Main content
Madison Smartt Bell Papers
Notifications
Held at: Princeton University Library: Manuscripts Division [Contact Us]
This is a finding aid. It is a description of archival material held at the Princeton University Library: Manuscripts Division. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.
Overview and metadata sections
Born in Nashville, Tennessee, in 1957, Madison Smartt Bell was raised on a farm in Williamson County just outside Nashville. His father, an attorney, and his mother were friends with the Agrarian School of poets at Vanderbilt University, which included Allen Tate, Caroline Gordon and John Crowe Ransom. Bell did not follow his parents to Vanderbilt but attended Princeton University instead, although as an undergraduate English major he did do independent research on the Agrarian School. While at Princeton Bell studied fiction-writing with George Garrett and received several prizes for his writing: the Ward Mathis Prize in 1977 for his short story, "Triptych;" the Class of 1870 Junior Prize in 1978; the Francis LeMoyne Page Award in 1978 for fiction writing; and the Class of 1859 Prize in 1979, the year in which he graduated summa cum laude.
In 1983 Bell published his first book, a novel about drug dealers entitled Washington Square Ensemble, while living in the New York City area, also the setting of his second novel Waiting for the End of the World (1985), which deals with the New York City underworld and with terrorism. From the time of his graduation from Princeton Bell lived in New York City or the New York metropolitan area until moving to the Baltimore area in 1984 to teach in the Goucher College English Department. It is not, however, until his fifth novel Soldier's Joy (1989) that he consciously returns in his work to a specifically Southern setting and to the theme of racism. Soldier's Joy is about a professional banjo player in rural Tennessee who gets shot in a racial struggle involving a black preacher whom he and his fellow Vietnam-veteran friends are trying to protect. (Bell himself is a professional banjo player.) Although he continues to be eclectic in his choice of theme and setting, for a short time Bell wrote a column on Southern literature for Southern magazine and has contributed to several anthologies of specifically Southern fiction.
Bell has also traveled widely in England and Europe and has used that experience in novels such as the thriller Straight Cut (1986) and the more philosophical novel Doctor Sleep (1991), as well as in some of his shorter fiction (e.g., "Petit Cachou" in Barking Man and Other Stories, 1990).
In All Souls' Rising (1995), Bell turns to the genre of the historical novel and writes about race in late 18th century Haiti.
Bell received his M.A. from the creative writing program at Hollins College in Virginia in 1981. He has taught as a visiting writer at several workshops and summer programs as well as in the Iowa Writers' Workshop (1987-88) and the Johns Hopkins Writing Seminars (1989). He and his wife, the poet Elizabeth Spires, who were married in 1985, have both held Guggenheim fellowships, allowing them each a year to pursue their writing careers uninterrupted by teaching duties. They have a daughter named Celia Doval Bell.
Madison Smartt Bell worked briefly in the publishing world in the New York area before he began his teaching career and has written about the difficulties young writers have breaking into the world of published fiction. He has helped many of his own students become published writers, among them Carolyn Chute, Hillary Johnson, Marcia Golub, Amy Homes, Wayne Johnson, Simon Black, Brooke Stevens, and Darcey Steinke.
The collection consists of manuscripts, correspondence, family documents, and other papers of novelist Madison Smartt Bell. The earliest item in the collection is a datebook from the year 1979, the year of Bell's graduation from Princeton University. The manuscript material includes an early typescript of Bell's first novel Washington Square Ensemble (1983), as well as notebooks, drafts, galleys and proofs of Doctor Sleep (1993), All Souls' Rising (1995) and later works. Also included in the manuscript material are variants for an unpublished screenplay about an earthquake in California, entitled The Safety Net, drafts of articles and reviews, transcripts and/or cassettes of four interviews by Bell of others, and miscellaneous writings, fragments and notes, among which is a series of xeroxed images by printmaker Jean de la Fontaine with blurbs by Bell (unpublished?).
