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Princeton University Library Collection of Mary Shepard and P. L. Travers Materials
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Held at: Princeton University Library: Cotsen Children's Library [Contact Us]
This is a finding aid. It is a description of archival material held at the Princeton University Library: Cotsen Children's Library. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.
Overview and metadata sections
Biographical Note on P. L. Travers from "Guide to the papers of P L Travers in the Mitchell Library State Library of New South Wales":
P L (Pamela Lyndon) Travers, the creator of the well - known nanny Mary Poppins, was born Helen Lyndon Goff in Maryborough, Queensland on 9 August 1899. While the name Travers is a family name which she adopted, there is no explanation for her other adopted name, Pamela, which she rarely uses preferring to be known as P L. Little is known of Travers' family and personal life despite the fact that she stems from a long established family. Her great grandfather, Robert Archibald Morehead, came to Australia in 1841 as manager of the Scottish Australian Company. His considerable holdings eventually included Bowen Downs, the largest pastoral station in Australia. Morehead's elder son Robert was Travers' grandfather. Robert's daughter Margaret was Travers' mother.Travers' father, Travers Robert Goff, died while his three daughters, of whom P L Travers is the eldest, were quite young. Irish born, he had migrated to Australia after a period spent tea picking in Ceylon. After her father's death, Travers moved with her mother and sisters to New South Wales. She went to school at Normanhurst in Sydney. While still in her teens, Travers' poems and articles began to appear in Australian newspapers and magazines. She later wrote for both the Bulletin and Triad. For approximately two years she wrote a human interest column for a daily newspaper. She worked in the cashier's office of the Australian Gas & Light Company and, briefly during the early 1920s, she toured New South Wales as an actor and dancer with the Alan Wilkie Shakespearean Touring Company. In 1924 Travers left Australia for England. Since that time she lived in England and, periodically, in the United States. Around 1960 she made her only return visit to Australia. In Ireland in 1925 she met the poet George Russell (AE) who, as editor of The Irish Statesman, had accepted some of her poems for publication and invited her to Dublin. Through Russell, Travers met W B Yeats and other Irish poets who fostered her interest in and knowledge of world mythology. Many of her own poems appeared in The Irish Statesman and a number of anthologies. Travers' first real literary success was the 1934 publication of Mary Poppins. Like later books in the series, Mary Poppins was illustrated by Mary Shepard, the daughter of Ernest Shepard who illustrated A A Milne's Winnie the Pooh books. Translated into more than a dozen languages, Mary Poppins was popular throughout the world. It was followed in 1935 by a sequel, Mary Poppins Comes Back. The tetralogy was completed with the publication of Mary Poppins Opens the Door (1944) and Mary Poppins in the Park (1952). Four other Mary Poppins titles have been published, the latest Mary Poppins and the House Next Door, in 1989. Although unhappy with the 1964 Disney film version of Mary Poppins, despite her own involvement with the production, the film stimulated wider public interest in P L Travers and her work. It is from this time that articles by Travers about her work began to appear in magazines and journals. She received invitations to lecture in the United States and was Writer in Residence at Radcliffe Hall, Harvard University (1965 -1966) and at Smith College (1966). Travers made frequent visits to the United States where she lived during World War II, and from 1969 until 1977. Myth and fairy tale, important elements in the original Mary Poppins books, recur in Travers' later works, notably Friend Monkey (1971), a novel in three parts based on the monkey god Hanuman from the Indian epic Ramayana; and About the Sleeping Beauty (1975) containing six versions of the fairy tale including one by Travers herself. P L Travers was honoured with an OBE in 1977 for her contribution to literature. In 1978 she was installed as a Doctor of Humanities at Chatham College, Pittsburg, USA. She died in 1996.
Travers, P.L. (Pamela Lyndon), 1899-1996Biographical note on Mary Shepard from the Oxford Dictionary of National Biography, by Roger T. Stearn:
Shepard [married name Knox], Mary Eleanor Jessy (1909–2000), artist and illustrator, was born on 25 December 1909 at Red Cottage, Shamley Green, Wonersh, near Godalming, Surrey, the only daughter and younger child of Ernest Howard Shepard (1879–1976), painter and illustrator, and his wife, Florence Eleanor Chaplin (d. 1927). She enjoyed a happy childhood at Red Cottage, attended St Monica's, Tadworth, near Epsom, Surrey, and was 'finished' at the Villa Ste Monique in Auteuil. In 1926 she and her brother Graham accompanied their father on his sketching trips to A. A. Milne's home in the Ashdown Forest, Sussex, and played with Christopher Robin. For her, he reacted as someone who had never known 'anyone older than himself actually playing games with him' (The Independent). She trained at the Slade, London, under Henry Tonks and Randolph Schwabe. She worked as an artist, had two exhibitions in London, and won a prize for etching in Paris. Pamela Travers, an Australian then unknown, had her children's book, Mary Poppins, accepted by the publisher Gerald Howe and they hoped E. H. Shepard would illustrate it, but he had too much work. P. L. Travers saw a Christmas card designed by Mary Shepard, then aged twenty-three, and chose her to illustrate the book, published in 1934. P. L. Travers was demanding—she insisted that the pictorial Poppins resemble the peg doll she had as a child and 'have no figure' (Daily Telegraph)—and Mary Shepard's drawings defined the image of Mary Poppins and contributed much to the success of the book and its sequels, all of which she illustrated: the last was Mary Poppins in Cherry Tree Lane (1982). The illustration of Mr Banks was based on a family friend, Edmund George Valpy Knox (1881–1971), editor of Punch, whom she married on 2 October 1937. She inherited her father's confident line-work and feeling for the integration of drawing with the text, and she was meticulous in research. Her work of the 1930s indicates that she could have become a prominent book illustrator, but after her marriage she did little such work and became somewhat depreciatory of her talents as an illustrator. She had no children, but she was a second mother to her two stepchildren, Rawle Knox, journalist, and Penelope Fitzgerald, the novelist. They lived at St John's Wood, London, and during the Second World War she served as an air-raid warden, kept chickens, and grew vegetables. After the war they moved to Hampstead, London, where Knox died in 1971 and where she continued to enjoy entertaining family and friends. Following a long illness she died on 4 September 2000 in Highgate Nursing Home, 12 Hornsey Lane, Islington, London.
A collection of correspondence, sketches, proofs, notes, and legal documents related to the lives and careers of author P. L. Travers (1899-1996) and illustrator Mary Shepard (1909-2000).
Box 1: P. L. Travers correspondence, drafts, and notes. Box 2: P. L. Travers correspondence, drafts, and notes. Box 3: Mary Shepard sketches and drawings for Mary Poppins books. Box 4: Mary Shepard sketches and drawings for Mary Poppins books. Box 5: Mary Shepard sketches and drawings for Mary Poppins books. Box 6: Mary Shepard sketches and drawings for Mary Poppins books; Mary Shepard correspondence. Box 7: Mary Shepard sketches and drawings for Mary Poppins books; P. L. Travers family photographs.
Artwork and some correspondence purchased from: Aleph Bet, 16 Feb 1999; and David Miles, 1 November 1999 and 21 November 2002.
This collection was processed by Miranda Marraccini in 2015. Finding aid written by Miranda Marraccini in 2015.
Four collections were combined to create this archive in 2015. No materials were separated during 2015 processing. The orginal order and organization of the items was maintained.
Subject
- Publisher
- Cotsen Children's Library
- Finding Aid Date
- 2016
- Access Restrictions
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The collection is open for research.
- Use Restrictions
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Single photocopies may be made for research purposes. No further photoduplication of copies of material in the collection can be made when Princeton University Library does not own the original. Permission to publish material from the collection must be requested from the Associate University Librarian for Special Collections. The library has no information on the status of literary rights in the collection and researchers are responsible for determining any questions of copyright.
