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Start Over Form Photographs Form Correspondence Year 1970 to 1974

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Akhenaten Temple Project records, 1966-1978 (inclusive)

Extent:
10.0 linear feet (the akhenaten temple project records are contained in ten archival boxes of correspondence, reports, financial records, publicity and publication material, and contact sheets. drawings and negatives are housed separately.)
Abstract:
The Akhenaten Temple Project was the first computer project assumed by the University of Pennsylvania Museum. It was proposed in 1965 by Ray Winfield Smith, and in 1966 he began the project with the aid of IBM’s nascent computer technology. The IBM computer was abandoned in 1976. This collection spans Ray Winfield Smith’s entire involvement as director of the project 1968-1971, and begins the career of Dr. Donald B. Redford who acted as a consultant in 1971 and has been director since 1972. The records contain papers and photographs relating to the foundation of the Akhenaten Temple Project, and are divided into seven series: Financial; Correspondence and Reports; Publications and Publicity; Project Negatives; Photographs; Drawings; Misc.

Held at: University of Pennsylvania: Penn Museum Archives [Contact Us]

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John L. Cotter papers, 1934-1997 (inclusive)

Extent:
10.4 linear feet
Abstract:
John Lambert Cotter is widely considered to have been a pioneer in American historical archaeology in a career. He began his career, that spanned some sixty-five years, studying and working in traditional prehistoric archaeology, earnestly beginning his explorations in historical archaeology in the 1950s. The textual records from Dr. John L. Cotter consist of 26 boxes of correspondence, teaching materials, archaeological field notes, reports, and publications.

Held at: University of Pennsylvania: Penn Museum Archives [Contact Us]

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Piedras Negras, Guatemala expedition records, 1931-1939 (bulk) 1930-1973 (inclusive)

Extent:
10.0 linear feet
Abstract:
Piedras Negras is a Maya site in Guatemala particularly noted for the beautifully sculpted stelae and hieroglyphic inscriptions it has yielded. Between 1931 and 1939 the University of Pennsylvania Museum conducted extensive excavations at this site. John Allen Mason led the first two seasons of work at the site (1931–1932), and Linton Satterthwaite directed the remaining six seasons (1933–1939, excluding 1938). Most of the monuments at the Museum borrowed from Guatemala were returned in 1947; only Stela 14 and one leg from Altar 4 remain on display in the Museum today. The textual records from the excavations of Piedras Negras consist of 11 linear feet of correspondence, financial records, field notes and diaries, catalogs, and reports and publication materials. The arrangement of the records reflects the original order insofar as could be detected, and portions that had been separated over time were re-integrated into this scheme.

Held at: University of Pennsylvania: Penn Museum Archives [Contact Us]

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Sitio Conte, Panama expedition records, 1939-1942 (bulk) 1929-1970 (inclusive)

Extent:
1.5 linear feet
Abstract:
At the turn of the century, the Río Grande de Coclé changed course, revealing the site of a pre-Columbian cemetery when pottery and gold ornaments were washed out of the river banks. In 1940 the University of Pennsylvania Museum began to excavate Sitio Conte, which belonged to a private landowner, located in the province of Coclé. A very small portion of the pre-Columbian cemetery, estimated to cover four or five acres in its entirety, was selected for excavation. The expedition yielded 6,600 pounds of pottery and stone. The textual records consist of 1.5 linear feet of field notes, diaries, and object cards; correspondence; administrative records concerning contracts, expenses, transportation, and equipment; and unpublished and published reports and articles concerning findings. The arrangement of the records became apparent after some research, for the original order had been lost. Most of the original folder titles, however, have been maintained.

Held at: University of Pennsylvania: Penn Museum Archives [Contact Us]

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Caracol, Belize expedition records, 1950-1953 (bulk) 1948-1973 (inclusive)

Extent:
8.0 linear feet (the records are contained in sixteen archival boxes, six of which contain photographs, three small file boxes of card records, and some oversized drawings.)
Abstract:
Linton Satterthwaite, a professor in the Department of Anthropology at the University of Pennsylvania and Curator of the American Section of the University of Pennsylvania Museum of Archaeology and Anthropology, conducted three trips to Caracol, Belize in the 1950s to investigate a previously unknown site of Maya culture. While his primary interest was in Maya inscriptions and chronology, his journeys to Caracol yielded artifacts for the Museum, including twenty-six vessels of the early classic period, nine vessels of the late period, Stela 11, a new "giant glyph" altar, and the bottom portion of Stela 3. The Caracol expedition collection consists of 16 boxes of correspondence, field notes and notes on individual stela, altars, and stones, glyph decipherment and chronology data, information for publication, and photographs and drawings including contact sheets and photographs from Caracol, Benque Viejo, and Cayo X. Satterthwaite organized and catalogued the photographs according to...(see more)

