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Dorothy Burr Thompson diaries and papers


Held at: Bryn Mawr College [Contact Us]Bryn Mawr College Library, 101 N. Merion Avenue, Bryn Mawr 19010

This is a finding aid. It is a description of archival material held at the Bryn Mawr College. Unless otherwise noted, the materials described below are physically available in their reading room, and not digitally available through the web.

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Dorothy Burr Thompson (née Dorothy Burr) was born in Philadelphia, PA in 1900. Her father was the prominent constitutional lawyer Charles Henry Burr Jr. and her mother was a biographer and novelist. She attended Miss Hill's School and The Latin School in Philadelphia. She began her study of Latin at age 9 and her study of Greek at age 12. When Burr Thompson was 13, her family took her on the Grand Tour of Europe. In Switzerland, they were caught in the opening salvos of WWI, an experience which Burr Thompson chronicled in a diary given to her by her grandmother. She continued the practice of keeping a diary until she was no longer able to write at age 94. In 1917, Charles Henry Burr's appointment as a consultant to the British government caused the family to relocate from Philadelphia to London. During the two years that Burr Thompson resided in London before beginning her studies at Bryn Mawr, she was tutored in classics at her father's insistence. Though she was passionate about writing, painting and math, at Bryn Mawr Burr Thompson became deeply fascinated by the classical world. She was exposed to the teachings of Rhys Carpenter, who sparked her interest in Hellenistic sculpture, and Mary H. Swindler. In 1923, Burr Thompson graduated from Bryn Mawr summa cum laude as the first student to attain a degree in classical archaeology and Greek. She earned the prestigious European Fellowship, which helped fund her studies at the American School of Classical Studies in Athens (ASCSA) the following two years.

While she was at ASCSA, she participated in excavations headed by Carl Blegen at Philus and Hetty Goldman at Eutresis. In 1925, Burr Thompson noticed laborers at Dendra removing a large stone which she recognized as the entrance way lintel of a tholos – a beehive shaped tomb from the Late Bronze Age. The tholos proved to be the burial place of the king, queen, and princess of Midea. Burr Thompson told the Bryn Mawr Alumnae Bulletin that her accomplishments seem "very modest compared with the promise I ventured under Pem Arch long ago, to find another Tut-Ank-Amen tomb for Bryn Mawr. And yet I did find a king's tomb … and I did find as much pleasure, interest and zest in archaeology as Bryn Mawr ever promised me."

In 1925, she returned to the United States. She received her Ph.D. from Bryn Mawr in 1931, after spending six years writing a dissertation concerning her specific area of interest, Greek terracotta. She catalogued the 117 Hellenistic terracotta figures owned by the Boston Museum of Fine Arts from Myrina on the Southwest coast of Turkey. When the curator of the MFA declined publication of her dissertation, she had it published privately in Austria.

Burr Thompson returned for one more year of study at ASCSA in 1931. In 1932, she became the first woman fellow of the Athenian Agora excavations. She met and married Canadian archaeologist Homer A. Thompson, the dig's assistant director of field work, two years later. The pair moved to Canada when Thompson accepted positions as the curator of the classical collection at the Royal Ontario Museum of Archaeology and assistant professor in fine arts at the University of Toronto. Despite the birth of twin daughters in 1935 and another daughter in 1938, Thompson and Burr Thompson continued to return to the Agora each summer. In 1936, Burr Thompson discovered the garden of the Temple of Hepaistos, and became an expert on the garden lore of Greece, Babylon, Italy, and Egypt. When her husband volunteered for Canadian Navy during WWII, Burr Thompson took over the responsibility of teaching his courses in Greek and Roman art, demanding and receiving the same pay that he had received. While teaching at the University of Toronto, Burr Thompson was also a contributing editor to the Canadian Classical Association's journal, The Phoenix, and organized Greek war relief activities in Toronto

In 1946 Thompson accepted the chair vacated by Hetty Goldman at the Institute for Advanced Study in Princeton. Burr Thompson served as the acting director of Royal Museum of Ontario during the year of 1946 before moving to the United States to join her husband. At Princeton, she maintained an office at the Institute for Advanced Study, where she continued to write, research, and publish articles. In 1948, she published her translation of 6th and 7th century Greek lyrics, Swans and Amber. Beginning 1952, a series of important articles by Burr Thompson on Agorean terracottas were published in Hesperia . From 1953 on, Burr Thompson held positions as a visiting professor at Bryn Mawr, Oberlin, Penn, Princeton and universities in Australia. After 15 years of writing and research, she published Troy: The Terra-Cotta Figurines of the Hellenistic Period, in 1963. She was awarded the Gold Medal for distinguished achievement by the American Institute of Archaeology in 1987. Burr Thompson died in 2001 at the age of 101.