Collection Inventory
Box 1: P. L. Travers correspondence, drafts, and notes. Box 2: P. L. Travers correspondence, drafts, and notes.
A collection of correspondence, sketches, proofs, notes, personal writing, and legal documents relating to the life and career of P. L. Travers (1899-1996)
Physical Description2 boxes
Materials related to "The Shortest Stories in the World," by P.L. Travers, published in Games Magazine, November/December 1977. Later collected in "What the Bee Knows" (1989).
Arranged chronologically.
Physical Description1 box
"The shortest stories in the world," by P.L. Travers. Published in T.L.S. Children's Books, July 15, 1977. Pages 857-858.
Physical Description1 folderOne newspaper page folded in half, printed recto and verso.30 x 40.3 cm
Proof copy of "The Shortest Stories in the World," by P.L. Travers, for Games Magazine, November/December 1977. Note at top of first page reads "Earlier rough proof / (Artist's paste-up) / already seen by you". Several corrections copied from an earlier proof: "alone" for "along", "knew" for "new". New blue corrections (several x's) marked next to images and a few paragraphs.
Physical Description1 folderThree pages, stapled together.21.6 x 35.6 cm
"The Shortest Stories in the World," by P. L. Travers, published in Games Magazine, November/December 1977, Pages 52-54. Note on top of first page in P. L. Travers's(?) hand reading: "Written for "Games" New York."
Physical Description1 folder2 separate pages, each printed recto and verso. With seven color illustrations to accompany the story and one black and white photograph of Travers.20.9 x 28 cm
Newspaper clippings and correspondence related to the San Francisco Public Library's decision to ban Mary Poppins due to its "derogatory" treatment of minorities. Also some items relating to Travers's book "Two Pairs of Shoes".
Physical Description1 box
Letters to P. L. Travers spanning May 20, 1979-September 4, 1991. Most are from her agent, Harriet Wasserman, and from various publishers, including Harcourt Brace Jovanovich. Topics of interest include: Mary Poppins banned from San Francisco Public Library (see previous series), subsequent revisions to Mary Poppins, television rights to Mary Poppins, possible stage productions of Mary Poppins, royalties, family wills, and distribution of P. L. Travers's papers after her death.
Chronological.
Physical Description1 box
October 13, 1980; A photocopied letter from Philip Hager of the Los Angeles Times, San Francisco Bureau, to "Maria." Encloses an article by Hager entitled "Censorship Issue Raised: 'Mary Poppins' Banned from S. F. Library Shelves' " that ran on October 7, 1980 in the Los Angeles Times. Article discusses the library's decision to ban the book beacuse it "treats minorities in ways that are derogatory." Mentions changes Travers made (in 1977) to the depiction of black characters in the book.
Physical Description1 folder3 pages printed only on recto. 1 page in first sleeve, 2 pages in second sleeve.21.6 x 27.9 cm
"Mary Poppins and other outcasts," a brief article (no author, but perhaps Travers herself? see next file, "Correspondence", item 5), published in the Christian Science Monitor, October 24, 1980. The article discusses the banning of Mary Poppins by the San Francisco Public Library on account of its treatment of minorities; it goes on to condemn censorship of children's books more generally.
Physical Description1 folder1 newspaper page, printed recto and verso.Approx. 29 x 37 cm
December 9, 1980; from Margaret K. McElderry, New York, to P. L. Travers, London. Margaret K. McElderry, Director of Margaret K. McElderry Books, an imprint of Atheneum Publishers, writes to P. L. Travers discussing the San Francisco Public Library's decision to ban Mary Poppins from its shelves. Refers to an article in the Christian Science Monitor (item 2 above) about the issue. McElderry advises Travers on revisions Travers has proposed to Mary Poppins, intended to "remove all possibility of offense to any minority group". Includes a handwritten postscript (page 4) criticizing illustrations in a recent edition of Two Pairs of Shoes by Travers.
Physical Description1 folderFour pages. Page 1: typewritten on Atheneum Publishers letterhead stationery; pages 2 and 3: typewritten on unmarked stationery; page 4: handwritten on smaller paper.page 1: 21.4 x 28 cm; page 2 and 3: 21.6 x 27.9 cm; page 4: 13.8 x 17.8 cm
Three photocopied newspaper articles: "Virginia Library Fights for Books That a Minister Labels Obscene," The New York Times, December 14, 1980; "Calls for Banning of Library Books Rise Sharply Since Reagan Victory," The New York Times, December 11, 1980; "Middle Eastern flavor in fall's best books," the Sun-Times, November 23, 1980. The first two discuss censorship (banning library books); the last is a review of Travers's book "Two Pairs of Shoes".
Physical Description1 folder3 brief photocopied articles from newspapers.12.2 x 21.6 cm; 12.9 x 21.6 cm; 8.3 x 16.7 cm
November 10, 1980; from Francelia Butler, Professor of English, University of Connecticut, to P. L. Travers, London; In the wake of the ban on Mary Poppins in the San Francisco Public Library, Professor Butler writes to ask Travers to contribute an article on censorship to Children's Literature, a critical annual published by the University of Connecticut (see next item and item 4 in "Correspondence", next file). Includes an anecdote about Travers's understanding of race in Mary Poppins.
Physical Description1 folderOne typewritten page on letterhead: "The University of Connecticut, The College of Liberal Arts and Sciences, Department of English"21.6 x 27.9 cm
December 6, 1980; from Francelia Butler, Professor of English, University of Connecticut, to P. L. Travers, London; In the wake of the ban on Mary Poppins at the San Francisco Public Library, Professor Butler has asked Travers to contribute an article on censorship to Children's Literature, a critical annual published by the University of Connecticut (see previous item). Travers has done so, and this is Butler's note of thanks. Yet she is waiting for permission to publish the letter from Travers's agent, which she seems to have been refused (see next file, Correspondence, item 4). Butler says that she will preserve Travers's letter to her in the Rare Book Room at the University "as it is a priceless document".
Physical Description1 folderOne typewritten page on letterhead: "The University of Connecticut, The College of Liberal Arts and Sciences, Department of English"21.6 x 27.9 cm
28 letters and one form letter response. Letters are from the students at the Spinnens Acre C. P. Junior School, Kent, to P. L. Travers. The children describe their favorite parts of "Mary Poppins in Cherry Tree Lane" and draw pictures.
Physical Description1 folder
May 20, 1979; from John Cairney, Director of Shanter Productions Theatre Consultants, Edinburgh, to P. L. Travers, London; Mr. Cairney writes to discuss his intention "towards an ultimate theatrical manifestation of MARY POPPINS"--he has already spoken to Travers on the subject.
Physical Description1 folderOne typewritten sheet. Letterhead: "Shanter Productions Theatre Consultants (Scotland), John Cairney, Director".21 x 29.6 cm
March 5, 1980; from Richard M. Ader, of Greenbaum, Wolff & Ernst, Miami; to Pamela L. Travers, London; Ader, Travers's lawyer, writes to discuss the possibility of selling her papers to various universities, including Princeton. Ader asks for a list or some idea of the extent of the papers, and asks Travers what sort of price she imagines asking for them.
Physical Description1 folderTypewritten on two sheets of letterhead paper ("Greenbaum, Wolff & Ernst").21.6 x 27.9 cm
April 5, 1980; from Richard M. Ader, of Greenbaum, Wolff & Ernst, Miami; to Pamela L. Travers, London; Ader, Travers's lawyer, writes again to discuss the possibility of selling or giving her papers to various universities in Britain or the U.S. Asks Travers to consider what she might accept in return, including academic honors or money.
