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Stanley Kunitz Papers
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Held at: Princeton University Library: Manuscripts Division [Contact Us]
This is a finding aid. It is a description of archival material held at the Princeton University Library: Manuscripts Division. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.
Overview and metadata sections
Stanley Kunitz was born on July 29, 1905, in Worcester, Massachusetts. His parents, Yetta Helen and Solomon Z. Kunitz, both Eastern European immigrants, owned and operated a dress manufacturing company in Worcester. After graduating from Classical High School, Kunitz left Worcester to attend Harvard University. In 1926 he received his bachelor's degree with highest honors and was also awarded the Garrison Medal for Poetry by the University. Kunitz remained in Cambridge to earn a master's degree, which he completed in 1927. At this time, Kunitz returned to Worcester, where he worked as a feature reporter for the daily newspaper, The Worcester Telegram ; however, Kunitz grew weary of his hometown rather quickly and so left for New York City in 1928 in search of more interesting prospects.
In New York City Kunitz secured a position at the H. W. Wilson Company, where he edited, either alone or collaboratively, seven reference works of literary biography and the Wilson Library Bulletin . Kunitz's first H. W. Wilson book, Living Authors: A Book of Biographies , was published in 1931 under the pseudonym "Dilly Tante," and his final Wilson book, European Authors, 1000-1900 , was published in 1967. The H. W. Wilson Company offered Kunitz a great deal of freedom to pursue his literary interests. For instance, Kunitz was permitted to go abroad in 1929-1930, during which time he polished the poems (and worked on an unfinished novel) that would become, upon his return from Europe in 1930, his first published book of verse, Intellectual Things . Kunitz was also able to maintain his position at H. W. Wilson despite having relocated from New York City to a farm in Mansfield Center, Connecticut around 1931 with his first wife, Helen Pearce (married 1930-1937).
Although Kunitz continued to edit reference books for H. W. Wilson Company through the 1960s, he relinquished his position in 1943 when he was drafted into the U. S. Army. Initially Kunitz petitioned to be classified as a conscientious objector, but the Army denied his request, forcing Kunitz to serve in the military with the Air Transport Command for the duration of the war. During his enlistment, Kunitz published his second book of poetry, Passport to the War (1944), which was inspired by his wartime experiences.
After his release from the service in 1945, Kunitz lived briefly in Santa Fe, New Mexico, and then accepted his first teaching position at Bennington College in 1946. This was to be the first of many such positions for Kunitz, who continued to teach through the 1980s but remained determined to put writing before teaching, never accepting a tenure-track faculty position. He left Bennington College precipitously in 1949 after a dispute with an administrator and took a position at Potsdam State College (now SUNY College at Potsdam), Potsdam, New York, as the curriculum advisor to the English Department. Here, he also taught summer workshops from 1949 to 1953. During this brief (1949-1950) stay in Potsdam, Kunitz's second wife, Eleanor Evans (married 1939-1958) gave birth to their daughter, Gretchen.
In 1950 Kunitz again found himself in New York City, where he held numerous teaching positions at various universities, colleges, and institutions, including The New School for Social Research (1950-1957), the Poetry Center of the 92nd Street YM-YWHA (1958-1962), Queens College (1956-1957), and Columbia University as a lecturer (1963-1966) and then as an adjunct professor of writing (1967-1985). He also held teaching positions further afield in such places as the University of Washington, where he was the poet-in-residence (1955-1956), Brandeis University (1958-1959), Yale University (1971, fellow since 1969), Rutgers University (1974), and Princeton University (1978-1979). In 1958 he married the painter and poet Elise Asher (1912-2004), with whom he spent the rest of his life.
Aside from teaching, Kunitz was an active member of the greater literary community. In 1968 he helped found the Fine Arts Work Center, an artists' colony in Provincetown, Massachusetts, and continued to be a stalwart supporter of the Center, evident in his service on the Board of Trustees, the Executive Committee, and the writing division. As the editor of the Yale Series of Younger Poets from 1969 to 1977, Kunitz gave rise to a new generation of poets, including such well-known poets as Carolyn Forché and Michael Ryan. Kunitz was also a member of the Academy of American Poets and the American Academy and Institute of Arts and Letters. He served as the Poetry Consultant for the Library of Congress (1974-1976) and, along with Elizabeth Kray, founded Poets House in New York City in 1985. At the age of 95 Kunitz was named U.S. Poet Laureate, a post he served for two years (2000-2001). Internationally Kunitz participated in a number of cultural exchange programs, which included trips to Russia and Poland in 1967, to Senegal and Ghana in 1976, to Russia again in 1979, and to Israel and Egypt in 1980.
