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The Library of Jacques Derrida, House Series, 1793-2013 (inclusive)

Extent:

675 boxes and 16 items

Abstract:

Consists of the personal library of French philosopher Jacques Derrida and members of his household.

Held at: Princeton University Library: Rare Book Collection [Contact Us]

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Glass plate negatives of Frank Taylor drawings, circa 1860-1926

Extent:

5.0 linear feet

Abstract:

Frank Hamilton Taylor (1846-1927) owned a lithography firm and served as a special artist for various newspapers and publications in Philadelphia, Pennsylvania. He wrote for several guidebooks and publications, but is best known for his drawings of Philadelphia published as Ever-Changing Philadelphia and Old Philadelphia in the 1910s. The Glass plate negatives of Frank Taylor drawings, circa 1860-1926, consist of nearly 250 full-plate glass negatives of sketches drawn by Taylor, mostly of building exteriors and street scenes in Philadelphia, with some sites in nearby areas.

Held at: Philadelphia History Museum [Contact Us]

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Benjamin Ridgway Evans prints, circa 1849-1890

Extent:

1.5 linear feet

Abstract:

Benjamin Ridgway Evans was an artist and draftsman active in Philadelphia, Pennsylvania in the mid- to late 19th century known for producing watercolors of the city's buildings and streets. The Benjamin Ridgway Evans prints, circa 1849-1890, consist of 125 artworks, mostly prints of drawings, but also a few watercolors, showing detailed views of buildings and streets in Philadelphia.

Held at: Philadelphia History Museum [Contact Us]

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Sol Mednick photographs, circa 1920-1968 (bulk 1940-1968)

Extent:

2.0 linear feet

Abstract:

Solomon "Sol" Mednick (1916-1970) was a photographer active in Philadelphia, Pennsylvania and New York from the 1940s to the late 1960s. After becoming a successful freelance commercial photographer, Mednick took a position teaching photography at his alma mater, the Philadelphia College of Art (now University of the Arts), in 1951. While there, he established the school's photography department, helped to nurture the Philadelphia photographic scene, and maintained his freelance business. The Sol Mednick photographs, circa 1920-1968 (bulk 1940-1968), consist of photographs, photograms, color transparencies, and a few negatives taken by Mednick during his career as photographer. The collection contains images that were used in Mednick's work as a commercial photographer, as well as non-commissioned, more artistic photographs, many of which depict images of Philadelphia.

Held at: Philadelphia History Museum [Contact Us]

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John J. Dull papers, 1922-1949 (inclusive)

Extent:

0.2 linear feet

Abstract:

John J. Dull (1859-1949) was an architect and artist who worked in oil, watercolor, pastel, charcoal and all types of printmaking. The John J. Dull papers, 1922-1949, is comprised of an architecture notebook, a scrapbook of clippings on Dull, and two medals.

Held at: Philadelphia Sketch Club [Contact Us]

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Violette de Mazia papers, 1923-1988 (bulk) 1891-2013 (inclusive)

Extent:

50.0 linear feet

Abstract:

Violette de Mazia (1896-1988) was hired by Albert Barnes to teach at the Barnes Foundation in Merion, Montgomery Township, Pennsylvania in the mid-1920s. She worked closely with Barnes and many of his colleagues. In 1950, de Mazia was named the Barnes Foundation's Director of Education, and in 1951, after Barnes' death, she was appointed to its Board of Trustees. The Violette de Mazia papers, 1891-2013 (bulk 1923-1988), primarily consist of materials relating to Violette de Mazia's work at the Barnes Foundation on its campus in Merion (Montgomery County, Pennsylvania) as a teacher, the Director of Education, and a trustee. There is also a small amount of her personal papers in the collection. The collection is organized into series: I. Class materials, II. Letters and documents, III. Photographs, and IV. Resource materials.

Held at: Violette de Mazia Foundation [Contact Us]

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Violet Oakley Memorial Foundation Violet Oakley collection, circa 1882-1949

Extent:

50.0 linear feet

Abstract:

Violet Oakley (1874-1961) was a painter, muralist, and stained glass designer in Philadelphia, Pennsylvania. She was the first American woman to receive a public mural commission. She is best known for the series of murals she completed for the Pennsylvania State Capitol and her Renaissance-revival style of art. The Violet Oakley Memorial Foundation Violet Oakley collection, circa 1882-1949, consists of artworks and preliminary works done by Violet Oakley beginning from the time she was a child and adolescent to her adult work; works done by other Oakley family members including Violet's sister, Hester Oakley; materials used for reference, including reference photographs and scrapbooks on books, book making, and illuminated manuscripts; copies of Oakley's books The Holy Experiment: A Message to the World from Pennsylvania (1922) and Law Triumphant: The Opening of the Book of Law (1933); materials used to make copies of the books; and printed matter...(see more)

Held at: Woodmere Art Museum [Contact Us]

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Woodmere Art Museum small collections of artists' papers, circa 1950s-2000s

Extent:

2.0 linear feet

Abstract:

Woodmere Art Museum, located in the Chestnut Hill neighborhood of Philadelphia, Pennsylvania, was officially established in 1940 through the will of Charles Knox Smith and is dedicated to Philadelphia-area artists. Woodmere Art Museum small collections of artists' papers, circa 1950s-2000s, consist of small amounts of photographs and slides, sketches, exhibition materials and other documents related to artwork, memorials, and other materials from artists who have a connection to Philadelphia and Woodmere Art Museum. Artists represented in the collection include Walter Erlebacher, Betty W. Hubbard, Jerome Kaplan, Charlotte Schatz, and Leon Sitarchuk.

Held at: Woodmere Art Museum [Contact Us]

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Benjamin D. Bernstein papers, 1930s-1980s

Extent:

2.0 linear feet

Abstract:

Benjamin D. Bernstein (1907-2003) was a businessman and art collector in Philadelphia, Pennsylvania. Heavily involved in the transportation and shipping industries, Bernstein had a passion for art collecting. Bernstein collected art from local Philadelphia artists, as well as works from several European artists, including those who were part of the avant-garde CoBrA movement. During his lifetime, Bernstein amassed a large art collection and donated several items to a number of institutions and organizations in Pennsylvania and New York. The Benjamin D. Bernstein papers, 1930s-1980s, consist of materials related to Bernstein's art collection and artists represented in his collection. This collection includes correspondence, exhibition catalogs and gallery programs, photographs, sketchbooks, newspaper clippings, materials related to appraisal and authentication for items in Bernstein's collection, artist files, and other materials. A large portion of materials relate to artist Julius...(see more)

Held at: Woodmere Art Museum [Contact Us]

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Wharton Esherick family papers, 1920-1970 (bulk) 1895-1996 (inclusive)

Extent:

10.5 linear feet

Abstract:

Wharton Esherick (1887-1970) was a sculptor who worked primarily in wood, readily extending his unique forms to furniture, furnishings, utensils, interiors and buildings, creating sculptural environments. He has been called the link between the Arts and Crafts Movement and the resurgent interest in furniture making following World War II, the dean of American craftsmen, and the foundation of the current Studio Furniture Movement. The Wharton Esherick family papers, 1895-1996 (bulk 1920-1970), consist of correspondence, work documentation, financial papers, publicity clippings, photographs, and other materials that primarily document Esherick's work and to a lesser extent his personal life and the personal lives of his immediate family.

Held at: Wharton Esherick Museum [Contact Us]