Physical Description1 folderTypewritten on two sheets of letterhead paper ("Greenbaum, Wolff & Ernst").21.6 x 27.9 cm
June 17, 1980, from Michel Grilikhes, Beverly Hills, to Pamela Travers, Dublin; Mr. Grilikhes was the producer of Disney on Parade, which featured Mary Poppins. He now asks if Travers will entertain an offer to create a new stage prodcution of Mary Poppins.
Physical Description1 folderOne typewritten page, embossed at top with "Michel M. Grilikhes".Approx. 18.4 x 26.6 cm
July 2, 1980; from Harriet Wasserman, of Russell & Volkening Literary Agents, New York, to P. L. Travers; a memo; Discusses payment for possible publication of an essay in the Christian Science Monitor (possibly the one in "Mary Poppins Banned from San Francisco Library" series, item 2).
Physical Description1 folderTypewritten on one half-size sheet of letterhead paper.17.2 x 21.6
July 26, 1980; from Harriet (presumably Travers's literary agent Harriet Wasserman), London, to P. L. Travers, London; stamped "Western Union International Inc."; Harriet praises "Mary Poppins in Cherry Tree Lane" as "A real gift. Splendid. Illuminating.", noting "A letter follows." Pencil note on verso (a series of numbers).
Physical Description1 folderOne Western Union telegram, stamped with date and time. One sheet of paper.21.4 x approx. 23 cm
Undated envelope from letter sent from Dr. Francelia Butler, University of Cennecticut, to P. L. Travers, London; probably from one of the letters from Butler in the series "Mary Poppins banned from San Francisco Library", items 5 and 6.
Physical Description1 folderBrown paper envelope with address labels and sticker ("By air mail / Par avion").22.9 x approx. 26 cm
November 18, 1980; from Harriet Wasserman, of Russell & Volkening Literary Agents, New York, to P. L. Travers; a memo; Wasserman discusses the banning of Mary Poppins by the San Francisco Public Library (see previous series). Discusses whether Travers should make a direct statement.
Physical Description1 folderTypewritten on one half-size sheet of letterhead paper.17.2 x 21.7 cm
February 18, 1981, from Linda Zuckerman, Editorial Director, Viking Junior Books, New York, to Pamela L. Travers, London; Zuckerman writes a short note to inform Travers that her book "Two Pairs of Shoes" has been selected as a Notable Book by the American Library Association
Physical Description1 folderOne typewritten sheet of letterhead paper ("The Viking Press Publishers").21.7 x 27.9 cm
February 20, 1981, from Barbara Lucas, Editor-in-Chief at Harcourt Brace Jovanovich Children's Books, New York, to Pamela L. Travers, London; Lucas assures Travers of her publisher's continued support in light of various perceived offenses. Addresses the San Francisco Public Library incident and the revisions to Mary Poppins (see previous series).
Physical Description1 folder2 sheets of letterhead paper ("Harcourt Brace Jovanovich").21.7 x 28 cm
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December 5, 1980; from Harriet Wasserman, of Russell & Volkening Literary Agents, New York, to P. L. Travers; a memo; Wasserman addresses "the matter" between Travers and Professor Butler, the publication of an essay on censorship in the University of Connecticut's journal Children's Literature (see items 5 and 6 in "Mary Poppins banned from San Francisco library" series). Wasserman assures her "it is forgotten," seeming to advise against any publication. Also discusses reduced royalties on an edition of Mary Poppins.
Physical Description1 folderTypewritten on one half-size sheet of letterhead paper.17.9 x 21.6 cm
January 23, 1981, from Barbara Lucas, Editor-in-Chief of Harcourt Brace Jovanovich Children's Books, New York, to Pamela L. Travers, London; Lucas discusses Travers's proposed solution to the controversy set off when the San Francisco Public Library banned Mary Poppins (see previous series): a new illustration by Mary Shepard.
Physical Description1 folderTypewritten on one sheet of letterhead paper ("Harcourt Brace Jovanovich").21.7 x 28 cm
February 11, 1981, from Kay Kappas, Harcourt Brace Jovanovich, New York, to Pamela L. Travers, London; Kappas, an administrative assistant, writes to tell Travers that her "material" has arrived at the publisher (presumably material related to the 1981 revision of Mary Poppins, the "Bad Tuesday" chapter).
Physical Description1 folderOne typewritten sheet of letterhead paper (Harcourt Brace Jovanovich, Inc.).21.7 x 28 cm
February 13, 1981; from Harriet Wasserman, of Russell & Volkening Literary Agents, New York, to P. L. Travers; a memo; Wasserman discusses the revisions Travers has made to Mary Poppins (the "Bad Tuesday" chapter). Travers's acceptance of reduced royalties on the new edition is conditional upon the changes being made.
Physical Description1 folderTypewritten on one half-size sheet of letterhead paper.17.7 x 21.6
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Letters from David Higham and associates, P. L. Travers's London literary agents. Includes enclosures from Walt Disney Productions as well as various lawyers. Topics of interest include: theatrical production of Mary Poppins, television production of Mary Poppins, film production of Mary Poppins sequels, sale of Travers's personal papers, book royalties, and international editions of the Mary Poppins series.
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Artist's proofs and pencil sketches for Mary Poppins books.
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First draft of "Mary Poppins in Cherry Tree Lane," a musical that was never produced. Book by Jules Feiffer, "Based on the Stories by P. L. Travers." Typewritten, with both photocopied annotation and handwritten annotation by P. L. Travers.
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Two typewritten drafts of "Admit One," which became a chapter in "What the Bee Knows," (1989) a collection of essays by P. L. Travers. Most of the pieces in "What the Bee Knows" had been previously published in Parabola, although this essay was not. The first draft is heavily corrected and annotated in ink in the hand of P. L. Travers, and in a second hand in pencil. The second draft is unmarked.
Physical Description1 folder
Draft of "The Bird and the Word," P. L. Travers essay published in Parabola 16:4 (Winter 1991). Word-processed draft with corrections in blue ink in the hand of P. L. Travers.
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Two drafts of "The Celestial Root," P. L. Travers essay published in Parabola 14:3 (Fall 1989). The first is a handwritten draft in blue ink in the hand of P. L. Travers. The second is a typewritten draft with corrections in black ink in the hand of P. L. Travers. Accompanied by a note.
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Three drafts of "The Endless Story," which was published in Parabola in 1988, and became a chapter in "What the Bee Knows" (1989). All three drafts are typewritten, and all are annotated and corrected in blue ink in the hand of P. L. Travers.
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Two drafts of "The Interviewer," which was published in Parabola in 1988, and became a chapter in "What the Bee Knows" (1989). The first draft is handwritten in blue ink in the hand of P. L. Travers. The second draft is typewritten, with corrections in blue ink in the hand of P. L. Travers.
Physical Description1 folder
Draft of "Lively Oracles," which was published in Parabola in 1986, and became a chapter in "What the Bee Knows" (1989). The draft is typewritten, with corrections in blue ink in the hand of P. L. Travers.
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"The Death of AE: Irish Hero and Mystic," essay by Pamela Travers. Published in "The Celtic Consciousness," ed. Robert O'Driscoll (Toronto: McClelland and Stewart, 1981) and later in "What the Bee Knows" (1989). This version is photocopied from the edition of "The Celtic Consciousness" published by George Braziller in New York, 1982. The volume is a selection of 55 essays by scholars who attended a Celtic symposium in 1978. On the top of the first page, in P. L. Travers's hand: "From the Celtic Consciousness Edited by Prof. Robert O'griscoll (sic) Celtic Dept Toronto University Published by Braziller N. Y.".
