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Roberto González Echevarría Collection on Severo Sarduy and Other Latin American Writers
Notifications
Held at: Princeton University Library: Manuscripts Division [Contact Us]
This is a finding aid. It is a description of archival material held at the Princeton University Library: Manuscripts Division. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.
Overview and metadata sections
Roberto González Echevarría was born on November 28, 1943 in Sagua La Grande, Cuba. He is the Sterling Professor of Hispanic and Comparative Literature at Yale University.
His family emigrated to the United States in 1959 at the advent of the Cuban Revolution. He received his bachelor's from the University of South Florida in 1964, a masters from Indiana University in 1966, and a doctorate from Yale in 1970. He also holds honorary doctorates from Colgate University (1987), the University of South Florida (2000), and Columbia University (2002). In 1999 he was inducted into the American Academy of Arts and Sciences.
After receiving his doctorate, González Echevarría taught at Yale and then at Cornell (1971-1977), where he was one of the first editors of the journal Diacritics. Since 1977 he has taught at Yale University, where he was awarded the first endowed chair in Spanish (R. Selden Rose). In 1991, he was named Bass Professor of Hispanic and Comparative Literature, and in 1995, Sterling Professor, the highest-ranking university chair at Yale.
His works include Alejo Carpentier: The Pilgrim at Home (1977, 1990); The Voice of the Masters: Writing and Authority in Modern Latin American Literature (1985); his Cátedra editions of Carpentier's Los pasos perdidos (1985)and Sarduy's De donde son los cantantes (1993); La ruta de Severo Sarduy (1987); Myth and Archive: A Theory of Latin American Narrative (1990, 1998); Celestina's Brood: Continuities of the Baroque in Spanish and Latin American Literatures (1993); The Pride of Havana: A History of Cuban Baseball (1999); Crítica práctica, práctica crítica (2002); Love and the Law in Cervantes (2005); and Cuban Fiestas (2010).
He was awarded the National Humanities Medal of 2010 by President Barack Obama. He has also received a Guggenheim Fellowship and, among others, grants from the Rockefeller Foundation and the Social Science Research Council.
This collection contains correspondence with Severo Sarduy and other Cuban writers including Alejo Carpentier, Nancy Morejón, Guillermo Cabrera Infante, Manuel Moreno Fraginals, Heberto Padilla, Reynaldo González, Enrique Labrador Ruiz, Miguel Barnet, Antonio Benítez Rojo, and Roberto Fernández Retamar. Correspondence with other writers includes Octavio Paz, Abel Posse, Edgardo Rodríguez Juliá, Luis Rafael Sánchez, Mario Vargas Llosa, Calvin Trilin, J. Wright, Carlos Fuentes, Julio Cortázar, Rosario Ferré, and José Donoso.
Included in the collection are typescripts, audio recordings, photographs, and printed materials particularly relating to González Echevarría's work on Sarduy.
Organized into the following series: Series 1: Correspondence, Series 2: Manuscripts, Series 3: Printed Materials, and Series 4: Photographs and Audiovisual Materials.
Purchase, 2016 (AM 2017-64), with additions in 2017-2018 (AM 2018-73, AM 2018-102).
This collection was purchased (in part) with funds provided by the Program in Latin American Studies (PLAS).
This collection was processed by Elvia Arroyo-Ramirez with the assistance of Isabella Litke, Ann-Elise Siden, and Fiona Bell in January 2017. Finding aid written by Elvia Arroyo-Ramirez in January 2017. New accessions added to the finding aid by Kelly Bolding in May 2018.
Nothing was removed during the 2017 processing.
People
Subject
- Publisher
- Manuscripts Division
- Finding Aid Author
- Elvia Arroyo-Ramirez; Kelly Bolding
- Finding Aid Date
- 2017
- Access Restrictions
-
Open for research.
For preservation reasons, physical access to original audio and visual media in a variety of magnetic and optic formats is restricted.
- Use Restrictions
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Single photocopies may be made for research purposes. No further photoduplication of copies of material in the collection can be made when Princeton University Library does not own the original. Inquiries regarding publishing material from the collection should be directed to RBSC Public Services staff through the Ask Us! form. The library has no information on the status of literary rights in the collection and researchers are responsible for determining any questions of copyright.
