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Start Over Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Subject Artists Form Audiovisual materials Year 1945 to 1949

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Ursula Sternberg-Hertz papers, 1923-2014 (inclusive) 1950-2000 (bulk)

Extent:
23 linear feet (39 boxes)
Abstract:
Ursula Sternberg-Hertz (1925-2000) was a Philadelphia based artist who lived in Germany, the Netherlands, Belgium, England, and Canada before immigrating to the United States in 1971 with her husband, conductor Jonathan Sternberg. The collection documents her artistic career, with artwork ranging from rough sketches to finished pieces, using acrylics, charcoal, markers, pen-and-ink, stamps, watercolor, and other experimental mediums. She produced artwork on paper, metal, fabric, and leather; in sketchbooks; and on objects such as lampshades and boxes. In addition to her artwork, there is also family and personal material; correspondence; diaries, including an extraordinary run of her "visual diaries" from the early 1940s and from the 1970s until her death; and material related to her exhibits.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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James Brewton papers, 1902-2014 (inclusive) 1951-1967 (bulk)

Extent:
2 linear feet (7 boxes, 5 oversize folders) and 1.2 gigabytes
Abstract:
James Edward Brewton (1930-1967) was an American painter and printmaker who attended the Pennsylvania Academy of the Fine Arts and exhibited works in Philadelphia and in Denmark. Brewton's early works are said to be expressionist and his later works incorporate graffiti and the influences of "pataphysics." His life was cut short by suicide at the age of 37. The collection is arranged in four series: I. Personal material; II. Artworks; III. Books and audiovisual materials; and IV. Artifacts and memorabilia.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Gotham Book Mart collection of Edward Gorey material, 1945-2012 (inclusive)

Extent:
11 linear feet (19 boxes)
Abstract:
Edward St. John Gorey (1925-2000) was an American author and artist, primarily known for his children's stories and illustrations of children's books, although he also produced adult-oriented work. Sometime around 1977, Gorey established a company, Doomed Enterprises, to handle all matters related to publication and licensing of his work. This collection consists primarily of records of Andreas Brown's and the Gotham Book Mart's records relating to Doomed Enterprises, documents relating to the execution of the Edward Gorey estate after 2000 (for which Brown served as an executor), and other documents and artifacts documenting Gorey's public image and legacy.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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Atha Tehon papers, 1929-2012 (inclusive) 1970-2012 (bulk)

Extent:
11.5 linear feet (30 boxes and 8 oversized folders)
Abstract:
Atha Tehon (1926-2012) was a children's book designer and art director at Dial Books for Young Readers for thirty years and a freelance designer. This collection documents Tehon's life and career in the field of children's book publishing through correspondence, professional papers, project files on children's books, artwork, and awards.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]

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William Steig papers, circa 1907-2002 (inclusive) 1950-2000 (bulk)

Extent:
21 linear feet (45 boxes)
Abstract:
William Steig (1907-2003) was an American cartoonist, illustrator, and writer of children's books. In 1930, Steig began a long and fruitful relationship with The New Yorker, for which he produced more than 2,600 drawings and 117 covers. When he was sixty-one, Steig began writing children's books, including Sylvester and the Magic Pebble (1969), Dominic (1972), Doctor De Soto (1982), and Shrek! (1990), the basis for the DreamWorks animated film of the same name. This collection includes 45 boxes of material, including correspondence; personal and professional records; drafts of Steig's writings; financial records; press, promotional material, and material from exhibits; awards Steig received; and original artwork, including original ink and watercolor drawings and work that would later appear in the New Yorker. There is also ephemera related to the movie Shrek, as well as personal artifacts, such as Steig's brushes and pens.

Held at: University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts [Contact Us]