Physical Description1 folder12 separate pages photocopied from a printed book; the bottom part of each page is torn off (does not affect text).Approx. 21 x 23.5 cm
Artist's proofs for "Mary Poppins ABC" and "Mary Poppins in the Kitchen."
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Notes by P. L. Travers. Subjects include: autobiographical, myths, fairy tales.
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Pencil sketches on tracing paper for Mary Poppins books.
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Typewritten draft of "Mary Poppins and the House Next Door," with many corrections and incriptions in blue ink in the hand of P. L. Travers. "Mary Poppins and the House Next Door" is the final book in the Mary Poppins series, published in 1988.
Physical Description1 folder
Two drafts of "Mary Poppins and the House Next Door," the final book in the Mary Poppins series, published in 1988. The first is a photocopied typewritten manuscript with both photocopied corrections and pencil notation in the hand of P. L. Travers. The second item is an early proof copy of the book that shows the page layout, with notes that describe each illustration and its location.
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Eight dust jackets or paperback cover proofs for books by P. L. Travers. Includes: Two copies of Mary Poppins (1966 British edition); Mary Poppins from A to Z (1991 American); Mary Poppins in the Kitchen (1991 American); Mary Poppins (1964 British); Mary Poppins in the Kitchen (1979 American); Mary Poppins Opens the Door (1962 British); and Friend Monkey (1985 British).
Physical Description1 folder
Two drafts of "Monte Perdido," which was published in Parabola in 1988, and became a chapter in "What the Bee Knows" (1989). The draft is typewritten, with corrections in blue ink in the hand of P. L. Travers.
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Two drafts of an essay titled "Making" or "The Makers." The first draft is written in blue ink in the hand of P. L. Travers. The second draft is typewritten on blue paper, with deletions in white-out.
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Two Drafts of "On Not Writing for Children," given as a lecture at the University of Connecticut in March 1974, and published in Children's Literature, Volume 4, 1975, P. 15-22. The first is a typewritten draft with corrections in blue ink in the hand of P. L. Travers. The second is a photocopied draft with annotations in blue ink in the hand of P. L. Travers.
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Includes: A photocopied, typewritten draft of Mary Poppins in the Kitchen (published 1975) dated June 6, 1974; the publisher's contract for Mary Poppins in the Kitchen, with Harcourt Brace Jovanovich; and addendums and letters referring to the publishing contract and publisher's advance.
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Proof copy of "Maria Poppina Ab A Ad Z,"a 1968 Latin language version of "Mary Poppins from A to Z." Note in blue ink in the hand of P. L. Travers states it is a "very rough proof."
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Incomplete proof copy of "Mary Poppins from A to Z," published 1963. With annotations in black ink.
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Two drafts of a contract made between Jules Fisher Enterprises and John Lydon Limited (P. L. Travers), stating the terms of an agreement to produce a "dramatico-musical" version of "Mary Poppins." The first draft is dated 1982; the second draft is dated April 13, 1983. Also included in this file are a the following miscellaneous documents: a list of literary periodical editors' addresses; and four receipts for royalties dating from August 23, 1982 to October 15, 1991.
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A letter from Mary Shepard, illustrator of the Mary Poppins books, to Dionys Moore. Shepard discusses her wish to use the professional name "Mary Knox" (her married name) and advises Moore on how to publish a children's book she has written.
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Draft of a lecture or talk beginning "The Lore of the Fairy Tale?" Typewritten draft with numbered pages and annotations in blue ink in the hand of P. L. Travers.
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Letters to Mary Shepard (Knox), illustrator of the Mary Poppins books, spanning 1943 March 19-1968 September 25. From business correspondents, most notably her agent A. S. Knight.
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Letters concerning a proposed film based on the P. L. Travers book "Mary Poppins Comes Back."
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Letters to P. L. Travers from the staff of Harcourt Brace Jovanovich, publishers. Spanning 1974 April 30-1989 April 3.
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Letters to P. L. Travers from the staff of Parabola Magazine, spanning 1980 March 4-1994 August 3.
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Professional opinion addressing whether Disney violated copyright by copying illustrations from the Mary Poppins books in the film adaptation. Signed by John Mummery, of the firm Bulcraig & Davis. Mummery concludes: "it would...be very difficult for Miss Shepard's publishers to succeed in an action against Walt Disney." However, a note in the hand of P. L. Travers(?) adds: "Mr Knight succeeded by using Mary Poppins's feet - my addition to her appearance - in the 5th position," with a drawing. She also writes "Not mentioned here I received 1,000 pounds" and "Now have copyright (1985)."
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Drafts of an unpublished biographical essay on Mary Shepard, illustrator of Mary Poppins. Some pages dated August 19, 1989 and August 21, 1989. The essay is not titled, but a canceled title on the first page reads "An Old Woman's Story." Three drafts are interspersed so that the same page of each draft can be compared. 35 pages total, all typewritten, and heavily annotated and corrected in blue and black ink and pencil. Some pages marked "fair copy." On the final page is a signed note from Mary Shepard to Dionys Moore, explaining that "this work is to go to America." Shepard writes: "This is my life story & I like to have in it those who are dear to me." Also included in this file is a legal deposit receipt, showing that in 1989 Mary Shepard deposited a copy of "In My Old Days," a book of verse by her husband E. V. Knox, at the British Library.
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Typed and bound draft of "Mary Poppins Comes Back," a screenplay by Brian Sibley and P. L. Travers for a film that was never produced. Dated "REVISED/ October, 1989."
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Typed and bound draft of "Mary Poppins Comes Back," a screenplay by Perry Howze and Randy Howze for a film that was never produced. Dated "First Draft Revisions/ January 23, 1992."
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A brief outline of "Mary Poppins / The Stage Musical," written by David Pugh. Typed and bound, with commentary in blue ink in the hand of P. L. Travers. Also included in the file are two letters. The first is from John Rush to P. L. Travers, informing her that Disney has declined to produce the film "Mary Poppins Comes Back" and discussing the possibility of a stage musical of Mary Poppins.The second letter is from David Pugh to P. L. Travers, enclosing the outline.
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Typewritten draft of an addendum to "Mary Poppins in Cherry Tree Lane" (published 1982), the seventh book in the Mary Poppins series. Titled "Addendum--or some other name" and labeled "First version." At the end of the draft is a list of herbs with their common and scientific names. This list of herbs was the only part of the addendum included in the published version of "Mary Poppins in Cherry Tree Lane." The unpublished portion of the addendum is a dialogue between the narrator and "the Explorer" about the different uses, traditions, and myths associated with various herbs.
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Plans for a Mary Poppins musical to be entitled "Cherry Tree Lane." Includes corrpesondence from Jules Fisher.
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Word-processed draft of "The Story of Princess Ican," probably by Joseph Kulin, publisher of Parabola Magazine in the 1990s and 2000s. No annotations or commentary. The story is "a modern fairytale for children" about a "courageous and clever" princess. Also included in the file are three photocopied illustrations for the story, by an unknown artist.
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Letters from BBC staff to P. L. Travers, spanning 1966 June 8-1992 October 12.
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Letters to P. L. Travers from the staff of Harold Ober Associates, literary agents, including Claire M. Smith. Spanning 1981 October 20-1987 March 19.
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Correspondence with Walt Disney Pictures relating to the Mary Poppins film. Spanning 1960-1984 March 28.
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Notes by P. L. Travers on fairy tales, myth, and other subjects.
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Clippings and photocopies of articles about P. L. Travers. Includes reviews of her books and interviews with the author.
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Clippings and photocopies of articles by P. L. Travers. Some are reviews of children's books. Other topics include: childhood, fairy tales, myth and tradition, writing for children, and the relationship between writer and artist.
