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Start Over Subject Artists Place Philadelphia (Pa.)

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Francis H. Schell drawings, circa 1850-1905

Extent:
3.67 linear feet
Abstract:
Francis H. Schell (1834-1909) was an artist, illustrator, and lithographer who worked out of Philadelphia, Pennsylvania and New York, New York. Many of Schell's works illustrating scenes from Civil War battles and camps were printed in Frank Leslie's Illustrated Newspaper from 1861 to 1865. Schell's work also appeared in The Century Magazine. The Francis H. Schell drawings, circa 1850-1905, consist primarily of original artwork with some prints and writings, all of which reflect Schell's career as an artist and illustrator. The collection mostly depicts the artist's interpretation of Civil War scenes and individuals, but other events and subject matter is also portrayed.

Held at: Philadelphia History Museum [Contact Us]

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"Saturday Evening Post" covers by Norman Rockwell, 1918-1975 (inclusive)

Extent:
2.5 linear feet
Abstract:
The Saturday Evening Post was first published on August 4, 1821 in Philadelphia, Pennsylvania as a weekly magazine. In 1897, the magazine was purchased by the Curtis Publishing Company. From 1916 to the 1960s, Norman Rockwell (1894-1978) created over 300 paintings for use as Post covers, contributing to his reputation as one of America's favorite native-born artists. The "Saturday Evening Post" covers by Norman Rockwell, 1918-1975, consist of over 300 covers of the Saturday Evening Post featuring Rockwell's illustrations.

Held at: Philadelphia History Museum [Contact Us]

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Joseph F. A. Jackson papers, circa 1800-1945 (bulk 1890-1945)

Extent:
1.5 linear feet
Abstract:
Joseph Francis Ambrose Jackson (1867-1946) was an historian, lecturer, artist, and writer active in Philadelphia, Pennsylvania. Jackson wrote numerous articles for the Public Ledger relating to Philadelphia history and architecture, and authored several books and writings in other publications on the same subject. The Joseph F. A. Jackson papers, circa 1800-1945 (bulk 1890-1945), consist largely of scrapbooks and photographs. Some prints, drawings, and watercolors; books, pamphlets, and magazines; and a small amount of materials related to Jackson's books such as manuscripts and galleys are also present in the collection.

Held at: Philadelphia History Museum [Contact Us]

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Philadelphia Sketch Club records, 1860-2012 (inclusive)

Extent:
54.0 linear feet
Abstract:
The Philadelphia Sketch Club, founded in 1860, is America's oldest club for artists. Philadelphia Sketch Club records, 1860-2012, contains minute books, treasurer's reports, ledgers, receipts, dues books, membership applications, exhibition planning materials and catalogs, photographs, and many other records of the organization. A highlight of the collection is a box of Philadelphia Sketch Club member Christmas cards, most featuring original artwork, circa 1920-2004.

Held at: Philadelphia Sketch Club [Contact Us]

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Howard Alber collection on Sherman Hoeflich, circa 1940-circa 1996

Extent:
0.5 linear feet
Abstract:
Sherman Clark Hoeflich (1913-1977) was a Philadelphia-based artist, art educator, and designer, who also worked in advertising as an art director. He lived in Paris from 1960 to 1965, and exhibited his work in Philadelphia, Paris, London, and elsewhere. Hoeflich was good friends with Howard Alber, a fellow artist, who worked as a graphic designer and opened an art gallery in Philadelphia in the 1960s. The Howard Alber collection on Sherman Hoeflich, circa 1940-circa 1996, consists mostly of secondary-source materials relating to Hoeflich, but also includes several of his original artworks on paper (watercolor, graphite, and other media).

