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Museum records, 1937-1941 (bulk) 1797-1984 (inclusive)

Extent:
1.66 cubic feet
Abstract:
This collection contains information on the activities of the Drexel Museum and Picture Gallery as well as past and present collections. The records, which include photographs and facsimiles of museum objects, date from 1797 until 1984; the bulk are from 1937 until 1941, Dorothy Grafly’s tenure as curator. The collection has been arranged into three series: I. Curator correspondence and notes, II. Catalogues, inventories and reproductions, and III. Collection reports and publications. The first series provides an in-depth look of the responsibilities and activities of the curator. The catalogues, inventories, and reproductions series is predominantly focused on the objects that the Museum has formerly and presently houses.

Held at: Drexel University: Archives and Special Collections [Contact Us]

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James A. Michener Art Museum records, circa 1979-2016

Extent:
110.0 linear feet
Abstract:
The James A. Michener Art Museum, located in Doylestown, Bucks County, Pennsylvania, is an independent, non-profit cultural institution dedicated to preserving, interpreting, and exhibiting the art and cultural heritage of the Bucks County region. Opened in 1988, the museum is named for Doylestown's most famous son, the Pulitzer-Prize winning writer James A. Michener. James A. Michener Art Museum records, circa 1979-2016, consist of administrative and financial records, departmental files, photographic materials, property and building records, publications and printed matter, and other materials.

Held at: James A. Michener Art Museum Archives [Contact Us]

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Wistar and Horner Museum records, 1822-1865 (inclusive) 1845-1855 (bulk)

Extent:
0.4 linear feet (1 box)
Abstract:
The Wistar and Horner Museum was originally founded as the Wistar Museum in the early 19th century by Caspar Wistar, chair of the Department of Anatomy at the University of Pennsylvania School Of Medicine. In 1818, shortly before his death, Wistar appointed William Edmonds Horner, Dean of the Medical Faculty and professor of Anatomy at the University of Pennsylvania, as curator of the Wistar Museum. At that time, the combined collections of Wistar and Horner became known as the Wistar and Horner Museum. Dr. Joseph Leidy succeeded Horner as curator of the museum in 1847, and contributed hundreds of anatomical, botanical, and animal specimens to the museum collections. The Wistar and Horner Museum records date from 1822 to 1865, and consist of materials relating to museum collections, finances, funding, and curatorial activities; as well as Horner's human anatomy and dissecting class at the University of Pennsylvania. The collection documents the evolution, management, finances, and...(see more)

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Clarence Farmer papers, 1942-1983 (inclusive)

Extent:
1.5 linear feet
Abstract:
Clarence Farmer (1915-2014) was a prominent African American in Philadelphia in the 1960s and 1970s, serving key bureaucratic posts in city government and active in supporting minority entrepreneurship and culture in the area. The Clarence Farmer papers, 1942-1983, include photographs, clippings, and ephemera from the early years of the Afro-American Historical and Cultural Museum (later renamed the African American Museum in Philadelphia); Police Advisory Board materials, 1960s; and clippings, photographs, and property documents relating to Farmer himself.

Held at: African American Museum in Philadelphia [Contact Us]

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Albert LeCoff early records of The Center for Art in Wood, 1982-2008 (inclusive)

Extent:
20.0 linear feet
Abstract:
Albert LeCoff (born 1950) is a co-founder and the Executive Director of The Center for Art in Wood (formerly known as the Wood Turning Center) in Philadelphia, Pennsylvania. Since the mid 1970s, Albert has worked to promote the art of woodturning, woodworking, and the artists involved in these pursuits through developing programs at the Center, organizing conferences and exhibitions across the United States, and lecturing internationally. The Albert LeCoff early records of the Center for Art in Wood, 1982-2008, consist largely of slides of artworks and other materials that pertain to exhibitions, conferences, and symposia. To a lesser extent there are administrative and publicity materials relating to the early administration of the Center; photographs; printed materials; ephemera; and correspondence.

