1 folder17 x 22 cm.
Biographies of delegates from Arizona, Dakota, Idaho, Montana, New Mexico, Utah, Washington, and Wyoming, with vignette photographs of each on verso. Mounted on 31 x 26 cm. board.
Physical Description1 folder24 x 20 cm.
Written on verso: "Mission San Xavier del Bac, Tucson, Arizona, ca. 1887. Photographer: Willis P. Haynes." Mounted on 26 x 31 cm. board.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Mounted on 26 x 25 cm. board.
Physical Description1 folder19 x 25 cm.
Mounted on 31 x 26 cm. board.
Physical Description1 folder22 x 16 cm.
Cataloger supplied title.
Physical Description1 folder25 x 17 cm.
Cataloger supplied title.
Physical Description1 folder25 x 17 cm.
Cataloger supplied title.
Physical Description1 folder35 x 20 cm.
Cataloger supplied title.
Physical Description1 folder37 x 15 cm.
Cataloger supplied title.
Physical Description1 folder30 x 20 cm.
Cataloger supplied title.
Physical Description1 folder37 x 20 cm.
Cataloger supplied title.
Physical Description1 folder25 x 17 cm.
Cataloger supplied title.
Physical Description1 folder17 x 26 cm.
Cataloger supplied title. Possibly by Lummis.
Physical Description1 folder31 x 26 cm.
Cataloger supplied title. Mounted on 26 x 31 cm. board.
Physical Description1 folder20 x 25 cm.
Cataloger supplied title. Mounted on 26 x 31 cm. board. Likely by Marble.
Physical Description1 folder20 x 25 cm.
Written on recto of board: "Beef issue at Spotted Tail's Agency, Neb." Mounted on 28 x 36 cm. board.
Physical Description1 folder22 x 29 cm.
Title and photographer name supplied from catalog The photograph and the American Indian. In color. Gift of the photographer.
Physical Description1 folder31 x 26 cm.
Cataloger supplied title. Written on verso: "Apache Indian, Arizona desert country." Possibly a photographic reproduction of a lithographic print.
Physical Description1 folder24 x 33 cm.
Mounted on 26 x 31 cm. board.
Physical Description1 folder19 x 23 cm.
Title and photographer name supplied by The photograph and the American Indian. In color. Gift of the photographer.
Physical Description1 folder31 x 26 cm.
Title and photographer name supplied by The photograph and the American Indian. In color. Gift of the photographer.
Physical Description1 folder31 x 26 cm.
Cataloger supplied title.
Physical Description1 folder36 x 28 cm.
Cataloger supplied title.
Physical Description1 folder36 x 28 cm.
Copyright 1890. Names of warriors printed on recto of photograph.
Physical Description1 folder19 x 32 cm.
Cataloger supplied title. Hand colored.
Physical Description1 folder34 x 25 cm.
Copyright 1901. Hand colored.
Physical Description1 folder36 x 27 cm.
Cataloger supplied title.
Physical Description1 folder30 x 28 cm.
Cataloger supplied title.
Physical Description1 folder30 x 28 cm.
Cataloger supplied title.
Physical Description1 folder30 x 28 cm.
Title and photographer name supplied by The photograph and the American Indian. In color. Gift of the photographer.
Physical Description1 folder28 x 36 cm.
Title and photographer name supplied by The photograph and the American Indian. In color. Gift of the photographer.
Physical Description1 folder31 x 26 cm.
Title and photographer name supplied from The photograph and the American Indian. In color. Gift of the photographer.
Physical Description1 folder31 x 26 cm.
Cataloger supplied title.
Physical Description1 folder28 x 27 cm.
Written on recto: "Invincible society." Mounted on 24 x 36 cm. board. Sign in background suggests photograph was taken at the Carlisle Indian School.
Physical Description1 folder23 x 35 cm.
Cataloger supplied title.
Physical Description1 folder21 x 36 cm.
Cataloger supplied title.
Physical Description1 folder23 x 36 cm.
Cataloger supplied title.
Physical Description1 folder35 x 22 cm.
Cataloger supplied title. Photograph in decorative mat with Barry's ticket on verso. Written on mat: "The Custer Battlefield."
Physical Description1 folder22 x 17 cm.
Written on verso: "Shelton's Camp, Marysville, Calif., 1905." Mounted on 28 x 33 cm. board.
Physical Description1 folder20 x 25 cm.
Written on verso: "Shelton's Camp, Marysville, Calif., 1905." Mounted on 28 x 33 cm. board.
Physical Description1 folder20 x 25 cm.
Written on verso: "Shelton's Camp, Marysville, Calif., 1905." Mounted on 28 x 33 cm. board.
Physical Description1 folder21 x 25 cm.
Written on verso: "Shelton's Camp, Marysville, Calif., 1905." Mounted on 28 x 33 cm. board.
Physical Description1 folder20 x 25 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder28 x 36 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder36 x 28 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder28 x 36 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder36 x 28 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder28 x 36 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder28 x 36 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder28 x 36 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder28 x 36 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder36 x 28 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder28 x 36 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder36 x 28 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder36 x 28 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder28 x 36 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder36 x 28 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder28 x 36 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder28 x 36 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder36 x 28 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder36 x 28 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder36 x 28 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder36 x 28 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder28 x 36 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder36 x 28 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder28 x 36 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder28 x 36 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder28 x 36 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder28 x 36 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder28 x 36 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder36 x 28 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder28 x 36 cm.
Title supplied by dealer's list. 1983 copyright held by Joanne Rijmes. Printed by Rijmes from Rymes' negatives.
Physical Description1 folder28 x 36 cm.
Photographs of Eskimos ; 1
Title supplied by dealer's list. Series consists of 20 black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 28 cm.
Photographs of Eskimos ; 2
Title supplied by dealer's list. Series consists of 20 black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 28 cm.
Photographs of Eskimos ; 4
Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 28 cm.
Photographs of Eskimos ; 5
Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 28 cm.
Photographs of Eskimos ; 6
Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 36 cm.
Photographs of Eskimos ; 7
Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 28 cm.
Photographs of Eskimos ; 8
Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 28 cm.
Photographs of Eskimos ; 9
Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 28 cm.
Photographs of Eskimos ; 10
Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 28 cm.
Photographs of Eskimos ; 11
Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 28 cm.
Photographs of Eskimos ; 12
Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 36 cm.
Photographs of Eskimos ; 13
Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 36 cm.
Photographs of Eskimos ; 14
Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 36 cm.
Photographs of Eskimos ; 15
Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 28 cm.
Photographs of Eskimos ; 16
Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 36 cm.
Photographs of Eskimos ; 17
Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 28 cm.
Photographs of Eskimos ; 18
Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 28 cm.
Photographs of Eskimos ; 19
Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 36 cm.
Photographs of Eskimos ; 20
Title supplied by dealer's list. Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 36 cm.
Written on verso: "Arapahoe Indian chiefs at Ft. Washakie, Wyo. Terr., at time of visit of Pres. C.A. Arthur, 1883."
Haynes, F. Jay (Frank Jay) (1853-1921)F. Jay Haynes (1853-1921) was a professional photographer who documented the settlement and expansion of the American Northwest during the late 19th and early 20th centuries. Based in Minnesota and North Dakota, Haynes served as the official photographer for Northern Pacific Railway and Yellowstone National Park. Haynes first visited Yellowstone in 1881 and, a few years later in 1884, obtained permission to operate a photography studio there. He served as Yellowstone's official photographer from 1884 until 1920 when he was succeeded by his son, Jack Ellis Haynes (1884-1962).
Physical Description1 folder30 x 43 cm.
Photograph mounted and matted.
Physical Description1 folder32 x 22 cm.
Photograph mounted and matted.
Physical Description1 folder26 x 35 cm.
Cataloger supplied title. Photograph mounted and matted.
Hall, Douglas Kent.Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.
In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.
Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.
In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.
Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.
Physical Description1 folder30 x 20 cm.
Photograph mounted and matted.
Physical Description1 folder32 x 22 cm.
Photograph mounted and matted.
Physical Description1 folder32 x 22 cm.
Photograph mounted and matted.
Physical Description1 folder22 x 32 cm.
Mounted on 29 x 37 cm. board.
Physical Description1 folder15 x 24 cm.
Mounted on 31 x 36 cm. board. Written on verso: "Thurlow Ames' best harvest, Bridger, Mont." Gift of Mrs. Louisa Jensen.
Physical Description1 folder21 x 26 cm.
Mounted on 27 x 33 cm. board.
Physical Description1 folder20 x 25 cm.
Printed on recto: "629." Preservation.
Physical Description1 folder27 x 21 cm.
Written on verso: "Tribe over 300 Mojave Indians, Arizona, 1871." Mounted on 29 x 37 cm. board.
Physical Description1 folder21 x 28 cm.
Two portraits mounted on 26 x 39 cm. board. Written on recto: "1015" and "Nanaanye, head chief of all the Pueblos, age 70, height 5.4 1/2." With portrait of "Wasotoyamin or Small Feathers of the Eagle, governor of pueblo of Taos." "New Mexico 1877"
Physical Description1 folder21 x 14 cm.
Printed on recto: "806." Mounted on 28 x 36 cm. card of the Dept. of Interior, U.S. Geological Survey of the Territories. Written on verso: "Commissioner Bogy reading treaty."
Physical Description1 folder16 x 22 cm.
Written on verso: "Jock Soto." Gift of the photographer.
Physical Description1 folder35 x 27 cm.
Printed on recto: "838." Written on recto: "Sioux delegation at White House." Mounted on 28 x 36 cm. card of the Dept. of Interior, U.S. Geological Survey of the Territories.
Physical Description1 folder16 x 22 cm.
Cataloger supplied title.
Physical Description1 folder36 x 28 cm.
Each photograph measures 13 x 10 cm. and is mounted on a 35 x 27 cm. decorative board.
Jackson, William Henry (1843-1942)American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.
Physical Description1 folder35 x 27 cm.
Written on verso: "Maya school children pose for their portrait in front of a church damaged during the Caste War, Tihosuco, Quintana Roo, 1971."
Physical Description1 folder36 x 28 cm.
Written on verso: "Don Chucho reading the paper at lunch, paper delivered from Merida by the twiceaday bus, Ruinas de Ake, Yucatan, 1976."
Physical Description1 folder28 x 36 cm.
Cataloger supplied title.
Physical Description1 folder24 x 35 cm.
Written on verso: "Navajo woman & son, Dinnehotso, Arizona, weaving rug."
Physical Description1 folder35 x 24 cm.
Copyright 1981. Cataloger supplied title.
Physical Description1 folder35 x 24 cm.
Printed 1981.
Physical Description1 folder36 x 28 cm.
Copyright 1987.
Physical Description1 folder36 x 28 cm.
Photographs of Eskimos ; 3
Series consists of black and white photographs of the Inuit (Eskimos) of Northern Canada and the Arctic, which were among photographs used in her book Inuit, the north in transition (1982).
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 28 cm.
Written on verso: "Jim Snider grandfather, 2nd from left, back row : family gettogether, Missouri." Mounted on board.
Physical Description1 folder19 x 24 cm.
Cataloger supplied title. Mounted and matted.
Physical Description1 folder21 x 21 cm.
Cataloger supplied title. In color.
Physical Description1 folder28 x 36 cm.
Cataloger supplied title.
Physical Description1 folder17 x 25 cm.
Cataloger supplied title.
Physical Description1 folder16 x 24 cm.
Cataloger supplied title. In color.
Physical Description1 folder36 x 28 cm.
Cataloger supplied title. Printed on recto: "Santa Clara Indians." Mounted on board. Stamp of H.W. Wyman on verso.
Physical Description1 folder17 x 21 cm.
Printed on recto: "707." Preservation.
Physical Description1 folder21 x 28 cm.
Cataloger supplied title.
Physical Description1 folder19 x 25 cm.
Cataloger supplied title. Color tinted.
Physical Description1 folder35 x 28 cm.
Copyright 1899. Mounted on board.
Physical Description1 folder22 x 18 cm.
Portrait painting by J. Koch altered with photographic image of Arlee's face. Mounted on board.
Physical Description1 folder31 x 18 cm.
Cataloger supplied title.
Physical Description1 folder19 x 25 cm.
Cataloger supplied title. Color tinted.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Color tinted.
Physical Description1 folder31 x 26 cm.
Printed on label: "American sculpture, Borglum, Solon H. (18681922), Monument to 'Bucky' O'Neil, c. 1907, bronze, above lifesize, Prescott, Arizona." Mounted on board.
Physical Description1 folder17 x 23 cm.
Printed on recto: "B 1960." Mounted on board.
Physical Description1 folder13 x 21 cm.
Printed on recto: "B 1407." Mounted on board.
Physical Description1 folder13 x 21 cm.
Printed on recto: "302." Mounted on 28 x 36 cm. card of the Dept. of Interior, U.S. Geological Survey of the Territories.
Jackson, William Henry (1843-1942)American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.
Physical Description1 folder12 x 20 cm.
Printed on recto: "563." Mounted on board.
Physical Description1 folder19 x 24 cm.
Cataloger supplied title. Mounted on board.
Physical Description1 folder19 x 24 cm.
Written on verso: "Mazii Dineltsoi, March 26, 1988."
Physical Description1 folder36 x 28 cm.
Cataloger supplied title. Mounted on board.
Physical Description1 folder18 x 25 cm.
Written on verso: "Bick Juna, Zuni man." Copyright 1903.
Physical Description1 folder19 x 16 cm.
Title supplied from catalog the Photograph and the American Indian.
Physical Description1 folder28 x 36 cm.
Cataloger supplied title. Printed 1981.
Physical Description1 folder36 x 28 cm.
Written on verso: "St. Mary's Boarding School for Indian Children on the Rosebud Reserve, D.T." and "E.P. Smiley [?]." Photograph features staff of school.
Physical Description1 folder20 x 24 cm.
Title supplied by catalog the Photograph and the American Indian. Possibly printed by Alex Harris from the original negative.
Physical Description1 folder36 x 28 cm.
Printed on recto: "282." Cataloger supplied title.
Physical Description1 folder11 x 19 cm.
Printed on recto: "328." Cataloger supplied title.
Physical Description1 folder11 x 18 cm.
Printed on recto: "441." Cataloger supplied title.
Physical Description1 folder19 x 12 cm.
Printed on recto: "320." Cataloger supplied title.
Physical Description1 folder12 x 19 cm.
Printed on recto: "226." Cataloger supplied title.
Physical Description1 folder19 x 11 cm.
Mounted on 36 x 28 cm. card of the Dept. of Interior, U.S. Geological Survey of the Territories. A typed label was apparently attached to print read: "A Pueblo girl of Taos...hair gathered over ears signifying her single state."
Jackson, William Henry (1843-1942)American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.
Physical Description1 folder19 x 13 cm.
Written on verso: "Jock Soto."
Physical Description1 folder36 x 28 cm.
Pow wow dance series ; no. 3
Title supplied from catalog the Photograph of the American Indian.
Physical Description1 folder36 x 28 cm.
Printed by Phil Bourns from the original negative.
Physical Description1 folder28 x 36 cm.
Cataloger supplied title.
Physical Description1 folder25 x 33 cm.
Photograph in decorative mat with Barry's ticket on verso. Written on folding mat: "Sitting Bull's camp, Standing Rock." Printed ca. 1890.
Physical Description1 folder17 x 22 cm.
Cataloger supplied title. Camera equipment in middle distance.
Physical Description1 folder25 x 33 cm.
Cataloger supplied title. Mounted on board. Attributed to "Hall" by dealer.
Physical Description1 folder19 x 24 cm.
Cataloger supplied title. From the collection of Charles Lummis; possibly by Lummis.
Physical Description1 folder21 x 13 cm.
Cataloger supplied title. From the collection of Charles Lummis; possibly by Lummis.
Physical Description1 folder21 x 13 cm.
Cataloger supplied title. From the collection of Charles Lummis; possibly by Lummis.
Physical Description1 folder13 x 21 cm.
Mounted on 36 x 28 cm. card of the Dept. of Interior, U.S. Geological Survey of the Territories. Written on verso: "616. Indian woman from the Pueblo of Taos."
Jackson, William Henry (1843-1942)American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.
Physical Description1 folder19 x 14 cm.
Cataloger supplied title.
Physical Description1 folder19 x 24 cm.
Cataloger supplied title.
Physical Description1 folder24 x 19 cm.
Figure in photograph possibly the artist. Mounted on board.
Physical Description1 folder25 x 29 cm.
Mounted on board.
Physical Description1 folder24 x 28 cm.
Mounted on board.
Physical Description1 folder24 x 30 cm.
Mounted on board.
Physical Description1 folder24 x 30 cm.
Mounted on board.
Physical Description1 folder25 x 28 cm.
Mounted on board. Copyright 1884.
Physical Description1 folder24 x 30 cm.
Cataloger supplied title.
Physical Description1 folder46 x 30 cm.
1 folder
Written on verso: "Mrs. Baldwin." Cataloger supplied title. Handtinted.
Physical Description1 folder13 x 41 cm.
Three ethnographic photographs measuring 15 x 11 cm. mounted on 31 x 41 cm. board. Written on recto: "Types d'indiennes de Mizco pres Guatemala."
Physical Description1 folder31 x 41 cm.
Three ethnographic photographs measuring 15 x 11 cm. mounted on 31 x 41 cm. board. Caption written below each photograph: "Indiens de Sanajachel," "Indiens de Zuni," and "Indiennes de Momostengo." Likely taken in Guatemala.
Physical Description1 folder31 x 41 cm.
Three ethnographic photographs measuring 15 x 11 cm. mounted on 31 x 41 cm. board. Caption written below two of the photographs: "Indiens de Quezaltenango" and "Indiens de Retalulve [?]." Likely taken in Guatemala.
Physical Description1 folder31 x 41 cm.
Two ethnographic photographs measuring 15 x 11 cm. mounted on 31 x 41 cm. board. Caption written below the two photographs: "Types d'indiens." Likely taken in Guatemala.
Physical Description1 folder31 x 41 cm.
Mounted on 31 x 41 cm. board. Caption written below photograph: "Municipalitee indienne de Latzun (Guatemala)."
Physical Description1 folder15 x 20 cm.
Cataloger supplied title. Back row left to right: TahHetchet (Hand Shot Off), Peter Ronan (U.S. Indian agent), Tcinkusui ChinCoosWe (The Man Who Walks Alone). Center row: GallupSquallShee (Crane with Ring Around His Neck), SlemHihKay, chief (Little Claw of Grizzly Bear). Bottom: SwamAchHam, a warrior (Red Arm).
Physical Description1 folder41 x 33 cm.
Cataloger supplied title.
Physical Description1 folder28 x 36 cm.
Cataloger supplied title. Enlargement of a vintage photograph.
Physical Description1 folder41 x 51 cm.
1 folder31 x 51 cm.
Printed on recto: "160."
Physical Description1 folder31 x 51 cm.
Masks and metaphors ; no. 2
Masks and metaphors, no. 2 consists of two photographs. A Hopi runner is photographed as though he seen through the two openings of a kachina mask. This photograph should appear on the left. (The second photograph of this set is lacking.)
Physical Description1 folder27 x 35 cm.
Cataloger supplied title. In photographer's decorative folder.
Physical Description1 folder42 x 29 cm.
Written on verso: "Indian miners, Farmington, N.M. Navajo mine." Mounted on board.
Gaede, MarcMarc Gaede (1946- ) is an American photographer, environmental activist, and teacher. Born in Tuscon, Arizona, Gaede grew up in Flagstaff, where he immersed himself in the study of field geology, archaeology, and physical anthropology. After returning in 1968 from military service as a U.S. Marine Corps photographer, Gaede became involved in environmental activism. In 1970, he co-founded the early direct action environmental group Black Mesa Defense Fund. In collaboration with members of the American Indian Movement and Edward Abbey (1927-1989), the group organized a direct action campaign against strip mining on shared Navajo and Hopi land on Black Mesa in April 1971. The group's actions inspired Abbey's 1975 novel The Monkey Wrench Gang, along with the next generation of radical environmental advocacy groups, such as Earth First!, who practiced a form of ecological sabotage against environmentally damaging companies and individuals that came to be known as "monkeywrenching." Gaede received his Bachelor of Science degree in anthropology from Northern Arizona University in 1972, and he worked at the at the Museum of Northern Arizona from 1968 to 1977, first as a staff photographer and later as curator of photography. For five months in 1977, he worked for photographer Ansel Adams as a temporary darkroom assistant in Adams's darkroom and studio in Carmel, California. Later he was the Photographer-in-Residence at the University of Arizona's Center for Creative Photography in 1978-1979.
In 1973, Marc Gaede married Marnie Walker Gaede, a writer, editor, publisher, and environmentalist who collaborated with him to edit and publish photography books centering on indigenous cultures and landscapes of the American West and Southwest, many under their own publishing imprint Chaco Press. The Gaedes moved to the Los Angeles area in 1982, where they worked in the television and film industry, including as script analysts for the Walt Disney Company. Gaede received a Master of Fine Arts in photography from the Art Center College of Design in Pasadena in 1988, where he has since worked as an instructor in subjects including photography, environmental issues, and physical anthropology. Since 1989, the Gaedes have also been actively involved with the Sea Shepherd Conservation Society. Marc Gaede joined Sea Shepherd on a 1989 dolphin campaign in Costa Rica as a photographer for Outside magazine and has since photographed numerous high seas campaigns. From 1990 to 1993, the Gaedes worked closely with Robert Sundance, a Lakota Sioux activist from the Standing Rock Indian Reservation, to collaboratively write Sundance's biography.
Physical Description1 folder19 x 24 cm.
Written on verso: "After school drink, Holbrook, AZ, 1980." Mounted on board.
Gaede, MarcMarc Gaede (1946- ) is an American photographer, environmental activist, and teacher. Born in Tuscon, Arizona, Gaede grew up in Flagstaff, where he immersed himself in the study of field geology, archaeology, and physical anthropology. After returning in 1968 from military service as a U.S. Marine Corps photographer, Gaede became involved in environmental activism. In 1970, he co-founded the early direct action environmental group Black Mesa Defense Fund. In collaboration with members of the American Indian Movement and Edward Abbey (1927-1989), the group organized a direct action campaign against strip mining on shared Navajo and Hopi land on Black Mesa in April 1971. The group's actions inspired Abbey's 1975 novel The Monkey Wrench Gang, along with the next generation of radical environmental advocacy groups, such as Earth First!, who practiced a form of ecological sabotage against environmentally damaging companies and individuals that came to be known as "monkeywrenching." Gaede received his Bachelor of Science degree in anthropology from Northern Arizona University in 1972, and he worked at the at the Museum of Northern Arizona from 1968 to 1977, first as a staff photographer and later as curator of photography. For five months in 1977, he worked for photographer Ansel Adams as a temporary darkroom assistant in Adams's darkroom and studio in Carmel, California. Later he was the Photographer-in-Residence at the University of Arizona's Center for Creative Photography in 1978-1979.
In 1973, Marc Gaede married Marnie Walker Gaede, a writer, editor, publisher, and environmentalist who collaborated with him to edit and publish photography books centering on indigenous cultures and landscapes of the American West and Southwest, many under their own publishing imprint Chaco Press. The Gaedes moved to the Los Angeles area in 1982, where they worked in the television and film industry, including as script analysts for the Walt Disney Company. Gaede received a Master of Fine Arts in photography from the Art Center College of Design in Pasadena in 1988, where he has since worked as an instructor in subjects including photography, environmental issues, and physical anthropology. Since 1989, the Gaedes have also been actively involved with the Sea Shepherd Conservation Society. Marc Gaede joined Sea Shepherd on a 1989 dolphin campaign in Costa Rica as a photographer for Outside magazine and has since photographed numerous high seas campaigns. From 1990 to 1993, the Gaedes worked closely with Robert Sundance, a Lakota Sioux activist from the Standing Rock Indian Reservation, to collaboratively write Sundance's biography.
Physical Description1 folder16 x 23 cm.
Cataloger supplied title. In color.
Physical Description1 folder42 x 28 cm.
Cataloger supplied title. In color.
Physical Description1 folder28 x 42 cm.
Cataloger supplied title. In color.
Physical Description1 folder28 x 42 cm.
Cataloger supplied title. In color. Playwrites are listed from left to right.
Physical Description1 folder42 x 28 cm.
Cataloger supplied title. In color. A note formerly attached to photograph read: "Teatro Ambulante, kids in school with Indian teacher, bilingual education, Spanish & Tzotzil." Likely taken in Mexico.
Physical Description1 folder28 x 42 cm.
Cataloger supplied title. In color.
Physical Description1 folder28 x 42 cm.
Cataloger supplied title. In color. A note formerly attached to photograph read: "Chiapas literary project17 yr. old Jose Perez Hernandez teaching Tzotzil to villagers/townspeople Zinacantan/private home of Sna Jtz'ibajom writer."
Physical Description1 folder28 x 42 cm.
Cataloger supplied title. In color. A note formerly attached to photograph read: "Sna Jtz'ibajom group script meeting, 3/4/ of the circle, at headquarters."
Physical Description1 folder28 x 42 cm.
Mounted on board.
Physical Description1 folder26 x 33 cm.
Color print. Cataloger supplied title.
Physical Description1 folder41 x 51 cm.
Cataloger supplied title.
Physical Description1 folder42 x 26 cm.
Cataloger supplied title. Hand tinted.
Physical Description1 folder51 x 36 cm.
Cataloger supplied title. Copyright 1908.
Physical Description1 folder36 x 44 cm.
Cataloger supplied title. Written on verso: "Quezaltenango bet. 19021914." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder28 x 36 cm.
Cataloger supplied title. Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder28 x 36 cm.
Cataloger supplied title. Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder28 x 36 cm.
Cataloger supplied title. Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder28 x 36 cm.
Title from catalog The photograph and the Native American.
Physical Description1 folder51 x 41 cm.
Cataloger supplied title.
Physical Description1 folder46 x 27 cm.
Printed on recto: "No. 2." Mounted on 40 x 50 cm. War Department board.
Physical Description1 folder21 x 28 cm.
Printed by Phil Bourns from the original negative at the Science Museum of Minnesota.
Physical Description1 folder51 x 41 cm.
1 folder51 x 41 cm.
Cataloger supplied title. Mounted on board.
Physical Description1 folder24 x 13 cm.
Cataloger supplied title. Written on verso: "F1" and "1."
Physical Description1 folder28 x 36 cm.
Cataloger supplied title. Written on verso: "F2" and "#4."
Physical Description1 folder28 x 36 cm.
Cataloger supplied title. Written on verso: "H1" and "1."
Physical Description1 folder28 x 36 cm.
Cataloger supplied title. Written on verso: "H2" and "2."
Physical Description1 folder28 x 36 cm.
Cataloger supplied title. Written on verso: "I." Copyright 1978.
Physical Description1 folder28 x 36 cm.
Cataloger supplied title. Written on verso: "I2" and "2."
Physical Description1 folder28 x 36 cm.
Cataloger supplied title. Written on verso: "I2."
Physical Description1 folder36 x 28 cm.
Cataloger supplied title. Written on verso: "K2" and "2."
Physical Description1 folder28 x 36 cm.
Cataloger supplied title. Written on verso: "L2" and "2."
Physical Description1 folder28 x 36 cm.
Cataloger supplied title. Written on verso: "M" and "#4."
Physical Description1 folder36 x 28 cm.
Cataloger supplied title. Written on verso: "M2" and "2."
Physical Description1 folder28 x 36 cm.
Cataloger supplied title. Written on verso: "P."
Physical Description1 folder28 x 36 cm.
Cataloger supplied title.
Physical Description1 folder36 x 28 cm.
Possibly printed by Phil Bourns from the original negative.
Physical Description1 folder41 x 51 cm.
Cataloger supplied title.
Physical Description1 folder50 x 41 cm.
Mounted and matted.
Physical Description1 folder35 x 20 cm.
Printed from original negative in the Western History Department of Denver Public Library by Paul Harbaugh.
Physical Description1 folder20 x 25 cm.
1 folder38 x 36 cm.
Cataloger supplied title. Copyright 1983. In color.
Physical Description1 folder31 x 28 cm.
Cataloger supplied title.
Physical Description1 folder26 x 17 cm.
Cataloger supplied title.
Physical Description1 folder20 x 26 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
1 folder40 x 31 cm.
Hand colored.
Physical Description1 folder36 x 28 cm.
Mounted and matted. Written on verso: "3." Title provided by photographer.
Hall, Douglas Kent.Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.
In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.
Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.
In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.
Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.
Physical Description1 folder33 x 24 cm.
Title provided by photographer. Written on verso: "5."
Hall, Douglas Kent.Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.
In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.
Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.
In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.
Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.
Physical Description1 folder18 x 32 cm.
Title supplied by photographer. Mounted and matted. Written on verso: "8."
Hall, Douglas Kent.Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.
In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.
Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.
In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.
Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.
Physical Description1 folder20 x 30 cm.
Title supplied by photographer. Mounted and matted. Written on verso: "9."
Hall, Douglas Kent.Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.
In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.
Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.
In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.
Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.
Physical Description1 folder19 x 29 cm.
Title supplied by photographer. Mounted and matted. Written on verso: "15."
Hall, Douglas Kent.Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.
In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.
Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.
In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.
Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.
Physical Description1 folder23 x 32 cm.
Title supplied by photographer. Mounted and matted. Written on verso: "16."
Hall, Douglas Kent.Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.
In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.
Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.
In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.
Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.
Physical Description1 folder23 x 33 cm.
Title supplied by photographer. Mounted and matted. Written on verso: "17."
Hall, Douglas Kent.Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.
In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.
Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.
In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.
Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.
Physical Description1 folder22 x 32 cm.
Title supplied by photographer. Mounted and matted. Written on verso: "23."
Hall, Douglas Kent.Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.
In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.
Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.
In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.
Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.
Physical Description1 folder21 x 32 cm.
Title supplied by photographer. Mounted and matted. Written on verso: "24."
Hall, Douglas Kent.Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.
In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.
Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.
In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.
Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.
Physical Description1 folder31 x 26 cm.
Title supplied by photographer. Mounted and matted. Written on verso: "31."
Hall, Douglas Kent.Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.
In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.
Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.
In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.
Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.
Physical Description1 folder33 x 25 cm.
Title supplied by photographer. Mounted and matted. Written on verso: "36."
Hall, Douglas Kent.Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.
In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.
Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.
In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.
Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.
Physical Description1 folder21 x 23 cm.
Title supplied by photographer. Mounted and matted. Written on verso: "37."
Hall, Douglas Kent.Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.
In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.
Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.
In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.
Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.
Physical Description1 folder33 x 25 cm.
Title supplied by photographer. Mounted and matted. Written on verso: "38."
Hall, Douglas Kent.Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.
In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.
Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.
In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.
Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.
Physical Description1 folder21 x 30 cm.
Title supplied by photographer. Mounted and matted. Written on verso: "39."
Hall, Douglas Kent.Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.
In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.
Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.
In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.
Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.
Physical Description1 folder21 x 30 cm.
Title supplied by photographer.
Hall, Douglas Kent.Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.
In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.
Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.
In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.
Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.
Physical Description1 folder52 x 41 cm.
Title supplied by photographer.
Hall, Douglas Kent.Douglas Kent Hall was born on December 12, 1938, in Vernal, Utah, a rural community approximately two hundred miles from Salt Lake City. Hall spent his youth in Utah on a family farm where he developed a deep interest in the world of cowboys and rodeo from a very young age. He began writing while in high school and went on to study Creative Writing at a number of institutions before earning his BA in English at Brigham Young University in 1960. Hall then received his MFA from the Writer's Workshop at the University of Iowa in 1964, and began teaching.
In 1965, Hall began experimenting with photography and he studied technique for the next two years. Some of Hall's earliest work is the result of his photographing his poet and writer friends while teaching at the University of Portland from 1964-1967. Freelance photography soon proved lucrative and in 1967 he began photographing for promotional and advertising companies and contributing text to magazines. That same year, Hall left academia and began a tour of Europe, later residing in London. He returned to the United States in 1969 and settled in New York City in 1971, where he had his first photography exhibition at the Whitney Museum of American Art in 1974.
Hall's continuing interest in creative writing defined most of his early career and he published four novels and six photography books in the 1970s. Not limited to books, Hall also wrote an Academy Award-winning documentary about rodeo (his longtime interest) and a number of other unproduced screenplays. His novels from this time were often autobiographical and centered around his rural Mormon-influenced childhood, while the photography books explored subcultures to which Hall found himself drawn or incidentally introduced as an adult, such as rock and roll, bodybuilding, and prison life.
In 1977, Hall relocated from New York City to New Mexico, a move that would influence the next thirty years of his work. His subsequent proximity to the American southwest and border region, with its local environs and people, resulted in at least ten major publications and projects from the 1980s through the 2000s. As many if not more unpublished photography projects were also developed in this time, often based on travel to Russia, Japan, England, Brazil, and Australia.
Hall continued to photograph, travel, write, and exhibit up until his death. Douglas Kent Hall died on March 30, 2008. He was survived by his wife Dawn and son Devon.
Physical Description1 folder48 x 41 cm.
Title supplied by catalog The photograph and the American Indian.
Physical Description1 folder27 x 35 cm.
In color.
Physical Description1 folder34 x 50 cm.
Mounted on board.
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder26 x 35 cm.
Mounted on board.
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board.
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder31 x 28 cm.
Mounted on board.
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 26 cm.
Mounted on board.
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder33 x 28 cm.
Mounted on board.
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 34 cm.
Mounted on board.
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 27 cm.
Mounted on board.
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder31 x 28 cm.
Mounted on board.
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder34 x 28 cm.
Mounted on board.
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 28 cm.
Mounted on board.
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder33 x 28 cm.
Mounted on board.
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder30 x 28 cm.
Mounted on board.
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder33 x 28 cm.
Mounted on board.
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board.
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder33 x 28 cm.
Mounted on board.
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder27 x 30 cm.
Mounted on board.
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 30 cm.
Mounted on board. Written on verso: "Francisco Augustine McCartys? near Acoma, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder33 x 28 cm.
Mounted on board. Written on verso: "Mrs. Jesse Biakeddy from Tuba City at Dinebitto Trading Post, mother is Ruby, Baby is Colleen, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Wesley Chillie (Navajo), Dinnebito Trading Post, Oraibi, Arizona."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Mary Hystia at Acoma, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder30 x 28 cm.
Mounted on board. Written on verso: "Mary Hystia at Acoma, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder33 x 28 cm.
Mounted on board. Written on verso: "Santa Clara, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 36 cm.
Mounted on board. Written on verso: "Mrs. Marie Chino, potter, Acoma, N.M., 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder29 x 28 cm.
Mounted on board. Written on verso: "Mrs. Marie Chino of Acoma at Santa Fe market."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Picuris Pueblo, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder26 x 28 cm.
Mounted on board. Written on verso: "Geneva Honani in Piki House in Shungopavi, Second Mesa."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Faye Arachoya at her old hourse in the plaza at Hano, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder27 x 27 cm.
Mounted on board. Written on verso: "Acoma, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 35 cm.
Mounted on board. Written on verso: "Jesus Romero, Picuris Pueblo, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 27 cm.
Mounted on board. Written on verso: "Taos man at Picuris, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 24 cm.
Mounted on board. Written on verso: "Mrs. Grace A. Begaye weaving at her summer home, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder34 x 28 cm.
Mounted on board. Written on verso: "Abram Jose Routzen, Acoma."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Navajo boy, Monument Valley, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Hanging corn, Mrs. Vivian Shula, Hano, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Grace A. Begaye (Navajo) near Sanostee Trading Post, New Mexico."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Mrs. Victor Masayesva shelling corn near Second Mesa."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder34 x 28 cm.
Mounted on board. Written on verso: "Marie Chino, Lucy Lewis at Acoma."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 28 cm.
Mounted on board. Written on verso: "Mrs. Victor Masayesva blessing the corn before planting at the ranch near Second Mesa, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Saya (Alfonso Ortiz' grandmother) from San Juan Pueblo at Picuris for dances, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 28 cm.
Mounted on board. Written on verso: "Ethel, mother of Vivian Shula, grandmother of Nellie Kimale, Hano, 1969, died the same year."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 27 cm.
Mounted on board. Written on verso: "Mrs. Conception Howeya and ten grandchildren McCartys? near Acoma, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder33 x 28 cm.
Mounted on board. Written on verso: "Santa Fe market, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 35 cm.
Mounted on board. Written on verso: "Zuni, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 28 cm.
Mounted on board. Written on verso: "Man at Santa Fe market, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Acoma, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 35 cm.
Mounted on board. Written on verso: "Juanita Louis, Acoma, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 28 cm.
Mounted on board. Written on verso: "Mitchell and Virginia Poola, Polacca, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 24 cm.
Mounted on board. Written on verso: "Lucy Lewis in her house at McCartys, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 35 cm.
Mounted on board. Written on verso: "Acoma cemetery guardians, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 35 cm.
Mounted on board. Written on verso: "Corn dance, Santa Clara, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 28 cm.
Mounted on board. Written on verso: "Laguna Pueblo, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder25 x 35 cm.
Mounted on board. Written on verso: "Hano, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 35 cm.
Mounted on board. Written on verso: "Sheep herder behind First Mesa, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 35 cm.
Mounted on board. Written on verso: "Acoma, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 36 cm.
Mounted on board. Written on verso: "Erecting television antenae, Mitchell Poola house, Polacca, Arizona, 1970" and "Leo at antenae."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder29 x 28 cm.
Mounted on board. Written on verso: "Harlan Mahle with Vanessa Nevayaktewa, granddaughter of Emma Hyah, at Walpi, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 35 cm.
Mounted on board. Written on verso: "Isleta Elementary School (BIA school), 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 36 cm.
Mounted on board. Written on verso: "Chorus at Santa Clara, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 35 cm.
Mounted on board. Written on verso: "Geneva Honani emerging from Piki House, Shungopavi, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder26 x 33 cm.
Mounted on board. Written on verso: "Beth Sakeva and sisters, Hano, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 36 cm.
Mounted on board. Written on verso: "Monument Valley, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder24 x 35 cm.
Mounted on board. Written on verso: "Monument Valley, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 35 cm.
Mounted on board. Written on verso: "Cherokee girl, professional rider at Many Farms, New Mexico, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder27 x 28 cm.
Mounted on board. Written on verso: "Santa Fe market, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 28 cm.
Mounted on board. Written on verso: "Anne Lewis Hansen at McCartys near Acoma, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Lucy Lewis visiting Santana Sanchez, wife of Syme Sanchez, store owner of Acoma, at Acoma, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Navajo woman near Many Farms, mother of beautiful woman spinning in other photo, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Governor of Santa Clara, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Terraces on Third Mesa, Hotevilla, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder25 x 25 cm.
Mounted on board. Written on verso: "Acoma, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder27 x 35 cm.
Mounted on board. Written on verso: "At Santa Clara, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Billie Keeto Yazzie, sheep herder of Mrs. Robbins [sic] mother, Fort Defiance, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Roy Lunasee, Zuni Pueblo, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 28 cm.
Mounted on board. Written on verso: "Mrs. Thomas Banyacya, New Oraibi."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Harvest dance, Santa Clara Pueblo, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Baking bread on First Mesa, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 35 cm.
Mounted on board. Written on verso: "Tewa women baking bread at Hano, July 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 35 cm.
Mounted on board. Written on verso: "Hopi women pounding corn for wedding meal, First Mesa, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 35 cm.
Mounted on board. Written on verso: "Charlie Talawepi (Lightning), Moencopi, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 36 cm.
Mounted on board. Written on verso: "Old Oraibe, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder16 x 36 cm.
Mounted on board. Written on verso: "Buffalo dancer, Santa Clara, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder34 x 28 cm.
Mounted on board. Written on verso: "Chorus at Picuris, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Mrs. Emma Hyuh at Walpi, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Nestora Guttierez, age 93, Santa Clara, potter."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Syme Sanchez, store keeper, with grandchild, Acoma."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder34 x 27 cm.
Mounted on board. Written on verso: "Mrs. Geneva Honanie stacking piki in Piki House, Shungopavi, Second Mesa, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Picuris Pueblo, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 27 cm.
Mounted on board. Written on verso: "Walpi, First Mesa, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder24 x 35 cm.
Mounted on board. Written on verso: "Navajo woman, Monument Valley, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder34 x 28 cm.
Mounted on board. Written on verso: "Hopi woman from Sichomavi, First Mesa, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder24 x 19 cm.
Mounted on board. Written on verso: "Deer dancer, Picuris, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder24 x 19 cm.
Mounted on board. Written on verso: "Santa Fe Market, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder25 x 20 cm.
Mounted on board. Written on verso: "Molly Talas at market in Gallup, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder23 x 21 cm.
Mounted on board. Written on verso: "Rose Gonzalez of San Ildefonso in Santa Fe, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder25 x 20 cm.
Mounted on board. Written on verso: "Mollie Talas in piki house making blue corn meal for piki bread, Shungopavi, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder24 x 19 cm.
Mounted on board. Written on verso: "Granddaughter of the Poolas, Polacca, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder19 x 19 cm.
Mounted on board. Written on verso: "Rena, Hano, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder24 x 19 cm.
Mounted on board. Written on verso: "Acoma church, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder22 x 20 cm.
Mounted on board. Written on verso: "Eagle House, Walpi, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder20 x 26 cm.
Mounted on board. Written on verso: "Daughter of Ethel, Hano, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder18 x 13 cm.
Mounted on board. Written on verso: "Leo at the Poola's house, Polacca, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder26 x 20 cm.
Mounted on board. Written on verso: "Mollie Tala, Shungopavi, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder24 x 19 cm.
Mounted on board. Written on verso: "Jennie Many Beads (Navajo), near Dinebito."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder20 x 20 cm.
Mounted on board. Written on verso: "Hogan, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder19 x 24 cm.
Mounted on board. Written on verso: "Walpi from south west, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder20 x 25 cm.
Mounted on board. Written on verso: "Molly Talas with corn meal, Shungopavi, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder20 x 19 cm.
Mounted on board. Written on verso: "Chorus at Picuris, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder26 x 20 cm.
Mounted on board. Written on verso: "Picuris, entering kiwa with freshly drycleaned kilt, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder20 x 26 cm.
Mounted on board. Written on verso: "Jenny Many Beads hogan, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder20 x 23 cm.
Mounted on board. Written on verso: "Deer dance, Picuris, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder19 x 22 cm.
Mounted on board. Written on verso: "Sheep dip behind First, Mesa, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder24 x 19 cm.
Mounted on board. Written on verso: "Taos, repairing a home, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder19 x 22 cm.
Mounted on board. Written on verso: "Laguna, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder19 x 21 cm.
Mounted on board. Written on verso: "Rena's son, Hano, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder25 x 20 cm.
Mounted on board. Written on verso: "Hano, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder25 x 20 cm.
Mounted on board. Written on verso: "Mrs. Lope Chavez with her pots, Acoma, N.M., 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder31 x 28 cm.
Mounted on board. Written on verso: "Zuni children, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder30 x 28 cm.
Mounted on board. Written on verso: "Grandson of Faye Avachoya with gift from the [?] at Hano day of Home Dance."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder30 x 28 cm.
Mounted on board. Written on verso: "Church at Picuris?"
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder27 x 29 cm.
Mounted on board. Written on verso: "Mrs. Jennie Many Beads in hogan near Dinnebeto Trading Post."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder31 x 28 cm.
Mounted on board. Written on verso: "Santa Clara, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Francisco Augustine, McCartys near Acoma."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder32 x 28 cm.
Mounted on board. Written on verso: "Kivas at Taos, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 36 cm.