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Requests to reprint excerpts from stories by P. L. Travers in textbooks, along with royalty reports for Mary Poppins, Mary Poppins and the House Next Door, Mary Poppins in Cherry Tree Lane, Friend Monkey, Mary Poppins Opens the Door, Mary Poppins Comes Back, Mary Poppins in the Park, Mary Poppins in the Kitchen, The Complete Mary Poppins, and Mary Poppins merchandise.
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Typewritten notes by P. L. Travers, with corrections in blue ink in the hand of P. L. Travers, covering talks by J. Krishnamurti in Saanen, Switzerland.
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A letter from Jeff Bengford requesting permission to write a stage adaptation of Mary Poppins, with a list of characters, a synopsis, and two pencil sketches of sets.
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Notes and scratch paper. Nearly all are written in the hand of P. L. Travers; a few are typed. Nearly all are undated.Topics include: Zeus, Hesiod, Eleusis, Jesus, the Sleeping Beauty ("S. B."), Greek philosophers, the Golden Bough, fairy tales ("F.T."), the hero figure.
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Notes and scratch paper. All are written in the hand of P. L. Travers. Nearly all are undated.Topics include: T. S. Eliot, Eleusis, the Sleeping Beauty ("S. B."), fairy tales ("F.T."), the "Endless Tale," the black sheep, alpha and omega, Coleridge, hopelessness, Parabola, bees, hot cross buns, the Thames, woman fools, blame, Frank Lloyd Wright.
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Correspondence with Mark Lawrence concerning a children's opera based on the P. L. Travers book "The Fox at the Manger." File also includes a libretto of the opera and two illustrated advertising flyers.
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Letters from Alistair Shannon to P. L. Travers.
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Letters from Camillus Travers to his mother, P. L. Travers. Circa 1956-1996 November 23.
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Biographical article by Garnette Arledge, interviewing P. L. Travers about her childhood, Mary Poppins, myth, and other topics. Word-processed with some corrections in blue ink.
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Three transcribed interviews with P. L. Travers. The first is an interview (with Barbara Rollock) that aired on "The World of Literature" on WNYC Radio on January 23, 1976. The second (with Colin McLaren) aired on the BBC's Radio Three "Storytellers" series on March 12, 1984. The third is undated, but titled "A Conversation with P. L. Travers/ Jerry Griswold." Topics include: Mary Poppins, the Sleeping Beauty, Friend Monkey, the childhood of P. L. Travers, myth, fairy tales, A. E., and the Navajo.
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This file contains: a letter from Martin Kaplan, Vice President of Production at Disney, to P. L. Travers and Brian Sibley with notes on a proposed outline for a film version of "Mary Poppins Comes Back"; a letter from Brian Sibley to Martin Kaplan responding to the notes; and a revised draft of the proposed outline for the screenplay.
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Sri Madhava Ashish Correspondence and Writings, 1981-1993.
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Letters from solicitors of Goodman Derrick & Co. to P. L. Travers and other correspondents. Spanning 1959 July 3-1994 February 15.
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An essay written from the point of view of Satan, titled "The Usefulness of the Devil." Typewritten with corrections in blue ink in the hand of P. L. Travers.
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Short story or essay titled "Sunflower." It begins: "Simon! Andrew! James! John! Their names resounded on the air..." The draft is written in blue ink in the hand of P. L. Travers.
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Letters to P. L. Travers from various publishers, 1982 October 28-1991 November 26.
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Draft of an essay or lecture that begins: "Let us go into the world of childhood and talk about the fairy tale." Typewritten draft.
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Draft of a lecture titled "The Youngest Brother." Note in the hand of P. L. Travers reads: "Talk Given at Jung Foundation New York & also at College of Psychic Studies in London." Typewritten draft with corrections in blue ink in the hand of P. L. Travers.
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P. L. Travers Dream Journal Entries, circa 1968-1978.
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Typewritten notes with annotations in the hand of P. L. Travers. Most are brief traditional tales from various cultures around the world. Possibly collected for P. L. Travers' article "The Shortest Stories in the World," published in Games Magazine and TLS Children's Books in 1977. Titles of stories include "Ah!," "At the Ford," "The Hero Without a Name," "The Idol," Frog Business," "The Koan," "Once in a Blue Moon," "Pilgrimage," and "Frog Business." This file also includes drafts of original essays such as "The Rose and the Egg," "Threepenny Bit," and "Zen Moments." Some of these essays appeared in Parabola magazine or in P. L. Travers' collection of essays, What the Bee Knows (1989).
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Letters from doctors, social services, occupational therapists, the benefits agency, medical equipment suppliers, and a hospice. Relating to the medical care and medical problems of P. L. Travers in the five years before her death.
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Typewritten drafts, with notes in the hand of P. L. Travers, of an essay titled "Where did she come from? Why did she go?" The essay is about the origin of Mary Poppins. A note by P. L. Travers reads: "Apparently this appeared in Sat. Evening Post & Woman's Mirror in the 60s." It appeared in the Saturday Evening Post in November 1964.
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Typewritten draft with notes in the hand of P. L. Travers. Essay is titled "When, Where, What in Mary Poppins, or, if preferred, Time, Place and Circumstance in Mary Poppins."
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Two drafts of "Well, Shoot Me!," which was published in the Saturday Evening Post in 1968, then in Parabola in 1988, and became a chapter in "What the Bee Knows" (1989). The first draft is typewritten, with corrections in blue ink in the hand of P. L. Travers. The second draft is a photocopy.
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Draft of "Speak, Lord," which was published in Parabola in 1982, and became a chapter in "What the Bee Knows" (1989). The draft is typewritten, with corrections in blue ink in the hand of P. L. Travers.
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Typewritten draft, with notes in the hand of P. L. Travers, of an essay entitled "Something there is..." The first line reads: "'Do you remember,' inquired the child---perhaps he was five, at the most six--how we knew each other in the first world?'"
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Collected content of "What the Bee Knows," a book of essays published by P. L. Traver in 1989. Most of the essays are reprinted from Parabola magazine or from other publications. This file collects typewritten drafts and photocopies of the previously published articles, along with a table of contents for "What the Bee Knows" and a proof of the cover illustration.
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Typed draft, by an unknown author, of a chronology of P. L. Travers publications and a bibliography of works about and by P. L. Travers. Her birth year is incorrectly stated as 1906, when in fact she was born in 1899.
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File includes: 1. A brief letter from P. L. Travers to the trustees of the Cherry Tree Foundation, her charitable trust. 2. A letter from solicitor Philip Chody of Goodman Derrick & Co. to P. L. Travers confirming his receipt of the will. 3. A letter from P. L. Travers to her literary executors and trustees describing her wishes for her books. 4. A will dated Ferbuary 15, 1991.
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Letters to P. L. Travers, with some replies, from directors of amateur and children's theater companies asking for permission to adapt "Mary Poppins" for the stage. P. L. Travers refuses permission in each case, explaining that "the film has its own integrity," as do the books, and they cannot be mixed. She feels that a stage production that attempted to incorporate material from the film and books would fail.
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Typewritten draft of a lecture on children and fairy tales. A note in the hand of P. L. Travers reads: "Lecture given -- when? long ago -- I write this in 1981." The lecture itself begins: "Long ago I was taken by A. E. to a luncheon celebrating the 80th birthday of Nevinson."
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Draft of a lecture or essay that begins "I'm an anarchist. I discovered this unlikely fact by reading my own books..." Typewritten draft with corrections in black ink in the hand of P. L. Travers.
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Notes, mostly handwritten in the hand of P. L. Travers, on a character called "Mallow." There are recordings of conversations with real people, parts of letters, memories, and other ideas that could serve as characterization.
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Personal letters to P. L. Travers, 1946 April 11-1996 March 19.
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Script for an undated production of "Mary Poppins" by the Canterbury Children's Theatre in Christchurch, New Zealand.