Kunitz's other publications include Selected Poems, 1928-1958 (1959), for which he received the Pulitzer Prize in 1959, The Testing-Tree (1971), The Terrible Threshold (1974), The Poems of Stanley Kunitz: 1928-1978 (1979), Next-to-Last Things (1985), and Passing Through (1995), for which he received the 1995 National Book Award, The Collected Poems of Stanley Kunitz (2000) and The Wild Braid (2005), a book he co-wrote with Genine Lentine. In 1975 Kunitz published a book of prose entitled A Kind of Order, A Kind of Folly . He edited The Poems of John Keats (1964) and The Essential Blake (1987). In addition Kunitz has also been involved in translating poetry into English. He collaborated with Max Hayward on Poems of Akhamatova (1973) and, with others, translated Andrei Voznesenskii's Story under Full Sail (1974). In 1978 he edited and co-translated the Ukrainian poet Ivan Drach's Orchard Lamps .
In addition to the Pulitzer Prize and the National Book Award, Kunitz won other prestigious awards, which include a John Simon Guggenheim Memorial Fellowship (1945-1946), National Institute of Arts and Letters Award (1959), Academy of American Poets fellowship (1968), National Endowment for the Arts senior fellowship (1984), Bollingen Prize in Poetry, Yale University Library (1987), and the National Medal of Arts (1993).
Equally lauded for his talents as a gardener, Kunitz's Provincetown, MA home featured a sprawling, multi-tiered garden that he had coaxed from sand. His final book, The Wild Braid: A Poet Reflects on a Century in the Garden (2005), co-written with Genine Lentine, reveals the interconnectedness of his writing and gardening habits. A few months shy of his 101th birthday, Stanley Kunitz died at his home in New York City.
The Stanley Kunitz Papers contain wide-ranging materials accumulated by the poet over his lifetime. The collection includes various manuscripts and galley proofs of books, poems, fiction, nonfiction, translations (books and individual poems), and college writings by Kunitz. In addition, it includes a considerable amount of correspondence, which constitutes the bulk of the collection, exchanged between Kunitz and members of his family, friends, fellow literati, publishers, editors, literary journals, and institutions. Some of the major literary figures represented in the correspondence are Louise Bogan, Elizabeth Bishop, Peter Davison, Louise Glück, Denise Levertov, Robert (Cal) Lowell, Marianne Moore, Theodore Roethke, Michael Ryan, Anne Sexton, Allen Tate, Robert Penn Warren, and Richard Wilbur. There is also a good deal of correspondence with such institutions and corporations as the Academy of American Poets, the American Academy and Institute of Arts and Letters, Columbia University, and the Atlantic Monthly Press.
The collection also contains papers (correspondence, documents, and printed materials) from the H. W. Wilson Company, where Kunitz worked as an editor (1928-1943), the U. S. Army (1943-1945), the Fine Arts Work Center, Provincetown, Massachusetts (1968-1997), and the Library of Congress, where Kunitz served as the Poetry Consultant (1974-1976) and later as U.S. Poet Laureate (2000-2001). Also found in the collection are some papers of others, including a poem entitled "The Gettysburg Address" by Robert Lowell, multiple manuscripts of Louise Glück, and the book manuscripts that Kunitz chose while editor of the Yale Series of Younger Poets.
Also included in the Papers are teaching materials, ephemera from readings, travel files, documents, calendars, memorabilia, photographs, annotated books, audiocassettes, and printed material. Most notable among these materials are the photographs of Kunitz, Elise Asher, and their friends. [Note that the Leonard Milberg Collection of American Poetry in the Rare Books Division holds printed books and materials by Kunitz.]
Organized into the following series:
In some cases, there are a number of additional sub-series within a sub-series; see the Series Description for details.
Princeton University purchased the papers from Stanley Kunitz in 1998. The papers came directly from his home in New York City. In 2003, the University received a small gift of Kunitz correspondence and materials from Roger Skillings. Also in 2003, the University purchased additional materials directly from Mr. Kunitz.
This collection was processed by Heather A. Shannon and Jennifer Maloney in 1999 , 2003 , and 2004 . Additional materials to the collection were processed by Jill Baron in 2012 with the assistance of Lauren Hoffman '15. Finding aid written by Heather A. Shannon and Jennifer Maloney in 1999 , 2003 , and 2004 . Finding aid written and revised by Jill Baron in 2012 .
No appraisal information is available.
Organization
- Academy of American Poets.
