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Marc Gaede Papers
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Held at: Princeton University Library: Manuscripts Division [Contact Us]
This is a finding aid. It is a description of archival material held at the Princeton University Library: Manuscripts Division. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.
Overview and metadata sections
Marc Gaede (1946- ) is an American photographer, environmental activist, and teacher. Born in Tuscon, Arizona, Gaede grew up in Flagstaff, where he immersed himself in the study of field geology, archaeology, and physical anthropology. After returning in 1968 from military service as a U.S. Marine Corps photographer, Gaede became involved in environmental activism. In 1970, he co-founded the early direct action environmental group Black Mesa Defense Fund. In collaboration with members of the American Indian Movement and Edward Abbey (1927-1989), the group organized a direct action campaign against strip mining on shared Navajo and Hopi land on Black Mesa in April 1971. The group's actions inspired Abbey's 1975 novel The Monkey Wrench Gang, along with the next generation of radical environmental advocacy groups, such as Earth First!, who practiced a form of ecological sabotage against environmentally damaging companies and individuals that came to be known as "monkeywrenching." Gaede received his Bachelor of Science degree in anthropology from Northern Arizona University in 1972, and he worked at the at the Museum of Northern Arizona from 1968 to 1977, first as a staff photographer and later as curator of photography. For five months in 1977, he worked for photographer Ansel Adams as a temporary darkroom assistant in Adams's darkroom and studio in Carmel, California. Later he was the Photographer-in-Residence at the University of Arizona's Center for Creative Photography in 1978-1979.
In 1973, Marc Gaede married Marnie Walker Gaede, a writer, editor, publisher, and environmentalist who collaborated with him to edit and publish photography books centering on indigenous cultures and landscapes of the American West and Southwest, many under their own publishing imprint Chaco Press. The Gaedes moved to the Los Angeles area in 1982, where they worked in the television and film industry, including as script analysts for the Walt Disney Company. Gaede received a Master of Fine Arts in photography from the Art Center College of Design in Pasadena in 1988, where he has since worked as an instructor in subjects including photography, environmental issues, and physical anthropology. Since 1989, the Gaedes have also been actively involved with the Sea Shepherd Conservation Society. Marc Gaede joined Sea Shepherd on a 1989 dolphin campaign in Costa Rica as a photographer for Outside magazine and has since photographed numerous high seas campaigns. From 1990 to 1993, the Gaedes worked closely with Robert Sundance, a Lakota Sioux activist from the Standing Rock Indian Reservation, to collaboratively write Sundance's biography.
The collection consists of black-and-white photographic prints, working files, and correspondence of Marc Gaede, including materials created in collaboration with Marnie Walker Gaede and Robert Sundance, largely related to book projects between the mid 1970s and the late 1990s. Photographic materials include over 250 mounted prints of landscapes and portraits that appeared in photography books published under the Gaedes' Chaco Press, which include Images from the Southwest (1986), Bordertowns (1988), and Images from the Great West (1990), as well as several portraits of friends and family and other images. Working files exist for the same books as well as for Camera, Spade and Pen (1980), The Hopi Photographs (1988), and other published works on archaeology and conservation. These files are comprised of correspondence, publishing contracts and agreements, drafts, image lists, publicity materials, legal and financial documents, sound recordings, and other related materials.
A large portion of the collection consists of working files for Sundance: The Robert Sundance Story (1994), a biography of Lakota Sioux activist Robert Sundance written collaboratively by Sundance and Marc Gaede and edited by Marnie Gaede. The book tells the story of Sundance's struggle with and recovery from alcoholism, his famous court battle against the city and county of Los Angeles to improve the treatment of alcoholics on Skid Row, and his later work as an American Indian rights activist. Working files for this project include sound recordings and transcriptions of Sundance's oral narration, drafts of chapters and the full book in both paper and digital form, as well as publishing correspondence, agreements, and related documents. Also present are extensive research, legal, and publicity files Sundance kept regarding his legal case and other cases involving tribal sovereignty and American Indian rights, as well as personal writings, family documents, photographs, and correspondence of Sundance provided to Gaede as source material.
