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Collection of screenplays and film scripts

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Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]3420 Walnut Street, Philadelphia, PA 19104-6206

This is a finding aid. It is a description of archival material held at the University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.

Overview and metadata sections

Screenplays, originally called "scenarios," first emerged in the late 1890s. It is possible that the modern screenplay was a result of filmmaker Thomas Ince's requirement "to have a script prior to production, which [was] used to budget out the film," (Donnelly). As the film industry grew, so did the need for screenplays, which changed along with technology, to include sound and dialog. The concept of the continuity script was developed and it "provided structure to the preproduction process; location, shots and a projection for the number of shooting days," (Donnelly). By the 1970s, the screenplay, as part of a package, was designed to attract actors and directors; and speculative screenplays became popular. This resulted in a "master scene script," which told the story and enticed funders and creative individuals to support the work. Once a master scene script was approved, a shooting script (which resembles a continuity script) was created.

Sources consulted:

Donnelly, Michelle. "The History of the Screenplay," thescriptlab, 2015 February 3 (https://thescriptlab.com/features/screenwriting-101/3147-the-history-of-the-screenplay/), accessed 2023 November 29

Heimbuch, Jeff. "Screenwriting: Where the Story Begins," Dodge Colle of Film and Media Arts, Chapman University, 2017 March 9 (https://blogs.chapman.edu/dodge/2017/03/09/screenwriting-where-the-story-begins/), accessed 2023 November 29

This collection consists of typescript screenplays and film scripts that were created from 1936 to 2008, very few of which are annotated in anyway. The screenplays cross genres and include action, adventure, comedy, crime, drama, horror, musical, mystery, romance, science fiction, sport, war, and western.

When available, the screenplay description includes the title (as well as alternate titles), the writer, the version, and the production company.

In several cases, there are multiple versions or drafts of the same screenplay, showing the editing process and the evolution of a film over the course of acceptance and production. These screenplays are: Conrack, Hearts of the West, Sealed Verdict, Some Like it Hot, and Sparkle. Film adaptations of classic novels include Don Quixote and Tess of the D'Urbervilles.

Accession numbers: 2018.000564; 2018.000565; 2018.000567 (8 screenplays); 2019.000255; 2019.000256; 2019.000257; 2019.000258; 2018.000259; 2020.000260; 2019.000557; 2019.000558; 2019.000559; one item from 2020; three items from 2022; and four items from 2023--processed in 2023 November.

Sold by various vendors from 2014 to 2023, and gathered together by Penn Libraries into a collection.

Publisher
University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts
Finding Aid Author
Holly Mengel
Finding Aid Date
2023 November 27
Access Restrictions

This collection is open for research use.

Use Restrictions

Copyright restrictions may exist. For most library holdings, the Trustees of the University of Pennsylvania do not hold copyright. It is the responsibility of the requester to seek permission from the holder of the copyright to reproduce material from the Kislak Center for Special Collections, Rare Books and Manuscripts.

Collection Inventory

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Materials can be requested by first logging in to Aeon. Then, click on the ADD button next to any containers you wish to request. When complete, click the Request button.