The Dorothy Burr Thompson papers consist of the personal papers of Dorothy Burr Thompson (Ph.D. 1931), a classicist interested in Greek terracotta. The collection, which ranges from 1912-1991, consists of diaries, correspondence, and professional papers.

The collection is divided into three series: "Series I: Diaries, 1912- 1969," "Series II: Personal Correspondence, 1921-1975," and "Series III: Professional Papers."

"Series I: Diaries, 1912-1969" is made up of 46 diaries, beginning in 1912 and ending in 1969. The diaries largely contain descriptions of her personal life, records of her daily activities, and descriptions of her travels. Throughout the course of her life, Dorothy Burr Thompson kept a diary. Though the length and regularity of her entries varies, she rarely fails to account for any period of time longer than several months. Burr Thompson's short but regular diary entries from the years 1912 – 1914 discuss her relationships with her friends and family, her experiences at school, and chronicle her trips. She often supplements her entries with postcards, newspaper clippings, ticket stubs, and her own drawings. In the year 1914, at age 13, she writes about the Grand Tour of Europe that she undertook with her family. While abroad, she observes the beginning of WWI. At one moment during her trip from Geneva to Paris she remembers "realizing that I was really in the European war. It was a strange feeling." In her diaries from her teenage and college years Burr Thompson's lengthy entries are largely preoccupied her struggle to discover her "genius" and the forge relationships with those around her. She writes of her desire to attain, "worth in the world – the feeling that you have done something in the way of use or beauty or help, that you will not be forgotten – that is my youthful ambition." In her diaries from 1919 – 1923, concerning her time at Bryn Mawr, she describes her adjustment to college life. She struggles with choosing between the study of literature, writing, mathematics, and acting and describes her developing interest in archaeology. Burr Thompson's post-college diaries begin with an account of her two years at the American School of Classical Studies in Athens (1923 – 1925). Her entries are more frequent, but shorter, than those in her previous diaries, though their preoccupations remain the same. She writes about excavations, Greece, and her growing love for the lifestyle of the people she observes there. In 1925 she writes that she is more absorbed in her work and her diary entries, though almost daily, are on average three sentences of disjointed thoughts or observations. In her 1926 – 1932 diaries, years in which she was writing her dissertation, her entries are longer and relate to her personal life and the progress of her work. In a diary which covers the years 1933 – 1938, she discusses her work as a fellow at the Agora excavation in Athens, the development of her relationship with Homer A. Thompson, the birth of their daughters, and their life in Toronto. A single diary contains the years 1939 – 1955. A little over half of the dairy consists of entries from the war years. Burr Thompson writes about once every month, sometimes once every two or three months, but her entries are usually extensive. In the late 1950s and 1960s, the diaries themselves are smaller. Though her entries are more frequent, they are shorter and more hurried. They deal mainly with daily occurrences, her travels, and her work, and sometimes include her agenda for a trip or list of her expenses. The last diary is from 1969. Burr Thompson's diaries from this point forward are still with her family. "Series II: Personal Correspondence" is largely comprised of letters from Dorothy Wyckoff. Wyckoff graduated from Bryn Mawr in 1921 with a degree in Latin and Greek. After graduating, she spent 1922-1923 as a graduate student in Latin at Bryn Mawr. She resigned from school and spent 1924 studying art in New York City at the Art Students League. She returned to Bryn Mawr in 1925 to pursue her masters in Geology from Bryn Mawr. After receiving her master in 1928, fellowships allowed her to spend two years studying at the University of Oslo. She returned to Bryn Mawr in 1930 and received her doctorate in Geology in 1932. She taught Geology at Bryn Mawr from 1933 until her retirement in 1966. During WWII, she organized training in photogrammetry and mapping and produced "terrain diagrams" for the Military Geology Unit of U.S Geological Survey, which were used to plan assault operations. About 74 of Dorothy Wyckoff's letters to Dorothy Burr Thompson span the years 1921 – 1930. Two letters are undated, and one is from 1943. She sent daily letters from October 2, 1922 until November 6th, 1922 (20 letters total). Burr Thompson was ill and absent from school for the beginning of her senior year and Wyckoff was at Bryn Mawr as a graduate student taking a course in Latin Composition. From 1923 onward, Wyckoff writes every couple of months. Wyckoff describes her personal and intellectual life during the years following her graduation, during her time as a graduate student at Bryn Mawr, during her summers at camp in Vermont, and during the years she spent abroad in Oslo. One letter from 1943 is Wyckoff's side of a discussion between her and Burr Thompson about teaching and the moral issue of colleges doing war work for the government. In some of her letters, Wyckoff includes snapshots of nature and drawings. Burr Thompson's personal correspondence also includes six letters from Rhys Carpenter spanning 34 years. They are short notes, sent about once every 10 years. They mainly serve the purpose, in Carpenter's words, of keeping each other "au courant," though they are not extremely personal or detailed. The letters sometimes mention matters related to Burr Thompson's work, her husband's work, or Carpenter's own work. Occasionally Carpenter includes a quotation in Greek. More of his letters can be found in the professional correspondence section. Additionally, her correspondence includes one letter from M. Carey Thomas. The letter was written in 1926 and deals with a controversy at the American School of Classical Studies. The personal correspondence section also includes a folder of five photographs of Burr Thompson, four of which were taken from her diaries. The folder contains two portraits, one at her wedding, a photo of Burr Thompson at with her newborn daughters, a photo from her time in Athens, and a portrait of the staff of the Agora excavations.

