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Charles Rufus Morey Papers
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Held at: Princeton University Library: Manuscripts Division [Contact Us]
This is a finding aid. It is a description of archival material held at the Princeton University Library: Manuscripts Division. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.
Overview and metadata sections
Charles Rufus Morey (1877-1955) was an American art historian and chairman of the Department of Art and Archaeology at Princeton University from 1924 to 1945. Born in Hastings, Michigan in 1877, Morey later went on to earn a BA from the University of Michigan in 1899. The following year, he received his MA from the University of Michigan studying classical languages and literature and spent three years at the American School of Classical Studies in Rome. In 1903, Morey came to Princeton as a fellow in Classics. Three years later, he accepted from Allan Marquand the position of Wilson-appointed preceptor in art history at Princeton until 1918 when he was appointed the rank of full professor. Morey taught renaissance and modern art as well as his specialties in early Christian and medieval art, practicing his own belief that his faculty should be knowledgeable in all fields. In 1917, Morey founded the Index of Christian Art, which was the first thematic and iconographic index of Early Christian and medieval art objects.
While at Princeton, Morey worked tirelessly in educating students, faculty, and countless members of the academic community. Morey had a prolific publishing career, his first essay, "The Christian Sarcophagus in S. Maria Antiqua" was published in 1905 and his celebrated volumes Early Christian Art and Medieval Art were both published in 1942. Among countless other articles, reviews, chapters and contributions over his professorship, Morey also directed the Vatican's Museo Sacro catalogue of Christian art, which first appeared in 1936. For seven years he guided a group of five institutions (including Princeton) in a joint excavation of Antioch, and he supervised the ensuing publications. He helped found and cultivate the College Art Association and its publication, The Art Bulletin. In addition to teaching at Princeton, Morey similarly helped develop the art history curriculum at New York University's Institute of Fine Arts and the Institute for Advanced Study's School of Humanities.
Throughout his professional career, not limited to the time he was at Princeton, Morey helped establish the budding art history discipline as a respected field of learning. He has been partly credited with making the profession one which students would be encouraged to follow. At the end of his tenure at Princeton, there were the five years (1945-1950) that Morey spent as Cultural Affairs Officer at the United States Embassy in Rome. Morey died in 1955 in Princeton, New Jersey.
Morey, Charles Rufus, 1877-1955Charles Rufus Morey (1877-1955) was an American art historian and chairman of the Department of Art and Archaeology at Princeton University from 1924 to 1945. Born in Hastings, Michigan in 1877, Morey later went on to earn a BA from the University of Michigan in 1899. The following year, he received his MA from the University of Michigan studying classical languages and literature and spent three years at the American School of Classical Studies in Rome. In 1903, Morey came to Princeton as a fellow in Classics. Three years later, he accepted from Allan Marquand the position of Wilson-appointed preceptor in art history at Princeton until 1918 when he was appointed the rank of full professor. Morey taught renaissance and modern art as well as his specialties in early Christian and medieval art, practicing his own belief that his faculty should be knowledgeable in all fields. In 1917, Morey founded the Index of Christian Art, which was the first thematic and iconographic index of Early Christian and medieval art objects.
While at Princeton, Morey worked tirelessly in educating students, faculty, and countless members of the academic community. Morey had a prolific publishing career, his first essay, "The Christian Sarcophagus in S. Maria Antiqua" was published in 1905 and his celebrated volumes Early Christian Art and Medieval Art were both published in 1942. Among countless other articles, reviews, chapters and contributions over his professorship, Morey also directed the Vatican's Museo Sacro catalogue of Christian art, which first appeared in 1936. For seven years he guided a group of five institutions (including Princeton) in a joint excavation of Antioch, and he supervised the ensuing publications. He helped found and cultivate the College Art Association and its publication, The Art Bulletin. In addition to teaching at Princeton, Morey similarly helped develop the art history curriculum at New York University's Institute of Fine Arts and the Institute for Advanced Study's School of Humanities.
Throughout his professional career, not limited to the time he was at Princeton, Morey helped establish the budding art history discipline as a respected field of learning. He has been partly credited with making the profession one which students would be encouraged to follow. At the end of his tenure at Princeton, there were the five years (1945-1950) that Morey spent as Cultural Affairs Officer at the United States Embassy in Rome. Morey died in 1955 in Princeton, New Jersey.
