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Mario Vargas Llosa Papers
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This is a finding aid. It is a description of archival material held at the Princeton University Library: Manuscripts Division. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.
Overview and metadata sections
Mario Vargas Llosa was born in Arequipa, Peru, on March 28, 1936. He attended the University of San Marcos in Lima and the University of Madrid, where he obtained the doctorate in 1959. He was awarded the Nobel Prize in Literature in 2010.
Writer, journalist, critic and teacher, he has taught at the Queen Mary College and King's College of the University of London, Washington State University (Pullman), the University of Puerto Rico (Río Piedras), at Columbia, Harvard, Princeton and Georgetown Universities and at The City University of New York. He was a Fellow at the Woodrow Wilson Center, Washington, D.C. He has been the recipient of many literary prizes, among which are the Premio Biblioteca Breve, Seix Barral (1962), Premio Internacional de Literatura Rómulo Gallegos (1967), Premio Nacional de la Novela (1967), Premio del Instituto Italo Latinoamericano (Italy, 1982), and the Ritz Paris Hemingway Award (1985). Vargas Llosa was a journalist with La Industria , Piura, Peru, with Radio Panamericana and La Crónica , both of Lima and with Agence France-Presse and the French Radio-Television Network in Paris. He has hosted the Peruvian television program "The Tower of Babel," and he writes a newspaper column, "Piedra de Toque" [Touchstone] for El País (Madrid, Spain) which is syndicated throughout Latin America.
Mario Vargas Llosa became actively involved in Peruvian politics at the national level when he and others founded a civic organization called Movimiento Libertad [Liberty Movement] in 1987. The Movement was created, in part, to protest the attempt of President Alan García to nationalize the Peruvian banking system; and its members played a key role in the formation of Frente Democrático (FREDEMO) [Democratic Front], a coalition of political parties which became an official party in August, 1989. After being nominated as FREDEMO's first presidential candidate in 1989, Vargas Llosa resigned his candidacy in June of that year. He was then persuaded to return to the presidential race after receiving over 3,000 letters from the general public urging his return to the campaign. There were two rounds of presidential elections in Peru in 1990: the first held on April 8, and the second held on June 10. Vargas Llosa won the first round of elections with 27.6% of the vote (Cambio 90 candidate Alberto Fujimori received 24.6% and the APRA candidate Luis Alva Castro received 19.1% of the vote). In the second round, Mario Vargas Llosa received 33.9% of the vote; he lost the election to Alberto Fujimori, who received 56.5% of the vote. *
In 1994, Vargas Llosa became the first Latin American voted member of the Real Academia Española de la Lengua (Spain), and he won the Premio Miguel de Cervantes (Spain). He has taught at Queen Mary College and King's College of the University of London, Cambridge University, and at various universities in the U.S., including Princeton (1992-1993, 2010), Harvard (1992-1993), Georgetown, and Syracuse.
* Leslie Bethell. ed. The Cambridge History of Latin America. Volume VIII. Latin America Since 1930: Spanish South America (Cambridge and New York: Cambridge University Press, 1991), p. 507.
Vargas LlosaMario Vargas Llosa was born in Arequipa, Peru, on March 28, 1936. He attended the University of San Marcos in Lima and the University of Madrid, where he obtained the doctorate in 1959. He was awarded the Nobel Prize in Literature in 2010.
Writer, journalist, critic and teacher, he has taught at the Queen Mary College and King's College of the University of London, Washington State University (Pullman), the University of Puerto Rico (Río Piedras), at Columbia, Harvard, Princeton and Georgetown Universities and at The City University of New York. He was a Fellow at the Woodrow Wilson Center, Washington, D.C. He has been the recipient of many literary prizes, among which are the Premio Biblioteca Breve, Seix Barral (1962), Premio Internacional de Literatura Rómulo Gallegos (1967), Premio Nacional de la Novela (1967), Premio del Instituto Italo Latinoamericano (Italy, 1982), and the Ritz Paris Hemingway Award (1985). Vargas Llosa was a journalist with La Industria , Piura, Peru, with Radio Panamericana and La Crónica , both of Lima and with Agence France-Presse and the French Radio-Television Network in Paris. He has hosted the Peruvian television program "The Tower of Babel," and he writes a newspaper column, "Piedra de Toque" [Touchstone] for El País (Madrid, Spain) which is syndicated throughout Latin America.