Mounted on board. Written on verso: "Apache woman near Dulce, New Mexico."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 26 cm.
Mounted on board. Written on verso: "'Beautiful woman spinning,' Navajo, chinle teacher at Rough Rock School, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Jesus Romero at Santa Clara, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Old man at Picuris, August 1969, day of dance."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 28 cm.
Mounted on board. Written on verso: "Man at Santa Clara dances, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder31 x 28 cm.
Mounted on board. Written on verso: "'Mrs. Apache' near Dulce, New Mexico, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "'Syme Sanchez at Acoma, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 30 cm.
Mounted on board. Written on verso: "Navajo woman, Monument Valley, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Santa Clara, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Apache man near Dulce, New Mexico, Jicarillo Apache Reservation."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 28 cm.
Mounted on board. Written on verso: "Conception Horveya and favorite grandson and rabbit, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder31 x 20 cm.
Mounted on board. Written on verso: "Santa Anna Pueblo, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder28 x 36 cm.
Mounted on board. Written on verso: "Navajo boy, Monument Valley, July 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 24 cm.
Mounted on board. Written on verso: "Apache man near Dulce, New Mexico, huband of "Mrs. Apache," 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder36 x 28 cm.
Mounted on board. Written on verso: "Peter Nuvamsa, Second Mesa, Shungopavi, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Monument Valley, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder34 x 28 cm.
Mounted on board. Written on verso: "Zuni, near the church plaza, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder27 x 31 cm.
Mounted on board. Written on verso: "Mrs. Masayesva's corn, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder27 x 27 cm.
Mounted on board. Written on verso: "Husband of Faye Avachoya, Hano, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder32 x 26 cm.
Mounted on board. Written on verso: "Mrs. Nestora Gutierrez, Santa Clara, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder32 x 26 cm.
Mounted on board. Written on verso: "Santa Fe Market, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder31 x 27 cm.
Mounted on board. Written on verso: "Husband of beautiful woman spinning (other photo), Navajo, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder29 x 28 cm.
Mounted on board. Written on verso: "Hano baby at Mrs. Nellie Kinale's house on First Mesa, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder35 x 28 cm.
Mounted on board. Written on verso: "Hogan near Chinle, Arizona, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder27 x 30 cm.
Mounted on board. Written on verso: "Daughter of 'Ethel,' Hano, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder26 x 20 cm.
Mounted on board. Written on verso: "Santa Fe Market, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder25 x 20 cm.
Mounted on board. Written on verso: "Navajo student at Rough Rock, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder24 x 19 cm.
Mounted on board. Written on verso: "Zella C. Cheedah, Sichomavi, First Mesa, 1970."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder24 x 19 cm.
Mounted on board. Written on verso: "Sanostee Trading Post, waiting for accomodations, 1969."
Steltzer, UlliBorn in Frankfurt, Germany, in 1923, Ulli Steltzer emigrated to the United States in 1953 with her two children. After teaching music and developing photographs in Massachusetts and New York, Steltzer moved to Princeton in 1957 to accept a job as a professional photographer for the Princeton Packet, whose Tulane Street studio she worked from for much of the next two decades. In addition to taking portraits of many prominent Princeton intellectuals and visitors from the late 1950s through the early 1970s, she also made frequent trips across the United States in her red Volkswagen to photograph and interview African American families in the South, as well as Hopi, Navajo, and Pueblo peoples in New Mexico and Arizona. In 1972, Steltzer relocated her studio to Vancouver, British Columbia, where she befriended several prominent Haida artists, including carvers Robert Davidson and Bill Reid, who would become her frequent collaborators. Steltzer documented the art, culture, and traditions of the Haida and other coastal tribes, as well as the Inuit, with whom she lived for several months. Traveling widely throughout the Americas and Asia during her long career, Steltzer also documented life in Southern California, Guatemala, Cuba, China, and India, with a recurrent focus on immigrant communities and native peoples. Her photographs have been exhibited widely in the United States, Canada, and Europe, and have appeared in at least a dozen photographic books and collaborations.
Physical Description1 folder27 x 31 cm.
Cataloger supplied title. Yolandra Gomez is a Jicarilla Apache and Rex Lee Jim a Navajo.
Physical Description1 folder19 x 18 cm.
Mounted on 49 x 40 cm. War Department card. Printed on recto: "No. 11."
Physical Description1 folder28 x 21 cm.
Mounted on 33 x 41 cm. card.
Physical Description1 folder25 x 29 cm.
Cataloger supplied title.
Physical Description1 folder51 x 31 cm.
Cataloger supplied title. Mounted on 28 x 36 board.
Physical Description1 folder25 x 33 cm.
Cataloger supplied title.
Physical Description1 folder35 x 48 cm.
Printed on recto: "No. 996." Signature on verso. Pasted on paper. Outdoor portrait of two Crow children sitting on muleback in front of a tipi. They wear traditional clothing, including roaches in their hair, beaded necklaces, and moccasins. Additional descriptive information from the National Museum of the American Indian.
Physical Description1 folder19 x 23.5 cm.
An Apache woman weaves a basket in front of a dwelling, surrounded by materials. Title handwritten on verso in pencil, along with "Lubken." Additional contextual information gleaned from a related print in the collection (L0460): "wife of one of the Apache laborers on the Salt River project."
Physical Description1 folder34.5 x 27 cm.
An Apache woman weaves a basket in front of a dwelling, surrounded by materials. "No. 789. Salt River project, Arizona. An industrious Apache backet maker, wife of one of the Apache laborers on the Salt River project. W.J. Lubken" typed on verso. Date gleaned from a related print in the collection (L0459). Crease across upper left corner of print.
Physical Description1 folder34.5 x 26 cm.
An Apache child bundled in a papoose. Title handwritten in pencil on verso. Tear and damage to print along the upper edge.
Physical Description1 folder27 x 34.5 cm.
The ruins of a single room within a larger cliffdwelling ruin; additional information gleaned from related print (L0463): one of 28 rooms in a Salado Indian ruin five miles south of the Roosevelt Dam. Title handwritten in pencil on verso. Damage along right and bottom edge of print.
Physical Description1 folder27 x 34.5 cm.
"Cliff dwellings 5 miles below Roosevelt Contains 28 rooms in all Apache Indians" handwritten on verso. Actually the home of the Salado culture. Roosevelt refers to the Roosevelt Dam. Related to print L0462.
Physical Description1 folder34.5 x 27 cm.
Two men in Westernstyle dress and three Native Americans explore a narrow canyon. Signature in white ink on lower right reads: "© Mode Minerman" or perhaps "Ninerman." Mounted on board. Title provided by cataloger. No other contextual information available.
Physical Description1 folder49.5 x 38 cm.
Aerial view of houses and streets in Wardner, Idaho. Title and date handwritten in pencil on recto, along with photographer's wetstamp imprint. No additional information determined. Related to L0466.
Physical Description1 folder18.5 x 11.5 cm.
Aerial view of houses and streets in Wardner, Idaho. Photographer's wetstamp imprint on recto. No additional information determined. Title and date information supplied by cataloger and based on context of related print L0465.
Physical Description1 folder24 x 20 cm.
Copyright 1898. Standing studio portrait of delegate Chief Zuya Hiyaya (Goes To War or Pretty Bird, ca. 1855ca. 1930) wearing a beaded hide shirt, kerchief, and bone breastplate. Member of Sicangu Lakota (Brulé Sioux). Handlettered inventory number "No. 764" in lowerright corner. Mounted on 36 x 28.5 cm. board. Title derived from handwritten information in print. Additional descriptive and cultural information from the National Museum of the American Indian.
Physical Description1 folder23 x 18.5 cm.
The 1886 (?) Census at Standing Rock Indian Reservation. Agent James McLaughlin is seated by the table on the left; Chief Gall is standing between the tables. Mounted on 25 x 30.5 cm. card. Corresponds to Denver Public Library's Negative No. B746. Other variant is B745. Photographer's imprint on mount recto, possibly printed circa 1890s. Manuscript notation "54" on mount verso.
Physical Description1 folder15.5 x 23.9 cm.
Photographer D.F. Barry stands with RainintheFace in a full length studio portrait. Photographer's blind stamp on mount recto with two additional ink stamps identifying the subjects. Autograph inscription on mount recto reads: "M. H. Jewell. With good wishes of D.F. Barry." M.H. Jewell compiled Jewell's First Annual Directory of the City of Bismarck (Bismarck, DT: MH Jewell, 1879) and worked for the Bismarck Tribune. Possibly printed in the 1910s; mounted on a 35 x 30 cm. mount. Negative number B159 at the Denver Public Library.
Physical Description1 folder24 x 19 cm.
A Native American plays the flute while another listens. Image appeared in Moon's Indians of the Southwest where the man playing is identified as Juan Concho.
Physical Description1 folder35.5 x 41.5 cm.
Date, title, photographer attribution and inventory number "789" in print.
Physical Description1 folder23.5 x 18 cm.
Albumen print boudoir cabinet card, titled in the negative: "No. 171—Geronimo and Natches mounted, Natches with hat on; son of Geronimo standing by his side"
Rare image of the two Apache chiefs and Géronimo's son while they were banded together to fight against forced relocation to the San Carlos Apache Indian Reservation in Arizona taken by C.S. Fly during the surrender negotiations before they were imprisoned at Fort Marion in St. Augustine, Florida. Fly's photographs were the only images taken at the event.
Photographer's copyright in the negative and with his stamp on verso
Physical Description1 folder13.3 x 21 cm
Missions in 1886 ; no. 713
Mounted on 21 x 13 cm. card.
Physical Description1 folder11 x 18 cm.
Missions in 1886 ; no. 706
Mounted on 21 x 13 cm. card.
Physical Description1 folder18 x 11 cm.
Missions in 1886 ; no. 716
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 18 cm.
Cataloger supplied title. Mounted on 20 x 15 cm. board.
Physical Description1 folder15 x 10 cm.
Cataloger supplied title. Mounted on 21 x 10 cm. card.
Physical Description1 folder19 x 10 cm.
Cataloger supplied title. Mounted on 17 x 11 cm. card.
Physical Description1 folder14 x 10 cm.
Cataloger supplied title. Mounted on 17 x 11 cm. card.
Physical Description1 folder15 x 10 cm.
Cataloger supplied title. Mounted on 17 x 11 cm. card.
Physical Description1 folder15 x 11 cm.
Cataloger supplied title. Mounted on 17 x 11 cm. card.
Physical Description1 folder15 x 10 cm.
Cataloger supplied title. Mounted on 17 x 11 cm. card.
Physical Description1 folder15 x 10 cm.
Cataloger supplied title. Mounted on 17 x 11 cm. card.
Physical Description1 folder15 x 10 cm.
Cataloger supplied title. Mounted on 17 x 11 cm. card.
Physical Description1 folder15 x 10 cm.
Cataloger supplied title. Mounted on 17 x 11 cm. card.
Physical Description1 folder14 x 10 cm.
Cataloger supplied title. Mounted on 17 x 11 cm. card.
Physical Description1 folder15 x 10 cm.
Cataloger supplied title. Mounted on 21 x 13 cm. card.
Physical Description1 folder14 x 10 cm.
Cataloger supplied title. Mounted on 21 x 11 cm. card.
Physical Description1 folder19 x 10 cm.
Mounted on 14 x 22 cm. card.
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder12 x 20 cm.
Cataloger supplied title. Copyright 1985.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Written on verso: "Angel De Cora Dietz."
Physical Description1 folder14 x 11 cm.
Cataloger supplied title. Written on verso: "Angel De Cora Dietz."
Physical Description1 folder16 x 10 cm.
Cataloger supplied title.
Physical Description1 folder16 x 10 cm.
Cataloger supplied title. Written on verso: "Annie Kowuni."
Physical Description1 folder14 x 11 cm.
Title supplied by catalog The photograph and the American Indian. Copyright 1985. Taken at the Second Mesa Day School during Indian Day.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Mounted on board, which is numbered 2. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder12 x 19 cm.
Cataloger supplied title. Mounted on board, which is numbered 3. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder20 x 16 cm.
Cataloger supplied title. Mounted on board, which is numbered 33. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder11 x 18 cm.
Cataloger supplied title. Mounted on board, which is numbered 34. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder12 x 18 cm.
Missions in 1886 ; no. 714
Mounted on 13 x 21 cm. card.
Physical Description1 folder18 x 11 cm.
Missions in 1886 ; no. 701
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 18 cm.
Missions in 1886 ; no. 710
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 18 cm.
Missions in 1886 ; no. 705
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 18 cm.
Mexican series
Written on verso: "Spanish dagger." Possibly taken in Texas. Mounted on 13 x 21 cm. "Missions in 1886" card.
Physical Description1 folder11 x 18 cm.
Mexican series
Written on verso: "Mexican series. Getting supper." Possibly taken in Texas. Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 18 cm.
Cataloger supplied title. Mounted on 17 x 11 cm. card.
Physical Description1 folder14 x 10 cm.
Cataloger supplied title. Mounted on 17 x 11 cm. card.
Physical Description1 folder14 x 10 cm.
Cataloger supplied title. Mounted on 17 x 11 cm. card.
Physical Description1 folder14 x 10 cm.
Cataloger supplied title. Mounted on 13 x 18 cm. board.
Physical Description1 folder10 x 15 cm.
Cataloger supplied title. Written on verso: "Picture has saguaro cactus. Must be Yaqui village in southern Arizona. Al Schroeder."
Physical Description1 folder13 x 18 cm.
Mounted on 18 x 12 cm. card. Printed on verso: "Mrs. A. Galbreaith."
Physical Description1 folder17 x 11 cm.
Printed on recto: "Hotel Rainer."
Physical Description1 folder11 x 18 cm.
Cataloger supplied title. Mounted on 19 x 12 cm. card.
Physical Description1 folder18 x 12 cm.
Written on verso: "Butterfly dance 1913."
Physical Description1 folder13 x 18 cm.
Written on verso: "Young Navajo girl 1912."
Physical Description1 folder18 x 13 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Cataloger supplied title. Written on verso: "found in eastern Washington." Mounted on 17 x 14 cm. card.
Physical Description1 folder11 x 10 cm.
Written on verso: "Indians in parade at Anandarko." Mounted on 14 x 19 cm. card.
Physical Description1 folder10 x 14 cm.
Written on verso: "Mary Cyotte, Sioux Indian." Mounted on 18 x 13 cm. card.
Physical Description1 folder15 x 10 cm.
Written on verso: "Frank Howling Wolf."
Physical Description1 folder24 x 19 cm.
Written on verso: "Taos Pueblo, ca. 1935."
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder19 x 11 cm.
Cataloger supplied title.
Physical Description1 folder12 x 20 cm.
Cataloger supplied title.
Physical Description1 folder12 x 20 cm.
Cataloger supplied title.
Physical Description1 folder20 x 12 cm.
Cataloger supplied title.
Physical Description1 folder20 x 12 cm.
Cataloger supplied title. Color photograph.
Physical Description1 folder13 x 18 cm.
Written on verso: "Lacandons, two men and a boy in the ruins of the central Maya temple at Bonampak, which remains their place of worship." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.
Physical Description1 folder21 x 26 cm.
Written on verso: "Lacondon hunter with kill of monkey." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.
Physical Description1 folder26 x 21 cm.
Written on verso: "Lacondon boatman travels Laguna lake ancient Maya style." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.
Physical Description1 folder20 x 25 cm.
Written on verso: "Villagra, National Museum of Mexico reproduction of ancient Mayan frescoes discovered by Giles G. Healey at Bonampak ruins, Chiapas, Mexico." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.
Physical Description1 folder20 x 25 cm.
Written on verso: "Lacandon mother and child." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.
Physical Description1 folder21 x 26 cm.
Written on verso: "At Bonampak, J. Eric S. Thompson, renowned Carnegie epigrapher enters ruins with Lacandon Indians." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.
Physical Description1 folder21 x 26 cm.
Written on verso: "Palenque, Chiapas." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.
Physical Description1 folder13 x 18 cm.
Written on verso: "Maya descendents still roof their homes with grass thatch." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.
Physical Description1 folder13 x 18 cm.
Written on verso: "Lacondon home." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.
Physical Description1 folder13 x 18 cm.
Written on verso: "Lacondon home." Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Photographs M0058M0075 of WC064 were taken by Giles Greville Healey in Chiapas, Mexico. They were collected by Charles M. Wilson of Putney, Vermont, for a publication.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Attributed to Marble by dealer.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Attributed to Marble by dealer.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Attributed to Marble by dealer.
Physical Description1 folder18 x 13 cm.
Written on verso: "Jim Crow, last blanket[?] Indian of his tribe." Attributed to Marble by dealer.
Physical Description1 folder18 x 13 cm.
Written on verso: "Ft. Thompson." Attributed to Marble by dealer.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title. Attributed to Marble by dealer; date and location provided by dealer.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title. Attributed to Marble by dealer.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title. Written on verso: "Navajo hogan 1920." Attributed to Marble by dealer; location supplied by dealer.
Physical Description1 folder13 x 18 cm.
Written on verso: "Mr. Henery Woods daughter and grandaughter [sic]." Attributed to Marble by dealer.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Attributed to Marble by dealer.
Physical Description1 folder21 x 26 cm.
Written on verso: "A Hopi weaving." Copyright 1901 held by James & Pierce. Stamp of photographers C.C. Pierce of Los Angeles, Calif., on verso. Pierce bought Wharton's negatives of Indians.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Written on mount: "Chinamen." Photograph mounted on 16 x 20 cm. paper.
Physical Description1 folder13 x 19 cm.
Cataloger supplied title.
Physical Description1 folder19 x 11 cm.
Cataloger supplied title. 1902 copyright held by C.C. Pierce.
Physical Description1 folder15 x 21 cm.
Written on verso: "Nahthama, his father, & daughter." Cataloger supplied title. Copyright 1902.
Physical Description1 folder16 x 21 cm.
1 folder21 x 16 cm.
Written on verso: "Havasupai gambling in Cataract Canyon, Ariz."
Physical Description1 folder16 x 20 cm.
Written on verso: "Palomas Apache."
Physical Description1 folder21 x 16 cm.
Cataloger supplied title.
Physical Description1 folder16 x 21 cm.
Written on verso: "Giut, an old Havasupai." Likely taken in Arizona.
Physical Description1 folder21 x 13 cm.
Cataloger supplied title. Written on verso: "Punh [?]." Likely taken in Arizona.
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Written on verso: "Chem." Likely taken in Arizona.
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Likely taken in Arizona.
Physical Description1 folder21 x 16 cm.
Written on verso: "Havaupai preparing buckskin."
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. 1901 copyright held by James & Pierce. Stamp of C.C. Pierce, Los Angeles, Calif., on verso. Likely taken in Arizona.
Physical Description1 folder15 x 20 cm.
Cataloger supplied title. Likely taken in Arizona.
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Written on verso: "Havasupai [?] drinking." Copyright 1899. Likely taken in Arizona.
Physical Description1 folder22 x 17 cm.
Cataloger supplied title. Likely taken in Arizona.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Written on verso: "Yuma." Likely taken in Arizona.
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Likely taken in Arizona.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Printed on recto: "Mitla."
Physical Description1 folder19 x 12 cm.
Written on verso: "Oraibi women building house." 1901 copyright held by James & Pierce. Likely taken in Arizona.
Physical Description1 folder16 x 21 cm.
Copyright 1897.
Physical Description1 folder21 x 15 cm.
Copyright 1898.
Physical Description1 folder21 x 16 cm.
Written on verso: "Walulhama & his brother, Havasupai." Likely taken in Arizona.
Physical Description1 folder13 x 21 cm.
Copyright 1899. Printed on recto: "659." Likely taken in Arizona.
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Written on verso: "Wallapai." Printed on recto: "3180." Likely taken in Arizona.
Physical Description1 folder21 x 16 cm.
1897 copyright held by E.E. Hall. Stamped on verso: "G. Wharton James Collection. Hopi."
Physical Description1 folder16 x 21 cm.
Stamped on verso: "G. Wharton James Collection. HopiArizona."
Physical Description1 folder13 x 20 cm.
Printed on recto: "1017." Stamped on verso: "G. Wharton James Collection. HopiArizona."
Physical Description1 folder20 x 24 cm.
Printed on recto: "447." Stamped on verso: "G. Wharton James Collection." Written on verso: "House of WeWa, Zuni."
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Two cyanotypes printed on one sheet, one with the printed title caption "The Indian Pueblo of Cochiti and vicinity." Likely by Lummis.
Physical Description1 folder13 x 21 cm.
Copyright 1891. Stamped on verso: "Charles F. Lummis Collection." Printed on recto: "1112."
Physical Description1 folder13 x 21 cm.
Copyright 1899. Printed on recto: "1406." Preservation.
Physical Description1 folder20 x 13 cm.
Copyright 1891. Printed on recto: "46." Preservation.
Physical Description1 folder19 x 13 cm.
Copyright 1890. Printed on recto: "593."
Physical Description1 folder13 x 21 cm.
Copyright 1891. Printed on recto: "1110."
Physical Description1 folder13 x 21 cm.
Copyright 1890. Printed on recto: "541."
Physical Description1 folder13 x 21 cm.
Printed on recto: "243."
Physical Description1 folder11 x 19 cm.
Written on verso: "A. BoydWhitesinger."
Physical Description1 folder25 x 18 cm.
Written on verso: "A. BoydWhitesinger." Written on verso: "Bullrider, Hight Ly[?] (Whites whiter)."
Physical Description1 folder19 x 26 cm.
Written on verso: "A. BoydWhitesinger."
Physical Description1 folder21 x 26 cm.
Printed on recto: "1301."
Physical Description1 folder16 x 21 cm.
Printed on recto: "2366."
Physical Description1 folder21 x 13 cm.
Cataloger supplied title.
Physical Description1 folder13 x 21 cm.
Cataloger supplied title.
Physical Description1 folder13 x 21 cm.
Written on verso: "Ouray, chief of the Utes."
Physical Description1 folder21 x 9 cm.
Cataloger supplied title. Written on verso: "Martin Herrera, 1900 Chochiti?."
Physical Description1 folder18 x 12 cm.
Cataloger supplied title. Written on verso: "Chochiti" and "1897."
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "Gran Quivira." One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.
Physical Description1 folder12 x 17 cm.
Written on verso: "Carved beam from Gran Quivira Church." One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.
Physical Description1 folder12 x 17 cm.
Written on verso: "Beam at Gran Quivira." One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "Gran Quivira." One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "Gran Quivira." One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "Gran Quivira." One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.
Physical Description1 folder13 x 18 cm.
One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. One of a group dated 1896 by a former owner. Formerly part of the Gladys Gilmour Collection of New Mexico.
Physical Description1 folder13 x 18 cm.
Written on verso: "Goldan on Cerrillos."
Physical Description1 folder13 x 18 cm.
Written on verso: "Cerrillos mines."
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "1896." Formerly part of the Gladys Gilmour Collection of New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "Domingo."
Physical Description1 folder13 x 18 cm.
Written on verso: "Cerrillos mines."
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "Aug. 4, 1900" and "Domingo."
Physical Description1 folder13 x 19 cm.
Cataloger supplied title.
Physical Description1 folder13 x 19 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "Martin Herrera."
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "Domingo."
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "Jemez?" and "1896." Formerly part of the Gladys Gilmour Collection of New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "1896." Formerly part of the Gladys Gilmour Collection of New Mexico.
Physical Description1 folder13 x 18 cm.
Written on verso: "Bridge on Rio Grande." Likely taken in New Mexico.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico. Photograph has been exposed twice.
Physical Description1 folder11 x 17 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken at the D&RGW at Parkdale, Colorado
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Mounted on 21 x 26 cm. board.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Likely taken in New Mexico. Part of photograph missing.
Physical Description1 folder13 x 15 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder10 x 17 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico. Photograph has been exposed twice.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Written on verso: "San Miguel church" and "1896." Formerly part of the Gladys Gilmour Collection of New Mexico.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title. Written on verso: "Jemez Mt. Aug. 1896." Formerly part of the Gladys Gilmour Collection of New Mexico.
Physical Description1 folder13 x 17 cm.
Cataloger supplied title. Written on verso: "Corpus Christi."
Physical Description1 folder12 x 17 cm.
Cataloger supplied title. Written on verso: "Campo los Tres Osos. Aug. 1896" and "Julius Ottman / Ethel Thorpe." Likely taken in New Mexico. Formerly part of the Gladys Gilmour Collection of New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "Sulphur Springs. 1896." Formerly part of the Gladys Gilmour Collection of New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "Miguelita." Likely taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "Cochiti 1896" Formerly part of the Gladys Gilmour Collection of New Mexico.
Physical Description1 folder13 x 18 cm.
Masks and metaphors ; no. 2
Masks and metaphors, no. 2 consists of two photographs. A Hopi runner is photographed as though he seen through the two openings of a kachina mask. This photograph should appear on the left.
Physical Description1 folder16 x 22 cm.
Masks and metaphors ; no. 2
Masks and metaphors, no. 2 consists of two photographs. A Hopi runner is photographed as though he seen through the two openings of a kachina mask. This photograph should appear on the right.
Physical Description1 folder16 x 22 cm.
Printed on recto: "No. 1772."
Physical Description1 folder19 x 24 cm.
Cataloger supplied title.
Physical Description1 folder26 x 20 cm.
Mounted on paper.
Physical Description1 folder19 x 25 cm.
1 folder23 x 28 cm.
Written on verso: "Leader of Mohi dancers at Tuba City, Ariz." Gift of Mrs. Hector Alliert, Feb. 8, 1945.
Physical Description1 folder22 x 16 cm.
1 folder21 x 30 cm.
Cataloger supplied title. Printed on recto: "1020."
Physical Description1 folder15 x 20 cm.
Written on verso: "Corpus Christi procession at Ignatius Mission, Flathead Indian Reservation." Two uncut photographs.
Physical Description1 folder20 x 25 cm.
Copyright 1900.
Physical Description1 folder20 x 24 cm.
Printed on recto: "583." Gift of William G. Mackenzie, Class of 1935.
Physical Description1 folder24 x 19 cm.
Cataloger supplied title. Mounted on 21 x 26 cm. board. Names of some group members noted on mount.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Written on verso: "Chem[?] camp."
Physical Description1 folder16 x 21 cm.
Cataloger supplied title.
Physical Description1 folder21 x 16 cm.
Written on verso: "A Navaho old woman." Printed on recto: "3230."
Physical Description1 folder21 x 16 cm.
Cataloger supplied title.
Physical Description1 folder21 x 17 cm.
Cataloger supplied title.
Physical Description1 folder21 x 17 cm.
Written on verso: "Oraibi women building house."
Physical Description1 folder16 x 21 cm.
Bookdealer's stamp of W.W. Osborne, Santa Barbara, Calif., on verso.
Physical Description1 folder20 x 13 cm.
Cataloger supplied title.
Physical Description1 folder21 x 15 cm.
1 folder21 x 15 cm.
Cataloger supplied title.
Physical Description1 folder22 x 17 cm.
Cataloger supplied title.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title.
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Photographer information supplied by dealer.
Physical Description1 folder13 x 21 cm.
Written on verso: "Maricopa pottery making sequence / pulverizing pot sherds for temper."
Physical Description1 folder13 x 18 cm.
Written on verso: "Zia. TsiYone (Flying), one of the best potters, winner of prize at Santa Fe, 19221923.1939."
Physical Description1 folder18 x 13 cm.
Written on verso: "Dance during celebration of St. Anthony in front of church, Usteta, Texas."
Physical Description1 folder21 x 26 cm.
Printed on recto: "458."
Physical Description1 folder11 x 18 cm.
1 folder22 x 16 cm.
Written on verso: "Paiute Indians at Kanosh."
Physical Description1 folder21 x 26 cm.
Written on verso: "Waffle gardens, Zuni Pueblo, New Mexico, 191015. Museum of New Mexico (Negative no. 8742)."
Physical Description1 folder21 x 26 cm.
Cataloger supplied title.
Physical Description1 folder22 x 17 cm.
Cataloger supplied title. Color photograph.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder12 x 19 cm.
Printed on recto: "98."
Physical Description1 folder13 x 21 cm.
Copyright 1891. Printed on recto: "1104."
Physical Description1 folder13 x 21 cm.
Copyright 1891. Printed on recto: "1112."
Physical Description1 folder13 x 21 cm.
Cataloger supplied title.
Physical Description1 folder13 x 21 cm.
Cataloger supplied title.
Physical Description1 folder21 x 13 cm.
Cataloger supplied title.
Physical Description1 folder13 x 21 cm.
Copyright 1891. Printed on recto: "1101."
Physical Description1 folder13 x 21 cm.
Copyright 1891. Printed on recto: "1113."
Physical Description1 folder13 x 21 cm.
Cataloger supplied title. Stamp of Fred Harvey, manager of Santa Fe Route News Service, Los Angeles, Calif.
Physical Description1 folder21 x 13 cm.
Printed on recto: "1445."
Physical Description1 folder16 x 20 cm.
Written on verso: "Oklahoma Indians, 1903."
Physical Description1 folder12 x 14 cm.
Written on verso: "Oklahoma Indians putting up teepee tent poles, 1903."
Physical Description1 folder13 x 18 cm.
Written on verso: "Ute Indian and his son named Herbert with Agent S.F. Stacher and his son Herbert, 1907."
Physical Description1 folder18 x 13 cm.
Written on verso: "Navajo Indians with their new supt. S.F. Stacher in front of his temporary office building at Crownpoint in 1910."
Physical Description1 folder13 x 18 cm.
Written on verso: "Ute Indians, 1906."
Physical Description1 folder13 x 18 cm.
Written on verso: "Ute Indian, 1906."
Physical Description1 folder18 x 13 cm.
Written on verso: "Oklahoma Indians, 1903."
Physical Description1 folder12 x 14 cm.
Written on verso: "Oklahoma Indians, 1903."
Physical Description1 folder14 x 12 cm.
Written on verso: "Chee Dodge, chief of the Navajos. His mother was Navajo; his father was a Mexican soldier."
Physical Description1 folder18 x 13 cm.
Written on verso: "Chapter house built by Navajos."
Physical Description1 folder13 x 18 cm.
Written on verso: "Navajo hunter looking for game."
Physical Description1 folder13 x 18 cm.
Written on verso: "Hunter still looking."
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "Hopi snake dance, Walpi."
Physical Description1 folder16 x 21 cm.
1897 copyright held by E.E. Hall.
Physical Description1 folder21 x 16 cm.
1897 copyright held by E.E. Hall.
Physical Description1 folder16 x 21 cm.
Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder24 x 18 cm.
Written on verso: "Shoshoni war chief's lodge."
Physical Description1 folder21 x 13 cm.
Written on verso: "Shoshoni village in South Pass."
Physical Description1 folder12 x 21 cm.
Written on verso: "Indians pitching camp on banks of the Laramie."
Physical Description1 folder13 x 21 cm.
Cataloger supplied title.
Physical Description1 folder11 x 15 cm.
Cataloger supplied title.
Physical Description1 folder12 x 18 cm.
Cataloger supplied title.
Physical Description1 folder18 x 12 cm.
Cataloger supplied title.
Physical Description1 folder11 x 15 cm.
Cataloger supplied title.
Physical Description1 folder11 x 15 cm.
Cataloger supplied title.
Physical Description1 folder18 x 12 cm.
Cataloger supplied title.
Physical Description1 folder18 x 12 cm.
Cataloger supplied title.
Physical Description1 folder18 x 12 cm.
Cataloger supplied title.
Physical Description1 folder18 x 12 cm.
Cataloger supplied title. Written on verso: "Cherokee."
Physical Description1 folder21 x 13 cm.
Cataloger supplied title.
Physical Description1 folder24 x 10 cm.
Printed on recto: "512."
Physical Description1 folder11 x 19 cm.
Color photograph.
Physical Description1 folder10 x 15 cm.
Mounted on 14 x 16 cm. board.
Physical Description1 folder11 x 13 cm.
Mounted on a 24 x 30 cm. card with photograph of Iglesia de la Santisima on verso. Possibly an illustration removed from a book.
Physical Description1 folder22 x 29 cm.
Mounted on a 24 x 30 cm. card with photograph of Celebracion de la independencia por los estudiantes on verso. Possibly an illustration removed from a book.
Physical Description1 folder27 x 21 cm.
Mounted on a 24 x 30 cm. card with photograph of Portal de Mercaderes on verso. Possibly an illustration removed from a book.
Physical Description1 folder22 x 29 cm.
Mounted on a 24 x 30 cm. card with photograph of Plaza de Armas on verso. Possibly an illustration removed from a book.
Physical Description1 folder19 x 25 cm.
Mounted on a 24 x 30 cm. card with photograph of Plaza de Santo Domingo on verso. Possibly an illustration removed from a book.
Physical Description1 folder19 x 25 cm.
Mounted on a 24 x 30 cm. card with photograph of Palacio Nactional on verso. Possibly an illustration removed from a book.
Physical Description1 folder19 x 25 cm.
Reproduction from the original that is housed in the Archives & Manuscripts Division of the Oklahoma Historical Society.
Physical Description1 folder18 x 13 cm.
Printed on recto: "186."
Physical Description1 folder19 x 24 cm.
Written on verso: "P.K. Rodeo, Sheridan, Wyoming, July 1939."
Physical Description1 folder10 x 28 cm.
Cataloger supplied title. Hand colored.
Physical Description1 folder20 x 21 cm.
Cataloger supplied title. Hand colored.
Physical Description1 folder20 x 25 cm.
Printed on recto: "B 1876."
Physical Description1 folder20 x 13 cm.
Printed on recto: "B 3445."
Physical Description1 folder13 x 20 cm.
Printed on recto: "B 3556."
Physical Description1 folder13 x 20 cm.
Printed on recto: "B 2808."
Physical Description1 folder13 x 20 cm.
Printed on recto: "B 4318."
Physical Description1 folder13 x 20 cm.
Cataloger supplied title.
Physical Description1 folder18 x 14 cm.
Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.
Physical Description1 folder13 x 18 cm.
Written on verso: "Delegation of Indians call at White House during Pres. Grant administration."
Physical Description1 folder16 x 20 cm.
Cataloger supplied title. Written on verso: "Ute man."
Physical Description1 folder22 x 17 cm.
Printed on label on verso: "Iroquois Indians, tercentenary pageant (1908), Quebec, Can."
Physical Description1 folder18 x 18 cm.
Cataloger supplied title.
Physical Description1 folder12 x 20 cm.
Cataloger supplied title. Explanatory label pasted on verso.
Physical Description1 folder26 x 21 cm.
Stamp of C.F. Lummis on verso. Stamp of Santa Fe Passenger Dept., Chicago, Ill., on verso.
Physical Description1 folder19 x 24 cm.
Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.
Physical Description1 folder13 x 18 cm.
Copyright 1888.
Physical Description1 folder13 x 20cm.
Written on verso: "Oraibi women building houses."
Physical Description1 folder17 x 21 cm.
Cataloger supplied title.
Physical Description1 folder13 x 21 cm.
Printed on recto: "No. 695." Orginal photograph in the collection of the Museum of New Mexico.
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder21 x 26 cm.
Orginal photograph in the collection of the Museum of New Mexico.
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder21 x 26 cm.
Orginal photograph in the Frederick Starr Collection of the Museum of the American Indian. Title supplied by label on verso.
Physical Description1 folder21 x 26 cm.
Orginal photograph in the Frederick Starr Collection of the Museum of the American Indian. Title supplied by label on verso.
Physical Description1 folder21 x 26 cm.
Orginal photograph in collections of the Museum of the American Indian. Title supplied by label on verso.
Physical Description1 folder21 x 26 cm.
Orginal photograph in the collection of the Museum of New Mexico.
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder26 x 21 cm.
1 folder16 x 21 cm.
Written on verso: "Casting snakes into the sacred circle bedore the 'kisi'" and "Oraibi, 1896." Copyright held by F.H. Maude.
Physical Description1 folder15 x 21 cm.
1 folder21 x 16 cm.
Copyright 1896.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Stamp of Santa Fe News Service, Los Angeles, Calif., on verso. Possibly taken by George Wharton James.
Physical Description1 folder21 x 13 cm.
Cataloger supplied title.
Physical Description1 folder28 x 18 cm.
Written on verso: "An apartment house that dats back to prehistoric times, Pueblo of Taos, 75 miles north of Santa Fe."
Physical Description1 folder18 x 28 cm.
Written on verso: "San Ildefonso Pueblo." Likely by Parkhurst.
Physical Description1 folder18 x 28 cm.
Cataloger supplied title.
Physical Description1 folder21 x 26 cm.
Written on verso: "Juanito Coloque ("YotaHe"), Jemez Pueblo."
Physical Description1 folder28 x 19 cm.
Written on verso: "[unknown] San Juan Pueblo."
Physical Description1 folder28 x 19 cm.
Written on verso: "A Mono family."
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. 1901 copyright held by James and Pierce.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Written on verso: "1916."
Physical Description1 folder15 x 25 cm.
Cataloger supplied title. Typed on verso: "Blackfeet Indian pow wow, St. Marys Lake, July 1916, photo by R.E. Marble, Glacier National Park, #1204."
Physical Description1 folder14 x 25 cm.
Cataloger supplied title. Written on verso: "1916."
Physical Description1 folder20 x 25 cm.
Cataloger supplied title. Written on verso: "1916."
Physical Description1 folder20 x 25 cm.
Cataloger supplied title. Written on verso: "1916."
Physical Description1 folder10 x 25 cm.
Cataloger supplied title. Label discussing the haircombing customs of the Navajos on verso.
Physical Description1 folder21 x 26 cm.
Written on verso: "Shoshone women doing bead work, Shoshone Agency, Fort Washakie, Wyoming." Stamped on verso: "Credit U.S. Indian Service."
Physical Description1 folder21 x 26 cm.
Copyright 1891.
Physical Description1 folder13 x 21 cm.
Cataloger supplied title.
Physical Description1 folder13 x 21 cm.
Native American series
Cataloger supplied title. Color photograph.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title.
Physical Description1 folder13 x 21 cm.
Copyright 1890.
Physical Description1 folder13 x 20 cm.
Cataloger supplied title. Written on verso: "Pueblo of Isleta, Indian belle."
Physical Description1 folder20 x 13 cm.
Cataloger supplied title.
Physical Description1 folder11 x 19 cm.
Written on verso: "730. Young Moki girl." Stamp of Santa Fe Passenger Dept., Chicago, Ill., on verso.
Physical Description1 folder21 x 13 cm.
Cataloger supplied title. Written on verso: "Santo Domingo, Harvest dance, Aug. 1905."
Physical Description1 folder16 x 24 cm.
Cataloger supplied title. Written on verso: "Brule Sioux."
Physical Description1 folder21 x 16 cm.
Cataloger supplied title.
Physical Description1 folder20 x 25 cm.
Written on verso: "'Omaha's grass dance,' i.d. from album page, exJack Nelson."
Physical Description1 folder12 x 17 cm.
Written on verso: "'Indian ambulance (travois),' i.d. from album page, exJack Nelson."
Physical Description1 folder12 x 17 cm.
Written on verso: "'Squaw does the work, husband does the 'rest.'''' i.d. from album page, exJack Nelson."
Physical Description1 folder17 x 12 cm.
Written on verso: "'Top of the moccasin and cut.''' i.d. from album page, exJack Nelson."
Physical Description1 folder12 x 17 cm.
Written on verso: "'Celebrating the fourth.''' i.d. from album page, exJack Nelson."
Physical Description1 folder12 x 17 cm.
Written on verso: "'"The Olla' Comacita, Laguna."
Physical Description1 folder18 x 13 cm.
Cataloger supplied title.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title. A news photograph with corresponding story pasted to verso.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. A news photograph with corresponding story pasted to verso.
Physical Description1 folder21 x 26 cm.
1 folder25 x 20 cm.
1 folder18 x 13 cm.
Written on verso: "'Medicine dance, Omahas,''' i.d. from album page, exJack Nelson."
Physical Description1 folder12 x 17 cm.
Written on verso: "'Omaha dance,''' i.d. from album page, exJack Nelson."
Physical Description1 folder12 x 17 cm.
Written on verso: "Harry A. Nasewytewa, Hopi Indian."
Physical Description1 folder17 x 12 cm.
Original housed in the Archives & Manuscripts Division of the Oklahoma Historical Society.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title. Original housed in the Archives & Manuscripts Division of the Oklahoma Historical Society.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title. Original housed in the Archives & Manuscripts Division of the Oklahoma Historical Society.
Physical Description1 folder18 x 13 cm.
Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 21 cm.
Written on verso: "Juan Jose gutierrez, Santa Clara, 1921 fiesta."
Physical Description1 folder18 x 13 cm.
Written on verso: "Teofolo Ortega, Tesuque Pueblo."
Physical Description1 folder18 x 13 cm.
Written on verso: "Carolina Trujillo Quintana, Pecos. (Recently died (1995 or 1996) circa 114 years old."
Physical Description1 folder18 x 13 cm.
Written on verso: "Navajo silversmith."
Physical Description1 folder26 x 21 cm.
Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Printed on recto: "395." Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "No. 242." Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 19 cm.
Written on verso: "Dad Trout with X working on building 7th and Davis St., Helena, Mont." Mounted on 13 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Vistas mexicanas
Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 19 cm.
Printed on recto: "161." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 21 cm.
Printed on recto: "163." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 21 cm.
Copyright 1888. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 19 cm.
Watkins' new bouboir series ; no. 4
Printed on recto: "D 80." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 21 cm.
Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Watkins' new bouboir series
Printed on recto: "D 75." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 21 cm.
Printed on recto: "48." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 21 cm.
Cataloger supplied title. Written on verso: "The Dalles." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 21 cm.
Yocum & Bradford's photographic views of the NorthWest ; 23
Physical Description1 folder14 x 22 cm.
Written on recto: "Fir tree, Washington."
Physical Description1 folder21 x 13 cm.
Pueblo of Isleta, A. & P. junction, N. Mex.
Cataloger supplied title. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Columbia River scenery
Stamped on recto: "Memaluse Island." Mounted on 14 x 22 cm. card.
Photograph depicts human skeletal remains.
Physical Description1 folder12 x 20 cm.
Pueblo of Isleta, A. & P. junction, N. Mex.
Cataloger supplied title. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 19 cm.
Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Printed on recto: "No. 256." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Watkins' new bouboir series : Yosemite and Pacific Coast
Printed on recto: "B 324."
Physical Description1 folder14 x 22 cm.
Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 21 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder13 x 21 cm.
Printed on recto: "B 1960." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Printed on recto: "B 1301." Mounted on 14 x 22 cm. card.
Physical Description1 folder13 x 21 cm.
Printed on recto: "B 25." Mounted on 22 x 14 cm. card.
Physical Description1 folder13 x 21 cm.
Printed on recto: "B 70." Mounted on 14 x 22 cm. card.
Physical Description1 folder13 x 21 cm.
Printed on recto: "B 199." Mounted on 14 x 22 cm. card.
Physical Description1 folder13 x 21 cm.
Printed on recto: "B 1856." Reproduction of a painting by Harry Alexander. Mounted on 14 x 22 cm. card.
Physical Description1 folder13 x 21 cm.
Printed on recto: "B 463." Mounted on 14 x 22 cm. card.
Physical Description1 folder13 x 20 cm.
Cataloger supplied title. Mounted on 14 x 22 cm. card.
Physical Description1 folder13 x 21 cm.
Printed on recto: "B 1151." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 21 cm.
Printed on recto: "B 517." Mounted on 14 x 22 cm. card.
