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Start Over Record Source Other PACSCL Partners Subject Artists Place Philadelphia (Pa.) Year 1940 to 1944

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"Saturday Evening Post" covers by Norman Rockwell, 1918-1975 (inclusive)

Extent:
2.5 linear feet
Abstract:
The Saturday Evening Post was first published on August 4, 1821 in Philadelphia, Pennsylvania as a weekly magazine. In 1897, the magazine was purchased by the Curtis Publishing Company. From 1916 to the 1960s, Norman Rockwell (1894-1978) created over 300 paintings for use as Post covers, contributing to his reputation as one of America's favorite native-born artists. The "Saturday Evening Post" covers by Norman Rockwell, 1918-1975, consist of over 300 covers of the Saturday Evening Post featuring Rockwell's illustrations.

Held at: Philadelphia History Museum [Contact Us]

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Joseph F. A. Jackson papers, circa 1800-1945 (bulk 1890-1945)

Extent:
1.5 linear feet
Abstract:
Joseph Francis Ambrose Jackson (1867-1946) was an historian, lecturer, artist, and writer active in Philadelphia, Pennsylvania. Jackson wrote numerous articles for the Public Ledger relating to Philadelphia history and architecture, and authored several books and writings in other publications on the same subject. The Joseph F. A. Jackson papers, circa 1800-1945 (bulk 1890-1945), consist largely of scrapbooks and photographs. Some prints, drawings, and watercolors; books, pamphlets, and magazines; and a small amount of materials related to Jackson's books such as manuscripts and galleys are also present in the collection.

Held at: Philadelphia History Museum [Contact Us]

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Howard Alber collection on Sherman Hoeflich, circa 1940-circa 1996

Extent:
0.5 linear feet
Abstract:
Sherman Clark Hoeflich (1913-1977) was a Philadelphia-based artist, art educator, and designer, who also worked in advertising as an art director. He lived in Paris from 1960 to 1965, and exhibited his work in Philadelphia, Paris, London, and elsewhere. Hoeflich was good friends with Howard Alber, a fellow artist, who worked as a graphic designer and opened an art gallery in Philadelphia in the 1960s. The Howard Alber collection on Sherman Hoeflich, circa 1940-circa 1996, consists mostly of secondary-source materials relating to Hoeflich, but also includes several of his original artworks on paper (watercolor, graphite, and other media).

Held at: Violette de Mazia Foundation [Contact Us]

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Philadelphia Sketch Club records, 1860-2012 (inclusive)

Extent:
54.0 linear feet
Abstract:
The Philadelphia Sketch Club, founded in 1860, is America's oldest club for artists. Philadelphia Sketch Club records, 1860-2012, contains minute books, treasurer's reports, ledgers, receipts, dues books, membership applications, exhibition planning materials and catalogs, photographs, and many other records of the organization. A highlight of the collection is a box of Philadelphia Sketch Club member Christmas cards, most featuring original artwork, circa 1920-2004.

Held at: Philadelphia Sketch Club [Contact Us]

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Anna Russell Jones papers, 1892-1989 (inclusive)

Extent:
17.0 linear feet
Abstract:
Anna Russell Jones (1902-1995) was the first African American woman from Philadelphia to join the Armed Forces during World War II and the first African American graduate of the Philadelphia School of Design for Women (now Moore College of Art and Design). She was a talented artist who worked as a wallpaper and carpet designer, civil service illustrator, and freelance artist. Her life evidenced her interest in African American history and civil rights, commitment to public service, and fascination with medical practice. The Anna Russell Jones papers, 1892-1989, primarily document her time in the military and as a civil service illustrator through scrapbooks, photographs, illustrations, sketches, and related correspondence and personnel records. There are also materials relating to her art education and some family papers, as well as correspondence, artworks, and documents from later in Jones' life.

