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Start Over Organization Philadelphia Museum of Art Organization Museum of Fine Arts, Boston Year 1970 to 1974

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Lloyd and Edith Havens Goodrich, Whitney Museum of American Art, Record of Works by Thomas Eakins, 1894, 1903, 1915-1986 (inclusive)

Extent:
42 linear feet
Abstract:
The Lloyd and Edith Havens Goodrich, Whitney Museum of American Art, Record of Works by Thomas Eakins consists mainly of typescript and manuscript papers, correspondence, and a variety of research and reference materials pertaining to Lloyd Goodrich's major published and unpublished works on American artist Thomas Eakins. This collection documents more than 50 years of Eakins scholarship, during which Goodrich published "Thomas Eakins: his life and work" (1933) and the revised and augmented monograph, "Thomas Eakins" (1982). A revision of the 1933 publication's catalogue raisonne section, intended as a separate volume, never reached the final stages before Goodrich's death, but represents a significant volume of material. Of note is correspondence with Thomas Eakins's widow, Susan Macdowell Eakins; Goodrich's transcriptions of Thomas Eakins's own correspondence, much of which is now lost; and his interview notes with Eakins's sitters, students, friends, and relatives, including...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Johnson Collection Curatorial Records, 1917-2007, undated (bulk 1927-1992) (inclusive)

Extent:
56.25 linear feet
Abstract:
The Johnson Collection Curatorial Records represent two "generations" of curatorial oversight of the art collection acquired by John Graver Johnson (19841-1917), one of Philadelphia's most prominent corporate lawyers. While the collection of more than 1,600 European paintings, sculpture and textiles is owned by the City of Philadelphia through Johnson's bequest, it is administered by and housed at the Philadelphia Museum of Art, as is Johnson's extensive art library. In these curatorial records, the earlier files reflect the administrative and curatorial activities of Henri Marceau and Barbara Sweeny, roughly documenting their combined years of service, 1926-1972. Joseph J. Rishel succeeded Sweeny as Johnson Collection curator in November of 1972. His tenure, which continues to this day, comprises the second curatorial term, from 1973 to 1992. A small amount of papers created later are included separately. The second generation of records also reflects the work of assistant and...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Francis Bacon Foundation Records, 1936-1997, undated (inclusive)

Extent:
18 cubic feet
Abstract:
The Francis Bacon Foundation was formed by Walter and Louise Arensberg in 1938 to promote study in science, literature, religion, history and philosophy with special reference to the works of Francis Bacon. The Foundation also served as the legal owner of the Walter and Louise Arensberg art collection. The Francis Bacon Foundation Records consist of correspondence, administrative and financial records which illustrate the organizational aspects of the Foundation, the Baconian research conducted by its staff, and the art historical research conducted by outside researchers using the Francis Bacon Foundation Library and Arensberg Archives. Because of the Foundation's close association with Walter and Louise Arensberg, the Records also shed some light on their personal lives.

Held at: Philadelphia Museum of Art Archives [Contact Us]