A small amount of additional correspondence pertains to publishing, as well as to courses Gaede taught on environmentalism, participation in the Sea Shepherd Conservation Society, and other professional activities.
Organized into the following four primary file groups: Photographic Prints; Photography, Archaeology, and Conservation Working Files; Robert Sundance Working Files; and General Correspondence.
Gift of Marc and Marnie Gaede in 2012 (AM 2013-55), with an addition in May 2018 (AM 2018-104).
This collection contains digital files, which may require specific software or hardware for access. Refer to our Tips on Accessing Born-Digital Content for information on how to render these file formats.
This collection was processed by Kelly Bolding in November-December 2016. Finding aid written by Kelly Bolding in December 2016-January 2017. Finding aid updated with new additions by Kelly Bolding in May 2018. Audiovisual materials in this collection were digitized in 2022.
No materials were separated during 2016-2018 processing.
People
- Abbey, Edward, 1927-1989.
- Adams, Ansel, 1902-1984
- Cory, Kate, 1861-1958
- Gaede, Marc
- Gaede, Marnie
- Sundance, Robert, 1927-1993
Subject
- Alcoholics -- United States -- Civil rights -- Sources
- Environmentalists -- United States -- 20th century -- Sources
- Indians of North America -- Politics and government -- 20th century -- Sources
- Indians of North America -- Social conditions -- 20th century -- Sources
- Indians, Treatment of -- United States -- 20th century -- Sources
- Lakota Indians -- 20th century -- Sources
- Photographers -- West (U.S.) -- 20th century -- Photographs
- Political activists -- United States -- History -- 20th century -- Sources
Place
- Publisher
- Manuscripts Division
- Finding Aid Author
- Kelly Bolding
- Finding Aid Date
- 2017
- Access Restrictions
-
The collection is open for research. Several folders (housed in Box B-000856) are closed due to the presence of personally identifiable information.
- Use Restrictions
-
Single photocopies may be made for research purposes. No further photoduplication of copies of material in the collection can be made when Princeton University Library does not own the original. Inquiries regarding publishing material from the collection should be directed to RBSC Public Services staff through the Ask Us! form. The library has no information on the status of literary rights in the collection and researchers are responsible for determining any questions of copyright.
Collection Inventory
Prints are arranged intellectually into file groups by book project or topic, though they are physically housed by size.
Consists primarily of mounted black-and-white photographs by Marc Gaede for his books Images from the Southwest (1986), Bordertowns (1988), and Images from the Great West (1990). Most photographs depict landscapes in various locations across the American West, Southwest, and northern Mexico; others include portraits of artists, writers, and indigenous people living in these areas. There are also several portraits of Marc and Marnie Gaede with family and friends, including Ansel and Virginia Adams, Beaumont Newhall, and A.B. Guthrie, Jr., as well as several other prints by Marc Gaede that did not appear in his books. Most photographs range from 8x10" to 15x19" in size and are mounted on somewhat larger boards, but twenty-seven large photographs (20x24" prints mounted on 28x34" boards) are also present for Images from the Southwest and Images from the Great West. Photograph titles are usually handwritten by Gaede on the back of mounted prints. When present, these titles were transcribed directly into the finding aid and generally reflect the titles of photographs as they were published in Gaede's books, with minor variations. When no title was present on a print, a title was supplied based on the title of the published image. Some mounted prints have discarded prints of different photographs mounted on the reverse side, which are untitled and often crossed or slashed out.
Physical Description14 boxes
Materials are not arranged according to any arrangement scheme.
Consists of mounted 8x10", 11x14", 15x19", and 20x24" photographs that appeared in Images from the Southwest (Chaco Press, 1986). They primarily depict landscapes in Arizona, New Mexico, southern Utah, Colorado, Nevada, and Sonora, Mexico, as well as portraits of indigenous people and other authors and artists living in those areas.
Physical Description6 boxes
1 item
Printed 1986.
Physical Description1 item
Reproduction print.
Physical Description1 item
Printed 1985. Reproduction print.
Physical Description1 item
Printed 1985. Reproduction print.
