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Start Over Subject Artists Year 1975 to 1979

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"Saturday Evening Post" covers by Norman Rockwell, 1918-1975 (inclusive)

Extent:
2.5 linear feet
Abstract:
The Saturday Evening Post was first published on August 4, 1821 in Philadelphia, Pennsylvania as a weekly magazine. In 1897, the magazine was purchased by the Curtis Publishing Company. From 1916 to the 1960s, Norman Rockwell (1894-1978) created over 300 paintings for use as Post covers, contributing to his reputation as one of America's favorite native-born artists. The "Saturday Evening Post" covers by Norman Rockwell, 1918-1975, consist of over 300 covers of the Saturday Evening Post featuring Rockwell's illustrations.

Held at: Philadelphia History Museum [Contact Us]

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Philadelphia Sketch Club records, 1860-2012 (inclusive)

Extent:
54.0 linear feet
Abstract:
The Philadelphia Sketch Club, founded in 1860, is America's oldest club for artists. Philadelphia Sketch Club records, 1860-2012, contains minute books, treasurer's reports, ledgers, receipts, dues books, membership applications, exhibition planning materials and catalogs, photographs, and many other records of the organization. A highlight of the collection is a box of Philadelphia Sketch Club member Christmas cards, most featuring original artwork, circa 1920-2004.

Held at: Philadelphia Sketch Club [Contact Us]

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Palmer Sharpless papers, circa 1970-1995

Extent:
0.5 linear feet
Abstract:
Palmer Sharpless (1922-2002) was an American woodworker and woodturner. He taught woodworking for 38 years at George School in Bucks County, Pennsylvania and was a founding member of the American Association of Woodturners. The Palmer Sharpless papers, circa 1970-1995, consist of five of Palmer Sharpless' sketchbooks, several photographs, and a few framed items.

Held at: The Center for Art in Wood [Contact Us]

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William L. Lathrop papers, 1741-2000s

Extent:
12.25 linear feet
Abstract:
William Langson Lathrop (1859-1938) was an artist, teacher, and sailor. He helped establish the artists colony in New Hope, Bucks County, Pennsylvania. When he was not working on his own art or teaching others, he would sail on his boat The Widge. William L. Lathrop papers, 1741-2000s, consist of both original Lathrop papers and materials about him that were created or collected by his descendants. Materials include personal and professional/exhibition-related correspondence, exhibition materials, diaries, photographs, slides, scrapbooks, newspaper and magazine clippings, genealogical research on the Lathrop family, artworks, and other materials. There are some 18th century documents from the Langson family. Several items relate to Lathrop's boat, The Widge.

Held at: James A. Michener Art Museum Archives [Contact Us]

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James A. Michener Art Museum Archives photograph and oral history collection on Bucks County (Pa.) artists, circa 1978-1990s

Extent:
6.0 linear feet
Abstract:
The James A. Michener Art Museum, located in Doylestown, Bucks County, Pennsylvania, is an independent, non-profit cultural institution dedicated to preserving, interpreting, and exhibiting the art and cultural heritage of the Bucks County region. Opened in 1988, the museum is named for Doylestown's most famous son, the Pulitzer-Prize winning writer James A. Michener. James A. Michener Art Museum Archives photograph and oral history collection on Bucks County (Pa.) artists, circa 1978-1990s, consists of photographs and oral history interviews with Bucks County artists conducted by Bucks County Community College students in 1978, recordings relating to the Bucks County Council for the Arts, and assorted interviews from various Bucks County media personalities that were broadcast on local radio and television stations.

Held at: James A. Michener Art Museum Archives [Contact Us]

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Harry Leith-Ross papers, circa 1906-2003

Extent:
3.0 linear feet
Abstract:
Harry Leith-Ross (1886-1973) was a painter in Bucks County, Pennsylvania. He was an influential teacher and author as well as one of the most decorated Pennsylvania Impressionist artists. Leith-Ross became renowned for his vibrant, carefully composed oil paintings, and for his transparent watercolor technique in the tradition of the eighteenth-century. He gained recognition for depicting humble genre scenes of rural life and finding beauty in the everyday activities of people. Harry Leith-Ross papers, circa 1906-2003, consist of correspondence; inventories, photographs, and sales records of Leith-Ross's work; a manuscript for Harry Leith-Ross's book; materials from Leith-Ross exhibits; records of his work kept by his family after his death; correspondence with his family about post-mortem exhibitions; family photographs; genealogical research and family documents; newspaper clippings; medals, certificates, and awards; and other materials.

Held at: James A. Michener Art Museum Archives [Contact Us]

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Joseph Edward Pavone papers, 1960-1995 (bulk) 1927-2000 (inclusive)

Extent:
1.4 linear feet
Abstract:
Joseph Edward Pavone (1928-2010) was an artist and prominent figure in the cultural and heritage community of Bristol, Bucks County, Pennsylvania. The Joseph Edward Pavone papers, 1927-2000 (bulk 1960-1995), contain clippings, slides, photographs, notes, drawings, organizational records, and other materials relating to Pavone's life and work. Photographs and slides documenting Pavone's artistic works, particularly the Christopher Columbus monument, form the largest portion of the collection. Of subsequent note are records and photographs pertaining to the founding of the Radcliffe Art Gallery and the Bristol Cultural and Historical Foundation.

Held at: Margaret R. Grundy Memorial Library [Contact Us]

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Howard Alber collection on Sherman Hoeflich, circa 1940-circa 1996

Extent:
0.5 linear feet
Abstract:
Sherman Clark Hoeflich (1913-1977) was a Philadelphia-based artist, art educator, and designer, who also worked in advertising as an art director. He lived in Paris from 1960 to 1965, and exhibited his work in Philadelphia, Paris, London, and elsewhere. Hoeflich was good friends with Howard Alber, a fellow artist, who worked as a graphic designer and opened an art gallery in Philadelphia in the 1960s. The Howard Alber collection on Sherman Hoeflich, circa 1940-circa 1996, consists mostly of secondary-source materials relating to Hoeflich, but also includes several of his original artworks on paper (watercolor, graphite, and other media).

Held at: Violette de Mazia Foundation [Contact Us]

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Institute of Contemporary Art records, 1963-2007 (inclusive)

Extent:
109 linear feet (283 containers)
Abstract:
The Institute of Contemporary Arts is a University of Pennsylvania museum displaying contemporary art. This portion of the collection documents the exhibition files of the Institute of Contemporary Arts from 1963 to 2000.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Charles Blum, Jr. papers, 1925-1988 (inclusive)

Extent:
1.1 linear feet (4 boxes)
Abstract:
Charles William Blum, Jr. (1925-1991), an artist known for magical realism, lived and worked in New York; San Miguel, Mexico; and Spain. His papers, dating from 1925 to 1988, document his personal life through letters, journals, photographs and memorabilia. In particular, Blum's papers cover numerous topics including his work as an artist; his relationships with Robert Davison and Salvatore Saraceno; his opinions on love, romance and homosexuality; expatriate life in San Miguel de Allende in Mexico; and his opinions on the literary, theatrical, and modern dance scenes of the 1950s.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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