- American Academy and Institute of Arts and Letters
- American academy of arts and letters
- Atlantic monthly press
- Yale university press
- United States. Army
- United States. International Communication Agency
- Library of Congress. Poetry Office
- H.W. Wilson Company.
- Harvard university
- 92nd Street Y (New York, N.Y.). Unterberg Poetry Center
- National Institute of Arts and Letters (U.S.)
- Provincetown Fine Arts Work Center
Subject
- American literature -- 20th century
- American poetry -- 20th century
- Authors and publishers -- New York (State) -- New York -- 20th century
- Authors and publishers -- United States -- 20th century
- Authors, American -- 20th century -- Correspondence
- Diplomatic and consular services, American -- 20th century
- Editors -- New York (State) -- New York -- 20th century -- Correspondence
- Editors -- United States -- 20th century -- Correspondence
- Fathers and daughters -- United States -- 20th century -- Correspondence
- Husband and wife -- United States -- 20th century -- Correspondence
- Mothers and sons -- United States -- 20th century -- Correspondence
- National Medal of Arts
- New York school of art
- Novelists, American -- 20th century -- Correspondence
- Painters -- United States -- 20th century -- Correspondence
- Pencil drawings, American -- 20th century
- Poetry -- Study and teaching -- United States -- 20th century
- Poetry -- Translating -- 20th century
- Poetry consultants -- United States -- 20th century
- Poets laureate -- United States -- 20th century
- Poets, African -- 20th century -- Correspondence
- Poets, American -- 20th century -- Correspondence
- Poets, American -- Political activity -- 20th century
- Poets, American -- Travels -- 20th century
- Poets, English -- 20th century -- Correspondence
- Poets, Ukrainian -- 20th century -- Correspondence
- Political letter-writing -- United States -- 20th century
- Presidents -- United States -- 20th century -- Photographs
- Publishers and publishing -- New York (State) -- New York -- 20th century -- Correspondence
- Publishers and publishing -- United States -- 20th century -- Correspondence
- Pulitzer prizes
- Russian poetry -- 20th century -- Translations into English
- Small presses -- United States -- 20th century
- Women novelists, American -- 20th century -- Correspondence
- Women poets, American -- 20th century
Occupation
- Publisher
- Manuscripts Division
- Finding Aid Date
- 2012
- Access Restrictions
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Collection is open for research use.
- Use Restrictions
-
Single photocopies may be made for research purposes. No further photoduplication of copies of material in the collection can be made when Princeton University Library does not own the original. Inquiries regarding publishing material from the collection should be directed to RBSC Public Services staff through the Ask Us! form. The library has no information on the status of literary rights in the collection and researchers are responsible for determining any questions of copyright.
Collection Inventory
The first series consists of autograph and typewritten manuscripts, carbon copies, photocopies, and galley proofs of Kunitz's literary notebooks, poetry, fiction, nonfiction, translations, and college writings.
This series is arranged into seven subseries: Literary Notebooks, Poetry, Fiction, Nonfiction, Translations, and College Writings.
Physical Description26 boxes
Any notebook with a date on its cover is arranged in chronological order and is located at the beginning of this series. Notebooks without dates but with other identifying information on the cover (such as a title of a work in progress or a place name) follow the dated notebooks and are arranged in alphabetical order. There are two (2) notebooks that appear at the end of this series that do not have any information on the covers; they are at the end of the series and are labeled "Undated."
Not arranged according to any arrangement scheme.
Physical Description2 boxes
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Consists of the poetry of Stanley Kunitz, including books of collected poems, individual poems, and broadsides and lithographs.
Arranged by genre of material.
Physical Description9 boxes
This section includes typewritten manuscripts, carbon copies and photocopies of manuscripts, and galley proofs for Kunitz's books of poetry. These are arranged by publication date and include Intellectual Things , (1930) Selected Poems, 1928-1958 (1959), The Testing-Tree (1971), The Poems of Stanley Kunitz, 1928-1978 (1979), Next-to-Last Things (1985), The Wellfleet Whale and Companion Poems (1983), and Passing Through (1995).
Physical Description5 boxes
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Consists of autograph and typewritten manuscripts, carbon copies, and photocopies of individual poems by Kunitz. The section is arranged alphabetically by poem title. Early or unpublished poems are filed at the end of the section.
Physical Description3 boxes
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This section contains broadsides of "The Game" and "Robin Redbreast" and lithographs of "River Road." Also found here is the original layout (photograph) for a broadside or lithograph of "The Crystal Cage."