Held at: Violette de Mazia Foundation [Contact Us]

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Thornton Oakley collection of Howard Pyle and his students, 1887-1951 (bulk) 1841-1992 (inclusive)

Extent:
15.83 linear feet
Abstract:
The Thornton Oakley collection of Howard Pyle and his students covers the influential artistic career of Howard Pyle and several of his students, most notably Maxfield Parrish, Violet Oakley, and N.C. Wyeth. The collection includes a wide range of materials, which was collected and assembled by Pyle’s former student Thornton Oakley. There are tear sheets of artwork published in magazines, original illustrations, photographs, research notes, manuscripts, and correspondence. Besides Howard Pyle, artists well represented in this collection include Elizabeth Shippen Green, Jessie Wilcox Smith, George Harding, Violet Oakley, N.C. Wyeth, and a large collection of material on Maxfield Parrish. There is also a series dedicated to the children’s author and art historian, Henry Clarence Pitz, who researched and wrote The Brandywine Tradition about Pyle and his artistic influence. The collection’s primary strength is the collection of artwork by Pyle and his students, some of...(see more)

Held at: Free Library of Philadelphia: Rare Book Department [Contact Us]

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Albert LeCoff early records of The Center for Art in Wood, 1982-2008 (inclusive)

Extent:
20.0 linear feet
Abstract:
Albert LeCoff (born 1950) is a co-founder and the Executive Director of The Center for Art in Wood (formerly known as the Wood Turning Center) in Philadelphia, Pennsylvania. Since the mid 1970s, Albert has worked to promote the art of woodturning, woodworking, and the artists involved in these pursuits through developing programs at the Center, organizing conferences and exhibitions across the United States, and lecturing internationally. The Albert LeCoff early records of the Center for Art in Wood, 1982-2008, consist largely of slides of artworks and other materials that pertain to exhibitions, conferences, and symposia. To a lesser extent there are administrative and publicity materials relating to the early administration of the Center; photographs; printed materials; ephemera; and correspondence.

Held at: The Center for Art in Wood [Contact Us]

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The Center for Art in Wood video collection, 1990-2005 (inclusive)

Extent:
20.0 linear feet
Abstract:
Established in 1986, The Center for Art in Wood in Philadelphia, PA is an arts and education institution that is dedicated to promoting and advancing the field of woodworking and woodturning, the use of wood in creation and design, and the artists who work in this field through its programs, gallery space, and research library. The Center for Art in Wood video collection, 1990-2005, consists of VHS tapes and a few DVDs of conference, panel, and event proceedings at The Center for Art in Wood in Philadelphia, PA and elsewhere; instructional videos about woodturning and woodturning history; and other topics relating to wood in art design and creation.

Held at: The Center for Art in Wood [Contact Us]

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Glass plate negatives of Frank Taylor drawings, circa 1860-1926

Extent:
5.0 linear feet
Abstract:
Frank Hamilton Taylor (1846-1927) owned a lithography firm and served as a special artist for various newspapers and publications in Philadelphia, Pennsylvania. He wrote for several guidebooks and publications, but is best known for his drawings of Philadelphia published as Ever-Changing Philadelphia and Old Philadelphia in the 1910s. The Glass plate negatives of Frank Taylor drawings, circa 1860-1926, consist of nearly 250 full-plate glass negatives of sketches drawn by Taylor, mostly of building exteriors and street scenes in Philadelphia, with some sites in nearby areas.

Held at: Philadelphia History Museum [Contact Us]

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Benjamin Ridgway Evans prints, circa 1849-1890

Extent:
1.5 linear feet
Abstract:
Benjamin Ridgway Evans was an artist and draftsman active in Philadelphia, Pennsylvania in the mid- to late 19th century known for producing watercolors of the city's buildings and streets. The Benjamin Ridgway Evans prints, circa 1849-1890, consist of 125 artworks, mostly prints of drawings, but also a few watercolors, showing detailed views of buildings and streets in Philadelphia.