Physical Description1 folder13 x 21 cm.
Printed on recto: "B 1804." Mounted on 22 x 14 cm. card.
Physical Description1 folder21 x 13 cm.
Printed on recto: "B 522." Mounted on 14 x 22 cm. card.
Physical Description1 folder13 x 21 cm.
Printed on recto: "249." Stamp of Fred F. Horn, Colorado Springs, Colo., on verso. Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Printed on recto: "No. 2208." Mounted on 14 x 19 cm. card.
Physical Description1 folder11 x 16 cm.
Printed on recto: "2014." Mounted on 14 x 19 cm. card.
Physical Description1 folder11 x 16 cm.
Printed on recto: "2260." Mounted on 14 x 19 cm. card.
Physical Description1 folder11 x 16 cm.
Written on verso: "'The loop,' Devils Gate above Georgetown." Reproduction of a painting. Mounted on 14 x 19 cm. card.
Physical Description1 folder11 x 16 cm.
Printed on recto: "2251." Mounted on 14 x 19 cm. card.
Physical Description1 folder11 x 16 cm.
Printed on recto: "2011." Mounted on 14 x 19 cm. card.
Physical Description1 folder11 x 16 cm.
Printed on recto: "No. 9." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Cataloger supplied title. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Printed on recto: "No. 3." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Written on verso: "Riding a bronco." Written on recto: "No. 28." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Mounted on 14 x 22 cm. card.
Haynes, F. Jay (Frank Jay) (1853-1921)F. Jay Haynes (1853-1921) was a professional photographer who documented the settlement and expansion of the American Northwest during the late 19th and early 20th centuries. Based in Minnesota and North Dakota, Haynes served as the official photographer for Northern Pacific Railway and Yellowstone National Park. Haynes first visited Yellowstone in 1881 and, a few years later in 1884, obtained permission to operate a photography studio there. He served as Yellowstone's official photographer from 1884 until 1920 when he was succeeded by his son, Jack Ellis Haynes (1884-1962).
Physical Description1 folder14 x 22 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "No. 28." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "2643." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "No. 20." Mounted on 13 x 21 cm. card.
Physical Description1 folder13 x 21 cm.
Printed on recto: "No. 11." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 18 cm.
Printed on recto: "No. 9." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 18 cm.
Printed on recto: "No. 23." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "3006." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 17 cm.
Printed on recto: "3004." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "2622." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "No. 1836." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder10 x 14 cm.
Vistas mexicanas
Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Printed on recto: "No. 243." Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 19 cm.
Written on verso: "North arch and zool. lab, Stanford Univ. quadrangle." Mounted on 14 x 19 cm. card.
Physical Description1 folder12 x 17 cm.
Written on verso: "Cactus gardens and Stanford's tomb." Mounted on 14 x 19 cm. card.
Physical Description1 folder12 x 18 cm.
Written on verso: "Museum, Stanford Univ." Mounted on 14 x 19 cm. card.
Physical Description1 folder12 x 17 cm.
Printed on recto: "W.H.F. 1098." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Printed on recto: "No. 190." Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "No. 57." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 18 cm.
Dealer's stamp of Chas. A. Grant, Manitou Springs, Colo., on verso. Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 20 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 20 cm.
Printed on recto: "512." Dealer's stamp of Chas. A. Grant, Manitou Springs, Colo., on verso. Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Mounted on 14 x 22 cm. card.
Physical Description1 folder13 x 21 cm.
Mounted on 14 x 22 cm. card.
Physical Description1 folder13 x 21 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "2014." Stamp of Barkalow Bros., Denver, Colo., on verso. Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Stamp of Barkalow Bros., Denver, Colo., on verso. Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Printed on recto: "16." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "432." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Dealer's ticket of F.M. Pollen & Co., Manitou Springs, Colo., pasted over Thompson's name. Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "No. 1032." Dealer's ticket of E. Schuster, Glenwood Springs, Colo., pasted over photographer's name. Possibly by Thompson. Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Printed on recto: "250." Mounted on 12 x 18 cm. card.
Physical Description1 folder11 x 17 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder13 x 20 cm.
Printed on recto: "25." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Printed on recto: "No. 222" and "Founded 1550." Printed on verso: "Santa Fe route." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Printed on recto: "34."
Physical Description1 folder14 x 22 cm.
Printed on recto: "26." Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. Written on verso: "Bad Lands, Sioux Reservation, F.L.F." and "From brother Frank, August 1888 J. Firmbush." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Cataloger supplied title. The older girl is Carrie Lewis (Daalneix), who became Mrs. George Lewis. Mounted on 22 x 14 cm. card.
Physical Description1 folder20 x 12 cm.
Cataloger supplied title. Mounted on 22 x 14 cm. card.
Jackson, William Henry (1843-1942)American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.
Physical Description1 folder20 x 12 cm.
Written on recto: "Moqui Indians burning pottery, Walpi village, Arizona." Mounted on 13 x 20 cm. card.
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "2805." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "No. 131." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "No. 2015." Printed on verso: "Santa Fe route." Copyright 1878. Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Cataloger supplied title. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 19 cm.
Cataloger supplied title. Mounted on 14 x 22 cm. card.
Physical Description1 folder14 x 22 cm.
Cataloger supplied title. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 19 cm.
Gillingham's Rocky Mountain views
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Gillingham's Rocky Mountain views
Written on recto: "Balance Rock, Garden of the Gods." Mounted on 21 x 13 cm. card.
Physical Description1 folder12 x 19 cm.
Gillingham's Rocky Mountain views
Written on recto: "Iron Springs, Manitou, Colo." Mounted on 21 x 13 cm. card.
Physical Description1 folder12 x 20 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 18 cm.
6th series : Clear Creek, C.C.R.R. ; 2000
Mounted on 21 x 13 cm. card.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. Mounted on 21 x 13 cm. card.
Physical Description1 folder12 x 21 cm.
Watkins' new boudoir series : Yo Semite and Pacific Coast
Printed on recto: "B 1." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Watkins' new boudoir series : Yo Semite and Pacific Coast
Printed on recto: "B 7." Mounted on 22 x 14 cm. card.
Physical Description1 folder12 x 21 cm.
Watkins' new boudoir series : Yo Semite and Pacific Coast
Printed on recto: "B 12." Mounted on 14 x 22 cm. card.
Physical Description1 folder13 x 20 cm.
Watkins' new boudoir series : Yo Semite and Pacific Coast
Printed on recto: "B 19." Mounted on 22 x 14 cm. card.
Physical Description1 folder12 x 21 cm.
Watkins' new boudoir series : Yo Semite and Pacific Coast
Printed on recto: "B 31." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Watkins' new boudoir series : Yo Semite and Pacific Coast
Printed on recto: "B 44." The Grizzly Giant is a tree. Mounted on 22 x 14 cm. card.
Physical Description1 folder12 x 21 cm.
Watkins' new boudoir series : Yo Semite and Pacific Coast
Printed on recto: "B 177." Written on verso: "Tehachapi Pass, Kern Co., Cal." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 21 cm.
Watkins' new boudoir series : Yo Semite and Pacific Coast
Printed on recto: "B 56." Mounted on 14 x 22 cm. card.
Physical Description1 folder13 x 22 cm.
Watkins' new boudoir series : Yo Semite and Pacific Coast
Printed on recto: "B 3013." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 21 cm.
Watkins' new boudoir series : Yo Semite and Pacific Coast
Printed on recto: "B 3082." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 21 cm.
Watkins' new boudoir series : Yo Semite and Pacific Coast
Printed on recto: "B 3089." Dead Giant is a tree. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 22 cm.
Watkins' new boudoir series : Yo Semite and Pacific Coast
Printed on recto: "B 3172." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 21 cm.
Watkins' new boudoir series : Yo Semite and Pacific Coast
Printed on recto: "B 5002." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 21 cm.
Written on verso: "Pasadena looking N.E. from Euclid Ave." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Written on verso: "Ration day at San Carlos, Arizona." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Printed on recto: "1669."
Physical Description1 folder12 x 19 cm.
Written on recto: "Bright Star." Written on verso: "Lucy Nicola Wahtawaso, [?], Maine." Mounted on 14 x 19 cm. card.
Physical Description1 folder10 x 14 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Printed on recto: "2638." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 18 cm.
Printed on recto: "No. 12" and "Founded 1550." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. 1888 copyright held by Lummis. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 19 cm.
Cataloger supplied title. Written on verso: "1884." Mounted on 21 x 10 cm. card.
Physical Description1 folder10 x 19 cm.
Printed on recto: "54." Mounted on 13 x 21 cm.
Physical Description1 folder12 x 19 cm.
Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 20 cm.
Printed on recto: "B 37." Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 20 cm.
Dealer's stamp of Sterne Bro's., Albuquerque, N.M., on verso. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 19 cm.
Written on verso: "Mother of Lone Wolf, Kiowa Indian, 1886." Mounted on 19 x 14 cm.
Physical Description1 folder10 x 15 cm.
Written on verso: "San Ildefonso." Mounted on 13 x 21 cm.
Physical Description1 folder12 x 18 cm.
Mounted on 14 x 22 cm.
Physical Description1 folder13 x 21 cm.
Copyright 1903. Mounted on 21 x 13 cm. card.
Physical Description1 folder10 x 14 cm.
Watkins' new boudoir series : Yo Semite and Pacific Coast
Printed on recto: "B 384." Mounted on 14 x 22 cm.
Physical Description1 folder12 x 21 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Possibly by Chase. Printed on recto: "No. 128." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 18 cm.
Written on verso: "'On the trail,' coming down the Duchesne River in the Indian country." Mounted on 14 x 22 cm.
Physical Description1 folder12 x 20 cm.
Written on verso: "'Branding scene in corall on summer range of Leonard Cattle Company in Colorado (Mesa County)." Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 20 cm.
Written on verso: "'Grand Valley & Grand River : Rowan Mountains in background, Mt. Garfield at right." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Written on verso: "Chief Tabio's nickaup on the Duchesne River in Utah in Ute Reservation." Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 19 cm.
Written on verso: "Crossing the divide of Uintah Mountains in Utah : 'on the trail.'" Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 20 cm.
Printed on recto: "821." Printed on verso: "Santa Fe route." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 20 cm.
Printed on recto: "823." Printed on verso: "Santa Fe route." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Printed on recto: "208." Printed on verso: "Santa Fe route." Mounted on 13 x 21 cm.
Physical Description1 folder11 x 19 cm.
Printed on recto: "822." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Written on recto: "Plaza, Santa Fe, New Mexico." Mounted on 14 x 17 cm. card.
Physical Description1 folder10 x 12 cm.
Written on recto: "Governor's residence, Tesuque Pueblo, New Mexico." Mounted on 12 x 18 cm. card.
Physical Description1 folder11 x 17 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "No. 303." Printed on verso: "Santa Fe route." Mounted on 13 x 21 cm.
Physical Description1 folder11 x 19 cm.
Printed on recto: "A. 1517." Mounted on 21 x 13 cm. card.
Physical Description1 folder11 x 19 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 18 cm.
Printed on recto: "No. 22." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 18 cm.
Printed on recto: "No. 22." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 18 cm.
Printed on recto: "Founded 1550," "A.T. & S.F.R.R.," and "No. 222." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "No. 213." Printed on verso: "Santa Fe route." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Written on verso: "Las Vegas, New Mexico, west of r.r. tracks, facing W.S.W." Mounted on 11 x 18 cm. card.
Physical Description1 folder10 x 17 cm.
Cataloger supplied title. Mounted on 11 x 18 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "2044." Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "661." Mounted on 14 x 22 cm. card.
Physical Description1 folder13 x 21 cm.
Printed on recto: "No. 55." Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "No. 23." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 18 cm.
Cataloger supplied title. Written on verso: "Pueblo S. & R. Co." Mounted on 13 x 21 cm. card
Physical Description1 folder12 x 19 cm.
Cataloger supplied title. Written on verso: "Montana 1879." Mounted on 13 x 18 cm. card.
Physical Description1 folder11 x 17 cm.
Views of Pueblo and vicinity
Cataloger supplied title. Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 20 cm.
Printed on recto: "803." Written on verso: "C.W. Woolsey, Colorado, Oct. '95." Mounted on 22 x 14 cm. card.
Physical Description1 folder11 x 19 cm.
Written on verso: "Gunnison at mouth of Black Canon, Engine 284." and "Geo. A. Stough." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Cataloger supplied title. Mounted on 12 x 17 cm. card.
Physical Description1 folder11 x 16 cm.
Written on recto: "Chalk Rocks, D. & R.G.R.R." Written on verso: "Geo. A. Stough." Mounted on 21 x 13 cm.
Physical Description1 folder11 x 19 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 20 cm.
Davidson's views of the Pacific Northwest embracing Oregon, Washington, Idaho, and Montana ; no. 3
Title printed on verso: "Showing the central portion of Portland and east Portland." Dealer's ticket of Adler's, Astoria, Or., on verso. Mounted on 22 x 14 cm. card.
Physical Description1 folder13 x 21 cm.
Oregon scenery ; 242
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 20 cm.
Davidson's views of the Pacific Northwest embracing Oregon, Washington, Idaho, and Montana ; no. 80
Mounted on 14 x 22 cm. card.
Physical Description1 folder13 x 21 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "393." Mounted on 21 x 13 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "221." Mounted on 21 x 13 cm. card.
Physical Description1 folder12 x 19 cm.
Mounted on 21 x 13 cm. card.
Physical Description1 folder12 x 19 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "1294." Mounted on 13 x 21 cm. card
Physical Description1 folder11 x 19 cm.
Printed on recto: "640." Mounted on 21 x 13 cm. card.
Physical Description1 folder11 x 19 cm.
Rocky Mountain scenery ; 367
Written on verso: "Florence Calder." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. Written on verso: "C.S. Co., Pueblo, Colo., sampling mill." Mounted on 13 x 21 cm. card
Physical Description1 folder12 x 19 cm.
Printed on recto: "807." Copyright 1891. Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "50." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "424." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Written on recto: "Sodaspring pavillion, Manitou." Stamp of Anna A. Streckewald on verso. Mounted on 21 x 13 cm. card.
Physical Description1 folder12 x 18 cm.
Names of individuals noted on verso. Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 20 cm.
Mounted on 14 x 22 cm. card.
Physical Description1 folder13 x 21 cm.
Mounted on 14 x 22 cm.card.
Physical Description1 folder13 x 21 cm.
Printed on recto: "3332." Mounted on 21 x 14 cm. paper.
Physical Description1 folder19 x 12 cm.
Cataloger supplied title. Stamp of G.D. Solomon on verso. Mounted on 16 x 23 cm. card.
Physical Description1 folder12 x 19 cm.
Cataloger supplied title. Mounted on 22 x 14 cm. card.
Physical Description1 folder12 x 18 cm.
Cataloger supplied title. Mounted on 22 x 14 cm. card.
Physical Description1 folder12 x 20 cm.
Cataloger supplied title. Mounted on 22 x 14 cm. card.
Physical Description1 folder12 x 20 cm.
Taken in Santa Barbara, California. Written on verso: "Old Spanish woman and her adobe house." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 21 cm.
Printed on recto: "165." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 19 cm.
Printed on recto: "156." Copyright 1895. Mounted on 14 x 22 cm. card
Physical Description1 folder12 x 19 cm.
Scenes in Alaska
Written on verso: "First church built by our missionaries, Juneau." Mounted on 22 x 13 cm. card.
Physical Description1 folder12 x 19 cm.
Scenes in Alaska
Written on verso: "First church built by our missionaries, Juneau." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 19 cm.
Sitka, Alaska, U.S.
Cataloger supplied title. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder`12 x 18cm.
Printed on recto: "834." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Printed on recto: "No. 25." Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "No. 231." Printed on verso: "Santa Fe route." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "1283." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Yuma Indians, Arizona
Cataloger supplied title. Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 18 cm.
Cataloger supplied title. Mounted on 21 x 10 cm. card.
Physical Description1 folder10 x 19 cm.
Cataloger supplied title. Written on verso: "Pueblo S. & R., Assay office ." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Mounted on 21 x 13 cm. card.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. Written on verso: "Helena, Mont., 1889, by A.F.E." Mounted on 13 x 18 cm. card.
Physical Description1 folder11 x 17 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
1 folder15 x 20 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 19 cm.
Sante Fe route
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Sante Fe route ; no. 11
Possibly by Chase; photographer's name blotted out. Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 18 cm.
Printed on recto: "No. 25." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 28 cm.
Printed on recto: "No. 25." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 18 cm.
Written on verso: "A society belle of Kingman, Arizona." Mounted on 13 x 18 cm. card.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title. Written on verso: "Mex. Revolution." Mounted on 12 x 17 cm. card.
Physical Description1 folder12 x 16 cm.
Cataloger supplied title. Mounted on 12 x 17 cm. card.
Physical Description1 folder11 x 16 cm.
Cataloger supplied title. Mounted on 12 x 17 cm.
Physical Description1 folder11 x 16 cm.
Written on verso: "Collective harvest, Snider farm, Mo." Mounted on 21 x 26 cm. board.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Mounted on 21 x 10 cm. card.
Albright, Emma Luse (1852-1912)Francis Emma Luse Albright (1852-1912) owned and ran a photography studio/gallery in Longton, Kansas, which she later relocated to Howard, Kansas, then to Santa Fe, New Mexico. She was also a renowned photographer.
Physical Description1 folder10 x 19 cm.
Written on verso: "Rocky Bar, Idaho." Mounted on 14 x 22 cm. card.
Physical Description1 folder13 x 21 cm.
Cataloger supplied title. Written on verso: "Said by the seller to be of Charles Russell, the painter. ExArthur Collins, Cobalt, Ct." Mounted on 20 x 13 cm.
Physical Description1 folder12 x 18 cm.
Cataloger supplied title. Written on verso: "Piute. Bodie. Nevada." Possibly taken in Bodie, Calif., which is in the Sierra Nevadas. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Cataloger supplied title. Hand colored. Mounted on 21 x 13 cm. card.
Physical Description1 folder12 x 19 cm.
Cataloger supplied title.
Physical Description1 folder20 x 13 cm.
Written on recto: "Garden City Hotel." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Cataloger supplied title. Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 18 cm.
Cataloger supplied title. Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Written on verso: "Tomichi Hot Springs" and "Geo. A. Stough." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Cataloger supplied title. Printed on recto: "15." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Cataloger supplied title. Mounted on 12 x 23 cm. board.
Physical Description1 folder6 x 18 cm.
Mounted on 14 x 22 cm. card.
Physical Description1 folder10 x 20 cm.
Written on recto: "Silent Friend Mine ore teams." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on verso: "Santa Fe route." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "1579." Mounted on 21 x 13 cm. card.
Physical Description1 folder19 x 20
Printed on recto: "1572." Mounted on 21 x 13 cm. card.
Physical Description1 folder19 x 12 cm.
Mounted on 14 x 17 cm. board. Young identified as Richard Whitehead Young.
Physical Description1 folder10 x 12 cm.
Mounted on 12 x 18 cm. card.
Physical Description1 folder11 x 17 cm.
Cataloger supplied title. Stamp of Mrs. E.F. Miller, Verdella, Missouri, on verso. Mounted on 13 x 18 cm. board.
Physical Description1 folder9 x 14 cm.
Cataloger supplied title. Stamp of Mrs. E.F. Miller, Verdella, Missouri, on verso. Mounted on 13 x 18 cm. board.
Physical Description1 folder9 x 15 cm.
Cataloger supplied title. Stamp of Mrs. E.F. Miller, Verdella, Missouri, on verso. Mounted on 14 x 17 cm. board.
Physical Description1 folder11 x 13 cm.
Cataloger supplied title. Mounted on 23 x 13 cm. board.
Physical Description1 folder10 x 8 cm.
Cataloger supplied title. Mounted in a contemporary 23 x 13 cm. folder.
Physical Description1 folder13 x 11 cm.
Cataloger supplied title. Mounted on 17 x 12 cm. card.
Physical Description1 folder14 x 10 cm.
Cataloger supplied title. Mounted on 17 x 11 cm. card.
Physical Description1 folder11 x 10 cm.
Cataloger supplied title. Mounted on 17 x 13 cm. board.
Physical Description1 folder10 x 7 cm.
Cataloger supplied title. Mounted on 17 x 13 cm. board.
Physical Description1 folder10 x 7 cm.
Cataloger supplied title. Mounted on 16 x 13 cm. board.
Physical Description1 folder10 x 7 cm.
Printed on recto: "1596." Mounted on 21 x 13 cm. card.
Physical Description1 folder19 x 12 cm.
Written on recto: "Feeders, Buffalo Valley Ranch." Matted in 13 x 22 cm. board with another photograph entitled "On the range" on verso. Possibly taken in Kansas.
Physical Description1 folder16 x 5 cm.
Written on recto: "On the range." Matted in 13 x 22 cm. board with another photograph entitled "Feeders, Buffalo Valley Ranch" on verso. Possibly taken in Kansas.
Physical Description1 folder16 x 5 cm.
Written on recto: "Steam threshing" and "Kansas." Matted in 13 x 22 cm. board with "One of the ranch barns" on verso.
Physical Description1 folder16 x 5 cm.
Written on recto: "One of the ranch barns." Matted in 13 x 22 cm. board with "Steam threshing." on verso. Possibly taken in Kansas.
Physical Description1 folder16 x 5 cm.
Written on recto: "Ready for market" and "Kansas." Matted in 13 x 22 cm. board with another photograph entitled "Behind the windbreak's." on verso.
Physical Description1 folder16 x 5 cm.
Written on recto: "Behind the windbreak's" Matted in 13 x 22 cm. board with another photograph entitled " "Ready for market" and "Kansas" on verso.
Physical Description1 folder16 x 5 cm.
Cataloger supplied title. Mounted on 14 x 22 cm. card. Mounted on 11 x 19 cm. card.
Photographs depicts an excavation site with possible human remains.
Physical Description1 folder12 x 21 cm.
Kirkland's views of cowboy life and the cattle business
Cataloger supplied title.
Physical Description1 folder14 x 22 cm.
Cataloger supplied title. Mounted on 14 x 22 cm. card.
Physical Description1 folder13 x 21 cm.
Written on verso: "El Paso bull fight, Feb. 7th 1892." Mounted on 21 x 13 cm. card.
Physical Description1 folder12 x 19 cm.
Written on verso: "Compliments, Frank Woolsey, 5/30/88. 'Hassalo' shooting the rapids at Cascades." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Printed on recto: "101." Mounted on 14 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "100." Mounted on 14 x 21 cm. card
Physical Description1 folder11 x 19 cm.
Printed on recto: "B 517." Mounted on 22 x 14 cm. card.
Physical Description1 folder21 x 13 cm.
Written on recto: "Hopkins Seaside Laboratory, Monterey, California." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 19 cm.
Written on verso: "Main entrance, Stanford 'quad.'" Mounted on 14 x 19 cm.
Physical Description1 folder12 x 18 cm.
Written on verso: "Rotunda (main entrance) of museum, Stanford University." Mounted on 14 x 19 cm. card.
Physical Description1 folder12 x 18 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 20 cm.
Printed on recto: "1524" and "July 14, 1892." Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "819." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Printed on recto: "6." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Printed on recto: "65." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Pueblo of Isleta, A. & P. junction, N. Mex.
Cataloger supplied title. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Pueblo of Isleta, A. & P. junction, N. Mex. ; A 71
Cataloger supplied title. Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "163." Mounted on 14 x 22 cm. card.
Physical Description1 folder19 x 12 cm.
Printed on recto: "375." Mounted on 21 x 13 cm. card.
Physical Description1 folder19 x 12 cm.
Printed on recto: "775." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "950" and "The old way and the new." Photograph compares a donkey to a train. Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "1762." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Printed on recto: "188." Mounted on 13 x 21 cm. card.
Physical Description1 folder19 x 11 cm.
Printed on recto: "52." Mounted on 22 x 14 cm. card.
Physical Description1 folder21 x 12 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder11x 19 cm.
Printed on recto: "1146." Copyright 1892. Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "1149." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "R.G.W.Rr."
Physical Description1 folder23 x 28 cm.
Cataloger supplied title. Written on a postit: "Nik'te' (Maria Juliana) Sis Iboy Saqijix (Candelaria Dominga) Lopez Ixcoy giving paper "Semejanzas y diferencias entre el Achi y el K'iche'" in the [?] Taller Maya, Quetzaltenango, Guatemala, 1989." Color photograph.
Physical Description1 folder21 x 31 cm.
Cataloger supplied title.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title.
Physical Description1 folder21 x 29 cm.
Cataloger supplied title.
Physical Description1 folder21 x 26 cm.
Shows road that runs between San Isidro and White City, New Mexico, passing Soda Dam.
Written on verso: "1921. Road from Santa Fe to Taos."
Physical Description1 folder21 x 26 cm.
Caption formerly taped on verso: "First and lastTwo days before the driving of the Golden Spike at Promontory, Utah, one of the last westbound covered wagon trains met the first train from California. This was Governor Leland Stanford's special train, pulled by the historic engine 'Jupiter,' en route to the last spike ceremony a few miles east. The picture was taken May 8, 1869, on the north shore of the Great Salt Lake, by Alfred A. Hart of Sacramento, the official photographer of the Central Pacific (now Southern Pacific). (SP photo x 110)."
Hart, Alfred A. (1816-1908)Alfred A. Hart (1816-1908) was a photographer who documented the construction of the western half of the transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. Hart served as the Central Pacific's first official photographer, and his images chronicle the advancement of the railroad over 742 miles from Newcastle, California, through the Sierra Nevada Mountains and into Nevada and Utah.
Physical Description1 folder21 x 26 cm.
Printed on recto: "232." Original photograph housed in the Credit Union Pacific Railroad Museum Collection.
Physical Description1 folder21 x 26 cm.
Caption formerly taped on verso: "In 1876, several years after the first transcontinental railroad was complete, Central Pacific went back over the line, filling in most of its long trestles with solid earth embankments. Again it was the patient Chinese laborers who hauled the dirt and rock with one [sic] horse carts and wheelbarrows. This photo is not by Alfred A. Hart."
Physical Description1 folder21 x 26 cm.
Caption pasted on verso: "Deep cut no. 1 west of Wilhelmina Pass, Weber Canyon showing method of excavation.... (A.J. Russell photo)." Original photograph housed in the Credit Union Pacific Railroad Museum Collection.
Physical Description1 folder21 x 26 cm.
Caption formerly taped on verso: "Pounding down the main line of the Central Pacific behind a pioneer woodburner that came around the tip of South America by sailing ship after being manufactured on the East Coast. This scene was taken on '12Mile Tangent' four miles from Sacramento just after the crossing over the American River. The train is heading eastward toward the Sierra. SP photo x100 by Alfred A. Hart, official Central Pacific photographer from Sacramento."
Hart, Alfred A. (1816-1908)Alfred A. Hart (1816-1908) was a photographer who documented the construction of the western half of the transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. Hart served as the Central Pacific's first official photographer, and his images chronicle the advancement of the railroad over 742 miles from Newcastle, California, through the Sierra Nevada Mountains and into Nevada and Utah.
Physical Description1 folder21 x 26 cm.
Caption pasted on verso: "Men shaping tunnel timbers for work on Echo Tunnel in Miller and Patterson's camp. (A.J. Russell photo) c. 1868." Original photograph housed in the Credit Union Pacific Railroad Museum Collection.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title.
Physical Description1 folder21 x 26 cm.
Caption formerly taped on verso: "The High Sierra raised its first major barrier 34 miles out of Sacramento. Here, an immense mound of glacial debris confronted the pioneer builders. Chinese laborers handcarved a Vshapped [sic] cut, inch by inch, through the contretelike mass800feet long and 63feet high. It was here the construction superintendent Strobridge lost an eye in a blasting accident. SP photos by Alfred A. Hart, official CP photographer, Sacramento."
Physical Description1 folder21 x 26 cm.
Caption formerly taped on verso: "Central Pacific locomotive 'A.A. Sargent,' named after the U.S. congressman from California, is pictured by Alfred Hart as it appeared at the foot of 'J' Street in Sacramento during 1865. Number 7 on the Central Pacific roster, it was built by A. Booth & Company, San Francisco, for the pioneer Sacramento Valley Railroad, a short line from Sacramento to Folsom. It arrived in Sacramento on the river schooner 'A. Lincoln' December 12, 1865. It remained on the CPSP roster until 1911 when it was scrapped as number 1487, having been rebuilt in the interim several times. The building that was the Brannan House became the Tremont Hotel, reknowned a few years later for its excellent meals and good beds. The steps at the right lead to the old Central Pacific station. It is interesting to note that his area of Old Sacramento is being restored today and that a transporation museum, duplicating the stations of the Central Pacific, Sacramento Valley and California Steam Navigation Company. SP photo by Alfred A. Hart."
Hart, Alfred A. (1816-1908)Alfred A. Hart (1816-1908) was a photographer who documented the construction of the western half of the transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. Hart served as the Central Pacific's first official photographer, and his images chronicle the advancement of the railroad over 742 miles from Newcastle, California, through the Sierra Nevada Mountains and into Nevada and Utah.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title.
Physical Description1 folder21 x 26 cm.
Caption pasted on verso: "Construction train at end of track, General Casement's outfit. Pictured here is General John S. Casement, who, with his brother, Dan, had the tracklaying contract for almost the whole of the Union Pacific. The photographer's traveling darkroom is at the right. A.J. Russell photo (1869)." Original photograph housed in the Credit Union Pacific Railroad Museum Collection.
Physical Description1 folder21 x 26 cm.
Caption pasted on verso: "Crew laying track during the original construction of the Union Pacific. Photographed at the 100th Meridian by Carbutt." Original photograph housed in the Credit Union Pacific Railroad Museum Collection.
Physical Description1 folder21 x 26 cm.
Caption pasted on verso: "Locomotive no. 5 and special photographic car of J.B. Silvis." Original photograph housed in the Credit Union Pacific Railroad Museum Collection.
Physical Description1 folder21 x 26 cm.
Written on verso: "UP work train in 1870 near Green River, Wyo."
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Original photograph housed in the Historical Collection Title Insurance and Trust Company, San Diego, California.
Physical Description1 folder21 x 26 cm.
Original photograph housed in the Credit Union Pacific Railroad Museum Collection. Photograph of a photomechanical print.
Physical Description1 folder21 x 26 cm.
Original photograph housed in the Credit Union Pacific Railroad Museum Collection. Photograph of a photomechanical print.
Physical Description1 folder21 x 26 cm.
Original photograph housed in the A.P. Swearingen Collection at the Western History Collection of the University of Oklahoma Library.
Physical Description1 folder21 x 26 cm.
Caption formerly taped on verso: "Central Pacific locomotive 'Conness' on the turntable at Newcastle during construction of the trestle there in 1864. It was near this point, 31 miles from Sacramento, that construction of the western end of the pioneer transcontinental railroad came to a stop due to political rivalry which tied up money and brought the railroad into the courts. Central Pacific won its battle and construction began with new vigor and an army of Chinese laborers the following year. Southern Pacific photo x638 by Alfred A. Hart, official Central Pacific photographer from Sacramento."
Hart, Alfred A. (1816-1908)Alfred A. Hart (1816-1908) was a photographer who documented the construction of the western half of the transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. Hart served as the Central Pacific's first official photographer, and his images chronicle the advancement of the railroad over 742 miles from Newcastle, California, through the Sierra Nevada Mountains and into Nevada and Utah.
Physical Description1 folder21 x 26 cm.
Caption pasted on verso: "Omaha, scene from Capitol Hill. (W.H. Jackson photo)." Original photograph housed in the Credit Union Pacific Railroad Museum Collection.
Jackson, William Henry (1843-1942)American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.
Physical Description1 folder26 x 21 cm.
Written on recto: "Indians waiting for the buffalo hunt." Mounted on 14 x 31 cm. board. Taken during Geronimo's final buffalo hunt at the 101 Ranch near Ponca City, Oklahoma on June 10, 1905.
Physical Description1 folder11 x 26 cm.
Written on recto: "The buffalo." Mounted on 12 x 31 cm. board. Taken during Geronimo's final buffalo hunt at the 101 Ranch near Ponca City, Oklahoma on June 10, 1905.
Physical Description1 folder10 x 26 cm.
Written on recto: "Oklahoma buffalo." Mounted on 13 x 31 cm. board. Taken during Geronimo's final buffalo hunt at the 101 Ranch near Ponca City, Oklahoma on June 10, 1905.
Physical Description1 folder11 x 26 cm.
Written on recto: "The old Indian chief Geronimo killing the buffalo at 101 Ranch, June 105." Mounted on 13 x 31 cm. board. Illegible signature of photographer on mount. Taken during Geronimo's final buffalo hunt at the 101 Ranch near Ponca City, Oklahoma on June 10, 1905.
Physical Description1 folder11 x 26 cm.
Written on recto: "Fishery buildings and Mount Perseplione, looking north." Mounted on 30 x 24 cm. paper.
Physical Description1 folder16 x 22 cm.
Written on recto: "Trout ponds looking north." Mounted on 30 x 24 cm. paper.
Physical Description1 folder16 x 22 cm.
Written on recto: "Bridge & current wheel, Mr. Stone's cottage and mess house in distance." Mounted on 30 x 24 cm. paper.
Physical Description1 folder16 x 22 cm.
Written on verso: "#1 'Guess who?' Taken...inside the 'Tahoe' Bar in Brigham City, Utah...August 1980."
Physical Description1 folder19 x 25 cm.
Written on verso: "#2 'Reflection in copper'...shot on a sidewalk through a window in an antique store, downtown Brigham City, Utah."
Physical Description1 folder20 x 24 cm.
Written on verso: "'Oneida buffalo.'"
Physical Description1 folder21 x 26 cm.
Written on recto: "Gen. Custer's scout Crow, only survivor of battle, June 25, 1876." Mounted on 20 x 26 cm. board. Stamp of Forbes Library, Northampton, Mass., on verso.
Physical Description1 folder13 x 18 cm.
1 folder16 x 21 cm.
Cataloger supplied title. Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 18 cm.
Written on verso: "Sioux woman, Rosebud, South Dakota."
Physical Description1 folder17 x 25 cm.
Cataloger supplied title. Copyright 1981.
Physical Description1 folder21 x 26 cm.
Written on verso: "Puberty : Pueblo Indian boy."
Physical Description1 folder26 x 21 cm.
Caption taped on verso: "Looking up south fork of Eel River at Sage Unit No. 1 redwoods, west of Weott, Humboldt County, California, between the Garden Club of America Grove and Bull CreekDyerville area. Russell Angel Photo, no. 5082."
Physical Description1 folder19 x 26 cm.
Caption taped on verso: "Tall and fine redwoods and rich forest floor characterize much of Sage timber opposite Weott, Humboldt County...Russell Angel Photo, no. 5084."
Physical Description1 folder26 x 19 cm.
Caption taped on verso: "Fallen giant coverd with fern and moss, in Sage Unit No. 1 redwoods. Opposite Weott, California. Russell Angel Photo, no. 5086."
Physical Description1 folder26 x 19 cm.
Caption taped on verso: "Fallen giant coverd with fern and moss, in Sage Unit No. 1 redwoods. Opposite Weott, California. Russell Angel Photo, no. 5086."
Physical Description1 folder26 x 19 cm.
Caption taped on verso: "Sage Unit No. 1 redwood forest opposite Weott, Humboldt County, California, across south fork of Eel River from part of Humboldt Redwoods State Park. Russell Angel, no. 5085."
Physical Description1 folder26 x 19 cm.
Caption taped on verso: "Dense redwood forest of Sage Land & Improvement Co. opposite Weott, Humboldt County, across river from Humboldt State Park. This area lies between Bull CreekDyerville forest and the Garden Club of America Redwood Grove. Russell Angel, #5083."
Physical Description1 folder26 x 19 cm.
Caption taped on verso: "Fine 'flat' timber of Sage Unit No. 1 on south fork of Eel River opposite northern part of Humboldt Redwoods State Park. Lies between Bull CreekDyerville Forest and the Garden Clud of American Redwood Grove. Russell Angel photo, no. 5087."
Physical Description1 folder26 x 19 cm.
Written on verso: "'Magdalenas y San Andres visitan a Sta. Marta.' Sta. Martz, Mpo. de Larrainzar, Chis., 1996."
Physical Description1 folder21 x 26 cm.
Written on verso: "'Amanecienco' camino entre San Andres y Sta. Marta. Mpo. de Larrainzar, Chiapas, 1996."
Physical Description1 folder21 x 26 cm.
Written on verso: "'Mujer sembrada,' Pantelho, Chis., 1989."
Physical Description1 folder21 x 26 cm.
Written on verso: "'Visita de Rigoberta Menchu a los refugiados guatemaltecos, El Porvenir I, Chiapas, 1992."
Physical Description1 folder21 x 26 cm.
Written on verso: "'Fundacion de Tenochtitlan,' Ciudad de Mexico, 1985."
Physical Description1 folder20 x 25 cm.
Written on verso: "'La libranza,' Saklamenton, Chamula, Chiapas, 1997."
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Long description on verso of house in relation to the city. Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Long description on verso of house in relation to the city. Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Written on verso: "W.E. McBath standing on wall of his church during contruction." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Written on verso: "Anna Rebecca Alloway McBath (Mrs. Close's mother) & William Penn ("Penny")." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Written on verso: "Petrona Xiearo, Mrs. Close's (Anna Belle McBath) nurse." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Written on verso: "Mrs. McBath & S.S. group, probably San Marcos or Almalonga." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Written on verso: "Not a good print. This is the concrete relief map of Guatemala, built in 1905 by Francisco Vela, in Minerva Park, Guatemala City." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder19 x 19 cm.
Written on verso: "Cathedral, Guatemala City." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Written on verso: "Quezaltenango." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Written on verso: "Antigua?." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Written on verso: "Coffee finca." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Color photograph. Written on verso: "Quezaltenango taken by me in 1974." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Written on verso: "Apparently taken in Nahuala." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder16 x 26 cm.
Written on verso: "A game of "'pinata.'" Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 14 cm.
Written on verso: "Quezaltenango 1902 quake." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder19 x 20 cm.
Written on recto: "Fatino attorney and family from Quezaltenango." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder26 x 21 cm.
Written on verso: "Building the church across from the Theater Municipal, Quezaltenango. (corner stone 1912)." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder26 x 21 cm.
Written on verso: "Quezaltenango womenthe one on the left cared for the McBath children, accompanied them to the U.S. and stayed a little over a year; my wife rode papoose style on her back."Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Written on verso: "Religion group." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Written on verso: "Religious festival, probably Antigua." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Written on verso: "A poor print of an art shot." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Color photograph. Written on verso: "Taken 1974." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder26 x 21 cm.
Written on verso: "Wedding with barefoot bride." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Written on verso: "Rev. McBath & home, later became church." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Written on verso: "Rev. Walker E. McBath." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Written on verso: "Quarry?" Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Written on verso: "Mrs. McBath on left and friend (Jannie Buck). Their mode of transportation in central Guatemala from AlmalongaSan Marcos...." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder26 x 21 cm.
Written on verso: "Rev. McBath in the center building the Presbyterian church, across the street is municipal theater." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Written on verso: "Unknown group." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Written on verso: "Feeding the halt, the lame, and the blind before a feast." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Written on verso: "Taken bet. 19021914." Photographs S2440S2452, M0717M0749, and L0247L0250 of WC064 represent reproductions of photographs taken in Guatemala between 1903 and 1914 by Rev. Walker Eugene McBath at the Presbyterian mission in Quezaltenango; color photographs of items brought back by McBath from Guatemala and given to an unknown person; and contemporary photographs of Quezaltenango. A short narrative about McBath by the donor, W.H. Close, is in the collection file.
Physical Description1 folder26 x 21 cm.
Written on verso: "Estes Park, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Written on verso: "Grounds of Bear Lake Lodge, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Written on verso: "Estes Park, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Written on verso: "Trail ridge road summit, Rocky Mountain Nat. Park, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder21 x 26 cm.
Written on verso: "Road to Mount Evans, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Written on verso: "Colorado Springs, 1941." Interior of a cave. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Written on verso: "Bear Lake, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder21 x 26 cm.
Written on verso: "Summit Mount Evans." One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Written on verso: "Region." One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Written on verso: "Highest point on Trail Ridge Road, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder21 x 26 cm.
Written on verso: "Summit of Mt. Evans, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder21 x 26 cm.
No. 51. Mounted on 12 x 18 cm. card.
Physical Description1 folder11 x 18 cm.
Printed on recto: "4207." Mounted on 18 x 12 cm. card.
Physical Description1 folder17 x 11 cm.
No. 16. Mounted on 12 x 18 cm. card.
Physical Description1 folder11 x 18 cm.
No. 87. Mounted on 18 x 12 cm. card.
Physical Description1 folder16 x 10 cm.
Copyright 1895. Printed on recto: "672." Mounted on 22 x 14 cm. card.
Physical Description1 folder19 x 12 cm.
Written on verso: "Navajo chief, Garden of the Gods, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Written on verso: "Navajo chief, Garden of the Gods, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Written on verso: "Bear Lake, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Written on verso: "Estes Park, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Written on verso: "Trail Ridge Road, Colorado, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Written on verso: "Road to Mt. Evans, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Written on verso: "Road to Mt. Evans, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Written on verso: "Summit of Mt. Evans, 1941." One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. One of a group of photographs taken in and around Rocky Mountain National Park.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Written on a note formerly with photograph: "Church choir: James Snider, 2nd from right, front row, Missouri. (1 of his brothers became preacher in So. [?])."
Physical Description1 folder14 x 18 cm.
Written on verso: "'The moccasin makers,' an occupation study from the pueblo of Chochiti."
Physical Description1 folder21 x 26 cm.
Written on verso: "Home of Ignacio Aguilar, San Ildefonzo."
Physical Description1 folder17 x 27 cm.
Written on verso: ""The tortilla maker' an occupation study from the pueblo of Tesuque."
Physical Description1 folder21 x 26 cm.
Written on verso: ""The bead maker' an occupation study from the pueblo of Cochiti."
Physical Description1 folder26 x 21 cm.
Written on recto: "'El toro' (the bull) dance at Tesuque." Written on verso: ""El toro,' fiesta study from the pueblo of Tesuque."
Physical Description1 folder21 x 26 cm.
Written on verso: "Maria Martinez teaches pottery to Pueblo school children of San Ildefonzo, New Mexico." From the collection of P. de Lemos. Possibly by Parkhurst.
Physical Description1 folder17 x 27 cm.
Cataloger supplied title. Copyright 1908. Hand colored.
Physical Description1 folder29 x 20 cm.
Cataloger supplied title.
Physical Description1 folder24 x 30 cm.
Cataloger supplied title.
Physical Description1 folder22 x 30 cm.
Written on verso: "Antelope, Yellowstone National Park."
Physical Description1 folder17 x 28 cm.
Written on verso: "Antelope, Yellowstone National Park."
Physical Description1 folder20 x 25 cm.
Cataloger supplied title. Original in Princeton University Library's Theatre Collection.
Physical Description1 folder20 x 25 cm.
Cataloger supplied title. Original in Princeton University Library's Theatre Collection.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Original in Princeton University Library's Theatre Collection.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Original in Princeton University Library's Theatre Collection.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Written on verso: "Taos Pueblo, ca. 1900."
Physical Description1 folder21 x 26 cm.
Written on verso: "Taos Pueblo, ca. 1935."
Physical Description1 folder23 x 28 cm.