Physical Description1 box
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Consists of drafts of Kunitz's unpublished novel Hartrex as well as short stories
Arranged by genre of material.
Physical Description2 boxes
This section consists of typewritten manuscripts and carbon copies of early and revised drafts of Kunitz's unpublished novel Hartrex . Also here are comments on chapter one of this novel by an unknown critic.
Physical Description2 boxes
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Includes typewritten manuscripts of unpublished short stories and "fiction fragments" by Kunitz.
Physical Description1 box
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Consists of nonfiction works, including books, essays, interviews, introductions, speeches, and miscellaneous writings.
Arranged by genre of material.
Physical Description7 boxes
This section contains autograph and typewritten manuscripts, galley proofs, carbon copies, and photocopies pertaining to various books either written or edited by Kunitz. These books include The Essential Blake (1987), A Kind of Order, A Kind of Folly (1975), for which there are extensive amounts of material, and Robert Lowell: Poet of the Terribilità (1974). This section is arranged in alphabetical order by title.
Physical Description4 boxes
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Contains autograph and typewritten manuscripts, carbon copies, photocopies, and-in some cases-proofs of various essays and reviews written by Kunitz. This section is ordered alphabetically by essay or review title. Miscellaneous and unidentified materials are filed at the end.
Physical Description1 box
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Contains autograph and typewritten manuscripts, carbon copies, and photocopies of interviews given by and of Kunitz. All interviews given by Kunitz (of other literary figures) are arranged alphabetically by the title of the interview and are located in front of all interviews of Kunitz by others. Interviews of Kunitz are also in alphabetical order, but all interviews sponsored by organizations (that is, where the organization was given as the interviewer, such as the Mark Rothko Oral History Project) come before interviews given by individuals (for example, Richard Kostelanez).
Physical Description2 boxes
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This section consists of autograph and typewritten manuscripts, galley proofs, carbon copies, and photocopies of introductions that Kunitz wrote for books by other poets. The bulk of this section includes some of Kunitz's introductions for the books of those chosen by him (as winners) while he was the editor of the Yale Series of Younger Poets. These are arranged alphabetically by the poet's last name.
Physical Description1 box
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This section contains autograph and typewritten manuscripts, carbon copies, photocopies, and printed material of speeches written by Kunitz. This section is arranged in alphabetical order by the title of the speech, with one exception. There are materials related to a speech given by Kunitz at the University of Washington, but the title of the this speech is unknown. In this case, the speech is filed under "University of Washington." The speech "Order-Disorder" was found in a large envelope, labeled as such, which contained an extensive amount of manuscripts and printed material; all of this material was kept together, as the printed material is presumed to have been used in writing the speech. There is also a miscellaneous folder in this section that contains materials that appear to be notes for speeches and other public-speaking events.
Physical Description2 boxes
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Includes autograph and typewritten manuscripts, carbon copies, and photocopies and includes such things as autobiographical blurbs, notes on Allen Tate, resumes, notes in Kunitz's hand (and in Elise Asher's hand), and "Seedcorn and Windfall." The section is arranged alphabetically by function: for example, "Autobiographical Blurbs," "Notes," "Resumes," etc.
Physical Description1 box
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This section contains autograph and typewritten manuscripts, carbon copies, and photocopies and includes miscellaneous material, some writings on Giorgio Cavallon, and a piece entitled "A Spark of Light."
Physical Description1 box
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Consists of translations for Anna Akhmatova, Ivan Drach, and Andrei Voznesenskii.
Arranged alphabetically by author.
Physical Description5 boxes
2 boxes
Includes typewritten manuscripts, setting copies, galley proofs, page proofs, carbon copies, and photocopies of Poems of Akhmatova (1973), translated by Kunitz (with Max Hayward). The section is arranged by draft version, which means that it begins with the typewritten manuscripts and ends with the page proofs of this book.
Physical Description1 box
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This section consists of typewritten manuscripts, carbon copies, photocopies, and printed material related to Kunitz's translations of Anna Akhmatova's poems. The section is arranged alphabetically by poem title. A few folders follow the poems that contain miscellaneous and other related printed materials.
Physical Description1 box
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2 boxes
Consists of autograph and typewritten manuscripts, carbon copies, photocopies, and galley proofs of Ivan Drach's Orchard Lamps (1978), edited and co-translated by Kunitz.
Physical Description1 box
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Contains typewritten manuscripts, carbon copies, and photocopies of Drach's poems as translated by Kunitz and others. The section is arranged in alphabetical order by poem title.