Mario Vargas Llosa became actively involved in Peruvian politics at the national level when he and others founded a civic organization called Movimiento Libertad [Liberty Movement] in 1987. The Movement was created, in part, to protest the attempt of President Alan García to nationalize the Peruvian banking system; and its members played a key role in the formation of Frente Democrático (FREDEMO) [Democratic Front], a coalition of political parties which became an official party in August, 1989. After being nominated as FREDEMO's first presidential candidate in 1989, Vargas Llosa resigned his candidacy in June of that year. He was then persuaded to return to the presidential race after receiving over 3,000 letters from the general public urging his return to the campaign. There were two rounds of presidential elections in Peru in 1990: the first held on April 8, and the second held on June 10. Vargas Llosa won the first round of elections with 27.6% of the vote (Cambio 90 candidate Alberto Fujimori received 24.6% and the APRA candidate Luis Alva Castro received 19.1% of the vote). In the second round, Mario Vargas Llosa received 33.9% of the vote; he lost the election to Alberto Fujimori, who received 56.5% of the vote. *
In 1994, Vargas Llosa became the first Latin American voted member of the Real Academia Española de la Lengua (Spain), and he won the Premio Miguel de Cervantes (Spain). He has taught at Queen Mary College and King's College of the University of London, Cambridge University, and at various universities in the U.S., including Princeton (1992-1993, 2010), Harvard (1992-1993), Georgetown, and Syracuse.
* Leslie Bethell. ed. The Cambridge History of Latin America. Volume VIII. Latin America Since 1930: Spanish South America (Cambridge and New York: Cambridge University Press, 1991), p. 507.
Consists of personal and working papers of Mario Vargas Llosa. Included are manuscript first drafts (see Notebooks), typescript drafts, and some galley and page proofs with holograph corrections of the novels La tía Julia y el escribidor , La guerra del fin del mundo, La ciudad y los perros, La casa verde, Pantaleón y las visitadoras, Conversación en la catedral, Historia de Mayta, El hablador, ¿Quién mató a Palomino Molero?, and Elogio de la madrastra ; drafts of the short stories collected under the title Los jefes ; and notes and second and later drafts with holograph corrections of the plays La chunga, La señorita de Tacna, and Kathie y el hipopótamo . Also included are several drafts of the film scripts "La guerra de Canudos" (1967-1972), and "Pantaleón y las visitadoras", notes and drafts of scripts for the television program "La Torre de Babel", hosted by the writer, notes and manuscripts of essays, articles, speeches, and lectures. There is also material about the author, such as interviews (two video-recorded), essays, and newspaper clippings.
The extensive correspondence covers the period 1957 to 1994, and includes letters from family members, publishers, and a wide range of renowned writers such as Jorge Amado, José María Arguedas, Carlos Barral, Mario Benedetti, José Bianco, Julio Cortázar, José Donoso, Rosario Ferré, Carlos Fuentes, Gabriel García Márquez, Ana María Matute, Pablo Neruda, José Emilio Pacheco, Nelida Piñon, Carlos Quijano, Augusto Roa Bastos, Sebastián Salazar Bondy, Manuel Scorza, and others.
The political archive consists primarily of correspondence between Vargas Llosa and his wife, Patricia, and other politicians, nonprofit organizations in Peru and other Latin American countries, diplomats, and the general public while he served as a leader of Movimiento Libertad [Liberty Movement], a civic organization which was founded in Peru in 1987, and as the presidential candidate of Frente Democrático (FREDEMO) [Democratic Front] in 1989 and 1990. Vargas Llosa lost to Alberto Fujimori, candidate of the Cambio 90 party in the second round of elections held on June 10, 1990. The archive includes correspondence between Vargas Llosa and leaders of Movimiento Libertad and FREDEMO. Political correspondents include Luis Bedoya Reyes, Fernando Belaúnde Terry, Luis Bustamante Belaúnde, Miguel Cruchaga, Jorge Salmón Jordán, Miguel Vega Alvear, Pedro Pablo Kuczyinski, Enrique Ghersi Silva, and Fernando de Szyszlo. The General Correspondence includes many letters with suggestions on how to improve the economic conditions of Peru, on why they are voting for him as president, and with lists of names with signatures and voter identification numbers. Included in this correspondence are political slogans, poems, drawings, horoscopes, newspaper clippings, and some photographs and maps.
The collection also includes a series of additional papers that are being gradually processed, which contain correspondence, articles, drafts, proofs, notebooks, audio cassettes containing interviews, and other materials.