"Series III: Professional Papers" contain Dorothy Burr Thompson's professional papers from the 1950s to the early 1990s. Boxes 5-9 are comprised of professional correspondences grouped by correspondent or subject matter, as well as research and lecture notes. They are, for the most part, arranged in the same order they came in or loosely according to subject. They are not arranged according to year. Most of the materials are in English, but there are a few letters in Greek, German, and French. Box 10 contains folders of mainly research related images of terracottas. Additionally, it includes several folders of photos, postcards, and Christmas cards from desk. Box 11 contains binders of research notes arranged by subject or by country. Box 12 houses a number of binders of notes for classes she taught at the University of Pennsylvania, Bryn Mawr, and Columbia. Other binders in box 12 include transcripts of lectures, papers and catalogues by others. Box 13 contains a series of tag photos of faience and an envelope of research related photos, negatives and slides from Burr Thompson's desk.

Burr Thompson's diaries and correspondence provide an extensive, intimate view into Burr Thompson's student life, travels, archaeological work, and personal relationships. Her professional papers provide insight into her research and academic work. This collection is an invaluable resource, not only for those interested in Burr Thompson's research on ancient terracotta art, but also for the way in which it illuminates her personal life, her experiences, and her opinions on many of the critical historical events of the twentieth century.

Digitized versions of Volumes 13-15 of the Dorothy Burr Thompson diaries are available for view on Triptych at

Bryn Mawr College
Finding Aid Author
Lavanya Jayakar, Mae Carlson, Melissa Torquato
Finding Aid Date
2010 June 16
Access Restrictions

This collection is open for research.

Use Restrictions

The Dorothy Burr Thompson papers are the physical property of Bryn Mawr College Special Collections. Literary rights, including copyright, belong to the authors' legal heirs and assigns.

Collection Inventory

Physical Description

1.5 linear ft.