Physical Description1 item
First print.
Physical Description1 item
Printed 1977.
Physical Description1 item
Printed 1985. Reproduction print.
Physical Description1 item
Printed 1986.
Physical Description1 item
Printed 1986. Reproduction print.
Physical Description1 item
Printed 1986.
Physical Description1 item
1 item
1 item
Printed 1986.
Physical Description1 item
Printed 1977.
Physical Description1 item
Printed 1977.
Physical Description1 item
Reproduction print.
Physical Description1 item
Printed 1986.
Physical Description1 item
Printed 1986.
Physical Description1 item
Printed 1986. Reproduction print.
Physical Description1 item
Printed 1985.
Physical Description1 item
Printed 1986.
Physical Description1 item
Printed 1985. Reproduction print.
Physical Description1 item
Printed 1986. First print.
Physical Description1 item
Printed 1977.
Physical Description1 item
Printed 1985. Reproduction print.
Physical Description1 item
Printed 1986.
Physical Description1 item
Reproduction Print
Physical Description1 item
Printed 1977.
Physical Description1 item
1 item
Printed 1985. Reproduction print.
Physical Description1 item
1 item
Printed 1971. Inscription on reverse side: "Best print of this shot."
Physical Description1 item
1 item
Printed 1977.
Physical Description1 item
Reproduction print.
Physical Description1 item
1 item
Printed 1985. Reproduction print.
Physical Description1 item
Printed 1985. Reproduction print.
Physical Description1 item
Printed 1985. Reproduction print.
Physical Description1 item
Printed 1986. Reproduction print.
Physical Description1 item
First print.
Physical Description1 item
First print.
Physical Description1 item
Printed 1986. Reproduction print.
Physical Description1 item
Printed 1985. First print.
Physical Description1 item
Printed 1986.
Physical Description1 item
Printed 1977.
Physical Description1 item
Printed 1977.
Physical Description1 item
1 item
1 item
1 item
Reproduction Print.
Physical Description1 item
Reproduction Print. Printed 1986.
Physical Description1 item
Printed 1980.
Physical Description1 item
Reproduction Print.
Physical Description1 item
Includes a discarded version of the same print on the reverse side.
Physical Description1 item
Reproduction Print.
Physical Description1 item
1 item
Printed 1980.
Physical Description1 item
1 item
Printed 1977.
Physical Description1 item
Printed 1977.
Physical Description1 item
Printed 1977.
Physical Description1 item
First Print.
Physical Description1 item
1 item
Reproduction Print.
Physical Description1 item
Printed 1986.
Physical Description1 item
Printed 1986.
Physical Description1 item
Printed 1985.
Physical Description1 item
Image undated (printed in 1997).
Physical Description1 item
Printed 1985.
Physical Description1 item
1 item
Printed 1989.
Physical Description1 item
1 item
Imaged undated (printed 1986).
Physical Description1 item
Image undated (printed 1991).
Physical Description1 item
1 item
Printed 1985.
Physical Description1 item
Image undated (printed 1987).
Physical Description1 item
1 item
1 item
Image undated (printed 1992).
Physical Description1 item
1 item
1 item
1 item
1 item
Printed 1984.
Physical Description1 item
Printed 1985.
Physical Description1 item
Printed 1985.
Physical Description1 item
Printed December 1984.
Physical Description1 item
Printed 1984.
Physical Description1 item
1st print.
Physical Description1 item
Printed 1984.
Physical Description1 item
Printed 1984.
Physical Description1 item
Printed 1985. Reproduction print.
Physical Description1 item
Printed 1984.
Physical Description1 item
Printed 1984.
Physical Description1 item
Printed 1985.
Physical Description1 item
Printed 1985. Reproduction print.
Physical Description1 item
Printed 1984.
Physical Description1 item
Materials are not arranged according to any arrangement scheme.
Consists of mounted 8x10" photographs that appeared in Bordertowns (Chaco Press, 1988), primarily depicting people struggling with alcoholism and violence in towns bordering the Hopi, Navajo, and Ute reservations in the Four Corners region of the United States where Arizona, Utah, Colorado, and New Mexico meet. Many photographs were taken in Gallup, New Mexico.