The bulk of the correspondence and of the collection is personal mail, dating from 1981 to 2011, organized chronologically and therein alphabetically, with separate folders for correspondents with the most numerous letters. Among his most frequent correspondents are his former Princeton creative writing teacher George Garrett, filmmaker Alexis Roshuk, fellow novelists Tom McGonigle, Jill McCorkle, and Elizabeth Moore, and students Amy Homes, Marcia Golub, Carolyn Chute, Ellen Geist, and Darcey Steinke. This series preserves everything from post-it notes and Christmas tags to post cards and full-length letters. There are also three boxes of business correspondence, including agent correspondence, dating from Bell's first exchanges with Jane Gelfman in 1981, and direct correspondence with editors and publishers. Ticknor and Fields is heavily represented, as the publisher that has brought out most of Bell's novels, though he later published with Harcourt Brace. The business correspondence also includes some drafts Bell kept of outgoing letters.
The family documents include an extensive family tree for the Smartt family, found loose among the correspondence, as well as Bell's birth certificate. The Papers of Other Persons series includes a typescript of fellow novelist Tom McGonigle's The Corpse Dream of N. Petkov (1986), as well as correspondence of Bell's wife, the poet Elizabeth Spires.
Additional materials received from the author following the original accession can be found in Series 7: Additional Papers, including manuscripts and correspondence related to his writings and other activities throughout the 1990s until 2021.
Organized by material type, with a series for accruals.
This collection comprises the papers of a living author. Thus, accruals are expected in five to ten-year increments.
Purchased from the author in multiple accessions from 1994 to 2022 (AM 1995-13, AM 1995-15, AM 2005-38, AM 2016-34, AM 2022-043).
This collection was processed by Margaret Sherry in 1996. Finding aid written by Margaret Sherry in 1996. Additional Papers list compiled by Karla Vecchia. Folder inventory for 2004 accession added by Hilde Creager 15' in 2013. Folder inventory for 2015 accession added by Fiona Bell 18' in 2015. Materials in the 2021 accrual were processed and described by Amy C. Vo in 2022, with appropriate updates to the finding aid.
No appraisal information is available.
People
Subject
- Publisher
- Manuscripts Division
- Finding Aid Author
- Margaret Sherry
- Finding Aid Date
- 2004
- Access Restrictions
-
The majority of the collection is open for research, with restrictions on the P.E.N./Faulkner correspondence in Subseries 7A.
- Use Restrictions
-
Single copies may be made for research purposes. No further duplication of copies of material in the collection can be made when Princeton University Library does not own the original. Inquiries regarding publishing material from the collection should be directed to Special Collections Public Services staff through the Ask Us! form. The library has no information on the status of literary rights in the collection and researchers are responsible for determining any questions of copyright.
Collection Inventory
This series contains primary material for five of Madison Smartt Bell's novels, Doctor Sleep, Save Me, Joe Louis, Soldier's Joy, Washington Square Ensemble and The Year of Silence. For three of these, Doctor Sleep, Save Me, Joe Louis, and Soldier's Joy, there are holograph notebooks, working drafts and final drafts. For Doctor Sleep and Soldier's Joy there are galleys and proofs as well. For Washington Square Ensemble we have only typescripts, for The Year of Silence holograph notebooks and a typescript. There are manuscripts and typescripts of several short stories, as well as a typescript and proofs for the short story collection Barking Man and Other Stories and an incomplete typescript and galleys for Zero db and Other Stories. There are numerous variants for an as yet unpublished screenply entitled, variously, The Safety Net, Quake 2 and Splat!, inspired by California earthquakes. There are several articles in typescript as well as numerous reviews. There are cassettes of four interviews, one with writer Andrew Lytle, one with writer Harry Crews, on the same cassette as one with editor Shannon Ravanel of Algonquin Books, and one with sculptor Alan LeQuire, taken on the occasion of his work on the statue of Athena for the Parthenon replica in Nashville. There is also a transcript and an edited version of an interview with writer George Garrett. Among the miscellaneous writings included in this series is an "emblem book" of sorts entitled The Double Tongue, with illustrations by artist Jean de la Fontaine and blurbs by Bell. (See the copious correspondence from Fontaine in the Personal Correspondence Series.)
