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Start Over Record Source Other PACSCL Partners Subject Artists Year 1850 to 1899

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Charles Morice papers, 1862-1970 (inclusive)

Extent:
9.0 boxes
Abstract:
Charles Morice was a prolific spokesman for the Symbolist movement. He was at times a poet, playwright, shipping clerk, literary critic, professor of literature, and lecturer. He collaborated in the founding of Mercure de France, the “organ of the purest Symbolism.” He attended Stéphene Maliarmé’a “Tuesdays,” weekly social gatherings of Symbolist writers and painters. While writing for Le Matin he was assigned to cover the death penalty debate. He corresponded with many famous artists on their thoughts on the death penalty. He also collaborated with the painter Paul Gauguin on his book Noa Noa, and with Auguste Rodin on his book Les Cathedrals des France. Morice wrote and had several unfinished manuscripts when he died on March 18, 1919. The collection of Morice’s papers comprises nine boxes and sixteen volumes. The collection is divided into printed material, his journals and notebooks which were called Petite...(see more)

Held at: Temple University Libraries Special Collections Research Center [Contact Us]

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William L. Lathrop papers, 1741-2000s

Extent:
12.25 linear feet
Abstract:
William Langson Lathrop (1859-1938) was an artist, teacher, and sailor. He helped establish the artists colony in New Hope, Bucks County, Pennsylvania. When he was not working on his own art or teaching others, he would sail on his boat The Widge. William L. Lathrop papers, 1741-2000s, consist of both original Lathrop papers and materials about him that were created or collected by his descendants. Materials include personal and professional/exhibition-related correspondence, exhibition materials, diaries, photographs, slides, scrapbooks, newspaper and magazine clippings, genealogical research on the Lathrop family, artworks, and other materials. There are some 18th century documents from the Langson family. Several items relate to Lathrop's boat, The Widge.

Held at: James A. Michener Art Museum Archives [Contact Us]

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Francis H. Schell drawings, circa 1850-1905

Extent:
3.67 linear feet
Abstract:
Francis H. Schell (1834-1909) was an artist, illustrator, and lithographer who worked out of Philadelphia, Pennsylvania and New York, New York. Many of Schell's works illustrating scenes from Civil War battles and camps were printed in Frank Leslie's Illustrated Newspaper from 1861 to 1865. Schell's work also appeared in The Century Magazine. The Francis H. Schell drawings, circa 1850-1905, consist primarily of original artwork with some prints and writings, all of which reflect Schell's career as an artist and illustrator. The collection mostly depicts the artist's interpretation of Civil War scenes and individuals, but other events and subject matter is also portrayed.

Held at: Philadelphia History Museum [Contact Us]

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Joseph F. A. Jackson papers, circa 1800-1945 (bulk 1890-1945)

Extent:
1.5 linear feet
Abstract:
Joseph Francis Ambrose Jackson (1867-1946) was an historian, lecturer, artist, and writer active in Philadelphia, Pennsylvania. Jackson wrote numerous articles for the Public Ledger relating to Philadelphia history and architecture, and authored several books and writings in other publications on the same subject. The Joseph F. A. Jackson papers, circa 1800-1945 (bulk 1890-1945), consist largely of scrapbooks and photographs. Some prints, drawings, and watercolors; books, pamphlets, and magazines; and a small amount of materials related to Jackson's books such as manuscripts and galleys are also present in the collection.

Held at: Philadelphia History Museum [Contact Us]

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Philadelphia Sketch Club records, 1860-2012 (inclusive)

Extent:
54.0 linear feet
Abstract:
The Philadelphia Sketch Club, founded in 1860, is America's oldest club for artists. Philadelphia Sketch Club records, 1860-2012, contains minute books, treasurer's reports, ledgers, receipts, dues books, membership applications, exhibition planning materials and catalogs, photographs, and many other records of the organization. A highlight of the collection is a box of Philadelphia Sketch Club member Christmas cards, most featuring original artwork, circa 1920-2004.

Held at: Philadelphia Sketch Club [Contact Us]

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Thornton Oakley collection of Howard Pyle and his students, 1887-1951 (bulk) 1841-1992 (inclusive)

Extent:
15.83 linear feet
Abstract:
The Thornton Oakley collection of Howard Pyle and his students covers the influential artistic career of Howard Pyle and several of his students, most notably Maxfield Parrish, Violet Oakley, and N.C. Wyeth. The collection includes a wide range of materials, which was collected and assembled by Pyle’s former student Thornton Oakley. There are tear sheets of artwork published in magazines, original illustrations, photographs, research notes, manuscripts, and correspondence. Besides Howard Pyle, artists well represented in this collection include Elizabeth Shippen Green, Jessie Wilcox Smith, George Harding, Violet Oakley, N.C. Wyeth, and a large collection of material on Maxfield Parrish. There is also a series dedicated to the children’s author and art historian, Henry Clarence Pitz, who researched and wrote The Brandywine Tradition about Pyle and his artistic influence. The collection’s primary strength is the collection of artwork by Pyle and his students, some of...(see more)

Held at: Free Library of Philadelphia: Rare Book Department [Contact Us]

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Glass plate negatives of Frank Taylor drawings, circa 1860-1926

Extent:
5.0 linear feet
Abstract:
Frank Hamilton Taylor (1846-1927) owned a lithography firm and served as a special artist for various newspapers and publications in Philadelphia, Pennsylvania. He wrote for several guidebooks and publications, but is best known for his drawings of Philadelphia published as Ever-Changing Philadelphia and Old Philadelphia in the 1910s. The Glass plate negatives of Frank Taylor drawings, circa 1860-1926, consist of nearly 250 full-plate glass negatives of sketches drawn by Taylor, mostly of building exteriors and street scenes in Philadelphia, with some sites in nearby areas.

Held at: Philadelphia History Museum [Contact Us]

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Benjamin Ridgway Evans prints, circa 1849-1890

Extent:
1.5 linear feet
Abstract:
Benjamin Ridgway Evans was an artist and draftsman active in Philadelphia, Pennsylvania in the mid- to late 19th century known for producing watercolors of the city's buildings and streets. The Benjamin Ridgway Evans prints, circa 1849-1890, consist of 125 artworks, mostly prints of drawings, but also a few watercolors, showing detailed views of buildings and streets in Philadelphia.

Held at: Philadelphia History Museum [Contact Us]

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Violette de Mazia papers, 1923-1988 (bulk) 1891-2013 (inclusive)

Extent:
50.0 linear feet
Abstract:
Violette de Mazia (1896-1988) was hired by Albert Barnes to teach at the Barnes Foundation in Merion, Montgomery Township, Pennsylvania in the mid-1920s. She worked closely with Barnes and many of his colleagues. In 1950, de Mazia was named the Barnes Foundation's Director of Education, and in 1951, after Barnes' death, she was appointed to its Board of Trustees. The Violette de Mazia papers, 1891-2013 (bulk 1923-1988), primarily consist of materials relating to Violette de Mazia's work at the Barnes Foundation on its campus in Merion (Montgomery County, Pennsylvania) as a teacher, the Director of Education, and a trustee. There is also a small amount of her personal papers in the collection. The collection is organized into series: I. Class materials, II. Letters and documents, III. Photographs, and IV. Resource materials.

Held at: Violette de Mazia Foundation [Contact Us]

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