Main content
Harold Nicolson Papers
Notifications
Held at: Princeton University Library: Manuscripts Division [Contact Us]
This is a finding aid. It is a description of archival material held at the Princeton University Library: Manuscripts Division. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.
Overview and metadata sections
(Charles) Raymond Mortimer (Bell), 1895-1980, writer, literary art critic, and editor, was born at 62 Albert Gate Mansions, Knightsbridge, London on April 25, 1895. His mother dying young, Mortimer was raised by his aunt and uncle in Redhill, Surrey. At age nine he was sent to Eastbourne Preparatory School, but quickly moved on, in 1909, to Malvern College. He studied history at Balliol College at Oxford in 1913. In 1915, medically rejected from active service, he worked at a hospital for French soldiers in the South of France. In 1918, again medically rejected, he returned to England as a cipher clerk in the Foreign Office. After the war, he did not return to his education at Oxford, but rather chose to engage in a brief and fruitless exploration of religion, briefly joining the Catholic Church. Mortimer soon decided the religious life was not for him and became a self-proclaimed hedonist. With the help of a private income, he enjoyed a life of leisure. He indulged in travel, and in Paris he almost established a second home, quickly becoming friendly with such art and literary figures as Jean Cocteau, Tristan Tzara, and Louis Aragon.
In 1922, in collaboration with Hamish Miles (J. E. Miles, a Balliol friend), he published a novel, The Oxford Circus. His short story "The Lion's Den," which was originally published in the London Mercury, was later included in the 1924 edition of The Best British Short Stories. His works were also published in Vogue, the Nation, and New Statesman. However, Mortimer was primarily known for his work as a critic and reviewer of both literature and the visual arts, and for his close association with a circle of artists and literary figures known as the "Bloomsbury Group."
Mortimer became literary editor for the New Statesman in 1935, retaining the post until 1947, with an interlude in 1940-1941, during which period he was at the Ministry of Information, playing a large part in the liaison with the BBC and the establishment of the Free French Service. In 1948 he went to the Sunday Times, and in 1952 obtained the title of Chief Reviewer, a title he would hold until his death. Unmarried, he shared a Bloomsbury flat, and after 1952 a house in Canonbury, Islington, with the architect Geddes Hyslop. In Dorset he shared a country house with his fellow critics Edward Sackville-West and Desmond Shawe-Taylor. Mortimer died at his home in Canonbury, Islington, on January 9, 1980.
NicolsonHarold George Nicolson was born on November 21, 1886, in Tehran, Persia [Iran], the son of Arthur Nicolson, Baron Carnock, and Catherine (Rowean-Hamilton) Nicolson. He studied at both Wellington College, Berkshire, and Balliol College, Oxford, and then followed his father's example by entering the diplomatic service (1909).
In 1913 Nicolson married the novelist, literary critic, and Bloomsbury group member "Vita" (Victoria) Sackville-West. Together they had two children, Lionel Benedict and Nigel, and maintained an unconventional union until her death in 1962.
Throughout his diplomatic career, Nicolson served at embassies in Madrid, Constantinople, Tehran, and Berlin. In 1919 he participated in the Paris Peace Conference as a member of the British delegation. After resigning from the foreign service (1929), Nicolson wrote about social, political, and literary topics for the Evening Standard (1930-1932), and rehabilitated Sissinghurst Castle, Kent, with Sackville-West (1930). Nicolson then moved into politics by entering Parliament as the National Labour Party's representative from West Leicester (1935-1945).
Nicolson was also a prolific writer, primarily of nonfiction. His first book, Paul Verlaine (1921), was a literary biography of the French poet. Other biographies include the following: Tennyson: Aspects of His Life, Character and Poetry (1923), Byron: The Last Journey, April 1823-April 1824 (1924), Swinburne (1926), Dwight Morrow (1935), Benjamin Constant (1949), and Sainte-Beuve (1957). Nicolson also documented his family history in the works Sir Arthur Nicolson, Bart., First Lord Carnock: A Study in the Old Diplomacy (1930), Helen's Tower (1937) and The Desire to Please: The Story of Hamilton Rowan and the United Irishmen (1943). Nicolson's most popular work was the semi-autobiographical Some People (1927) which combines fact and fiction in a series of sketches of different people. He also wrote essays, such as People and Things: Wireless Talks (1931), Good Behavior: Being a Study of Certain Types of Civility (1955), and The English Sense of Humor, and Other Essays (1956), and a travel diary, Journey to Java (1957). Nicolson combined his diplomatic and political knowledge to write various works on the political climate in Europe during the 1930s to 1940s, and his fiction includes Sweet Waters: A Novel (1921) and Public Faces: A Novel (1932). His son Nigel edited a three-volume collection of Nicolson's personal writings as Diaries and Letters (1966-1968).
Nicolson died on May 1, 1968, at the age of 81.
This collection consists primarily of the correspondence received by Harold Nicolson from friends and colleagues, as well as a large series of letters written by Nicolson to Richard Rumbold, and a few to others (1917-1962). Much of the correspondence is from various British and European statesmen, British and French authors, and other public figures, such as Maurice Baring, Clive Bell, Bernard Berenson, Guy Burgess, Anthony Eden, Earl of Avon, Sir John Gielgud, John Gunther, Francis King, Alan Lascelles, Charles A. Lindbergh, André Maurois, Paul Morand, Raymond Mortimer, Robert Vansittart, and H. G. Wells. There is also a small selection of miscellaneous material, including a menu signed by the British delegation to the Paris Peace Conference in 1919.