Held at: The Center for Art in Wood [Contact Us]

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Christian C. Sanderson collection, 1900-1966 (bulk) 1842-1966 (inclusive)

Extent:
100.0 linear feet
Abstract:
Christian Carmack Sanderson (1882-1966) was an historian, collector, teacher, musician, lecturer, and radio broadcaster, who spent most of his life in the area of Chadds Ford, Delaware County, Pennsylvania. The Christian C. Sanderson collection, 1842-1966 (bulk 1900-1966), consists of Christian C. Sanderson's personal papers and the papers of his family members, as well as materials collected by him. It includes diaries, ephemera, notes, postcards, scrapbooks, slides and scripts from lectures given by Sanderson, artworks created by members of the Wyeth family, photographs, financial records, and more.

Held at: Christian C. Sanderson Museum [Contact Us]

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Craven Hall Historical Society records, 1978-2013 (bulk) 1900-2013 (inclusive)

Extent:
14.5 linear feet
Abstract:
The Craven Hall Historical Society, previously the Citizens for the Preservation of Craven Hall, was organized in Warminster Township, Bucks County, Pennsylvania in 1978. Today the organization owns and operates both Craven Hall, a Federal/Greek Revival home built in stages between 1790 and 1845 that is on the National Register of Historic Places, and the John Fitch Steamboat Museum, dedicated to the inventor of the world's first commercial steamboat. The Craven Hall Historical Society records, 1900-2013 (bulk 1978-2013), contain materials relating to the restoration of Craven Hall and the construction of the John Fitch Museum as well as general Historical Society records. In addition to records created by the Historical Society, this collection includes research materials compiled by the Historical Society on Craven Hall and John Fitch.

Held at: Craven Hall Historical Society [Contact Us]

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Henry Butler Allen papers, 1933-1959 (bulk) 1924-1959 (inclusive)

Extent:
2.1 linear feet
Abstract:
Henry Butler Allen (1887-1962) was a metallurgical and mechanical engineer and served as Director of the Franklin Institute in Philadelphia, Pennsylvania from 1935 until 1947. During World War II, Allen served on the National Defense Research Committee (NDRC) in the Armor and Ordnance Division. The Henry Butler Allen papers, 1924-1959 (bulk 1933-1959), consist of materials produced as part of or relating to Allen's duties at Director and Secretary of the Franklin Institute in the 1930s, as well as materials related to work he conducted during World War II for the National Defense Research Committee in Philadelphia and England.

Held at: The Historical and Interpretive Collections of The Franklin Institute [Contact Us]

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Ryerss family papers, 1758-1931 (inclusive)

Extent:
10.5 linear feet
Abstract:
The Waln family were prominent Philadelphia Quakers who made a fortune in the 18th-century China Trade and descended from the original Pennsylvania settler Nicholas Waln. Joseph Waln Ryerss built Burholme as his summer house in 1859, and upon his death he left it to his son, Robert Waln Ryerss (1831-1896). Robert Waln Ryerss was a lawyer. He scandalized Philadelphia society by marrying his housekeeper, Mary Ann Reed, eight months before his death. Mary Ann remarried, and spent the rest of her life traveling to collect items for the museum now located in Ryerss' mansion. The Ryerss family papers, 1758-1931, contain documents, photographs, and volumes. Most of the collection relates to Robert W. Ryerss, his Waln antecedents, or his wife Mary Ann Reed (later Bawn).

Held at: Ryerss Museum and Library [Contact Us]

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Wharton Esherick family papers, 1920-1970 (bulk) 1895-1996 (inclusive)

Extent:
10.5 linear feet
Abstract:
Wharton Esherick (1887-1970) was a sculptor who worked primarily in wood, readily extending his unique forms to furniture, furnishings, utensils, interiors and buildings, creating sculptural environments. He has been called the link between the Arts and Crafts Movement and the resurgent interest in furniture making following World War II, the dean of American craftsmen, and the foundation of the current Studio Furniture Movement. The Wharton Esherick family papers, 1895-1996 (bulk 1920-1970), consist of correspondence, work documentation, financial papers, publicity clippings, photographs, and other materials that primarily document Esherick's work and to a lesser extent his personal life and the personal lives of his immediate family.

Held at: Wharton Esherick Museum [Contact Us]

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