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Start Over Subject Exhibitions Year 1945 to 1949

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Director's Exhibition records, 1915-1983 (inclusive)

Extent:
25.42 linear feet (61 document boxes)
Abstract:
The Director's Exhibition records of the Philadelphia Museum of Art contain documentation of exhibition activities at the Museum. These records are not a comprehensive account of exhibitions held by the Museum, but an ongoing file produced by the executive office in the course of administering exhibitions for the Museum, kept in the Director’s office between 1915 and 1981. Additional exhibition records may be located within a specific Director’s records, or in Curatorial records; Museum Directors during this period included Edwin Atlee Barber, Langdon Warner, Fiske Kimball, Henri Marceau, Evan Turner, and Jean Sutherland Boggs.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Director's Exhibition Records, 1915-1983 (inclusive)

Extent:
25.42 linear feet (61 document boxes)
Abstract:
The Director's Exhibition records of the Philadelphia Museum of Art contain documentation of exhibition activities at the Museum. These records are not a comprehensive account of exhibitions held by the Museum, but an ongoing file produced by the executive office in the course of administering exhibitions for the Museum, kept in the Director’s office between 1915 and 1981. Additional exhibition records may be located within a specific Director’s records, or in Curatorial records; Museum Directors during this period included Edwin Atlee Barber, Langdon Warner, Fiske Kimball, Henri Marceau, Evan Turner, and Jean Sutherland Boggs.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Julien Levy Gallery records, 1857-1982 (inclusive)

Extent:
19.0 linear feet (46 containers)
Abstract:
Julien Levy (1906-1981) was a pioneering New York art dealer of the 1930s and 1940s. He was introduced to the art world in Paris by Marcel Duchamp, who he met in New York in 1926. In Paris he met photographers and artists, including Man Ray, Berenice Abbot, and his future wife Joella Haweis, daughter of Dadaist muse Mina Loy. Upon his return to the United States, Levy worked briefly at the Weyhe Gallery before opening the Julien Levy Gallery at 602 Madison Avenue. In 1932, Levy mounted “Surrealisme,” an exhibition that introduced the Surrealist art movement to New York. This collection documents the career of prominent art gallery owner Julien Levy. The records date from 1857 to 1983 and include correspondence, exhibit announcements and invitations, scrapbooks, gallery financial ledgers, audio-visual materials, and personal papers such as letters, diaries, appointment books and calendars. The material in this collection reflects the course of Levy’s life, beginning with childhood...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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The Stella Kramrisch papers, 1921-1998 (inclusive)

Extent:
60.0 linear feet
Abstract:
As a teacher, lecturer, curator and prolific writer, Dr. Stella Kramrisch (1898-1993) devoted nearly 70 years to the study and appreciation of Indian art. She served as the curator of Indian art at the Philadelphia Museum of Art from 1954 until her death in 1993. The Stella Kramrisch papers document her activities, correspondence and publications as a collector and historian of Indian art. The records in this collection date from 1921 to 1998 and contain information about the art objects in Stella Kramrisch’s personal collection (which were later donated to the Philadelphia Museum of Art), and her publications and research. There is also a large collection of photographs of Indian architecture, paintings and sculpture. The majority of the collection is printed material related to Kramrisch’s research and scholarship; the breadth of the materials in this collection attests to her seminal influence on and ground-breaking contributions to Indian art scholarship.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Benjamin Franklin Tercentenary Records, 1862-2008 (inclusive) 2001-2006 (bulk)

Extent:
12 cubic feet
Abstract:
To celebrate Benjamin Franklin's 300th birthday, which fell on January 17, 2006, five institutions in the Philadelphia area formed in 2000 an alliance named Benjamin Franklin Tercentenary Consortium. The Consortium initiated a grand multifaceted and internationally-involving scenario for the celebration. The full name of the project is Benjamin Franklin Tercentenary, or "Ben Franklin 300, 1706-2006." This collection documents the organization, planning and operation of the Benjamin Franklin Tercentenary from the time the BFT Consortium was established in 2000 till the project was wrapped up in mid 2008.

