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Rene La Roche papers
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Held at: Historical Medical Library of The College of Physicians of Philadelphia [Contact Us]19 S. 22nd Street, Philadelphia, PA 19103
This is a finding aid. It is a description of archival material held at the Historical Medical Library of The College of Physicians of Philadelphia. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.
Overview and metadata sections
Rene La Roche, son of a French physician of the same name, was born in Philadelphia on 23 September 1795. He married Mary Jane Ellis in 1824; they had at least two daughters and one son. La Roche died of prostration in Philadelphia on 9 December 1872.
La Roche received his M.D. from the University of Pennsylvania in 1820. He was an active member of the Kappa Lambda Association of Philadelphia, edited the North American medical and surgical journal, and wrote extensively on yellow fever. His best known work was Yellow fever, considered in its historical, pathological, etiological, and therapeutical relations (1855).
He was also a member of the Academy of Natural Sciences, American Medical Association, American Philosophical Society, Pathological Society of Philadelphia, the Pennsylvania Prison Society, and the Philadelphia Medical Society. From 1827 to 1861, La Roche was a Fellow of the College of Physicians of Philadelphia.
The Rene La Roche papers consist of two collections: one of correspondence, and one of manuscripts. For a more detailed description of the materials, please see the "Scope and Contents" note for each series.
The Rene La Roche papers consist of two collections. For the provenances of each, please see the "Custodial History" note for each series.
People
- Barton, E.H. (Edward H.)
- Brown, Samuel
- Caldwell, Thomas L. (Thomas Leaming)
- Cain, D.J.
- Clark, James, Sir
- Drake, Daniel
- Fenner, E.D. (Erasmus Darwin)
- Gross, Samuel D. (Samuel David)
- Meigs, Charles D. (Charles Delucena)
- Moultrie, James, Jr.
- Valentin, Louis
- Wragg, William T.
Subject
- Publisher
- Historical Medical Library of The College of Physicians of Philadelphia
Collection Inventory
The collection consists of letters, 1818-1867, received by Rene La Roche, generally from American or European physicians. Major correspondents are: E. H. Barton, Samuel Brown, D. J. Cain, Thomas L. Caldwell, Sir James Clark, Daniel Drake, E. D. Fenner, Samuel D. Gross, Charles D. Meigs, James Moultrie, Louis Valentin, and William T. Wragg.
The letters concern yellow fever, particularly discussions of epidemics in Southern cities, La Roche's sojourn in Europe, personal or family matters, and reactions to La Roche's publications. One notable item is William T. Wragg's account of an 1856 yellow fever epidemic in Charleston, South Carolina.
This collection consists of three holograph manuscripts on music and numerous holograph notes that were used in preparing the manuscripts. The unpublished manuscripts might have been written as three separate essays or as chapters for a book. Topics addressed in the manuscripts include ancient Chinese music, music in religious ceremonies, and music in different nations.
The first manuscript is housed in a folder on which La Roche has written "Music in China Egypt". The manuscript, titled "Observations on the Ancient Music of the Chinese", is based on Abbe Arnault's French translation of a work by Ly Kuang ty. Arnault proposes that Chinese music is based on the music of the ancient Egyptians. Although La Roche agrees that both the Egyptians and the Chinese used music to calm the passions, enlighten the mind, and inspire a love for virtue, he ultimately disagrees with Arnault's assumption. After a thorough examination of ancient Chinese music, musicians, instruments, and ceremonies, La Roche examines other theories about the origins of Chinese music. La Roche concludes that the differences between Chinese andjEgyptian music suggest that neither influenced the other, but that both were derived from the music of the Greeks.
In his second manuscript, La Roche examines "the effect of music in inspiring and fostering religious feelings". La Roche describes how music elevates the soul and sublimes the thoughts, allowing for the contemplation of the Divine. According to La Roche, "hymns and harmonies of devotion are as effective as sermons in leading the heart from sin". The manuscript then discusses the use of music in religious ceremonies, using examples from the Bible and from ancient cultures.
The final manuscript, which does not have a title, begins on page twenty two. In the text, La Roche argues that the music produced by a nation reflects the emotions and feelings of the people in that nation. Thus, a lively and gay population will enjoy lively and gay music, while a melancholy population produces melancholy music. La Roche describes the instruments and "national airs" of various countries, and then discusses the music of different nations in terms of rhythm, tempo, and harmony. La Roche concludes his essay by assigning a "degree of musical feeling" to each country; Germany, Italy, and Spain are given the highest rankings.
La Roche's manuscripts on music are very rough drafts with numerous additions and deletions. La Roche frequently wrote only on the right half of the page in order to leave room on the left side for quotations and insertions. In many cases, small pieces of paper and clippings are attached to the manuscripts. Included with the manuscripts are numerous pages of notes and quotations, some of which are in French.