On Museum of the American Indian label: "Natashaka kachinas : closeup of dancer, Hopi, Walpi, Arizona." Original housed in the collection of the Museum of the American Indian.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Print from the original glassplate negative, also housed in Princeton University Library's collections.
Physical Description1 folder21 x 26 cm.
Copyright 1896. Original photograph housed in the School of American Research Collections in the Museum of New Mexico.
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Written on verso: "Fred Schemmers, Smoki."
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Written on verso: "Smoki."
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Label on verso: "Smoki squaws, Schemmer estate."
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Original photograph in the personal collection of Val Fitch.
Physical Description1 folder26 x 21 cm.
Copyright 1908.
Physical Description1 folder24 x 19 cm.
Copyright 1908.
Physical Description1 folder24 x 19 cm.
Copyright 1908.
Physical Description1 folder24 x 19 cm.
Copyright 1908.
Physical Description1 folder24 x 19 cm.
Written on verso: "Amos Little, Hoapa or Hupa boy, age 8 yrs., 1993." "1993" likely refers to a negative number.
Physical Description1 folder25 x 20 cm.
Written on verso: "Mojarra Stela, robbing [sic] by Merle Greene Robertson."
Physical Description1 folder26 x 21 cm.
Written on verso: "Hopi snake dance, probably Walpi Pueblo, Arizona." Original photographs housed in the Museum of New Mexico.
Physical Description1 folder21 x 26 cm.
Orginal photograph in the Frederick Starr Collection of the Museum of the American Indian. Title supplied by label on verso.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Original photograph in collections of the Museum of the American Indian.
Physical Description1 folder26 x 21 cm.
Written on verso: "Kingcome Inlet, B.C."
Physical Description1 folder26 x 21 cm.
Written on verso: "McDonald inauguration." Possibly of the Navajo Nation.
Physical Description1 folder20 x 26 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Orginal photograph in the Frederick Starr Collection of the Museum of the American Indian. Title supplied by label on verso.
Physical Description1 folder26 x 21 cm.
Orginal photograph in the collections of the Museum of the American Indian. Title supplied by label on verso.
Physical Description1 folder21 x 26 cm.
Orginal photograph in the collections of the Museum of the American Indian. Title supplied by label on verso.
Physical Description1 folder21 x 26 cm.
Orginal photograph in the collections of the Museum of the American Indian. Title supplied by label on verso.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Written on verso: "Natonabah."
Physical Description1 folder21 x 26 cm.
Cataloger supplied title.
Physical Description1 folder21 x 26 cm.
Orginal photograph in the collections of the Museum of the American Indian. Title supplied by label on verso.
Physical Description1 folder21 x 26 cm.
Orginal photograph in the collections of the Museum of the American Indian. Title supplied by label on verso.
Physical Description1 folder21 x 26 cm.
Orginal photograph in the collections of the Museum of the American Indian. Title supplied by label on verso.
Physical Description1 folder21 x 26 cm.
Orginal photograph in the collections of the Museum of New Mexico. Written on verso: "Navajo women brushing hair."
Physical Description1 folder21 x 26 cm.
Orginal photograph in the collections of the Museum of the American Indian. Title supplied by label on verso.
Physical Description1 folder26 x 21 cm.
Copyright 1898. Printed on recto: "1130."
Physical Description1 folder24 x 19 cm.
Copyright 1896. Printed on recto: "No. 238."
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder12 x 20 cm.
Title supplied by label on verso: "Antonio Mirabal of Taos Pueblo and Lucy Wood Collier, about 1926. As in John Collier, From every zenith. Denver: Sage Books, 1963. Crtsy Donald Collier." Possibly taken by John Collier.
Physical Description1 folder21 x 26 cm.
Title supplied by label on verso. A Santa Fe Railway photograph.
Physical Description1 folder20 x 25 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
From label on verso: "San Ildefonso dance. Joe Aguilar, drummer; on his left is WoPeen, artist; looks like corn dance." A Santa Fe Railway photograph.
Physical Description1 folder20 x 25 cm.
Title from label on verso. " A Santa Fe Railway photograph.
Physical Description1 folder20 x 25 cm.
Cataloger supplied title.
Physical Description1 folder19 x 24 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Written on verso: "Abroiginal life among the Navajo Indians, near Fort Defiance, N.M." Original photograph housed in the collections of the Library of Congress.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Original photograph housed in the William Rockhill Nelson Gallery of Art, Atkins Museum of Fine Arts, Kansas City, Missouri.
Physical Description1 folder26 x 21 cm.
Original photograph housed in the Credit Union Pacific Railroad Museum collection.
Physical Description1 folder21 x 26 cm.
Printed on recto: "1098." Mounted on 21 x 26 cm. card.
Jackson, William Henry (1843-1942)American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.
Physical Description1 folder13 x 21 cm.
Cataloger supplied title.
Jackson, William Henry (1843-1942)American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.
Physical Description1 folder21 x 26 cm.
Caption pasted on verso: "Special photographic car of J.B. Silvis." Original photograph housed in the Credit Union Pacific Railroad Museum Collection.
Physical Description1 folder21 x 26 cm.
American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.
Physical Description1 folder21 x 26 cm.
Written on verso: "Crew laying track during original construction of the UPRR, photographed by John Carbutt at the 100th Meridian, Oct. 1866."
Physical Description1 folder21 x 26 cm.
1 folder21 x 26 cm.
1 folder21 x 26 cm.
1 folder21 x 26 cm.
1 folder21 x 26 cm.
Possibly in South Dakota.
Physical Description1 folder21 x 26 cm.
Written on verso: "Supply trains at end of track, last siding, 1867. A casement work trains unloads materials to be carried forward by freight wagons to UP track crews facing toward Promontory Summit."
Physical Description1 folder21 x 26 cm.
Written on verso: "Omaha, UP shops. This supply was UP's supporting headquarters for the army of tracklayers thrown out west from Omaha for a thousand miles."
Physical Description1 folder21 x 26 cm.
Written on verso: "Windmill, Laramie. A large windmill & water tank were erected as part of the Union Pacific rail complex at Laramie. In the distance is the 20stall roundhouse with the machine shops behind. Both were built for permanence out of stone brought from Rock Creek, 50 miles west."
Physical Description1 folder21 x 26 cm.
1 folder21 x 26 cm.
Cataloger supplied title. Original photograph housed in the collections of the Denver Public Library, Denver, Colorado.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Stamp of Mr. and Mrs. A. Tamarin.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder25 x 15 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title.
Physical Description1 folder25 x 19 cm.
Cataloger supplied title.
Physical Description1 folder18 x 24 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder19 x 24 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title. Stamp of Mr. and Mrs. A. Tamarin.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title.
Physical Description1 folder25 x 21 cm.
Cataloger supplied title.
Physical Description1 folder25 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder21 x 25 cm.
Cataloger supplied title.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title.
Physical Description1 folder25 x 19 cm.
Cataloger supplied title.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title. Likely taken for Parris's The Cherokee story.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Likely taken for Parris's The Cherokee story.
Physical Description1 folder26 x 21 cm.
Title from caption on verso. Credit Bureau of Indian Affairs.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Likely taken for Parris's The Cherokee story. Stamp of North Carolina News Bureau on verso.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Original photograph housed in the collection of the Smithsonian Institution.
Physical Description1 folder21 x 26 cm.
Title from label pasted on verso. Original photograph housed in the collection of the Smithsonian Institution, National Anthropological Archives.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title.
Physical Description1 folder18 x 13 cm.
Title from label pasted on verso. Original photograph housed in the Smithsonian Institution, National Anthropological Archives, W.D. Boehmer Collection.
Physical Description1 folder26 x 21 cm.
Title from label pasted on verso. Stamp of New York State Department of Commerce on verso.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Stamp of Rhode Island Development Council on verso.
Physical Description1 folder21 x 26 cm.
Title from label pasted on verso. Original photograph housed in the Smithsonian Institution, National Anthropological Archives.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Stamp of Oklahoma Industrial Development & Park Department on verso. Written on verso: "Indian City, U.S.A. Anadarko, Okla."
Physical Description1 folder21 x 26 cm.
Written on verso: "Beaver's Bend State Park, S.E. Okla."
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Original photograph in the collection of the Virginia State Library.
Physical Description1 folder21 x 26 cm.
Title supplied from caption attached to verso. Credit Bureau of Indian Affairs.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Stamp of Florida News Bureau, Department of Commerce on verso.
Physical Description1 folder21 x 26 cm.
Title from label pasted on verso. Original photograph housed in the Smithsonian Institution, National Anthropological Archives, W.D. Boehmer Collection.
Physical Description1 folder26 x 21 cm.
Title supplied from caption pasted on verso. Stamp of Florida News Bureau, Department of Commerce on verso.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Stamp of Florida News Bureau, Department of Commerce on verso.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Stamp of Florida News Bureau, Department of Commerce on verso.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Stamp of Florida News Bureau, Department of Commerce on verso.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Stamp of Florida News Bureau, Department of Commerce on verso.
Physical Description1 folder21 x 26 cm.
Written on verso: "Nancy Blackfox, Soco, Blue Wing." Stamp of Cherokee One Feather on verso.
Physical Description1 folder21 x 26 cm.
Title from caption attached to verso.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Stamp of Mr. and Mrs. A. Tamarin.
Physical Description1 folder25 x 21 cm.
Cataloger supplied title. Stamp of Mr. and Mrs. A. Tamarin.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title. Stamp of Mr. and Mrs. A. Tamarin.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title.
Physical Description1 folder25 x 21 cm.
Cataloger supplied title.
Physical Description1 folder25 x 19 cm.
Cataloger supplied title.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title.
Physical Description1 folder25 x 21 cm.
Cataloger supplied title.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title.
Physical Description1 folder20 x 25 cm.
Cataloger supplied title.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title.
Physical Description1 folder20 x 25 cm.
Cataloger supplied title.
Physical Description1 folder25 x 21 cm.
Cataloger supplied title.
Physical Description1 folder25 x 17 cm.
Cataloger supplied title.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title.
Physical Description1 folder25 x 21 cm.
Cataloger supplied title.
Physical Description1 folder25 x 21 cm.
Cataloger supplied title.
Physical Description1 folder25 x 21 cm.
Cataloger supplied title. Written on verso: "Richard Hill" and "NY State Council with Arts, Farmer's Museum." Stamped on verso: "Photo: Alfred H. Tamarin."
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Copyright 1989. Color photograph.
Physical Description1 folder21 x 26 cm.
Written on verso: "Chris Griscom, channeler." Copyright 1992.
Physical Description1 folder26 x 21 cm.
Written on verso: "Santa Fe Flea Market." Copyright 1992.
Physical Description1 folder21 x 26 cm.
Written on verso: "Taos, N.M." Copyright 1981.
Physical Description1 folder21 x 26 cm.
Written on verso: "Bob's Java Jive, Tacoma, Washington." Copyright 1989. Color photograph.
Physical Description1 folder26 x 21 cm.
Written on verso: "Mormon Temple, Portland, Oregon." Copyright 1989. Color photograph.
Physical Description1 folder26 x 21 cm.
Written on verso: "Cabazon, CA." Copyright 1989. Color photograph.
Physical Description1 folder21 x 26 cm.
Written on verso: "Camel Rock, NM." Copyright 1992. Color photograph.
Physical Description1 folder21 x 26 cm.
Written on verso: "Bonneville, Utah." Copyright 1992. Color photograph.
Physical Description1 folder21 x 26 cm.
Written on verso: "Bonneville, Utah." Copyright 1992. Color photograph.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Mounted on 21 x 26 cm. board.
Physical Description1 folder12 x 18 cm.
Written on verso: "Mt. Princeton, Colorado." Copyright 1981. Color photograph.
Physical Description1 folder21 x 26 cm.
Written on verso: "Des Moines, Iowa." Copyright 1988. Color photograph.
Physical Description1 folder21 x 26 cm.
Written on verso: "Taos, N.M." Copyright 1981. Color photograph.
Physical Description1 folder21 x 26 cm.
1 folder9 x 26 cm.
1 folder20 x 25 cm.
Stamp on recto: "Santa Fe Ry. photo."
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder25 x 18 cm.
Cataloger supplied title. Original photograph housed in the collections of the Museum of the American Indian.
Physical Description1 folder21 x 26 cm.
1 folder21 x 26 cm.
Cataloger supplied title. Photograph was the gift of E.G. Peterson, president of the School of Forestry of the Utah State Agricultural College, to Minnie W. Miller.
Physical Description1 folder25 x 20 cm.
Cataloger supplied title.
Physical Description1 folder9 x 16 cm.
1 folder23 x 28 cm.
Written on verso: "Isaac J. Riddle's store in Escalante, Utah, about 191011 in front, old loop store further south." Mounted on 23 x 28 cm. board.
Physical Description1 folder16 x 21 cm.
Printed on recto: "3432." Mounted on 21 x 26 cm. board.
Physical Description1 folder19 x 24 cm.
Mounted on 18 x 26 cm. card.
Physical Description1 folder19 x 24 cm.
Mounted on 21 x 26 cm. board.
Physical Description1 folder17 x 23 cm.
Mounted on 20 x 31 cm. paper.
Physical Description1 folder16 x 25 cm.
Written on verso: "Olds coop store in Escalante, Utah, abt. 1911. Olds Baker, Jess Shats, Bro Spencer, Chas. J. Haycock." Mounted on 23 x 28 cm. board.
Physical Description1 folder16 x 21 cm.
Printed on recto: "8298." Possibly by W.H. Jackson Photograph and Publishing Co.
Physical Description1 folder18 x 28 cm.
Faces of funeral attendants have apparently been added to the photograph.
Physical Description1 folder19 x 25 cm.
Cataloger supplied title. Mounted on 21 x 26 cm. board. Four of the surveying team identified on recto.
Physical Description1 folder16 x 21 cm.
Copyright 1890. Mounted on 21 x 26 cm. card.
Physical Description1 folder20 x 24 cm.
Published 1861 by Geo. Newbold of London. Mounted on 25 x 18 cm. card.
Physical Description1 folder20 x 14 cm.
Mounted on 18 x 26 cm. card.
Physical Description1 folder13 x 21 cm.
Cataloger supplied title. Mounted on 23 x 31 cm. decorative board.
Physical Description1 folder19 x 24 cm.
Cataloger supplied title. Mounted on 21 x 26 cm. board.
Physical Description1 folder18 x 24 cm.
Cataloger supplied title. Mounted on 21 x 26 cm. board.
Physical Description1 folder19 x 23 cm.
Printed on recto: "B 107." Mounted on 21 x 26 cm. board.
Physical Description1 folder19 x 23 cm.
Printed on recto: "B 107." Mounted on 21 x 25 cm. board.
Physical Description1 folder20 x 25 cm.
Printed on recto: "5506."
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Mounted on 18 x 28 cm. board. Handcolored albumen print.
Physical Description1 folder10 x 19 cm.
Written on verso: "Digging of Gunnison Canal. Nels Peter Greggerson." Mounted on 23 x 28 cm. board. Possibly in Gunnison County, Colo.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Mounted on 23 x 28 cm. board. Possibly in Gunnison County, Colo.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Mounted on 23 x 28 cm. board. Possibly in Gunnison County, Colo.
Physical Description1 folder16 x 21 cm.
Copyright 1896. Mounted on 26 x 21 cm. board.
Physical Description1 folder24 x 19 cm.
Copyright 1896. Mounted on 21 x 26 cm. board.
Physical Description1 folder17 x 23 cm.
Cataloger supplied title. Mounted on 18 x 26 cm. board.
Physical Description1 folder12 x 20 cm.
Written on verso: "Shelton's Camp, Marysville, Calif., 1905." Mounted on 23 x 28 cm. board.
Physical Description1 folder16 x 21 cm.
Written on verso: "Shelton's Camp, Marysville, Calif., 1905." Mounted on 23 x 28 cm. board.
Physical Description1 folder16 x 21 cm.
Written on verso: "Shelton's Camp, Marysville, Calif., 1905." Mounted on 23 x 28 cm. board.
Physical Description1 folder16 x 21 cm.
Written on verso: "Shelton's Camp, Marysville, Calif., 1905." Mounted on 23 x 28 cm. board.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Information about the photograph noted on recto and verso of board. Mounted on 22 x 27 cm. board.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title. Mounted on 18 x 24 cm. board.
Physical Description1 folder12 x 20 cm.
Printed on recto: "13." Mounted on 18 x 24 cm. board.
Physical Description1 folder12 x 20 cm.
Printed on recto: "36." Mounted on 18 x 24 cm. board.
Physical Description1 folder12 x 20 cm.
Cataloger supplied title. Written on verso: "Silver City, NM." Mounted on 18 x 26 cm. board.
Physical Description1 folder12 x 20 cm.
Written on recto: "Gallery of the old San Miguel Church, Santa Fe, N. Mex." Initialled B.A., possibly Brother Amian.
Physical Description1 folder13 x 21 cm.
Cataloger supplied title. Mounted on 21 x 26 cm. board.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Mounted on 18 x 23 cm. board.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Mounted on 18 x 25 cm. card.
Haynes, F. Jay (Frank Jay) (1853-1921)F. Jay Haynes (1853-1921) was a professional photographer who documented the settlement and expansion of the American Northwest during the late 19th and early 20th centuries. Based in Minnesota and North Dakota, Haynes served as the official photographer for Northern Pacific Railway and Yellowstone National Park. Haynes first visited Yellowstone in 1881 and, a few years later in 1884, obtained permission to operate a photography studio there. He served as Yellowstone's official photographer from 1884 until 1920 when he was succeeded by his son, Jack Ellis Haynes (1884-1962).
Physical Description1 folder15 x 24 cm.
Written on recto: "Compliments of J.W.S. & Co." Mounted on 18 x 26 cm. card.
Physical Description1 folder17 x 23 cm.
Cataloger supplied title. Mounted on 26 x 21 cm. paper.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "Mich. Indian, possibly Mich. sharpshooter." Mounted on 21 x 16 cm. board.
Physical Description1 folder14 x 10 cm.
Cataloger supplied title. Written on verso: "Taos, 1946."
Physical Description1 folder20 x 26 cm.
Cataloger supplied title. Mounted on 17 x 12 cm. board.
Physical Description1 folder10 x 6 cm.
Label on recto: "Home of a Siletz Indian, 1909, built by himself." Mounted on 23 x 28 cm. board.
Physical Description1 folder16 x 21 cm.
Label on recto: "Home of a Siletz Indian, 1909, built by himself." Mounted on 23 x 28 cm. board.
Physical Description1 folder17 x 22 cm.
Label on recto: "Pupils, Siletz Day School, 1909." Mounted on 23 x 28 cm. board.
Physical Description1 folder17 x 22 cm.
Label on recto: "Home of a Siletz homesteader." Mounted on 23 x 28 cm. board.
Physical Description1 folder17 x 22 cm.
Cataloger supplied title. Mounted on 21 x 16 cm. board.
Physical Description1 folder18 x 13 cm.
Indian of North American ; 7617
Mounted on 31 x 22 cm. board. Preservation.
Physical Description1 folder24 x 17 cm.
Written on recto: "Indian dancers on Main St. on the 4th of July." Mounted on 14 x 17 cm. board. Likely taken on the Pine Ridge Reservation.
Physical Description1 folder10 x 13 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Written on verso: "Pitacio Quiuntana, Santo Domingo."
Physical Description1 folder18 x 13 cm.
Written on recto: "Old Indian house, Santa Fe, N.M., adjacent to the old San Miguel Church, seen by Coronado in 1540." Possibly by Brother Amian.
Physical Description1 folder13 x 21 cm.
Cataloger supplied title. Written on verso: "'Pesoth Lanny' (Psotlanny). 'The Fred Harvey Ethnologic Collection.'" Preservation
Physical Description1 folder23 x 18 cm.
Cataloger supplied title. Written on verso: "Mission Indians." Mounted on 23 x 29 cm. board.
Physical Description1 folder19 x 25 cm.
Mounted on 25 x 19 cm. board.
Physical Description1 folder24 x 18 cm.
Cataloger supplied title. Printed on recto: "49615."
Physical Description1 folder18 x 24 cm.
Written on verso: "June 27, 1906. Wreck on C.M. & St.P.RR. between Canton & Northing, S.D., 7 miles from Northing & 2 1/2 miles from Canton."
Physical Description1 folder25 x 15 cm.
Label on recto: "An Indian home, Siletz, Oregon, 1909. (photo. by a Siletz Indian)." Mounted on 23 x 28 cm. board.
Physical Description1 folder17 x 22 cm.
Label on recto: "An Indian home, Siletz, Oregon, 1909. (photo. by a Siletz Indian)." Mounted on 23 x 28 cm. board.
Physical Description1 folder17 x 22 cm.
Mounted on 17 x 22 cm. paper. Stamp of G. Wharton James collection on verso.
Physical Description1 folder16 x 21 cm.
Copyright 1896. Mounted on 17 x 22 cm. paper. Stamp of G. Wharton James collection on verso.
Physical Description1 folder16 x 21 cm.
Mounted on 24 x 19 cm. board.
Physical Description1 folder23 x 18 cm.
From label on verso: "Grey Eagle, son of Yellow Rose, Northern Chyyene [sic], with son and daughter and three Yakima girls, Lame Deer, MT, 12 Aug. 1953." Copyright 1990.
Physical Description1 folder21 x 26 cm.
Title supplied by accession record.
Physical Description1 folder12 x 18 cm.
1 folder16 x 21 cm.
Cataloger supplied title. Mounted on 20 x 31 cm. paper.
Physical Description1 folder15 x 25 cm.
Mounted on 20 x 30 cm. paper.
Physical Description1 folder16 x 26 cm.
Printed on recto: "3098." Mounted on 19 x 30 cm. paper.
Physical Description1 folder16 x 26 cm.
Printed on recto: "3319." Mounted on 17 x 27 cm. paper.
Physical Description1 folder15 x 25 cm.
Printed on recto: "3175." Mounted on 18 x 28 cm. paper.
Physical Description1 folder15 x 25 cm.
Written on recto: "Rear of the old San Miguel Church, Santa Fe, N. Mex." Possibly by Brother Amian.
Physical Description1 folder13 x 21 cm.
Label on recto: "Home of a Siletz Indian, 1909, built by himself. Photo by his neighbor." Mounted on 23 x 28 cm. board.
Physical Description1 folder17 x 22 cm.
Label on recto: "An Indian home, Siletz, Oregon, 1909. (photo. by a Siletz Indian)." Mounted on 23 x 28 cm. board.
Physical Description1 folder17 x 22 cm.
Cataloger supplied title. Mounted on 21 x 26 cm. board.
Physical Description1 folder20 x 24 cm.
Printed on recto: "3001." Mounted on 26 x 19 cm. board.
Physical Description1 folder26 x 18 cm.
Printed on recto: "803." Mounted on 26 x 20 cm. board.
Physical Description1 folder17 x 11 cm.
Printed on recto: "613." Mounted on 20 x 26 cm. board.
Physical Description1 folder11 x 17 cm.
Printed on recto: "603." Mounted on 20 x 26 cm. board.
Physical Description1 folder11 x 17 cm.
Printed on recto: "602." Mounted on 26 x 20 cm. board.
Physical Description1 folder17 x 11 cm.
Printed on recto: "610." Mounted on 20 x 26 cm. board.
Physical Description1 folder11 x 17 cm.
Cataloger supplied title. Possibly by W.H. Jackson Photograph and Publishing Co. Mounted on 20 x 26 cm. board.
Physical Description1 folder14 x 21 cm.
Cataloger supplied title. Possibly by W.H. Jackson Photograph and Publishing Co. Mounted on 20 x 26 cm. board.
Physical Description1 folder13 x 21 cm.
Cataloger supplied title. Mounted on 20 x 26 cm. board. Written on recto: Kansas City.
Physical Description1 folder12 x 20 cm.
Cataloger supplied title. Mounted on 18 x 25 cm. card.
Physical Description1 folder17 x 24 cm.
Written on verso: "Frances decorating Odd Fellow." Mounted on 21 x 26 cm. board.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "Col. Wm. F. Cody and Gordon W. Lillie, 1883. Will 37 yrs. Gordon 23 yrs. 'Clean shaven and hair braided'" and "Helen Wetmore." Helen Cody Wetmore possibly a former owner. Mounted on 26 x 21 cm. board.
Physical Description1 folder20 x 14 cm.
Cataloger supplied title. Mounted on 28 x 23 cm. board.
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Mounted on 28 x 16 cm. Dept. of Interior board.
Jackson, William Henry (1843-1942)American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.
Physical Description1 folder19 x 13 cm.
Cataloger supplied title. Mounted on 21 x 26 cm. board.
Physical Description1 folder16 x 21 cm.
Copyright 1895. Printed on recto: "661." Mounted on 26 x 21 cm. board.
Physical Description1 folder24 x 18 cm.
Cataloger supplied tite. Written on verso: "Two Moons, Cheyenne chief who led the Cheyenne Indians at the Battle of the Little Big Horn, June 25, 1876. Taken at Washington City, at the New Capitol Hotel, for E.S. Ricker, March 5, 1913." Mounted on 23 x 15 cm. board.
Physical Description1 folder15 x 10 cm.
Cataloger supplied tite. Mounted on 21 x 14 cm. board.
Physical Description1 folder15 x 11 cm.
Copyright 1898. Printed on recto: "#20." Mounted on 22 x 17 cm. board. Stamp of G. Wharton James collection on verso. Written on verso: "Oraibi."
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Written on verso: "Okla. City, Okla." Mounted on 18 x 22 cm. board.
Physical Description1 folder12 x 18 cm.
Written on verso: "Navajoe Indians near old Fort Defiance, N.M." Mounted on board.
Physical Description1 folder28 x 21 cm.
Mounted on 18 x 22 cm. board. Hand colored.
Physical Description1 folder11 x 16 cm.
Written on recto: "Gallery of the old San Miguel Church, Santa Fe, N. Mex." Possibly by Brother Amian.
Physical Description1 folder13 x 21 cm.
Printed on recto: "122." Mounted on 18 x 29 cm. board. Photograph "Approach to Moqui pueblos" on verso of board.
Physical Description1 folder11 x 19 cm.
Printed on recto: "122." Mounted on 18 x 29 cm. board. Photograph "Moqui Pueblo view [of] Indian house at Walpi." on verso of board.
Physical Description1 folder11 x 19 cm.
Copyright 1898. Hand colored. Mounted on 18 x 25 cm.
Physical Description1 folder12 x 20 cm.
Mounted on 20 x 25 cm. board.
Physical Description1 folder19 x 24 cm.
Written on verso: "Picnic west of Syracuse about 1885."
Physical Description1 folder10 x 22 cm.
Cataloger supplied title. Copyright 1895.
Physical Description1 folder18 x 26 cm.
Cataloger supplied tite. Written on verso: "Two Moons, Cheyenne chief who led the Cheyenne Indians at the Battle of the Little Big Horn, June 25, 1876. Taken at Washington City, at the New Capitol Hotel, for E.S. Ricker, March 5, 1913." Mounted on 23 x 15 cm. board.
Physical Description1 folder15 x 10 cm.
Cataloger supplied tite. Written on verso: "Picked up by A.L. Kent, Nov. 1957" and "on back for Louraritt E. Heelar, Boston Mass., 1861." Mounted on 26 x 18 cm. board. An albumen print copy of a salted paper print.
Physical Description1 folder25 x 17 cm.
Cataloger supplied tite.
Physical Description1 folder22 x 16 cm.
Cataloger supplied title. Mounted on 18 x 23 cm. card.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title. Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 18 cm.
Cataloger supplied title. Mounted on 22 x 17 cm. board.
Physical Description1 folder18 x 12 cm.
Cataloger supplied title. Names of subjects noted on verso. Mounted on 17 x 23 cm. board.
Physical Description1 folder11 x 17 cm.
Cataloger supplied title. Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title. Mounted on 21 x 26 cm. board.
Physical Description1 folder17 x 22 cm.
Printed on recto: "1780." Mounted on 21 x 13 cm. card.
Physical Description1 folder17 x 12 cm.
Written on recto: "Souix [sic] Indians, summer camp at Rushville, Nebr."
Physical Description1 folder10 x 13 cm
Written on verso: "Two kachinas on the street of Oraibi, Hopi 1897, photo by Voth." Stamp of the Good Medicine Foundation on verso.
Physical Description1 folder10 x 14 cm.
Written on recto: "To Charley from (George) PeKaNeQuow, Blackfoot Indian, Glacier Nat. Park, 1925."
Physical Description1 folder24 x 15 cm
Cataloger supplied title. Hand colored. Mounted on 17 x 15 cm. board.
Physical Description1 folder12 x 10 cm
Cataloger supplied title. Copyright 1902. Mounted on 23 x 18 cm. board.
Physical Description1 folder16 x 11 cm.
Cataloger supplied title. Copyright 1902. Mounted on 23 x 18 cm. board.
Physical Description1 folder11 x 13 cm.
Cataloger supplied title. Printed on recto: "994." Written on verso: "Excollection Roland de Bonaparte, anthropological in nature, began 1875, purchased in Paris, exBernard Garrett coll." Mounted on 21 x 27 cm. board.
Bonaparte, Roland, prince (1858-1924)Prince Roland Bonaparte was a grand nephew of Napoleon Bonaparte. He had no royal aspirations; instead he turned to study science, geography, geology, botany, ethnology, and anthropology. He focused on the documentation of physical characteristics, in particular the shape and dimension of the skull as a way to established relations between the human races. He perceived photography as a scientific tool for preserving data from his expeditions, and used it to document the American Indians, Surinamese, Hottentots, and other ethnic groups. Bonaparte was president of the "Société de géographie" (France) from 1910 till his death, and was also a member, then president, of the "Académie des sciences" (France).
Alfred Ayotte was a French (?) journalist, photographer, and traveler who was interested in the anthropological aspects of the natives of the countries he visited.
Physical Description1 folder12 x 17 cm.
Label on verso: "Standing Rock party, 1884 : Indian arrivals from Standing Rock, North Dakota, Hampton Normal School/Institute for Indians." Mounted on 21 x 27 cm. board.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. Mounted on 18 x 26 cm. board.
Physical Description1 folder12 x 20 cm.
Printed on recto: "3618." Mounted on 21 x 26 cm. board.
Physical Description1 folder11 x 17 cm.
Printed on recto: "3614." Mounted on 21 x 26 cm. board.
Physical Description1 folder11 x 17 cm.
Cataloger supplied title. Photograph "Soldiers at attention, Fort McKenny, Wyoming" on verso. Mounted on 21 x 27 cm. board.
Physical Description1 folder12 x 20 cm.
Cataloger supplied title. Photograph "View of Fort McKenny, Wyoming" on verso. Mounted on 21 x 27 cm. board.
Physical Description1 folder13 x 20 cm.
Written on verso: "Lower side view of the Great Augusta [?] Natural Bridge, the biggest natural bridge in the world." Mounted on 21 x 27 cm. board.
Physical Description1 folder13 x 20 cm.
Cataloger supplied title. Mounted on 21 x 28 cm. board.
Physical Description1 folder15 x 21 cm.
Printed on recto: "No. 13." Mounted on 17 x 28 cm. board.
Physical Description1 folder11 x 19 cm.
Printed on recto: "No. 1836." Mounted on 18 x 27 cm. board.
Physical Description1 folder12 x 19 cm.
Written on recto: "Santa Fe. Specimen of old & new adobe houses." Mounted on 21 x 28 cm. board.
Physical Description1 folder15 x 21 cm.
Written on recto: "Santa Fe. Specimen of old & new adobe houses." Mounted on 21 x 28 cm. board.
Physical Description1 folder15 x 21 cm.
Printed on recto: "No. 177." Mounted on 17 x 28 cm. board.
Physical Description1 folder12 x 19 cm.
Cataloger supplied title. Stamp of the Museum of New Mexico on verso.
Physical Description1 folder19 x 24 cm.
Cataloger supplied title. Mounted on 16 x 18 cm. board.
Physical Description1 folder10 x 13 cm.
Cataloger supplied titles. Three images mounted on the recto and verso of a 27 × 20 cm. board; on verso "A white man posing with group of Indian children in front of teepees" and "An Indian man on horseback pulling two children in a cagelike apparatus."
Physical Description1 folder27 × 20 cm.
Cataloger supplied titles. Three images mounted on the recto and verso of a 27 × 20 cm. board; on verso, "A view of a small town with a group of women standing in front of a storefront."
Physical Description1 folder27 × 20 cm.
Cataloger supplied title. Dimensions are approximate; photograph matted.
Physical Description1 folder19 x 14 cm.
Printed on recto: "33" and "Brown." Mounted on 18 x 29 cm. board.
Physical Description1 folder11 x 19 cm.
Written on recto: "Indian chief" and "Fort McKenney band." Mounted on 20 × 27 cm. board with on verso "Fort McKenny, Wyom."
Physical Description1 folder20 x 27 cm.
Written on recto: "Fort McKenny, Wyom." Mounted on 20 × 27 cm. board with "Indian chief" and "Fort McKenney band" on verso.
Physical Description1 folder20 x 27 cm.
Printed on recto: "495." Mounted on 17 x 14 cm. board.
Physical Description1 folder12 x 10 cm.
Printed on recto: "494." Mounted on 17 x 14 cm. board.
Physical Description1 folder12 x 10 cm.
Written on recto: "496. Luisanio Indian, Antonia, 108 yrs. old." Mounted on 14 x 17 cm. board.
Physical Description1 folder10 x 12 cm.
Cataloger supplied title. In a decorative folder. Written on folder: "Grad class? Snider front row left."
Physical Description1 folder19 x 24 cm.
Written on recto: "Plenty Coos & tribe." Written on verso: "Crow Indians, Fort Custer, Montana Terr. Campaign, November 5th. 87." Mounted on 21 x 26 cm. board.
Physical Description1 folder19 x 24 cm.
Cataloger supplied title. Mounted on 13 x 15 cm. board.
Physical Description1 folder10 x 14 cm.
Cataloger supplied title. Mounted on 24 x 28 cm. board.
Physical Description1 folder18 x 22 cm.
Cataloger supplied title. Mounted on 13 x 15 cm. board.
Physical Description1 folder10 x 14 cm.
Cataloger supplied title. Mounted on 13 x 15 cm. board.
Physical Description1 folder10 x 14 cm.
Cataloger supplied title. Mounted on 13 x 15 cm. board.
Physical Description1 folder10 x 14 cm.
Written on verso: "Carreta, San Juan Pueblo, October 1881." Original photograph housed in the collections of the Museum of New Mexico.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Mounted on 13 x 19 cm. paper with photograph 'A battleship' on verso.
Physical Description1 folder8 x 13 cm.
Cataloger supplied title. Mounted on 13 x 19 cm. paper with photograph 'United States soldiers with an Apache Indian family' on verso.
Physical Description1 folder6 x 11 cm.
Cataloger supplied title.
Physical Description1 folder22 x 16 cm.
Cataloger supplied title.
Physical Description1 folder22 x 16 cm.
Cataloger supplied title.
Physical Description1 folder22 x 16 cm.
Cataloger supplied title.
Physical Description1 folder16 x 22 cm.
Cataloger supplied title.
Physical Description1 folder16 x 22 cm.
Cataloger supplied title.
Physical Description1 folder22 x 16 cm.
Written on recto: "Chief Ignatio, Flathead, Montana."
Physical Description1 folder21 x 9 cm.
Cataloger supplied title. Written on verso: "John Bradfield, anthropologist, Santa Fe, NM, 19091949."
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "John Bradfield, anthrop., Santa Fe, NM, 19091949."
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Photographer's name (illegible) on verso. In color.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. In color.
Physical Description1 folder26 x 21 cm.
Printed on recto: "1051." Possibly by Lummis.
Physical Description1 folder21 x 13 cm.
Cataloger supplied title. Possibly by Lummis.
Physical Description1 folder13 x 21 cm.
Cataloger supplied title.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title.
Physical Description1 folder15 x 20 cm.
Cataloger supplied title.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title.
Physical Description1 folder22 x 17 cm.
Cataloger supplied title.
Physical Description1 folder11 x 19 cm.
Printed on recto: "3527." Written on verso: "Chemehuevi Indian 'watching' his corn."
Physical Description1 folder16 x 21 cm.
Copyright 1901. Written on verso: "Shungopavi plaza, Hopi town."
Physical Description1 folder16 x 21 cm.
Written on verso: "Hopi children on their burro."
Physical Description1 folder13 x 21 cm.
Written on verso: "Drinking the emetic after the Hopi snake dance."
Physical Description1 folder16 x 21 cm.
Written on verso: "Mexican group at Ehrenberg [?]."
Physical Description1 folder13 x 21 cm.
Printed on recto: "1534." Mounted on paper. Written on paper: "A Laguna water carrier, wife of Charlie Kie."
Physical Description1 folder21 x 16 cm.
Printed on recto: "852." Mounted on paper. Written on paper: "Interior of Moki dwelling." Possibly taken in Oraibi, Arizona.
Physical Description1 folder16 x 21 cm.
Printed on recto: "41."
Physical Description1 folder16 x 21 cm.
Printed on recto: "1647." Mounted on paper. Written on paper: "Navajo girls going for water."
Physical Description1 folder21 x 16 cm.
Cataloger supplied title.
Physical Description1 folder12 x 20 cm.
Cataloger supplied title.
Physical Description1 folder21 x 13 cm.
Cataloger supplied title.
Physical Description1 folder20 x 12 cm.
Cataloger supplied title.
Physical Description1 folder20 x 12 cm.
Cataloger supplied title.
Physical Description1 folder21 x 13 cm.
1 folder13 x 20 cm.
1 folder20 x 13 cm.
1 folder20 x 12 cm.
Written on verso: "Chapo of Manzanita." Likely a Campo Indian.
Physical Description1 folder20 x 13 cm.
Written on verso: "N.K. Boswell Ranch on Big Laramie River, Albany County, Wyo."
Physical Description1 folder18 x 25 cm.
Cataloger supplied title.
Physical Description1 folder23 x 20 cm.
Cataloger supplied title.
Physical Description1 folder22 x 20 cm.
Written on verso: "Four kossa clowns, San Juan Pueblo." Original photograph housed in the collections of the Museum of New Mexico.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title.
Physical Description1 folder21 x 15 cm.
Cataloger supplied title.
Physical Description1 folder17 x 22 cm.
Printed on recto: "2313."
Physical Description1 folder19 x 23 cm.
Written on verso: "Richenda Davis, Cheyenne, Colony, Okla." Additional information provided by a descendant: born January 11, 1889, daughter of Nannie Aspenall Davis pictured in M1185.
Physical Description1 folder17 x 13 cm.
Descendant supplied information to inform title. Mother of Richenda Davis, pictured in M1184.
Physical Description1 folder18 x 14 cm.
Cataloger supplied title.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title.
Physical Description1 folder12 x 16 cm.
Cataloger supplied title.
Physical Description1 folder12 x 16 cm.
Cataloger supplied title.
Physical Description1 folder12 x 16 cm.
Cataloger supplied title.
Physical Description1 folder12 x 16 cm.
Cataloger supplied title.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "[?] Colo. [?] of the old church in Acoma, N.M."
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on verso: "[?] Colo. [?] of the old church in Acoma, N.M."
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Written on verso: "Bridal Veil (330) & Ingram (120) Falls above Telluride, Colo."
Physical Description1 folder17 x 12 cm.
Cataloger supplied title. Gift of William G. Mackenzie, Class of 1935.
Physical Description1 folder26 x 19 cm.
Copyright 1900. Gift of William G. Mackenzie, Class of 1935.
Physical Description1 folder24 x 19 cm.
Printed on verso: "204" and "8082."
Physical Description1 folder18 x 18 cm.
Cataloger supplied title. Possibly by Vroman.
Physical Description1 folder20 x 18 cm.
Cataloger supplied title. Possibly by Vroman.
Physical Description1 folder19 x 25 cm.
Cataloger supplied title. Possibly by Vroman.
Physical Description1 folder25 x 19 cm.
Cataloger supplied title. Possibly by Vroman.
Physical Description1 folder17 x 23 cm.
Cataloger supplied title. Possibly by Vroman.
Physical Description1 folder24 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 22 cm.
Cataloger supplied title.
Physical Description1 folder25 x 19 cm.
Cataloger supplied title.
Physical Description1 folder23 x 18 cm.
Title supplied by catalog The photograph and the American Indian. Copyright 1985. Taken at the Second Mesa Day School during Indian Day.
Physical Description1 folder25 x 17 cm.
Cataloger supplied title.
Physical Description1 folder12 x 17 cm.
Written on verso: "Cheyenne mission, Darlington, Ind. Territory."
Physical Description1 folder14 x 22 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title.
Physical Description1 folder18 x 23 cm.
Written on verso: "Taos Pueblo."
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Written on recto: "No. 1."
Physical Description1 folder13 x 16 cm.
Cataloger supplied title. Written on recto: "No. 2."
Physical Description1 folder13 x 16 cm.
Cataloger supplied title. Written on recto: "No. 3."
Physical Description1 folder13 x 16 cm.
Cataloger supplied title. Written on recto: "No. 4."
Physical Description1 folder13 x 16 cm.
Cataloger supplied title. Written on recto: "No. 5."
Physical Description1 folder13 x 16 cm.
Cataloger supplied title. Written on recto: "No. 6."
Physical Description1 folder13 x 16 cm.
Cataloger supplied title. Written on recto: "No. 7."
Physical Description1 folder13 x 16 cm.
Cataloger supplied title.
Physical Description1 folder13 x 16 cm.
Cataloger supplied title. Possibly a self portrait of the photographer.
Physical Description1 folder13 x 11 cm.
Cataloger supplied title. Written on verso: "Gustavo at Laguna."
Physical Description1 folder17 x 12 cm.
Cataloger supplied title. Possibly taken at Laguna of a Laguna woman.
Physical Description1 folder17 x 13 cm.
Cataloger supplied title.
Physical Description1 folder17 x 12 cm.
Cataloger supplied title. Mounted on 12 x 15 cm. board.
Physical Description1 folder8 x 11 cm.
1 folder9 x 14 cm.
Written on verso: "Old mill in Liberty Park. Taken Nov. 15th 1905." Mounted on 12 x 15 cm. board.
Physical Description1 folder8 x 11 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder18 x 13 cm.
Written on verso: "Old home in Aurora, Co., 1575 Galena St."
Physical Description1 folder13 x 17 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. History of the mission noted by a former owner on verso.
Physical Description1 folder16 x 12 cm.
Cataloger supplied title. Written on verso: "Acoma Indians."
Physical Description1 folder12 x 16 cm.
Cataloger supplied title. Written on verso: "Phoenix Hotel entrance, Las Vegas." Possibly taken in Nevada.
Physical Description1 folder12 x 16 cm.
Written on verso: "Kiowa Indians at Wadsworth, U.P.R.R."
Physical Description1 folder12 x 16 cm.
Written on verso: "Kiowa Indian children, U.P.R.R." Likely taken in Nevada.
Physical Description1 folder12 x 16 cm.
Written on verso: "Kiowa Indian chores."
Physical Description1 folder12 x 16 cm.
Written on verso: "Indian at Gallup, Navajo chief."
Physical Description1 folder12 x 16 cm.
Written on verso: "Kiowa Indians at Wadsworth, U.P.R.R."
Physical Description1 folder12 x 16 cm.
Written on verso: "Kiowa Indian chores."
Physical Description1 folder12 x 14 cm.
Likely a Haida Indian.
Physical Description1 folder16 x 12 cm.