Held at: University of Pennsylvania: University Archives and Records Center [Contact Us]

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A. Edward Newton collection, 1892-1941 (bulk) 1808-1966 (inclusive)

Extent:
8.0 linear feet
Abstract:
This collection consists of the personal and professional papers of Philadelphia book collector A. Edward Newton (1864-1940). The bulk of the materials are book manuscripts, correspondence, keepsakes, and newspaper clippings, with published volumes cataloged separately. The collection relates to his book collecting activities and was primarily compiled by his son, E. Swift Newton, with additional material given by various donors.

Held at: Free Library of Philadelphia: Rare Book Department [Contact Us]

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Julien Levy Gallery records, 1857-1982 (inclusive)

Extent:
19.0 linear feet (46 containers)
Abstract:
Julien Levy (1906-1981) was a pioneering New York art dealer of the 1930s and 1940s. He was introduced to the art world in Paris by Marcel Duchamp, who he met in New York in 1926. In Paris he met photographers and artists, including Man Ray, Berenice Abbot, and his future wife Joella Haweis, daughter of Dadaist muse Mina Loy. Upon his return to the United States, Levy worked briefly at the Weyhe Gallery before opening the Julien Levy Gallery at 602 Madison Avenue. In 1932, Levy mounted “Surrealisme,” an exhibition that introduced the Surrealist art movement to New York. This collection documents the career of prominent art gallery owner Julien Levy. The records date from 1857 to 1983 and include correspondence, exhibit announcements and invitations, scrapbooks, gallery financial ledgers, audio-visual materials, and personal papers such as letters, diaries, appointment books and calendars. The material in this collection reflects the course of Levy’s life, beginning with childhood...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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James Brewton papers, 1902-2014 (inclusive) 1951-1967 (bulk)

Extent:
2 linear feet (7 boxes, 5 oversize folders) and 1.2 gigabytes
Abstract:
James Edward Brewton (1930-1967) was an American painter and printmaker who attended the Pennsylvania Academy of the Fine Arts and exhibited works in Philadelphia and in Denmark. Brewton's early works are said to be expressionist and his later works incorporate graffiti and the influences of "pataphysics." His life was cut short by suicide at the age of 37. The collection is arranged in four series: I. Personal material; II. Artworks; III. Books and audiovisual materials; and IV. Artifacts and memorabilia.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Ursula Sternberg-Hertz papers, 1923-2014 (inclusive) 1950-2000 (bulk)

Extent:
23 linear feet (39 boxes)
Abstract:
Ursula Sternberg-Hertz (1925-2000) was a Philadelphia based artist who lived in Germany, the Netherlands, Belgium, England, and Canada before immigrating to the United States in 1971 with her husband, conductor Jonathan Sternberg. The collection documents her artistic career, with artwork ranging from rough sketches to finished pieces, using acrylics, charcoal, markers, pen-and-ink, stamps, watercolor, and other experimental mediums. She produced artwork on paper, metal, fabric, and leather; in sketchbooks; and on objects such as lampshades and boxes. In addition to her artwork, there is also family and personal material; correspondence; diaries, including an extraordinary run of her "visual diaries" from the early 1940s and from the 1970s until her death; and material related to her exhibits.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Collection of World's Fair ephemera, 1933, 1964-1965 (inclusive)

Extent:
0.2 linear feet (1 box)
Abstract:
A Century of Progress International Exposition, also known as the Chicago World's Fair, was from 1933-1934 in Chicago, Illinois. In 1964, New York hosted a World's Fair based upon the theme of "peace through understanding." This Collection of World's Fair ephemera comprises maps, pamphlets and souvenirs from both the 1933, 1964 fairs hosted by Chicago and New York.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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