Physical Description2 boxes
1 item
Reproduction Print.
Physical Description1 item
1 item
Reproduction Print.
Physical Description1 item
Includes a discarded print of warning signs for the Petrified Forest National Monument.
Physical Description1 item
1 item
1 item
Includes a discarded print on the reverse side of a man drinking in an alley between two buildings.
Physical Description1 item
Includes a discarded print on the reverse side of two police officers leaning against a Gallup police car.
Physical Description1 item
Reproduction Print. Includes a discarded print of the exterior of the boarded-up office building of The Navajo Outlook.
Physical Description1 item
1 item
Reproduction Print.
Physical Description1 item
Reproduction Print.
Physical Description1 item
1 item
Reproduction Print.
Physical Description1 item
1 item
1 item
Reproduction Print.
Physical Description1 item
1 item
1 item
1 item
Includes a discarded print of the boarded-up office building of The Navajo Outlook.
Physical Description1 item
1 item
Includes a discarded photograph of a warning sign on the reverse side.
Physical Description1 item
1 item
Includes a discarded print of police officers leading a Native American man into the back of a police van on the reverse side.
Physical Description1 item
1 item
1 item
1 item
1 item
1 item
Includes a discarded print of a portrait of a man standing near a post.
Physical Description1 item
Includes a discarded print of a train yard on the reverse side.
Physical Description1 item
1981 photograph from the State of New Mexico Medical Examiner's Office copied from 35mm half frame slide by Marc Gaede in 1987.
Physical Description1 item
1 item
1 item
1 item
1 item
1 item
Includes a discarded print of a pile of junked truck bodies on the reverse side.
Physical Description1 item
1 item
1 item
Reproduction Print.
Physical Description1 item
Reproduction Print.
Physical Description1 item
1 item
1 item
Depicts a heavily bleeding man (possibly dead) lying on the ground near a fallen street sign in front of a Gallup municipal building. A police officer stands next to his body. Includes a discarded landscape print on the reverse side.
Physical Description1 item
1 item
1 item
1 item
1 item
1 item
1 item
Materials are not arranged according to any arrangement scheme.
Consists of mounted 8x10", 11x14", 15x19", and 20x24" photographs that appeared in Images from the Great West (Chaco Press, 1990). They primarily depict landscapes in Montana, Wyoming, Idaho, western North and South Dakota, and northern Utah and Colorado, as well as portraits of authors, artists, and ranchers living in those areas.
Physical Description6 boxes
1 item
1 item
Reproduction Print (Stain).
Physical Description1 item
Photograph is uncaptioned. Reverse side contains discarded print of a landscape with a wooden house.
Physical Description1 item
Printed 1986. 1st Print.
Physical Description1 item
Printed 1988.
Physical Description1 item
Taken from Wyoming. Printed 1989.
Physical Description1 item
1 item
1 item
1 item
Also includes a crossed out print of petroglyphs on the reverse side of the mount board.
Physical Description1 item
Also includes a rejected print of Church, Ringling, Montana on the reverse side of the mount board.
Physical Description1 item
1 item
Printed 1989.
Physical Description1 item
1 item
Black Kettle's Second Camp.
Physical Description1 item
1 item
1 item
1 item
Printed 1989.
Physical Description1 item
1 item
1 item
1 item
Printed 1989.
Physical Description1 item
1 item
1 item
1 item
1 item
1 item
1 item
1 item
1 item
1 item
1 item
1 item
Print A of A and B. Printed 1989.
Physical Description1 item
1 item
1 item
Printed 1988.
Physical Description1 item
1 item
Print B of A and B. Printed 1989.
Physical Description1 item
Print A of A and B. Printed 1989.
Physical Description1 item
1 item
1 item
1 item
1 item
Printed 1989.
Physical Description1 item
1 item
1 item
1 item
1 item
1 item
1 item
B of Series A and B
Physical Description1 item
1 item
1 item
A of series of A and B
Physical Description1 item
1 item
Printed April 1988.