Also included in the collection are three manuscripts by Nicolson, Benjamin Constant (1949), Journey to Java (1957), and Paul Verlaine (1921), and a set of working notes for Sainte-Beuve (1957). The Sainte-Beuve material is the only existing example of Nicolson's working notes, while the manuscripts are some of only a few to survive (together with Tennyson: Aspects of His Life, Character and Poetry which is on display at Sissinghurt Castle, and Public Faces: A Novel which was sold at auction).
Furthermore, there are a small amount of papers of others, chiefly correspondence by and to Nicolson's wife, "Vita" (Victoria) Sackville-West, with Raymond Mortimer and Richard Rumbold.
All the letters identified in this listing are signed autographed letters unless otherwise indicated (ACS = autograph card signed, TLS = typed letter signed).
The manuscripts found in draft form and notes in the collection came to print in the following publications: Benjamin Constant (London: Constable, 1949), Journey to Java (London: Constable, 1957), Paul Verlaine (Boston, New York: Houghton Mifflin Company; London:Constable & Company, Ltd., 1921) and Sainte-Beuve (Garden City, NY: Doubleday, 1956).
Acquired from the Nicolson family through A. R. A. Hobson in 1983, the collection was a gift to the Library in January, 2002, by Viscountess Eccles in honor of Richard M. Ludwig, former professor and head of the Special Collections.
For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.
This collection was processed by Karla J. Vecchia in 2002. Finding aid written by Karla J. Vecchia in 2002.
No appraisal information is available.
People
- Baring, Maurice (1874-1945)
- Bell, Clive (1881-1964)
- Berenson, Bernard (1865-1959)
- Burgess, Guy (1910-1963)
- Eden, Anthony, Earl of Avon (1897-1977)
- King, Francis (1923-2011)
- Mortimer, Raymond (1895-1980)
- Rumbold, Richard (1913-1961)
- Sackville-West, V. (Victoria) (1892-1962)
Subject
- Publisher
- Manuscripts Division
- Finding Aid Author
- Karla J. Vecchia
- Finding Aid Date
- 2002
- Access Restrictions
-
Collection is open for research use.
- Use Restrictions
-
Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.
Collection Inventory
This series consists of manuscripts for three of Nicolson's works, Benjamin Constant (1949), Journey to Java (1957), and Paul Verlaine (1921), as well as his notes for Sainte-Beuve (1957).
This series is organized alphabetically by title.
Physical Description1 box
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
This series consists primarily of correspondence received by Nicolson from friends and colleagues, such as Maurice Baring (1929-1943), Clive Bell (1924-1929), Bernard Berenson (1938, 1946, 1950), Guy Burgess (1950, 1958-1962), Anthony Eden, Earl of Avon (1921, 1935, 1937-1938, 1943-1946), Sir John Gielgud (1938), John Gunther (1960), Francis King (1951, 1953-1954, 1958-1960), Alan Lascelles (1940, 1960, 1962), Charles A. Lindbergh (1936), André Maurois (1934, 1940), Paul Morand (1934), Raymond Mortimer (1925, 1953, 1957-1961), Robert Vansittart (1938, 1940) and H. G. Wells (1930, 1939). The majority of correspondents are represented by one to three letters; also present are a few letters by Nicolson to these individuals. There is a large selection of letters by Nicolson to Richard Rumbold (1934-1935, 1937-1949, 1951-1960), as well as other correspondence associated with Rumbold (1937, 1961) and a photograph of Rumbold in military uniform. Furthermore, there is a small selection of miscellanea that includes two unidentified letters and a menu signed by the British delegation to the Paris Peace Conference in 1919.
This series is arranged alphabetically by correspondent and then chronologically by date.
Physical Description2 boxes
1 box
1 box
1 folder
1 box
1 folder
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 box
1 folder
1 folder
[See Box 2, Folder 21]
Physical Description1 item
1 box
1 folder
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
[See Box 2, Folder 21]
Physical Description1 item
1 box
1 folder
1 box
1 folder
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 box
1 folder
1 folder
1 box
1 folder
1 folder
1 box
1 folder
1 folder
1 box
1 folder
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 box
1 folder
1 box
1 folder
1 folder
1 box
1 folder
1 folder
1 box
1 folder
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 folder
1 folder
[See Box 2, Folder 21]
Physical Description1 item
1 box
1 folder
1 folder
1 box
1 folder
1 box
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 box
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 box
1 box
1 folder
1 box
1 folder
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 box
1 box
1 folder
1 folder
1 box
[Signed by British delegation to the Paris Peace Conference, including Arthur James Balfour, Viscount Alfred Milner, and Edward Hallett Carr]
Physical Description1 folder
This series consists of correspondence by and to "Vita" (Victoria) Sackville-West, as well as correspondence by Frederick Temple Blackwood, Marquis of Dufferin and Ava and Henry Charles Keith Petty-Fitzmaurice, Marquess of Lansdowne.
This series is organized first to distinguish Sackville-West's papers, and then alphabetically by correspondent and chronologically by date.
Physical Description1 box
[letters to Sackville-West unless otherwise indicated]
Physical Description1 box
1 box
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
[by Sackville-West]
Physical Description1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 box
[to Dorothy (?)]
Physical Description1 box
1 folder
1 folder
1 folder
1 box
1 folder