https://findingaids.library.upenn.edu/records/UPENN_RBML_PUSP.PRINTCOLLECTION71
Collection of screenplays and film scripts
- Date
- 1936-2008 (inclusive)
- Extent
- 2.5 linear feet (3 boxes)
- Call Number
- Print Collection 71
Description
Where the collection came from, what's inside, and how you can use it.
Biography/History
Screenplays, originally called "scenarios," first emerged in the late 1890s. It is possible that the modern screenplay was a result of filmmaker Thomas Ince's requirement "to have a script prior to production, which [was] used to budget out the film," (Donnelly). As the film industry grew, so did the need for screenplays, which changed along with technology, to include sound and dialog. The concept of the continuity script was developed and it "provided structure to the preproduction process; location, shots and a projection for the number of shooting days," (Donnelly). By the 1970s, the screenplay, as part of a package, was designed to attract actors and directors; and speculative screenplays became popular. This resulted in a "master scene script," which told the story and enticed funders and creative individuals to support the work. Once a master scene script was approved, a shooting script (which resembles a continuity script) was created.
Sources consulted:
Donnelly, Michelle. "The History of the Screenplay," thescriptlab, 2015 February 3 (https://thescriptlab.com/features/screenwriting-101/3147-the-history-of-the-screenplay/), accessed 2023 November 29
Heimbuch, Jeff. "Screenwriting: Where the Story Begins," Dodge Colle of Film and Media Arts, Chapman University, 2017 March 9 (https://blogs.chapman.edu/dodge/2017/03/09/screenwriting-where-the-story-begins/), accessed 2023 November 29
Scope and Content
This collection consists of typescript screenplays and film scripts that were created from 1936 to 2008, very few of which are annotated in anyway. The screenplays cross genres and include action, adventure, comedy, crime, drama, horror, musical, mystery, romance, science fiction, sport, war, and western.
When available, the screenplay description includes the title (as well as alternate titles), the writer, the version, and the production company.
In several cases, there are multiple versions or drafts of the same screenplay, showing the editing process and the evolution of a film over the course of acceptance and production. These screenplays are: Conrack, Hearts of the West, Sealed Verdict, Some Like it Hot, and Sparkle. Film adaptations of classic novels include Don Quixote and Tess of the D'Urbervilles.
Accruals
Accession numbers: 2018.000564; 2018.000565; 2018.000567 (8 screenplays); 2019.000255; 2019.000256; 2019.000257; 2019.000258; 2018.000259; 2020.000260; 2019.000557; 2019.000558; 2019.000559; one item from 2020; three items from 2022; and four items from 2023--processed in 2023 November; eight items from 2024 to 2025--processed in 2025 October.
Acquisition Information
Sold by various vendors from 2014 to 2025, and gathered together by Penn Libraries into a collection.
Rights and citation
- Use
-
Copyright restrictions may exist. For most library holdings, the Trustees of the University of Pennsylvania do not hold copyright. It is the responsibility of the requester to seek permission from the holder of the copyright to reproduce material from the Kislak Center for Special Collections, Rare Books and Manuscripts.
- Preferred Citation
- Collection of screenplays and film scripts, 1936-2008, Print Collection 71, Kislak Center for Special Collections, Rare Books and Manuscripts, University of Pennsylvania
- Publisher
- University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts
- Finding aids author
- Holly Mengel
- Date
- 2023 November 27
Subjects and headings
- Subject
- Motion picture industry
- Motion pictures
- Language
- English
- Form
- Screenplays
Inventory
Everything in this collection, in the order the archivist chose to help you understand it.