Collection Inventory
Alphabetically, by last name.
Contains correspondence to and from Roberto González Echevarría from fellow writers, intellectuals, personal friends, and literary agencies, as well as letters between others González Echevarría collected (as noted at the file-level).
Physical Description5 boxes
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Subseries 1-3 are arranged by folder title. Subseries 4-5 reflect the original order created by Roberto González Echevarría.
Contains manuscripts and working files on Severo Sarduy and other artists, writers, or topics of research interest to Roberto González Echevarría. Within these working files are newspaper clippings and other printed materials, photocopy and original typescripts of both Sarduy's and Roberto González Echevarría's work.
Physical Description5 boxes
Alphabetically.
Copies of Sarduy's manuscripts, with some dedications to Roberto González Echevarría.
Physical Description1 box
1 folder
Contains one letter from Sarduy to Roberto González Echevarría dated September 8, 1988.
Physical Description1 folder
1 folder
Original folder is labeled "Xeroxes de manuscritos diversos" and contains the following Sarduy manuscripts: "Octogone blanc," "Une chambre d'echo" (written with François Wahl); "Pour être vu du ciel" (written with François Wahl); "L'eclat de rubis" (written with François Wahl, 1986-1987); "El fin de siglo será fractal" (1988); "Las letras del alfabeto" (1988); "Monzon de imagenes" (1983); "Seis laceraciones en pleno color" (1987); "Vacio y lectura" (1982); "La fabricacion de los manuscritos sagrados en Tibet"; "Rojo rupestre: aproximaciones a los dibujos de Ràfols Casamada" (1989); "La revancha del barroco" (1988); "Artificio y parodia: constantes del barroco latinoamericano" (1969); "A Paper Lasting from Fifteen to Twenty Minutes, On Some Aspect of Translation"; "Las sacras arcas del español" (1983); "Carta Lezama" (1969); and "El destructor de simetrias" (1985).
Physical Description1 folder
Alphabetically.
RGE's own manuscripts.
Physical Description2 boxes
1 folder
1 folder
1 folder
Single file arrangement.
Manuscripts of work done by writers other than Roberto González Echevarría and Sarduy.
Physical Description1 box
Contains handwritten dedication to Roberto González Echevarría and a separate undated letter from Benítez Rojo to Roberto González Echevarría titled "Para hacer el picadillo" detailing a recipe for picadillo.
Physical Description1 folder
Original order kept by Roberto González Echevarría was observed.
Working files Roberto González Echevarría created for his research on Sarduy. González Echevarría's folder titles were mostly kept intact with contextual information about what the content of each folder is added in brackets.
Physical Description3 boxes
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Folder inscription: "Artículos sobre arte, con instrucciones y aclaraciones de SS, para una antología de sus textos que iba a ser recopilada por RGE."
Physical Description1 folder
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1 folder
Original order; Roberto González Echevarría alphabetized these files according to author's last name.
Working files on collected essays, newspaper and scholarly articles about Severo Sarduy.
Physical Description1 box
1 folder
1 folder
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Alphabetically.
Contains mostly loose art catalogs, literary magazines, journals, and newspapers Roberto González Echevarría collected that relate to Sarduy and other writers and visual artists.
Physical Description1 box
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Alphabetically, by title and format.
Contains photographs of artwork Roberto González Echevarría most likely used to publish in his own work. Also includes audio recordings of Roberto González Echevarría interviews; a commercial recording of Sarduy's Daïquiri; photographs of Roberto González Echevarría, Severo Sarduy, François Wahl, and Elizabeth Burgos; and an unprocessed optical disk, likely related to Sarduy's artwork.
Physical Description2 boxes
1 folder
Black and white photographs by Jean Rossell and Toni Vidal. Includes photocopies.
Physical Description1 folder
1 folder
Six photographs that depict González Echevarría and Sarduy, as well as François Wahl, and Elizabeth Burgos.
Physical Description1 folder
Consists of one unprocessed optical disk, likely related to Sarduy's artwork.
Physical Description1 folder
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