Los jefes (Lima: Editorial Roca, 1959); La ciudad y los perros (Barcelona: Seix Barral, 1963), English translation by Lysander Kemp titled The Time of the Hero (New York: Grove, 1966); La casa verde (Barcelona: Seix Barral, 1969), English translation by Gregory Rabassa published as The Green House (New York: Harper & Row, 1968); Conversación en la catedral (Barcelona: Seix Barral, 1969), English translation by Gregory Rabassa published as Conversation in the Cathedral (New York: Harper & Row, 1975); García Márquez: historia de un deicídio (Barcelona: Seix Barral, 1971); Pantaleón y las visitadoras (Barcelona: Seix Barral, 1973), English translation by Ronald Christ and Gregory Kolovakos published as Captain Pantoja and the Special Services (New York: Harper & Row, 1978); La orgía perpetua: Flaubert y "Madame Bovary" (Barcelona: Seix Barral, 1975), English translation by Helen R. Lane published as The Perpetual Orgy: Flaubert and Madame Bovary (New York: Farrar, Straus, 1986); La tía Julia y el escribidor (Barcelona: Seix Barral, 1977), English translation by Helen R. Lane published as Aunt Julia and the Scriptwriter (New York: Farrar, Straus, 1982); La guerra del fin del mundo (1981), English translation by Helen R. Lane published as The War of the End of the World (New York: Farrar, Straus, 1984); Historia de Mayta (Barcelona: Seix Barral, 1985), English translation by Alfred J. Mac Adam titled The Real Life of Alejandro Mayta (New York: Farrar, Straus, 1986); ¿Quién mató a Palomino Molero? (Barcelona: Seix Barral, 1986), English translation by Alfred J. Mac Adam published as Who Killed Palomino Molero? (New York: Farrar, Straus, 1987); El hablador (Barcelona: Seix Barral, 1989), English translation by Helen R. Lane published as The Storyteller (New York: Farrar, Straus, 1989); El pez en el agua: memorias (Barcelona: Seix Barral, l993), English translation by Helen R. Lane published as A Fish in the Water: A Memoir (New York: Farrar, Straus, 1994); El debate (Lima: Univ. del Pácifico, Centro de Investigación, 1990).
Begun in 1985, the collection has grown with purchases from the author on a continuing basis.
For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.
This collection was processed by Rodolfo G. Aiello , Claire A. Johnston and Karla J. Vecchia in 1997. 1999, 2000, and 2002. Finding aid written by Rodolfo G. Aiello , Claire A. Johnston and Karla J. Vecchia in 1997, 1999, 2000, and 2002. Additional materials are gradually being processed by Armando Suárez.
Los archivos adicionales están siendo procesados gradualmente por Armando Suárez.
No appraisal information is available.
Organization
- Frente Democrático (Peru)
- Acción Popular (Peru)
- Solidaridad y Democracia (Peru)
- Movimiento Libertad (Peru)
- Partido Popular Cristiano (Peru)
Subject
- Critics -- Latin America. -- 20th century -- Correspondence
- Critics -- Peru. -- 20th century -- Correspondence
- Dramatists, Peruvian. -- 20th century -- Correspondence
- Latin American fiction. -- 20th century
- Latin American literature. -- 20th century
- Novelists, Latin American. -- 20th century -- Correspondence
- Novelists, Peruvian. -- 20th century
- Peruvian drama. -- 20th century
- Peruvian fiction. -- 20th century
- Peruvian literaturey -- 20th century -- Translations into English
- Presidents -- Peru -- Election -- 1990
- Translators -- Great Britain. -- 20th century -- Correspondence
Place
- Latin America -- Politics and government -- 1948-1980.
- Peru -- Politics and government -- 1980-
- Peru -- Social conditions -- 1968-
Occupation
- Publisher
- Manuscripts Division
- Finding Aid Date
- 1997
- Access Restrictions
-
This collection is open for research.
- Use Restrictions
-
Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.
Collection Inventory
This series consists of 67 notebooks containing early drafts of La ciudad y los perros , La tía Julia y el escribidor , Pantaleón y las visitadoras , La guerra del fin del mundo , Historia de Mayta , and Elogio de la madrastra ; notes on the filming of Pantaleón y las visitadoras ; and drafts of essays and critical articles. See also series VII. Additional Papers.
Arranged alphabetically by title.
Physical Description9 boxes
Set of four notebooks which contain early drafts of the movie script "Los perros del infierno" and the first autograph version of the novel La tía Julia y el escribidor .
