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Start Over Subject Art Subject Artists Form Photographs Year 1970 to 1974

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Institute of Contemporary Art records, 1963-2007 (inclusive)

Extent:
109 linear feet (283 containers)
Abstract:
The Institute of Contemporary Arts is a University of Pennsylvania museum displaying contemporary art. This portion of the collection documents the exhibition files of the Institute of Contemporary Arts from 1963 to 2000.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Charles Blum, Jr. papers, 1925-1988 (inclusive)

Extent:
1.1 linear feet (4 boxes)
Abstract:
Charles William Blum, Jr. (1925-1991), an artist known for magical realism, lived and worked in New York; San Miguel, Mexico; and Spain. His papers, dating from 1925 to 1988, document his personal life through letters, journals, photographs and memorabilia. In particular, Blum's papers cover numerous topics including his work as an artist; his relationships with Robert Davison and Salvatore Saraceno; his opinions on love, romance and homosexuality; expatriate life in San Miguel de Allende in Mexico; and his opinions on the literary, theatrical, and modern dance scenes of the 1950s.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Thornton Oakley collection of Howard Pyle and his students, 1887-1951 (bulk) 1841-1992 (inclusive)

Extent:
15.83 linear feet
Abstract:
The Thornton Oakley collection of Howard Pyle and his students covers the influential artistic career of Howard Pyle and several of his students, most notably Maxfield Parrish, Violet Oakley, and N.C. Wyeth. The collection includes a wide range of materials, which was collected and assembled by Pyle’s former student Thornton Oakley. There are tear sheets of artwork published in magazines, original illustrations, photographs, research notes, manuscripts, and correspondence. Besides Howard Pyle, artists well represented in this collection include Elizabeth Shippen Green, Jessie Wilcox Smith, George Harding, Violet Oakley, N.C. Wyeth, and a large collection of material on Maxfield Parrish. There is also a series dedicated to the children’s author and art historian, Henry Clarence Pitz, who researched and wrote The Brandywine Tradition about Pyle and his artistic influence. The collection’s primary strength is the collection of artwork by Pyle and his students, some of...(see more)

Held at: Free Library of Philadelphia: Rare Book Department [Contact Us]

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Edward F. Fry papers, circa 1947-1992 (inclusive)

Extent:
66 boxes
Abstract:
Comprising documents related to Fry's life and career: correspondence, research, and letters from numerous artists and colleagues, handwritten lectures, typescript essays, over 1000 photographs of artists' works with special interest in Pablo Picasso, Jacques Lipchitz, Henri Laurens, and David Smith. Correspondence with artists (some include slides and drawings), curators, art historians, and museums. Highlights of curated exhibitions include the 1967 5th Guggenheim International Exhibition, the 1969 David Smith retrospective, the canceled 1971 Hans Haacke exhibition, and the 1987 Documenta 8. Materials related to Fry's special interest in cubism, specifically Pablo Picasso, include the book Cubism, lectures, notes, photographs, and research.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Ashley Bryan papers, 1823-2019 (inclusive) 1928-2019 (bulk)

Extent:
85 linear feet (146 boxes)
Abstract:
Ashley Bryan (1923-2022) was an artist and storyteller best known for his award-winning children's book illustrations with particular emphasis on African folktales and African-American spirituals. Bryan authored, illustrated, published, and distributed his first book in Kindergarten, later graduating from Cooper Union and Columbia University, being awarded a Fulbright to study at the University of Freiburg, before becoming a professor at Dartmouth College. The collection documents his lifelong devotion to the arts including sketchbooks, artwork, and especially materials relating to the publication process of over sixty book projects. There is also material relating to his professional engagements; certificates, awards, diplomas, and plaques relating to his many achievements; and personal and family materials, notebooks, photographs, greeting cards and postcards, school children thank you cards and artwork, and research files and ephemera. Also included are foundational...(see more)

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Graeme Moore collection of Ian Hamilton Finlay material, 1972-2013 (inclusive)

Extent:
8 linear feet (10 boxes) and 492.1 megabytes
Abstract:
Ian Hamilton Finlay (1925-2006) was a Scottish poet, artist, and landscape and garden designer, best known for his prints and pamphlets and his iconic garden Little Sparta, a collaboration with his second wife, Sue MacDonald-Lockhart. Graeme Moore is an English landscape and garden designer and critic, and former head gardener of Little Sparta. This collection contains material collected by Graeme Moore related to his relationship with Ian Hamilton Finlay and Finlay's work.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Painted Bride Art Center records, 1969-2002 (inclusive)

Extent:
223 boxes
Abstract:
The Records comprise 6 series, the largest and most significant of which is the first: I. Exhibitions, Performances, Readings, and Events, 1970-2002 (125 boxes). Arranged alphabetically by artist/program, this series contains correspondence, publicity material, programs, funding material, and the like for each event or performance. The remaining series entail: II. Business Records, 1970-2002 (40 boxes); III. Grant Records, 1972-2002 (15 boxes); IV. Press Records, 1970-2000 (6 boxes); V. Audio Visual Records & Computer Records, 1970-2001 (29 boxes); VI. Miscellaneous Records, 1976-2000 (6 boxes).

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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James Brewton papers, 1902-2014 (inclusive) 1951-1967 (bulk)

Extent:
2 linear feet (7 boxes, 5 oversize folders) and 1.2 gigabytes
Abstract:
James Edward Brewton (1930-1967) was an American painter and printmaker who attended the Pennsylvania Academy of the Fine Arts and exhibited works in Philadelphia and in Denmark. Brewton's early works are said to be expressionist and his later works incorporate graffiti and the influences of "pataphysics." His life was cut short by suicide at the age of 37. The collection is arranged in four series: I. Personal material; II. Artworks; III. Books and audiovisual materials; and IV. Artifacts and memorabilia.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Etta Winigrad papers, 1968-2016 (inclusive)

Extent:
4 linear feet (11 boxes)
Abstract:
Etta Winigrad (1936- ) is a Philadelphia-based sculptor who works primarily in clay and mixed media. She earned a Bachelor of Applied Arts from the University Pennsylvania in 1958, and completed postgraduate study at Moore College and at the Philadelphia Museum of Art in 1976. Winigrad's figurative ceramic sculpture combines realistic and fantastical elements, animal-like figures, and humor. This collection, which focuses on Winigrad's life and work as an active artist, includes correspondence, notebooks and sketchbooks, exhibition records, photographs, and negatives. Each of Winigrad's sculptural works is represented in a number of slides, which comprise the bulk of this collection. These images are available online.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Ursula Sternberg-Hertz papers, 1923-2014 (inclusive) 1950-2000 (bulk)

Extent:
23 linear feet (39 boxes)
Abstract:
Ursula Sternberg-Hertz (1925-2000) was a Philadelphia based artist who lived in Germany, the Netherlands, Belgium, England, and Canada before immigrating to the United States in 1971 with her husband, conductor Jonathan Sternberg. The collection documents her artistic career, with artwork ranging from rough sketches to finished pieces, using acrylics, charcoal, markers, pen-and-ink, stamps, watercolor, and other experimental mediums. She produced artwork on paper, metal, fabric, and leather; in sketchbooks; and on objects such as lampshades and boxes. In addition to her artwork, there is also family and personal material; correspondence; diaries, including an extraordinary run of her "visual diaries" from the early 1940s and from the 1970s until her death; and material related to her exhibits.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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