August 19 – 26, 1912.
Box 1 Volume 2
January 1 – March 15 and September 22 - December, 1914.
Box 1 Volume 3
April 21 – June 21, 1914.
Box 1 Volume 4
June 22 – September 1, 1914.
Box 1 Volume 5
January 1 – December 10, 1915.
Box 1 Volume 6
December 10, 1915 – November 20, 1916.
Box 1 Volume 7
March 11 – October 2, 1917.
Box 1 Volume 8
October 2, 1917 – April 11, 1918.
Box 1 Volume 9
December, 1916 – April, 1919 (sporadic).
Box 1 Volume 10
April 2 – September 9, 1918.
Box 1 Volume 11
September 10 – October 12, 1918.
Box 1 Volume 12
September 22, 1919 – June 14, 1920 (sporadic) (BMC).
Box 2 Volume 13
August 8, 1920 – April 9, 1922.
Box 2 Volume 14
April 12, 1922 – August 24, 1924.
Box 2 Volume 15
July 26 – November 24, 1923.
Box 2 Volume 16
November 25, 1923 – November 15, 1924.
Box 2 Volume 17
November 16, 1924 – July 14, 1925.
Box 2 Volume 18
September 9, 1924 – September 24, 1925.
Box 2 Volume 19
January 1 – December 25, 1925.
Box 2 Volume 20
September 28, 1926 – September 27, 1930.
Box 2 Volume 21
January 1 – December 13, 1927.
Box 2 Volume 22
September 5, 1931 – July 6, 1932.
Box 2 Volume 23
July 7 – December 3, 1932.
Box 2 Volume 24
November 23, 1930 – October 6, 1932.
Box 2 Volume 25
December 3, 1932 – November 6, 1933.
Box 2 Volume 26
September 23 – November 5, 1932 (folder).
Box 2 Volume 26
November 7, 1933 – December 18, 1938.
Box 3 Volume 27
August 15, 1934.
Box 3 Volume 28
January 10, 1936 – September 4, 1937.
Box 3 Volume 29
January 10, 1938 – July 26, 1939 (+ 2 photos of DBT).
Box 3 Volume 30
August 15, 1939 – March 5, 1955.
Box 3 Volume 31
June 14 – September 11, 1948 (+ 1 photo of DBT).
Box 3 Volume 32
June 29 – June 4, 1953.
Box 3 Volume 33
April 12 – September 8, 1954.
Box 3 Volume 34
June 24 – September 13, 1955.
Box 3 Volume 35
June 30 – September 16, 1956.
Box 3 Volume 36
January 18 – July 2, 1958.
Box 3 Volume 37
February 6 – September 9, 1959.
Box 3 Volume 38
September 28, 1959 – May 28, 1960.
Box 3 Volume 39
May 29, 1960 – June 25, 1960 (folder).
Box 3 Volume 39
April 18 – September 16, 1961.
Box 3 Volume 40
March 7 – September 23, 1962.
Box 3 Volume 41
May 31 – July 10, 1963.
Box 3 Volume 42
June 1 – September 20, 1963.
Box 3 Volume 43
April 11 – September 25, 1964.
Box 3 Volume 44
December 22 – June 28, 1965.
Box 3 Volume 45
November 8 – 14, 1964?.
Box 3 Volume 46
June 29, 1965 – August 15, 1969.
Box 3 Volume 47

Rhys Carpenter and M. Carey Thomas.
Box 4 Folder 1
Dorothy Wyckoff (2 undated letters).
Box 4 Folder 2
Dorothy Wyckoff (1921-1922).
Box 4 Folder 3
Dorothy Wyckoff (1923-1924).
Box 4 Folder 4
Dorothy Wyckoff (1925-1926).
Box 4 Folder 5
Dorothy Wyckoff (1927-1928).
Box 4 Folder 6
Dorothy Wyckoff (1927-end).
Box 4 Folder 7
Personal Photographs.
Box 4 Folder 8