The collection consists of professional papers, catalogues, notes, card files, photographs, and other printed matter of American art historian Charles Rufus Morey.
The collection has been organized into four series by material type, but were not physically arranged according to this scheme. During 2022 processing, the order of materials at the time of their transfer in 2019 was retained but intellectually incorporated into the collection's organizational scheme.
Gift of Mrs. Charles Rufus Morey (AM 17732). Lecture notes are a gift of Sally Floody. Materials from Sally Floody's circa 2007 donation were transferred to Firestone Library in 2019 (AM 2021-42).
For preservation reasons, original analog and digital media may not be read or played back in the reading room. Users may visually inspect physical media but may not remove it from its enclosure. All analog audiovisual media must be digitized to preservation-quality standards prior to use. Audiovisual digitization requests are processed by an approved third-party vendor. Please note, the transfer time required can be as little as several weeks to as long as several months and there may be financial costs associated with the process. Requests should be directed through the Ask Us Form.
This collection was processed by Rachel Jordan in 2004. Finding aid written by Rachel Jordan in 2004. This collection was reprocessed by Jessica Savage in 2013. Materials transferred in 2019 were added in 2022 by Amy C. Vo. Description that came with the collection during transfer was retained with minor revisions during processing in 2022.
No items were removed during 2013 or 2022 processing.
The following nitrate photograph negatives were deaccessioned in 2019: nos. 23-34, depicting Parentino Battle piece, Diana, Perino del Vaga, 'Head of Youth,' Giulio Romano, 'Satyr and Boy,' S. Nicholas of Myra, Cain and Abel, Three Apostles, and Cornelis de Wael as well as 24 photo negatives of plates from German art historical publication, and approximately 105 photo negatives on subjects of Attic vase painting, Greek and Roman sculpture, engraved medals, architectural monuments and plans.
Organization
- Biblioteca apostolica vaticana. Museo sacro.
- Princeton University
- Princeton university. Department of art and archaeology
Subject
- Art -- Study and teaching -- New Jersey -- Princeton -- 20th century
- Art, Byzantine
- Art, Coptic -- Egypt
- Art, Medieval
- Enamel and enameling, Renaissance -- Italy
- Illumination of books and manuscripts, Early Christian -- Greece -- 1st century
- Ivories, Medieval -- Italy
- Lamps -- Italy
- Museums -- Vatican City -- 20th century
- Relief (Sculpture), Renaissance -- Italy
- Sculpture, Modern
- Sculpture, Renaissance
- Terra-cotta sculpture -- Italy -- 5th century
Place
Occupation
- Publisher
- Manuscripts Division
- Finding Aid Date
- 2013
- Access Restrictions
-
The collection is open for research.
- Use Restrictions
-
Single copies may be made for research purposes. To cite or publish quotations that fall within Fair Use, as defined under U. S. Copyright Law, no permission is required. For instances beyond Fair Use, it is the responsibility of the researcher to determine whether any permissions related to copyright, privacy, publicity, or any other rights are necessary for their intended use of the Library's materials, and to obtain all required permissions from any existing rights holders, if they have not already done so. Princeton University Library's Special Collections does not charge any permission or use fees for the publication of images of materials from our collections, nor does it require researchers to obtain its permission for said use. The department does request that its collections be properly cited and images credited. More detailed information can be found on the Copyright, Credit and Citations Guidelines page on our website. If you have any questions, please feel free to contact us through the Ask Us! form.
Collection Inventory
Curatorial notes and inventory of the Museo Sacro of the Vatican date circa 1936. Morey compiled inventory notes and kept mock catalogues of important terracottas, glass, medals and other early Christian art objects. He recorded the inventory of the Museo Sacro and Museo Cristiano museums with De Rossi numbers.
Not arranged according to any arrangement scheme.
Physical Description5 boxes
1 folder
4 folders
4 folders
1 folder
Consists of photographic facsimiles.
Physical Description1 folder
1 folder
Typed notes in Italian on De Rossi Inventory contained in three binders.
Physical Description3 folders
1 folderTyped copies.
5 foldersHandwritten notes on Museo Cristiano objects in four binders.
1 folderTyped copies, including descriptions from the Museo Cristiano.
1 folder
1 folder
1 folder
1 folder
1 folder
1 folderPhotographs labelled with De Rossi numbers.
