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Sara Teasdale Correspondence
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Held at: Princeton University Library: Manuscripts Division [Contact Us]
This is a finding aid. It is a description of archival material held at the Princeton University Library: Manuscripts Division. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.
Overview and metadata sections
Sara Teasdale, of St. Louis, Missouri, was an American poet. In 1918, Teasdale received the Columbia University Poetry Society prize (the forerunner of the Pulitzer Prize for Poetry) and the Poetry Society of America's prize for Love Songs. Teasdale was courted by the poet, Vachel Lindsay, prior to her marriage to Ernst Filsinger in 1914.
The collection consists primarily of letters received by Teasdale (Mrs. Ernest Filsinger, 1914-1929) from over 100 poets, authors, editors, and friends, many of whom enclose examples of their work and discuss their own and Teasdale's poetry. There is a large group of letters from Harriet Monroe, founder and editor of Poetry: A Magazine of Verse. Other correspondents include Sarah N. Cleghorn, Hugh M. Ferris, Hamlin Garland, Robinson Jeffers, Orrick Johns, Muna Lee, John Myers O'Hara, William Marion Reedy, Jessie B. Rittenhouse, Edwin A. Robinson, and Eunice Tietjens.
Also present are 22 letters (1924-1932) by Teasdale to Vachel and Elizabeth Lindsay, two original poems, genealogy notes, a royalty statement from Macmillan Company for the years 1916-1932, letters by Margaret Conklin and Eric Fenby to Teasdale biographer Margaret Carpenter, and printed musical scores of poems by Teasdale set to music by George R. Dyer, Wintter Watts, and others.
In this order: poems by Teasdale, letters by Teasdale to Vachel and Elizabeth Lindsay, letters received by Teasdale (A-Z), genealogy notes, Macmillan Co. royalty statement, letters by Margaret Conklin and Eric Fenby to Margaret Carpenter, and musical scores.
Purchased from Charles Apfelbaum in 1990.
For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.
Folder inventory prepared by Fadzilah Yahaya GS in 2011.
No appraisal information is available.
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Subject
- Publisher
- Manuscripts Division
- Finding Aid Date
- 2008
- Access Restrictions
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The collection is open for research.
- Use Restrictions
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Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.
Collection Inventory
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