Held at: University of Pennsylvania: Penn Museum Archives [Contact Us]

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Pennsylvania Ballet records, 1963-2004 (inclusive)

Extent:
91.0 linear feet (165 boxes and mapcase)
Abstract:
In 1962, Barbara Weisberger, a protégé of George Balanchine, started the School of the Pennsylvania Ballet to train dancers for her forthcoming dance company. The “Philadelphia Ballet,” later known as the Pennsylvania Ballet, was officially founded the following year. George Balanchine served as artistic advisor and the Ford Foundation provided the funds to help the struggling company establish itself. Based in Philadelphia, the Pennsylvania Ballet is still operational as of 2011, although it has undergone many changes in artistic direction and administration. The Pennsylvania Ballet records document the activities of the Pennsylvania Ballet Company, active from 1963 through 2011. The materials in this collection cover the years 1963 to 2004, with the bulk of materials dating from 1969 to 1990. This is still an active organization, so these records do not offer a complete picture of the company’s history and activities, as most records are active and retained by the Pennsylvania...(see more)

Held at: Temple University Libraries Special Collections Research Center [Contact Us]

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Karl T. Marx papers, 1939-1983 (bulk) 1930-1984 (inclusive)

Extent:
1.0 linear feet (5 boxes + 1 oversize folder)
Abstract:
This collection documents the activities of Karl T. Marx and it spans the years 1930 to 1984 with the bulk of the materials dating from 1939 to 1983. He was a German immigrant who was employed in the textile industry and was also a prolific writer in the German and English languages on a variety of subjects. Some of his writings deal with technical issues related to the textile industry. Other writings include aphorisms, prose and articles related to his interest in German-American history. During World War II, he collected political cartoons related to the war from various newspapers that are arranged in two scrapbooks. The collection also includes correspondence, clippings, photographs, ephemera, and films.

Held at: German Society of Pennsylvania: Joseph P. Horner Memorial Library [Contact Us]

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Frederick R. Gardner collection of Robert Lawson, 1900-1983 (inclusive)

Extent:
69.8 linear feet
Abstract:
This collection contains the literary papers of author and illustrator Robert Lawson (1892-1957), collected by Frederick R. Gardner. Materials date from 1900 to 1983. Lawson’s illustrations make up the bulk of this collection; illustrations for forty-seven titles and unpublished artworks are represented. In addition to etchings and illustrations in graphite, pen and ink, and watercolor, the collection includes articles, clippings, correspondence, manuscript drafts, photographs, promotional materials, slides, and speeches. Some of Frederick R. Gardner's records relating to his collecting project are also represented. Of particular note are the dummy for Munro Leaf’s The Story of Ferdinand (1936) and the original art for Mr. Popper’s Penguins (1938) and Wee Gillis (1938).

Held at: Free Library of Philadelphia: Rare Book Department [Contact Us]

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Colonel Richard A. Gimbel collection of Edgar Allan Poe materials, 1809-1995 (inclusive)

Extent:
5.5 linear feet
Abstract:
Richard Gimbel (1898-1970) was a leading rare book and manuscript collector and the son of the founder of Gimbel's department store. Edgar Allan Poe was an American poet, short-story writer, editor, and literary critic, and is considered part of the American Romantic Movement. This collection of material was largely collected by Richard A. Gimbel and dates from 1809 to 1995. It includes numerous original manuscripts and correspondence by or related to Poe.

Held at: Free Library of Philadelphia: Rare Book Department [Contact Us]

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Thornton Oakley collection of Howard Pyle and his students, 1887-1951 (bulk) 1841-1992 (inclusive)

Extent:
15.83 linear feet
Abstract:
The Thornton Oakley collection of Howard Pyle and his students covers the influential artistic career of Howard Pyle and several of his students, most notably Maxfield Parrish, Violet Oakley, and N.C. Wyeth. The collection includes a wide range of materials, which was collected and assembled by Pyle’s former student Thornton Oakley. There are tear sheets of artwork published in magazines, original illustrations, photographs, research notes, manuscripts, and correspondence. Besides Howard Pyle, artists well represented in this collection include Elizabeth Shippen Green, Jessie Wilcox Smith, George Harding, Violet Oakley, N.C. Wyeth, and a large collection of material on Maxfield Parrish. There is also a series dedicated to the children’s author and art historian, Henry Clarence Pitz, who researched and wrote The Brandywine Tradition about Pyle and his artistic influence. The collection’s primary strength is the collection of artwork by Pyle and his students, some of...(see more)

Held at: Free Library of Philadelphia: Rare Book Department [Contact Us]

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