Physical Description2 boxes
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This secton includes carbon copies and photocopies of the manuscripts for Voznesenskii's Story under Full Sail , 1974, translated by Kunitz.
Physical Description1 box
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This section consists of autograph and typewritten manuscripts, carbon copies, and photocopies of Kunitz's translations of Voznesenskii's poems. The section is arranged alphabetically according to poem title.
Physical Description2 boxes
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Contains autograph and typewritten manuscripts, carbon copies, and photocopies of various translations by Kunitz. The section is arranged in alphabetical order by poet name and includes the poets Bella Akhmadulina, Osip Mandelstam, Östen Sjöstrand, Aba Stolzenberg, and Giuseppe Ungaretti.
Physical Description1 box
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This sub-series contains autograph and typewritten manuscripts of Kunitz's college writings. In some cases, professor evaluations appear on the manuscripts.
Arranged by genre of material.
Physical Description1 box
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This section covers a formidable range of dates (1924-1997) and correspondents; it is in alphabetical order by correspondent name, with two exceptions: letters pertaining to Kunitz's political activism (against the Cold War, the Vietnam War, and the Gulf War), which Kunitz originally filed and remain under "Activism" and congratulatory letters he received when he was awarded the Pulitzer Prize, which are filed under "Pulitzer Prize: Letters of Congratulations." The correspondents in this series include literary figures, colleges and universities, literary institutions, magazines and literary journals, publishers, foundations, and government agencies. Some of the important literary figures include Louise Bogan, Louise Glück, Denise Levertov, Robert (Cal) Lowell, Theodore Roethke, Michael Ryan, Anne Sexton, and Allen Tate. There are letters from the colleges and universities where Kunitz taught, beginning with Bennington College and ending with Columbia University, and where Kunitz was invited to give poetry readings or lectures, such as Sarah Lawrence College and Southern Methodist University. Kunitz's activity within the literary community is also evident, as there is a large amount of correspondence from such institutions as the Academy of American Poets, American Academy and Institute of Arts and Letters, Cathedral Church of St. John the Divine, the Poetry Center (YMHA), New York City, and the Poets House, to name just a few. Kunitz corresponded with magazines and literary journals like The American Poetry Review, The Dial , the New Yorker, Poetry , and Poetry Northwest . The Atlantic Monthly correspondence is filed under the headings "Atlantic Monthly Press" and "Davison, Peter." The correspondence (all of it) from Peter Davison was filed under his name because he is an important literary figure, not simply Kunitz's editor; however, letters from such figures as Stephen Berg and Marianne Moore, (and there are others) are located in at least two (2) places. That is, letters from Berg can be found under "American Poetry Review" and "Berg, Stephen," and Marianne Moore's letters under "(The) Dial" and "Moore, Marianne." Cases such as these are usually noted on the corresponding folders. There are also letters from Kunitz's various publishers, including Little, Brown (see also "Atlantic Monthly Press"), Martin, Secker and Warburg, and Sheep Meadow Press. There is a fair amount of correspondence from Yale University Press relating to Kunitz's responsibilities as editor of the Yale Series of Younger Poets. This sub-series also contains correspondence from various foundations, such as the John Simon Guggenheim Memorial Foundation (this includes Kunitz's fellowship application materials and letters of recommendation for some of his students) and the New Hope Foundations (see also "Marshall, Lenore G. and James"). Correspondence from government agencies pertain mostly to various cultural exchange programs in which Kunitz participated (for example, see "United States International Communication Agency"). Some other notes of interest include letters from Boni and Liveright, Publishers, whom Kunitz apparently attempted to sway to publish the prison letters of Sacco and Vanzetti, and a letter from Viking Press rejecting Kunitz's Pulitzer-Prize winning book.
This series is arranged into three subseries: Family Letters, General, Cards and Letters Received during Hospitalization, 1969 and 1971.
Physical Description67 boxes
This sub-series is arranged in alphabetical order by correspondent name. Some of the correspondents in this section include Kunitz's current wife, Elise Asher, members of the Asher family, Eleanor Evans (his second wife), his daughter Gretchen, his mother, Mrs. Y. H. Dine, and sisters (there are letters from Kunitz to his mother as well), members of the Dine family, and a (possible) cousin "Ros."
Arranged alphabetically by correspondent.