AIA: Explanatory notes on Pergamum.
Box 5 Folder 1
Papers related to Troy: the Terracotta Figurines of the Hellenistic Period.
Box 5 Folder 2
Peter Fraser: Correspondence on Faience.
Box 5 Folder 3
Misc. Correspondence 1969-72.
Box 5 Folder 4
Shelley C. Stone to DBT.
Box 5 Folder 5
Ruth Gais (McGregor).
Box 5 Folder 6
ACLS application & accounts.
Box 5 Folder 7
Misc. Correspondence 1973-80.
Box 5 Folder 8
Students to DBT 1973-80.
Box 5 Folder 9
Attic figurines article.
Box 5 Folder 10
Clairève Grandjouan to DBT.
Box 5 Folder 11
"A Dove for Dione" manuscript.
Box 5 Folder 12
Box 5 Folder 13
"A Bronze Dancer from Alexandria" article.
Box 5 Folder 14
"The origin of Tanagras" lecture.
Box 6 Folder 1
"Fact & Fancy at Tanagra" lecture.
Box 6 Folder 2
Tanagra lectures.
Box 6 Folder 6
Misc. notes.
Box 6 Folder 4
Coroplast Diphilos & misc.
Box 6 Folder 5
Basel Head.
Box 6 Folder 6
House of Simon.
Box 6 Folder 7
Ancient shopping center.
Box 6 Folder 8
"A Dove for Dione"-early notes.
Box 6 Folder 9
"The Value of Terracotta".
Box 6 Folder 10
Alabastra photographs.
Box 6 Folder 11
"Les Ateliers d'Athens".
Box 6 Folder 12
Ptolemy-related articles.
Box 6 Folder 13
Jucker & misc.
Box 6 Folder 14
Faience correspondence.
Box 6 Folder 15
Terracotta notes.
Box 6 Folder 16
Ptolemaic Oinochoai correspondence.
Box 6 Folder 17
Images for "A Numismatic Commentary on Ptolemaic Cult Oinochoai".
Box 7 Folder 1
Plaster (ΠANNYXIΣ).
Box 7 Folder 2
Minor Arts film notes.
Box 7 Folder 3
International Federation of University Women.
Box 7 Folder 4
Baldwin Seminar (Oberlin) correspondence.
Box 7 Folder 5
Potsherd radioactivity analysis.
Box 7 Folder 6
AIA fundraising.
Box 7 Folder 7
Nouvelles Fouilles de l'Agora.
Box 7 Folder 8
Warrior head notes.
Box 7 Folder 9
Upenn inventory.
Box 7 Folder 10
Benachi Correspondence.
Box 7 Folder 11
"Quae Saga; Quis Magus" &c.
Box 7 Folder 12
1982 AIA meeting papers.
Box 7 Folder 13
Throne of Xerxes.
Box 7 Folder 14
Portrait of Arsinoe.
Box 7 Folder 15
Box 7 Folder 16
"Athenian Citizen" lecture.
Box 7 Folder 17
Alexandria Museum.
Box 7 Folder 18
"Primitive Greek Statue" article.
Box 8 Folder 1
Gallus & Tazza Farnese.
Box 8 Folder 2
Tazza Farnese Correspondence.
Box 8 Folder 3
Tazza Farnese Gallus manuscript.
Box 8 Folder 4
Tazza Farnese Correspondence and Symposium/Lecture Correspondence.
Box 8 Folder 5
Tazza Farnese Manuscript.
Box 8 Folder 6
Additions to "Mon Ill Com".
Box 8 Folder 7
Larissa Bonfante correspondence.
Box 8 Folder 8
"Quae Saga; Quis Magus" & "The Poet Inspired".
Box 8 Folder 9
Tazza Farnese-Berlin lectures.
Box 8 Folder 10
Tanagra notes and writing.
Box 8 Folder 11
"Pygmies & Dwarves, Cranes & Toads".
Box 8 Folder 12
"The potter at work in Ancient Athens" lecture 1975.
Box 9 Folder 1
Publicity for Swans & Amber &c.
Box 9 Folder 2
Female Statues.
Box 9 Folder 3
Misc. notes and correspondence (1953-91).
Box 9 Folder 4
Terracottas from Myrinia.
Box 9 Folder 5
Misc. correspondence (1975-91).
Box 9 Folder 6
Box 9 Folder 7
Correspondence & Reviews by DBT.
Box 9 Folder 8
Review notes.
Box 9 Folder 9
Reviews by DBT 1969-72.
Box 9 Folder 10
Misc. correspondence (1952-91) & notes.
Box 9 Folder 11
DBT from H. Goldman: Terracottas, Halai Acropolis Terracottas (to go to BMC) (from The Institute for Advanced Study, Princeton, NJ).
Box 10 Folder 1
Halae Terracotta Sculpture (to go to BMC).
Box 10 Folder 2
Halae, Necropolis Terracottas (to go to BMC).
Box 10 Folder 3
Tazza Farnese Pix (from Elizabeth Rosen).
Box 10 Folder 4
Development of the automobile.
Box 10 Folder 5
