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Dante Gabriel Rossetti Collection
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Held at: Princeton University Library: Manuscripts Division [Contact Us]
This is a finding aid. It is a description of archival material held at the Princeton University Library: Manuscripts Division. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.
Overview and metadata sections
Dante Gabriel Rossetti, poet and artist, was born on May 12, 1828 in London, England. He studied at King's College and the Royal Academy, where he met fellow painters Sir John Everett Millais and Holman Hunt. The three men formed the Pre-Raphaelite Brotherhood. Rossetti developed his skill both as painter and poet. He created one of his best known paintings, Ecce Ancilla Domini, in 1850. Rossetti produced his two best known poems, "The Portrait" and "The Blessed Damozel" in 1842, and later published The Early Italian Poets, a collection of translations of Dante and other Italian writers. Later in life Rossetti struggled with depression, although he continued to be creatively productive. He married Elizabeth Eleanor Siddal in 1860, and for two years she inspired many of his paintings. She passed away in 1862, leaving Rossetti deeply depressed. Rossetti himself passed away on April 10, 1882.
The collection contains over forty letters by Rossetti, dated from 1857 to 1881, as well as manuscripts of verse and a pen-and-ink self-portrait. Letters are addressed to Ford Madox Brown, Robert Browning, Edward Burne-Jones, William Rossetti, and others. Among the manuscripts are the sonnets "If to grow old in heaven..." and "O bella mano..." (accompanied by the English version "O lovely hand..."). One letter from Walter Theodore Watts-Dunton is included in the collection. Also included are seven albumen prints (approx. 6" x 8") of Jane Morris, taken by J. B. Parsons in 1865, apparently from D. G. Rossetti's personal collection (via Everard Meynell).
This collection was formed as a result of a departmental practice of combining into one collection, manuscript material of various accessions relating to a particular author, and is arranged in the following open-ended series:
The collection was formed as a result of a departmental practice of combining into one collection manuscript material of various accessions relating to a particular author.
Collection items purchased in 1997, 2002, 2007, 2009, 2013.
This collection was processed in 2005. Finding aid written in 2005.
Biography written by Alyxandra Cullen, '09.
No appraisal information is available.
People
Subject
- Publisher
- Manuscripts Division
- Finding Aid Date
- 2005
- Access Restrictions
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Collection is open for research use.
- Use Restrictions
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Single photocopies may be made for research purposes. No further photoduplication of copies of material in the collection can be made when Princeton University Library does not own the original. Inquiries regarding publishing material from the collection should be directed to RBSC Public Services staff through the Ask Us! form. The library has no information on the status of literary rights in the collection and researchers are responsible for determining any questions of copyright.
Collection Inventory
Consists of correspondence with individuals such as Ford Madox Brown, William Rossetti, as well as various Victorian authors.
Arranged alphabetically by correspondent.
Physical Description1 box
1 ALS (Monday), with typed transcript
Physical Description1 box
7 ALsS by D.G.R.
Physical Description1 box
1 ALS by D.G.R., 1 ALS (Tuesday) by D.G.R., with notes on "catalogues"
Physical Description1 box
1 ALS by D.G.R.
Physical Description1 box
1 ALS (Thursday) by D.G.R.
Physical Description1 box
1 ALS by D.G.R. Contains sonnet on verso for "Circe," begins "Why sink those black drops in that golden wine..."
Physical Description1 box
1 ALS by D.G.R.
Physical Description1 box
1 ALS by D.G R
Physical Description1 box
1 ALS by D.G.R.
Physical Description1 box
1 ALS by D.G.R.
Physical Description1 box
2 ALsS by D.G.R.
Physical Description1 box
1 ALS by D.G.R.
Physical Description1 box
1 ALS by D.G.R. to "My dear Gilchrist", 1 ALS by D.G.R. to "Dear Mrs. Gilchrist"
Physical Description1 box
1 ALS (Saturday)by D.G.R.
Physical Description1 box
1 ALS by D.G.R. to "My dear Heaton", 1 ALS by D.G.R. to "My dear Madam" [Heaton, Mary Margaret, Mrs.?]
Physical Description1 box
1 ALS by D.G.R.
Physical Description1 box
1 ALS by D.G.R.
Physical Description1 box
1 ALS by D.G.R.
Physical Description1 box
1 ALS by D.G.R.
Physical Description1 box
1 ALS (Tuesday)by D.G.R.
Physical Description1 box
1 ALS by D.G.R.
Physical Description1 box
1 ALS by D.G.R.
Physical Description1 box
3 ALsS by D.G.R.
Physical Description1 box
1 ALS by D.G.R.
Physical Description1 box
2 ALsS by D.G.R.
Physical Description1 box
1 ALS by D.G.R.
Physical Description1 box
1 ALS by D.G.R.
Physical Description1 box
ALS by D.G.R.
Physical Description1 box
1 ALS by D.G.R.
Physical Description1 box
1 ALS by D.G.R.
Physical Description1 box
1 ALS by D.G.R.
Physical Description1 box
1 ALS (Tuesday) by D.G.R.
Physical Description1 box
1 ALS by D.G.R.
Physical Description1 box
9 ALsS by D.G.R.
Physical Description1 box
1 ALS to D.G.R.
Physical Description1 box
1 ALS by D.G.R.
Physical Description1 box
2 ALsS by D.G.R. to "My dear Sir"
Physical Description1 box
Consists of manuscripts for writings such as "The Blessed Damozel" and "O Lovely Hand (La Bella Mano)," as well as others.
Arranged alphabetically by title.
Physical Description1 box
1 AMsS, verse 7 of poem
Physical Description1 box
1 AMs (inventory of draperies) partially in the hand of D.G.R.
Physical Description1 box
1 AMs
Physical Description1 box
2 AMss
Physical Description1 box
1 AMs, transcription in Italian of Cecco Angiolieri's (circa 1260-1312) sonnet "Ben avventurato è chi ama," or, as by Rossetti, "Of Love in Men and Devils." 14 lines in the hand of D.G.R.
Physical Description1 box
2 successive autograph drafts of his sonnet "Supreme Surrender" (1869), 2 separate pages; autograph manuscript of "The Seed of David" (undated), 6 lines in two stanzas: the printer's manuscript with the pencil instruction "Print this before Ballad of the Dead Lady page 65"
Physical Description1 box
Consists of self-portraits and illustrations.
Arranged by genre of material.
Physical Description1 box
1 self portrait in pen and ink, signed and dated, framed
Physical Description1 box
2 illustrations for Christina Rossetti's "The Prince's Progress" (1 signed)
Physical Description1 box
Consists of miscellaneous materials related to the Rossetti family as well as some photographs of Jane Morris.
Not arranged according to any arrangement scheme.
Physical Description2 boxes
1 AN by John Payne Collier re: his edition of Punch and Judy removed from Punch and Judy (London: E. H. Reid, 3rd edition, 1832)
Physical Description1 box
1 AMs in the hand of [Frederic George Stephens?], copy of the poem by Hans Memmeling removed from Stephens' copy of Poems by Dante Gabriel Rossetti (London: F. S. Ellis, 1870)
Physical Description1 box
1 AMs in the hand of [Frederic George Stephens?], copy of the poem by Hans Memmeling removed from Stephens' copy of Poems by Dante Gabriel Rossetti (London: F. S. Ellis, 1870)
Physical Description1 box
miscellaneous papers, including 1 ALS (1828)
Physical Description1 box
7 mounted albumen prints of Jane Morris taken by J. B. Parsons, image sizes approximately 6" x 8"
Physical Description1 box