Held at: Philadelphia History Museum [Contact Us]

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Sol Mednick photographs, circa 1920-1968 (bulk 1940-1968)

Extent:
2.0 linear feet
Abstract:
Solomon "Sol" Mednick (1916-1970) was a photographer active in Philadelphia, Pennsylvania and New York from the 1940s to the late 1960s. After becoming a successful freelance commercial photographer, Mednick took a position teaching photography at his alma mater, the Philadelphia College of Art (now University of the Arts), in 1951. While there, he established the school's photography department, helped to nurture the Philadelphia photographic scene, and maintained his freelance business. The Sol Mednick photographs, circa 1920-1968 (bulk 1940-1968), consist of photographs, photograms, color transparencies, and a few negatives taken by Mednick during his career as photographer. The collection contains images that were used in Mednick's work as a commercial photographer, as well as non-commissioned, more artistic photographs, many of which depict images of Philadelphia.

Held at: Philadelphia History Museum [Contact Us]

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John J. Dull papers, 1922-1949 (inclusive)

Extent:
0.2 linear feet
Abstract:
John J. Dull (1859-1949) was an architect and artist who worked in oil, watercolor, pastel, charcoal and all types of printmaking. The John J. Dull papers, 1922-1949, is comprised of an architecture notebook, a scrapbook of clippings on Dull, and two medals.

Held at: Philadelphia Sketch Club [Contact Us]

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Violet Oakley Memorial Foundation Violet Oakley collection, circa 1882-1949

Extent:
50.0 linear feet
Abstract:
Violet Oakley (1874-1961) was a painter, muralist, and stained glass designer in Philadelphia, Pennsylvania. She was the first American woman to receive a public mural commission. She is best known for the series of murals she completed for the Pennsylvania State Capitol and her Renaissance-revival style of art. The Violet Oakley Memorial Foundation Violet Oakley collection, circa 1882-1949, consists of artworks and preliminary works done by Violet Oakley beginning from the time she was a child and adolescent to her adult work; works done by other Oakley family members including Violet's sister, Hester Oakley; materials used for reference, including reference photographs and scrapbooks on books, book making, and illuminated manuscripts; copies of Oakley's books The Holy Experiment: A Message to the World from Pennsylvania (1922) and Law Triumphant: The Opening of the Book of Law (1933); materials used to make copies of the books; and printed matter...(see more)

Held at: Woodmere Art Museum [Contact Us]

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Woodmere Art Museum small collections of artists' papers, circa 1950s-2000s

Extent:
2.0 linear feet
Abstract:
Woodmere Art Museum, located in the Chestnut Hill neighborhood of Philadelphia, Pennsylvania, was officially established in 1940 through the will of Charles Knox Smith and is dedicated to Philadelphia-area artists. Woodmere Art Museum small collections of artists' papers, circa 1950s-2000s, consist of small amounts of photographs and slides, sketches, exhibition materials and other documents related to artwork, memorials, and other materials from artists who have a connection to Philadelphia and Woodmere Art Museum. Artists represented in the collection include Walter Erlebacher, Betty W. Hubbard, Jerome Kaplan, Charlotte Schatz, and Leon Sitarchuk.

Held at: Woodmere Art Museum [Contact Us]

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Benjamin D. Bernstein papers, 1930s-1980s

Extent:
2.0 linear feet
Abstract:
Benjamin D. Bernstein (1907-2003) was a businessman and art collector in Philadelphia, Pennsylvania. Heavily involved in the transportation and shipping industries, Bernstein had a passion for art collecting. Bernstein collected art from local Philadelphia artists, as well as works from several European artists, including those who were part of the avant-garde CoBrA movement. During his lifetime, Bernstein amassed a large art collection and donated several items to a number of institutions and organizations in Pennsylvania and New York. The Benjamin D. Bernstein papers, 1930s-1980s, consist of materials related to Bernstein's art collection and artists represented in his collection. This collection includes correspondence, exhibition catalogs and gallery programs, photographs, sketchbooks, newspaper clippings, materials related to appraisal and authentication for items in Bernstein's collection, artist files, and other materials. A large portion of materials relate to artist Julius...(see more)