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Typed script for "The Arrival of Mary Poppins or What the East Wind Brought," evidently a stage production with a narrator.
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Two-page introduction to P. L. Travers' "Christmas Shopping" as well as brief notes for staging a scene for a proposed "Mary Poppins" musical production.
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Drafts of poetry, mostly by P. L. Travers.
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Photocopied article from "The Quarterly Journal of the Mythic Society," from October 1938. With notes in blue ink in the hand of P. L. Travers. Article is titled "The Inverted Tree" by Ananda K. Coomaraswamy.
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Typewritten draft with notes in the hand of P. L. Travers, of a story by Jalal' Uddin Rumi titled "If One Can Find it, So Can Another."
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Letters from Travers Robert Goff, father of P. L. Travers, to Margaret Goff, mother of P. L. Travers, and letters from Margaret Goff to P. L. Travers. Circa 1900s-1928 October 18.
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Box 3: Mary Shepard sketches and drawings for Mary Poppins books. Box 4: Mary Shepard sketches and drawings for Mary Poppins books. Box 5: Mary Shepard sketches and drawings for Mary Poppins books. Box 6: Mary Shepard sketches and drawings for Mary Poppins books; Mary Shepard correspondence. Box 7: Mary Shepard sketches and drawings for Mary Poppins books; P. L. Travers family photographs.
Containing mostly Mary Shepard's original sketches for various Mary Poppins books, but also including Shepard's personal correspondence and various photographs of or with the Travers family.
Physical Description5 boxes
Pencil Sketch for "Mary Poppins in Cherry Tree Lane" (1982). The sketch is a study for a detail of a larger illustration; it shows Orion menacing the park keeper and Mary Poppins with her arms folded. Final version of this illustration published on P. 42 of first edition.
Physical Description1 folderPencil sketch on tracing paper, 29.6 x 20.8 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pencil Sketch for "Mary Poppins in Cherry Tree Lane" (1982). The sketch shows Orion menacing the park keeper, Mary Poppins with her arms folded, the children gathering herbs in the background, and a rabbit in the foreground. Labeled "7A." Final version of this illustration published on P. 42 of first edition.
Physical Description1 folderPencil sketch on tracing paper, approx. 26 x 18.5 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pencil sketch of Mary Poppins admiring herself in a mirror while the children sit up in bed. With corrections in pencil by P. L. Travers. Labeled "P 54."
Physical Description1 folderPencil sketch on paper with notes in pencil, approx. 24.7 x 20.9 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pen Sketch for "Mary Poppins in the Kitchen" (1975). The sketch shows the children helping Mary Poppins in the kitchen, with two dogs in the foreground. Labeled "(Rough) Amended Saturday traced from final (pencil) drawing." and "OK P.T." Other notes in pencil. Final version of this illustration published on P. 29 of first American edition.
Physical Description1 folderPen sketch on tracing paper with notes in pen and pencil, 29.8 x 20.9 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pen drawing for "Mary Poppins and the House Next Door" (1988). Shows Mary Poppins and the children waving goodbye to Luti as he flies off. Two post-it notes attached to reverse contain corrections written in ink.
Physical Description1 folderPen drawing on watercolor board 16.4 x 20.9 cm, with two post-it notes on reverse. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pencil drawing for unidentified Mary Poppins book, possibly "Mary Poppins in the Kitchen." Shows Admiral Boom, Mrs. Boom, Binnacle, and Mary Poppins dancing. With corrections written in pencil.
Physical Description1 folderPencil drawing on tracing paper, approx. 25.5 x 21 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pencil sketch for "Mary Poppins in Cherry Tree Lane" (1982). The sketch shows the park keeper bumping into Mary Poppins while walking backward as a crowd looks on. Labeled "No. 5." With corrections and notes, some by P. L. Travers.
Physical Description1 folderPencil sketch on tracing paper, approx. 22.7 x 16 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pencil sketch for "Mary Poppins in Cherry Tree Lane" (1982). The sketch shows Orion putting cherries in Mary Poppins' hat. Labeled "Page 20 Fair copy MS No. 6." With corrections and notes, some by P. L. Travers. Final version of this illustration published on P. 38 of first edition.
Physical Description1 folderPencil sketch on tracing paper, 29.7 x 21 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pen drawing of an oval portrait of Mary Poppins with children, for an unidentified Mary Poppins book.
Physical Description1 folderPencil sketch over pencil on drawing paper, 28 x 20.9 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Small pen sketch of Mary Poppins with the sun's face, pencil sketches of birds on both sides of paper.
Physical Description1 folderPen and pencil sketches on drawing paper, 27.9 x 21 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pencil sketch for "Mary Poppins in Cherry Tree Lane" (1982). The sketch shows the park keeper with "wild trees" in the background. Final version appeared on P. 31 of first American edition. With corrections and notes, some by P. L. Travers.
Physical Description1 folderPencil sketch on tracing paper with notes in pencil, approx. 25 x 23.3 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pencil sketch of an oval portrait of Mary Poppins with two different trees. Probably for "Mary Poppins and the House Next Door" (1988).
Physical Description1 folderPencil sketch on tracing paper, approx. 21.2 x 21 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pencil sketch of an oval portrait of Mary Poppins with palm trees and deciduous trees. Probably for cover or frontispiece of "Mary Poppins and the House Next Door" (1988). With notes in pencil, some by P. L. Travers.
Physical Description1 folderPencil sketch on tracing paper, approx. 29.5 x 21 cm, with notes in pencil. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pen Sketch for "Mary Poppins in the Kitchen" (1975), blue ink. The sketch is for the frontispiece and shows Mary Poppins holding a pie, with a border of kitchen ingredients. With the title "Mary Poppins Cookery Book." Notes in pencil. Final version appears on p. 37 of first American edition.
Physical Description1 folderPen sketch (blue ink) on tracing paper with notes in pencil, 29.9 x 21 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pen Sketch for "Mary Poppins in the Kitchen" (1975), black ink. The sketch is for the frontispiece and shows Mary Poppins holding a pie, with a border of kitchen ingredients. With the title "Mary Poppins Cookery Book." Notes in pen. Final version appears on p. 37 of first American edition.
Physical Description1 folderPen sketch over pencil on tracing paper with notes in pen, 29.7 x 20.9 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pencil sketch for "Mary Poppins in the Kitchen" (1975). The preliminary sketch is for the frontispiece and shows Mary Poppins holding a pie, with a border of kitchen ingredients. Final version appears on p. 37 of first American edition.
Physical Description1 folderPencil sketch on tracing paper, 29.9 x 20.9 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Peliminary pencil sketch for "Mary Poppins in Cherry Tree Lane" (1982). The sketch shows the park keeper with "wild trees" in the background, and Mary Poppins and children. Final version appeared on P. 31 of first American edition.
Physical Description1 folderPencil sketch on tracing paper, approx. 26.5 x 24.6 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pencil sketch for "Mary Poppins in Cherry Tree Lane" (1982). The sketch shows all of the characters in a circular dance, with a top spinning in the middle. With extensive notes in pen and pencil, some by P. L. Travers. Final version appeared on P. 59 of first American edition.
Physical Description1 folderPencil sketch with notes in pen and pencil on tracing paper, 29.7 x 20.9 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Preliminary pencil sketch for "Mary Poppins in Cherry Tree Lane" (1982). The sketch shows the Prime Minister looking impatient. Final version appeared on P. 25 of first American edition.
Physical Description1 folderPencil sketch on tracing paper, approx. 17 x 9 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pencil sketch for "Mary Poppins in Cherry Tree Lane" (1982). The sketch shows Orion menacing the park keeper, Mary Poppins with her arms folded, and the children with a fox gathering herbs in the foreground. Labeled "Page 24 Fair copy," and "to scale." With extensive corrections and notes, some by P. L. Travers. Final version of this illustration published on P. 42 of first edition.