Physical Descriptionmore than 3 folders (2)
Notes, drafts, ideas and citations for the motion picture script "Los perros del infierno" (also titled "Los perros de la guerra," "La guerra particular" and "La guerra de Canudos")
Physical Description2 folders
Continues A (1-2); draft of the text for the catalogue of an exposition of Espinoza Duenas lithographs in Barcelona
Physical Description1 folder
1 folder
Corrections for the motion picture script "Los perros del infierno"
Physical Description1 folder
Drafts of the first version of La tía Julia y el escribidor , titled "Los radio teatros de Raúl Salmón"
Physical Description1 folder
Drafts of an article on Peruvian politics
Physical Description1 folder
Set of five notebooks consisting primarily of the manuscript version of La tía Julia y el escribidor (which was to be named "Raúl Salmón, autor de radioteatros" or "Vida y milagros de Raúl Salmón"), drafts of articles, poems, essays, and notes for lectures, as well as notes and directions used in the filming of Pantaleón y las visitadoras .
Physical Description5 folders
1 folder
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Continuation of the original manuscript of La tía Julia y el escribidor (chapters 4-10)
Physical Description1 folder
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Set of nine notebooks which contain primarily the manuscript version of the novel La guerra del fin del mundo . It also has a draft of the play La señorita de Tacna as well as drafts of several articles.
Physical Descriptionmore than 6 folders (5)
1 folder
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Drafts of La guerra del fin del mundo
Physical Description1 folder
Drafts of the first version of La guerra del fin del mundo
Physical Description4 folders
1 folder
Notes, readings, and citation of books and newspapers concerning the war of Canudos
Physical Description1 folder
Drafts of the first version of La guerra del fin del mundo
Physical Description1 folder
Drafts of the first version of La guerra del fin del mundo
Physical Description1 folder
Drafts of the first version of the end of La guerra del fin del mundo Notebooks D (1-2): Set of two notebooks (1958-1960) that contain early drafts of chapters one, two, four and five of the author's first novel, La ciudad y los perros , which was to be called "Los impostores."
Physical Description1 folder
2 folders
Early drafts of the first two chapters of La ciudad y los perros. Also notes on Rubén Darío and France used in some programs for French television.
Physical Description1 folder
Early drafts of episodes in chapters four and five of La ciudad y los perros
Physical Description1 folder
Set of four notebooks which contain primarily the manuscript version of the novel Pantaleón y las visitadoras.
Physical Description4 folders
1 folder
1 folder
1 folder
1 folder
Draft of the first version of Pantaleón y las visitadoras
Physical Description1 folder
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Notebook that contains a draft for a prologue of the novel No una sino muchas muertes of the Peruvian writer Enrique Congrains Martín (Barcelona, 1983)
Physical Description1 folder
Set of four packs of note cards
Physical Description4 folders
1 folder
1 folder
1 folder
1 folder
Set of eight notebooks which contain very diverse material
Physical Description8 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
Notes for a dissertation proposal on the poetry of José María Eguren. This topic was later abandoned for a study on García Márquez (Madrid, Spain, August 1958-July 1959)
Physical Description1 folder
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Notes for a course on García Márquez taught in Puerto Rico and then used in the writing of García Márquez: Historia de un deicidio .
Physical Description1 folder
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Drafts of the following articles:
Physical Description1 folder
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Set of seven notebooks containing mainly the first draft of Historia de Mayta as well as drafts of same chapters of ¿Quién mató a Palomiro Molero?
Physical Description7 folders
1 folder
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1 folder
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1 folder
Notes for a course taught at the University of London (Queen Mary's College and King's College)
Physical Description1 folder
First version of the first chapters of Historia de Mayta
Physical Description1 folder
1 folder
1 folder
1 folder
Draft of the first version of the last chapter of Historia de Mayta
Physical Description1 folder
Drafts of articles: "El país de las mil caras," "El periodismo como contrabando" (a polemic with the British journalist Colin Hardine over the events in Uchuraccay), as well as notes on a polemic with Günter Grass
Physical Description1 folder
First versions of various chapters of Historia de Mayta and ¿Quién mató a Palomino Molero?
Physical Description1 folder
3 boxes
Notes for lectures on Latin American literature courses given at the University of London (Queen Mary's College and King's College) from 1967 to 1970 (see also Notebook I-2)
Physical Description1 folder
1 folder
Notes and draft for the essay "Bataille o el rescate del mal" later published in Contra viento y marea , vol. 2 (1972-1983)
Physical Description1 folder
Drafts of various articles, lectures and prefaces some of which were later published in Contra viento y marea (3 vols.)