Physical Description1 item
1 item
1 item
1 item
1 item
1 item
1 item
Reproduction Print, Stains 1
Physical Description1 item
Printed 1988.
Physical Description1 item
1 item
1 item
1 item
1 item
Unmounted 11 x 14" print.
Physical Description1 item
Unmounted 11 x 14" print.
Physical Description1 item
1 item
1 item
Printed 1986.
Physical Description1 item
1 item
1 item
1 item
1 item
1 item
1 item
1 item
Printed 1989.
Physical Description1 item
Printed 1987.
Physical Description1 item
Printed 1987.
Physical Description1 item
Printed 1989.
Physical Description1 item
1 item
1 item
1 item
1 item
1 item
1 item
1 item
1 item
Printed 1988.
Physical Description1 item
Printed 1988.
Physical Description1 item
1 item
1 item
1 item
1 item
1 item
1 item
1 item
1 item
Materials are not arranged according to any arrangement scheme.
Consists of mounted individual and group portrait photographs (eight 8x10" and one 15x19") of Marc and Marnie Gaede with family and friends, including their children, Ansel and Virginia Adams, Beaumont Newhall, and A.B. Guthrie, Jr. While most of the photographs were taken by Marc Gaede, several were taken by other photographers whose names are listed at the file-level.
Physical Description2 boxes
Photograph taken by C. Bensen Hufford.
Physical Description1 item
Photograph taken by Marnie Gaede. Printed 1986.
Physical Description1 item
1 item
1 item
1 item
Photographer unknown.
Physical Description1 item
Photograph taken by Alan Ross.
Physical Description1 item
Photograph taken by Carol Guthrie.
Physical Description1 item
Printed 1984.
Physical Description1 item
Materials are not arranged according to any arrangement scheme.
Consists of four mounted photographic prints (three 8x10" and one 11x14") that do not appear to be associated with a specific book project.
Physical Description2 boxes
Printed 1977.
Physical Description1 item
1 item
1 item
Printed 1977.
Physical Description1 item
Arranged by project in chronological order of publication, followed by general topical files.
Consists of working files for Marc Gaede's photography books, many of which Marnie Gaede edited, as well as for Marc and Marnie Gaede's articles and book projects on archaeology and conservation and files on noted photographers and printers with whom Gaede worked. These files consist primarily of correspondence, agreements and contracts, financial and legal documents, progress reports, drafts of writings, publicity materials, photograph lists and captions, and film treatment notes. There are files of associated non-photographic materials for several books of Gaede's photography, including Camera, Spade and Pen (University of Arizona Press, 1980), Images from the Southwest (Chaco Press, 1986), Bordertowns (Chaco Press, 1988), and Images from the Great West (Chaco Press, 1990); as well as The Hopi Photographs (Chaco Press, 1986), a book of photographic reproductions Gaede made from the negatives of photographer Kate Cory (1861–1958); The Anasazi (Museum of Northern Arizona, 1977) by J. Richard Ambler, for which Gaede provided photographs; and Adventures in Conservation with Franklin D. Roosevelt (Northland, 1989), a book by Gaede's grandfather, Irving Brant. Also present are offprints of an archaeology article by Marc and Marnie Gaede, a copy of Marc Gaede's master's thesis on lithography processes, and files of correspondence and clippings on photographer Ansel Adams and novelist Edward Abbey, which reflect Gaede's working relationship with them. There are also several audiocassette tapes including recorded interviews and lectures by George Waters, Edith Hamlin, James Welch, and A.B. Guthrie, Jr.
Physical Description5 boxes
Consists of three offprints of Marc and Marnie Gaede's article in Kiva (Vol. 43, No. 1).
Physical Description1 folder
1 folder
1 box
1 folder
1 folder
1 box
1 folder
1 folder
3 boxes
1 folder
3 folders
1 audiocassette tape containing an original recording from which the epilogue to Bordertowns was based. Recorded at the Police Department in Gallup, New Mexico. Side A: approximately 5 minutes.
