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Julien Levy Gallery records, 1857-1982 (inclusive)

Extent:
19.0 linear feet (46 containers)
Abstract:
Julien Levy (1906-1981) was a pioneering New York art dealer of the 1930s and 1940s. He was introduced to the art world in Paris by Marcel Duchamp, who he met in New York in 1926. In Paris he met photographers and artists, including Man Ray, Berenice Abbot, and his future wife Joella Haweis, daughter of Dadaist muse Mina Loy. Upon his return to the United States, Levy worked briefly at the Weyhe Gallery before opening the Julien Levy Gallery at 602 Madison Avenue. In 1932, Levy mounted “Surrealisme,” an exhibition that introduced the Surrealist art movement to New York. This collection documents the career of prominent art gallery owner Julien Levy. The records date from 1857 to 1983 and include correspondence, exhibit announcements and invitations, scrapbooks, gallery financial ledgers, audio-visual materials, and personal papers such as letters, diaries, appointment books and calendars. The material in this collection reflects the course of Levy’s life, beginning with childhood...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Dalton Dorr records, 1876-1904 (inclusive)

Extent:
4.25 linear feet (10 document boxes)
Abstract:
Dalton Dorr played a key role in the early years of the Pennsylvania Museum and School of Industrial Art (later known as the Philadelphia Museum of Art). Dorr was elected Secretary of the Corporation in 1880. In 1888 he acted as both Secretary and Curator, and by 1892 he was performing the duties of Secretary, Director, and Curator. In 1899 William Platt Pepper took over as Director of the Museum, and Dorr continued on as Curator and Secretary. Dalton Door died on February 26, 1901. Shortly after, Edwin Atlee Barber assumed the roles of Secretary and Curator. This collection contains letter books, dating from 1876 to 1904, containing the correspondences of Dorr, Pepper, and Barber. The correspondence pertains to the Centennial exposition, Museum collections, acquisitions, exhibitions, staff, and repairs to Memorial Hall, as well as information regarding the formation of the Museum and its associated schools.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Edwin Atlee Barber records, 1901-1916 (bulk) 1898-1933 (inclusive)

Extent:
19.6 linear feet (47 document boxes)
Abstract:
Edwin Atlee Barber was Curator/Secretary of the Pennsylvania Museum and School of Industrial Art from 1901to 1907, Director/Curator from 1907 to 1916 and Honorary Curator of American Pottery and Porcelain from 1893 to 1916. His great interest was in pottery, porcelain, and ceramics, primarily early American works. A scholar and prolific writer, Barber wrote and published numerous articles on his specialty. He is considered a pioneering scholar in his field. The Edwin Atlee Barber records include both general and administrative correspondence from Barber’s tenure at the Pennsylvania Museum and School of Industrial Art. The Museum was know as the Pennsylvania Museum and School of Industrial Art until 1938, when it was changed to the Philadelphia Museum of Art. Materials date from 1898 to 1933. Included in the collection are letters sent to Barber after his death; some of these letters were answered by Barber’s wife or daughter. This collection contains correspondence covering a broad...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Langdon Warner records, 1917-1923 (bulk) 1916-1929 (inclusive)

Extent:
4.58 linear feet (11 document boxes)
Abstract:
Langdon Warner, a scholar of Asian art and an archeologist, was Director of the Pennsylvania Museum and School of Industrial Art from 1917 to 1923. Warner also served as Curator of the Wilstach Collection (the Wilstach family art collection was bequeathed to the city in 1892 and custodianship was transferred to the Museum in 1917). While serving as Director of the Museum Warner, traveled extensively in Asia and was often away from the Museum. Almost immediately after taking the job, he departed for Japan where he set about acquiring works of art that "were thought too good to lose." The Langdon Warner records contain correspondence of Langdon Warner, Museum Director between 1917 and 1923, and E. Hamilton Bell, Acting Director during Warner’s absence. At the time, the Museum's collections were housed in Fairmount Park's Memorial Hall. The correspondence mainly concerns the Museum's facilities, collections, exhibitions and purchases. This collection is divided into two series: Series...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Jean Sutherland Boggs records, 1977-1983 (inclusive)

Extent:
41.04 linear feet (99 document boxes)
Abstract:
Dr. Jean Sutherland Boggs is a prominent art historian and expert scholar on Degas who served as Director of several major North American Museums. She was appointed as the first female Director of the Philadelphia Museum of Art and served from 1970 to 1982. Part of her legacy was establishing new written Museum policies on important topics and setting into motion long-term plans for the reinstallation of the European galleries. During her tenure, the Museum acquired Degas’ “Red Nude” and installed the Thomas Eakins retrospective. Boggs also mounted two monumental exhibitions of non-Western art, “Manifestations of Shiva” (1981) and “Treasures of Ancient Nigeria” (1982), each of which presented great works of art in a scholarly context, and was well-received by the diverse communities the Museum sought to serve. The Jean Sutherland Boggs records contain the general correspondence and administrative records Dr. Jean Sutherland Boggs. The records date from 1977 to 1983 and include...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Henri Gabriel Marceau Director records, 1955-1964 (bulk) 1933-1980 (inclusive)

Extent:
53.2 linear feet (135 document boxes)
Abstract:
Henri Gabriel Marceau was an internationally known scholar, art historian, and architect, and served as Director of the Philadelphia Museum of Art from 1955 to 1964. R. Sturgess Ingersoll, President of the Philadelphia Museum of Art, made the following comments upon Marceau’s retirement from the post of Director: “Mr. Marceau has been a tower of strength through the period of the development of the Philadelphia Museum of Art…His authoritative publications on Thomas Eakins, Cezanne, William Rush, Benjamin West, Flemish paintings and Corot represent an amazing range of scholarship. He has always been particularly interested in sculpture, and the three international exhibitions of sculpture, - held in 1933, 1940 and 1949 in the courtyard of the Museum, - did much to bring about the present refreshing interest in sculptors and sculpture. He has probably had closer relations with contemporary artists than any twentieth century museum director” (Box 103, folder 4). The Henri Gabriel...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Director's Exhibition records, 1915-1983 (inclusive)

Extent:
25.42 linear feet (61 document boxes)
Abstract:
The Director's Exhibition records of the Philadelphia Museum of Art contain documentation of exhibition activities at the Museum. These records are not a comprehensive account of exhibitions held by the Museum, but an ongoing file produced by the executive office in the course of administering exhibitions for the Museum, kept in the Director’s office between 1915 and 1981. Additional exhibition records may be located within a specific Director’s records, or in Curatorial records; Museum Directors during this period included Edwin Atlee Barber, Langdon Warner, Fiske Kimball, Henri Marceau, Evan Turner, and Jean Sutherland Boggs.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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