Physical Description1 folder
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Drafts of various articles for the series "Piedra de toque" some of which were later published in Contra viento y marea
Physical Description2 folders
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Notes and first draft of La suntuosa abundancia , on the work of the Colombiam painter Fernando Botero, published first in French and then in Spanish in Paris by Editions La difference
Physical Description1 folder
Notes and diary of a stay in Nicaragua between January 1 and February 7, 1985, material later incorporated into the article "Nicaragua en la encrucijada" published in The New York Times Magazine under the title "In Nicaragua" and later reprinted in Contra viento y marea , vol. 3 (1964-1988).
Physical Description1 folder
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(Hacia el Perú totalitario(?), see Contra viento y marea , vol. 3 (1964-1968))
Physical Description1 folder
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Drafts of the only three speeches delivered during the electoral campaign for the presidency of Perú: "Acción para el cambio," "Civiles y militares en el Perú de la libertad," and "El país que vendrá."
Physical Description1 folder
First version of El loco de los balcones (London, May-June, 1988) followed by twelve pages of reflections on the play and suggestions for its performance
Physical Description1 folder
Consists of the works of Mario Vargas Llosa, including novels, plays, screenplays, TV scripts, short stories, nonfiction, and juvenalia.
This series is arranged into six series: Novels, Plays, Screenplays/TV Scripts, Short Stories, Nonfiction, and Juvenilia.
Physical Description33 boxes
This sub-series consists of second and later drafts with holograph corrections of La tía Julia y el escribidor , La guerra del fin del mundo , La ciudad y los perros , La casa verde , Pantaleón y las visitadoras , Conversación en la catedral , Historia de Mayta , El hablador , ¿Quién mató a Palomino Molero? , and Elogio de la madrastra . See also series VII. Additional Papers.
Not arranged according to any arrangement scheme.
Physical Description22 boxes
For first version (manuscript), see Notebook A-4, and Notebooks B.
Physical Description10 folders
Originally it was to be called "Vida y milagros de Raúl Salmón." This version was completed in Lima, on October 24, 1976; the corrections, by April 18, 1977.
Physical Description7 folders
1 folder
1 folder
1 folder
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1 folder
Title of the novel was changed in this version from "Vida y milagros de Pedro Camacho" to La tía Julia y el escribidor . Completed in Lima by April or May of 1977.
Physical Description1 folder
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Explanatory note: information that follows entries was provided by author in London in 1984. Draft A - second version. It was typed as the manuscript progressed, so the same dates apply. All holograph corrections were made while the author was working on the third, definitive version (Washington, D.C., March 1980 - Lima, 1982). For the manuscript, see Notebooks C.
["Esta es la segunda versión de La guerra del fin del mundo, es decir la que sigue a la versión manuscrita, que es la primera. Fue escrita casi a la vez que la primera, rehaciendo los capítulos a máquina a medida que los terminaba a mano. Las fechas pues, corresponden a las de la versión manuscrita. Todas las correcciones a mano son posteriores, cuando trabajaba en la tercera y definitiva versión (que hice de Marzo de 1980, en Washington, a 1982 en Lima, aproximadamente)."]
Physical Description4 boxes
2 boxes
1 folder
1 folder
1 folder
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There are no pp. numbered 908, 988-1065, but the continuity of the text has not been altered.
Physical Description1 folder
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(reduced photocopy of second version, i.e., of draft A; text is incomplete) Title page bears four titles: "El consejero," "La guerra de Canudos," "La guerra del fin del mundo," and "El fin del mundo."
Physical Description1 folder
4 folders
1 folder
(the number 365 is used twice for different pages)
Physical Description1 folder
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Historical and sociological literature about Canudos and Antonio "El Conselheiro." Newspaper and magazine articles on Canudos and Antonio "El Conselheiro."
Physical Description3 folders
1 folder
1 folder
1 folder
(see Notebooks C)
Physical Descriptionmore than 1 folder
2 folders
2 folders
2 folders
2 folders
2 folders
2 folders
(originally bound in five binders)
Physical Descriptionmore than 1 folder
This version was written in Lima and Washington, D.C., between the end of 1979 and the beginning of 1980.