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A Purely Legal Matter, by William Blinn (2nd revised draft), Blinn/Thorpe Productions, 1978 May 4.
Box 1 Folder 1
Back from the Dead, by John Dowdle (WGA: # 618842), 1996.
Box 1 Folder 2
Bound, by Larry Wachowski and Andy Wachowski (2nd draft and blue revisions), Dino de Laurentiis Communications, 1995 April 3-May 1.
Box 2 Folder 16
Conspiracy Theory, by Brian Helgeland, Warner Brothers Pictures, 1995 December 11.
Box 1 Folder 3
Conrack, by Irving Ravetch and Harriet Frank, Jr. (third version), Twentieth Century-Fox Film Corporation, 1972 October 27.
Box 1 Folder 4
Conrack, by Irving Ravetch and Harriet Frank, Jr. Twentieth Century-Fox Film Corporation, 1972 November 27.
Box 1 Folder 4
Conrack, by Irving Ravetch and Harriet Frank, Jr. (revised final), Twentieth Century-Fox Film Corporation, 1973 March 5.
Box 1 Folder 5
Don Quixote, by Waldo Salt, undated.
Box 1 Folder 6
Escape from the Planet of the Apes, by Paul Dehn (final, possibly P. Dehn's copy), APJAC Productions, 1970.
Box 1 Folder 7
Hearts of the West, by Rob Thompson (2nd draft), Metro-Goldwyn-Mayer, Inc. (manuscript notes on cover), 1974 July 2.
Box 1 Folder 8
Hearts of the West, by Rob Thompson, Metro-Goldwyn-Mayer, Inc. (on cover, manuscript: "Tony Bill, Director, Producer), 1974 September 9.
Box 1 Folder 9
Last Married Couple in America, by John Herman Shamer (No. 02118), Universal Studios, 1978 December 4.
Box 1 Folder 10
Little Murders, by Jules Feiffer (2nd draft), Brodsky/Gould Productions, 1970 March 24.
Box 1 Folder 11
Mahogany, by Bob Merrill (2nd draft), Motown Production Company, 1974 March 1.
Box 1 Folder 12
Milk, by Dustin Lance Block (possibly copy of Harris Savides), 2008 January-March.
Box 1 Folder 13
Picture Perfect, by Arleen Sorkin and Paul Slansky (1st draft), Twentieth Century-Fox Film Corporation, 1995 July 25.
Box 1 Folder 14
Pre [or Without Limits], by Robert Towne and Kenny Moore, 1996 April 22.
Box 1 Folder 15
Princes, by Gieve Patel, undated.
Box 1 Folder 16
Return of the Apes, by Terry Hayes, undated.
Box 1 Folder 17
Savaska, by Gieve Patel, undated.
Box 1 Folder 18
Sealed Verdict, by Jonathan Latimer (SF 88802), Paramount Pictures, 1947 June 24.
Box 1 Folder 19
Sealed Verdict, by Jonathan Latimer (censorship dialogue scripts), Paramount Pictures, 1948 February 17.
Box 2 Folder 1
Sealed Verdict, by Jonathan Latimer (English copy, superimposed spotted list and combined dialogue), Paramount Pictures, 1948 March 10.
Box 2 Folder 2
Sealed Verdict, by Jonathan Latimer (release dialogue script), Paramount Pictures (annotated), 1948 March 10.
Box 2 Folder 3
sex, lies, and videotape, by Steven Soderbergh (2nd draft), 1988.
Box 2 Folder 4
Shining Through, by David Seltzer (2nd draft), Twentieth Century-Fox Film Corporation, 1989 November.
Box 2 Folder 5
Sid & Nancy [or Sid & Nancy: Love Kills], by Alex Cox and Abbe Wool (3rd draft), Commies from Mars, Inc., 1985.
Box 2 Folder 6
Skin Game, by Peter Stone (revised 1st draft), Universal Studios, 1968 December 10.
Box 2 Folder 7
Some Like it Hot, by Lewis R. Foster and Wilkie C. Mahoney (censorship dialogue script/file copy), Paramount Pictures, 1936 April 29.
Box 2 Folder 8
Some Like it Hot, by Lewis R. Foster and Wilkie C. Mahoney (release dialogue script/possibly Irene Scott copy), Paramount Pictures, 1936 May 6.
Box 2 Folder 9
Sparkle, by Joel Schumacher (revised draft), Warner Brothers, 1974 November 5.
Box 2 Folder 17
Sparkle, by Joel Schumacher (final), Warner Brothers, 1975 April 9.
Box 2 Folder 18
Sparkle, by Joel Schumacher (revised final), Warner Brothers, 1975 May 1-June 19.
Box 2 Folder 19
Summer Catch, by Kevin Falls, Fox, 1996 April 25.
Box 2 Folder 10
Tess of the D'Urbervilles, by Alan Scott (copy 45), Selznick Studio, undated.
Box 2 Folder 11
Time after Time, by Nicholas Meyer (final), Warner Brothers, 1978 June 7.
Box 2 Folder 12
Trading Places (revisions inserted), 1982-1983.
Box 2 Folder 13
Whispering Smith, by Frank Butler and Karl Kamb, Paramount Pictures, probably 1977.
Box 2 Folder 14
Zoot Suit, by Luis Valdez (No. 02142, final draft), Universal Studios, 1981 January 2.
Box 2 Folder 15

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