Physical Description2 boxes
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This section covers a formidable range of dates (1924-1997) and correspondents; it is in alphabetical order by correspondent name, with two exceptions: letters pertaining to Kunitz's political activism (against the Cold War, the Vietnam War, and the Gulf War), which Kunitz originally filed and remain under "Activism" and congratulatory letters he received when he was awarded the Pulitzer Prize, which are filed under "Pulitzer Prize: Letters of Congratulations." The correspondents in this series include literary figures, colleges and universities, literary institutions, magazines and literary journals, publishers, foundations, and government agencies. Some of the important literary figures include Louise Bogan, Louise Glück, Denise Levertov, Robert (Cal) Lowell, Theodore Roethke, Michael Ryan, Anne Sexton, and Allen Tate. There are letters from the colleges and universities where Kunitz taught, beginning with Bennington College and ending with Columbia University, and where Kunitz was invited to give poetry readings or lectures, such as Sarah Lawrence College and Southern Methodist University. Kunitz's activity within the literary community is also evident, as there is a large amount of correspondence from such institutions as the Academy of American Poets, American Academy and Institute of Arts and Letters, Cathedral Church of St. John the Divine, the Poetry Center (YMHA), New York City, and the Poets House, to name just a few. Kunitz corresponded with magazines and literary journals like The American Poetry Review, The Dial , the New Yorker, Poetry , and Poetry Northwest . The Atlantic Monthly correspondence is filed under the headings "Atlantic Monthly Press" and "Davison, Peter." The correspondence (all of it) from Peter Davison was filed under his name because he is an important literary figure, not simply Kunitz's editor; however, letters from such figures as Stephen Berg and Marianne Moore, (and there are others) are located in at least two (2) places. That is, letters from Berg can be found under "American Poetry Review" and "Berg, Stephen," and Marianne Moore's letters under "(The) Dial" and "Moore, Marianne." Cases such as these are usually noted on the corresponding folders. There are also letters from Kunitz's various publishers, including Little, Brown (see also "Atlantic Monthly Press"), Martin, Secker and Warburg, and Sheep Meadow Press. There is a fair amount of correspondence from Yale University Press relating to Kunitz's responsibilities as editor of the Yale Series of Younger Poets. This sub-series also contains correspondence from various foundations, such as the John Simon Guggenheim Memorial Foundation (this includes Kunitz's fellowship application materials and letters of recommendation for some of his students) and the New Hope Foundations (see also "Marshall, Lenore G. and James"). Correspondence from government agencies pertain mostly to various cultural exchange programs in which Kunitz participated (for example, see "United States International Communication Agency"). Some other notes of interest include letters from Boni and Liveright, Publishers, whom Kunitz apparently attempted to sway to publish the prison letters of Sacco and Vanzetti, and a letter from Viking Press rejecting Kunitz's Pulitzer-Prize winning book.
Arranged alphabetically by correspondent.
Physical Description65 boxes
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This sub-series contains the cards and letters received by Kunitz during his 1969 and 1971 hospitalizations. Kunitz bundled both years together in one envelope, and so they remain together in this sub-series. The cards and letters were separated by year and then arranged alphabetically; cards and letters without dates are in a folder marked "Undated."
Arranged chronologically.
Physical Description1 box
1 folder
2 folders
1 folder
This series is arranged in roughly chronological order; for example, Kunitz began working at H. W. Wilson Company before he was drafted into the U. S. Army and became involved with the Fine Arts Work Center long after this. The only exception is sub-series "E. (Miscellaneous)," which is arranged alphabetically by subject.
This series is arranged into five subseries: H.W. Wilson Company, United States Army, Fine Arts Work Center, Library of Congress, and Miscellaneous.
Physical Description9 boxes
Consists mostly of correspondence pertaining to the reference books that Kunitz edited for the H. W. Wilson Company but also contains some other materials related to these same books, which are interfiled with the correspondence. The sub-series ranges in dates from 1927 through 1995, with the bulk of material ranging from 1933 to 1934 and from 1952 to around 1978. For the 1933 Authors Today and Yesterday , Kunitz received a great deal of correspondence directly from the authors who were profiled in the book. These letters are in the 1933 folders and are arranged alphabetically by author name, as opposed to being arranged in chronological order by month and day.
Arranged chronologically.
Physical Description3 boxes
1 folder
2 folders
10 folders
3 folders
1 folder
1 folder
3 folders
1 folder
1 folder
2 folders
2 folders
2 folders
3 folders
1 folder
The sub-series includes official correspondence, official documents, copies of the company news magazine that Kunitz edited ( The Ten-Minute Break ), a drawing of Kunitz by a fellow enlisted officer, and printed materials that Kunitz accumulated during his service in the Army (1943-1945).
Arranged by genre of material.