Cataloger supplied title. In color.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
Written on verso: "Navajo hunting party."
Physical Description1 folder13 x 18 cm.
1 folder13 x 21 cm.
1 folder13 x 21 cm.
Printed on recto: "609."
Physical Description1 folder13 x 21 cm.
Printed on recto: "2752."
Physical Description1 folder13 x 21 cm.
Cataloger supplied title. Two cyanotypes printed on one sheet, one with the printed title caption "The Indian Pueblo of Cochiti and vicinity." Likely by Lummis. Accessions numbers WA 1984212 and WA 1984213 associated with item.
Physical Description1 folder13 x 21 cm.
1 folder13 x 21 cm.
Printed on recto: "1601."
Physical Description1 folder11 x 19 cm.
Printed on recto: "226."
Physical Description1 folder11 x 19 cm.
Printed on recto: "196."
Physical Description1 folder11 x 20 cm.
Printed on recto: "206."
Physical Description1 folder11 x 19 cm.
Printed on recto: "No. 227."
Physical Description1 folder11 x 19 cm.
Printed on recto: "194."
Physical Description1 folder19 x 11 cm.
Printed on recto: "No 225."
Physical Description1 folder19 x 11 cm.
Printed on recto: "S239." Mounted on 16 x 24 cm. paper with caption "An outdoor study." The Catedral Basilica de Lagos de Moreno dominates the photograph.
Jackson, William Henry (1843-1942)American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.
Physical Description1 folder12 x 20 cm.
Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection.
Physical Description1 folder18 x 13 cm.
Original photograph housed in the Denver Public Library Western Collection. McKee with a box camera, tripod, and photography equipment on a rock ledge above a canyon near Spring House, Mesa Verde National Park (Montezuma County), Colorado.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection. Possibly taken in Colorado by Wallihan's wife.
Wallihan, Augusta (1837-1922)Augusta Wallihan (1837-1922) was a well-known wildlife photographer, who also advocated for environmental conservation.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection. Possibly taken in Colorado.
Physical Description1 folder18 x 13 cm.
Copyright 1895. Original photograph housed in the Denver Public Library Western Collection. Possibly taken in Colorado.
Physical Description1 folder13 x 18 cm.
Copyright 1896. Printed on recto: "97." Original photograph housed in the Denver Public Library Western Collection. Possibly taken in Colorado.
Physical Description1 folder13 x 18 cm.
Copyright 1899. Printed on recto: "No. 15." Original photograph housed in the Denver Public Library Western Collection. Possibly taken in Colorado.
Physical Description1 folder13 x 18 cm.
Copyright 1895. Printed on recto: "No. 12." Original photograph housed in the Denver Public Library Western Collection. Possibly taken in Colorado.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection. Names of subjects noted on verso.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection. According to the Denver Public Library, this image may have been taken by Dixon or by members of his staff, Rollin Lester Dixon, W.B. Cline, or John D. Scott.
Physical Description1 folder13 x 18 cm.
Printed on recto: "No. 77." Original photograph housed in the Denver Public Library Western Collection.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection.
Physical Description1 folder13 x 18 cm.
Original photograph housed in the Denver Public Library Western Collection.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title. Original photograph housed in the Denver Public Library Western Collection.
Physical Description1 folder13 x 18 cm.
Copyright 1891. Printed on recto: "1355."
Physical Description1 folder21 x 13 cm.
Copyright 1891. Printed on recto: "1355."
Physical Description1 folder21 x 13 cm.
Copyright 1891. Printed on recto: "1355."
Physical Description1 folder21 x 13 cm.
Printed on recto: "1253."
Physical Description1 folder13 x 21 cm.
Cataloger supplied title. In color.
Physical Description1 folder16 x 21 cm.
Written on recto of mount: "Guard mount, parade ground, Santa Fe, N.M. Tall building in rear, residence Senator J.B. Catron. Frame building at right, residence Gen. G.A. Smith." Mounted on 18 x 26 cm. paper.
Physical Description1 folder9 x 18 cm.
Cataloger supplied title. Original photograph housed in the Museum of New Mexico. Written on verso: "Center: Loretto Academy."
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder18 x 13 cm.
Written on verso: "Class in one of the girls' training schools established by Diaz."
Physical Description1 folder12 x 20 cm.
Written on verso: "Patio of Mrs. Hearst's country home at Pleasanton, Cal."
Physical Description1 folder13 x 21 cm.
Printed on recto: "1206."
Physical Description1 folder11 x 19 cm.
Written on verso: "In King's River Canon, Hugh Gibson." Gibson photographed by a large tree.
Physical Description1 folder18 x 12 cm.
Cataloger supplied title.
Physical Description1 folder21 x 13 cm.
Cataloger supplied title. Likely by Lummis.
Physical Description1 folder13 x 20 cm.
Cataloger supplied title. Likely by Lummis.
Physical Description1 folder13 x 21 cm.
Cataloger supplied title. Likely by Lummis.
Physical Description1 folder13 x 21 cm.
Cataloger supplied title. Likely by Lummis.
Physical Description1 folder21 x 13 cm.
Cataloger supplied title. Likely by Lummis.
Physical Description1 folder12 x 18 cm.
Written on verso: "Prominent Mormons in prison for polygamy."
Physical Description1 folder13 x 21 cm.
Written on verso: "George D. Pyper."
Physical Description1 folder17 x 12 cm.
Cataloger supplied title. Inscribed on recto: "To Mabelanna Corby, a genuine, with high regard, Chas. F. Lummis, Mch 6, 1924."
Physical Description1 folder23 x 19 cm.
Copyright 1902.
Physical Description1 folder21 x 16 cm.
Printed on recto: "No. 6." Written on verso: "On the way up to the goldfields."
Physical Description1 folder19 x 24 cm.
Printed on recto: "2357." Written on verso: "Cajamarquilla, peak of Saracoto & part of ruins."
Physical Description1 folder19 x 23 cm.
Written on verso: "This would have to be redrawn, as the negative is stained. But it gives the likeness of the figure rather better than the other photo does. Yxtaccihuatl, 'the woman in white.'"
Physical Description1 folder19 x 11 cm.
Cataloger supplied title.
Physical Description1 folder18 x 13 cm.
Cataloger supplied title.
Physical Description1 folder13 x 21 cm.
Cataloger supplied title.
Physical Description1 folder13 x 21 cm.
Cataloger supplied title.
Physical Description1 folder14 x 20 cm.
Cataloger supplied title.
Physical Description1 folder14 x 20 cm.
Cataloger supplied title.
Physical Description1 folder13 x 21 cm.
Cataloger supplied title.
Physical Description1 folder13 x 21 cm.
Written on verso: "Wrangel Narrows."
Physical Description1 folder13 x 21 cm.
Written on verso: "Frederic Sound."
Physical Description1 folder13 x 21 cm.
Printed on recto: "206."
Physical Description1 folder18 x 24 cm.
Cataloger supplied title.
Physical Description1 folder14 x 20 cm.
Cataloger supplied title. Written on verso: "Baranoff Castle, Sitka."
Physical Description1 folder13 x 21 cm.
Written on verso: "Indian Avenue, Sitka, Alaska."
Physical Description1 folder13 x 21 cm.
Cataloger supplied title.
Physical Description1 folder14 x 20 cm.
Written on recto of mount: "Treadwell Gold Mine opposite side of the bay at Sitka." Mounted on 15 x 22 cm. paper.
Physical Description1 folder13 x 21 cm.
Written on recto of mount: "Juneau, Alaska." Mounted on 15 x 22 cm. paper.
Physical Description1 folder13 x 21 cm.
Cataloger supplied title. Written on verso: "From deck of [?] at Treadwell."
Physical Description1 folder13 x 21 cm.
Written on verso: "Juneau from deck of a ste."
Physical Description1 folder13 x 21 cm.
Cataloger supplied title. Printed on recto: "179." Written on recto of mount: "Fort Wrangell, Alaska, showing new house of the chief of Sitka Indians, the totem poles in front representing the 'family trees' of himself and wife." Correct ownership of house indicated by visitors to Princeton University Library. Mounted on 18 x 23 cm. paper.
Physical Description1 folder12 x 19 cm.
Cataloger supplied title. Printed on recto: "Raven totem." Written on verso: "Totem poles at Alert Bay, B.C., on our way to Skagway, Alaska, trip of 1917." Correct place name indicated by visitors to Princeton University Library.
Physical Description1 folder23 x 20 cm.
Cataloger supplied title.
Physical Description1 folder13 x 21 cm.
Cataloger supplied title.
Physical Description1 folder14 x 20 cm.
Written on verso: "Lydia Schemmel, Smoki."
Physical Description1 folder15 x 12 cm.
Written on verso: "Lydia Schemmel, Smoki."
Physical Description1 folder15 x 12 cm.
Cataloger supplied title. Written on verso: "Schemmel, Smoki."
Physical Description1 folder15 x 12 cm.
Cataloger supplied title. Written on verso: "Schemmel, Smoki."
Physical Description1 folder15 x 12 cm.
Printed on recto: "No. 131." Chase's name has been masked out. Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. Printed on recto: "91." Written on verso: "Opening of Glacier Natl. Park."
Physical Description1 folder26 x 21 cm.
Cataloger supplied title.
Physical Description1 folder10 x 12 cm.
Cataloger supplied title. Mounted on cropped 18 x 25 cm. board.
Physical Description1 folder12 x 20 cm.
Cataloger supplied title. Possibly related to photograph WC064, M1370.
Physical Description1 folder9 x 26 cm.
1 folder9 x 26 cm.
Written on recto: "General library, Johns Hopkins University." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 19 cm.
Written on verso: "Rotunda of museum, Stanford Univ." Mounted on 19 x 14 cm. card.
Physical Description1 folder18 x 12 cm.
Written on verso: "View from center of 'quad' looking south, Stanford Univ." Mounted on 14 x 19 cm. card.
Physical Description1 folder12 x 18 cm.
Written on verso: "'Old Yuma,' Wyoming chief."
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Mounted on 14 x 12 cm. card.
Physical Description1 folder12 x 20 cm.
Cataloger supplied title. Mounted on 18 x 24 cm. board.
Physical Description1 folder13 x 18 cm.
Views of New Mexico
Cataloger supplied title. Title printed on recto illegible. Mounted on 12 x 18 cm. card.
Jackson, William Henry (1843-1942)American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.
Physical Description1 folder11x 17 cm.
Mountted on 12 x 18 cm. card.
Physical Description1 folder11 x 17 cm.
Cataloger supplied title. Mounted on 18 x 23 cm. board. Possibly taken in New Mexico.
Physical Description1 folder13 x 18 cm.
Printed on recto: "No. 128." Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 18 cm.
'Dobe and the burro ; no. 1892
Cataloger supplied title. Printed on recto: "Mexican family, adobe houses, "el horno" the oven." Possibly by Rudy. Mounted 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Written on verso: "Mescalero Indian Agency, New Mexico, Dec. 15th 1893." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 20 cm.
'Dobe and the burro
Written on verso: "Indian family & house." Taken in New Mexico. Possibly by Rudy. Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Written on verso: "Roosevelt day in Raton." Mounted on 18 x 23 cm. board.
Physical Description1 folder13 x 18 cm.
Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.
Physical Description1 folder13 x 18 cm.
Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.
Physical Description1 folder13 x 18 cm.
Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.
Physical Description1 folder18 x 13 cm.
Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.
Physical Description1 folder13 x 18 cm.
Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.
Physical Description1 folder18 x 13 cm.
Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.
Physical Description1 folder13 x 18 cm.
Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.
Physical Description1 folder13 x 18 cm.
Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.
Physical Description1 folder13 x 18 cm.
Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.
Physical Description1 folder13 x 18 cm.
Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.
Physical Description1 folder13 x 18 cm.
Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.
Physical Description1 folder13 x 18 cm.
Title supplied from certificate of authenticity, which is housed in the collection file. 1996 copyright held by Cliff Mills, who made the print from the original.
Physical Description1 folder13 x 18 cm.
Printed on recto: "No. 422."
Physical Description1 folder17 x 12 cm.
Cataloger supplied title. Written on verso: "Deming, N.M." Mounted on 21 x 26 cm. board.
Physical Description1 folder11 x 17 cm.
Cataloger supplied title. Written on verso: "Deming, N.M." Mounted on 21 x 26 cm. board.
Physical Description1 folder11 x 17 cm.
Written on recto of board: "Ruins of the 'terminal town' U.P.Ry., 1871, Wyoming, Green River 'City.'" A publication of the U.S. Topographical and Geological Survey of the Valley of the Colorado.
Physical Description1 folder11 x 19 cm.
Written on recto of board: "Sunnyside Cottage, Salt Lake City, June 1885." Mounted on 18 x 23 cm. board.
Physical Description1 folder12 x 18 cm.
Printed on recto: "No. 444." Mounted on 23 x 18 cm. board.
Physical Description1 folder17 x 12 cm.
Printed on recto: "No. 427." Copyright 1894. Mounted on 18 x 23 cm. board.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title.
Physical Description1 folder12 x 21 cm.
Printed on recto: "No. 3329" and "U.P.R.R. Utah." Mounted on 15 x 21 cm. paper.
Physical Description1 folder12 x 19 cm.
Cataloger supplied title. Mounted on 18 x 23 cm. board. Written on verso: "Nels Gregerson."
Physical Description1 folder11 x 17 cm.
Cataloger supplied title. Mounted on 18 x 23 cm. board. A description of the photograph on verso.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Mounted on 18 x 23 cm. board.
Physical Description1 folder13 x 19 cm.
Printed on recto: "No. 439. " Mounted on 18 x 23 cm. board.
Physical Description1 folder12 x 17 cm.
Printed on recto: "152." Mounted on 18 x 23 cm. board.
Physical Description1 folder12 x 17 cm.
Written on recto: "Hacienda office." Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Printed on recto: "No. 443." Copyright 1894. Mounted on 18 x 23 cm. board.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title. Two 10 x 8 cm. photographs mounted on 21x 26 cm. board.
Physical Description1 folder21 x 26 cm.
Cataloger supplied title. Mounted on 21 x 26 cm. board.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Mounted on 21 x 26 cm. board.
Physical Description1 folder13 x 17 cm.
Cataloger supplied title. Mounted on 14 x 18 cm. board. Likely taken in Utah. Information about the sheep noted on verso.
Physical Description1 folder10 x 14 cm.
Inscribed by Layton to Charles Fletcher Lummis on verso. Mounted on 18 x 22 cm. card.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Salt Lake City looking east along So. Temple St., Brigham Young's residence, also Gardo House."
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title.
Physical Description1 folder20 x 15 cm.
Cataloger supplied title.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title. Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Silver mine." Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Silver mine." Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Aztec temple ruins." Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Aztec temple ruins." Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Zacatecas." Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Church of Guadeloupe [sic]." Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Calle de Tres Cruxes [sic] (the cathedral)." Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Front of the cathedral (Zacatecas)." Mounted on 22 x 17 cm. board.
Physical Description1 folder17 x 12 cm.
Written on verso: "Market place, Zacatecas." Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Calle de Tres Cruxes [sic]." Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Street in Zacatecas, Juanalouzo." Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Plaza 'San Juan de Dios.'" Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Party of beggars." Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Hotel Zacatecas." Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Old mining college." Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Chapel on the bufa." Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Chapel on the bufa, priest= Padre Jose de Nara." Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Harbor of Havana." Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Harbor of Havana, Morro Castle." Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Written on verso: "Group of street musicians." Mounted on 17 x 22 cm. board. Likely taken in Mexico.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title. Mounted on 17 x 22 cm. board. Likely taken in Mexico.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title. Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title. Mounted on 17 x 22 cm. board.
Physical Description1 folder12 x 17 cm.
Shipler's western views ; no. 31
Copyright 1902. Mounted on 17 x 22 cm. board.
Physical Description1 folder11 x 16 cm.
Mounted on 18 x 23 cm. board.
Physical Description1 folder12 x 18 cm.
Mounted on 21 x 26 cm. board.
Physical Description1 folder12 x 18 cm.
Mounted on 20 x 25 cm. board.
Physical Description1 folder12 x 18 cm.
Mounted on 21 x 26 cm. board.
Physical Description1 folder13 x 18 cm.
Cataloger supplied title. Taken during the Wanamaker Expedition of 1908.
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 11.
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 34.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 44.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title.Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 46.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 20.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 36.
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 21.
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 43.
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 67.
Physical Description1 folder11 x 9 cm.
Cataloger supplied title. Taken during the Wanamaker Expedition of 1908. Printed on recto: "Produced by our New York photographic section. Copyright 1908. John W."
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper.
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 28.
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Taken during the Wanamaker Expedition of 1908. Mounted on gray paper, which is numbered 38.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Taken during the Wanamaker Expedition of 1908. Mounted on gray paper, which is numbered 40.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper.
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Taken during the Wanamaker Expedition of 1908. Mounted on gray paper, which is numbered 37.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Taken during the Wanamaker Expedition of 1908. Mounted on gray paper, which is numbered 41.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Taken during the Wanamaker Expedition of 1908. Copyright 1923.
Physical Description1 folder24 x 18 cm.
Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 76.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. From the Glacier Park Photo Shop. With photographs from the 1908 Wanamaker Expedition.
Physical Description1 folder25 x 18 cm.
Cataloger supplied title. Taken during one of the Wanamaker Expeditions. Mounted on gray paper, which is numbered 14.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Taken during the Wanamaker Expedition of 1913. Mounted on gray paper, which is numbered 61.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Possibly taken during the Wanamaker Expedition of 1913. Mounted on gray paper, which is numbered 9.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Taken during the Wanamaker Expedition of 1908.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Taken during the Wanamaker Expedition of 1913. Mounted on gray paper, which is numbered 66.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Mounted on board, which is numbered 26. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder11 x 15 cm.
Cataloger supplied title. Mounted on board, which is numbered 23. Photocopies accompanying Hampton photographs can be found in the collection file. Thomas Ikinicapi on the left and Joseph Sunkaska on the right.
Physical Description1 folder18 x 11 cm.
Cataloger supplied title. Mounted on board, which is numbered 7. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder12 x 18 cm.
Cataloger supplied title. Mounted on board, which is numbered 40. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder9 x 12 cm.
Cataloger supplied title. Mounted on board, which is numbered 36. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder12 x 18 cm.
Cataloger supplied title. Mounted on board, which is numbered 37. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder18 x 12 cm.
Cataloger supplied title. Mounted on board, which is numbered 38. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. Mounted on board, which is numbered 39. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. Mounted on board, which is numbered 35. Photocopies accompanying Hampton photographs can be found in the collection file. From left to right buildings are Uncle Tom's Cabin, Col. Girls' Cottage, the laundry, and Virginia Hall.
Physical Description1 folder11 x 18 cm.
Cataloger supplied title. Mounted on board, which is numbered 32. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. Mounted on board, which is numbered 31. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder17 x 24 cm.
Cataloger supplied title. Mounted on board, which is numbered 22. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder19 x 11 cm.
Cataloger supplied title. Mounted on board, which is numbered 5. Photocopies accompanying Hampton photographs can be found in the collection file. Boy in the far back by window identified as Walter Battice and boy furthest right identified as George Haus.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. Mounted on board, which is numbered 11. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder19 x 12 cm.
Cataloger supplied title. Mounted on board, which is numbered 21. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Mounted on board, which is numbered 27. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Mounted on board, which is numbered 15. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder21 x 16 cm.
Cataloger supplied title. Mounted on board, which is numbered 1. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder11 x 18 cm.
Cataloger supplied title. Mounted on board, which is numbered 10. Photocopies accompanying Hampton photographs can be found in the collection file. James Firecould is the son of Daniel Firecloud.
Physical Description1 folder20 x 11 cm.
Cataloger supplied title. Mounted on board, which is numbered 6. Photocopies accompanying Hampton photographs can be found in the collection file. Top row from left to right: M. Conger, S. LaFlesche, J. Coleau, M. LaFlesche, D. St. Cyr, C. Picotte. Bottom row from left to right: W. Battice, A. Dawson, J. Barnaby, M. Traversie, T. Miles, F. Goodbody [?].
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. Mounted on board, which is numbered 18. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. Mounted on board, which is numbered 29. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. Mounted on board, which is numbered 20. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder11 x 18 cm.
Cataloger supplied title. Mounted on board, which is numbered 24. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder19 x 11 cm.
Cataloger supplied title. Mounted on board, which is numbered 4. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder12 x 19 cm.
Cataloger supplied title. Mounted on board, which is numbered 13. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder11 x 18 cm.
Cataloger supplied title. Mounted on board, which is numbered 14. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder5 x 11 7 x 13 cm.
Cataloger supplied title. Mounted on board, which is numbered 16. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. Mounted on board, which is numbered 17. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title. Mounted on board, which is numbered 19. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder11 x 18 cm.
Cataloger supplied title. Mounted on board, which is numbered 30. Photocopies accompanying Hampton photographs can be found in the collection file.
Physical Description1 folder12 x 18 cm.
Written on board: "I. View of Bisbee, Arizona, after the flood of 1890." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "II. Near the engine house, Bisbee, Arizona." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "3. Copper Queen Smelting Works, Bisbee, Arizona." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "4. Bisbee, Arizona, after the flood of 1890." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "5. Street in Bisbee, Arizona, after the flood of 1890." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "6. Street in Bisbee, Arizona, after the flood of 1890." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "7. Frank Robinette." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 20 cm.
Written on board: "8. Richard M. Abbott." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "9." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder18 x 23 cm.
Written on board: "10. Palominas custom house." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "11. Palominas custom house." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Written on board: "12. Palominas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Written on board: "13. Palominas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "14. Palominas, Padre Jose de Jesus Verjan." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "15. Palominas, baptismal scene." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Written on board: "16. Palominas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "17. Camp no. 7 : mules and packs." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder15 x 21 cm.
Written on board: "18. Fronteras, general view." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Written on board: "19. Fronteras." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "20. Palm, Calabazas Trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "21. Puriqui Mountains." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "22. Butte, Cruz de Canadas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "23. Butte, Cruz de Canadas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "24. Butte, Cruz de Canadas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "25. Butte, Cruz de Canadas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "26. Camp 15, Porphory Bluff." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "27. Palms between camps 15 and 16." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "28. Sandstone east of camp 17." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "29. Palms between camps 15 and 16." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "30. Huerigo Canon." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "31. Cactus, camp 18." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "32. Bavispe River, Opato, camp 19." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "33. Cariso bamboo, Opato, camp 19." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "34. Alejo Salazar." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder18 x 23 cm.
Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "35. Marcelino Espinosa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder18 x 23 cm.
Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "36. Lorenzo Henriques." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder18 x 23 cm.
Written on board: "37. Lorenzo Henriques." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "38. Cactus, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "39. Camp 19, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "40. Around the camp fire at night, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "41. A broncho [sic] trade, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "42. Urdasindo Durazo." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "43. Urdasindo Durazo." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "44. Urdasindo Durazo." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "45. Emilio Durazo." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "46. Cactus near camp 19." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "47. Making mescal, no. 1." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "48. Making mescal, no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "49. Making mescal, no. 3." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "50. Our laundry, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "51. House of Florentino Valencio, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "52. Main St., Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "53. Cathedral, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "54. Bells, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "55. Corral, Malesio Arviso, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "56. Kitchen, house of Louis Hernandez, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "57. Mill, house of Louis Hernandez, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "58. Interior of house, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "59. Kitchen, Opato." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "60. House of Delphino Quintano." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "61. Octaviano Durazo." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder18 x 23 cm.
Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "62. Josepha Durazo, Opato. Ramona Durazo." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder18 x 23 cm.
Written on board: "63. Huerigo Canon." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "64. Honey bee's nest, Huerigo Canon." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "65. Indian inscriptions, Huerigo Canon." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "66. Indian inscriptions, Huerigo Canon." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "67. Nogalitos Mts." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "68. Sandstone north of Cruz des Canadas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "68. Nogalitos Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "70. Nogalitos Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "71. Salsipuede Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "72. Ancient mines, SalSiPuede Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "73. Ancient mines, SalSiPuede Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "74. Ancient mines, interior, SalSiPuede Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "75. Peneha [?] Mts." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "76. Nacosari Valley, no. 1, north." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "77. Nacosari Valley, no. 2, south." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "78. Ozo Negro Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "79. Dyke, Ozo Negro Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "80. Tank, Ozo Negro Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "81. Ivy, Ozo Negro Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "83. Mexican village, Ozo Negro." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "84. Mexican village, Ozo Negro." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "85. Apache camp, Ozo Negro." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "86. Cliffs on Chinapa Trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "87. Chinapa Valley, S.E." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "88. Canon near Chinapa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "89. Inscriptions on walls of canon, Chinapa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "90. Doorway between two canons, Chinapa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "91. Canon, Chinapa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "92. Box Canon, Chinapa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "93. Echinocactus." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "94. My party at Arizpe." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "95. Mountains east of Arizpe." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "96. Plaza at Arizpe." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "97. Panorama of Arizpe." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "98. Public square, Arizpe." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "99. Cathedral, Arizpe." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "100. Calle de San Francisco y de Corella, Arizpe." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "101. Public school, Arizpe." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "102. Opuntia, Arizpe." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "103. Eroded sandstone, Sonora Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "104. Ancient irrigating ditch, Sonora Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "105. San Jose Mine, Sonora." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "106. San Jose Mine, Sonora." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "107. Cathedral & public square, Cumpas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "108. Camp at Cumpas." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "109. Street altar, Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "110. House of Carlos C. Soto, Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "111. Moreno house, interior." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "112. Adelaida y Beatrice Moreno." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "113. Cathedral, Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "114. Cathedral, interior, Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "115. Rosario Chapel, Cathedral of Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "116. Nuestro Amo Chapel door, Cathedral of Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "117. Nuestro Amo Chapel, Cathedral of Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "118. Old altar piece, Cathedral of Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "119. Mill, Carlos C. Soto, Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "120. Orange trees, Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "121. Panoche manufactory, Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "122. Group at mill, Montezuma." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "123. Josepha y Rosa Sanchos." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "124. Jesuit ruins, Tonibabi." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "125. Ruins at Tonibabi." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "126. Oposura Valley looking east." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "127. Convolvulus." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "128. Camp at Don Venancio Durazo's." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "129. Don Venancio Durazo & family." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "130. Boy at Don Venancio Durazo's." Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder18 x 23 cm.
Written on board: "131. Cradle hammock, Don Venancio Durazo." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "132. Panorama, Don Venancio Durazo's, no. 1." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "133. Panorama, Don Venancio Durazo's, no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "134. Panorama, Don Venancio Durazo's, no. 3." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "135. Panorama, Don Venancio Durazo's, no. 4." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "136. Bavispe Valley, looking west." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "137. Bavispe Valley, from Nacori Trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "138. North of trail to Nacori." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "139. On the Nacori Trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "140. Looking west from Nacori Trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "141. Canon on Nacori Trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "142. On the trail to Nacori." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "143. Looking east, on the Nacori Trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "144. Camp, on Nacori Pass." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "145. Panorama, from camp, on Nacori Pass, no. 1." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "146. Panorama, from camp, on Nacori Pass, no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "147. Panorama, Tehuave Valley, north, no. 1." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "148. Panorama, Tehuave Valley, south, no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "149. Bacadehuachi Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "150. Cathedral, Bacadehuachi." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "151. Processional image, Bacadehuachi." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "152. Canon on pass, Bacadehuachi." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "153. Bacadehuachi Canon, camp 27." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "154. Canon, near camp 27." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "155. Camp 27." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "156. Trail to Nacori." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "157. Camp 28, near Nacori." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "158. Our water works." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "159. Public square, Nacori." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "160. Cathedral, Nacori." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "161. Bells, Nacori." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "162. Don Francisco Valencio." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "163. Don Francisco Valencio & family." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "164. Butte, upper Nacori Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "165. Legume." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "166. Nacori Valley, from Rinconada Pass." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "167. Trincheras, the Rinconada." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "168. Nacori Valley, no. 1." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "169. Nacori Valley, no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "170. Camp 29." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "171. Trail from camp 29." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "172. Camp 30." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "173. Camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "174. Looking north, camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "175. Nacori Valley, from camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "176. Canon, near camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "177. Canon, near camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "178. Canon, near camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "179. Looking east, camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "180. Looking west, camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "181. Looking west, camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "182. Canon, west of camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "183. Trail from camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "184. Looking west from pass, near camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "185. The Sierra Madres, near camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "186. Looking east from pass, near camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "187. Looking east, from pass near camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "188. Camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "189. Looking south from camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "190. Looking north from camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "191. Mules at camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "192. Mules at camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "193. Mountains east of camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "194. Augustin Rios." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "195. Party at camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "196. Trail from camp 31." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "197. Mules on lower trail, near camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "198. Mules on upper trail, near camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "199. Camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "200. Mountains west of camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "201. Canon west of camp 32." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "202. Aguas Blancas Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "203. Aguas Blancas Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "204. Aguas Blancas Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "205. Aguas Blancas Valley, looking north." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "206. Aguas Blancas Valley, looking west." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "207. Aguas Blancas Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "208. Aguas Blancas Valley, general view." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "209. Camp 33." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "210. Ledge near camp 33." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "211. Camp 34." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "212. Aguas Blancas Valley, from camp 34." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "213. Looking south from camp 34." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "214. South west from camp 34." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "215. North from camp 34." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "216. West from camp 34." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "217. North east from camp 34." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "218. Cliffs near camp 34." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "219. Canon east of camp 34." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "220. Camp 35." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "221. Trail to camp 36." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "222. Trail to camp 36." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "223. Trail to camp 36." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "224. Pine near camp 36." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "225. Pine." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "226. Camp 36." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "227. Trees at camp 36." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "228. Pine parasite." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "229. Trail seen from the mesa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "230. Nacori Valley from highest point reached (8900 ft.)." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "231. Looking north from highest point." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "233. East from highest point." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "234. Camp 37." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "235. Kitchen scene, camp 37." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "236. McGinty and Carson." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "237. The great mesa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "238. Burro train on the mesa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "239. Camp 38." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "240. Canon south west of Camp 38." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "241. East from camp 38." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "242. Bavispe Valley from near camp 38." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "243. The Rancheria from near camp 38." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "244. Camp 39." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "245. Pueblo butte, from near Camp 39." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "246. Frost, Dec 25/90, camp 39." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "247. Christmas dinner 1890." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "248. Christmas tent." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "249. Camp 40." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "250. South from camp 40." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "251. West from camp 40." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "252. Mules, on trail from camp 40." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "253. Bavispe Valley from camp 40." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "254. Camp 39 seen from camp 40." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "255. Quercus." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "256. Trincheras, near camp 40." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "257. Ruined pueblo, near camp 40." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "258. Ruined pueblo, near camp 40." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "259. Trail from camp 40 to camp 41." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "260. South, from trail, camp 40 to 41." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "261. East, trail from camp 40 to 41." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "262. North, trail from camp 40 to 41." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "263. North east, trail from camp 40 to 41." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "264. Camp 41." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "265. West from camp 41." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "266. North, trail from camp 41 to 42." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "267. Camp 42." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "268. Game, camp 42." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "269. North, trail from camp 42 to 43." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "270. Juniperus." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "271. Quercus." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "272. Pinon." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "273. Camp 43." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "274. East from near camp 43." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "275. West, from near camp 43." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "276. Agave, near camp 43." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "277. Agave." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "278. Camp 44." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "279. Marcelino Espinosa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette.
Physical Description1 folder18 x 23 cm.
Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "280. Carlos Moreno." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette.
Physical Description1 folder18 x 23 cm.
Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "281. Juan Figaroa." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette.
Physical Description1 folder18 x 23 cm.
Cataloger supplied title. Two 16 x 11 cm. photographs mounted on 18 x 23 cm. board. Written on board: "282. Francisco Dustin." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette.
Physical Description1 folder18 x 23 cm.
Cataloger supplied title. Two 16 x 11 cm. photographs, one of Lumholtz and the other of Libbey, mounted on 18 x 23 cm. board. Written on board: "283. Carl Lumholtz ; William Libbey, Jr." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette.
Physical Description1 folder18 x 23 cm.
Written on board: "284. Camp 45." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "285. Game, camp 45." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "286. Buttonwood and maple." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "287. Buttonwood and maple." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "288. Ant hill, camp 45." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "289. Cavern, camp 45." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "290. Cavern, camp 45." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "291. Camp 45, snow scene." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "292. Camp 45, snow scene." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "293. Mesa, west of camp 45." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "294. Upper Bavispe Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "295. Upper Bavispe Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "296. Upper Bavispe Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "297. Ivory billed wood pecker." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "298. Casa Blanca, camp a." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "299. Casa Blanca, camp b." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "300. Leaving camp 45." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "301. Leaving camp 45." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "302. Mules on trail, camp 45 to 46." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "303. Mules on trail, camp 45 to 46." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "304. Mules on trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "305. Mules on trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "306. Mules on trail." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "307. Oaks." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "308. Eroded sandstone, camp 46." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "309. Near camp 46." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "310. Camp 46." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "311. Camp 46." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "312. Antonio Fimbres." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "313. Jose Ramirez." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "314. Valley of Pachico." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "315. Distant view of Pachico." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "316. Distant view of Pachico." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "317. Pachico." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "318. Bishop Lunt and family." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "319. Bishop Lunt's house." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "320. Pachico school." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "321. Cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "322. Olla grande, cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "323. Olla grande, cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "324. Olla grande, cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "325. Olla grande, cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "326. Olla grande, cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "327. Houses in cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "328. Houses in cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "329. Wall paintings in cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "330. Looking east from cave no. 2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "331. Entrance to caves 1 and 1 1/2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "332. Cave 1 1/2." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "333. Interior, cave no. 1." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "334. Interior, cave no. 1." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "335. Interior, cave no. 3." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "336. Interior, cave no. 3." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "337. Interior, cave no. 4." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "338. Cave no. 5." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "339. Entrance to cave no. 5." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "340. Interior, cave no. 5." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "341. Interior, cave no. 5." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "342. Single house in alcove." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "343. Cave no. 6." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "344. Interior, cave no. 6." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "345. Interior, cave no. 6." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "346. Burial caves." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
This photograph shows a burial site used by an Indigenous community or communities.
Physical Description1 folder16 x 21 cm.
Written on board: "347. Burial caves." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
This photograph shows a burial site used by an Indigenous community or communities.
Physical Description1 folder16 x 21 cm.
Written on board: "348. Skeleton." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Photograph depicts human skeletal remains.
Physical Description1 folder16 x 21 cm.
Written on board: "349. Skeleton." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Photograph depicts human skeletal remains.
Physical Description1 folder16 x 21 cm.
Written on board: "350. Relics." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Photograph depicts pottery and human skeletal remains.
Physical Description1 folder16 x 21 cm.
Written on board: "351. House foundations, Cave Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "352. Cave Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "353. Cave Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "354. Cave Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "355. Cave Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "356. Cave Valley, snow scene." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "357. Cave Valley, kitchen." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "358. Camp view, Cave Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "359. Interior of tent." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "360. Cave Valley, snow scene." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "361. Piedras Verdes Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "362. Piedras Verdes Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "363. Mistletoe, Cave Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "364. Mistletoe, Cave Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "365. Pinon, Cave Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "366. Eroded sandstone, Strawberry Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "367. Cave, Strawberry Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 23 x 18 cm. board.
Physical Description1 folder21 x 16 cm.
Written on board: "368. Cave, Strawberry Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "369. Cave, Strawberry Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "370. Cave, Strawberry Valley." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "82. Ozo Negro Ore Works." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Written on board: "232. North east from highest point." Taken on a expedition to Southern Arizona and Mexico in search of antiquities. Members of the expedition included William Libbey, Carl Lumholtz, Richard M. Abbott, and Frank Robinette. Mounted on 18 x 23 cm. board.
Physical Description1 folder16 x 21 cm.
Cataloger supplied title.
Physical Description1 folder26 x 21 cm.
Cataloger supplied title. Written on verso: "Bradley."
Physical Description1 folder18 x 13 cm.
Cataloger supplied title.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title.
Physical Description1 folder13 x 17 cm.
Cataloger supplied title.
Physical Description1 folder17 x 11 cm.
Stamp of a former owner on verso.
Physical Description1 folder14 x 22 cm.
Masks & metaphors ; no. 5.
Cataloger supplied title. Masks & metaphors, no.5 consists of two photographs; this photograph is to appear on the right.
Physical Description1 folder16 x 24 cm.
Masks & metaphors ; no. 5.
Cataloger supplied title. Masks & metaphors, no. 5 consists of two photographs; this photograph is to appear on the left.
Physical Description1 folder16 x 24 cm.
Printed on recto: "73." 1893 copyright held by C.C. Arnold, chief of the World's Columbian Exposition Department of Photography. Mounted on 21 x 25 cm. board with World's Columbian Exposition logo.
Physical Description1 folder17 x 21 cm.
Southern Pacific Company (Atlantic System) ; no. 2
Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "786." Mounted on 22 x 14 cm. card.
Physical Description1 folder18 x 11 cm.
Printed on recto: "3628." Mounted on 14 x 22 cm.
Haynes, F. Jay (Frank Jay) (1853-1921)F. Jay Haynes (1853-1921) was a professional photographer who documented the settlement and expansion of the American Northwest during the late 19th and early 20th centuries. Based in Minnesota and North Dakota, Haynes served as the official photographer for Northern Pacific Railway and Yellowstone National Park. Haynes first visited Yellowstone in 1881 and, a few years later in 1884, obtained permission to operate a photography studio there. He served as Yellowstone's official photographer from 1884 until 1920 when he was succeeded by his son, Jack Ellis Haynes (1884-1962).
Physical Description1 folder13 x 21 cm.
Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 18 cm.
Southern Pacific Company (Atlantic System) ; no. 2
Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 19 cm.
Southern Pacific Company (Atlantic System) ; no. 26
Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 19 cm.
Southern Pacific Company (Atlantic System) ; no. 9
Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 20 cm.
Southern Pacific Company (Atlantic System) ; no. 1
Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 20 cm.
Cataloger supplied title. Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 18 cm.
Missions in 1886 ; no. 715
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 18 cm.
Printed on recto: "No. 11."
Physical Description1 folder13 x 21 cm.
Printed on recto: "350." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "74." Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 18 cm.
Cataloger supplied title. Written on verso: "Tom, Navajo, Arizona." Photographs WC064 M1904 and M1905 were taken of a Carlisle student before and after his education. Mounted on 22 x 14 cm. card.
Physical Description1 folder20 x 14
Written on verso: "Thomas Torlino, Navajo, Arizona, Oct. 1885." Photographs WC064 M1904 and M1905 were taken of a Carlisle student before and after his education. Mounted on 22 x 14 cm. card.
Physical Description1 folder20 x 14 cm.
Written on verso: "Indian school." Mounted on 13 x 21 cm. card.
Physical Description1 folder13 x 21 cm.
Mounted on 22 x 14 cm. card.
Physical Description1 folder18 x 11 cm.
Printed on recto: "901."
Physical Description1 folder10 x 11 cm.
Mounted on 21 x 13 cm. card.
Physical Description1 folder19 x 11 cm.
Cataloger supplied title. Mounted on 21x 13 cm. card.
Physical Description1 folder18 x 12 cm.
Mounted on 21 x 13 cm. card.
Physical Description1 folder18 x 11 cm.
Printed on recto: "No. 29." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "118." Mounted on 21 x 13 cm. card.
Physical Description1 folder19 x 12 cm.
Mounted on 21 x 13 cm. card.
Physical Description1 folder18 x 11 cm.
Cataloger supplied title. Mounted on 21 x 13 cm. card.
Physical Description1 folder18 x 12 cm.
Printed on recto: "2010." Printed on verso: "Santa Fe route." Label pasted over W. Ira Rudy's name. Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 20 cm.
Written on recto: "Navajoe Indians, Gallup, New Mexico." Mounted on 14 x 17 cm. board.
Physical Description1 folder10 x 12 cm.
Written on verso: "Moki, a scene during the snake dance." Hand colored.
Physical Description1 folder13 x 20 cm.
Written on verso: "View in Oraibi, the further village of the Moqui's." Mounted on 14 x 22 cm. card.
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder12 x 21 cm.
Printed on recto: "No. 69." Mounted on 21 x 13 cm. card.
Physical Description1 folder19 x 11 cm.
Cataloger supplied title. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Cataloger supplied title. Printed on recto: "V.A. blood camp [?]." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 21 cm.
Printed on recto: "No. 85." Mounted on 21 x 13 cm. card.
Physical Description1 folder18 x 11 cm.
Cataloger supplied title. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Pueblo of Isleta, A. & P. junction ; 75
Series name struck out and "The ranch at Acabache" written beneath it. Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "2022." Possibly by Lummis. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Printed on recto: "2473." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 21 cm.
Cataloger supplied title. Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Cataloger supplied title. Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Cataloger supplied title. Name of factory obscured by trees in foreground. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Cataloger supplied title. Mounted on 14 x 22 cm. card.
Physical Description1 folder13 x 22 cm.
Possibly by Hook. Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 18 cm.
Pueblo Indians and Indian pueblos ; 1107
Santa Fe route. Mounted on 13 x 21 cm.
Physical Description1 folder12 x 19 cm.
Printed on recto: "56." Mounted on 13 x 21 card.
Physical Description1 folder11 x 19 cm.
Pueblo Indians and Indian pueblos ; 841
Santa Fe route. Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 19 cm.
Pueblo Indians and Indian pueblos ; 1102
Santa Fe route. Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Written on verso: "151a. Cliff houses, Beaver Creek." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 19 cm.
Printed on recto: "4402." Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "No. 24." Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 17 cm.
Cataloger supplied title.
Physical Description1 folder13 x 18 cm.
U.S. military post of San Antonio ; no. 844
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 18 cm.
Catalogers supplied title. Mounted on 21 x 13 cm. card.
Physical Description1 folder18 x 12 cm.
Catalogers supplied title. Stamp of F.W. Moon over Jennings' name. Mounted on 22 x 14 cm. card.
Physical Description1 folder17 x 11 cm.
Catalogers supplied title. Stamp of F.W. Moon over Jennings' name. Mounted on 22 x 14 cm. card.
Physical Description1 folder22 x 14 cm.
Catalogers supplied title. Stamp of F.W. Moon over Jennings' name. Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 18 cm.
Catalogers supplied title. Stamp of F.W. Moon over Jennings' name. Mounted on 22 x 14 cm. card.
Physical Description1 folder20 x 11 cm.
Catalogers supplied title. Hand colored.
Physical Description1 folder22 x 14 cm.
Written on verso: "Ancient idols and Pima Indian basket." Printed on recto: "35." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 19 cm.
Copyright 1895. Printed on recto: "673." Mounted on 22 x 14 cm. card.
Physical Description1 folder19 x 12 cm.
Copyright 1895. Printed on recto: "675." Stamp of C.M. Davis Co., Los Angeles, Calif., on verso. Mounted on 22 x 14 cm. card.
Physical Description1 folder19 x 11 cm.
Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Printed on recto: "286" and "Indian doctor, healing." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 19 cm.
Written on verso: "Ute Indian in bear dance, winter 18871888, near Ft. DuChesne, Utah." Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Written on verso: "Mojave squaw." Mounted on 21 x 13 cm. card.
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder20 x 12 cm.
Stamp of Gold's Old Curiosity Shop, Santa Fe, New Mexico, on verso. Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Mounted on 22 x 14 cm. card.
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder20 x 12 cm.
Sitka Training School ; no. 231
Bride and groom identified as Annie Davis (X'eil Saakw) from Angoon, Alaska, and Scottie (Sam) James.
Physical Description1 folder14 x 22 cm.
