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Albert LeCoff early records of The Center for Art in Wood, 1982-2008 (inclusive)

Extent:
20.0 linear feet
Abstract:
Albert LeCoff (born 1950) is a co-founder and the Executive Director of The Center for Art in Wood (formerly known as the Wood Turning Center) in Philadelphia, Pennsylvania. Since the mid 1970s, Albert has worked to promote the art of woodturning, woodworking, and the artists involved in these pursuits through developing programs at the Center, organizing conferences and exhibitions across the United States, and lecturing internationally. The Albert LeCoff early records of the Center for Art in Wood, 1982-2008, consist largely of slides of artworks and other materials that pertain to exhibitions, conferences, and symposia. To a lesser extent there are administrative and publicity materials relating to the early administration of the Center; photographs; printed materials; ephemera; and correspondence.

Held at: The Center for Art in Wood [Contact Us]

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The Center for Art in Wood video collection, 1990-2005 (inclusive)

Extent:
20.0 linear feet
Abstract:
Established in 1986, The Center for Art in Wood in Philadelphia, PA is an arts and education institution that is dedicated to promoting and advancing the field of woodworking and woodturning, the use of wood in creation and design, and the artists who work in this field through its programs, gallery space, and research library. The Center for Art in Wood video collection, 1990-2005, consists of VHS tapes and a few DVDs of conference, panel, and event proceedings at The Center for Art in Wood in Philadelphia, PA and elsewhere; instructional videos about woodturning and woodturning history; and other topics relating to wood in art design and creation.

Held at: The Center for Art in Wood [Contact Us]

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Violette de Mazia papers, 1923-1988 (bulk) 1891-2013 (inclusive)

Extent:
50.0 linear feet
Abstract:
Violette de Mazia (1896-1988) was hired by Albert Barnes to teach at the Barnes Foundation in Merion, Montgomery Township, Pennsylvania in the mid-1920s. She worked closely with Barnes and many of his colleagues. In 1950, de Mazia was named the Barnes Foundation's Director of Education, and in 1951, after Barnes' death, she was appointed to its Board of Trustees. The Violette de Mazia papers, 1891-2013 (bulk 1923-1988), primarily consist of materials relating to Violette de Mazia's work at the Barnes Foundation on its campus in Merion (Montgomery County, Pennsylvania) as a teacher, the Director of Education, and a trustee. There is also a small amount of her personal papers in the collection. The collection is organized into series: I. Class materials, II. Letters and documents, III. Photographs, and IV. Resource materials.

Held at: Violette de Mazia Foundation [Contact Us]

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Woodmere Art Museum small collections of artists' papers, circa 1950s-2000s

Extent:
2.0 linear feet
Abstract:
Woodmere Art Museum, located in the Chestnut Hill neighborhood of Philadelphia, Pennsylvania, was officially established in 1940 through the will of Charles Knox Smith and is dedicated to Philadelphia-area artists. Woodmere Art Museum small collections of artists' papers, circa 1950s-2000s, consist of small amounts of photographs and slides, sketches, exhibition materials and other documents related to artwork, memorials, and other materials from artists who have a connection to Philadelphia and Woodmere Art Museum. Artists represented in the collection include Walter Erlebacher, Betty W. Hubbard, Jerome Kaplan, Charlotte Schatz, and Leon Sitarchuk.

Held at: Woodmere Art Museum [Contact Us]

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Susan R. Hinkel research files on Wharton Esherick, 1989-2000 (inclusive)

Extent:
1.75 linear feet
Abstract:
A friend of the Wharton Esherick family, Susan R. Hinkel began writing a biography about Wharton Esherick, the influential sculptor and craftsman, although she never finished the book. The Susan Hinkel research files on Wharton Esherick, 1989-2000, consist of materials that Hinkel compiled by while preparing the unfinished biography. The files are organized by subject and include chapter drafts, research-related correspondence, clippings and ephemera, and various other secondary-source materials. Of special interest are transcripts of oral histories that Hinkel conducted for the book, in particular interviews with Ruth Esherick and Mansfield "Bob" Bascom.

Held at: Wharton Esherick Museum [Contact Us]

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Katharine Steele Renninger papers, 1941-2003 (inclusive)

Extent:
14.0 linear feet
Abstract:
Katharine Steele Renninger (1925-2004) was a painter and printmaker in Bucks County, Pennsylvania. A self-described "abstract realist," Renninger was known for depicting architectural structures and everyday objects in her artwork, things that to her represented a disappearing way of life. Katharine Steele Renninger papers, 1941-2003, consist of ledgers, scrapbooks, day planners, correspondence, photographs, press clippings, exhibition materials, awards, objects, and other materials that document Renninger's artistic and professional development.

Held at: James A. Michener Art Museum Archives [Contact Us]

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William Steig papers, circa 1907-2002 (inclusive) 1950-2000 (bulk)

Extent:
21 linear feet (45 boxes)
Abstract:
William Steig (1907-2003) was an American cartoonist, illustrator, and writer of children's books. In 1930, Steig began a long and fruitful relationship with The New Yorker, for which he produced more than 2,600 drawings and 117 covers. When he was sixty-one, Steig began writing children's books, including Sylvester and the Magic Pebble (1969), Dominic (1972), Doctor De Soto (1982), and Shrek! (1990), the basis for the DreamWorks animated film of the same name. This collection includes 45 boxes of material, including correspondence; personal and professional records; drafts of Steig's writings; financial records; press, promotional material, and material from exhibits; awards Steig received; and original artwork, including original ink and watercolor drawings and work that would later appear in the New Yorker. There is also ephemera related to the movie Shrek, as well as personal artifacts, such as Steig's brushes and pens.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Caroline Schimmel collection of Jean Simpson Stephenson linocut holiday cards, 1997-2019 (inclusive)

Extent:
.2 linear feet (1 box)
Abstract:
Jean Simpson Stephenson is an artist known for creating wood block prints. She graduated from the University of the Arts in 1947, and is a member of the Guild of Book Workers. This collection consists of linocut holiday cards that Stephenson printed and sent to her friends from 1997 to 2019.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Ashley Bryan papers, 1823-2019 (inclusive) 1928-2019 (bulk)

Extent:
85 linear feet (146 boxes)
Abstract:
Ashley Bryan (1923-2022) was an artist and storyteller best known for his award-winning children's book illustrations with particular emphasis on African folktales and African-American spirituals. Bryan authored, illustrated, published, and distributed his first book in Kindergarten, later graduating from Cooper Union and Columbia University, being awarded a Fulbright to study at the University of Freiburg, before becoming a professor at Dartmouth College. The collection documents his lifelong devotion to the arts including sketchbooks, artwork, and especially materials relating to the publication process of over sixty book projects. There is also material relating to his professional engagements; certificates, awards, diplomas, and plaques relating to his many achievements; and personal and family materials, notebooks, photographs, greeting cards and postcards, school children thank you cards and artwork, and research files and ephemera. Also included are foundational...(see more)

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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