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Start Over Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Online Content Not Available Subject Art Year 1990 to 1994

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Edward F. Fry papers, circa 1947-1992 (inclusive)

Extent:
66 boxes
Abstract:
Comprising documents related to Fry's life and career: correspondence, research, and letters from numerous artists and colleagues, handwritten lectures, typescript essays, over 1000 photographs of artists' works with special interest in Pablo Picasso, Jacques Lipchitz, Henri Laurens, and David Smith. Correspondence with artists (some include slides and drawings), curators, art historians, and museums. Highlights of curated exhibitions include the 1967 5th Guggenheim International Exhibition, the 1969 David Smith retrospective, the canceled 1971 Hans Haacke exhibition, and the 1987 Documenta 8. Materials related to Fry's special interest in cubism, specifically Pablo Picasso, include the book Cubism, lectures, notes, photographs, and research.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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William Steig papers, circa 1907-2002 (inclusive) 1950-2000 (bulk)

Extent:
21 linear feet (45 boxes)
Abstract:
William Steig (1907-2003) was an American cartoonist, illustrator, and writer of children's books. In 1930, Steig began a long and fruitful relationship with The New Yorker, for which he produced more than 2,600 drawings and 117 covers. When he was sixty-one, Steig began writing children's books, including Sylvester and the Magic Pebble (1969), Dominic (1972), Doctor De Soto (1982), and Shrek! (1990), the basis for the DreamWorks animated film of the same name. This collection includes 45 boxes of material, including correspondence; personal and professional records; drafts of Steig's writings; financial records; press, promotional material, and material from exhibits; awards Steig received; and original artwork, including original ink and watercolor drawings and work that would later appear in the New Yorker. There is also ephemera related to the movie Shrek, as well as personal artifacts, such as Steig's brushes and pens.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Jean Simpson Stephenson collection relating to Of Scandinavia, circa 1980s-1992 (inclusive)

Extent:
1.33 linear feet (2 boxes)
Abstract:
Jean Simpson Stephenson is an artist known for creating wood block prints. She graduated from the University of the Arts in 1947, and is a member of the Guild of Book Workers. This collection consists of a copy of the artist book, Of Scandinavia, and the linoleum and wood blocks that were used to print the cover art and the three color illustrations within the book.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Ashley Bryan papers, 1823-2019 (inclusive) 1928-2019 (bulk)

Extent:
85 linear feet (146 boxes)
Abstract:
Ashley Bryan (1923-2022) was an artist and storyteller best known for his award-winning children's book illustrations with particular emphasis on African folktales and African-American spirituals. Bryan authored, illustrated, published, and distributed his first book in Kindergarten, later graduating from Cooper Union and Columbia University, being awarded a Fulbright to study at the University of Freiburg, before becoming a professor at Dartmouth College. The collection documents his lifelong devotion to the arts including sketchbooks, artwork, and especially materials relating to the publication process of over sixty book projects. There is also material relating to his professional engagements; certificates, awards, diplomas, and plaques relating to his many achievements; and personal and family materials, notebooks, photographs, greeting cards and postcards, school children thank you cards and artwork, and research files and ephemera. Also included are foundational...(see more)

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Luber collection of Japan Group II material, 1980-2011 (inclusive)

Extent:
0.5 linear_foot ((1 box))
Abstract:
Gilbert Luber (1918-1999) and his wife Shirley Luber collected and sold traditional and contemporary Japanese prints at the Gilbert Luber Gallery in Philadelphia from 1980 to 2000. They also founded and ran the Japan Group II, an interest group relating to the arts and culture of Japan. This collection documents the administration of the Japan Group II and includes records relating to event planning, financial planning, group chronology, legal records, meeting minutes, member obituaries, membership lists, newsletters, notices and group correspondence, and photographs.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Joseph and Yehudit Shadur papers, 1894-2002 (inclusive) 1960-2002 (bulk)

Extent:
1.4 linear feet (4 boxes)
Abstract:
Joseph and Yehudit Shadur were pioneers of Jewish folk art and the subject of Middle Eastern studies and environmental conservation in Israel. Their collection includes two series, one of the writings, correspondence, book reviews, and research by Joseph Shadur, and the other, published works by or about Yehudit Shadur, or containing images of her paper-cuts. These documents date from 1894 to 2002, with the majority of the documents produced from 1960 to 2002.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Graeme Moore collection of Ian Hamilton Finlay material, 1972-2013 (inclusive)

Extent:
8 linear feet (10 boxes) and 492.1 megabytes
Abstract:
Ian Hamilton Finlay (1925-2006) was a Scottish poet, artist, and landscape and garden designer, best known for his prints and pamphlets and his iconic garden Little Sparta, a collaboration with his second wife, Sue MacDonald-Lockhart. Graeme Moore is an English landscape and garden designer and critic, and former head gardener of Little Sparta. This collection contains material collected by Graeme Moore related to his relationship with Ian Hamilton Finlay and Finlay's work.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Painted Bride Art Center records, 1969-2002 (inclusive)

Extent:
223 boxes
Abstract:
The Records comprise 6 series, the largest and most significant of which is the first: I. Exhibitions, Performances, Readings, and Events, 1970-2002 (125 boxes). Arranged alphabetically by artist/program, this series contains correspondence, publicity material, programs, funding material, and the like for each event or performance. The remaining series entail: II. Business Records, 1970-2002 (40 boxes); III. Grant Records, 1972-2002 (15 boxes); IV. Press Records, 1970-2000 (6 boxes); V. Audio Visual Records & Computer Records, 1970-2001 (29 boxes); VI. Miscellaneous Records, 1976-2000 (6 boxes).

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Doris Samitz papers, 1956-2008 (inclusive)

Extent:
0.4 linear feet (1 box)
Abstract:
Doris Samitz (1923-2008), an art enthusiast, was involved in the Philadelphia art scene. This collection documents her involvement with the Arts Council of the Broad Street "Y" and the Barnes Foundation from the 1950s until her death, but particularly during the 1960s and the 1970s.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Ursula Sternberg-Hertz papers, 1923-2014 (inclusive) 1950-2000 (bulk)

Extent:
23 linear feet (39 boxes)
Abstract:
Ursula Sternberg-Hertz (1925-2000) was a Philadelphia based artist who lived in Germany, the Netherlands, Belgium, England, and Canada before immigrating to the United States in 1971 with her husband, conductor Jonathan Sternberg. The collection documents her artistic career, with artwork ranging from rough sketches to finished pieces, using acrylics, charcoal, markers, pen-and-ink, stamps, watercolor, and other experimental mediums. She produced artwork on paper, metal, fabric, and leather; in sketchbooks; and on objects such as lampshades and boxes. In addition to her artwork, there is also family and personal material; correspondence; diaries, including an extraordinary run of her "visual diaries" from the early 1940s and from the 1970s until her death; and material related to her exhibits.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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