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Start Over Repository Philadelphia Museum of Art Archives Online Content Not Available Year 1890 to 1894

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Julien Levy Gallery records, 1857-1982 (inclusive)

Extent:
19.0 linear feet (46 containers)
Abstract:
Julien Levy (1906-1981) was a pioneering New York art dealer of the 1930s and 1940s. He was introduced to the art world in Paris by Marcel Duchamp, who he met in New York in 1926. In Paris he met photographers and artists, including Man Ray, Berenice Abbot, and his future wife Joella Haweis, daughter of Dadaist muse Mina Loy. Upon his return to the United States, Levy worked briefly at the Weyhe Gallery before opening the Julien Levy Gallery at 602 Madison Avenue. In 1932, Levy mounted “Surrealisme,” an exhibition that introduced the Surrealist art movement to New York. This collection documents the career of prominent art gallery owner Julien Levy. The records date from 1857 to 1983 and include correspondence, exhibit announcements and invitations, scrapbooks, gallery financial ledgers, audio-visual materials, and personal papers such as letters, diaries, appointment books and calendars. The material in this collection reflects the course of Levy’s life, beginning with childhood...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Women's Committee of the Philadelphia Museum of Art Records, 1883-1989, undated (inclusive)

Extent:
14.5 linear feet
Abstract:
The collection documents the role of the Women's Committee of the Philadelphia Museum of Art in support of the Museum, its affiliates, and the Philadelphia arts community. The records illustrate approximately one hundred and twenty five years of successful service and leadership in planning various events and programs, and provide insight into the Women's Committee's untiring efforts, dedication, and expertise. The collection consists of minute books, scrapbooks, financial records, reports, and plans of events, marketing strategies, public relations, and special projects such as publishing a cookbook.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Mary Curran Papers, 1891-1958, undated (inclusive)

Extent:
10.5 linear feet
Abstract:
Mary Curran (1885-1976) devoted most of her professional life to some of the most progressive practices in social reform and relief during the first half of the 20th century. Her papers primarily document the significant role she played in the education of young working women, which segued into the promotion of modern art in the city of Philadelphia, Pennsylvania, and the management of the federal relief programs for artists in that state during most of the 1930s. The material is arranged in four series: I. Working women's clubs; II. New Students League and the Little Gallery of Contemporary Art; III. Federal Art Project and earlier relief programs; and IV. Personal papers. The bulk of documentation consists of correspondence, clippings, photographs, artist application forms and related reports for federal relief work, and 15-years' worth of bulletins, catalogs and ephemera, primarily from Philadelphia and New York museums, galleries and art alliances. Correspondents include...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Daniel M. Williams Biographical Collection of George Grey Barnard, 1863-1969, undated (inclusive)

Extent:
8.5 linear feet
Abstract:
This collection documents the tireless efforts of journalist Daniel M. Williams to refine and publish a biography of the American sculptor and collector George Grey Barnard. While the project never came to fruition, the collection represents approximately 30 years of Williams's accumulated research and writings, and consists of correspondence, including some of Barnard's personal letters to his family, as well as clippings, ephemera and photographs regarding the artist's life and career as a sculptor and important collector of Medieval art and architecture. Works by Barnard documented here include his celebrated commissions, such as the monumental figural group for the Pennsylvania Capitol at Harrisburg, as well as his controversial depictions of Abraham Lincoln and the god Pan. References to Barnard's excursions to the French countryside in search of artifacts include his sale to John D. Rockefeller, Jr. of more than 600 pieces, which would collectively be housed and referred to as...(see more)

Held at: Philadelphia Museum of Art Archives [Contact Us]

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Dalton Dorr records, 1876-1904 (inclusive)

Extent:
4.25 linear feet (10 document boxes)
Abstract:
Dalton Dorr played a key role in the early years of the Pennsylvania Museum and School of Industrial Art (later known as the Philadelphia Museum of Art). Dorr was elected Secretary of the Corporation in 1880. In 1888 he acted as both Secretary and Curator, and by 1892 he was performing the duties of Secretary, Director, and Curator. In 1899 William Platt Pepper took over as Director of the Museum, and Dorr continued on as Curator and Secretary. Dalton Door died on February 26, 1901. Shortly after, Edwin Atlee Barber assumed the roles of Secretary and Curator. This collection contains letter books, dating from 1876 to 1904, containing the correspondences of Dorr, Pepper, and Barber. The correspondence pertains to the Centennial exposition, Museum collections, acquisitions, exhibitions, staff, and repairs to Memorial Hall, as well as information regarding the formation of the Museum and its associated schools.

Held at: Philadelphia Museum of Art Archives [Contact Us]

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