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Day and Klauder Collection, 1895-1958 (inclusive)

Extent:
78 linear feet
Abstract:
The collection comprises architectural drawings, photographic materials and other records documenting over 200 buildings and projects designed between 1895-1958 by the architectural firm of Day and Klauder or by their predecessor or successor firms. Predecessor firms represented in the collection are Frank Miles Day and Brother; and Day Brothers and Klauder. Successor firms are Charles Z. Klauder, architect; Office of Charles Z.Klauder; and Trautwein and Howard, architects. Projects include private commissions, public buildings, and the firm's extensive work for collegiate institutions.

Held at: University of Pennsylvania: Architectural Archives [Contact Us]

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Cope and Lippincott Collection, 1957-2006 (inclusive)

Extent:
44 linear feet
Abstract:
This collection contains architectural drawings, project and office records, and photographic material related to the work of architects and professional partners, Paul M. Cope, Jr. and H. Mather Lippincott. Projects with the most extensive holdings include the NYU Art Conservation Center, Friends Neighborhood Guild House (1961-1965), Philadelphia Yearly Meeting Friends Center Complex (1971-1979), and the Fred W. Noyes Foundation Museum (1979-1981). Collaborations with Robert Venturi are indicated within the container list.

Held at: University of Pennsylvania: Architectural Archives [Contact Us]

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Julien Levy Gallery records, 1857-1982 (inclusive)

Extent:
19.0 linear feet (46 containers)
Abstract:
Julien Levy (1906-1981) was a pioneering New York art dealer of the 1930s and 1940s. He was introduced to the art world in Paris by Marcel Duchamp, who he met in New York in 1926. In Paris he met photographers and artists, including Man Ray, Berenice Abbot, and his future wife Joella Haweis, daughter of Dadaist muse Mina Loy. Upon his return to the United States, Levy worked briefly at the Weyhe Gallery before opening the Julien Levy Gallery at 602 Madison Avenue. In 1932, Levy mounted “Surrealisme,” an exhibition that introduced the Surrealist art movement to New York. This collection documents the career of prominent art gallery owner Julien Levy. The records date from 1857 to 1983 and include correspondence, exhibit announcements and invitations, scrapbooks, gallery financial ledgers, audio-visual materials, and personal papers such as letters, diaries, appointment books and calendars. The material in this collection reflects the course of Levy’s life, beginning with childhood...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Women's Committee of the Philadelphia Museum of Art Records, 1883-1989, undated (inclusive)

Extent:
14.5 linear feet
Abstract:
The collection documents the role of the Women's Committee of the Philadelphia Museum of Art in support of the Museum, its affiliates, and the Philadelphia arts community. The records illustrate approximately one hundred and twenty five years of successful service and leadership in planning various events and programs, and provide insight into the Women's Committee's untiring efforts, dedication, and expertise. The collection consists of minute books, scrapbooks, financial records, reports, and plans of events, marketing strategies, public relations, and special projects such as publishing a cookbook.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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