Physical Description5 folders
4 boxes
It contains some handwritten corrections, is incomplete, and it is possible that not all chapters belong to the same version. Some episodes were later deleted and did not appear in the final version. There are two versions of the epilogue: an early one, and one that dates from two or three years later and which is almost definitive. The work was originally to be called "Los impostores," later the title was changed to "La morada del héroe." For the original manuscript, see Notebooks D.
Physical Description9 folders
4 folders
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It contains chapters, episodes and brief summaries of some chapters, with holograph corrections.
Physical Descriptionmore than 1 folder
5 folders
Contains at least one chapter that was later deleted in the final version.
Physical Description2 boxes
1 folder
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Most corrections were made on Draft E, a bound carbon copy of Draft D.
Physical Description2 folders
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The title "La morada del héroe" was changed, in proofs, to La ciudad y los perros (1962).
Physical Description2 folders
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5 boxes
It remained unedited and became the basis for all of Anselmo's mythical episodes in La casa verde . It is entitled "Biografía y leyenda de la casa verde."
Physical Description3 folders
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1 folder
Series of episodes or separate stories that were added or adapted into draft A, to form the novel La casa verde
Physical Description1 folder
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Original typescript with author's corrections (a longer and more elaborate version of another manuscript titled "La aventura." Chapters 1-6 pp. 1-80.
Physical Description1 folder
1 folder
(pp. 96-98 are missing)
Physical Description1 folder
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10 folders
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11 folders
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(early drafts of episodes, maps, travel notes, outlines, bibliographies) Includes a notebook, which in addition to material related to the novel, contains an unpublished translation of Rimbaud's "Un coeur sous une sotane" done in Paris in 1959 or 1960, and notes writen in april 1962, for an article or for a program for French television on César Vallejo.
Physical Description1 folder
For the first version, see Notebooks E 1-4.
Physical Description4 folders
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Contains holograph corrections not in the original.
Physical Description4 folders
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2 boxes
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(barely legible)
Physical Description1 folder
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8 folders
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(completed on January 23, 1988)
Physical Description1 folder
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1 folder
1 folder
1 folder
1 folder
1 folder
This sub-series consists of notes and second and later drafts with holograph corrections of La chunga , La señorita de Tacna , Kathie y el hipopótamo , and El loco de los balcones . See also VII. Additional Papers.
Not arranged according to any arrangement scheme.
Physical Description4 boxes
5 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
10 folders
1 folder
1 folder
1 folder
1 folder
1 folder
3 folders
1 folder
1 folder
1 folder
In addition, this notebook contains notes for a revision of "El consejero" (La guerra de Canudos), as well as for an essay titled "Sobre el arte de mentir."
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
68 galleys
(pp. 135-146 are missing)
Physical Description1 folder
8 folders
The author states (see note attached to cover) that this book constitutes the point of departure for Kathie y el hipopótamo : "I wrote almost all of it myself, in Paris toward the end of 1959 or the beginning of 1960..., working a bit like Santiago for Kathie in the play. As Mrs. Podestá was telling me her story about her trip to Africa, I was transcribing it at the typewritter; later in the day, I would correct the typescript..."
Physical Description1 folder
1 folder
144 pages
1 folder
1 folder
1 folder
1 folder
1 folder
(a number of pages have two or more versions bearing the same page number)
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
7 folders
1 folder
1 folder
1 folder
Revised in London, February 1989, and in Los Pulpos, Lima, April 1990.
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
This sub-series consists of drafts of the film script "La guerra de Canudos" (also titled "Los perros del infierno" and "Los perros de la guerra"), material which served as the basis for the novel La guerra del fin del mundo ; first and later drafts for the film script of Pantaleón y las visitadoras ; notes and drafts for ¿Donde está la novia? ; a draft of A City within a City , and notes and drafts of scripts for the television program "La Torre de Babel."
Not arranged according to any arrangement scheme.
Physical Description3 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
This version of the script was corrected in the Dominican Republic in late 1974.
Physical Description1 folder
2 folders
6 folders
1 folder
This version of the script was made at the same time the author was writing the second and third versions of the novel.
Physical Description1 folder
2 folders
The film script was co-authored with José María Gutierrez.
Physical Description1 folder
1 folder
2 folders
1 folder
1 folder
1 folder
1 folder
1 folder
4 folders
24 unnumbered notecards
1 folder
1 folder
1 folder
1 folder
1 folder
This sub-series consists of drafts of the short stories "Los jefes," "El abuelo," "El desafío," "El visitante," "El hermano menor," and "Día domingo," which were collected and published under the title Los jefes .
