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Thornton Oakley collection of Howard Pyle and his students, 1887-1951 (bulk) 1841-1992 (inclusive)

Extent:
15.83 linear feet
Abstract:
The Thornton Oakley collection of Howard Pyle and his students covers the influential artistic career of Howard Pyle and several of his students, most notably Maxfield Parrish, Violet Oakley, and N.C. Wyeth. The collection includes a wide range of materials, which was collected and assembled by Pyle’s former student Thornton Oakley. There are tear sheets of artwork published in magazines, original illustrations, photographs, research notes, manuscripts, and correspondence. Besides Howard Pyle, artists well represented in this collection include Elizabeth Shippen Green, Jessie Wilcox Smith, George Harding, Violet Oakley, N.C. Wyeth, and a large collection of material on Maxfield Parrish. There is also a series dedicated to the children’s author and art historian, Henry Clarence Pitz, who researched and wrote The Brandywine Tradition about Pyle and his artistic influence. The collection’s primary strength is the collection of artwork by Pyle and his students, some of...(see more)

Held at: Free Library of Philadelphia: Rare Book Department [Contact Us]

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Violette de Mazia papers, 1923-1988 (bulk) 1891-2013 (inclusive)

Extent:
50.0 linear feet
Abstract:
Violette de Mazia (1896-1988) was hired by Albert Barnes to teach at the Barnes Foundation in Merion, Montgomery Township, Pennsylvania in the mid-1920s. She worked closely with Barnes and many of his colleagues. In 1950, de Mazia was named the Barnes Foundation's Director of Education, and in 1951, after Barnes' death, she was appointed to its Board of Trustees. The Violette de Mazia papers, 1891-2013 (bulk 1923-1988), primarily consist of materials relating to Violette de Mazia's work at the Barnes Foundation on its campus in Merion (Montgomery County, Pennsylvania) as a teacher, the Director of Education, and a trustee. There is also a small amount of her personal papers in the collection. The collection is organized into series: I. Class materials, II. Letters and documents, III. Photographs, and IV. Resource materials.

Held at: Violette de Mazia Foundation [Contact Us]

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Wharton Esherick family papers, 1920-1970 (bulk) 1895-1996 (inclusive)

Extent:
10.5 linear feet
Abstract:
Wharton Esherick (1887-1970) was a sculptor who worked primarily in wood, readily extending his unique forms to furniture, furnishings, utensils, interiors and buildings, creating sculptural environments. He has been called the link between the Arts and Crafts Movement and the resurgent interest in furniture making following World War II, the dean of American craftsmen, and the foundation of the current Studio Furniture Movement. The Wharton Esherick family papers, 1895-1996 (bulk 1920-1970), consist of correspondence, work documentation, financial papers, publicity clippings, photographs, and other materials that primarily document Esherick's work and to a lesser extent his personal life and the personal lives of his immediate family.

Held at: Wharton Esherick Museum [Contact Us]

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Katharine Steele Renninger papers, 1941-2003 (inclusive)

Extent:
14.0 linear feet
Abstract:
Katharine Steele Renninger (1925-2004) was a painter and printmaker in Bucks County, Pennsylvania. A self-described "abstract realist," Renninger was known for depicting architectural structures and everyday objects in her artwork, things that to her represented a disappearing way of life. Katharine Steele Renninger papers, 1941-2003, consist of ledgers, scrapbooks, day planners, correspondence, photographs, press clippings, exhibition materials, awards, objects, and other materials that document Renninger's artistic and professional development.