Physical Description1 box
1 folder
1 folder
1 folder
3 folders
1 folder
The papers in this sub-series reflect Kunitz's ceaseless contributions to the Center, beginning in 1968 and continuing through 1997. The sub-series includes such material as annual reports, correspondence, memoranda to the Board of Trustees and the Executive Committee (Kunitz served on both), copies of property contracts, publicity and promotional materials, and printed materials. With the exception of miscellanea and printed material, which can be found at the end of the sub-series, the sub-series is arranged alphabetically by subject: for example, "Correspondence" follows "Annual Reports."
Arranged alphabetically by genre of material.
Physical Description3 boxes
1 folder
1 folder
1 folder
1 folder
7 folders
3 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
2 folders
3 folders
This sub-series consists of the papers that Kunitz collected while he was the Poetry Consultant for the Library of Congress (1974-1976); however, there are some printed material that pre- and post-date his tenure as Consultant. With the exception of miscellanea and printed material, the papers are arranged alphabetically by subect: for example, "Conference, October 1975" follows "Annual Reports." All the correspondence for the Library of Congress can be found in Series II, Sub-Series B under "Library of Congress."
Arranged alphabetically by genre of material.
Physical Description1 box
1 folder
1 folder
8 folders
1 folder
1 folder
1 folder
1 folder
2 folders
The sub-series is arranged alphabetically by subject and consists of papers that Kunitz accrued from a variety of enterprises. There are materials from conferences sponsored by the Academy of American Poets and the American Enterprise Institute; from poetry festivals at Southern Methodist University and the University of Virginia; from a supplement of American Poetry Reveiw edited by Kunitz in 1974, which includes manuscripts of poems by Keith Althaus, Michael Casey, Tess Gallagher, Louise Glück, Daniel Halpern, Robert Hass, Peter Klappert, Gregory Orr, Kathleen Spivack, and David Young; and miscellaneous materials regarding the Yale Series of Younger Poets from 1969-1977. Materials regarding the National Medal of Arts, which Kunitz received in 1993, are also in this sub-series.
Arranged alphabetically by subject.
Physical Description1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
Consists of lecture notes and notebooks with records of student progress, etc.
This series is arranged into two subseries: Notebooks, and Miscellaneous.
Physical Description3 boxes
Includes the notebooks in which Kunitz wrote lecture notes or recorded his students' progress. In most cases Kunitz noted the college or university where the notebook was being used, and so the sub-series is arranged alphabetically by institution and, within each institution name, by course title. Notebooks without an institution noted on the cover (or front page) are at the end of the sub-series and labeled "Unidentified."
Arranged alphabetically by institution where notebook was used, then by course title.
Physical Description2 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
2 folders
Consists of miscellaneous teaching materials (autograph and typewritten manuscripts, carbon copies, and photocopies), including course prospectuses, syllabi, exams, and photocopies possibly used in seminars. There are also a few class lists, in-class responses by Kunitz's students, and comments on the theses of Columbia University graduate students. When material could be positively indentified as being from a particular institution, it was arranged alphbetically by college or university name. All other materials are labeled "Unidentified" and are at the end of the sub-series.
Arranged alphabetically by institution.
Physical Description1 box
1 folder
2 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
3 folders
1 folder
1 folder
This series contains the papers that pertain to Kunitz's journeys abroad. The papers have been kept together as Kunitz had them. Each trip in this series was sponsored by a cultural exchange program of some sort. This series is arranged alphabetically according to continent or country name.
This series is arranged into four subseries: Africa, Israel/Egypt, Italy, and Russia.
Physical Description4 boxes
This sub-series consists of the various papers, including documents, and miscellaneous and printed materials, that Kunitz collected from and about his 1976 journey to Africa, where he visited the countries of Senegal and Ghana. In cases where it was possible to make a decisive identification, the materials are filed under the country from which they originated or to which they refer. If it was difficult to make such a judgment or if the material in question referred to both countries, it was placed at the beginning of the sub-series. Materials from Senegal preceed those from Ghana, as this was the order in which Kunitz visited each country. There is a good deal of printed material from Ghana regarding a student demonstration against Kunitz at a poetry reading.
Arranged by genre of material and subject of material.
Physical Description1 box
1 folder
1 folder
1 folder
3 folders
1 folder
1 folder
4 folders
Consists of materials, including correspondence, documents, notebooks, photocopies, and miscellaneous and printed materials, that Kunitz accumulated reagarding his trip to Israel and Egypt in 1980. When possible, the material was arranged according to country of origin. Materials regarding Israel were placed before those regarding Egypt, as this was the order in which Kunitz visited each country; material regarding both countries is located at the beginning of the sub-series.