Not arranged according to any arrangement scheme.
Physical Description7 folders
Collection of six short stories written in Lima between 1953 and August 1958, and published in Barcelona in 1959 by Editorial Roca. The following drafts were all written in Madrid, between August and December, 1958, and submitted to the literary competition Premio Leopoldo Alas , which the author won.
Physical Description7 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
(titled "El pacto")
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
This sub-series consists of second and later drafts with holograph corrections of La orgía perpetua: Flaubert y "Madame Bovary" ; García Márquez: historia de un deicidio ; "Secret History of a Novel" and its Spanish version,"Historia secreta de una novela;" Entre Sartre y Camus ; Contra viento y marea (vols. 1-3); La verdad de las mentiras ; El pez en el agua ; Desafíos a la libertad ; and drafts and offprints of essays written between 1952 and 1992. See also series VII. Additional Papers.
Not arranged according to any arrangement scheme.
Physical Description33 boxes
4 folders
1 folder
1 folder
1 folder
1 folder
2 folders
1 folder
1 folder
3 boxes
5 folders
Fragments: "GGM y el cine: 'Tiempo de morir,'" TMs, pp. numbered [1]-3, with holograph corrections; "GGM, periodista", TMs, pp. numbered 1-5 with holograph corrections; outline (incomplete), TMs, pp. numbered 2-4, with holograph corrections.
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
3 folders
Later, these texts became part of Contra viento y marea .
Physical Description1 folder
1 folder
1 folder
Latter collected in the volume Contra viento y marea
Physical Description1 folder
more than 2 folders (2)
Includes index and bibliography.
Physical Description2 folders
1 folder
4 folders
1 folder
1 folder
1 folder
1 folder
2 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
4 folders
1 folder
1 folder
1 folder
1 folder
3 folders
1 folder
1 folder
1 folder
Drafts and printed versions of essays, lectures, and prologues written between 1952 and 1992. The author has provided lists of this material ordered chronologically and alphabetically (box 9, folder 1). The user should refer to these lists to locate any specific article. There is some overlap with the material already included in this sub-series (E. Nonfiction).
Physical Description17 boxes
1 folder
1 folder
1 folder
1 folder
3 folders
2 folders
2 folders
2 folders
2 folders
2 folders
2 folders
3 folders
3 folders
2 folders
2 folders
2 folders
1 folder
2 folders
2 folders
2 folders
2 folders
2 folders
2 folders
2 folders
2 folders
3 folders
3 folders
5 folders
5 folders
3 folders
5 folders
1 folder
2 folders
5 folders
2 folders
2 folders
3 folders
4 folders
5 folders
5 folders
2 folders
6 boxes
2 folders
1 folder
1 folder
2 folders
1 folder
1 folder
2 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
8 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
12 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
11 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
2 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
Corrections for the Spanish edition published by Editorial Seix Barral (Barcelona, 1993)
Physical Description1 folder
Consists of notebooks, articles, pamphlets, press clippings, etc.
Physical Description5 folders
2 boxes
4 folders
1 folder
1 folder
1 folder
1 folder
1 folder
2 boxes
1 folder
1 folder
1 folder
1 folder
1 folder
3 folders
1 folder
1 folder
1 folder
This sub-series consists of "Mis primeros versos," a notebook (24 unnumbered pages) with poems written when the author was twelve years old.
Not arranged according to any arrangement scheme.
Physical Description1 folder
1 folder
Consists of letters from family members, publishers, and a wide range of renowned writers such as Jorge Amado, José María Arguedas, Carlos Barral, Mario Benedetti, José Bianco, Julio Cortázar, José Donoso, Rosario Ferré, Carlos Fuentes, Gabriel García Márquez, Ana María Matute, Pablo Neruda, José Emilio Pacheco, Nelida Piñon, Carlos Quijano, Augusto Roa Bastos, Sebastián Salazar Bondy, Manuel Scorza, and others.
This series is arranged into two subseries: Pre-1984, and Post-1984.
Physical Description26 boxes
This sub-series consists of letters from family members, publishers, and a wide range of renowned writers such as Jorge Amado, José María Arguedas, Carlos Barral, Mario Benedetti, José Bianco, Julio Cortázar, José Donoso, Rosario Ferré, Carlos Fuentes, Gabriel García Márquez, Ana María Matute, Pablo Neruda, José Emilio Pacheco, Nelida Piñon, Carlos Quijano, Augusto Roa Bastos, Sebastián Salazar Bondy, Manuel Scorza, and others. See also series VII. Additional Papers.