Draft materials for later novels and other writings can be found in Series 7: Additional Papers.
This series is arranged into seven subseries: Novels, Short Stories, Short Story Collections, Screenplays, Articles, Interviews, and Miscellaneous Writings, Fragments and Notes.
Physical Description15 boxes
Consists of manuscripts for the novels Doctor Sleep, Save Me, Joe Louis, Soldier's Joy, Washington Square Ensemble, and The Year of Silence.
Arranged alphabetically by title.
Physical Description10 boxes
1 folder
1 folder
1 folder
1 folder
3 folders
3 folders
3 folders
1 folder
1 folder
1 folder
2 folders
2 folders
2 folders
1 folder
2 folders
1 folder
1 folder
1 folder
1 folder
3 folders
3 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
4 folders
1 folder
1 folder
4 folders
3 folders
1 folder
1 folder
3 folders
1 folder
1 folder
1 folder
1 folder
1 folder
2 folders
Consists of typescripts and manuscripts of short stories such as "Conflict of Interest," "Mr. Potatohead in Love," and "Today is a Good Day to Die," as well as others.
Arranged alphabetically by title.
Physical Description2 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
Consists of typescripts for Barking Man and Other Stories and Zero db and Other Stories.
Arranged alphabetically by title.
Physical Description3 boxes
2 folders
2 folders
2 folders
2 folders
1 folder
1 folder
Consists of typescripts for The Safety Net.
Not arranged according to any arrangement scheme.
Physical Description2 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
Consists of articles such as "Athena in Nashville," "Cloning the Short Story," and "Southen Writers: Taking New Stands?," as well as others.
Articles of Bell's arranged alphabetically by title, others arranged alphabetically by author.
Physical Description2 boxes
3 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
Consists of materials from interviews with George Garrett and Alan LeQuire.
Arranged alphabetically by subject of interview.
Physical Description1 box
1 folder
1 folder
1 folder
1 folder
Consists of miscellaneous notes, fragments, and "The Double Tongue" and related materials.
Arranged by genre of material.
Physical Description1 box
1 folder
1 folder
1 folder
Consists of the business and personal correspondence of Madison Smartt Bell.
Correspondence for later years can be found in Series 7: Additional Papers.
This series is arranged into three subseries: Business Correspondence (incoming), Business Correspondence (outgoing), and Personal Correspondence.
Physical Description24 boxes
Consists of business correspondence between Madison Smartt Bell and his literary agent and publishers.
Arranged by genre of correspondence.
Physical Description3 boxes
Madison Smartt Bell's literary agent is Jane Gelfman of the John Farquharson Company, Ltd. which has branches in both New York and London. Ms. Gelfman and her associates negotiate contracts, approach editors, handle publicity, and keep financial records relating to royalties, etc. The material in this series reflects these activities. There is a large number of photocopies of correspondence between the agents and editors of various publications where Bell's work has been submitted. There are royalty statements from publishers, ranging from Ticknor and Fields, who have published most of Bell's novels, to Chatto &Windus and Andre Deutsch who have published foreign editions of his works. Financial records are reflected so closely here that there are even photocopies of photocopying bills.
Physical Description2 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
Bell also corresponds directly with editors and publishers. The letters range from detailed editorial review of his manuscripts to requests for reviews of other writers' works for jacket blurbs.
Physical Description2 boxes
1 box
1 folder
1 box
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
2 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
1 folder
1 folder
There is no original outgoing correspondence to his editors, i.e., letters which were actually sent, but there are several drafts of Bell's letters to his editors. There is also a piece of outgoing correspondence to sculptor Alan LeQuire, commissioning a broadside for a present to his wife Elizabeth Spires, a letter which was sent back by the post office.