Held at: Woodmere Art Museum [Contact Us]

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Anna Russell Jones papers, 1892-1989 (inclusive)

Extent:
17.0 linear feet
Abstract:
Anna Russell Jones (1902-1995) was the first African American woman from Philadelphia to join the Armed Forces during World War II and the first African American graduate of the Philadelphia School of Design for Women (now Moore College of Art and Design). She was a talented artist who worked as a wallpaper and carpet designer, civil service illustrator, and freelance artist. Her life evidenced her interest in African American history and civil rights, commitment to public service, and fascination with medical practice. The Anna Russell Jones papers, 1892-1989, primarily document her time in the military and as a civil service illustrator through scrapbooks, photographs, illustrations, sketches, and related correspondence and personnel records. There are also materials relating to her art education and some family papers, as well as correspondence, artworks, and documents from later in Jones' life.

Held at: African American Museum in Philadelphia [Contact Us]

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The Center for Art in Wood artist research files, circa 1976-2014

Extent:
37.5 linear feet
Abstract:
Established in 1986, The Center for Art in Wood in Philadelphia, PA is an arts and education institution that is dedicated to promoting and advancing the field of woodworking and woodturning, the use of wood in creation and design, and the artists who work in this field through its programs, gallery space, and research library. The Center for Art in Wood artist research files, circa 1976-2014, consist of files about woodworking artists; galleries, exhibitions, and symposia featuring woodworking; and other topics related to woodworking, such as particular types or styles of furniture. The files contain materials such as photographic documentation of artworks, artist curricula vitae, applications for exhibitions and residency, catalogs and ephemera, newspaper clippings.

Held at: The Center for Art in Wood [Contact Us]

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Herbert Pullinger prints and drawings, circa 1910-1950

Extent:
1.75 linear feet
Abstract:
Herbert Pullinger (1878-1961) was a painter, printmaker, and commercial illustrator active in Philadelphia, Pennsylvania. His art is considered part of the Ashcan School movement of the early twentieth century. Pullinger taught for almost forty years at what is now University of the Arts. The Herbert Pullinger prints and drawings, circa 1910-1950, consist of over 250 prints and drawings produced by Pullinger depicting buildings and streetscapes of Philadelphia and nearby areas.

Held at: Philadelphia History Museum [Contact Us]

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Philadelphia Sketch Club reference scrapbooks, circa 1915

Extent:
18.0 linear feet
Abstract:
The Philadelphia Sketch Club, founded in 1860, is America's oldest club for artists. The Philadelphia Sketch Club reference scrapbooks, circa 1915, are comprised of illustrations clipped from magazines and other publications. They were likely used by Philadelphia Sketch Club artists for reference or by teachers for instruction. Most of the clipped illustrations are arranged into alphabetical order by artist.

Held at: Philadelphia Sketch Club [Contact Us]

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Woodmere Art Museum records, circa 1920s-2016 (bulk 1940-2016)

Extent:
236.0 linear feet
Abstract:
Woodmere Art Museum, located in the Chestnut Hill neighborhood of Philadelphia, Pennsylvania, was officially established in 1940 through the will of Philadelphia businessman, civic leader, and art collector, Charles Knox Smith (1845-1916) and is dedicated to Philadelphia-area artists. The building, grounds, and core of the museum's permanent collection were gifts of Smith, who purchased the Woodmere estate in 1898 and renovated it to better display his collection. As of 2016, Woodmere Art Museum boasts a number of indoor and outdoor spaces, in which it hosts various exhibitions, programs, art classes, lectures, performances, and other special events throughout the year. Woodmere Art Museum records, circa 1920s-2016 (bulk 1940-2016), consist of administrative and financial records, exhibition materials, collection records, object files, artist files, publicity materials, publications, history and research materials relating to Woodmere, photographs, papers from former employees and...(see more)

Held at: Woodmere Art Museum [Contact Us]

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