Held at: James A. Michener Art Museum Archives [Contact Us]

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William Arthur Smith papers, 1918-1989 (bulk 1930s-1960s)

Extent:
20.0 linear feet
Abstract:
William Arthur Smith (1918-1989) was a painter, illustrator, and photographer. In 1956, he moved to Bucks County, Pennsylvania and established a studio and gallery in New Hope. Smith received several high profile commissions, traveled extensively, and has work in many major museums, including the National Portrait Gallery, the Metropolitan Museum of Art, and the Library of Congress. William Arthur Smith papers, 1918-1989 (bulk 1930s-1960s), consist of biographical information, press clippings, exhibit catalogs, materials from travel and international exhibitions, business correspondence, personal correspondence, documents related to commissioned and non-commissioned artwork, lecture and presentation materials, materials relating to or from Pearl S. Buck and Carl Sandburg, photographs and negatives, honors and awards, materials from organizations with which Smith was involved, sketchbooks and original artworks, and other materials. There are several oversized items in the collection.

Held at: James A. Michener Art Museum Archives [Contact Us]

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Newtown Historic Association collection on Edward Hicks and family, 1802-1986 (inclusive)

Extent:
6.75 linear feet
Abstract:
Edward Hicks (1780-1849) was an American Quaker artist best known for his painting "The Peaceable Kingdom," of which he created more than 60 versions. Hicks lived in Newtown, Bucks County, Pennsylvania from 1811 until his death. The Newtown Historic Association collection on Edward Hicks and family, 1802-1986, includes a fair amount of original primary documents from Edward Hicks and his family members, as well as a large amount of articles, research notes, manuscripts, photocopies of Hicks documents and paintings, and related secondary materials compiled by Hicks scholars. The highlight of the collection is a daybook that was used by Edward Hicks and his son, Isaac W. Hicks, 1833-1885.

Held at: Newtown Historic Association [Contact Us]

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Edward F. Fry papers, circa 1947-1992 (inclusive)

Extent:
66 boxes
Abstract:
Comprising documents related to Fry's life and career: correspondence, research, and letters from numerous artists and colleagues, handwritten lectures, typescript essays, over 1000 photographs of artists' works with special interest in Pablo Picasso, Jacques Lipchitz, Henri Laurens, and David Smith. Correspondence with artists (some include slides and drawings), curators, art historians, and museums. Highlights of curated exhibitions include the 1967 5th Guggenheim International Exhibition, the 1969 David Smith retrospective, the canceled 1971 Hans Haacke exhibition, and the 1987 Documenta 8. Materials related to Fry's special interest in cubism, specifically Pablo Picasso, include the book Cubism, lectures, notes, photographs, and research.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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William Steig papers, circa 1907-2002 (inclusive) 1950-2000 (bulk)

Extent:
21 linear feet (45 boxes)
Abstract:
William Steig (1907-2003) was an American cartoonist, illustrator, and writer of children's books. In 1930, Steig began a long and fruitful relationship with The New Yorker, for which he produced more than 2,600 drawings and 117 covers. When he was sixty-one, Steig began writing children's books, including Sylvester and the Magic Pebble (1969), Dominic (1972), Doctor De Soto (1982), and Shrek! (1990), the basis for the DreamWorks animated film of the same name. This collection includes 45 boxes of material, including correspondence; personal and professional records; drafts of Steig's writings; financial records; press, promotional material, and material from exhibits; awards Steig received; and original artwork, including original ink and watercolor drawings and work that would later appear in the New Yorker. There is also ephemera related to the movie Shrek, as well as personal artifacts, such as Steig's brushes and pens.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Ashley Bryan papers, 1823-2019 (inclusive) 1928-2019 (bulk)

Extent:
85 linear feet (146 boxes)
Abstract:
Ashley Bryan (1923-2022) was an artist and storyteller best known for his award-winning children's book illustrations with particular emphasis on African folktales and African-American spirituals. Bryan authored, illustrated, published, and distributed his first book in Kindergarten, later graduating from Cooper Union and Columbia University, being awarded a Fulbright to study at the University of Freiburg, before becoming a professor at Dartmouth College. The collection documents his lifelong devotion to the arts including sketchbooks, artwork, and especially materials relating to the publication process of over sixty book projects. There is also material relating to his professional engagements; certificates, awards, diplomas, and plaques relating to his many achievements; and personal and family materials, notebooks, photographs, greeting cards and postcards, school children thank you cards and artwork, and research files and ephemera. Also included are foundational...(see more)

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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