Not arranged according to any arrangement scheme.
Physical Description1 box
1 folder
1 folder
Bell's personal correspondence falls into roughly six categories: letters from family members, letters from fans, letters from older writers, letters from contemporary writer-friends, letters from students, and letters from friends in the visual arts. Letters are foldered separately by correspondent only where bulk justifies doing so.
The largest number of letters from family members are from Bell's mother Georgia Allen Bell and from his maternal grandfather Madison Wigginton. There are also letters from other relatives both from his family and from Elizabeth Spires' family.
The letters from older writers, who in some cases have also been Bell's teachers, are not numerous but include names such as John Barth, Elinor Wilner, Andrew Lytle, George Garrett, Walter Sullivan, Madison Jones, Elizabeth Hardwick, Elizabeth Spencer and Rosanne Coggeshall.
Letters from contemporary writer-friends include names such as Don Skiles, Cathryn Hankla, George Stenson, Wyn Cooper, Jill McCorkle, Kimberly Kafka, Molly Moynahan, Mary Gaitskill, Tom McGonigle, and Tom Alderson.
Letters from writers who have been Bell's students include names of published writers such as Carolyn Chute, Hillary Johnson, Marcia Golub, Amy Homes, Wayne Johnson, Simon Black, Brooke Stevens, and Darcey Steinke. Then there are other former students who are still seeking publication, such as Lee Seifman, Max Phillips, Ellen Geist, Miriam Kuznets, and Beth Boyett.
Letters from friends in the visual arts include Alexis Roshuk (filmmaker, arts bureaucrat), Neil Cartan (filmmaker), Andrew Moore (photographer), Jean de la Fontaine (painter, printmaker), Sara Spinelli (photographer, printmaker), Jane Kent (painter, printmaker), and Alan LeQuire (sculptor).
Arranged chronologically.
Physical Description21 boxes
1 folder
4 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
3 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
3 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
3 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
4 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
4 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
3 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
3 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
Contains a copy of Madison Smartt Bell's birth certificate, a Smartt family tree, and a list of the contents of a safety deposit box.
Not arranged according to any arrangement scheme.
Physical Description1 box
1 folder
Includes six datebooks, containing appointments and telephone numbers.
Not arranged according to any arrangement scheme.
Physical Description1 box
1 folder
Contains clippings of printed articles and a xerox of a story by Bell, as well as miscellaneous materials found loose among the personal correspondence.
Arranged alphabetically by title.
Physical Description1 box
1 folder
1 folder
1 folder
1 folder
Contains a typescript of Thomas McGonigle's novel The Corpse Dream of N. Petkov (1986), as well as miscellaneous short works by other persons, found loose in Bell's personal correspondence. There is also some correspondence to Bell's wife Elizabeth and daughter Celia, found among Bell's personal correspondence.
Arranged alphabetically by author.
Physical Description1 box
1 folder
1 folder
1 folder
1 folder
Consists of additional manuscripts, research materials, professional and personal correspondence, and other files received from the author in later accessions, documenting Bell's writing and related activities from the 1970s through 2021, though primarily from 1986 onward.
Arranged by accession.
Physical Description45 boxes
Consists of unprocessed additional papers: manuscripts, research materials, professional and personal correspondence, professional and personal files, and other miscellaneous papers.
Not arranged according to any arrangement scheme.
Physical Description30 boxes
with: editorial correspondence pen used to write 1st draft
Physical Description2 folders
10 folders
13 folders
1 folder
includes last chapters of Stone that the Builder Refused in the back
Physical Description1 folder
1 folder
labeled "Never Mind"
Physical Description1 folder
textbook, submission file of stories by others
Physical Description1 folder
unpublished novel by Carolyn Chute
Physical Description6 folders
7 folders
labeled "The Dead"?