1 folderFacsimile with handwritten notes in Italian. Manuscript formerly in collection of Don Agostino Mariotti. Catalogue created by Abbate Francesco Cancellieri. Front board labelled, "Cancellieri: Cat. Museo Mariotti Vat. Lat. 9189."
1 folderFacsimile with handwritten notes in Italian. Front board labelled, "Museo Sacro: Cat. of Clement XIII Arch. Bibl. Vat. 72."
11 foldersFacsimile of unidentified Italian manuscript inventory cut into narrow strips.
1 folderFacsimile of Carpegna collection manuscript Vat. Lat. 9154.
Facsimile of manuscipt Arch. Bibl. 51.
Physical Description1 folder
Facsimile of Carpegna collection manuscript Vat. Lat. 9153.
Physical Description1 folder
Draft of catalogue of terracottas at the Museo Cristiano.
Physical Description1 folder
2 folders
1 folder
2 folders
2 folders
1 folder
1 folder
1 folder
1 folder
1 folder
2 folders
1 folder
2 folders
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
2 folders
3 folders
2 folders
1 folder
2 folders
1 folder
1 folder
Contains miscellaneous photographic material including negatives and prints, some mounted, most reproduced from publications or assemblages of original shots, most unlabeled but encompassing trips to the Middle East, Syria, Turkey, Jordan and objects in European museum collections.
Not arranged according to any arrangement scheme.
Physical Description2 folders
1 folderMounted with photo mounts.
1 folderMiscellaneous photographs, some fragmentary or duplicates, from the Museo Sacro, Metropolitan Museum of Art and Corning Museum of Glass.; TLs dated 1954.
Consists of cloth bound ruled ledger with cloth ties, stamped "Photographien I," notations for plates and developments of various facades and views of archaeological sites, four hatched pen illustrations of unidentified monuments; 16 half-pages of printed and manuscript notes on phonetic pronunciation of Arabic language, miscellaneous manuscript notes on phonetic pronunciation of Arabic language, loose but one part bound in rope; 19 cropped photographic prints, some duplicates, of landscape and archeological sites; Carratha, seven photographic prints of landscape views and archeological ruins, some duplicates, all numbered; Petra, "Pillars of Petra Brünnow vol. I" labeled in pencil on verso of photographic print; photograph of plate, labeled in ink on verso "Wadd 2240" of Syriac inscriptions.
Physical Description1 folder
Consists of approximately 105 photographs mounted on cardstock, all but few numbered and labeled, views include Austrian Consulate in Jerusalem; camps and passes in the surrounding landscape of Jerusalem, Damascus and Amman, Jordan; including castle of Al-Karak in Jordan; ruins of small temple in Rabba; Roman theater in Amman; ruins at Tell-el-Jabiyeh, and many portraits of local inhabitants at camps. Another mounted photograph of inscribed monument. Approximately 15 photographs rolled, mainly Syriac inscriptions and landscape views of archaeological sites. 8 pages typescript numbered index for photographs from Petra.
Physical Description2 folders
Consists of 27 photographs mounted on cardstock and approximately 60 photographs of landscape views and archaeological sites.
Physical Description2 folders
1 folder
Consists of approximately 100 photographs of architectural monuments and archeological sites.
Physical Description3 folders
Consists of approximately 50 photographs, facsimiles and cropped prints or plates on the subjects of terracottas, ceramic sculpture and vessels, glass, many labeled from the Provinzial museum in Bonn, Germany, also the Vatican Museum, and 25 photographs of an Italian manuscript inventory for stamps.
Physical Description2 folders
Consists of miscellaneous photographs for publication and other notable artworks, many labeled in pencil on verso, including, Rogier Van der Weyden, "Crucifixion," Donatello, "David," Duccio, "Virgin of Maesta," Fra Angelico, "Coronation of the Virgin" and Filippo Lippi, "Coronation of the Virgin." 3 pages for map of 'Mediaeval Europe' one is Morey's draft copy.
Physical Description1 folder
Consists of approximately 125 photographs of line drawings of Gothic and Byzantine reliefs, sculpture, and important medieval, Early Christian, and Late Antique artworks, most with captions.
Physical Description2 folders
Nitrate negatives of The Temple of Neptune at Pesto, Italy and the Temple of Hera at Metaponto, Italy, numbered 101-114. In folder labelled, "G.K. Archire Italy 101-114 Gr.It. 101-112 Pesto 113-114 Metaponto."