Cataloger supplied title. Mounted on 13 x 18 cm. card.
Physical Description1 folder12 x 17 cm.
Written on verso: "Mother of Sidney Siweni." Mounted on 19 x 14 cm. board. Possibly taken in Oklahoma.
Physical Description1 folder14 x 19 cm.
Mounted on 14 x 22 cm. card.
Physical Description1 folder14 x 10 cm.
Sitka, Alaska, U.S. ; 7974
Cataloger supplied title. Description of the scene noted on verso by former owner. Stamp of former owner on verso. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 19 cm.
Printed on recto: "No. 82." Possibly by Chase. Mounted on 21 x 13 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "63." Possibly by Chase. Mounted on 21 x 13 cm. card.
Physical Description1 folder19 x 12 cm.
Cataloger supplied title. Mounted on 14 x 22 cm. card.
Physical Description1 folder20 x 12 cm.
Written on recto: "Redwood City, First Notre Dame Convent and parish church." Mounted on 16 x 24 cm. board.
Physical Description1 folder11 x 19 cm.
Cataloger supplied title.
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder22 x 14 cm.
Dealer's stamp of E. Montfort, Albuquerque, N.M., on verso. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Printed on recto: "No. 193." Mounted on 21 x 13 cm. card.
Physical Description1 folder19 x 12 cm.
Written on recto: "Chihauhau, Apache chief." Dealer's stamp of E. Montfort, Albuquerque, N.M., on verso. Mounted on 21 x 13 cm. card.
Physical Description1 folder18 x 11 cm.
Cataloger supplied title. Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "No. 94." Mounted on 21 x 13 cm. card.
Physical Description1 folder18 x 11 cm.
Printed on recto: "No. 85." Mounted on 21 x 13 cm. card.
Physical Description1 folder18 x 12 cm.
Cataloger supplied title. Bride and groom identified as Annie Davis (X'eil Saakw) from Angoon, Alaska, and Scottie (Sam) James. Possibly Sheldon Jackson at left of bride and groom. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Copyright 1894. Printed on recto: "667." On a Bartrand & Co. card. Stamp of C.M. Davis Co., Los Angeles, Calif., on verso. Mounted on 22 x 14 cm. card.
Physical Description1 folder19 x 11 cm.
Pueblo of Isleta, A. & P. junction, N. Mex. ; 578
Copyright 1890. Mounted on 22 x 14 cm.
Physical Description1 folder18 x 11 cm.
Cataloger supplied title. Mounted on 22 x 14 cm. card.
Physical Description1 folder19 x 11 cm.
Copyright 1895. Printed on recto: "672." Mounted on 22 x 14 cm. card.
Physical Description1 folder11 x 19 cm.
Printed on recto: "158." Mounted on 22 x 14 cm. card.
Physical Description1 folder19 x 11 22 x 14 cm.
Printed on recto: "Apaches." Possibly by Wittick. Mounted on 22 x 14 cm. card.
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder21 x 13 cm.
Cataloger supplied title. Mounted on 18 x 13 cm. board. Written on verso: "Pueblo husband & wife."
Physical Description1 folder17 x 12 cm.
Copyright 1888. Mounted on W. Cal. Brown & Co. card. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 19 cm.
Mounted on W. Cal. Brown & Co. card. Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 19 cm.
Pueblo of Isleta, A. & P. junction ; 302
Copyright 1889. Mounted on 14 x 22 cm. card.
Physical Description1 folder11 x 18 cm.
Copyright 1895. Printed on recto: "673." Mounted on 22 x 14 cm. card.
Physical Description1 folder19 x 11 cm.
Printed on recto: "5218." Mounted on 12 x 18 cm. card.
Physical Description1 folder11 x 18 cm.
Printed on recto: "3287." Mounted on 12 x 18 cm. card.
Physical Description1 folder11 x 17 cm.
Cataloger supplied title. Mounted on 12 x 18 cm. card.
Physical Description1 folder11 x 17 cm.
Gurnsey's Rocky Mountain views
Mounted on 12 x 18 cm. card.
Physical Description1 folder11 x 17 cm.
Printed on recto: "3407." Written on verso: "Pueblo S. & R. Co." Mounted on 12 x 18 cm. card.
Physical Description1 folder11 x 17 cm.
Mounted on 12 x 18 cm. card.
Physical Description1 folder11 x 17 cm.
C.W.J. Johnson's views of California scenery
Cataloger supplied title. Mounted on 12 x 18 cm. card.
Physical Description1 folder11 x 17 cm.
Mounted on 12 x 18 cm. card.
Physical Description1 folder11 x 17 cm.
Mounted on 12 x 18 cm. card.
Physical Description1 folder11 x 17 cm.
Cataloger supplied title. Written on verso: "Hot Springs Hotel night of the fete of Aug. 15, 1882." Mounted on 12 x 18 cm. card.
Physical Description1 folder11 x 17 cm.
Written on verso: "'Magnificent tepees' i.d. from album page, exJack Nelson."
Physical Description1 folder12 x 17 cm.
Stamp on verso: "Important: Not for use in Western Hemisphere." Caption pasted to verso.
Physical Description1 folder17 x 12 cm.
Cataloger supplied title. Written on verso: "Montana 1884."
Physical Description1 folder11 x 13 cm.
1 folder19 x 12 cm.
Written on verso: "Hon. Geo. Burt's traction engine."
Cameron, Evelyn (1868-1928)Evelyn Cameron (1868–1928) was a Montana-based amateur photographer. Her husband, naturalist Ewen S. Cameron, operated a horse ranch near Terry, Montana. Contemporary sales of her prints helped support Evelyn and her husband within her lifetime, but her work was not celebrated until it was discovered posthumously in the 1970s.
Physical Description1 folder13 x 18 cm.
Printed on recto: "No. 33." Mounted on a Santa Fe route advertising card.
Physical Description1 folder19 x 12 cm.
Mounted on 14 x 22 cm. card.
Physical Description1 folder12 x 20 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder11 x 19 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 18 cm.
Mounted on 13 x 21 cm. card.
Physical Description1 folder12 x 20 cm.
Cataloger supplied title.
Physical Description1 folder10 x 20 cm.
Cataloger supplied title. Mounted on 14 x 21 cm. board. A photographers holding his camera standing on roof above the dancers.
Physical Description1 folder10 x 16 cm.
Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder
Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder
Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder
1 folder
Printed on recto: "No. 1010"
Physical Description1 folder19 x 23.5 cm.
Copyright 1899. Printed on recto: "No. 1386" Bailda or Forgetfulness, San Carlos Apache (additional information provided by the Omaha Public Library).
Physical Description1 folder19 x 23.5 cm.
Printed on recto: "No. 1056."
Physical Description1 folder19 x 23.5 cm.
Printed on recto: "No. 1113." She wears a dress decorated with elk teeth, a hair pipe necklace and choker, and bead necklaces. Descriptive information provided by the Library of Congress.
Physical Description1 folder19 x 23.5 cm.
Printed on recto: "No. 779." In traditional clothing, including furwrapped braids, a vest with mirrors on it, and a feather in his hair. Additional descriptive information provided by the National Museum of the American Indian.
Physical Description1 folder19 x 23.5 cm.
Printed on recto: "No. 815."
Physical Description1 folder19 x 23.5 cm.
Copyright 1899. Printed on verso: "No 1402" Outside, a young mother holds her crying baby in a pool of water as she tries to bathe him. Additional descriptive information provided by the National Museum of the American Indian.
Physical Description1 folder19 x 23.5 cm.
Printed on recto: "No. 801." An elderly man wearing a hide shirt with beaded decoration and has long straight hair with an eagle feather in it. He holds a cylindrical object with fur coming out one end in his hands. Additional descriptive information from the Library of Congress.
Physical Description1 folder19 x 23.5 cm.
Printed on recto: "No.1385." In semitraditional clothing, including a twelveloop necklace made of white seed beads,and a beaded choker. Additional descriptive information provided by the National Musem of the American Indian.
Physical Description1 folder19 x 23.5 cm.
Copyright 1899. Printed on recto: "No.1417." Most likely taken at the TransMississippi and International Exposition in 1898.
Physical Description1 folder19 x 23.5 cm.
Printed on verso: "No. 1608." Possibly taken at the TransMississippi and International Exposition in 1898 or the Greater American Exposition in 1899.
Physical Description1 folder18 x 23.5 cm.
Copyright information blurred. Printed on verso: "No. 1614." Other writing visibly masked on image. Possibly taken at the TransMississippi and International Exposition in 1898 or the Greater American Exposition in 1899.
Physical Description1 folder16.5 x 23.5 cm.
Printed on verso: "No. 1612." Other writing visibly masked on image. Possibly taken at the TransMississippi and International Exposition in 1898 or the Greater American Exposition in 1899.
Physical Description1 folder18 x 22.5 cm.
Original inscription attributing print to "F.A. Reinhart, Omaha" has been scratched out on the negative. Printed on verso: "No. 1599." Other writing visibly masked on image. Possibly taken at the TransMississippi and International Exposition in 1898 or the Greater American Exposition in 1899. Possibly Apache.
Physical Description1 folder17.5 x 22.5 cm.
Printed on verso: "No. 1646." Other writing visibly masked on image. Possibly taken at the TransMississippi and International Exposition in 1898 or the Greater American Exposition in 1899. Possibly Apache. Image most likely cropped.
Physical Description1 folder12.5 x 22.5 cm.
Printed on verso: "No. 1610." Possibly taken at the TransMississippi and International Exposition in 1898 or the Greater American Exposition in 1899. Possibly Apache. Image most likely cropped. Part of another print cut off on righthand side of support.
Physical Description1 folder12.5 x 22.5 cm.
"J.B. Sturtevant" printed on verso. Photographer also known as Rocky Mountain Joe. Title supplied by cataloguer, perhaps taken on the campus of the University of Colorado.
Physical Description1 folder19 x 11.5 cm.
"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe. Young boy in the foreground posing against the hills in the distance.
Physical Description1 folder19 x 11.5 cm.
"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe.
Physical Description1 folder19 x 11 cm.
"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe.
Physical Description1 folder19 x 11 cm.
"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe.
Physical Description1 folder19 x 11 cm.
Photographer also known as Rocky Mountain Joe. Title supplied by cataloguer. Most likely in or around Boulder, Colorado.
Physical Description1 folder19 x 11.5 cm.
"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe.
Physical Description1 folder19 x 11.5 cm.
"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe. Print very faded.
Physical Description1 folder19 x 11.5 cm.
Title supplied by cataloguer. Photographer also known as Rocky Mountain Joe. Probably taken in or around Boulder, Colorado.
Physical Description1 folder11 x 16.5 cm.
"J.B. Sturtevant" and title printed on verso; title too faded to read: "Journey to ... nt Rock" "Gre...in," hence title provided by cataloguer. Second line perhaps "Great ... Basin." Photographer also known as Rocky Mountain Joe. Most likely taken in or around Boulder, Colorado.
Physical Description1 folder12 x 19 cm.
"J.B. Sturtevant" and title printed on verso. Most likely taken in or around Boulder, Colorado. Photographer also known as Rocky Mountain Joe.
Physical Description1 folder18.5 x 11.5 cm.
"J.B. Sturtevant" and title printed on verso; image so faded that the title is difficult to read. Duplicate print at the Boulder Public Library Carnegie Branch Library for Local History provided the complete title. Location is the Colorado & NorthWestern Railroad. Photographer also known as Rocky Mountain Joe.
Physical Description1 folder19 x 11.5 cm.
"Meile & Sturtevant" and title printed on verso. Most likely taken in or around Boulder, Colorado. Sturtevant also known as Rocky Mountain Joe.
Physical Description1 folder19.5 x 11.5 cm.
"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe. Depicts one man standing on a rock slide, another waiting in a horse drawn cart.
Physical Description1 folder19 x 12 cm.
"J.B. Sturtevant, Artist" and title printed on verso. Photographer also known as Rocky Mountain Joe. Depicts four men and a dog, rock climbing. Most likely taken in or around Boulder, Colorado, possibly in Boulder Canyon.
Physical Description1 folder19 x 12 cm.
"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe.
Physical Description1 folder19 x 11.5 cm.
"M&S" and title printed on verso. Sturtevant also known as Rocky Mountain Joe. Man sits atop rock at top of watefall.
Physical Description1 folder11 x 19 cm.
Title printed on verso, very faded. Sturtevant also known as Rocky Mountain Joe. Men, women and children pose on the shore of a waterfall. Related print at the Boulder Public Library Carnegie Branch Library for Local History indicates that the location is Boulder Falls.
Physical Description1 folder11.5 x 19.5 cm.
"Yale" and title printed on verso. Damage to print matches that of a glass plate negative at Boulder Public Library Carnegie Branch Library for Local History.
Physical Description1 folder19 x 11.5 cm.
Title printed on verso, along with "R.M.B" and another word scratched out, most likely the name "Yale." Handwriting matches that of another related print attributed to D.B. Yale, therefore the attribution (and date, which is derived from the attribution) is unclear.
Physical Description1 folder19 x 12 cm.
"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe.
Physical Description1 folder19.5 x 11.5 cm.
"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe.
Physical Description1 folder19.5 x 12 cm.
"J.B. Sturtevant" and title printed on verso. Photographer also known as Rocky Mountain Joe. Mostly likely the 1200 block of Pearl Street, contextual information from similar prints at Boulder Public Library Carnegie Branch Library for Local History.
Physical Description1 folder19 x 11.5 cm.
Title printed on verso; photographer's imprint stamped on recto: "From A.J. Harlan's Studio, 304 E. Pike's Peak Ave., Colorado Springs, Colorado." Street view with The Dillon Gold Mining Co. on a hill in the distance.
Physical Description1 folder19.5 x 11.5 cm.
Title and "Harlan Photo" printed on verso; photographer's imprint stamped on recto: "From A.J. Harlan's Studio, 304 E. Pike's Peak Ave., Colorado Springs, Colorado." Inked circle on verso on one of the structures in the distance. Signature impression left by a pencil or pen in the sky over the mountains.
Physical Description1 folder19 x 12 cm.
Title and "EAYELTON Photo" printed on verso. Photographer's imprint on verso board: "Edgar A. Yelton, Photographer. Cripple Creek, Colo." Distant view of the first of two major fires in Cripple Creek with onlookers in the foreground.
Physical Description1 folder19 x 12 cm.
Standing studio portrait of Native American (Oglala Sioux) Chief Little Wound. He wears a breech cloth, a decoratively beaded hide shirt, and a full length eagle feather headdress. He holds a pipe and a beaded pouch in his hands additional descriptive information provided by Denver Public Library. Typed caption adhered to verso board mount, which incorrectly identifies the portrait as that of "American Horse." Includes inventory number: "840." Stamp on recto reads: "The Rookwood Postery Co."
Physical Description1 folder12.5 x 19 cm.
A number of men happily pose with dead animals; one man is masked. Cataloguer supplied title. Technical notes on recto: "#3, F. 16, 11 sec." Additional number circled on recto: "3422"
Physical Description1 folder14.5 x 12 cm.
An older man and a young boy pose for the camera. Two illegible signatures on verso in the same ink, possibly those of Gertrude and Frans Blom. Title and date handwritten in pencil on recto, along with technical notes: "#3, F.11, 10 sec." Additional number circled on recto: "1269"
Physical Description1 folder16.5 x 17.5 cm.
A group of smiling and laughing women and children look on as a man, dressed in a mask and holding a dead lizard appears to dance before them, facing the camera. Possibly taken at the same time as M2054. Techincal information written on recto in pencil has been erased, impressions seem to spell out: "946 25 sec., F. 22, #3"
Physical Description1 folder17 x 18 cm.
A group of women and children with one man, standing on the edge of some greenery. Title provided by cataloguer.
Physical Description1 folder16.5 x 16.5 cm.
Two young girls posing admist a group of people, their heads and shoulders wrapped in scarves. Title provided by cataloger.
Physical Description1 folder15.5 x 16.5 cm.
A young child looking into the camera. Title provided by cataloger. Top right hand of side stained, print itself a little dirty.
Physical Description1 folder13 x 15.5 cm.
Two young children pose for the camera with their heads together. Both wearing beads. Technical notes handwritten in pencil on recto: "#3, F.16, 6 sec." Additional number circled on recto: "41." Title supplied by cataloger.
Physical Description1 folder16.5 x 11 cm.
A woman poses for the camera, eyes cast up and away. Technical notes handwritten in pencil on recto: "#3, F.16, 11 sec." Title supplied by cataloger.
Physical Description1 folder16 x 18.5 cm.
Three people pose on a sidewalk with bags of vegetables and goods. Most likely the Lacandon Indians. Title supplied by cataloger.
Physical Description1 folder17 x 13.5 cm.
Street view, most likely in or around Chiapas, Mexico and possibly of the Lacandon Indians.Title supplied by cataloger.
Physical Description1 folder18 x 24 cm.
Title and location handwritten on verso, as well as photographer's signature. Most likely the Tzotzil Indians.
Physical Description1 folder24 x 25.5 cm.
Title and location handwritten on verso, as well as photographer's signature. Most likely the Tzotzil Indians. Title possibly refers to the village of Santa Marta.
Physical Description1 folder23.5 x 15.5 cm.
Title and inventory number: "No 10" printed on recto. Other information too faded to read. Local information and photographer's imprint printed on verso. Series name: "Characteristic New Mexico" printed, along with pasted title: "From Bernalillo to the Jemez Mountains" on verso. Damage along top of print, piece of image missing and print separating from board.
Physical Description1 folder18 x 11.5 cm.
A group of soldiers and women picnic on a slope near some trees. Title printed on recto. Some institutional and redundant descriptive notes on verso. Primary photographer identified by dealer; secondary photographer identified by cataloger in reference to uncertain authorship of some Randall prints.
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder19.5 x 11.5 cm.
A group of men and horses posed before a few structures in the mining town of Kelly, New Mexico. Title handwritten on verso, along with printed photographer's imprint. Title of series: "Characteristic Views of New Mexico, No. 2" "E.A. Bass, Photographer. Socorro, New Mexico." Brackets indicate where cataloger was uncertain of letter or symbol.
Physical Description1 folder18 x 11 cm.
Distant view of ruins from the floor of Canyon de Chelly with shadows cast by the setting sun. Native craftsman nearer the foreground. Title, copyright and attribution printed on recto, along with "No 746." Copyrighted in the year of the photographer's death.
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder24.5 x 19.5 cm.
View of the White house ruins from the floor of Canyon de Chelly with four horses and riders nearer the foreground. Title, copyright and attribution printed on recto, along with "No 750." Part of image missing near the top edge, in the center of image. Copyrighted in the year of the photographer's death.
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder24 x 19 cm.
Dealer identifies subject and content of print as the inside of a Medicine Lodge during a Sun Dance. A number of native men gathered inside a structure, preparing for a ceremony. Location information provided by cataloger based on traditional homelands of Southern Cheyenne culture. Postcard.
Physical Description1 folder25 x 8.5 cm.
Dating information gleaned from Deseret Evening News, May 11, 1909, Last Edition, Page 2 which states that the Pauly Jail Company was awarded the bid for building the new penitentiary. Title supplied by cataloger. Board along left edge of recto and top edge of verso has remnants of other cropped prints.
Physical Description1 folder19 x 11.5 cm.
"Copyright 1900 by Lee Moorhouse" printed on recto. "Tohomish." typed and photographer's imprint stamped on verso. Possibly Cayuse, Nez Perce, or Umatilla Indians. Some damage, possibly to original negative, on lowerright corner of the recto. Studio based in Pendelton, Oregon.
Physical Description1 folder15 x 20 cm.
Full length portrait wearing feather bonnet and dentallium shell jewelry. Title and "Nez Perce Sub Chief" handwritten on recto; title partly illegible, additional information gleaned from Smithsonian Institution, National Anthropological Archives. Variation on name includes George Peo Peo Thalekt and Pio Pio Ta'likt. Photographer's imprint stamped (faded) on verso. Damage and creases along bottom edge and in each corner of the print. Studio located in Lewiston, Idaho.
Physical Description1 folder16.5 x 23.5 cm.
Peopeotalakt and his wife. Title and "Nez Perce" handwritten on recto; title partly illegible, additional information gleaned from Smithsonian Institution, National Anthropological Archives. Variation on name includes George Peo Peo Thalekt and Pio Pio Ta'likt. Photographer's imprint stamped (faded) on verso. Studio located in Lewiston, Idaho.
Physical Description1 folder11.5 x 19.5 cm.
Portrait of Chief Fish Hawk wearing a Pendleton blanket. "Copyright 1900 by Lee Moorhouse" stamped on recto, other copyright information on recto blurred and faded. Title handwritten on verso. Studio located in Pendleton, Oregon. Additional attribution information (Cayuse Indians) provided by National Anthropological Archives, Smithsonian Museum Support Center, Suitland, Maryland.
Physical Description1 folder19.5 x 24.5 cm.
Full length portrait of Chief Peo in Western dress, horses and others in background. "PEO, Umatilla, Res. OR. Chief Umatilla's" written on recto. No photographer's imprint present. Date based on other photographs of the subject.
Physical Description1 folder11.5 x 18 cm.
Steamboat launch and steamboat along with other buildings in Coeur d'Alene, Idaho. Title supplied by cataloger. Verso has typed series description and photographer attribution: "Views of Coeur d'Alene, Idaho and Vicinity published by H. Purcell, Photographer" along with list of 65 prints available. That information indicates this steamboat perhaps the 'Amalia Wheaton,' 'Coeur d'Alene,' or 'General Sherman.' Date derived from dates of other photographs listed in series.
Physical Description1 folder21 x 13 cm.
Miner's boarding houses with assembled miners in Coeur d'Alene, Idaho. Title handwritten in ink on verso, along with typed series description and photographer attribution: "Views of Coeur d'Alene, Idaho and Vicinity published by H. Purcell, Photographer" along with list of other prints available.
Physical Description1 folder21 x 14 cm.
Very likely view down Main Street looking east, Wardner, Idaho. Verso features typed series description and photographer attribution: "Views of Coeur d'Alene, Idaho and Vicinity published by H. Purcell, Photographer" along with list of other prints available. Blue pencil line indicates print under subseries "Views of Wardner and Vicinity." Damage along top two corners of print.
Physical Description1 folder20.5 x 15 cm.
Very likely Wardner, Idaho looking west. Verso features typed series description and photographer attribution: "Views of Coeur d'Alene, Idaho and Vicinity published by H. Purcell, Photographer" along with list of other prints available. Blue pencil line indicates print under subseries "Views of Wardner and Vicinity." Damage on bottom left corner.
Physical Description1 folder20.5 x 14 cm.
Very likely Wardner, Idaho looking east. Verso features typed series description and photographer attribution: "Views of Coeur d'Alene, Idaho and Vicinity published by H. Purcell, Photographer" along with list of other prints available. Blue pencil line indicates print under subseries "Views of Wardner and Vicinity." Image very faded; crease near upperright corner.
Physical Description1 folder20.5 x 15 cm.
People, animals and a few shops lining Main Street in Wardner, Idaho. "Gove & Crane General Merchandise" shop featured near the foreground. Title handwritten in pencil on verso. Good quality with little fading; pink ink stain near bottom of print. Photographer's wetstamp imprint on verso, but no additional information determined. Related to M2084.
Physical Description1 folder19.5 x 11.5 cm.
People, animals and a few shops lining Main Street in Wardner, Idaho. Title handwritten in pencil on verso. Photographer's wetstamp imprint on verso, but no additional information determined. Related to M2083.
Physical Description1 folder18.5 x 11.5 cm.
Four men in a rowboat on the shore of a lake. No other information available. Dealer information points to Idaho as most likely location; perhaps the shore of Lake Coeur d'Alene. Title supplied by cataloger. Possibly related to M2086 and M2087.
Physical Description1 folder20.5 x 14 cm.
Two men, most likely miners or lumberjacks, near a working building. No other information available. Dealer information points to Idaho as most likely location. Title supplied by cataloger. Possibility related to M2085 and M2087.
Physical Description1 folder20 x 14 cm.
High view of a forest, structures and evidence of human activity on the forest floor. Perhaps felled trees. No other information available. Dealer information points to Idaho as most likely location. Title supplied by cataloger. Possibly related to M2085 and M2086.
Physical Description1 folder21 x 15 cm.
Standing portrait of Young Plenty Bird standing by tipi in full native costume, very likely a dance costume. A Native American woman and a horse stands nearby. Photograph mounted on 17x28 cm. board, creased down the center. Inventory number "203" appears in lowerright corner of print.
Physical Description1 folder15 x 21 cm.
Copyright 1898. Head and shoulders portrait of Afraid of Eagle, Native American Sioux (Lakota) wearing a headdress, cotton shirt and a quilled vest. Handlettered inventory number "No. 864" in lowerright corner. Afraid of Eagle was present at the Little Big Horn, and later joined Sitting Bull in Canada before returning to the United States in 1880. Additional descriptive information adapted from the Denver Public Library. Title derived from handwritten information in print.
Physical Description1 folder23 x 18 cm.
Printed on verso: "No. 1580." Copyright 1900. Possibly taken at the TransMississippi and International Exposition in 1898 or the Greater American Exposition in 1899.
Physical Description1 folder23 x 18 cm.
Printed on verso: "No. 1579." Copyright 1900. Possibly taken at the TransMississippi and International Exposition in 1898 or the Greater American Exposition in 1899.
Physical Description1 folder23 x 18 cm.
Utah, illustrated by C. R. Savage.
Title from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.
Physical Description1 folder9 x 17.5 cm.
Utah, illustrated by C. R. Savage.
Title from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.
Physical Description1 folder9 x 17.5 cm.
Utah, illustrated by C. R. Savage.
Title adapted from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.
Physical Description1 folder9 x 17.5 cm.
Utah, illustrated by C. R. Savage.
Title adapted from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.
Physical Description1 folder9 x 17.5 cm.
Utah, illustrated by C. R. Savage.
Title from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.
Physical Description1 folder9 x 17.5 cm.
Utah, illustrated by C. R. Savage.
Title from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.
Physical Description1 folder9 x 17.5 cm.
Union Pacific Railroad, illustrated by C. R. Savage.
Title from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.
Physical Description1 folder9 x 17.5 cm.
Union Pacific Railroad, illustrated by C. R. Savage.
Title from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.
Physical Description1 folder9 x 17.5 cm.
Union Pacific Railroad, illustrated by C. R. Savage.
Title from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.
Physical Description1 folder9 x 17.5 cm.
Union Pacific Railroad, illustrated by C. R. Savage.
Title from typescript caption along lower righthand corner of card; series title and photographer's name appear twice on card. Additional series information along with photographer's imprint and location (advertisement) appear on verso.
Physical Description1 folder9 x 17.5 cm.
Title from typescript caption in print, inventory number cropped but reads "1255.". Photographer and distributor information along right and left sides of recto; verso is blank. Manuscript caption reads: "Lottie L. Tillotson visited 1899." Related materials might be found in The Lottie L. Tillotson Collection at the Autry National Center Institute for the Study of the American West.
Physical Description1 folder9 x 17.5 cm.
Title from typescript caption below print, inventory number "6023." Photographer and distributor information along right and left sides of recto; verso has historic information. Manuscript caption reads: "Lottie L. Tillotson visited Nov. + Dec. 1899." Related materials might be found in The Lottie L. Tillotson Collection at the Autry National Center Institute for the Study of the American West.
Physical Description1 folder9 x 17.5 cm.
Views of American Scenery
Title from typescript caption below print, inventory number "384." Photographer and series information along right and left sides of recto; verso is blank. Manuscript caption reads: "Lottie L. Tillotson visited 1900." Related materials might be found in The Lottie L. Tillotson Collection at the Autry National Center Institute for the Study of the American West.
Physical Description1 folder9 x 17.5 cm.
Title from typescript caption below print, inventory number "3255." Photographer inprint on verso. Manuscript caption reads: "Lottie L. Tillotson visited Nov. 1899." Related materials might be found in The Lottie L. Tillotson Collection at the Autry National Center Institute for the Study of the American West.
Physical Description1 folder9 x 17.5 cm.
Title from typescript caption in print, inventory number "3021." Publisher and distributor information along right and left sides of recto; verso is blank.Manuscript caption reads: "Lottie L. Tillotson visited Nov. 1899." Related materials might be found in The Lottie L. Tillotson Collection at the Autry National Center Institute for the Study of the American West.
Physical Description1 folder9 x 17.5 cm.
Title from typescript caption below print, inventory number "6045." Photographer and distributor information along right and left sides of recto; verso has historic information. Manuscript caption reads: "Lottie L. Tillotson visited 1899." Related materials might be found in The Lottie L. Tillotson Collection at the Autry National Center Institute for the Study of the American West.
Physical Description1 folder9 x 17.5 cm.
Mormon Celebrities by C. W. Carter
Title from manuscript caption on verso, along with possible inventory number "315." Photographer imprint printed on verso.
Physical Description1 folder9 x 17.5 cm.
Title from manuscript caption on recto. Notation "A. 14" on verso. No other information available.
Physical Description1 folder9 x 17.5 cm.
Stereoscopic Gems of Utah Scenery by C. W. Carter
Title from typescript caption on recto; photographer and series information appear on left and right sides of recto. Photographer imprint printed on verso. Two manuscript inventory numbers read "A. 28" and "221." "221" matches identical notation on related print at the New York Public Library.
Physical Description1 folder9 x 17.5 cm.
Title from manuscript caption in lower righthand corner of print. No other information available.
Physical Description1 folder10.5 x 16.5 cm.
Title from manuscript caption in lower left-hand corner of print. No other information available.
Physical Description1 folder10.5 x 16.5 cm.
Title and attribution from manuscript notations in print. Additional notation "3. X. G." Photographer's imprint (C. E. Johnson) and advertisement on verso.
Physical Description1 folder10.5 x 16.5 cm.
Title, location, and attribution from manuscript notations in print. Additional notation "5. X. L." Photographer's imprint (C. E. Johnson) and advertisement on verso.
Physical Description1 folder10.5 x 16.5 cm.
Title, location, and attribution from manuscript notations in print. Additional notation "5. X. R." Photographer's imprint (C. E. Johnson) and advertisement on verso.
Physical Description1 folder10.5 x 16.5 cm.
Title from manuscript caption in print. Photographer's imprint and studio advertisement on verso.
Physical Description1 folder10.5 x 16.5 cm.
Title from printed title in print. Photographer's imprint and studio advertisement on verso.
Physical Description1 folder13.5 x 21.5 cm.
Title, location, and attribution from manuscript notations in print. Additional notation "4. X. B." Photographer's imprint (C. E. Johnson) and advertisement on verso.
Physical Description1 folder13.5 x 21.5 cm.
Title, location, and attribution from manuscript notations in print. Additional notation "4. X. B." Verso is blank.
Physical Description1 folder13.5 x 21.5 cm.
Title from manuscript notation in print, along with "SJ Photo" and inventory number "768." Verso features advertisement for what it likely the distributor: E. Mehesy. No additional information is available.
Physical Description1 folder13.5 x 21.5 cm.
Title from manuscript caption in print; verso is blank. No additional information available.
Physical Description1 folder10.5 x 16.5 cm.
Shipler's Western Views
Title derived from inventory number "No. 14" that appears in print and corresponds to typescript title list on verso. Photographer's studio advertisement and series information on verso.
Physical Description1 folder10 x 15 cm.
Shipler's Western Views
Title derived from inventory number "9" that appears in print and corresponds to typescript title list on verso. Photographer's studio advertisement and series information on verso.
Physical Description1 folder10 x 15 cm.
Shipler's Western Views
Title derived from inventory number "No. 10" that appears in print and corresponds to typescript title list on verso. Photographer's studio advertisement and series information on verso.
Physical Description1 folder10 x 15 cm.
Title provided by cataloger. Photographer's imprint and series information on verso. Related print at J. Willard Marriott Library, University of Utah has caption that reads:"Bluff City artesian well number one. Struck water on November 3rd, 1908."
Physical Description1 folder10 x 15 cm.
Title provided by cataloger. Photographer's stamp on verso. Manuscript notation in pencil on verso appears to read: "? Katie from Ma."
Physical Description1 folder10 x 15 cm.
Head and shoulders portrait of Chief Little Wound, a Native American Oglala Sioux (Lakota) man, holding a ceremonial pipe, wearing a war bonnet headdress, a shirt decorated with quillwork and fringe, and a medal pendant. Taken at the TransMississippi and International Exposition in 1898. Title, photographer, "No. 1445" handlettered on original. Copyright date apparently changed from 1898. Descriptive information derived from the Denver Public Library.
Physical Description1 folder23.5 x 19 cm.
A reproduction of an early 20th century photomechanical print. Eleven people, including a number of Native Americans, stand in front of the Ruidoso, New Mexico general store and post office. The date of the reproduction is unknown.
Physical Description1 folder21 x 28 cm.
D.F. Barry stands with Chief Shields in front of Barry's prefabricated gallery at Fort Buford, North Dakota. Photographer's blind stamp directly on image and twice on the 20 x 23 cm. mount recto. Photographer's stamp pasted on verso, along with manuscript notation "Barry's Frontier Photo Gallery." Title and date information derived from captions in "The Little Shadow Catcher" by Thomas M. Heski. Corresponds to negative B549 at the Denver Public Library.
Physical Description1 folder10 x 15 cm.
Native Americans, likely Dakota or Lakota, dance on the Standing Rock Indian Reservation. Title provided by cataloger. Manuscript notation on verso reads: "Sioux feast dance" and "135." Manuscript notation "No. 91" scratched out. Photographer's imprint pasted on back of card.
Physical Description1 folder15.5 x 23 cm.
Native American (Ute) women erect a set of tepee poles near a sandstone rock formation at Garden of the Gods, El Paso County, Colorado. Two women hold onto the poles while a third stands near the rolled tepee cover. A group of men sit and stand nearby. The women wear dresses and shawls. Some men wear hats. Description from the Denver Public Library, call number P1317. Stamp from the Kansas City school distinct on verso of print, along with typed title and inventory numbers. Mounted on 30 x 24 cm. board.
Physical Description1 folder20 x 15 cm.
Native American (Ute) women tie canvas to a wooden pole underneath four erect tepee poles at Garden of the Gods, El Paso County, Colorado. Three tepees stand nearby. Groups of men and women sit and stand near one tepee as well as on a sandstone rock formation in the distance. The tepees are separated by groups of bushes. Description from the Denver Public Library, call number P1320. Stamp from the Kansas City school distinct on verso of print, along with typed title and inventory numbers. Mounted on 30 x 24 cm. board.
Physical Description1 folder16 x 21 cm.
Native American (Ute) women hold a wooden pole draped with tepee canvas near four other erect tepee poles at Garden of the Gods, El Paso County, Colorado. The tepee frame is near a group of bushes, flanked by a completed tepee and another tepee frame. A wooden electrical pole is in the distance. The women are probably in Colorado Springs for the Shan Kive (Colorado Springs Carnival). Description from the Denver Public Library, call number P1327. Stamp from the Kansas City school distinct on verso of print, along with typed title and inventory numbers. Mounted on 30 x 24 cm. board.
Physical Description1 folder21 x 15 cm.
Native American (Ute) women stand and sit near a partially constructed tepee at Garden of the Gods, El Paso County, Colorado. One woman spreads the tepee canvas over the erect poles. A pile of household items, including a blanket and possibly a drum, stands near the tepee poles. Other tepees stand nearby. A white man and boy in hats look on. Native American men stand on a rock formation in the distance. They are probably in Colorado Springs for the Shan Kive (Colorado Springs Carnival). Description from the Denver Public Library, call number P1329. Stamp from the Kansas City school distinct on verso of print, along with typed title and inventory numbers. Mounted on 30 x 24 cm. board.
Physical Description1 folder15 x 21 cm.
Native American (Ute) woman reaches down to place pegs into the ground in order to stretch the canvas of an erected tepee at Garden of the Gods, El Paso County, Colorado. The woman wears a dress and a blanket tied around her waist. A group of bushes stands in the distance. She is probably in Colorado Springs for the Shan Kive (Colorado Springs Carnival). Description from the Denver Public Library, call number P1323. Stamp from the Kansas City school distinct on verso of print, along with typed title and inventory numbers. Mounted on 30 x 24 cm. board.
Physical Description1 folder20 x 15 cm.
A Native American (Ute) woman points a wooden tepee pole at the smoke hole of a partially constructed tepee at Garden of the Gods, El Paso County, Colorado. Another woman bends toward a pile of household items near the tepee. A tepee frame stands nearby. The women are probably in Colorado Springs to attend the Shan Kive (Colorado Spring Carnival). Description from the Denver Public Library, call number P1331. Stamp from the Kansas City school distinct on verso of print, along with typed title and inventory numbers. Mounted on 30 x 24 cm. board.
Physical Description1 folder20 x 15 cm.
Native American (Ute) women stretch canvas over erect tepee poles at Garden of the Gods, El Paso County, Colorado. Piles of household materials, including rolls of canvas, stand near the tepee. Other complete and incomplete tepees stand nearby. They are probably in Colorado Springs to attend the Shan Kive (Colorado Springs Carnival). Description from the Denver Public Library, call number P1330. Stamp from the Kansas City school distinct on verso of print, along with typed title and inventory numbers. Mounted on 30 x 24 cm. board.
Physical Description1 folder15 x 20.5 cm.
Native American (Hopi) women, one (possibly Nampeyo), and children, sit and stand outside a Pueblo home at Walpi Pueblo, First Mesa, Arizona; the adobe home is next to a stone and adobe building; the home has two paned windows, an open door, thin wooden vigas, and a flat roof; a wooden ladder, upon which a woman climbs, rests against the front of the home; one boy sits next to a metal pail on the roof; two women and three children stand on a raised, uncovered porch; on the porch are a metal pan and can, three blankets, three clay bowls, a clay pot, and a dog; women and girls wear dresses, one wears an apron, one wears a shawl; boy wears moccasins, pants, and shirt. Description from the Denver Public Library, call number P95. Stamp from the Kansas City school distinct on verso of print, along with typed title and inventory numbers. Mounted on 30 x 24 cm. board. Date information conflicts: verso reads 1927, but Denver Library (which holds the negative) has a print copyright 1899.
Physical Description1 folder15 x 20 cm.
View of a brush shelter and covered wagon at Towaoc, Montezuma County, Colorado; a group of unidentified Native American (Ute) men and (possibly) women sit in a circle near a brush shelter; men look on. Description adapted from the Denver Public Library from a related print, call number P47. Stamp from the Kansas City school distinct on verso of print, along with typed title and inventory numbers. Mounted on 30 x 24 cm. board. Game referred to as "monte game" at Denver Library.
Physical Description1 folder13 x 20 cm.
name and inventory number 4213 written on negative. Mounted on a promenade card, 20 x 12.5 cm.
Jackson, William Henry (1843-1942)American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.
Physical Description1 folder18.5 x 11 cm.
Santa Fe and vicinity ; no. 67
Written on recto: "San Miguel Church, no. 67." Cataloger supplied series title.
Physical Description1 folder11 x 18 cm.
Santa Fe and vicinity ; no. 43
Written on recto: "'Dos cargas' Two loads, no. 43." Cataloger supplied series title.
Physical Description1 folder11 x 18 cm.
California and Colorado scenery ; 1906
Originally taken in 1871 during John Wesley Powell's second expedition down the Colorado River. Beaman's photographs were published ca. 1900 as part of a series by C.W. Woodward of Rochester, N.Y.
Physical Description1 folder9 x 18 cm.
Lake Superior scenery : north shore ; 359
Physical Description1 folder9 x 18 cm.
Rocky Mountain series ; 68
Printed on recto: "Views in the Rocky Mountains, Prof. F.V. Hayden in charge"; "Dep't of Interior, U.S. Geological Survey of the Territories." Published by E. & H.T. Anthony & Co., possibly ca. 1900.
Jackson, William Henry (1843-1942)American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.
Physical Description1 folder10 x 18 cm.
Printed on recto: "20753." Copyright 1905.
Physical Description1 folder9 x 18 cm.
Views of Colorado : Middle Park series ; 2101
Physical Description1 folder10 x 18 cm.
Printed on verso: "No. 5." Written on verso: "Estes Park."
Physical Description1 folder10 x 18 cm.
Printed on recto: "4398."
Physical Description1 folder9 x 18 cm.
Printed on recto: "11654." Copyright 1901.
Physical Description1 folder9 x 18 cm.
American series
Physical Description1 folder9 x 18 cm.
Utah
Physical Description1 folder9 x 18 cm.
U.P.R.R. series
Label on verso covers printed text.
Physical Description1 folder9 x 18 cm.
American views : Pacific Rail Road ; 7134
Physical Description1 folder9 x 18 cm.
Shipler's views of Montana scenery : Montana Central Railway series ; 127
Physical Description1 folder11 x 18 cm.
Expedition of 1873 ; no. 12
Printed on verso: "F. 87." Taken during the Geographical Surveys West of the 100th Meridian commanded by George M. Wheeler.
Physical Description1 folder10 x 18 cm.
Expedition of 1873 ; no. 25
Taken during the Geographical Surveys West of the 100th Meridian commanded by George M. Wheeler.
Physical Description1 folder10 x 18 cm.
Expedition of 1873 ; no. 16
Printed on verso: "F. 12." Taken during the Geographical Surveys West of the 100th Meridian commanded by George M. Wheeler.
Physical Description1 folder10 x 18 cm.
Views of New Mexico : San Juan, Santa Clara, Santa Cruz, &c. ; 2512
Physical Description1 folder10 x 18 cm.
Santa Fe vicinity ; no. 33
Physical Description1 folder11 x 18 cm.
Descriptive views of the American continent ; 787
Physical Description1 folder11 x 18 cm.
Gurnsey's Rocky Mountain views : views on the line of the A., T., & S.F.R.R. ; no. 214
Written on recto: "Arms 336."
Physical Description1 folder10 x 18 cm.
Printed on recto: "5431." Written on verso: "Mrs. Dokk s 1st yak 9/2/64 3/35 (2) [sic]."
Physical Description1 folder9 x 18 cm.
Santa Fe and vicinity ; no. 30
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Santa Fe and vicinity ; no. 35
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
North Western views
Written on recto: "542." Written on verso: "Sioux Falls, D.T."
Physical Description1 folder9 x 18 cm.
American views
Physical Description1 folder9 x 18 cm.
Arizona scenes
Written on verso: "Main altar in San Xavier Mission, Arizona."
Physical Description1 folder11 x 18 cm.
California and Colorado ; 1910
Originally taken in 1871 during John Wesley Powell's second expedition down the Colorado River.
Physical Description1 folder9 x 18 cm.
Expedition of 1873 ; no. 22
Taken during the Geographical Surveys West of the 100th Meridian commanded by George M. Wheeler.
Physical Description1 folder10 x 18 cm.
Expedition of 1872 ; no. 14
Printed on recto: "105." Taken during the Geographical Surveys West of the 100th Meridian commanded by George M. Wheeler.
Physical Description1 folder10 x 18 cm.
Printed on recto: "2." Copyright 1903.
Physical Description1 folder9 x 18 cm.
Printed on recto: "11637." Copyright 1901.
Physical Description1 folder9 x 18 cm.
Printed on recto: "35." Copyright 1901.
Physical Description1 folder9 x 18 cm.
Printed on recto: "29096"; "T143."
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. 102."
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. 96."
Physical Description1 folder9 x 18 cm.
Descriptive views of the American continent
Written on verso: "Probably by E. Conklin, 1870s"; "New Albuquerque, New Mexico." Stamp on verso: Thos. Hough & Son, Paterson, N.J.