Physical Description1 folder
with: structure scroll
Physical Description1 folder
non-fiction work about Haiti
Physical Description6 folders
1 folder
3 folders
1 folder
1 folder
1 folder
5 folders
1 folder
3 folders
1 folder
opera, collaboration with Elizabeth Spires and Elena Ruehr
Physical Description1 folderspiral bound score
1 folder
1 folder
1 folder
2 folders
1 folder
1 folder
1 folder
1 folder
1 folder
2 folders
Haiti travel and research notes
Physical Description1 folder
1 folder
for Paris Review
Physical Description1 folder
3 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
some titled "Kalfou Souspendu-ultimately part of Soul in a Bottle
Physical Description1 folder
2 folders
Haitian art fair trade files
Physical Description1 folder
1 folder
1 folder
1 folder
3 folders
1 folder
3 folders
1 folder
book review for Spin?
Physical Description1 folder
3 folders
Haitian art correspondence
Physical Description1 folder
1 folder
1 folder
2 folders
1 folder
commissioned by Paris Review, ultimately published in Chronicles
Physical Description1 folder
article for Fondation Cartier catalogue, Paris
Physical Description1 folder
2 folders
1 folder
1 folder
1 folder
1 folder
screenplay based on Straight Cut, commissioned by Thomas Kuchenreuther
Physical Description3 folders
1 folder
2 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
2 folders
1 folder
screenplay based on Straight Cut, commissioned by Thomas Kuchenreuther
Physical Description1 folder
letters by MSB to others?
Physical Description1 folder
2nd Paris Review avatar
Physical Description1 folder
early version of Narrative Design anthology of student work
Physical Description1 folder
1 folder
1 folder
2 folders
1 folder
1 folder
1 folder
2 folders
1 folder
1 folder
1 folder
1 folder
Campus Voice article
Physical Description1 folder
artist group founded by Princeton Alums in 1979
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
writing student, author of Marshlands
Physical Description2 folders
1 folder
screenplay based on Straight Cut, commissioned by Thomas Kuchenreuther
Physical Description3 folders
unpublished essay
Physical Description1 folder
story of Anne Delight Cunningham, cult prisoner and cousin by marriage
Physical Description1 folder
collaboration between MSB and Andrew Moore, Princeton Class of 1979
Physical Description1 folder
screenplay based on story by Goucher studen Jeremy Jone
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 box
1 folder
1 folder
14 folders
9 folders
1 folder
2 folders
2 folders
2 folders
1 folder
by Richard Gillespie, French translation by Haitian agronomist Max Vieux (lineal descendant of Toussaint Louveture via the Desdunes family)
Physical Description3 folders
6 folders
2 folders
1 folder
requirement for graduation from Princeton
Physical Description1 folder
2 folders
3 folders
6 folders
1 folder
30 minute film based on Bell story
Physical Description1 folder
commissioned by Paris Review, published in Chronicles
Physical Description1 folder
1 folder
10 folders
3 folders
2 folders
3 folders
1 folder
7 folders
1 folder
photocopied articles, others' commentary on Bell's trilogy, clippings, typed notes
Physical Description6 folders
1 folder
1 folder
5 folders
1 folder
3 folders
4 folders
1 folder
3 folders
early title for All Souls' Rising?
Physical Description4 folders
Harper's article on Haiti
Physical Description3 folders
1 folder
1 folder
4 folders
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
written by E. Annie Proulx
Physical Description1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
written by Joanne McMullen
Physical Description1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
written by Jane Howle
Physical Description1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
written by Debra Spark
Physical Description1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
written by Peter Morris
Physical Description1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
written by Margaret Hart
Physical Description1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
written by Steven A. Miller
Physical Description1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
written by Stacy McKenna
Physical Description1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
written by Eden Collinsworth
Physical Description1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
one written by Alan Jackson
Physical Description1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
written by Joel Conarroe
Physical Description1 box
1 box
1 box
1 box
1 box
one written to Claude Ambroise
Physical Description1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box
1 box