Arranged by genre of material and subject of material.
Physical Description1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
Consists of correspondence regarding and printed material from Kunitz's 1977 trip to Italy.
Arranged by genre of material.
Physical Description1 box
1 folder
1 folder
Contains materials pertaining to Kunitz's 1967 and 1979 trips to Russia. Although his visit to Russia in 1967 included a stop in Poland, all of the material in this collection relates to Russia. In addition, the materials of each trip were found in separate envelopes with labels (in Kunitz's hand) indicating the year in which the trip was taken. In regard to the 1967 visit, there is a good deal of correspondence, which is arranged in alphabetical order; however, many of these letters were dated after the trip (up to 1974) but, because they were in the 1967 envelope, were left in this series (as opposed to moving them to Series II, Sub-Series B). This sub-series includes-aside from the correspondence-documents, carbon copies, and miscellaneous and printed material and is arranged by the year in which each trip was taken ( i.e. , all of the material from 1967 precedes that of 1979).
Arranged chronologically and then by genre of material.
Physical Description2 boxes
3 folders
1 folder
2 folders
1 folder
2 folders
1 folder
1 folder
2 folders
1 folder
1 folder
2 folders
This series consists of Kunitz's appointment calendars for the years 1979, 1980, 1981, 1982, 1983, 1984, 1987, 1988, 1989, and 1991. There is also a pocket calendar from 1919.
Arranged chronologically.
Physical Description2 boxes
1 folder
4 folders
2 folders
4 folders
This series contains various documents, including loan receipts and a grade report from Harvard University, royalty statements, and various contracts for books, poetry readings, and teaching appointments. If contracts were attached to letters, then both pieces can be located with the general correspondence (Series II, Sub-Series B).
Arranged alphabetically by genre of material.
Physical Description1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
3 folders
1 folder
1 folder
This series includes photos belonging to Kunitz and ranges in dates from the 1920s through 1995. The photos are arranged roughly in chronological order, based either on dates or on place names written on the verso of a photo. At the end of the series are the photos that belonged to Kunitz's mother, Mrs. Y. H. Dine.
Arranged chronologically.
Physical Description3 boxes
1 folder
1 folder
1 folder
2 folders
1 folder
2 folders
1 folder
2 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
2 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
3 folders
This series contains a few pieces of memorabilia, including certificates, drawing of Kunitz, keys, postcards of authors (this includes Kunitz) photographed by Jill Krementz, a Spoken Arts Record, stationery, and some miscellaneous material. This series also includes Sarah Kunitz's (his sister) typing medal.
Arranged alphabetically by genre of material.
Physical Description1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
This series includes four (4) books that were annotated (in some cases extensively) by Kunitz. The books are: Collected Poems: 1909-1935 by T. S. Eliot, A Portrait of the Artist as a Young Man by James Joyce, Poems of Gerard Manley Hopkins , and Collected Poems by W. B. Yeats.
Arranged alphabetically by author.
Physical Description1 box
1 box
1 box
1 box
1 box
This series consists of three (3) audiocassettes. Two (2) of these cassettes are from the Nina Vance Alley Theatre-one of these contains a dramatic interpretation of Kunitz's Akhmatova translations and the other a song written to James Joyce's "Chamber Music." The third tape is a recording of "Stanley Kunitz and Friends," a 1986 tribute to Kunitz sponsored by the Writer's Voice of the West Side YMCA Arts Center, New York City.
Not arranged according to any arrangement scheme.
Physical Description1 box
1 box
1 box
1 box
This series contains papers of others, such as correspondence and manuscripts, the series is arranged alphabetically by author name. The letters and various other papers of Mrs. Y. H. Dine are filed here, as are letters from Harriet Moore ( Poetry ) to Louis E. Asher, Kunitz's third wife's father. Manuscripts, however, constitute the bulk of this series and represent such figures as Robert (Cal) Lowell, Gerald Stern, Theodore Roethke, and C. K. Williams. In addition to this are some of the manuscripts chosen (as winners) by Kunitz while he edited the Yale Series of Younger Poets. The Younger Poets in this collection include Olga Broumas, Michael Casey, Carolyn Forché, Robert Hass, Peter Klappert, and Michael Ryan.
Arranged alphabetically by author.
Physical Description6 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
4 folders
1 folder
2 folders
1 folder
3 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
3 folders
1 folder
1 folder
1 folder
1 folder
3 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
2 folders
1 folder
1 folder
1 folder
1 folder