Held at: African American Museum in Philadelphia [Contact Us]

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Herbert Pullinger prints and drawings, circa 1910-1950

Extent:
1.75 linear feet
Abstract:
Herbert Pullinger (1878-1961) was a painter, printmaker, and commercial illustrator active in Philadelphia, Pennsylvania. His art is considered part of the Ashcan School movement of the early twentieth century. Pullinger taught for almost forty years at what is now University of the Arts. The Herbert Pullinger prints and drawings, circa 1910-1950, consist of over 250 prints and drawings produced by Pullinger depicting buildings and streetscapes of Philadelphia and nearby areas.

Held at: Philadelphia History Museum [Contact Us]

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Woodmere Art Museum records, circa 1920s-2016 (bulk 1940-2016)

Extent:
236.0 linear feet
Abstract:
Woodmere Art Museum, located in the Chestnut Hill neighborhood of Philadelphia, Pennsylvania, was officially established in 1940 through the will of Philadelphia businessman, civic leader, and art collector, Charles Knox Smith (1845-1916) and is dedicated to Philadelphia-area artists. The building, grounds, and core of the museum's permanent collection were gifts of Smith, who purchased the Woodmere estate in 1898 and renovated it to better display his collection. As of 2016, Woodmere Art Museum boasts a number of indoor and outdoor spaces, in which it hosts various exhibitions, programs, art classes, lectures, performances, and other special events throughout the year. Woodmere Art Museum records, circa 1920s-2016 (bulk 1940-2016), consist of administrative and financial records, exhibition materials, collection records, object files, artist files, publicity materials, publications, history and research materials relating to Woodmere, photographs, papers from former employees and...(see more)

Held at: Woodmere Art Museum [Contact Us]

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Sol Mednick photographs, circa 1920-1968 (bulk 1940-1968)

Extent:
2.0 linear feet
Abstract:
Solomon "Sol" Mednick (1916-1970) was a photographer active in Philadelphia, Pennsylvania and New York from the 1940s to the late 1960s. After becoming a successful freelance commercial photographer, Mednick took a position teaching photography at his alma mater, the Philadelphia College of Art (now University of the Arts), in 1951. While there, he established the school's photography department, helped to nurture the Philadelphia photographic scene, and maintained his freelance business. The Sol Mednick photographs, circa 1920-1968 (bulk 1940-1968), consist of photographs, photograms, color transparencies, and a few negatives taken by Mednick during his career as photographer. The collection contains images that were used in Mednick's work as a commercial photographer, as well as non-commissioned, more artistic photographs, many of which depict images of Philadelphia.

Held at: Philadelphia History Museum [Contact Us]

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John J. Dull papers, 1922-1949 (inclusive)

Extent:
0.2 linear feet
Abstract:
John J. Dull (1859-1949) was an architect and artist who worked in oil, watercolor, pastel, charcoal and all types of printmaking. The John J. Dull papers, 1922-1949, is comprised of an architecture notebook, a scrapbook of clippings on Dull, and two medals.

Held at: Philadelphia Sketch Club [Contact Us]

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Violet Oakley Memorial Foundation Violet Oakley collection, circa 1882-1949

Extent:
50.0 linear feet
Abstract:
Violet Oakley (1874-1961) was a painter, muralist, and stained glass designer in Philadelphia, Pennsylvania. She was the first American woman to receive a public mural commission. She is best known for the series of murals she completed for the Pennsylvania State Capitol and her Renaissance-revival style of art. The Violet Oakley Memorial Foundation Violet Oakley collection, circa 1882-1949, consists of artworks and preliminary works done by Violet Oakley beginning from the time she was a child and adolescent to her adult work; works done by other Oakley family members including Violet's sister, Hester Oakley; materials used for reference, including reference photographs and scrapbooks on books, book making, and illuminated manuscripts; copies of Oakley's books The Holy Experiment: A Message to the World from Pennsylvania (1922) and Law Triumphant: The Opening of the Book of Law (1933); materials used to make copies of the books; and printed matter...(see more)

Held at: Woodmere Art Museum [Contact Us]

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