Physical Description1 folderPencil sketch on drawing paper with notes in pencil and in ink. 29.8 x 20.9 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pen Sketch for "Mary Poppins in the Kitchen" (1975). The sketch shows Mary Poppins, the children, and Mr. and Mrs. Turvy dancing in the kitchen. Labeled "Wednesday from Rough (1)" and "Tracing from drawing (pencil) for inking." Other notes in pencil. Final version of this illustration published on P. 15 of first American edition.
Physical Description1 folderPencil drawing on tracing paper, 29.8 x 21 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketches for "Mary Poppins and the House Next Door" (1988). Several sketches of Luti, including one of Mary Poppins wrapping Luti in a scarf. Labeled "ROUGHS Mainly Luti," with many notes in pencil.
Physical Description1 folderPencil drawing on tracing paper, approx. 21.4 x 15.8 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pen sketch over pencil for "Mary Poppins in the Kitchen" (1975). The sketch shows Mary Poppins, the children, and Mr. and Mrs. Turvy dancing in the kitchen. Labeled "Wednesday." With note in pencil by P. L. Travers: "OK. but could Roberston Ay be a little more definite? P.T." Final version of this illustration published on P. 15 of first American edition.
Physical Description1 folderPen and pencil sketch on drawing paper, 29.8 x 20.9 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pen sketch over pencil for "Mary Poppins in the Kitchen" (1975). The sketch shows Mary Poppins and the children working in the kitchen while Admiral Boom looks in at the window. Labeled "Tuesday." With notes in pen by Mary Shepard and in pencil by P. L. Travers, concerning the tea towel and Admiral. Final version of this illustration published on P. 10 of first American edition.
Physical Description1 folderPen and pencil sketch on drawing paper, 29.8 x 20.8 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketch for "Mary Poppins in Cherry Tree Lane" (1982). The sketch shows all of the characters in a roundel, with the policeman in the foreground and Mary Poppins in the middle. Final version appeared on P. 11 of first American edition.
Physical Description1 folderPen and pencil sketch on tracing paper, approx. 24.3 x 19 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketch of standing Mary Poppins resting her cheek on her hand, with other preliminary drawings. Possibly for "Mary Poppins in Cherry Tree Lane" (1982).
Physical Description1 folderPencil sketch on tracing paper, 29.7 x 20.8 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketch of Mr. Stringer, sewing machine, and cat. For an unidentified Mary Poppins book.
Physical Description1 folderPencil sketch on tracing paper, 29.5 x 21 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketch for "Mary Poppins in the Kitchen" (1975). The sketch shows Mary Poppins and the children working in the kitchen while Admiral Boom and dog look in at the window. Labeled "Tracing from Tuesday as Rough!" With notes in pen and pencil by Mary Shepard and P. L. Travers, including "OK. But Admiral should have his telescope." Final version of this illustration published on P. 10 of first American edition.
Physical Description1 folderPencil sketch on tracing paper, 29.8 x 20.9 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketch of three young children holding toys, one child's head, and a streetscape. For an unidentified Mary Poppins story.
Physical Description1 folderPencil sketch on tracing paper, approx. 27.8 x 19 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketch for "Mary Poppins in Cherry Tree Lane" (1982). The sketch shows Mary Poppins with her arms folded and Orion in profile. Study for an illustration that appeared on p. 42 of first American edition.
Physical Description1 folderPencil sketch on tracing paper, approx. 29.6 x 20.9 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pen Sketch for "Mary Poppins in the Kitchen" (1975). The sketch shows the children helping Mary Poppins in the kitchen, with two dogs under the table. Labeled "Saturday." Other notes in pencil initialed by P. L. Travers ("P.T."). Final version of this illustration published on P. 29 of first American edition.
Physical Description1 folderPen sketch over pencil on tracing paper, 29.9 x 20.9 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketch for "Mary Poppins in the Kitchen" (1975). The sketch shows Mary Poppins, the children, and Mrs. Corry and her daughters in the kitchen. Final version of this illustration published on P. 4 of first American edition.
Physical Description1 folderPencil sketch on tracing paper, approx. 25 x 20.9 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketch for "Mary Poppins in the Kitchen" (1975). The sketch shows Mary Poppins, the children, and Mrs. Corry and her daughters in the kitchen. Labeled "Monday" and "Tracing of drawing (pencil) for inking." With notes by Mary Shepard and by P. L. Travers (initialed), both on the iluustration and on a separate post-it note. Final version of this illustration published on P. 4 of first American edition.
Physical Description1 folderPencil sketch on tracing paper, 29.8 x 20.9 cm. Post-it note with comments written in blue ink, 7.6 x 12.7 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketch for "Mary Poppins in Cherry Tree Lane" (1982). The sketch shows Mary Poppins pushing the pram with Jane and Michael flanking her. Final version of this illustration published on P. 17 of first American edition.
Physical Description1 folderPencil sketch on tracing paper, 29.7 x 20.9 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Rough pencil sketch showing Mary Poppins giving Jane a chocolate bar from her handbag while Michael hugs her from behind. With notes in pencil including "first attempt." For an unidentified Mary Poppins book.
Physical Description1 folderPencil sketch on tracing paper, approx. 29.4 x 21 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pencil drawing for "Mary Poppins and the House Next Door" (1988). Shows Mary Poppins and the children waving goodbye to Luti as he flies off.
Physical Description1 folderPencil sketch on tracing paper, approx. 20.9 x 14.8 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pencil sketch for "Mary Poppins in the Kitchen" (1975). The preliminary sketch shows Mary Poppins and the children having a picnic. Final version appears on p. 20 of first American edition.
Physical Description1 folderPen and pencil sketch on drawing paper, approx. 29.9 x 20.8 cm. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Detailed pen drawing showing Mary Poppins giving Jane a chocolate bar from her handbag while Michael hugs her from behind. With notes in pencil and pen, including one on reverse that reads "First effort / Chocolate Bar." For an unidentified Mary Poppins book.
Physical Description1 folderPen drawing on watercolor board approx. 19.3 x 15.2 cm, with note on reverse. Mounted on presentation cardstock with tissue paper, 38 x 30.5 cm.
Pencil sketch for "Mary Poppins in the Kitchen" (1975). The preliminary sketch for the jacket shows Mary Poppins with mixing bowl and whisk. With notes in pen. Final version appears on front of jacket of first American edition.
Physical Description1 folderPencil and pen drawing on tracing paper, 29.7 x 20.8 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pen sketch over pencil for "Mary Poppins in the Kitchen" (1975). The sketch shows Mary Poppins, the children, and Mrs. Corry and her daughters in the kitchen. Labeled "Monday." With notes by Mary Shepard and in pencil by P. L. Travers: "OK. all you suggest is Right P.T." Final version of this illustration published on P. 4 of first American edition.
Physical Description1 folderPen and pencil sketch on drawing paper, 29.8 x 20.9 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pen over pencil sketch for "Mary Poppins in the Kitchen" (1975). The sketch shows Mary Poppins, the children, and Mr. Twigley having a picnic. Labeled "Thursday." With extensive notes by Mary Shepard and by P. L. Travers (initialed). Final version of this illustration published on P. 20 of first American edition.
Physical Description1 folderPen sketch over pencil on tracing paper, 26.3 x 20.9 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketch for "Mary Poppins in Cherry Tree Lane" (1982). The sketch shows Orion putting cherries on Mary Poppins' ear, while a fox dances and children gather herbs behind her. With notes in pencil. Final version appeared on P. 38 of first American edition.