Antony and Cleopatra. by William Shakespeare (annotated copy owned by speech and dialect coach Roberta Farkas) produced by Ken Campbell, directed by Lawrence Carra, Bard Productions, Ltd., 1984
A Purely Legal Matter, by William Blinn (2nd revised draft), Blinn/Thorpe Productions, 1978 May 4
Back from the Dead, by John Dowdle (WGA: # 618842), 1996
Bound, by Larry Wachowski and Andy Wachowski (2nd draft and blue revisions), Dino de Laurentiis Communications, 1995 April 3-May 1
"Called Home," or later Witness, by Earl W. Wallace and William Kelley (revised draft), Edward S. Feldman Company, 1983 March 23
Conspiracy Theory, by Brian Helgeland, Warner Brothers Pictures, 1995 December 11
Conrack, by Irving Ravetch and Harriet Frank, Jr. (third version), Twentieth Century-Fox Film Corporation, 1972 October 27
Conrack, by Irving Ravetch and Harriet Frank, Jr. Twentieth Century-Fox Film Corporation, 1972 November 27
Conrack, by Irving Ravetch and Harriet Frank, Jr. (revised final), Twentieth Century-Fox Film Corporation, 1973 March 5
Don Quixote, by Waldo Salt, undated
Driving Miss Daisy, by Alfred Uhry (annotated second draft, rainbow script, belonging to Phil Leto, hair stylist), 1988-1989
Escape from the Planet of the Apes, by Paul Dehn (final, possibly P. Dehn's copy), APJAC Productions, 1970
Get on the Bus, by Reggie Rock Bythewood, directed by Spike Lee (script belonging to Bill Borden, producer, with shooting schedules, budgets, contact sheets, and cast and crew lists), 1996 March 29
Grace Kelly Story, by Cynthia Mandelberg (final shooting draft), Embassy Television
, 1982
Grave of the Fireflies, by Isao Tokahata (draft script in Japanese), 1988
Hearts of the West, by Rob Thompson (2nd draft), Metro-Goldwyn-Mayer, Inc. (manuscript notes on cover), 1974 July 2
Hearts of the West, by Rob Thompson, Metro-Goldwyn-Mayer, Inc. (on cover, manuscript: "Tony Bill, Director, Producer), 1974 September 9
Last Married Couple in America, by John Herman Shamer (No. 02118), Universal Studios, 1978 December 4
Little Murders, by Jules Feiffer (2nd draft), Brodsky/Gould Productions, 1970 March 24
Mahogany, by Bob Merrill (2nd draft), Motown Production Company, 1974 March 1
Master Class, a play by Terrence McNally (signed by McNally), 1995
Milk, by Dustin Lance Block (possibly copy of Harris Savides), 2008 January-March
Once Upon a Time ... When We Were Colored, by Paul W. Cooper (final draft), United Image Entertainment, Inc., 1994 June 7
Picture Perfect, by Arleen Sorkin and Paul Slansky (1st draft), Twentieth Century-Fox Film Corporation, 1995 July 25
Pre [or Without Limits], by Robert Towne and Kenny Moore, 1996 April 22
Princes, by Gieve Patel, undated
Return of the Apes, by Terry Hayes, undated
Savaska, by Gieve Patel, undated
Sealed Verdict, by Jonathan Latimer (SF 88802), Paramount Pictures, 1947 June 24
Sealed Verdict, by Jonathan Latimer (censorship dialogue scripts), Paramount Pictures, 1948 February 17
Sealed Verdict, by Jonathan Latimer (English copy, superimposed spotted list and combined dialogue), Paramount Pictures, 1948 March 10
Sealed Verdict, by Jonathan Latimer (release dialogue script), Paramount Pictures (annotated), 1948 March 10
sex, lies, and videotape, by Steven Soderbergh (2nd draft), 1988
Shining Through, by David Seltzer (2nd draft), Twentieth Century-Fox Film Corporation, 1989 November
Sid & Nancy [or Sid & Nancy: Love Kills], by Alex Cox and Abbe Wool (3rd draft), Commies from Mars, Inc., 1985
Skin Game, by Peter Stone (revised 1st draft), Universal Studios, 1968 December 10
Some Like it Hot, by Lewis R. Foster and Wilkie C. Mahoney (censorship dialogue script/file copy), Paramount Pictures, 1936 April 29
Some Like it Hot, by Lewis R. Foster and Wilkie C. Mahoney (release dialogue script/possibly Irene Scott copy), Paramount Pictures, 1936 May 6
Sparkle, by Joel Schumacher (revised draft), Warner Brothers, 1974 November 5
Sparkle, by Joel Schumacher (final), Warner Brothers, 1975 April 9
Sparkle, by Joel Schumacher (revised final), Warner Brothers, 1975 May 1-June 19
Summer Catch, by Kevin Falls, Fox, 1996 April 25
Tess of the D'Urbervilles, by Alan Scott (copy 45), Selznick Studio, undated
Time after Time, by Nicholas Meyer (final), Warner Brothers, 1978 June 7
Trading Places (revisions inserted), 1982-1983
Whispering Smith, by Frank Butler and Karl Kamb, Paramount Pictures, probably 1977
Zoot Suit, by Luis Valdez (No. 02142, final draft), Universal Studios, 1981 January 2
Contact
These materials are held by University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts. Contact them to schedule a visit or ask about your research.
- Address
- 3420 Walnut Street, 6th Floor, Philadelphia, PA 19104-6206
- rbml@pobox.upenn.edu