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Dalton Dorr records, 1876-1904 (inclusive)

Extent:
4.25 linear feet (10 document boxes)
Abstract:
Dalton Dorr played a key role in the early years of the Pennsylvania Museum and School of Industrial Art (later known as the Philadelphia Museum of Art). Dorr was elected Secretary of the Corporation in 1880. In 1888 he acted as both Secretary and Curator, and by 1892 he was performing the duties of Secretary, Director, and Curator. In 1899 William Platt Pepper took over as Director of the Museum, and Dorr continued on as Curator and Secretary. Dalton Door died on February 26, 1901. Shortly after, Edwin Atlee Barber assumed the roles of Secretary and Curator. This collection contains letter books, dating from 1876 to 1904, containing the correspondences of Dorr, Pepper, and Barber. The correspondence pertains to the Centennial exposition, Museum collections, acquisitions, exhibitions, staff, and repairs to Memorial Hall, as well as information regarding the formation of the Museum and its associated schools.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Langdon Warner records, 1917-1923 (bulk) 1916-1929 (inclusive)

Extent:
4.58 linear feet (11 document boxes)
Abstract:
Langdon Warner, a scholar of Asian art and an archeologist, was Director of the Pennsylvania Museum and School of Industrial Art from 1917 to 1923. Warner also served as Curator of the Wilstach Collection (the Wilstach family art collection was bequeathed to the city in 1892 and custodianship was transferred to the Museum in 1917). While serving as Director of the Museum Warner, traveled extensively in Asia and was often away from the Museum. Almost immediately after taking the job, he departed for Japan where he set about acquiring works of art that "were thought too good to lose." The Langdon Warner records contain correspondence of Langdon Warner, Museum Director between 1917 and 1923, and E. Hamilton Bell, Acting Director during Warner’s absence. At the time, the Museum's collections were housed in Fairmount Park's Memorial Hall. The correspondence mainly concerns the Museum's facilities, collections, exhibitions and purchases. This collection is divided into two series: Series...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Edwin Atlee Barber Papers, 1885-1916 (inclusive)

Extent:
1.5 linear feet
Abstract:
Edwin Atlee Barber was Director/Curator of the Philadelphia Museum of Art from 1901 to 1916, and Honorary Curator of American Pottery and Porcelain from 1893 to 1916. His great interest was pottery, porcelain, and ceramics, primarily early American works. This collection contains a small selection of his writings and research about these topics.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Giuseppe Donato Papers, 1897-1965, undated (inclusive)

Extent:
6 linear feet
Abstract:
This collection consists primarily of personal correspondence between the French sculptor Auguste Rodin (1840-1917) and his former student Giuseppe Donato (1881-1965), who became a noted Philadelphia sculptor. There are approximately one dozen original items written by Rodin, and photocopied versions of the 30 pieces of correspondence sent by Donato. Letters from a few other individuals associated with Rodin are also included, as well as a small portrait photograph Rodin autographed to Donato and a clip of Rodin's hair. All 20 pieces of correspondence, including the notated calling cards, are in French. The 1965 obituary of Donato published in the Philadelphia Bulletin is also included.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Gloria Braggiotti Etting Photographs, 1935-1994, undated (inclusive)

Extent:
0.75 linear foot
Abstract:
Born in Italy's Tuscan region, author and photographer Gloria Braggiotti Etting easily made her home among Philadelphia's high society upon her marriage to artist Emlen Etting. Her photographs, taken primarily from the 1960s to 1980s, record some of the most prominent citizens, as well as noted artists, authors and celebrities the world-over. While some of the subjects Etting photographed are formally posed in portrait fashion, many are more candid as they casually mingle at black-tie dinners and other social gatherings. Etting did not take all of these photographs, although it is unclear how many. For many of the photographs, Etting identified each person. Few, however, are dated. Several pieces of correspondence are also included. Most are from American composer Ned Rorem, as well as a published score of his 1970 composition "Gloria."

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Graham Hood Papers of Bonnin and Morris Porcelain Manufactory, 1965-1976, undated (inclusive)

Extent:
1 linear foot
Abstract:
This collection consists primarily of correspondence curator and scholar Graham Hood generated during his 1965 to 1970 research of America's first porcelain manufactory, and during and after the publication of his book regarding the same. The work, entitled "Bonnin and Morris of Philadelphia: the first American porcelain factory, 1770-1772," was published in 1972. The collection also contains photographs, which include those used in the book, reports and other writings. The folder-level inventory included with the collection was created in 2002.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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