Physical Description1 folder
Includes official department portraits and photographs of Morey using the Index of Christian Art and at art gallery shows. Also includes photographs of Charles Rufus Morey at cultural events and meetings in Rome, Italy, including at the American Embassy in Rome.
Physical Description3 folders
Includes a framed portrait, four negatives of other official portraits of Morey, and various postcards and three mounted thumbnail study photographs of Roman architecture taken by Morey.
Physical Description1 box
Includes both cellulose and glass plate negatives.
Physical Description1 box
Contour drawing in ink of Charles Rufus Morey, date and artist unknown. Signed by American ambassador James Clement Dunn "Rome, 1949."
Physical Description1 folder
Materials from the time of Morey's tenure with Princeton University, including his typed drafts for lectures at Princeton and New York University, and also correspondence and printed matter from working with students.
Not arranged according to any arrangement scheme.
Physical Description5 boxes
Lecture notes for Renaissance and Modern Sculpture 401.
Physical Description2 foldersCarbon typescripts in binders
1 folderMimeographed copy in binder
1 folderMimeographed paper-bound copy
1 folderBound carbon typescript
Notes from various courses taught at New York University.
Physical Description1 folderMimeographed lecture notes
Contains lecture notes for courses taught on Ancient Art at Princeton University.
Physical Description1 folderCarbon typescript
Contains lecture notes for New York University course on Latin manuscripts inclusive of the Vatican Vergil, Cod. Vat. Lat. 3225; the Itala of Quedlinburg: Berlin, 485 Theol. Mss.; the Chronograph of 354, Cod. Barb. xxxi. 39; the Vatican Terence, Vat. Lat. 3868; the Codex Romanus, Vat. Lat. 3867; the Codex Purpureus: Munich; the Cambridge Gospels; and the Ashburham Pentateuch.
Physical Description1 folderMimeographed paper bound copy
Lecture notes for Fine Arts 246, New York University.
Physical Description1 folderMimeographed paper-bound copy
1 box4 bound carbon typescript copies.
1 folderBound carbon typescript
1 folderBound carbon typescript
1 folderBound carbon typescript
1 folderBound carbon typescript
Consists of lecture notes on Roman architecture, sculpture and painting.
Physical Description1 folderHandwritten notebook
Contains notes from the Museo Cristiano, Wallraf-Richartz Museum and Kunstgewerbe Museum. Laid-in are three photos of terracottas.
Physical Description1 folderLabelled, "C.R. Morey Amer. Express 5 Marktgasse Basel Koln Hotel Tils" and "Cologne and other Notes C.R. Morey: Amer. Exp."
Contains correspondence and drafts of student papers and photos.
Physical Description1 folderCarbon typescripts with photos laid-in
Full conference title, "Fourth Conference on Science, Philosophy and Religion in their relation to the Democratic Way of Life," Columbia University, 1943 September. Morey presented "Art as a Means to Unify Mankind," herewithin typescript copy of 8 pages, and including general conference correspondance and other papers by co-presenters Arnold M. Walter, Arnold Dresden, Walter Pach, Emanuel Winternitz, William G. Constable and William Heard Kilpatrick, with the original conference program.
Physical Description1 folderCarbon typescripts and mimeographs in ring binder
Also includes the following essays: "Pseudo-Realism in Sculpture: The Hellenistic Reliefs" and "Hellenistic Art: An Essay on the Evolution of Style in Mediterranean Lands from 300 B.C. to 300 A.D."
Physical Description1 folderCarbon typescripts in binder
Catalogue of Reproductions of Medieval Sculpture printed for the Equipment for the Teaching of Art in Colleges. Distributed by the Carnegie Corporation of New York.
Physical Description1 folderCarbon typescript
Master's Thesis submitted to New York University in June 1938.
Physical Description1 folderCarbon typescript
Transcript with illustrations of Coptic, Roman, Greek and Early Christian Art on fabric and pasted-in.
Physical Description2 foldersCarbon typescripts with pen illustrations
Consists of grant application for an excavation, dated 8 January 1954; financial report on purchases of books, dates inclusive of 1949-1950; and report on the Barr Ferree Foundation, dated 20 February 1951.
Physical Description1 folder
Consists of approximately 130 pages of manuscript draft for an unpublished work on the protection of art during World War II in Europe.