Physical Description1 folderPencil sketch on drawing paper, 29.7 x 20.9 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketch for "Mary Poppins in Cherry Tree Lane" (1982). The sketch shows Orion putting cherries on Mary Poppins' ear, while children gather herbs behind her. With notes in pencil. Final version appeared on P. 38 of first American edition.
Physical Description1 folderPencil sketch on tracing paper, approx. 25 x 19.1 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pen drawing for "Mary Poppins and the House Next Door" (1988). Shows Mary Poppins and the children waving goodbye to Luti as he flies off. Labeled "Semi rough." With notes in pen and pencil.
Physical Description1 folderPen sketch on drawing paper, approx. 23.5 x 17 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketch for "Mary Poppins in the Kitchen" (1975). The sketches show Mary Poppins holding a pie, lettering "IN THE KITCHEN," and crowns. Final version of this illustration published on P. 37 of first American edition.
Physical Description1 folderPencil sketch on tracing paper, approx. 20.9 x 20.5 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketch for "Mary Poppins in Cherry Tree Lane" (1982). The sketch shows the Prime Minister, Lord Mayor, and aldermen searching in the bushes. With marginal notes in pen and pencil. Final version appeared on P. 79 of first American edition.
Physical Description1 folderPencil drawing on paper, 29.7 x 21 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil drawing of Jane in a smocked frock with details of smocking. Marked "PLT (approved)." Possibly for "Mary Poppins in Cherry Tree Lane" (1982).
Physical Description1 folderPencil drawing on paper, 25.3 x 20.3 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketch for "Mary Poppins in Cherry Tree Lane" (1982). The sketch shows the Prime Minister presenting a note to the Park Keeper with a sleepwalker in the background. Final version appears on P. 25 of first American edition.
Physical Description1 folderPencil drawing on tracing paper, 29.6 x 20.8 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketch for "Mary Poppins in Cherry Tree Lane" (1982). The sketch shows the Park Keeper throwing his hat up in the air in front of Mary Poppins. Final version does not appear in first American edition.
Physical Description1 folderPencil drawing on tracing paper, approx. 25.2 x 18.3 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Preliminary pencil drawing of Mary Poppins in rose hat. With marginal annotation referring to Richard Doyle: "No. 18 figures from imaginative surroundings as per Dickie Doyle." Probably for "Mary Poppins in Cherry Tree Lane" (1982), possibly for "Mary Poppins and the House Next Door" (1988).
Physical Description1 folderPencil drawing on tracing paper, 29.5 x 21.1 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil drawing for "Mary Poppins in Cherry Tree Lane" (1982). Sketch shows Mary Poppins in an an oval border of cherries, stars, and leaves. Final version of this illustration appeared on front jacket and title page of first American edition.
Physical Description1 folderPencil drawing on tracing paper, 29.5 x 21 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketch for Mary Poppins in Cherry Tree Lane (1982). The sketch shows the Park Keeper sobbing in the Bird Woman's lap while Orion stands behind them. Final version appeared on P. 49 of first American edition.
Physical Description1 folderPencil drawing on tracing paper, 22.4 x 17.8 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Preliminary pencil sketch for Mary Poppins in Cherry Tree Lane (1982). The study shows the Park Keeper walking backward. Extensive marginal notes in pencil. Final version of this illustration appeared on P. 35 of first American edition.
Physical Description1 folderPen and pencil sketch on drawing paper, 17.9 x 21.2 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil drawing for Mary Poppins in Cherry Tree Lane (1982). The drawing shows the Park Keeper walking backward, bumping into Mary Poppins. Extensive marginal notes in pen and pencil. Final version of this illustration appeared on P. 35 of first American edition.
Physical Description1 folderPencil sketch on drawing paper, 29.7 x 21 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketch on drawing paper, 29.7 x 21 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil drawing for Mary Poppins in Cherry Tree Lane (1982). The drawing shows the Park Keeper walking backward in front of a dark forest. Extensive marginal notes in pen and pencil. Final version of this illustration appeared on P. 31 of first American edition.
Physical Description1 folder
Pencil drawing for Mary Poppins in Cherry Tree Lane (1982). The drawing shows the Prime Minister and aldermen searching in the bushes. Marginal notes in pencil. Final version of this illustration appeared on P. 79 of first American edition.
Physical Description1 folderPencil sketch on tracing paper, 25.5 x 23 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketch for "Mary Poppins in Cherry Tree Lane" (1982). The sketch shows the park keeper weeping in the Bird Woman's lap, with details of Orion in the background. Final version appeared on P. 49 of first American edition.
Physical Description1 folderPencil sketch on tracing paper, 29.6 x 20.9 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketches of Mary Poppins and a postman, for an unidentified Mary Poppins story.
Physical Description1 folderPencil sketch on tracing paper, 20.9 x 12.3 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Pencil sketch of Mary Poppins carried by her umbrella over the rooftops. For an unidentified Mary Poppins story.
Physical Description1 folderPencil sketch on tracing paper, approx. 16.4 x 13.5 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Drawing of Mary Poppins in short-sleeved summer dress with handbag and umbrella; Mary Shepard's notes written in pencil in margins. Probably for "Mary Poppins in Cherry Tree Lane" (1982).
Physical Description1 folderPencil drawing on paper, 21 x 15.4 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Scratchboard drawing for Mary Poppins in Cherry Tree Lane (1982). The drawing shows Ursa Minor, Orion and Vulpecula.
Physical Description1 folderScratchboard drawing, 15.2 x 14.5 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm.
Scratchboard drawing for Mary Poppins in Cherry Tree Lane (1982). The drawing shows the Park Keeper holding Mercury's hat and shaking hands with Orion.
Physical Description1 folderScratchboard drawing, 14.7 x 22.8 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm
Scratchboard drawing for Mary Poppins in Cherry Tree Lane (1982). The drawing shows Castor and Pollux and Orion's belt. Labeled "Roughs" and "tailpiece."
Physical Description1 folderScratchboard drawing, 22.9 x 14.7 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm
Scratchboard drawing for Mary Poppins in Cherry Tree Lane (1982). The drawing shows the Bird Woman and Columba, and the Park Keeper with wastebasket. Labeled "Rough," with other marginal notes on the scratchboard.
Physical Description1 folderScratchboard drawing, 22.6 x 14.7 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm
Scratchboard drawing for Mary Poppins in Cherry Tree Lane (1982). The drawing shows Mary Poppins shaking hands with Ursa Minor. With marginal notes on the scratchboard.
Physical Description1 folderScratchboard drawing, 22.9 x 14.8 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm
Scratchboard drawing for Mary Poppins in Cherry Tree Lane (1982). The drawing shows Mary Poppins pushing the pram, Orion with his hand raised, and other transparent constellation figures. With marginal notes on the scratchboard.
Physical Description1 folderScratchboard drawing, 23 x 14.8 cm. Mounted on presentation cardstock with tissue paper, 45.7 x 35.5 cm
9 manuscript lists by Mary Shepard detailing the illustrations in each Mary Poppins volume, checked off in pencil. Some are on Mary Shepard's letterhead. Also included is a print review of Mary Poppins from A to Z, from the Kansas Teacher (November 1962).
Physical Description1 folderWritten in blue ink and pencil on writing paper, 17.7 x 13.9 cm.
Dustjacket for Maria Poppina Ab A Ad Z (1968).
Physical Description1 folder50.7 cm x 19.2 cm unfolded.
Drawing book containing 3 sketches for Maria Poppina in blue ink and 1 rough pencil sketch. Sketches by Mary Shepard.
Physical Description1 folder12- leaf drawing book with black-printed blue paper wrappers. 18.4 x 26.8 cm.
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