32101103192082_1_a.mp3
Physical Description1 box
2 boxes
1 folder
1 folder
1 folder
Appears to be a copy of the legal correspondence in the preceding file.
Physical Description1 folder
1 folder
1 folder
Bound copy of Marc Gaede's master's thesis for his MFA in Photography at the Art Center College of Design in Pasadena, California.
Physical Description1 folder
Relates to the 1989 book by Irving Brant, Marc Gaede's grandfather. Includes a draft letter to Virginia Adams.
Physical Description1 folder
2 boxes
1 folder
1 folder
2 folders
Includes correspondence with Clarke Abbey, Chuck Bowden, Ken Sanders, and Eric Temple, as well as a group of obituary clippings following Edward Abbey's death and a check from Marc Gaede to Edward Abbey.
Physical Description1 folder
Includes correspondence with Ansel and Virginia Adams, including letters from Ansel Adams during the time Marc Gaede worked under him, as well as later correspondence regarding image permissions, as well as programs and clippings related to Ansel Adams.
Physical Description1 folder
1 box
4 audiocassette tapes containing an interview of George Waters, a master printer master who collaborated with Ansel Adams from 1969 to 1979.
Physical Description1 box
2 audiocassette tapes: Part 1 and 2 are on one tape, and Part 3 and 4 are on the second tape.
32101103192108_1_a.mp3 32101103192108_2_a.mp3 32101103192116_1_a.mp3 32101103192116_2_a.mp3
Physical Description1 box
2 audiocassette tapes: Part 1 and 2 are on one tape, and Part 3 and 4 are on the second tape.
32101103192124_1_a.mp3 32101103192124_2_a.mp3 32101103192132_1_a.mp3 32101103192132_2_a.mp3
Physical Description1 box
1 audiocassette tape (2 sides) containing an interview, conducted in San Francisco, with Edith Hamlin regarding her husband Maynard Dixon.
32101103192090_1_a.mp3 32101103192090_2_a.mp3
Physical Description1 box
1 audiocassette tape (2 sides) containing on Side A (45 minutes): James Welch lecture on "Fools Crow;" and on Side B (45 minutes): A.B. Guthrie, Jr., lecture on "Fair Land, Fair Land." The event was conducted at Hell Gate Writers, Inc. Missoula, Montana, and both lectures include introductions by Bill Bevis.
32101103192140_1_a.mp3 32101103192140_2_a.mp3
Physical Description1 box
Arranged into four primary file groups.
Consists of comprehensive working files for a biography of Robert Sundance, which was published by Chaco Press as Sundance: The Robert Sundance Story in 1994. Marc Gaede and Robert Sundance first met in 1986 after Sundance spoke out in defense of Gaede's controversial book Bordertowns, which depicted alcoholism in Native American communities. In 1990, Sundance and the Gaedes agreed to collaborate on Sundance's biography, which they worked on from 1990 to 1993, with Marc Gaede composing the text of the biography from recordings of Sundance telling his story and Marnie Gaede providing editorial guidance. Fifty-four audiocassette tapes containing recordings of Sundance's oral history are present, as well as transcriptions, drafts of the biography in both paper and digital form, and administrative correspondence regarding publishing and editorial matters. There is also a significant group of legal research files compiled and annotated by Sundance during the 1970s and 1980s, which include court documents, clippings, and publicity materials regarding his case, as well as other American Indian rights issues. A smaller group of personal and family papers of Robert Sundance includes other writings by him, correspondence, personal documents, and family and childhood photographs.
Physical Description21 boxes
Arranged to reflect the process of composition.
These materials document from start to end the composition of Robert Sundance's biography, which was written as a collaborative effort of Robert Sundance and Marc Gaede. The earliest materials are sound recordings on audiocassette tapes of Sundance narrating his life story, which include an oral history interview of Sundance facilitated by Gaede, as well as tapes that Sundance made of his own singing, story-telling, and free association. These are followed by interview transcriptions made from some of the tapes, early corrected chapter drafts that Gaede composed based on the recordings of Sundance, and full drafts of the book in both paper and digital form.
Physical Description7 boxes
Fifty-four audiocassette tapes containing recordings of Robert Sundance. Most are undated.