Physical Description1 folder
Consists of typed draft and translations from Italian by Morey and TLs dated 3 February 1953.
Physical Description1 folder
Items date from Morey's period at the American Embassy in Rome from 1945-1950.
Physical Description1 folder
Consists of miscellaneous typed correspondence, manuscript letters, financial records and expenditure reports concerning "The Committee for the Excavation of Antioch and Its Vicinity" which was chaired by Morey at the Art and Archaeology Department, Princeton University.
Physical Description1 folder
Consists of official report of the Council for World Archaeology, pertaining to the history, aims, publications and financial. Also various articles and laws for its activities and related correspondence.
Physical Description1 folder
Consists of bulletins from the Higher Education and National Defense council, including "Adjustment of the College Curriculum to Wartime Conditions and Needs," various notices, bulletins, minutes from meetings and correspondence between Morey and the National Resources Planning Board and Science Committee in Washington.
Physical Description6 folders5 folders of carbon typescripts
Consists of typed drafts of "The Cross in the Nimbus of Christ," "Scholarship in the Arts: Past and Future," "Medieval Culture: Ecclesiastical or Secular," "A Mediaevalist looks at Modern Art," "The Maid-Servant in the Annunciation and in the Visitation," "Maplewood Lectures: I & II," "Early Christian Art," "The Reliquary of St. Adrian."
Physical Description1 folder
Paper bound copy of lecture notes on Carolingian Illuminated Manuscripts for Fine Arts 240, New York University, published by New York University.
Physical Description1 folder
Paper bound copy of Morey's lecture notes on early Latin manuscripts including "The Vatican Vergil," "Chronograph of 354," "Vatican Terence," "Codex Romanus," "Codex Purpureus," "Cambridge Gospels," "The Ashburnham Pentateuch," "Miniatures of the Terence Manuscripts," and "The Illustrations of Prudentius."
Physical Description1 folder
44pp. of illustrated pamphlet.
Physical Description1 folder
Consists of brief lecture notes on the various styles of Classical, Hellenistic, Greco-Egyptian, Byzantine, Barbarian Element in Latin Art, Romanesque, Gothic, Early Flemish and Renaissance.
Physical Description1 folder
Titled, "Completed Scheme for McCormick Hall at Princeton University."
Physical Description1 folder3 stapled pages of plans for three floors of McCormick Hall, Princeton University, and folded tracing sheet.
Consists of notes for "Roman Archaeology Lectures and Reading," "Greek Sculpture: Introduction to Med. Art 302," "Hellenistic Sculpture," "The Gothic Cathedral."
Physical Description3 folders
Concerning the Codex Amiatinus.
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
1 folder
Includes an edited typescript of "Scholarship in the Arts: Past and Future," and also "The Princeton Index of Christian Art" and "A Medievalist Looks at Modern Art"
Physical Description1 folder
Lectures from New York University, including "Lectures on East Christian Art at the Morgan Library," "Byzantine Style c. 1000," "Byzantine Style at the end of the Ninth Century (2 copies)," "The Joshua Roll," and "Latin Use of Septuagint Illustration: The Mosaics of S. Maria Maggiore"
Physical Description1 folder
1 folder
1 folder
1 folder
1 folder
Consists of the contents of Morey's personal vertical files including drafts, journals, correspondence and other printed matter from Morey's teaching career.
Not arranged according to any arrangement scheme.
Physical Description6 boxes
Subjects are Early Christian Art from the Museo Cristiano.
Physical Description1 folderConsists of 11.5 inches of handwritten index cards.
1 folder
Consists of tabs for "Trecento Painting," "Giotteschi Orcagna," "Early Renaissance," "Renaissance, Hist. Background, Political, Economic," "Spanish Painting," "Byzantine," "Early Christian," "French Painting," "Antiquities," "Architecture," "Sculpture, Painting and Minor Arts" and "Costumes, Armour, and Weapons."
Physical Description1 folderIndex cards in box.
1 folderApproximately 20 inches of index cards with descriptions, photographs, reproductions and facsimiles.
Inscribed, "R.K. Stone."
Physical Description1 folder
Consists of approximately 34 inches of index cards classified by iconographical subject, style, region, object type and cards for particular notable works of medieval art, manuscripts and sculpture.