Physical Description1 folder11 x 18 cm.
Written on recto: "New Mexica [sic]." Written on verso: "Looking up the Pecos River from the old Pecos church."
Physical Description1 folder9 x 18 cm.
Written on verso: "Bishops Garden at Santa Fe, N.M."
Physical Description1 folder10 x 18 cm.
Views of Rocky Mountain scenery : New Mexican series ; 230
Printed on verso: "Scenes on the line of the Atchison, Topeka, and Santa Fe Railway."
Physical Description1 folder10 x 18 cm.
Views of Indian Territory, New Mexico, and Southwest
Physical Description1 folder10 x 18 cm.
Views of Indian Territory, New Mexico, and Southwest
Written on verso: "Santa Fe from N.E."
Physical Description1 folder10 x 18 cm.
Printed on recto: "2917."
Physical Description1 folder10 x 18 cm.
Santa Fe and vicinity ; no. 53
Written on recto: "The plaza, no. 53" Cataloger supplied series title.
Physical Description1 folder11 x 18 cm.
Printed on recto: "3222."
Physical Description1 folder9 x 18 cm.
Printed on recto: "8188."
Physical Description1 folder9 x 18 cm.
Printed on recto: "8247."
Physical Description1 folder9 x 18 cm.
Printed on recto: "8198."
Physical Description1 folder9 x 18 cm.
California : YoSemite Valley ; 1164
Printed on verso: "Mr. W.L. Rock, Beloit, Wisconsin." According to Naef, Soule never photographed Yosemite, but published Muybridge's photographs of the Valley under his name.
Physical Description1 folder9 x 18 cm.
1 folder9 x 18 cm.
Printed on recto: "252." Written on recto: "From Nadeau block looking west."
Physical Description1 folder10 x 18 cm.
Written on verso: "Post office."
Physical Description1 folder10 x 18 cm.
Printed on recto: "3207."
Physical Description1 folder9 x 18 cm.
American scenery ; 645
Written on recto: "Oct. 1985, Gift of Thomas Baird."
Physical Description1 folder9 x 18 cm.
Stereoscopic gems of Utah scenery
Written on recto: "Devil's Slide."
Physical Description1 folder9 x 18 cm.
Written on verso: "800; Great Salt Lake City."
Physical Description1 folder9 x 18 cm.
Collier's Rocky Mountain scenery : Boulder series ; 38
Printed on recto: "Published at Central City, Colorado."
Physical Description1 folder10 x 18 cm.
Collier's Rocky Mountain scenery : Boulder series ; 43
Printed on recto: "Published at Central City, Colorado."
Physical Description1 folder10 x 18 cm.
Collier's Rocky Mountain scenery : Boulder series ; 52
Printed on recto: "Published at Central City, Colorado."
Physical Description1 folder10 x 18 cm.
Printed on recto: "62."
Strohmeyer & Wyman1 folder9 x 18 cm.
Colorado views
Written on verso: "Rainbow Falls, Ute Pass."
Physical Description1 folder10 x 18 cm.
Colorado views
Written on verso: "Royal Gorge, Grand Canon, Arkansas River."
Physical Description1 folder10 x 18 cm.
Colorado views
Cataloger supplied title.
Physical Description1 folder10 x 18 cm.
Colorado views
Printed on verso: "Gateway to the Garden of the Gods near Manitou, Colo."
Physical Description1 folder10 x 18 cm.
Colorado views
Written on verso: "Falls on the Platte River at Montgomery, Colo."
Physical Description1 folder10 x 18 cm.
Colorado views
Written on verso: "White Tower in the Garden of the Gods near Manitou, Colo."
Physical Description1 folder10 x 18 cm.
Colorado views
Written on verso: "Loda Springs at Manitou, Colo."
Physical Description1 folder10 x 18 cm.
Colorado views
Written on verso: "Off for a hunt."
Physical Description1 folder10 x 18 cm.
Colorado views
Cataloger supplied title.
Physical Description1 folder10 x 18 cm.
Gurnsey's Rocky Mountain views : scenes on the line of the Dever & Rio Grande Railway
Written on verso: "Fort Garland."
Physical Description1 folder10 x 18 cm.
Coller's Rocky Mountain scenery : Clear Creek series ; no. 160
Physical Description1 folder10 x 18 cm.
Colorado mountain scenery : Morrison Series
Printed on recto: "Colorado moutain views."
Physical Description1 folder10 x 18 cm.
Colorado mountain scenery
Printed on recto: "Colorado mountain views." Printed on verso: "Arkansas River and Canon City."
Physical Description1 folder10 x 18 cm.
Rocky Mountain scenery
Cataloger supplied title.
Physical Description1 folder10 x 18 cm.
Expedition of 1871 ; no. 2
Printed on recto: "1st Lieut. Geo. M. Wheeler, Corps of Engineers commanding." Printed on verso: "Geographical Explorations and Surveys West of the 100th Meridian."
Physical Description1 folder10 x 18 cm.
Woman and girls watch a group of men dig for silver inside a pit with shovels and mallets on Cheyenne Mountain, El Paso County, Colorado
Label on verso: Gurnsey's Rocky Mountain Views. Published at Colorado Springs, Colorado. Pike's Peak Avenue. Scenes on the Line of the Denver & Rio Grande Railway. Silver Mining In Colorado, No. 131.
Notations in red ink by a former owner.
Physical Description1 folder10 x 18 cm.
Notations in red ink by a former owner.
Physical Description1 folder10 x 18 cm.
Gurnsey's Rocky Mountain views : scenes on the line of the Denver & Rio Grande Railway ; no. 131
Notations in red ink by a former owner.
Physical Description1 folder10 x 18 cm.
Photographic views of Rocky Mountain scenery
Written on recto: "Colorado sheep farm."
Physical Description1 folder10 x 18 cm.
Colorado views : Leadville and vicinity ; no. 186
Printed on recto: "Elevation 10, 300 feet."
Physical Description1 folder10 x 18 cm.
Stamp of L.B. Dunnigan on verso.
Physical Description1 folder10 x 18 cm.
Printed on recto: "430." Written on recto: "Geo. A. Stough."
Physical Description1 folder10 x 18 cm.
Written on verso: "Engine room, Gunnison Water Works" and "Geo. A. Stough." A descriptive note about Gunnison Water Works also printed on verso.
Physical Description1 folder10 x 18 cm.
Gurnsey's Rocky Mountain views : scenes on the line of the Denver and Rio Grande Railway
Physical Description1 folder10 x 18 cm.
Printed on recto: "21." Copyright 1902.
Physical Description1 folder9 x 18 cm.
Printed on recto: "P283" and "PV26372."
Physical Description1 folder9 x 18 cm.
Printed on recto: "1101." Written on verso: "R 172."
Physical Description1 folder10 x 18 cm.
California views ; no. 40
Physical Description1 folder9 x 18 cm.
California ; no. 19
Physical Description1 folder9 x 18 cm.
Printed on recto: "1122."
Physical Description1 folder10 x 18 cm.
Printed on recto: "1109."
Physical Description1 folder9 x 18 cm.
Printed on recto: "1132."
Physical Description1 folder9 x 18 cm.
Printed on recto: "1155."
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1154
Physical Description1 folder9 x 18 cm.
Printed on recto: "1284."
Physical Description1 folder9 x 18 cm.
Descriptive views of the American continent
Printed on recto: "436A."
Physical Description1 folder11 x 18 cm.
Printed on recto: "5004." Copyright 1899.
Physical Description1 folder9 x 18 cm.
Copyright 1901.
Physical Description1 folder9 x 18 cm.
Printed on recto: "5004." Copyright 1899.
Physical Description1 folder9 x 18 cm.
Printed on recto: "9465."
Physical Description1 folder9 x 18 cm.
Printed on recto: "9016."
Physical Description1 folder9 x 18 cm.
Printed on recto: "8306." Copyright 1893.
Physical Description1 folder9 x 18 cm.
Printed on recto: "23"; "S292"; "6039."
Physical Description1 folder9 x 18 cm.
Printed on recto: "24"; "6040."
Physical Description1 folder9 x 18 cm.
Printed on recto: "14"; "6030"; "S290."
Physical Description1 folder9 x 18 cm.
Printed on recto: "15"; "6031"; "S291."
Physical Description1 folder9 x 18 cm.
Printed on recto: "19"; "6035."
Physical Description1 folder9 x 18 cm.
Printed on recto: "20"; "6036."
Physical Description1 folder9 x 18 cm.
Printed on recto: "8"; "6024."
Physical Description1 folder9 x 18 cm.
Printed on recto: "13546." Copyright 1903.
Physical Description1 folder9 x 18 cm.
Glories of Yosemite, California ; 104
Physical Description1 folder10 x 18 cm.
Mammoth trees, California ; 29
Physical Description1 folder10 x 18 cm.
California : YoSemite Valley ; 1259
According to Naef, Soule never photographed Yosemite, but published Muybridge's photographs of the Valley under his name.
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Railroad ; 60
Possibly taken by Hart in 1869.
Hart, Alfred A. (1816-1908)Alfred A. Hart (1816-1908) was a photographer who documented the construction of the western half of the transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. Hart served as the Central Pacific's first official photographer, and his images chronicle the advancement of the railroad over 742 miles from Newcastle, California, through the Sierra Nevada Mountains and into Nevada and Utah.
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Railroad ; 297
Possibly taken by Hart in 1869.
Hart, Alfred A. (1816-1908)Alfred A. Hart (1816-1908) was a photographer who documented the construction of the western half of the transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. Hart served as the Central Pacific's first official photographer, and his images chronicle the advancement of the railroad over 742 miles from Newcastle, California, through the Sierra Nevada Mountains and into Nevada and Utah.
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Railroad ; 1077
Physical Description1 folder9 x 18 cm.
Copyright 1894.
Strohmeyer & Wyman1 folder9 x 18 cm.
Copyright 1894.
Strohmeyer & Wyman1 folder9 x 18 cm.
Copyright 1894.
Strohmeyer & Wyman1 folder9 x 18 cm.
California ; 1321
According to Naef, Soule never photographed Yosemite, but published Muybridge's photographs of the Valley under his name.
Physical Description1 folder9 x 18 cm.
Watkins' new series of Pacific Coast views ; 3554
Physical Description1 folder9 x 18 cm.
Watkins' new series of Pacific Coast views ; 3561
Physical Description1 folder9 x 18 cm.
1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1661
Physical Description1 folder9 x 18 cm.
American views
Physical Description1 folder9 x 18 cm.
To, at, and from the Geyser Springs, Sonoma County, Cal. ; 15
Physical Description1 folder11 x 18 cm.
Watkins' new series of Pacific Coast views ; 3759
Written on recto: "No. 120 in book."
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 2503
Written on verso: "Modoc war location, Northern Calif. border with Oregon."
Physical Description1 folder9 x 18 cm.
Pacific Coast views ; 3562
Written on verso: "No. 145 in book."
Physical Description1 folder9 x 18 cm.
Popular American views : California and Central Pacific R.R.
Physical Description1 folder9 x 18 cm.
Printed on recto: "10880." Copyright 1900.
Physical Description1 folder9 x 18 cm.
Copyright 1890.
Physical Description1 folder9 x 18 cm.
Printed on recto: "10896." Copyright 1900.
Physical Description1 folder9 x 18 cm.
Printed on recto: "7915"
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1296
Physical Description1 folder9 x 18 cm.
Printed on recto: "P120" and "PV23260."
Physical Description1 folder9 x 18 cm.
Copyright 1890.
Physical Description1 folder9 x 18 cm.
Printed on recto: "2349." Copyright 1897.
Physical Description1 folder9 x 18 cm.
Printed on recto: "12475." Copyright 1902.
Physical Description1 folder9 x 18 cm.
Printed on recto: "449."
Physical Description1 folder9 x 18 cm.
Printed on recto: "6."
Physical Description1 folder9 x 18 cm.
Cosmopolitan series ; 505
Physical Description1 folder9 x 18 cm.
Printed on recto: "195." Stereograph of Heap Wolves on verso.
Physical Description1 folder9 x 18 cm.
Printed on recto: "196." Stereograph of Otter Belt on verso.
Physical Description1 folder9 x 18 cm.
Printed on recto: "178." Stereograph of Horseback, Comanche Chief, on verso.
Physical Description1 folder9 x 18 cm.
Printed on recto: "177." Stereograph of White House, Washington, on verso.
Physical Description1 folder9 x 18 cm.
Printed on recto: "162." Stereograph of Old State House, Boston, on verso.
Physical Description1 folder9 x 18 cm.
Printed on recto: "161." Stereograph of Horseback's son, Camanche, on verso.
Physical Description1 folder9 x 18 cm.
Printed on recto: "152." Stereograph of ToshAWah, Comanche chief, on verso.
Physical Description1 folder9 x 18 cm.
Printed on recto: "151." Stereograph of Zuni Mountains, N.M., on verso.
Physical Description1 folder9 x 18 cm.
Printed on recto: "171." Stereograph of Battle ground, Concord, on verso.
Physical Description1 folder9 x 18 cm.
Printed on recto: "172." Stereograph of HoWear, Comanche chief, on verso.
Physical Description1 folder9 x 18 cm.
Printed on recto: "186." Stereograph of Whirlwind, Cheyenne chief, on verso.
Physical Description1 folder9 x 18 cm.
Printed on recto: "185." Stereograph of Grant's Tomb on verso.
Physical Description1 folder9 x 18 cm.
Printed on recto: "166." Stereograph of Washington's Grave, Mt. Vernon, on verso.
Physical Description1 folder9 x 18 cm.
Printed on recto: "165." Stereograph of BlackHawk, Apache chief, on verso.
Physical Description1 folder9 x 18 cm.
Written on verso: "Rocky Mountain R.R. train."
Physical Description1 folder9 x 18 cm.
Collier's Rocky Mountain scenery : golden series ; no. 208
Written on verso: "I spent fourth of July here. The city folks had a bonfire on top Castle Rock" and "No. 65, Mary I. Mann." Schueler & Coors brewing company pictured in foreground.
Physical Description1 folder10 x 18 cm.
Collier's Rocky Mountain scenery : CachealaPoudre series ; no. 88
Written on verso: "No. 40, Mary I. Mann."
Physical Description1 folder10 x 18 cm.
Collier's Rocky Mountain scenery : Estes' Park series ; no. 72
Written on verso: "Mary I. Mann, No. 20."
Physical Description1 folder10 x 18 cm.
Collier's Rocky Mountain scenery : Boulder series ; no. 38
Written on verso: "Mary I. Mann, No. 95."
Physical Description1 folder10 x 18 cm.
Written on verso: "Southern Colorado."
Physical Description1 folder10 x 18 cm.
Printed on recto: "8008." Copyright 1901.
Physical Description1 folder9 x 18 cm.
Printed on recto: "P52" and "29060."
Physical Description1 folder9 x 18 cm.
Written on verso: "Sioux boy at home" and "Aggie." Printed on verso: "Upton's collection of photographic views."
Physical Description1 folder9 x 18 cm.
Expedition of 1873 ; no. 17
Printed on recto: "1st Lieut. Geo. M. Wheeler." Printed on verso: "Geographical Explorations and Surveys West of the 100th Meridian."
Physical Description1 folder10 x 18 cm.
Indians of the Colorado Valley : KaiVavIts ; no. 18
Printed on verso: "U.S. Geolographical and Geological Survey of the Rocky Mountain Region." Stamp of Minnesota Historical Society on verso.
Physical Description1 folder12 x 18 cm.
Printed on recto: "P254" and "P22347."
Physical Description1 folder9 x 18 cm.
Expedition of 1873 ; no. 28
Printed on recto: "1st Lieut. Geo. M. Wheeler." Printed on recto: "Geographical Explorations and Surveys West of the 100th Meridian."
Physical Description1 folder10 x 18 cm.
Expedition of 1873 ; no. 29
Printed on recto: "1st Lieut. Geo. M. Wheeler." Printed on recto: "Geographical Explorations and Surveys West of the 100th Meridian."
Physical Description1 folder10 x 18 cm.
Watkins' Pacific Railroad ; 282
Attributed to Hart.
Hart, Alfred A. (1816-1908)Alfred A. Hart (1816-1908) was a photographer who documented the construction of the western half of the transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. Hart served as the Central Pacific's first official photographer, and his images chronicle the advancement of the railroad over 742 miles from Newcastle, California, through the Sierra Nevada Mountains and into Nevada and Utah.
Physical Description1 folder9 x 18 cm.
Indians of the Colorado Valley : KaiVavIts ; no. 25
Printed on recto: "U.S. Topographical and Geological Survey of the Colorado River of the West" and "By J.W. Powell and A.H. Thompson."
Physical Description1 folder12 x 18 cm.
Indians of the Colorado Valley : KaiVavIts ; no. 11
Printed on verso: "U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.
Physical Description1 folder12 x 18 cm.
Indians of the Colorado Valley : KaiVavIts ; no. 1
Printed on verso: "U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.
Physical Description1 folder12 x 18 cm.
Indians of the Colorado Valley : KaiVavIts ; no. 8
Printed on verso: "U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.
Physical Description1 folder12 x 18 cm.
Indians of the Colorado Valley : KaiVavIts ; no. 14
Printed on verso: "U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.
Physical Description1 folder12 x 18 cm.
Indians of the Colorado Valley : NuAGunTits ; no. 64
Printed on verso: "U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.
Physical Description1 folder12 x 18 cm.
Indians of the Colorado Valley : KaiVavIts ; no. 32
Printed on recto: "U.S. Topographical and Geological Survey of the Colorado River of the West" and "By J.W. Powell and A.H. Thompson." Copyright 1874. Ticket of J.F. Jarvis on verso.
Physical Description1 folder12 x 18 cm.
Indians of the Colorado Valley : NuAGunTits ; no. 63
Printed on verso: "U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.
Physical Description1 folder12 x 18 cm.
Indians of the Colorado Valley : KaiVavIts ; no. 16
Printed on recto: "U.S. Topographical and Geological Survey of the Colorado River of the West" and "By J.W. Powell and A.H. Thompson." Copyright 1874.
Physical Description1 folder12 x 18 cm.
Arizona scenery
Written on verso: "Apache scouting, 29." Lt. Tony Rucker pictured with scouts.
Physical Description1 folder9 x 18 cm.
Santa Fe and vicinity ; no. 11
Written on recto: "Interior of San Miguel Church, no. 11." Cataloger supplied title.
Physical Description1 folder11 x 18 cm.
Santa Fe and vicinity ; no. 18
Written on recto: "The oldest house in Santa Fe, no. 18" and "Over 100 years old." Cataloger supplied series title.
Physical Description1 folder11 x 18 cm.
Descriptive views of the American continent ; 619
Physical Description1 folder11 x 18 cm.
Written on verso: "Capulin Mountain, Colfax Co., N.M." and "10."
Physical Description1 folder12 x 18 cm.
Views in the canons of the Colorado River and among the Aztec cities of Arizona ; no. 1909
Printed on recto: "Colorado and Arizona scenery." Photographed by Beaman during Powell's expedition.
Physical Description1 folder9 x 18 cm.
Printed on recto: "1133" and "32802."
Physical Description1 folder9 x 18 cm.
Indians ; 23327
Printed on recto: "2."
Physical Description1 folder9 x 18 cm.
Indians ; 23333
Printed on recto: "25."
Physical Description1 folder9 x 18 cm.
Handcolored photograph.
Physical Description1 folder9 x 18 cm.
Expedition of 1873 ; no. 20
Printed on recto: "1st Lieut. Geo. M. Wheeler." Printed on recto: "Geographical Explorations and Surveys West of the 100th Meridian."
Physical Description1 folder10 x 18 cm.
Indians of the Colorado Valley : KaiVavIts ; no. 15
Printed on recto: "U.S. Topographical and Geological Survey of the Colorado River of the West" and "By J.W. Powell and A.H. Thompson." Copyright 1874.
Physical Description1 folder12 x 18 cm.
Printed on recto: "1."
Physical Description1 folder9 x 18 cm.
Printed on recto: "268." Stamp of Walter V. Hayt, Santa Fe, N.M., on verso.
Physical Description1 folder11 x 28 cm.
Gems of Minnesota Scenery
Written on verso: "Sioux captives" amd "Avery Brodin." Could also be by Upton.
Physical Description1 folder9 x 18 cm.
Written on recto: "Tesuque Indians and home, N.M." Written on verso: "Governor of Tesuque's wife, and children. Mrs. Abeyta."
Physical Description1 folder9 x 18 cm.
Written on recto: "San Domingo Indians, N.M." Written on verso: "Mary Abeyta & children in front of home in San Domingo Indian village."
Physical Description1 folder9 x 18 cm.
Views in New Mexico, Arizona, and Mexico
Among the Walapais of Arizona, Grand Canon of the Colorado.
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder10 x 18 cm.
Printed on recto: "32" and "6188."
Physical Description1 folder9 x 18 cm.
Printed on recto: "33" and "8181."
Physical Description1 folder9 x 18 cm.
Printed on recto: "330."
Physical Description1 folder9 x 18 cm.
Indian portraits and views
Physical Description1 folder9 x 18 cm.
Descriptive views of the American continent
Physical Description1 folder9 x 18 cm.
Standard series
Written on verso: "Indians, Albuquerque, N.M." Cataloger supplied title.
Physical Description1 folder11 x 18 cm.
Indians of the Colorado Valley : UAi NuInts ; no. 49
Printed on recto: "U.S. Topographical and Geological Survey of the Colorado River of the West" and "By J.W. Powell and A.H. Thompson." Ticket of H. Ropes & Co. on verso. Copyright 1874.
Physical Description1 folder12 x 18 cm.
Copyright 1903.
Physical Description1 folder9 x 18 cm.
Copyright 1903.
Physical Description1 folder9 x 18 cm.
Copyright 1903.
Physical Description1 folder9 x 18 cm.
Written on verso: "Indians." Cataloger supplied title.
Physical Description1 folder9 x 18 cm.
Written on verso: "Indian lady, chief's wife."
Physical Description1 folder9 x 18 cm.
Written on verso: "Mexican ladies." Cataloger supplied title.
Physical Description1 folder9 x 18 cm.
Washington City views ; no. 2735
Ticket of Wm. Senter on verso.
Physical Description1 folder9 x 18 cm.
St. Paul Ice Carnival ; 1566
Printed on recto: "1886, 1887, 1888."
Physical Description1 folder11 x 18 cm.
Among the Winnebago Indians ; 484
Printed on recto: "Wandering among the wonders and beauties of Wisconsin scenery"
Physical Description1 folder9 x 18 cm.
Scenery on the Northern Pacific Rail Road ; 78
Physical Description1 folder9 x 18 cm.
Upton's Minnesota views
Physical Description1 folder9 x 18 cm.
Written on verso: "277, Yellow Thunder, warrior chief, 120 years old."
Physical Description1 folder9 x 18 cm.
Indian portraits and views
Written on verso: "Sioux teepees, drying meat." Possibly a Whitney photograph mounted on an Upton stereocard.
Physical Description1 folder9 x 18 cm.
Upton's Minnesota and Northwestern views
Cataloger supplied title.
Physical Description1 folder9 x 18 cm.
Among the Winnebago Indians ; no. 1057
Printed on recto: "Wanderings among the wonders and beauties of Wisconsin scenery."
Physical Description1 folder11 x 18 cm.
1 folder9 x 18 cm.
1 folder9 x 18 cm.
Written on recto: "Carlisle Mission Sunday school."
Physical Description1 folder11 x 18 cm.
Gems of Minnesota scenery ; no. 70
Dealer's ticket of Martin's Art Gallery, St. Paul, Minn. Ebell photograph published on Whitney's card.
Physical Description1 folder9 x 18 cm.
Printed on recto: "191." Written on verso: "Winnebago children."
Physical Description1 folder9 x 18 cm.
Descriptive views of the American continent
Physical Description1 folder9 x 18 cm.
Modoc War ; 1622
Physical Description1 folder9 x 18 cm.
Written on verso: "Chippewa Indians & squaw." Cataloger supplied title.
Physical Description1 folder9 x 18 cm.
Salt Lake City, Utah
Physical Description1 folder9 x 18 cm.
Salt Lake City, Utah
Written on recto: "A52."
Physical Description1 folder9 x 18 cm.
Upton's views of Minnesota and the Northwest : Sioux Indians
Possibly also by Whitney.
Physical Description1 folder9 x 18 cm.
Carter's celebrated Indian stereos
Physical Description1 folder9 x 18 cm.
Stereoscopic views of Western Washington
Copyright 1901.
Physical Description1 folder9 x 18 cm.
Descriptive views of the American continent ; 263
Physical Description1 folder11 x 18 cm.
Cataloger supplied title.
Physical Description1 folder9 x 18 cm.
Written on verso: "Kickapoo Indians, Costilito, captured by Col. McKenzie" and "M.B. Shellman."
Physical Description1 folder9 x 18 cm.
Old Bets was said to have helped whites during the Sioux Revolt of 1862.
Physical Description1 folder9 x 18 cm.
Northern Pacific views : along the line of the Northern Pacific Railroad ; 120
Haynes, F. Jay (Frank Jay) (1853-1921)F. Jay Haynes (1853-1921) was a professional photographer who documented the settlement and expansion of the American Northwest during the late 19th and early 20th centuries. Based in Minnesota and North Dakota, Haynes served as the official photographer for Northern Pacific Railway and Yellowstone National Park. Haynes first visited Yellowstone in 1881 and, a few years later in 1884, obtained permission to operate a photography studio there. He served as Yellowstone's official photographer from 1884 until 1920 when he was succeeded by his son, Jack Ellis Haynes (1884-1962).
Physical Description1 folder10 x 18 cm.
Written on verso: "Sioux Indians."
Physical Description1 folder9 x 18 cm.
Written on verso: "Red Cloud and scout."
Physical Description1 folder9 x 18 cm.
Written on verso: "From left to right: 1. 'Rabbit' 2. 'Little Soldier' 3. 'Big Black Bear.'"
Physical Description1 folder9 x 18 cm.
Indians of the Colorado Valley : KaiVavIts ; no. 30
Printed on recto: "U.S. Topographical and Geological Survey of the Colorado River of the West" and "By J.W. Powell and A.H. Thompson." Dealer's ticket of J.F. Jarvis, Washington, D.C., on verso. Copyright 1874.
Physical Description1 folder12 x 18 cm.
Enchanted land, or, Wonders of the Yellowstone National Park
Physical Description1 folder12 x 18 cm.
Upton's Minnesota views
Physical Description1 folder9 x 18 cm.
Among the Winnebago Indians ; 277
Printed on recto: "Wandering among the wonders and beauties of Wisconsin scenery."
Physical Description1 folder9 x 18 cm.
Among the Winnebago Indians ; 484
Printed on recto: "Wandering among the wonders and beauties of Wisconsin scenery."
Physical Description1 folder9 x 18 cm.
European and American views
Printed on recto: "222a."
Physical Description1 folder9 x 18 cm.
Minnesota views
Published on Zimmerman card.
Physical Description1 folder11 x 18 cm.
Whitney portrait on Zimmerman card.
Physical Description1 folder9 x 18 cm.
Printed on recto: "1097."
Physical Description1 folder9 x 18 cm.
In and about the dells of Wisconsin ; 1122
Printed on recto: "Wandering among the wonders and beauties of Wisconsin scenery."
Physical Description1 folder11 x 18 cm.
Printed on recto: "1134" and "13720."
Physical Description1 folder9 x 18 cm.
Possibly of a Crow Indian dance. Copyright 1900.
Physical Description1 folder9 x 18 cm.
Of a Crow scout. Copyright 1900.
Physical Description1 folder9 x 18 cm.
Cosmopolitan series ; 553
Written on verso: "Gift of Michael Wurmfeld, July 88."
Physical Description1 folder9 x 18 cm.
Gems of Minnesota scenery
Written on verso: "Wowinape, Little Crow's son." Identical image also published by Upton.
Physical Description1 folder9 x 18 cm.
Santa Fe and vicinity ; no. 101
Written on recto: "The plaza, Sept. 26th 81." Cataloger supplied series title.
Physical Description1 folder11 x 18 cm.
Santa Fe and vicinity ; no. 6
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Views on the Green River : Stillwater Canon series ; no. 109
Printed on recto: "U.S. Topographical and Geologioal [sic] Survey of the Colorado River of the West" and "By J.W. Powell and A.H. Thompson."
Physical Description1 folder12 x 18 cm.
American scenery
Physical Description1 folder9 x 18 cm.
Indians of the Colorado Valley : KaiVavIts ; no. 22
Printed on verso: "Department of the Interior, U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.
Physical Description1 folder12 x 18 cm.
Indians of the Colorado Valley : UAi NuInts ; no. 42
Printed on verso: "Department of the Interior, U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.
Physical Description1 folder12 x 18 cm.
Indians of the Colorado Valley : NuAGunTits ; no. 71
Printed on verso: "Department of the Interior, U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.
Physical Description1 folder12 x 18 cm.
Indians of the Colorado Valley : UInTats ; no. 114
Printed on verso: "Department of the Interior, U.S. Geographical and Geological Survey of the Rocky Mountain Region, J.W. Powell." Stamp of Minnesota Historical Society on verso.
Physical Description1 folder12 x 18 cm.
Written on verso: "Indian chief."
Physical Description1 folder9 x 18 cm.
Expedition of 1871 ; no. 10
Printed on recto: "1st Lieut. Geo. M. Wheeler, Corps of Engineers commanding." Printed on verso: "Geographical and Geological Explorations and Surveys West of the 100th Meridian."
Physical Description1 folder10 x 18 cm.
Modoc War ; 1630
Copyright 1873.
Physical Description1 folder10 x 18 cm.
Printed on recto: "1133" and "32802."
Physical Description1 folder9 x 18 cm.
1 folder9 x 18 cm.
Views on the Chippewa Reservation, White Earth, Minn.
Physical Description1 folder9 x 18 cm.
Indians of California ; 1583
Physical Description1 folder10 x 18 cm.
Indians of California ; 1576
Physical Description1 folder10 x 18 cm.
Indians of California ; 1584
Physical Description1 folder10 x 18 cm.
Printed on recto: "204" and "8082."
Physical Description1 folder9 x 18 cm.
Printed on recto: "98" and "14196." Copyright 1908.
Physical Description1 folder9 x 18 cm.
Printed on recto: "19" and "32238."
Physical Description1 folder9 x 18 cm.
Printed on recto: "182" and "16718."
Physical Description1 folder9 x 18 cm.
Printed on recto: "12" and "13818."
Physical Description1 folder9 x 18 cm.
Printed on recto: "50" and "26845."
Physical Description1 folder9 x 18 cm.
1 folder9 x 18 cm.
Copyright 1900.
Strohmeyer & Wyman1 folder9 x 18 cm.
Pueblo Tesuque series ; no. 77
Written on recto: "Mexican plow." Cataloger supplied series title.
Physical Description1 folder10 x 18 cm.
Scenery at the head of Lake Superior
Physical Description1 folder9 x 18 cm.
Written on verso: "4, Bear, Ogalala chief." Possibly by Hamilton & Hoyt.
Physical Description1 folder9 x 18 cm.
Watkins' new series of Yosemite and Pacific Coast
Written on verso: "Tonto Apaches, Arizona."
Physical Description1 folder9 x 18 cm.
Copyright 1900.
Strohmeyer & Wyman1 folder9 x 18 cm.
Copyright 1900.
Strohmeyer & Wyman1 folder9 x 18 cm.
California and Colorado ; 1929
Physical Description1 folder9 x 18 cm.
Written on verso: "Sioux tepees or tents."
Physical Description1 folder9 x 18 cm.
Written on verso: "Chakoktakee or The man that strikes his enemies, Pawnee chief."
Physical Description1 folder9 x 18 cm.
Cataloger supplied title.
Physical Description1 folder9 x 18 cm.
Cataloger supplied title.
Physical Description1 folder9 x 18 cm.
1 folder11 x 18 cm.
Printed on recto: "P257" and "PV23344."
Physical Description1 folder9 x 18 cm.
Printed on recto: "P255" and "P23315."
Physical Description1 folder9 x 18 cm.
California and Colorado ; 1929
Physical Description1 folder9 x 18 cm.
Printed on recto: "P251" and "PV23189."
Physical Description1 folder9 x 18 cm.
Printed on recto: "P250" and "P23122."
Physical Description1 folder9 x 18 cm.
Printed on recto: "P249" and "P23206."
Physical Description1 folder9 x 18 cm.
Printed on recto: "P248" and "PV23180."
Physical Description1 folder9 x 18 cm.
Printed on recto: "P201" and "P23093." Printed on verso: "Sioux Indians and ponies, Colorado."
Physical Description1 folder9 x 18 cm.
Printed on recto: "98" and "14196." Copyright 1908.
Physical Description1 folder9 x 18 cm.
Printed on recto: "8146." Copyright 1893.
Physical Description1 folder9 x 18 cm.
Photograph includes totem poles.
Physical Description1 folder9 x 18 cm.
American views ; 4104
Physical Description1 folder9 x 18 cm.
Glories of Yosemite, California ; 124
Physical Description1 folder10 x 18 cm.
California ; 1312
According to Naef, Soule never photographed Yosemite, but published Muybridge's photographs of the Valley under his name.
Physical Description1 folder9 x 18 cm.
Expedition of 1872 ; no. 10
Printed on recto: "1st Lieut. Geo. M. Wheeler, Corps of Engineers commanding." Printed on verso: "Geographical Explorations and Surveys West of the 100th Meridian."
Physical Description1 folder10 x 18 cm.
1 folder9 x 18 cm.
Views of American scenery ; no. 188
Physical Description1 folder9 x 18 cm.
Utah
Printed on verso: "Pres. B. Young." Cataloger supplied title.
Physical Description1 folder9 x 18 cm.
Stereoscopic gems of Utah scenery
Physical Description1 folder9 x 18 cm.
Utah
Cataloger supplied title.
Physical Description1 folder10 x 18 cm.
Utah
Physical Description1 folder9 x 18 cm.
Mormon celebrities
Written on verso: "Wilford Wooruff, 208."
Physical Description1 folder9 x 18 cm.
Printed on recto: "392."
Physical Description1 folder9 x 18 cm.
Written on verso: "Peterson's bridge, Weber."
Physical Description1 folder9 x 18 cm.
Printed on recto: "4702."
Physical Description1 folder10 x 18 cm.
Stereoscopic gems of Utah scenery
Printed on recto: "132 x 232 ft. Height of ceiling 68 ft. Seats 13,000."
Physical Description1 folder9 x 18 cm.
Utah series
Title, series and creator information from printed label on the verso.
Physical Description1 folder9 x 16 cm.
American views : standard series
Physical Description1 folder9 x 18 cm.
American views
Physical Description1 folder9 x 18 cm.
Utah
Interior of Assembly Hall.
Physical Description1 folder10 x 18 cm.
Utah
Interior view of Tabernacle.
Physical Description1 folder10 x 18 cm.
View in New Mexico and Arizona
Written on verso: "Oldest house in Santa Fe, N.M. Age unknown."
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder10 x 18 cm.
Copyright 1903.
Physical Description1 folder9 x 18 cm.
Printed on recto: "I68" and "23325."
Physical Description1 folder9 x 18 cm.
Santa Fe and vicinity ; no. 1
Written on recto: "The palace." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 1
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 2
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 3
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 4
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 5
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 8
Written on recto: "Santa Fe from loma." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 6
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Views in New Mexico ; no. 9
Written on verso: "Central part, Santa Fe from the Loma."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 11
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 12
Written on recto: "The old San Miguel Church." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 12
Written on recto: "The old San Miguel Church." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 13
Written on recto: "The old San Miguel Church." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 13
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 14
Printed on recto: "Among the ancient and interesting scenery of New Mexico." Written on recto: "Quite modern & new."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 16
Written on recto: "Rear view of San Miguel Chapel." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 17
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 18
Written on recto: "Oldest house in Santa Fe (300 yrs.)." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Indian Pueblo of Cochiti and vicinity ; no. 137
Cataloger supplied title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 19
Written on recto: "Typical Mexican residence." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 20
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 22
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 23
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 24
Written on recto: "Indian pottery." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 26
Written on recto: "Indian pottery." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 27
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 29
Written on recto: "Rio de Santa Fe." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 30
Written on recto: "North from college." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 31
Written on recto: "Nose paint." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 33
Written on recto: "Western part of Santa Fe." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 34
Written on recto: "Street view." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 35
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 37
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 38
Written on recto: "The centenarians." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 39
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Views in New Mexico ; no. 40
Written on verso: "General view of S.F. from Guadalupe Church."
Physical Description1 folder9 x 18 cm.
Santa Fe and vicinity ; no. 41
Written on recto: "Dirt roofs." Cataloger supplied title. Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 42
Written on recto: "Old house, San Miguel Church, and college." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 43
Written on recto: "'Dos cargas' Two loads." Cataloger supplied series title.
Physical Description1 folder10 x 18 cm.
Santa Fe and vicinity ; no. 44
Written on recto: "Eastern part of city." Cataloger supplied series title.
Physical Description1 folder10 x 18 cm.
Santa Fe and vicinity ; no. 45
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 46
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 51
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 48
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 53
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 54
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 56
Written on recto: "Burros laden with wood & corn stalks." Cataloger supplied series title.
Physical Description1 folder10 x 18 cm.
Santa Fe and vicinity ; no. 57
Written on recto: "The old San Francisco Church." Cataloger supplied series title.
Physical Description1 folder10 x 18 cm.
Santa Fe and vicinity ; no. 58
Written on recto: "San Fracisco Street." Cataloger supplied series title.
Physical Description1 folder10 x 18 cm.
Views of New Mexico ; no. 58
Written on verso: "San Francisco Street" and "This is a view of the principal business street of the town. All the stores have fixed awnings on piazzas in front. There are fabulous stock of goods carried in these little low one story buildings."
Physical Description1 folder12 x 18 cm.
Pueblo Tesuque series ; no. 62
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder10 x 18 cm.
Pueblo Tesuque series ; no. 64
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder10 x 18 cm.
Pueblo Tesuque series ; no. 66
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder10 x 18 cm.
Pueblo Tesuque series ; no. 67
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder10 x 18 cm.
Pueblo Tesuque series ; no. 68
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder10 x 18 cm.
Pueblo Tesuque series ; no. 69
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder10 x 18 cm.
Ruined pueblo of the Pecos ; no. 74
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder10 x 18 cm.
Ruined pueblo of the Pecos ; no. 75
Written on recto: "The old Pecos church."
Physical Description1 folder10 x 18 cm.
Ruined pueblo of the Pecos ; no. 77
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder10 x 18 cm.
Views of New Mexico ; no. 78
Written on verso: "The Indian Pueblo of Taos, N.M. (north plaza)."
Physical Description1 folder12 x 18 cm.
View in New Mexico ; no. 79
Written on recto: "The Ind. Pueblo of Taos, N.M." Cataloger supplied series title.
Physical Description1 folder11 x 18
Pueblo Tesuque series ; no. 80
Written on recto: "Roofs and ovens." Cataloger supplied series title.
Physical Description1 folder11 x 18 cm.
Visit to Los Cerrillos Mining District ; no. 84
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Visit to Los Cerrillos Mining District ; no. 85
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Visit to Los Cerrillos Mining District ; no. 86
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Visit to Los Cerrillos Mining District ; no. 88
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Visit to Los Cerrillos Mining District ; no. 90
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Visit to Los Cerrillos Mining District
Printed on recto: "Among the ancient and interesting scenery of New Mexico." Written on verso: "Homestake shaft. Millionares in it."
Physical Description1 folder11 x 18 cm.
Visit to Los Cerrillos Mining District ; no. 93
Written on recto: "The Turquoise Mine." Cataloger supplied series title.
Physical Description1 folder11 x 18 cm.
Visit to Los Cerrillos Mining District ; no. 92
Written on recto: "Turquoise Mine." No. 92 is crossed out with 148 written below it. Cataloger supplied series title.
Physical Description1 folder11 x 18 cm.
Visit to Los Cerrillos Mining District ; no. 94
Printed on recto: "Among the ancient and interesting scenery of New Mexico." No. 94 crossed out with 150 written below it. Stamp of Santa Fe Historical Society Library on verso.
Physical Description1 folder11 x 18 cm.
Visit to Los Cerrillos Mining District ; no. 96
Printed on recto: "Among the ancient and interesting scenery of New Mexico." No. 96 crossed out with 152 written below it.
Physical Description1 folder11 x 18 cm.
Visit to Los Cerrillos Mining District ; no. 97
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Visit to Los Cerrillos Mining District ; no. 100
Printed on recto: "Among the ancient and interesting scenery of New Mexico." No. 100 crossed out with 156 and 100 written below it.
Physical Description1 folder11 x 18 cm.
Pueblo of San Juan series ; no. 112
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Cochiti and vicinity ; no. 138
Written on recto: "The Ind Pueblo of Cochiti." Cataloger supplied title and series title.
Physical Description1 folder11 x 18 cm.
Pueblo of San Juan series ; no. 116
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Pueblo of San Juan series ; no. 119
Printed on recto: "Among the ancient and interesting scenery of New Mexico." No. 119 crossed out with 100 written below it.
Physical Description1 folder11 x 18 cm.
Pueblo of San Juan series ; no. 121
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Pueblo of San Juan series ; no. 122
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Pueblo of San Juan series ; no. 123
Printed on recto: "Among the ancient and interesting scenery of New Mexico." No. 123 crossed out with 104 written below it.
Physical Description1 folder11 x 18 cm.
Pueblo of San Juan series ; no. 124
Written on recto: "The Rio Grande Valley at San Juan." No. 124 crossed out with 105 written below it. Cataloger supplied series title.
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Santo Domingo ; no. 130
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Santo Domingo ; no. 131
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Santo Domingo ; no. 132
Printed on recto: "Among the ancient and interesting scenery of New Mexico." No. 132 crossed out with 108 written below it.
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Santo Domingo ; no. 133
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Santo Domingo ; no. 136
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Cochiti and vicinity ; no. 138
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Cochiti and vicinity ; no. 140
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Cochiti and vicinity ; no. 141
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Cochiti and vicinity ; no. 142
Printed on recto: "Among the ancient and interesting scenery of New Mexico." No. 142 crossed out with 118 written below it.
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Cochiti and vicinity ; no. 143
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Cochiti and vicinity ; no. 144
Printed on recto: "Among the ancient and interesting scenery of New Mexico." No. 144 crossed out with 121 written below it.
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Cochiti and vicinity ; no. 145
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Cochiti and vicinity ; no. 146
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Cochiti and vicinity ; no. 147
Written on recto: "Barranco Blanco, or, El Tienditas." Cataloger supplied series title.
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Cochiti and vicinity ; no. 148
Printed on recto: "Among the ancient and interesting scenery of New Mexico." Cataloger supplied series title.
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Cochiti and vicinity ; no. 149
Written on recto: "Our guide." Cataloger supplied series title.
Physical Description1 folder10 x 18 cm.
Views of New Mexico ; no. 171
Written on verso: "Summit of Rockies at Raton, N.M., 'Uncle Dick Wootons.'"
Physical Description1 folder12 x 18 cm.
A.T. & S. Fe R.R. series ; no. 173
Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."
Physical Description1 folder11 x 18 cm.
Views of New Mexico ; no. 175
Written on verso: "Las Vegas, N.M. : 'old town.'"
Physical Description1 folder12 x 18 cm.