Arranged alphabetically by correspondent.
Physical Description26 boxes
3 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
See under Westphalen, Emilio A.
Physical Description1 item
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
5 folders
1 folder
1 folder
1 folder
1 folder
1 folder
See under Plaza & Janés.
Physical Description1 item
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
6 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
See under Harper & Row.
Physical Description1 item
See also under Zileri Gibson, Enrique.
Physical Description1 folder
See also under Fernández Retamar, Roberto.
Physical Description1 folder
See under Seix Barral.
Physical Description1 item
1 folder
See also under Christ, Ronald and Review .
Physical Description1 folder
1 folder
1 folder
See also under Center for Inter-American Relations and Review .
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
See also under MacShane, Frank.
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
3 folders
1 folder
1 folder
1 folder
1 folder
1 folder
See under Fornet, Ambrosio.
Physical Description1 item
1 folder
1 folder
1 folder
1 folder
1 folder
multiple folders
1 folder
1 folder
2 folders
1 folder
1 folder
1 folder
1 folder
1 folder
See under José M. Guelbenzu.
Physical Description1 item
1 folder
See also under Peri Rossi, C.
Physical Description1 folder
See under Montaner, Carlos Alberto.
Physical Description1 item
See under Seix Barral.
Physical Description1 item
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
3 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
See also under Casa de las Américas.
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
See also under Siglo Veintiuno Editores.
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
See under Marias, Julián.
Physical Description1 item
3 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
See under Marsé, Juan.
Physical Description1 item
1 folder
1 folder
1 folder
See under Seix Barral.
Physical Description1 item
See also under Cicogna, Enrico.
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
2 folders
1 folder
1 folder
2 folders
1 folder
1 folder
1 folder
1 folder
1 folder
See also under Sosnowski, Saúl.
Physical Description1 folder
1 folder
1 folder
2 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
2 folders
1 folder
1 folder
1 folder
1 folder
1 folder
2 folders
1 folder
1 folder
1 folder
1 folder
See under Vuelta .
Physical Description1 item
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
See under The Wilson Center.
Physical Description1 item
1 folder
1 folder
4 folders
1 folder
1 folder
1 folder
1 folder
5 folders
1 folder
1 folder
1 folder
1 folder
1 folder
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1 folder
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1 folder
1 folder
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2 folders
1 folder
1 folder
1 folder
1 folder
1 folder
2 folders
3 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
See also under Paz, Octavio.
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
See under Marcha .
Physical Description1 item
3 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
See under Marcha .
Physical Description1 item
1 folder
3 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
See under Populibros Peruanos.
Physical Description1 item
See also under Fondo de Cultura Económica.
Physical Description1 folder
1 folder
See under Papeles .
Physical Description1 item
1 folder
1 folder
See also under Vientos Gastón, Nilita.
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
See also under Hispamérica .
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
2 folders
2 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
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1 folder
1 folder
1 folder
See under Moura, Beatriz de.
Physical Description1 item
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
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2 folders
1 folder
1 folder
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1 folder
1 folder
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1 folder
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1 folder
See also under Sin Nombre
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
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1 folder
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1 folder
1 folder
1 folder
1 folder
1 folder
2 folders
This sub-series consists of unprocessed correspondence from 1985 to 1989 and 1992 to 1994. See also series VII. Additional Papers.
Arranged alphabetically by correspondence.
Physical Description24 boxes
6 folders
5 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
5 folders
2 folders
1 folder
1 folder
5 folders
6 folders
6 folders
6 folders
5 folders
5 folders
4 folders
4 folders
1 folder
13 folders
8 folders
5 folders
4 folders
6 folders
5 folders
6 folders
7 folders
6 folders
6 folders
4 folders
1 folder
2 folders
2 folders
This series consists of manuscripts of translations of Kathie y el hipopótamo (English, Italian), La Chunga (English), La señorita de Tacna (English, German, Portuguese, and Swedish), Historia de Mayta (English), ¿Quién mató a Palomino Molero? (English), La guerra del fin del mundo (English and Norwegian), El hablador (English), and El pez en el agua (English); a theatrical adaptation of La ciudad y los perros ; and some miscellaneous printed matter. This sub-series is arranged by name of work in order of accession.
Not arranged according to any arrangement scheme.
Physical Description11 boxes
Theatrical adaptation by Edgar Saba
Physical Description1 folder