Roman Terracottas: Grotesques.
Box 10 Folder 6
Roman Terracottas: Roman tcs. from the Agora (most unclipped and unnumbered).
Box 10 Folder 7
Roman Terracottas: Roman tcs. from Asia Minor and other areas (1974).
Box 10 Folder 8
Roman Terracottas: Misc.
Box 10 Folder 9
Box 10 Folder 10
Sculpture (Greek, Roman).
Box 9 Folder 11
Box 10 Folder 12
Terracottas by type.
Box 10 Folder 13
Greek/Aegean (exc. Hellenistic) (views and objects).
Box 10 Folder 14
Misc.: Plasters, Bone, etc.
Box 10 Folder 15
VARIA (Mosaics, painting, architectural frags. and buildings) (only Greek, Roman, Graeco-Egyptian).
Box 10 Folder 16
Egypt: Graeco-Egyptian: Grotesques/Caricatures, Females, Children, Divinities.
Box 10 Folder 17
Egypt: Graeco-Egyptian: Negroes, Misc., Males, Bronzes: Ptolemies.
Box 10 Folder 18
Near East, Afghanistan, India, Africa.
Box 10 Folder 19
North and South America (views and objects).
Box 10 Folder 20
Far East and Australia (views and objects).
Box 10 Folder 21
From DBT's Desk (Photos, Negatives, Slides): Photos.
Box 10 Folder 22
From DBT's Desk: Postcards, X-mas cards (1).
Box 10 Folder 23
From DBT's Desk: Postcards, X-mas cards (2).
Box 10 Folder 24
From DBT's Desk: Postcards, X-mas cards (3).
Box 10 Folder 25
"H-T: Holland, Iran, Israel, Italy, Scotland, Sweden, Switzerland, Turkey".
Box 11 Folder 1
"Religion notes: Cults (by author) Epigraphical evidence and literary evidence".
Box 11 Folder 2
"Fig. Notes I: Terracotta figurines A-N".
Box 11 Folder 3
"Fig. Notes II: Terracotta figurines P-Z".
Box 11 Folder 4
"Alexandria: Painting, minor arts, diffusion.".
Box 11 Folder 5
"Alexandria: Faience, portraits".
Box 11 Folder 6
Alexandria: History, Topography.
Box 11 Folder 7
Papers inserted into the front of binder 8. 1st page: "Frieze sculptures attributed to Ares Temple 10 groups of notes" (folder).
Box 11 Folder 8
"Notes on agora subjects".
Box 11 Folder 8
"Agora" 1st page: "Fragment of back of head." (also contains a typewritten catalogue) (folder).
Box 11 Folder 9
"Notes on non-agora subjects".
Box 11 Folder 10
1st page: "Slides to be made".
Box 11 Folder 11
"A-F: Afghanistan, Australia, Austria, Belgium, Canada, Denmark, Egypt, England, France".
Box 11 Folder 12
Box 11 Folder 13
1st page: "Amherst Mass. Library of art. Museum".
Box 11 Folder 14
Box 11 Folder 15
"Greek sites" (notebook).
Box 11 Folder 16
"Archeology IIab" 1st page: "UPenn-Classical Archeology 501 fall 1953".
Box 11 Folder 1
"Archeology IIc" 1st page: "Archeology 1c 1946-47".
Box 12 Folder 2
"Series of lectures" loose pages from binder 18 (folder).
Box 12 Folder 2
"Archeology III" 1st page: "Arch 3: Introduction to Greek Archeology, Hellenistic Period. 1935-36".
Box 12 Folder 3
"Archeology IV" 1st page: "Latin & Poss.".
Box 12 Folder 4
"Minor Arts" 1st page: "BMC 1957 seminar on Minor Arts" .
Box 12 Folder 5
1st page: "Arch. 2a-Intro to Classical Art 1935-36".
Box 12 Folder 6
Box 12 Folder 7
1st page: "Columbia University department of Art History & Archaeology 1968-69".
Box 12 Folder 8
"Agora Excavations: Coins from Hellenistic Deposits G.R. Edwards & J.H. Kroll, 1971".
Box 12 Folder 9
"Tazza Farnese lecture".
Box 12 Folder 10
"Attic terracottas-Nicholls".
Box 12 Folder 11
"Karla Berger: Terracotta half-figures" Master's thesis.
Box 12 Folder 13
"Ceramic faisance oinochoai & portrait catalogue".
Box 12 Folder 13
"J. Travelos: Athens (Trans. by R. E. Wycherley)".
Box 12 Folder 14
Faience Photographs.
Box 13 Box 1
Photos, negatives, and slides from DBT's desk.
Box 13 Folder 2

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