Physical Description1 folder
Various reprints and extracts from art journals including "The Art Bulletin," "The Gazette des Beaux-Arts," "Journal of Aesthetics and Art Criticism," "American Journal of Philology (July 1943)," "Bulletin of the Department of Art and Archaeology of Princeton University," and various German and Italian journals.
Physical Description1 folder
Miscellaneous papers and correspondence.
Physical Description1 folderCarbon typescripts
Miscellaneous drafts of papers.
Physical Description1 folder
2 folders2 paper bound copies
Typed script of play.
Physical Description1 folder
Consists of lecture notes, journal extracts, reviews, course syllabi and related correspondence.
Physical Description8 boxes
Consists of research notes, photographs and photostats for book illustrations, articles, outlines, reviews and related correspondence.
Physical Description1 box
1 folder
Includes obituaries, memorials, newspaper clippings, issue of the Princeton Alumni Weekly, vol. XXIII. no. 24 (1923), and four copies of Erwin Panofksy's printed biography.
Physical Description1 folder
2 folders
1 folder
Honorary doctorate degrees from Oberlin College, University of Michigan, University of Chicago, and New York University.
Physical Description4 folders
Materials from Morey's time at the American Embassy in Rome, with tabs for Philadelphia, Princeton, Washington, New York, and Rome.
Physical Description1 folder
Includes: "Art and the History of Art in Italy" (College Art Journal, 1951); two copies of "Exhibition of Works of Art Recovered from Germany," 1947 (translated by Sara Morey); "Beginnings of Saint Worship" (The Princeton Theological Review, 1908); "A Remarkable Collection of Ancient Coins" (Princeton Alumni Weekly, vol. VI, no. 30, 1906); "Une nouvelle representation de Dusares et Autres Types de Bostra" (Revue numismatique, 1911); "A Note on the Date of the Mosaic of Hosios David, Salonica" (Byzantion, 1932); "The Landevennec Gospels: A Breton Illuminated Manuscript of the Ninth Century" (The New York Public Library, 1929); "The Origin of the Fish Symbol" (Princeton Theological Review, 1910); on Myrtilla Avery in the Wellesley College Bulletin, "Early Christian Ivories of the Eastern Empire" (reprinted from the Dumbarton Oaks Papers no. 1, 1941); "Mediaeval Art and America" (reprinted from the Journal of the Warburg and Courtauld Institutes, vol. 7, 1944).
Physical Description2 folders
Most of the materials are inscribed to Professor C. R. Morey by the authors, including Dom Anselm Strittmatter, "Christmas and Epiphany: Origins and Antecedents" (1942), A.W. Van Buren, "Archaeological News: Classical Lands" (1947), Frank Jewett Mather, Jr., "The Vain Imaginings of Frate Estefano: A Style-Critical Parable" (1943), Ernst Langlotz, "Der architektonische Ursprung der christelichen Basilika" (1951), Helmut Schlunk, " El sarcofago de Castiliscar y los sarcofagos paleocristianos espanoles de le primera mitad del siglo IV" (1947), William Forsyth American Journal of Archaeology Book Review, inscribed by Forsyth (1952), and an issue of Berytus: Archaeological Studies, vol. vii (1942).
Physical Description1 folder
Includes typescript for Frederick M. Clapp, "The Isaac Master" (1933), "Cimabue" in Parnassus (1933), G. H. Edgell on Frank Jewett Mather, Jr. and the Isaac Master book (1932), Montague Rhodes James on Ernest T. DeWald and the Stuttgart Psalter book (1933), and Marvin Chauncey Ross on E. Stohlman "Gli Smalti del Museo Sacro Vaticano" (1940).
Physical Description1 folder
1 folder
1 folder
Includes: one inscribed by Henry Hope Reed, "Rome: The Third Sack" (1950), Charles Rufus Morey, "Italian Gothic Ivories" (1939), Charles Rufus Morey, "A Group of Gothic Ivories in the Walters Art Gallery" (1936), and three reprints of The Art Bulletin of issues vol. 25 (1943), vol. 34 (1952), and vol. 37 (1955).
Physical Description1 folder
1 folder
Includes a dedication copy signed by Morey's students.
Physical Description2 folders
1 folder
High School diploma from Charlotte Public High School in Charlotte, Michigan. College diplomas "Primo" and "Secundo" from the University of Michigan. Certificate from USA Air Forces Rest Camps. Honorary certificate after Pope Pius XII.
Physical Description3 folders