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Nineteenth-century English broadside ballads, circa 1800s (inclusive)

Extent:
49 items
Abstract:
Nineteenth-century London printers of broadside ballad sheets supplied both traditional and original songs to "hawkers and the trade," as well as selling to customers in their own shops. Most compositions are anonymous (though their authors are sometimes named or identifiable) and they enjoyed a wide audience. This collection contains 49 publications from a variety of printers, including the heirs of John Pitts and James Catnach (Elizabeth Hodges and Anne Ryle, respectively) and Henry P. Such. Researchers interested in nineteenth-century popular song or the London printing trade will find this collection of use.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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American and British ballads, circa 18th-19th centuries (inclusive)

Extent:
1.1 linear feet (3 boxes)
Abstract:
Broadside ballads are single sheets of paper printed on one side with song lyrics. These ballads were about love, religion, legends, current events, etc. and were printed and circulated in large quantities. They were popular from the 16th through the 19th centuries in England, Ireland, and North America.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Mes vers by Herminie Delavault, 1840-1879 (inclusive)

Extent:
2 volumes
Abstract:
This collection contains two volumes of poems and ballads titled Mes vers by Herminie Delavault spanning the years 1840 to 1879. Written in French, the works also include verse created for the musical compositions by Delavault's husband Germain-Eugène Delavault (1814-1892). In addition, volume two contains a French translation of John Gay's libretto for Handel's Acis and Galatea.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]