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Bill Goldberg photographs, playbills, and ephemera, 1972-2008 (inclusive)

Extent:
11 boxes ((10 document boxes, 1 oversized box, 1 large folder))
Abstract:
William (Bill) Goldberg (1937-2019?) performed in drag, going under the stage name "Mame," and performed as a supernumerary (non-singing or speaking role) in productions of the Opera Company of Philadelphia. He often attended and hosted parties with friends for anniversaries, birthdays, and other holidays; and attended plays, ballets, operas, and concerts. The collection contains a variety of material types that document Bill Goldberg's interests, hobbies, profession, and social life. The collection is divided into seven series: I. Small photograph albums; II. Large photograph albums and scrapbooks; III. Programs and playbills; IV. Ephemera; V. Correspondence; VI. Clippings; and VII. Oversized.

Held at: John J. Wilcox, Jr. LGBT Archives, William Way LGBT Community Center [Contact Us]

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Richard Wilson McCredy scrapbook of Philadelphia and New York City playbills, 1869-1906 (inclusive) 1869-1905 (bulk)

Extent:
0.2 linear_foot (1 volume)
Abstract:
The son of Thomas McCredy and Emma Dolores Wilson, Richard Wilson McCredy (1854-1924) was an iron merchant and alumnus of the University of Pennsylvania (Class of 1874). A gift by McCredy, this scrapbook consists of a collection of about 750 playbills and programs from Philadelphia and New York City, arranged in chronological order and pasted onto a volume of more than 200 pages.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Carolina Playmakers collection of playbills and programs, 1918-1953 (inclusive)

Extent:
1 linear_foot (4 boxes)
Abstract:
The Carolina Playmakers was the theatrical company in residence at the University of North Carolina, Chapel Hill, from 1918 to 1976, when it was succeeded by the PlayMakers Repertory Company. Although they often staged classic and contemporary plays, the Playmakers specialized in the writing and production of folk plays, a dramatic genre "concerned… with the legends, superstitions, customs, environmental differences, and the vernacular of the common people." The Carolina Playmakers collection of playbills and programs consists of about 350 items documenting the theatrical activities organized or sponsored by the Playmakers, Frederick H. Koch, and, more generally, the University of North Carolina, Chapel Hill, between 1918 and 1953.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Arthur Bloom research collection on Edwin Forrest, 1829-2018 (inclusive) 2014-2018 (bulk)

Extent:
2 linear feet (2 boxes)
Abstract:
Arthur Bloom (born 1939), an author and scholar of American theater, studied and wrote a book on Edwin Forrest (1806-1872), a prominent Philadelphia-born actor. This collection contains research materials for Bloom's work, Edwin Forrest: A Biography and Performance History (2019). These include some limited original materials by and related to Forrest, extensive printout copies of newspaper articles about Forrest, contemporary scholarly publications related to Forrest and American theater, and other research materials.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Ada Rehan papers, circa 1879-1918 (inclusive)

Extent:
3 boxes
Abstract:
The collection consists primarily of correspondence addressed to Ada Rehan but also includes some memorabilia, such as an analysis of Katharine in The Taming of the Shrew in Ada Rehan's hand, clippings, dedications, menus and invitations, and programs and playbills.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Edwin Forrest collection, circa 1815-1931 (inclusive)

Extent:
39 linear feet (76 boxes)
Abstract:
The Edwin Forrest Collection provides some documentation of the business career of Edwin Forrest (nineteenth-century American actor, noted for his Shakespearean roles), focusing in the main on the latter part of his career (the 1860s and 1870s). Though some private personal correspondence is housed in the collection, predominant is correspondence concerning various aspects of Forrest's finances; these are arranged by major investments or interests.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Learned collection on German-language theater, 1832-1898 (inclusive) 1873-1895 (bulk)

Extent:
35 boxes (+ 2 map drawers)
Abstract:
Comprises material relating to the production of German-language plays in Philadelphia, predominantly in the last quarter of the nineteenth century. Material includes printed and manuscript plays with annotations, which served as prompt books; manuscript scenarios; lists of props, as well as a few actual props; role books; librettos; musical scores; playbills; and selected issues of German-language theater newspapers published in Philadelphia. Also includes a catalog of the Theater-Leihbibliothek, handwritten by Theodor Bloch, owner of the lending library.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Arthur Hobson Quinn papers, 1801-1961 (inclusive) 1907-1960 (bulk)

Extent:
46.2 linear feet (93 boxes)
Abstract:
Arthur Hobson Quinn (1875-1960) was a professor and dean of English and History at the University of Pennsylvania and an internationally recognized authority on the history of American drama. This collection contains material representative of Quinn's entire professional life: correspondence, manuscripts of books and articles, lecture notes, reviews of contemporary plays, his collection of playbills and libretti, and material related to his research on Edgar Allan Poe and the American realist playwright James A. Herne.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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