A.T. & S. Fe R.R. series ; no. 176
Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."
Physical Description1 folder11 x 18 cm.
Views of New Mexico ; no. 178
Written on verso: "Las Vegas hot springs bath house."
Physical Description1 folder12 x 18 cm.
A.T. & S. Fe R.R. series ; no. 183
Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."
Physical Description1 folder11 x 18 cm.
Views of New Mexico ; no. 186
Written on verso: "Among the summits at Levy Station."
Physical Description1 folder12 x 18 cm.
A.T. & S. Fe R.R. series ; no. 187
Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."
Physical Description1 folder11 x 18 cm.
A.T. & S. Fe R.R. series ; no. 189
Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."
Physical Description1 folder11 x 18 cm.
A.T. & S. Fe R.R. series ; no. 190
Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."
Physical Description1 folder11 x 18 cm.
A.T. & S. Fe R.R. series ; no. 190
Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."
Physical Description1 folder11 x 18 cm.
A.T. & S. Fe R.R. series ; no. 196
Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."
Physical Description1 folder11 x 18 cm.
A.T. & S. Fe R.R. series ; no. 197
Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."
Physical Description1 folder12 x 18 cm.
A.T. & S. Fe R.R. series ; no. 202
Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico." No. 202 crossed out with 201 written below it.
Physical Description1 folder11 x 18 cm.
A.T. & S. Fe R.R. series ; no. 203
Physical Description1 folder11 x 18 cm.
A.T. & S. Fe R.R. series ; no. 207
Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."
Physical Description1 folder11 x 18 cm.
A.T. & S. Fe R.R. series ; no. 209
Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."
Physical Description1 folder11 x 18 cm.
A.T. & S. Fe R.R. series ; no. 210
Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."
Physical Description1 folder11 x 18 cm.
A.T. & S. Fe R.R. series ; no. 211
Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."
Physical Description1 folder11 x 18 cm.
Views of New Mexico ; no. 213
Written on verso: "Mesilla Valley, N.M."
Physical Description1 folder12 x 18 cm.
A.T. & S. Fe R.R. series ; no. 214
Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."
Physical Description1 folder11 x 18 cm.
A.T. & S. Fe R.R. series ; no. 219
Printed on recto: "Along the line of the A.T. & S. Fe R.R. in New Mexico."
Physical Description1 folder11 x 18 cm.
A.T. & S. Fe R.R. series ; no. 231
Physical Description1 folder11 x 18 cm.
A.T. & S. Fe R.R. series ; no. 232
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Acoma, New Mexico ; no. 275
Written on recto: "The Indian Pueblo of Acoma." Cataloger supplied series title. No. 275 crossed out with 132 written below it.
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Acoma, New Mexico ; no. 275
Written on recto: "The Ind. Pueblo of Acoma." Cataloger supplied title.
Physical Description1 folder11 x 18 cm.
Indian Pueblo of Acoma, New Mexico ; no. 276
Written on recto: "Street view at Acoma."
Physical Description1 folder12 x 18 cm.
Indian Pueblo of Acoma, New Mexico ; no. 277
Cataloger supplied title.
Physical Description1 folder10 x 18 cm.
Indian Pueblo of Acoma, New Mexico ; no. 278
Written on recto: "From the mesa into the valley."
Physical Description1 folder12 x 18 cm.
Indian Pueblo of Acoma, New Mexico ; no. 279
Written on recto: "View of valley from Acoma."
Physical Description1 folder12 x 18 cm.
Written on recto: "The arrow maker." No. 166 crossed out with 285 written below it. Series title unknown.
Physical Description1 folder12 x 18 cm.
Written on recto: "Moqui Indian girls." No. 286. Series title unknown.
Physical Description1 folder12 x 18 cm.
Views in New Mexico
Written on verso: "Prehistoric Aztec tower in Arroya de los Forreones [?], 25 south of Santa Fe" and "Lovejoy V. Foster, Chicago."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 300
Written on recto: "The Palace." Cataloger supplied series title. Mounted on 11 x 18 cm. card.
Physical Description1 folder10 x 17 cm.
Santa Fe and vicinity ; no. 301
Written on recto: "The oldest house in S. Fe." Cataloger supplied title. Cataloger supplied series title. Mounted on 11 x 18 cm. card.
Physical Description1 folder10 x 17 cm.
Santa Fe and vicinity ; no. 302
Written on recto: "San Miguel Church." Cataloger supplied series title. Mounted on 11 x 18 cm. card.
Physical Description1 folder10 x 17 cm.
Santa Fe and vicinity ; no. 304
Written on recto: "The San Miguel College." Cataloger supplied series title. Mounted on 11 x 18 cm. card.
Physical Description1 folder10 x 17 cm.
Santa Fe and vicinity ; no. 315
Written on recto: "Interior of San Miguel Chapel." Cataloger supplied series title. Mounted on 11 x 18 cm. card.
Physical Description1 folder10 x 16 cm.
Pueblo Tesuque series ; no. 330
Written on recto: "Indian pueblo of Tesuque." Cataloger supplied series title. Mounted on 11 x 18 cm. card.
Physical Description1 folder10 x 16 cm.
Ruined pueblo of the Pecos ; no. 344
Written on recto: "Ruined pueblo of Pecos." Cataloger supplied series title. Mounted on 11 x 18 cm. card.
Physical Description1 folder10 x 17 cm.
A.T. & S. Fe R.R. series ; no. 376
Mounted on 11 x 18 cm. card.
Physical Description1 folder10 x 17 cm.
A.T. & S. Fe R.R. series ; no. 385
Printed on recto: "The Ind. Pueblo of San Felipe. N.M." Cataloger supplied title. Cataloger supplied series title. Mounted on 11 x 18 cm. card
Physical Description1 folder10 x 17 cm.
Printed on recto: "The Ind. Pueblo of San Ildefonso" and "No. 385." Cataloger supplied title. Mounted on 11 x 18 cm. card.
Physical Description1 folder10 x 17 cm.
Indian Pueblo of Acoma, New Mexico ; no. 404
Printed on recto: "One of the water tanks at Acoma." Cataloger supplied series title. Mounted on 11 x 18 cm. card.
Physical Description1 folder10 x 17 cm.
Indian Pueblo of Acoma, New Mexico ; no. 408
Printed on recto: "Acoma, south end." Mounted on 11 x 18 cm. card.
Physical Description1 folder10 x 17 cm.
Santa Fe and vicinity
Written on recto: "Maj Fountains rustlers." Cataloger supplied title. Cataloger supplied series title. Mounted on 11 x 18 cm. card.
Physical Description1 folder10 x 17 cm.
Indians of the Colorado Valley : UInTaUtes ; no. 106
Printed on recto: "U.S. Topographical and Geological Survey of the Colorado River of the West" and "By J.W. Powell and A.H. Thompson."
Physical Description1 folder12 x 18 cm.
American and foregin views ; 3264
Copyrighted by T.W. Ingersoll, possibly in 1895. Printed on recto: "Sold only by Canvassers."
Physical Description1 folder9 x 18 cm.
American and foregin views ; 3218
Printed on recto: "Sold only by Canvassers."
Physical Description1 folder9 x 18 cm.
No. 690
Physical Description1 folder9 x 18 cm.
Written on verso: "Sioux."
Physical Description1 folder9 x 18 cm.
No. 110. A color reproduction from an original stereograph.
Physical Description1 folder9 x 18 cm.
No. 424. A color reproduction from an original stereograph. 1899 copyright held by T.W. Ingersoll.
Physical Description1 folder9 x 18 cm.
No. 495
Physical Description1 folder9 x 18 cm.
Scenery on the Northern Pacific Rail Road ; 78
Photograph mistakenly pasted on a card printed for "View of the city of Duluth" of the Lake Superior scenery series.
Physical Description1 folder9 x 18 cm.
Written on verso: "V231818 Indian village on a government reservation, Glacier National Park, Montana." Duplicate image of S0854 of collection number WC064. Creator supplied from S0854 of collection number WC064.
Physical Description1 folder9 x 18 cm.
Printed on recto: "204" and "8082."
Physical Description1 folder9 x 18 cm.
Printed on recto: "385" and "V23180."
Physical Description1 folder9 x 18 cm.
Cataloger supplied title.
Physical Description1 folder9 x 18 cm.
New Mexico series : Santa Fe ; 2921
Cataloger supplied title.
Physical Description1 folder10 x 18 cm.
No. 5451. Copyright 1890.
Physical Description1 folder9 x 18 cm.
Written on verso: "Band of Arappaho Indians" and "J.G. Evans, photographer, Las Vegas, New Mexico."
Physical Description1 folder9 x 18 cm.
Views in New Mexico
Written on verso: "Northern part of Santa Fe, [?] Santa Fe River, Baptist (now Presbyterian) Church, Military qrs. and flag staff third center of [?]" and "Looking north east."
Physical Description1 folder9 x 18 cm.
Pueblo Tesuque series ; no. 62
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder10 x 18 cm.
Arizona views
Physical Description1 folder9 x 18 cm.
Gems of Minnesota Scenery
Physical Description1 folder9 x 18 cm.
Lake Superior scenery : north shore
Physical Description1 folder9 x 18 cm.
Upton's views of Minnesota and the Northwest
Published by Fearon & Bacheller.
Physical Description1 folder9 x 18 cm.
Upton's views of Minnesota and the Northwest
Published by Fearon & Bacheller.
Physical Description1 folder9 x 18 cm.
Upton's Minnesota & Northwestern views
Written on recto: Falls of St. Anthony." Published by Fearon & Bacheller.
Physical Description1 folder9 x 18 cm.
Upton's Minnesota & Northwestern views
Written on recto: "Red River carts." Published by Fearon & Bacheller.
Physical Description1 folder9 x 18 cm.
Upton's Minnesota & Northwestern views
Published by Fearon & Bacheller.
Physical Description1 folder9 x 18 cm.
Upton's Minnesota and Northwestern views
Cataloger supplied title.
Physical Description1 folder9 x 18 cm.
Harvey's new views of Minnesota scenery
Possibly by either Edwin Harvey or G. Harvey. Cataloger supplied title.
Physical Description1 folder9 x 18 cm.
Jacoby's Minnesota and foreign views ; 259
Physical Description1 folder9 x 18 cm.
Stereographs of Minnesota scenery
Physical Description1 folder9 x 18 cm.
Printed on recto: "Sugar Bowl" and "854."
Physical Description1 folder9 x 18 cm.
California mountain scenery
Cataloger supplied title supplied from series list on verso of stereograph. Written on recto: "Chip of the old block."
Physical Description1 folder9 x 18 cm.
1 folder9 x 18 cm.
Enchanted land, or, Wonders of the Yellowstone National Park
Cataloger supplied title. Possibly taken in Montana, Wyoming, or Idaho.
Physical Description1 folder12 x 18 cm.
Expedition of 1874 ; no. 38
Printed on recto: "1st Lieut. Geo. M. Wheeler." Printed on verso: "Geographical Explorations and Surveys West of the 100th Meridian."
Physical Description1 folder10 x 18 cm.
Modoc War ; 1611
Copyright 1873.
Physical Description1 folder10 x 18 cm.
Indians ; 23342
Printed on recto: "10."
Physical Description1 folder9 x 18 cm.
Alaska : land of the midnight sun via P.C.S.S. Co. line ; 3623
Ticket of Robert I. Wright, Ashland, Ore., on verso.
Physical Description1 folder11 x 18 cm.
Original stereographs ; 471
Physical Description1 folder9 x 18 cm.
Great Interior Basin, Wahsatch Range of Rocky Mountains
Written on verso: "Log barn." Cataloger supplied title.
Physical Description1 folder11 x 18 cm.
Great Interior Basin, Wahsatch Range of Rocky Mountains
Written on verso: "Cloud effect." Cataloger supplied title.
Physical Description1 folder11 x 18 cm.
Written on recto: "31 Little Bighorn Battlefield." Written on verso: "Camera equip. at Little Big Horn, 'All graves were marked with a stake in which had been driven an empty shell case containing an identification slip' p. 169 The Custer album by Frost.'"
Physical Description1 folder9 x 18 cm.
Written on verso: "W.H. Jacoby, 61 & 63 corner of Second St. & Bridge Square, Minneapolis, Minn."
Physical Description1 folder9 x 18 cm.
Gurnsey's Rocky Mountain views : scenes on the line of the Denver & Rio Grande Railway ; no. 64
Physical Description1 folder10 x 18 cm.
Views of the great West from the Missouri River to the Pacific Ocean : Utah series
Physical Description1 folder10 x 18 cm.
Views of the great West from the Missouri River to the Pacific Ocean : Utah series
Physical Description1 folder10 x 18 cm.
Northern Pacific views; the caption reads, "587. Indian burial ground."
This photograph shows a burial site used by an Indigenous community or communities.
Physical Description1 folder9 x 18 cm.
American picturesque ; 2702
Printed on recto: "The north pueblo from the bridge."
Physical Description1 folder9 x 18 cm.
Watkins' new series of Yosemite and Pacific Coast ; 803
Physical Description1 folder9 x 18 cm.
Cataloger supplied title.
Physical Description1 folder11 x 18 cm.
Cataloger supplied title.
Physical Description1 folder11 x 18 cm.
Written on recto: "Pulpit Rock, mouth of Echo." Hand colored.
Physical Description1 folder9 x 18 cm.
Written on recto: "Witches Rocks near mouth of Echo Canon." Hand colored.
Physical Description1 folder9 x 18 cm.
Written on recto: "Sam Hill's lookout : Weber Canon looking down 600 ft." Hand colored.
Physical Description1 folder9 x 18 cm.
Printed on recto: "33." Copyright 1908.
Physical Description1 folder9 x 18 cm.
Printed on recto: "35." Copyright 1903.
Physical Description1 folder9 x 18 cm.
Copyright 1901.
Physical Description1 folder9 x 18 cm.
Printed on recto: "1181" and "V13334."
Physical Description1 folder9 x 18 cm.
American scenery : Yosemite Valley
Advertisement for Duke & Schlingheyde, Patterson, N.J., on verso.
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. 409." Mounted on Whitney & Zimmerman card.
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. 459."
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. 459." Mounted on Whitney & Zimmerman card.
Physical Description1 folder9 x 18 cm.
Among the Winnebago Indians ; 1131
Printed on recto: "Wanderings among the wonders and beauties of Wisconsin scenery."
Physical Description1 folder11 x 18 cm.
St. Paul Ice Carnival ; 1566
Printed on recto: "1886, 1887, 1888."
Physical Description1 folder11 x 18 cm.
St. Paul Ice Carnival ; 1566
Printed on recto: "1886, 1887, 1888."
Physical Description1 folder11 x 18 cm.
Printed on recto: "21."
Physical Description1 folder9 x 18 cm.
Printed on recto: "18" and "6260."
Physical Description1 folder9 x 18 cm.
Printed on recto: "17" and "6259."
Physical Description1 folder9 x 18 cm.
Printed on recto: "16" and "6258."
Physical Description1 folder9 x 18 cm.
Printed on recto: "15" and "6257."
Physical Description1 folder9 x 18 cm.
Printed on recto: "14" and "6256."
Physical Description1 folder9 x 18 cm.
Printed on recto: "13" and "6255."
Physical Description1 folder9 x 18 cm.
Printed on recto: "12" and "6254."
Physical Description1 folder9 x 18 cm.
Printed on recto: "11" and "6253."
Physical Description1 folder9 x 18 cm.
Printed on recto: "10" and "6252."
Physical Description1 folder9 x 18 cm.
Printed on recto: "8" and "6250."
Physical Description1 folder9 x 18 cm.
Printed on recto: "4" and "6246."
Physical Description1 folder9 x 18 cm.
Printed on recto: "5" and "6247."
Physical Description1 folder9 x 18 cm.
Printed on recto: "2" and "6244."
Physical Description1 folder9 x 18 cm.
Printed on recto: "54" and "6226."
Physical Description1 folder9 x 18 cm.
Printed on recto: "51" and "10018."
Physical Description1 folder9 x 18 cm.
Printed on recto: "53" and "9931."
Physical Description1 folder9 x 18 cm.
Printed on recto: "52" and "9922."
Physical Description1 folder9 x 18 cm.
Printed on recto: "50" and "9864."
Physical Description1 folder9 x 18 cm.
Printed on recto: "55" and "8970."
Physical Description1 folder9 x 18 cm.
Printed on recto: "41" and "8966."
Physical Description1 folder9 x 18 cm.
Printed on recto: "31" and "6167."
Physical Description1 folder9 x 18 cm.
Printed on recto: "34" and "8964."
Physical Description1 folder9 x 18 cm.
Printed on recto: "30" and "6272."
Physical Description1 folder9 x 18 cm.
Printed on recto: "58" and "6279."
Physical Description1 folder9 x 18 cm.
Printed on recto: "28" and "6270."
Physical Description1 folder9 x 18 cm.
Printed on recto: "26" and "6268."
Physical Description1 folder9 x 18 cm.
Printed on recto: "25" and "6267."
Physical Description1 folder9 x 18 cm.
Printed on recto: "24" and "6266."
Physical Description1 folder9 x 18 cm.
Printed on recto: "22" and "6264."
Physical Description1 folder9 x 18 cm.
Printed on recto: "2406." Copyright 1896.
Physical Description1 folder9 x 18 cm.
Printed on recto: "5023." Copyright 1897.
Physical Description1 folder9 x 18 cm.
Printed on recto: "5027." Copyright 1897.
Physical Description1 folder9 x 18 cm.
Printed on recto: "9115." Copyright 1898.
Physical Description1 folder9 x 18 cm.
Printed on recto: "9067." Copyright 1898.
Physical Description1 folder9 x 18 cm.
Printed on recto: "9067." Copyright 1898. Possibly taken in Alaska.
Physical Description1 folder9 x 18 cm.
Printed on recto: "9468." Copyright 1899.
Physical Description1 folder9 x 18 cm.
Printed on recto: "9355." Copyright 1898.
Physical Description1 folder9 x 18 cm.
Printed on recto: "9590." Copyright 1899.
Physical Description1 folder9 x 18 cm.
Printed on recto: "9205." Copyright 1898.
Physical Description1 folder9 x 18 cm.
Printed on recto: "9212." Copyright 1898.
Physical Description1 folder9 x 18 cm.
Printed on recto: "9374." Copyright 1898.
Physical Description1 folder9 x 18 cm.
Printed on recto: "37" and "5956."
Physical Description1 folder9 x 18 cm.
Printed on recto: "40" and "5977." Dated from S0822 of collection number WC064.
Physical Description1 folder9 x 18 cm.
Printed on recto: "30" and "6156."
Physical Description1 folder9 x 18 cm.
Printed on recto: "33" and "6181."
Physical Description1 folder9 x 18 cm.
Printed on recto: "32" and "6186."
Physical Description1 folder9 x 18 cm.
Printed on recto: "59" and "6200."
Physical Description1 folder9 x 18 cm.
Printed on recto: "64" and "6205." Copyright held by Strohmeyer & Wyman.
Strohmeyer & Wyman1 folder9 x 18 cm.
Printed on recto: "48" and "6234."
Physical Description1 folder9 x 18 cm.
Printed on recto: "65" and "6209."
Physical Description1 folder9 x 18 cm.
Printed on recto: "62" and "6218."
Strohmeyer & Wyman1 folder9 x 18 cm.
Printed on recto: "45" and "5950."
Physical Description1 folder9 x 18 cm.
Printed on recto: "57" and "10588."
Physical Description1 folder9 x 18 cm.
Printed on recto: "66" and "10587."
Physical Description1 folder9 x 18 cm.
Printed on recto: "61" and "10585."
Physical Description1 folder9 x 18 cm.
Printed on recto: "60" and "10584."
Physical Description1 folder9 x 18 cm.
Printed on recto: "1282." In color.
Physical Description1 folder9 x 18 cm.
Printed on recto: "69." In color.
Physical Description1 folder9 x 18 cm.
In color.
Physical Description1 folder9 x 18 cm.
Written on verso: "August 15, 1882." Cataloger supplied title.
Physical Description1 folder10 x 18 cm.
Copyright 1898.
Strohmeyer & Wyman1 folder9 x 18 cm.
Copyright 1898.
Strohmeyer & Wyman1 folder9 x 18 cm.
Copyright 1894.
Strohmeyer & Wyman1 folder9 x 18 cm.
Printed on verso: "From series of Indian portraits and views made...at different times while among the Sioux, Chippewa and Winnebago Nations." Cataloger supplied title.
Physical Description1 folder9 x 18 cm.
Printed on recto: "1240."
Physical Description1 folder9 x 18 cm.
Printed on recto: "620."
Physical Description1 folder9 x 18 cm.
Possibly the studio of William H. Jacoby. Cataloger supplied title.
Physical Description1 folder9 x 18 cm.
Written on verso: "At Deer Creek Canon on Denver & South Park R.R."
Physical Description1 folder10 x 18 cm.
Expedition of 1874 ; no. 34
Printed on recto: "1st Lieut. Geo. M. Wheeler." Printed on verso: "Geographical Explorations and Surveys West of the 100th Meridian."
Physical Description1 folder10 x 18 cm.
Printed on recto: "2958."
Physical Description1 folder11 x 18 cm.
Collier's Rocky Mountain scenery : vocano series ; 91
Written on verso: "Mary I. Mann, no. 17."
Physical Description1 folder10 x 18 cm.
Collier's Rocky Mountain scenery : Boulder series ; 46
Written on verso: "Mary I. Mann, no. 26."
Physical Description1 folder10 x 18 cm.
Collier's Rocky Mountain scenery : James Peak series ; 3
Physical Description1 folder10 x 18 cm.
Collier's Rocky Mountain scenery : Estes' Park series ; 69
Written on verso: "Mary I. Mann, no. 16."
Physical Description1 folder10 x 18 cm.
Collier's Rocky Mountain scenery : Boulder series ; 46
Title supplied from description printed on verso. Cataloger supplied series title.
Physical Description1 folder10 x 18 cm.
Collier's Rocky Mountain scenery : Long's Peak series ; 66
Physical Description1 folder10 x 18 cm.
Collier's Rocky Mountain scenery : Clear Creek series ; 28
Physical Description1 folder10 x 18 cm.
Collier's Rocky Mountain scenery : Middle Park series ; 147
Written on verso: "Mary I. Mann, no. 49."
Physical Description1 folder10 x 18 cm.
Copyright 1904.
Physical Description1 folder9 x 18 cm.
Written on verso: "Owen's Hot Springs" and "Geo. A. Stough."
Physical Description1 folder10 x 18 cm.
Printed on recto: "2615." Notations by a former owner.
Physical Description1 folder9 x 18 cm.
Printed on recto: "211" and "13720." Notations by a former owner on verso.
Physical Description1 folder9 x 18 cm.
Among the Winnebago Indians ; 31
Printed on recto: "Wanderings among the wonders and beauties of Wisconsin scenery." Notations by a former owner on verso.
Physical Description1 folder9 x 18 cm.
Views of Lake Superior
Written on verso: "Indian camp, Grand Island." Notations by a former owner on verso.
Physical Description1 folder9 x 18 cm.
Scenery at the head of Lake Superior
Notations by a former owner on verso.
Physical Description1 folder9 x 18 cm.
Yellowstone Park scenery ; 4593
Printed on recto: "Northern Pacific scenery." Notations by a former owner on verso.
Haynes, F. Jay (Frank Jay) (1853-1921)F. Jay Haynes (1853-1921) was a professional photographer who documented the settlement and expansion of the American Northwest during the late 19th and early 20th centuries. Based in Minnesota and North Dakota, Haynes served as the official photographer for Northern Pacific Railway and Yellowstone National Park. Haynes first visited Yellowstone in 1881 and, a few years later in 1884, obtained permission to operate a photography studio there. He served as Yellowstone's official photographer from 1884 until 1920 when he was succeeded by his son, Jack Ellis Haynes (1884-1962).
Physical Description1 folder9 x 18 cm.
Written on recto: "Grand Canyon." Printed on recto: "Cascade Mts., Puget Sound, and the Pacific Northwest." Notations by a former owner on verso.
Physical Description1 folder9 x 18 cm.
Printed on recto: "8082." Copyright 1898. Notations by a former owner on verso.
Physical Description1 folder9 x 18 cm.
Printed on recto: "T130" and "16718." Notations by a former owner on verso.
Physical Description1 folder9 x 18 cm.
Curosities of Adams and Juneau Counties ; no. 417
Printed on recto: "Wanderings among the wonders and beauties of Wisconsin scenery."
Physical Description1 folder9 x 18 cm.
Views of the Rocky Mountains and vicinity ; 310
Notations by a former owner on verso.
Physical Description1 folder9 x 18 cm.
Among the Winnebago Indians ; 414
Printed on recto: "Wanderings among the wonders and beauties of Wisconsin scenery." Copyright 1905. Notations by a former owner on verso.
Physical Description1 folder9 x 18 cm.
Denver
Printed on verso: "Colorado mountain scenery."
Physical Description1 folder10 x 18 cm.
Among the Winnebago Indians ; no. 276
Printed on recto: "Wanderings among the wonders and beauties of Wisconsin scenery."
Physical Description1 folder9 x 18 cm.
Utah
Physical Description1 folder9 x 18 cm.
Utah
Physical Description1 folder9 x 18 cm.
American views
Physical Description1 folder9 x 18 cm.
American scenery
Physical Description1 folder9 x 18 cm.
European and American views
Cataloger supplied title.
Physical Description1 folder9 x 18 cm.
Collier's Rocky Mountain scenery : Clear Creek series ; 24
Physical Description1 folder10 x 18 cm.
Collier's Rocky Mountain scenery : Clear Creek series ; 25
Physical Description1 folder10 x 18 cm.
Gurnsey's Rocky Mountain views : views on the line of the A., T., & S.F.R.R. ; no. 210
Dealer's ticket of Walter V. Hayt, Santa Fe, N.M., on verso.
Physical Description1 folder10 x 18 cm.
Gurnsey's Rocky Mountain views : views on the line of the A., T., & S.F.R.R. ; no. 211
Physical Description1 folder10 x 18 cm.
Descriptive views of the American continent ; 64
Physical Description1 folder11 x 18 cm.
Descriptive views of the American continent
Stamp of Phillips' on verso.
Physical Description1 folder9 x 18 cm.
Printed on recto: "266" and "13888." Copyright 1903 and 1909.
Physical Description1 folder9 x 18 cm.
Copyright 1900.
Physical Description1 folder9 x 18 cm.
Printed on recto: "9210." Copyright 1898 and 1900.
Physical Description1 folder9 x 18 cm.
Printed on recto: "9195." Copyright 1898.
Physical Description1 folder9 x 18 cm.
Printed on recto: "11530." Copyright 1899.
Physical Description1 folder9 x 18 cm.
Printed on recto: "11548." Copyright 1899.
Physical Description1 folder9 x 18 cm.
Printed on recto: "272" and "20916." Copyright 1907.
Physical Description1 folder9 x 18 cm.
Printed on recto: "P119" and "P27291."
Physical Description1 folder9 x 18 cm.
Printed on recto: "10027." Copyright 1900.
Physical Description1 folder9 x 18 cm.
Printed on recto: "2" and "21038."
Physical Description1 folder9 x 18 cm.
Printed on recto: "244" and "11518."
Physical Description1 folder9 x 18 cm.
Alaska ; 17
Printed on recto: "9191." Copyright 1898 and 1900. Reproduced from the original in the Collection of Gary Kessel.
Physical Description1 folder9 x 18 cm.
Alaska ; 18
Printed on recto: "11530." Reproduced from the original in the Collection of Gary Kessel.
Physical Description1 folder9 x 18 cm.
Santa Fe and vicinity ; no. 11
Written on recto: "Interior of San Miguel Chapel." Cataloger supplied series title.
Physical Description1 folder11 x 18 cm.
Descriptive views of the American continent ; 602
Physical Description1 folder9 x 18 cm.
Printed on verso: "277." Written on verso: "Summit of Marshall Pass, look west, D. & R.L.R.R." and "Geo. A. Stough."
Physical Description1 folder10 x 18 cm.
Written on verso: "1000 mile tree in the narrows." Written on recto: "CPRR 1000 mile tree."
Physical Description1 folder9 x 18 cm.
Written on recto: "Devil's Gate Bridge." Hand colored.
Physical Description1 folder9 x 18 cm.
Written on recto: "Bridge & small tunnel, Weber."
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. IV."
Physical Description1 folder9 x 18 cm.
Written on verso: "Sep. 3, 1872."
Physical Description1 folder9 x 18 cm.
Stereographs of Minnesota scenery
Physical Description1 folder9 x 18 cm.
Printed on recto: "366." In color.
Physical Description1 folder9 x 18 cm.
Printed on recto: "751." In color.
Physical Description1 folder9 x 18 cm.
Printed on recto: "13577." Copyright 1904.
Physical Description1 folder9 x 18 cm.
Printed on recto: "12475." Copyright 1902.
Physical Description1 folder9 x 18 cm.
Upton's Minnesota and Northwestern views
Cataloger supplied title supplied from series list printed on verso.
Physical Description1 folder9 x 18 cm.
Upton's views of Minnesota and the Northwest
Physical Description1 folder9 x 18 cm.
Written on verso: "City jail, Houston, Tex., Sept. 9/83." Printed on recto: "Stereo. views of Texas" and "Barr & Wright." Barr's name is crossed out.
Physical Description1 folder11 x 18 cm.
Views of Houston, Texas
Written on verso: "Court house, Houston, Tex., Sept. 9/83."
Physical Description1 folder11 x 18 cm.
Views of Houston, Texas
Written on verso: "International R.R. bridge over the bayou at Houston, Tex., Sept. 9/83."
Physical Description1 folder11 x 18 cm.
Views of Houston, Texas
Written on verso: "Market House, Houston, Tex., Sept. 9/83."
Physical Description1 folder11 x 18 cm.
Views of Houston, Texas
Written on verso: "Birds eye view of Houston, Tex., Sept. 9/83."
Physical Description1 folder11 x 18 cm.
Views of Houston, Texas
Written on verso: "Live oak at Lubbock Grove, Houston, Tex., Sept. 9/83."
Physical Description1 folder11 x 18 cm.
Printed on recto: "123" and "20354."
Physical Description1 folder9 x 18 cm.
Printed on recto: "122" and "20054."
Physical Description1 folder9 x 18 cm.
Printed on recto: "7723." Copyright 1905.
Physical Description1 folder9 x 18 cm.
Printed on recto: "121" and "16727."
Physical Description1 folder9 x 18 cm.
Printed on recto: "12475." Copyright 1902.
Physical Description1 folder9 x 18 cm.
Metropolitan series
Printed on recto: "927." In color.
Physical Description1 folder9 x 18 cm.
Printed on recto: "T138" and "32743T."
Physical Description1 folder9 x 18 cm.
Santa Fe and vicinity ; no. 54
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Gurnsey's Rocky Mountain views : views on the line of the A., T. & S.F.R.R. ; no. 222
Stamp of Walter V. Hayt, Santa Fe, New Mexico, on verso.
Physical Description1 folder10 x 18 cm.
Printed on recto: "5437." Copyright 1890.
Physical Description1 folder9 x 18 cm.
Printed on recto: "5439."
Physical Description1 folder9 x 18 cm.
Corwin & Clark's gems of American scenery in Colorado and New Mexico along the line of the A., T. & S.F. Railroad ; no. 12
Written on verso: "Govenor's [sic] Palace, Santa Fe."
Physical Description1 folder11 x 18 cm.
Views of Rocky Mountain scenery : New Mexican series ; 237
Printed on verso: "Scenes on the line of the Atchison, Topeka, and Santa Fe Railway." "Cunningham & Co., successors to F.A. Nims" stamped on verso.
Physical Description1 folder10 x 18 cm.
Descriptive views of the American continent ; 787
Physical Description1 folder11 x 18 cm.
Views of Rocky Mountain scenery : New Mexican series ; 234
Printed on verso: "Scenes on the line of the Atchison, Topeka, and Santa Fe Railway."
Physical Description1 folder10 x 18 cm.
Views of Rocky Mountain scenery : New Mexican series ; 234
Printed on verso: "Scenes on the line of the Atchison, Topeka, and Santa Fe Railway." Written on verso: "General view."
Physical Description1 folder10 x 18 cm.
Written on verso: "Mexican wood yard : La Plaza, Old Las Vegas, New Mexico."
Physical Description1 folder10 x 18 cm.
New series : American views
Written on verso: "San Lorenzo, Santa Cruz."
Physical Description1 folder9 x 18 cm.
1 folder9 x 18 cm.
American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.
Physical Description1 folder10 x 18 cm.
Gurnsey's Rocky Mountain views : views on the line of the A., T. & S.F.R.R. ; no. 221
Physical Description1 folder10 x 18 cm.
Santa Fe and vicinity ; no. 17
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 17
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder12 x 18 cm.
Views of New Mexico ; no. 12
Written on verso: "The San Miguel Chapel."
Physical Description1 folder12 x 18 cm.
Indian Pueblo of Santo Domingo ; no. 130
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder11 x 18 cm.
Pueblo Tesuque series ; no. 63
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder10 x 18 cm.
Indian Pueblo of Santo Domingo ; no. 135
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder10 x 18 cm.
Pueblo Tesuque series ; no. 67
Printed on recto: "Among the ancient and interesting scenery of New Mexico."
Physical Description1 folder10 x 18 cm.
Descriptive views of the American continent ; 628
Written on verso: "Copy of photo by George C. Bennett (circa 1880)."
Physical Description1 folder11 x 18 cm.
Views in New Mexico, Arizona, & Mexico
Written on recto: "Over 300 years old."
Wittick, Ben (1845-1903)Ben Wittick (1845-1903) was an American photographer known for his photographs of landscapes, railroads, and Native American peoples in the American Southwest. Born in Pennsylvania, Wittick traveled westward in 1878 and initially worked for the Atlantic and Pacific Railroad, later establishing a studio in Gallup, New Mexico, and then Fort Wingate. Among his subjects were Apache, Navajo, and Zuni people; and landscapes of Canyon de Chelly and other scenes on the traditional lands of the Navajo and Pueblo peoples. He died from a rattlesnake bite in 1903.
Physical Description1 folder10 x 18 cm.
Written on verso: "Front of the old San Miguel Church, Santa Fe, N. Mex."
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 33
Written on recto: "West view of the city." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
New Mexico series : Santa Fe ; 2909
Physical Description1 folder10 x 18 cm.
Printed on recto: "211" and "16775."
Physical Description1 folder9 x 18 cm.
Descriptive views of the American continent ; 613
Physical Description1 folder11 x 18 cm.
American cities : new series
Physical Description1 folder9 x 18 cm.
Santa Fe and vicinity ; no. 16
Written on verso: "Rear view of San Miguel Church." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 12
Written on verso: "The old San Miguel Church." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 12
Written on verso: "The old San Miguel Church." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Santa Fe and vicinity ; no. 108
Written on verso: "The old San Miguel Church." Cataloger supplied series title.
Physical Description1 folder12 x 18 cm.
Printed on recto: "287" and "16106."
Physical Description1 folder9 x 18 cm.
Printed on recto: "294" and "10824." Copyright 1909. Possibly by Singley.
Physical Description1 folder9 x 18 cm.
Union Pacific R.R.
Physical Description1 folder9 x 18 cm.
Printed on recto: "Printed under the auspices of the Winona and Saint Peter R.R. Co."
Physical Description1 folder9 x 18 cm.
Stereographs of Minnesota scenery
Written on recto: "to Duluth."
Physical Description1 folder9 x 18 cm.
Upton's Minnesota and Northwestern views
Written on recto: "On the Superior R.R."
Physical Description1 folder9 x 18 cm.
Central Pacific Railroad ; 287
Possibly by Hart and published by Watkins.
Hart, Alfred A. (1816-1908)Alfred A. Hart (1816-1908) was a photographer who documented the construction of the western half of the transcontinental railroad by the Central Pacific Railroad between 1864 and 1869. Hart served as the Central Pacific's first official photographer, and his images chronicle the advancement of the railroad over 742 miles from Newcastle, California, through the Sierra Nevada Mountains and into Nevada and Utah.
Physical Description1 folder9 x 18 cm.
Printed on recto: "291" and "12872."
Physical Description1 folder9 x 18 cm.
Printed on recto: "282" and "10803."
Physical Description1 folder9 x 18 cm.
Printed on recto: "52." Stamp of John E. Cragin, Manchester, N.H., on verso. In color.
Physical Description1 folder9 x 18 cm.
Printed on recto: "82" and "23783."
Physical Description1 folder9 x 18 cm.
Printed on recto: "282" and "10803."
Physical Description1 folder9 x 18 cm.
Printed on recto: "74" and "16155."
Physical Description1 folder9 x 18 cm.
Printed on recto: "10865." Copyright 1900.
Physical Description1 folder9 x 18 cm.
Printed on recto: "52" and "V23653."
Physical Description1 folder9 x 18 cm.
Printed on recto: "10896." Copyright 1900.
Physical Description1 folder9 x 18 cm.
Printed on recto: "283" and "10910."
Physical Description1 folder9 x 18 cm.
Printed on recto: "T237" and "10925."
Physical Description1 folder9 x 18 cm.
Printed on recto: "79," "31," and "16113."
Physical Description1 folder9 x 18 cm.
Printed on recto: "57" and "23607."
Physical Description1 folder9 x 18 cm.
Printed on recto: "T238" and "16167T."
Physical Description1 folder9 x 18 cm.
Printed on recto: "100" and "16105."
Physical Description1 folder9 x 18 cm.
Printed on recto: "83" and "23795."
Physical Description1 folder9 x 18 cm.
Printed on recto: "281" and "10809."
Physical Description1 folder9 x 18 cm.
Printed on recto: "88" and "23657T."
Physical Description1 folder9 x 18 cm.
Printed on recto: "89" and "23797."
Physical Description1 folder9 x 18 cm.
Printed on recto: "5573." Dealer's ticket of W.G. Walz, El Paso, Tex., on verso. Notations by a former owner on recto and verso.
Physical Description1 folder10 x 18 cm.
Printed on recto: "10896." Copyright 1900.
Physical Description1 folder9 x 18 cm.
Printed on recto: "(9) 6351." Copyright 1901.
Physical Description1 folder9 x 18 cm.
In color.
Physical Description1 folder9 x 18 cm.
New educational series
Printed on recto: "3701." Published by Liberty Brand Stereo Views.
Jackson, William Henry (1843-1942)American photographer, artist and explorer, William Henry Jackson (1843-1942) is known for his iconic Indian portraits and landscape photographs of the American West. After working for the Union Pacific Railroad and the USGS (U.S. Geological Survey) throughout the 1870s, Jackson moved to Denver in 1879 and opened a commercial studio. There he continued to photograph the West, taking on many side projects photographing for hotels and railroad companies like the Mexican Central, New York Central, and the Baltimore & Ohio.
Physical Description1 folder9 x 18 cm.
Royal series ; 52
In color.
Physical Description1 folder9 x 18 cm.
Printed on recto: "288" and "10865." Attribution to Singley provided by imprint from photograph S0724 in collection WC064.
Physical Description1 folder9 x 18 cm.
Printed on recto: "51" and "23613."
Physical Description1 folder9 x 18 cm.
Printed on recto: "65" and "23758."
Physical Description1 folder9 x 18 cm.
Printed on recto: "10896." Copyright 1900.
Physical Description1 folder9 x 18 cm.
Printed on recto: "10920." Written on recto: "88." Copyright 1900.
Physical Description1 folder9 x 18 cm.
Printed on recto: "10850." Copyright 1900.
Physical Description1 folder9 x 18 cm.
Printed on recto: "P17" and "P23618."
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1271
Copyright 1867. Signed A.L. DuBois on verso.
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1261
Signed A.L. DuBois on verso.
Physical Description1 folder9 x 18 cm.
Pacific Coast ; 1324
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1273
Signed A.L. DuBois on verso.
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1229
Copyright 1867.
Physical Description1 folder9 x 18 cm.
Pacific Coast ; 1231
Copyright 1867.
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1273
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1065
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1585
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1074
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1277
Signed A.L. DuBois on verso.
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1272
Signed A.L. DuBois on verso.
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1219
Signed A.L. DuBois on verso.
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1297
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 2550
Stamp of I.W. Taeer, San Francisco, Calif., on verso.
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast
Printed on recto below "Islands in the Columbia from the upper Cascades": "Moonlight on the Columbia from the O.R.R., Cascades." Series number illegible.
Physical Description1 folder9 x 18 cm.
Pacific Coast
Cataloger supplied title.
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1238
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1230
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1241
Physical Description1 folder9 x 18 cm.
Pacific Coast ; 1229
Physical Description1 folder9 x 18 cm.
Pacific Coast ; 1232
Physical Description1 folder9 x 18 cm.
Pacific Coast ; 1286
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1243
Cataloger supplied series title.
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1246
Cataloger supplied series title.
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1325
Cataloger supplied series title.
Physical Description1 folder9 x 18 cm.
Watkins' Pacific Coast ; 1299
Copyright 1867.
Physical Description1 folder9 x 18 cm.
Pacific Coast ; 1231
Cataloger supplied series title.
Physical Description1 folder9 x 18 cm.
Views of American scenery ; 465
Physical Description1 folder9 x 18 cm.
American views : standard series
Physical Description1 folder9 x 18 cm.
1 folder9 x 18 cm.
1 folder9 x 28 cm.
Advertisement for Gilroy Hot Mineral Springs, Santa Clara County, Calif., on verso. Cataloger supplied title.
Physical Description1 folder9 x 18 cm.
Written on verso: "Mirror Lake, Yosemite Valley, Cal."
Physical Description1 folder9 x 18 cm.
1 folder10 x 18 cm.
Written on verso: "Hannah & my self (Whartenly) where the pin hole is stuck in."
Physical Description1 folder9 x 18 cm.
1 folder9 x 18 cm.
Written on verso: "Insane Asylum, Men's Department."
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. 937."
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. 936." Written on verso: "No. 43."
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. 933."
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. 920." Of Bridal Veil Falls.
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. 939."
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. 963."
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. 948."
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. 942."
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. 982."
Physical Description1 folder9 x 18 cm.
Written on verso: "Eagle Cliff" and "925." Possibly Eagle Cliff, California, taken by Kilburn Brothers.
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. 976."
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. 971."
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. 980."
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. 951."
Physical Description1 folder9 x 18 cm.
Printed on recto: "No. 966."
Physical Description1 folder9 x 18 cm.
Copyright 1901.
Physical Description1 folder9 x 18 cm.
Photographic views of American scenery
Cataloger supplied title.
Physical Description1 folder9 x 18 cm.
Printed on recto: "S315" and "9873."
Physical Description1 folder9 x 18 cm.
Copyright 1902.
Physical Description1 folder9 x 18 cm.
Printed on recto: "4340." Copyright 1887.
Physical Description1 folder9 x 18 cm.
1 folder9 x 18 cm.
Printed on recto: "Sold only by Universal View Co." Red Veteran is a large tree.
Physical Description1 folder9 x 28 cm.
Printed on recto: "Sold only by Universal View Co."
Physical Description1 folder9 x 28 cm.
Printed on recto: "225" and "13796."
Physical Description1 folder9 x 18 cm.
Printed on recto: "225" and "13796."
Physical Description1 folder9 x 18 cm.
Printed on recto: "9663." Copyright 1894.
Physical Description1 folder9 x 18 cm.
Printed on recto: "49" and "6233." Date supplied from S0806 of collection number WC064.
Physical Description1 folder9 x 18 cm.