Physical Description2 boxes
32101103191688_1_a.mp3 32101103191688_2_a.mp3
Physical Description1 box
32101103191696_1_a.mp3 32101103191696_2_a.mp3
Physical Description1 box
32101103191704_1_a.mp3 32101103191704_2_a.mp3
Physical Description1 box
32101103191712_1_a.mp3 32101103191712_2_a.mp3
Physical Description1 box
32101103191720_1_a.mp3 32101103191720_2_a.mp3
Physical Description1 box
32101103191738_1_a.mp3 32101103191738_2_a.mp3
Physical Description1 box
32101103191746_1_a.mp3 32101103191746_2_a.mp3
Physical Description1 box
32101103191753_1_a.mp3 32101103191753_2_a.mp3
Physical Description1 box
32101103191761_1_a.mp3 32101103191761_2_a.mp3
Physical Description1 box
32101103191779_1_a.mp3 32101103191779_2_a.mp3
Physical Description1 box
32101103191787_1_a.mp3 32101103191787_2_a.mp3
Physical Description1 box
32101103191795_1_a.mp3 32101103191795_2_a.mp3
Physical Description1 box
32101103191803_1_a.mp3 32101103191803_2_a.mp3
Physical Description1 box
32101103191811_1_a.mp3 32101103191811_2_a.mp3
Physical Description1 box
32101103191829_1_a.mp3
Physical Description1 box
32101103191837_1_a.mp3 32101103191837_2_a.mp3
Physical Description1 box
32101103191845_1_a.mp3 32101103191845_2_a.mp3
Physical Description1 box
32101103191852_1_a.mp3 32101103191852_2_a.mp3
Physical Description1 box
32101103191860_1_a.mp3 32101103191860_2_a.mp3
Physical Description1 box
32101103191878_1_a.mp3 32101103191878_2_a.mp3
Physical Description1 box
32101103191886_1_a.mp3 32101103191886_2_a.mp3
Physical Description1 box
32101103191894_1_a.mp3 32101103191894_2_a.mp3
Physical Description1 box
32101103191902_1_a.mp3 32101103191902_2_a.mp3
Physical Description1 box
32101103191910_1_a.mp3 32101103191910_2_a.mp3
Physical Description1 box
32101103191928_1_a.mp3 32101103191928_2_a.mp3
Physical Description1 box
32101103191936_1_a.mp3 32101103191936_2_a.mp3
Physical Description1 box
32101103191944_1_a.mp3 32101103191944_2_a.mp3
Physical Description1 box
32101103191951_1_a.mp3 32101103191951_2_a.mp3
Physical Description1 box
32101103191969_1_a.mp3 32101103191969_2_a.mp3
Physical Description1 box
32101103191977_1_a.mp3
Physical Description1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
32101103191985_1_a.mp3 32101103191985_2_a.mp3
Physical Description1 box
32101103191993_1_a.mp3 32101103191993_2_a.mp3
Physical Description1 box
32101103192009_1_a.mp3 32101103192009_2_a.mp3
Physical Description1 box
32101103192041_1_a.mp3 32101103192041_2_a.mp3
Physical Description1 box
32101103192033_1_a.mp3 32101103192033_2_a.mp3
Physical Description1 box
32101103192017_1_a.mp3 32101103192017_2_a.mp3
Physical Description1 box
32101103192025_1_a.mp3 32101103192025_2_a.mp3
Physical Description1 box
32101103192074_1_a.mp3 32101103192074_2_a.mp3
Physical Description1 box
32101103192058_1_a.mp3 32101103192058_2_a.mp3
Physical Description1 box
32101103192066_1_a.mp3 32101103192066_2_a.mp3
Physical Description1 box
Transcriptions were done by Karen Ostrom. Most are undated.
Physical Description1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
2 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
With Sundance's Revisions 9-8-91
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
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Also includes A Self-Guided Tour of Old Montana Prison
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Consists of digital files extracted from thirteen 3.5" floppy disks. These text-based documents largely comprise both chapter and full drafts of the Robert Sundance biography, but there are also a small number of files containing digital copies of related agreements and publicity documents. Titles refer to handwritten labels on each floppy disk; item numbers refer to the order in which disks were processed.
Original order was preserved.
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18 digital files
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24 digital files
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5 digital files
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37 digital files
Original file groups were preserved, and unorganized materials were roughly grouped by topic.
Consists of legal documents and correspondence related to cases Robert Sundance pursued against the city and county of Los Angeles regarding the treatment of people arrested for public intoxication, his research materials on topics including tribal law and alcoholism, and clippings and publicity regarding Sundance's case and other tribal rights issues across the country, particularly as related to the Sioux Nation. Robert Sundance often compiled these materials (a mixture of originals and photocopies) topically into binders and folders, incorporating legal documents, correspondence, and reports gathered during his research, along with related publicity and press clippings. There are clippings and copies of magazine and newspaper articles from both national and local news sources, as well as several video recordings of television segments. Sundance often annotated the clippings he collected with his own critiques and notes regarding information omitted from news stories. Loose materials found alongside these files contain much of the same mix of content and provide insight into Sundance's extended fight against the California legal system and the ways in which he managed the depiction of his life story in the public eye.
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Full title of document is "City Defendants' Memorandum of Points and Authorities in Opposition to Plaintiffs' Motion for New Trial, to Modify the Judgment and to Vacate the Judgment."
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Full title of document is "Appendix of Statistical Sources in Support of Request for Judicial Notice Pursuant to Evidence Code 452(d and h) and 459."
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Includes copies of some related correspondence.
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Consists of legal correspondence of Timothy B. McFlynn, which was originally filed with Sundance court documents, primarily regarding B-Wagons used to transport public inebriates and legal precedents set by the Sundance case.
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Consists primarily of Robert Sundance's correspondence pertaining to his work with the Harbor Light Rehabilitation Center for Alcoholism and the Indian Alcoholism Commission of California, along with some related clippings and materials related to the Sundance case.
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Multiple copies.
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Some are annotated.
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Bound copy.
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Consists of three VHS videotapes containing video recordings of television segments about Robert Sundance and the Sundance story on both NBC and local Los Angeles television news stations.
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Arranged by material type.
Consists of personal and family papers of Robert Sundance collected by Marc Gaede, including drafts of short writings by Sundance (some of which contain revisions by Gaede), correspondence, documents, and photographs of Sundance throughout his life as well as of his family members.
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Photocopy of published essay.
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Consists of a single typed page.
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Photocopies.
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1st edition copy of the book by James McLaughlin, owned and inscribed by Robert Sundance on March 5th, 1977.
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Includes photographs with family and friends, as well as landscapes.
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Includes some photographic negatives.
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Not arranged according to any arrangement scheme.
Consists of correspondence, agreements, contracts, and notes by Gaede and Sundance pertaining to administrative and legal matters surrounding the publication of Sundance: The Robert Sundance Story by the Sundance/Gaede Collaborative, as well as to other projects involving the use of Sundance's life story. Agreements and contracts between Gaede and Sundance specify the conditions of their collaboration. Correspondence regards general publishing and editorial matters, as well as potential film deals and disputes over the depiction of aspects of Sundance's biography in nonfiction books by others, including Charles Bowden's Blood Orchid.
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Additional copies of correspondence and clippings regarding life rights Sundance organized into a binder.
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Arranged chronologically.
Consists of general professional correspondence files spanning from the mid 1970s through the late 1990s. While these files are not comprehensive chronologically, they contain correspondence between Marc Gaede, and to a lesser extent, Marnie Gaede, with publishers, distributors, collaborators, colleagues, and activist organizations. Correspondents include Virginia Adams, David Lavender, Evan Connell, Clarke Abbey, and Robert Sundance, among many others. While original folder titles indicate that correspondence has to do with publishing, the actual contents of these files are somewhat broader. Materials relate to many of the book projects represented in Gaede's working files but also to teaching, conference travel, script analysis work for Disney, collaboration with the Sea Shepherd Conservation Society, and Chaco Press.
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